Structuralism: Literary Criticism
Structuralism: Literary Criticism
Strauss also suggests that myths with langue and parole also have a
third element that combines them both. He believes that the myth that
got produced a long time ago is timeless. This is to suggest that the
study of myths tells us that myths are historical and ahistorical at the
same time.
Structuralism is a criticism that doesn’t look out for/ concern itself with
historical, political, social, context of the text. It is purely a form based
reading of the text meant to appreciate the piece of literature as being
timeless. Structuralists don’t believe in knowing about the author or the
socio-political context of the text as for them the text in itself is enough.
Ferdinand de Saussure
Till Saussure, the study of language was a diachronic practice, which is
to say language was studied by analyzing the changes that have been
taking place in the language through history. Saussure introduced a
synchronic approach to study the language.
Roland Barthes
One observes that Saussure’s theoretical treaty may be fundamental for
structuralism but it has hardly to do anything with the literary criticism
that structuralism is known for.
It was, in fact, Barthes who furthers the discourse of structuralism as one
that is applicable to literature for analyses—not only that, Barthes goes
on to move his own philosophical manifestations from structuralism to
post-structuralism; that is to say: Barthes is a significant theorist for
both: structuralism and post-structuralism.
As far as Barthes’ structuralism is concerned it is his Elements of
Semiology that is the seminal text. Barthes begins by claiming that signs
exist only in language and not outside it.
It is a complex idea that means there is nothing outside or without
language. Though language could itself be argued to having flows and
various other problems but its only in language that signs exist;
therefore, make the communication possible.
Semiology, a discipline that Saussure gave birth to, is classified into four
elements by Barthes: a) language and speech b) signifier and
signified c) syntagm and system and d) denotation and connotation.
We remember Saussure’s distinction of language into langue (the
structure that has social acceptance) and parole (the individuals’
reaction and reception towards it), at this point Barthes argues
that language cannot be effected by an individual as it is a social
phenomenon. Hence, Barthes disagrees with Saussure saying that
language is social even at personal level.
Saussure, in his theory of language, argues that signifier and signified
has an arbitrary connection. This claim is refuted by Barthes for he
believes that the connection is a necessity. This connection is a process
that reaches the end point, the signification, through contraction and this
process further naturalizes the connection between signifier and
signified.
For instance, ‘They are playing,’ shows a syntagm relationship while the
relationship between “They are playing’ and ‘We were watching,’ where
‘we’ and ‘were’ are replaceable with ‘they’ and ‘are’, is, according to
Barthes, system.
Barthes argues that any system of signification has three classifications
while commenting on ‘denotation’ and ‘connotation’: the relation
between b) signifier and c) signified. He says that this whole system
reveals the working of the language at two levels that are ‘denotation’
and ‘connotation’.
According to Barthes, in order to attempt a structuralist analysis of a text,
it is necessary to identify the structure of the text through language
keeping in mind the above-mentioned classifications.
Introduction
‘Structuralism’ now designates the practice of critics who analyze
literature on the explicit model of the modern linguistic theory. It is
a term of literary criticism related to language though it influenced a
number of modes of knowledge and movements like Philosophy,
Anthropology, Social Science, literature in Europe.
Actually, “structuralism”, became a major post-war intellectual
movement in Europe and the United States.
But the fact is that ‘structuralism’ includes all kinds of communicative
methods both verbal and non-verbal as well as sign and signification. As
a result, it relates all the forms of signs like smoke, fire, traffic-light, fly
beacon, body language, art facts, status symbol etc.
Background
Though structuralism was marked and bloomed in the 1950s and
1960s, the salient of it was the Swiss Linguist Ferdinand de
Saussure(1857-1913). He instead of highlighting the historical
development of language chose to consider it in ‘a temporal term’ as a
system of differentiated signs which could have to mean within the
system of which they were part (Bijoy Kumar Das, Twentieth Century
Literary Criticism, Atlantic Publishers & Distributors, P-26 ).
He imposed importance on modern uses of the language system and its
activities, its grammatical structures and on the establishment of its
meaning. Saussure’s idea about linguistic structure can expatiate in
three ways: