Explosion of Light in Modern Art Turner
Explosion of Light in Modern Art Turner
Explosion of Light in Modern Art Turner
….
Robert Delaunay [dates] realized the failure of pointillism:
the dots were not small enough, the viewing distance
impossible to establish for accurate optical mixing. Rather,
he painted directly from color and light (as in his “windows”
series).
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Slides:
vision/transpersonal/expanded
sense/transformation of other chakra energies
7th Chakra—Violet & gold: Crown of head/reintegration of
spirit & Nature/aesthetic sense of reality/bliss
SLIDES:
Goethe: [a] 1st chart 1810 in Farbenlehre with blue-color-blind painting at bottom
[b] Light and dark edges producing spectra
Arthur Segal: Fisherman’s House I (1926) influence of Goethe showing polar
Interaction of light & dark
J.M.W. Turner: [a] “Sunrise with Sea Monster” (1840-45) after Chevreul’s book
[b] “Light & Colour: Goethe’s Theory” (c1843)
[c] “Rain, Steam & Speed—the Great American Railway” (1844)
Robert Delaunay: tk
Pissarro: tk
Monet: [a] “Impression: Sunrise” (1872) -- from this painting Impressionism was named
[b] “Haystack” series: Winter (1871)
[c] “Japanese Bridge” (1918-22)
[d] “Waterlilies” series: Irises (1916-23)
Paul Klee: tk fire at evening (1929); blue-orange harmony (1923); blossoming (1934)
Beth Ames Swartz: Chakra installation, Calgary and various other venues.
[a] “A Moving Point of Balance” (1985)
[b] the Chakras
[c] detail: No. #3 chakra painting (1984)
[A book on her art, Reminders of Invisible Light (2002) is available from
Hudson Hills Press; she lives in Paradise Valley, AZ]
Makoto Fujimura: Nihonga technique: mineral pigment, glue & gold (c2001). The
revival of an ancient Japanese technique. Crystals of ground pigment refract
and reflect ambient Light. Similar effect as ground glass used in paint
by Renaissance Venetian painters.
Dan Flavin: Corner Light installation with neon tube: “For the Sonnabends” (1970)
Refracted Light: projection through PrismReflected Light: Winter Sunrise over Burt’s Pond in NE PA