2001 - Nickolas Pappas - Philhellenism and Greek Philosophy
2001 - Nickolas Pappas - Philhellenism and Greek Philosophy
2001 - Nickolas Pappas - Philhellenism and Greek Philosophy
NICKOLAS PAPPAS
Modern European nationalism has often drawn inspiration from the past, link-
1
ing contemporary compatriots to their shared ancestors. In the rhetoric of
nationalistic movements of the eighteenth and early nineteenth centuries, the
nation’s past defined the destiny to which the nationals of the present were
reawakening. So there was nothing surprising in Adamantios Koraes’s speaking,
in 1803, of modern Greeks’ fateful discovery of their “ancestors’ glory,” a
discovery that humbled and intimidated the moderns but also showed them who
they were.2
But while Greek nationalism fit a common pattern in its reappropriation of
that lost past, the Greek reawakening also took sustenance from an atypical
phenomenon that has helped to set Greek nationalism apart from most other
species. For in the late eighteenth century Greek intellectuals came to realize
that, over the preceding fifty years or so, English and German scholars had been
independently developing a philhellenic enthusiasm for Greek antiquity, fueled
by the dissemination of ancient literary works.3 The modern Greeks drew
encouragement from this foreign enthusiasm; and so modern Greek nationalism
has oriented itself toward the past in an unusual manner (most obviously paral-
leled by Israel), beginning the story of its own history not a few centuries back
but deep in antiquity.
Modern Greek nationalism has subsequently always retained at least a tincture
of Philhellenism, i.e., the identification of contemporary Greek-speakers with
the Greeks of classical antiquity, and especially those ancients of the several
centuries that began with Homer and ended with Alexander. During and after
the war of liberation from the Ottoman Empire, Philhellenism helped the Greeks
find support from foreign classicists, artists, and poets who projected their own
nostalgia for antiquity onto the modern liberationist movement. For German and
English Philhellenes such as Byron and Shelley, the thought of a persevering
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unity between ancient and modern Greece gave them a reason to support the
modern state.
For the Greeks themselves, the possession of an unusually splendid ancient
past elevated their sense of their own dignity, instilled their uprising with
world-historical significance, and—not least—provided some content to the
Greek ethnic identity. Those inhabitants of the Peloponnese and a bit of the
Greek mainland who first called themselves citizens of modern Greece shared
scarcely more than their nationalism. “Being Greek” simply did not mean
enough, after centuries of occupation, shifting international zones of influence,
and no clear Greek nation-state in the past. Part of the project of becoming mod-
ern Europeans therefore involved the Greeks’ enterprise of allying themselves
with the ancient inhabitants of their country. If being a modern Greek implied
kinship with Plato and Aristotle, then those authors’ language, creations, and
principles could form the foundation for modern Greeks’ own creations, lan-
guage, and guiding principles. Here nationalism led to the development of a
modern national identity, on the basis of just the wish for that identity.
Philhellenism thus practices a form of what Nietzsche calls “monumental
history,”4 a useful source of encouragement when a time calls for heroic efforts.
The distance of classical Greece from the present helped to erase the details of
antiquity, considered as merely one historical epoch among others, and replace
those details with the display of its highest achievements.
But as Nietzsche also says, monumental history bears the finest fruit when
used by those building monuments; in lesser hands, or in times of no emergency,
it can provide excuses for tearing monuments down. His example comes from
the arts, with obvious application to every other cultural history:
Think of artless and feebly artistic natures girded and armed by monumental history of art and
artists: against whom will they now direct their weapons? Against their traditional enemies, the
strong artistic spirits. . . . It is their path which is obstructed and their air which is darkened when
one dances idolatrously and diligently round a half understood monument of some great past, as
though to say: “See, this is true and real art: what do you care about aspiring newcomers!”
(ADHL, 18)
It cannot be doubted that Greece’s identification with antiquity does not carry
the same significance now, when the nation can assume its continued existence.
(Probably for this reason, Greeks today take their ancient ruins and authors quite
for granted.) And deprived of such monumental projects as the formation of a
modern identity, Philhellenism threatens to turn into a rhetorical prop for free-
wheeling attacks on modernism at large, or the European West. The monumen-
tal history of classical Greece then invites a super-nationalism that takes refuge
in an unassailably distant past and sees all subsequent developments in Euro-
pean history as symptoms of decline.
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according to Aristotle we can know the value of that movement of thought, from
old knowledge to new, precisely because that is the movement of thought that
characterizes the sciences (Posterior Analytics I.1 71a1ff.). The workings of
science determine the structure of reasoning and thereby the direction of inquiry.
(On the subject of Aristotle: it is time to stop a tendentious citation of
Nicomachean Ethics 1094b13–28 as a sign of Aristotle’s open-mindedness,
which is how Evangeliou reads the passage [54]. Aristotle warns his audience
not to expect the same precision and clarity in ethical discourse as in geometry.
First of all, it is hard to think of any modern philosopher who would disagree—
apart from Spinoza, say, who anyway does not fit Evangeliou’s caricature of the
moderns as orthodox. Secondly, Aristotle’s point is that he will speak generally,
not that his conclusions will be tentative. Exactly where courage lies on the
spectrum between rashness and cowardice cannot be stated as an arithmetic
proportion, but Aristotle has no doubt that it does lie between the other two.
However broad his ethical claims are, he takes them to be true and fixed.)
Science can shape ancient philosophy even when it does not look like science.
