Nineball DR Dave
Nineball DR Dave
Nineball DR Dave
Presents:
SFBA B C A
“What a feeling to shoot better and consistently.
We’ll show you the way.”
WELCOME
Welcome to the San Francisco Billiard Academy’s Nine Ball Clinic. The
clinic was created by the Billiard Academy to give its students the tools and
knowledge to improve their game of nine ball and shoot consistently.
Each clinic is limited to four students per instructor to ensure that the SFBA
can provide a quality session and to keep the student-to-instructor ratio low.
Each student will be asked to complete an instructor evaluation sheet at the
end of the course.
Thank you for your participation. We hope that your participation in our clinic
will be a learning experience of a lifetime. Please feel free to call the instruc-
tors with any questions.
Instructors:
Eric Harada [email protected]
Bob Jewett [email protected]
Joseph Mejia [email protected]
Instruction is available at billiard rooms throughout the Bay Area and in pri-
vate facilities by arrangement.
Clinic Outline
Introduction of Staff
The Clinic is divided into four parts or “stations” which each cover one
aspect of nine ball. You will be in one group of up to four students who will
go through the clinic together. Each station takes about an hour including a
short break between stations.
Stations:
4. Customized drills
Be sure to take notes on this handout, especially when things aren’t clear
and you may need to ask questions later. If you have trouble on a drill, write
down the problem for future work.
Technique: Each student will shoot several shots which will isolate different
aspects of form and stroke. After all students have been taped, we will
review each shot, looking for both good points and those that could be bet-
ter.
Shots: Long shot; follow shot to side; draw shot from side; frozen cue ball
Straight
Long enough
Head over stick
See the rating checklist in Appendix 1.
Rollouts
Plan three ball sequences before shooting your first object ball.
Look for angles to help you link your three ball sequence. Often
this will mean working for a half-ball angle (30-degree cut) when
moving the cue ball a lot.
Allow for flexibility in planning your three ball positioning
sequence.
Each shot provides a new three ball sequence, until your last
three ballls (i.e., 7, 8 and 9 ball).
Strategies
Run out -- pocket a ball and keep the cue ball centered
Nine ball -- read the rack and place cue ball accordingly
Safety -- firm break and take the cue ball to foot rail
Objectives
Pocketing balls -- the best way to keep control of the table. If noth-
ing is dropping, change something:
Is the rack right?
Location of cue ball
Speed of break
Scattering balls -- try to ensure a good chance at the run
Maximum power into the rack?
Cue ball location
Cue ball position
Cue ball to the center of the table increases the chance of a shot
on the one ball -- try to leave the cue ball between the two spots in
the middle four dismonds of the length of the table.
Centering the CB also decreases the chance of a scratch
A full hit on the one ball and a near stop shot is required to get the
cue ball to the center of the table. This also gets maximum power
into the rack.
Each student will break the rack 10 times, with each break scored for the fol-
lowing items with a maximum score of 6 points on each break:
Notes:
For “CZ”, the center zone is between the two spots.
A foul results in a zero score.
“AS” is a point if you can directly hit either side of the lowest ball.
For “NR” check with your practice partner for what the cue ball
did.
Pocketing the nine ball gives the maximum score for the rack (6
points) regardless of the other items, unless you scratch.
Check on your log sheet for your weak areas, and develop a plan with the
instructor to work on those weaknesses.
Ways to improve:
Try each diagram five times in a session. Add the total number of balls
pocketed for each diagram, one point for each ball. That is your score for
that diagram - A, B, C, D. When you have finished all four diagrams on a
sheet, add the total and enter it on the score sheet. A maximum score is
100.
Try to do this drill with a practice partner. If you’re having trouble getting
from one ball to another, discuss other possible ways of playing the
sequence.
You may find that you need practice on a particular kind of shot, such as a
stop shot. Make a note of the problem, then find one of the progressive
practice drills in the Appendix that will exercise that part of your game.
Often you need to leave the cue ball on one "side" of the following shot.
That is if you leave a cut to the right, position play will be easy, while a cut to
the left will make it difficult to get position on the next shot.
With ball in hand, there is often a choice between a draw and follow shot, for
example in diagram 101C and 101D. In these cases follow shots will proba-
bly give more consistent results.
101A REJ
101B REJ
6 5
8 6
7 5 7
9 8
101C REJ
101D REJ
9 8
6 7
7 6
102A REJ
102B REJ
9 7
8
5
9 5 6
102C REJ
102D REJ
6 5
8 7
9 9 5
103A REJ
103B REJ
5 6 6
9
7
5
8
Stun shots,
no rails.
9
103C REJ
103D REJ
9
6 8
5 5
8
7
6 Three-rail position
on the 7 and 9.
9 7
Wrap Up
Do you know what you need to work on?
What are you going to do differently from what you did before this clinic?
Instructor/course evaluations.