When a Platonic dialogue inquires into the nature of knowledge, it often uses the
technai or crafts—which include medicine, arithmetic, geometry, and astronomy
—as the paradigms against which to assess philosophical beliefs.8 The Hippias
Minor contains a typical Socratic question:
Looking at your own arts [technas]—they suffice—and to those of others, tell me if you find
(based on the agreements between us) if there is any area in which the true and the false are
different and not the same. (Hippias Minor 368e)
In the existing sciences, mastery over “the true and the false” are identical prac-
tices. Hence, Socrates concludes, the same relationship must hold for every
sphere of human action:
If Odysseus is false he becomes true as well, and if Achilles is true he is false. (Hippias Minor
369a)
Surely this use of technê, a typical Socratic example, amounts to looking to the
sciences not only for factual information but also for constraints on the nature of
knowledge. But that is all Kant does when distinguishing right from wrong
appeals to causal principle: merely looking to the sciences of his own day to
learn how causal claims work.
Plato constrains himself with an eye to religious institutions, too, despite his
occasional criticisms of the specific stories of his religion. In the Republic, to
mention only that dialogue, he regularly defers to the Delphic oracle as the high-
est religious authority, not to be gainsaid (427b–c, 461e, 540c). And the myth of
Er that closes the Republic builds enough choices into the otherworldly lottery
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of future lives to protect the gods from criticism. “God is blameless,” Lachesis
says (617e). Plato will not suggest heresies anything like the ones that brought
the state’s action against Anaxagoras and Protagoras, let alone against Socrates.
Often enough philosophers of the distant past strike us as pursuing pure phi-
losophy only because we overlook the intellectual context for their ideas. A
fundamental principle of political philosophy in both Plato and Aristotle, that
human beings must live in independent cities, would sound fresh and bold if it
had been invented today. Of course we know that principle not as a proof of
their ceaseless inquiry but precisely as a horizon to their thinking that they can’t
see. Likewise their acquiescence to slavery and (with rare and provisional ex-
ceptions) their deep distinction between Greeks and barbarians.
It is no insult to any thinkers to identify limitations in their assumptions. But
we should be mindful of the possibilities for a chauvinism that makes them seem
more open-minded than we are. Here Nietzsche’s concluding attack on the
connoisseurs of art applies precisely (after allowances for Nietzschean hyper-
bole) to the Philhellenic connoisseurs of philosophy who present themselves as
mourning the loss of a great possibility for the philosophical tradition.
Monumental history is the disguise in which their hatred of the mighty and the great of their time
parades as satisfied admiration of the mighty and the great of past ages. Cloaked in this disguise
they turn the proper sense of monumental history into its opposite; whether they know it clearly
or not, at any rate they act as though their motto were: let the dead bury the living. (ADHL, 18)
For all its faults, the philosophy since antiquity may be credited with as many
challenges to received opinion as Evangeliou finds in Aristotle and Plato. To
admit this parity, and the parochialism of ancient philosophy, is not to deny the
Greeks their privileged place in the history of philosophy. Nothing could. But
they can continue to occupy that envied status without being turned into the
sorts of wellsprings to good thinking from whom every departure amounts to a
betrayal.
NOTES
1 This generalization does not hold for nationalism from other parts of the world—the Americas,
for instance. Benedict Anderson calls the nationalistic movements of Europe, which do orient
themselves toward the past, “second-generation” movements, by contrast with the New World’s
original attempts to establish fresh and future-oriented states. Anderson, Imagined Communities,
revised edition (London: Verso, 1991), 194.
2 Elie Kedourie, ed., Nationalism in Asia and Africa (New York: Meridian, 1970), 40.
3 Anderson, Imagined Communities, 72.
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4 Friedrich Nietzsche, On the Advantage and Disadvantage of History for Life, trans. Peter Preuss
(Indianapolis: Hackett Publishing Company, 1980), hereafter ADHL; see especially pp. 14–19.
5 Christos C. Evangeliou, The Hellenic Philosophy: Between Europe, Asia, and Africa
(Binghamton, NY: Institute of Global Cultural Studies, 1997).
6 E. R. Dodds, Pagan and Christian in an Age of Anxiety (New York: W. W. Norton and Com-
pany, 1965), typifies and no doubt abetted the bromide of pagan tolerance that Evangeliou’s ar-
gument relies on. For example: “The religious tolerance which was the normal Greek and Roman
practice had resulted by accumulation in a bewildering mass of alternatives. There were too
many cults, too many mysteries, too many philosophies of life to choose from. . . . Christianity
made a clean sweep” (133). Note that what Dodds calls tolerance is merely the willingness to
believe a large number of different claims, not the desire to preserve the expression of claims one
does not believe.
7 See Peter Garnsey, “Religious Toleration in Classical Antiquity,” in Persecution and Toleration,
ed. W. Shiels, Studies in Church History 21 (1984): 1–27.
8 The analogy to technê to establish criteria for knowledge recurs in Plato, especially in the shorter
dialogues. And technê often refers to science. For medicine as a technê see, among other exam-
ples, Charmides 161e, Gorgias 450a, Laches 185, Lysis 219a; for architecture, Charmides 161e;
for arithmetic, Charmides 165e, Gorgias 450d, Hippias Minor 367a; for geometry, Charmides
165e, Gorgias 450d, Hippias Minor 367d; for astronomy, Gorgias 451c, Hippias Minor 367e.
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