Move Orders, Tricks & Alternatives: The Italian Renaissance I
Move Orders, Tricks & Alternatives: The Italian Renaissance I
Move Orders, Tricks & Alternatives: The Italian Renaissance I
Martyn Kravtsiv
Quality Chess
www.qualitychess.co.uk
Contents
Key to Symbols used & Bibliography 4
Preface 5
Introduction 7
The choice of 2.¥c4 may come as a surprise, yet the fact is that this move has been relatively little
studied, since many players underestimate it. The present volume should do something towards
filling the knowledge vacuum that exists in the Bishop’s Opening, as well as demonstrating ideas
for White against the Petroff.
The second volume will examine the Italian Game and other variations arising from 1.e4 e5
2.¤f3 ¤c6 3.¥c4.
I made the decision to write in Russian, as many of the variations require understanding ideas as
well as knowing the precise moves. I felt I could communicate these ideas more clearly in Russian,
then the excellent translator John Sugden expressed them in English, for which I thank him.
The books are addressed to chessplayers of every level, given that knowing the best moves in the
opening will be useful to anyone.
In this book you will find a large number of improvements and innovations. I have honestly
included all that I am aware of, without trying to keep any ideas to myself. I must add that I don’t
like it when someone deliberately tries to support his own conclusions by making an inaccurate
move for the opposing side at the critical moment. Accordingly the present book will be of use
to those who play 1...e5 with Black – because you can find improvements and new ideas in it for
Black as well as White.
6 The Italian Renaissance I: Move Orders, Tricks & Alternatives
While the book is being prepared for print, I shall carry on looking for new ideas after 1.e4 e5
2.¤f3 ¤c6. Hence as I write these lines now, I am reminded of the words of Thomas Merton:
“Here ends the book, but not the searching.”
Martyn Kravtsiv
June 2020
Chapter 8
A) 7...¤bd7 159
B) 7...¥g4 8.h3 ¥xf3 9.£xf3 0–0 10.g4 161
B1) 10...a5 162
B2) 10...¤a6 162
C) 7...a5! 164
C1) 8.a4 165
C11) 8...¤bd7 165
C12) 8...¥g4!? 9.h3 ¥xf3 10.£xf3 0–0 166
C121) 11.0–0 168
C122) 11.g4!? 168
C2) 8.c3 173
C21) 8...¥g4 173
C22) 8...¤bd7 174
Chapter 8 – 5...¥b4† 6.¥d2 ¥xd2† 7.¤bxd2 159
1.e4 e5 2.¥c4 ¤f6 3.d3 c6 4.¤f3 d5 5.¥b3 12...cxd5 13.¤xd4² White has a small but
¥b4† 6.¥d2 ¥xd2† 7.¤bxd2 stable advantage. A similar position can arise
This recapture is worth considering as an with the inclusion of the moves ...a5 and a4
alternative to the queen recapture we saw in (that inclusion is probably in Black’s favour).
the previous chapter. Now on 13...a5 White can reply 14.c3.
9.¦e1
Now the following sequence is standard, and
leads to a fascinating position:
9...¦e8 10.d4 exd4 11.exd5 ¦xe1† 12.£xe1
14.¤g5!?N
This novelty leads to entertaining play and
also appears to be the best move.
The sacrifice with 14.¥xf7†? does not work due
to 14...¢xf7 15.¤g5† ¢g6! while on 14.a4 c4
12...c5!? 15.¥a2 Black will play 15...a6! 16.¤d4 £b6
This is a rather risky move, although if Black with an unclear position, as in D. Stojanovic –
consistently makes the best moves, then he can S. Solomon, Dresden (ol) 2008.
resist. The alternatives are less testing:
160 Part I – Bishop’s Opening
14...c4 15.¤xc4 bxc4 16.¥xc4 After 19.h4 White does not control the
White has a strong initiative and will soon e5-square, so Black can play 19...¥b7 without
have at least three pawns for the piece. Black fearing 20.¤e6, as he could swap queens and
has to find a number of strong moves, and even then put the knight on e5, equalizing.
after that he is not sure to achieve complete
equality. Also not so scary for Black is 19.¤f3, when
19...¥b7 or 19...d3!? may follow.
16...£f8!
The only move. Unclear is: 19.¤e6 £xe7 20.dxe7 ¤e5
21.¤c7÷ Besides 21...¤xf7!? Black can play
Black must avoid 16...¥b7? 17.¥xf7† ¢h8 21...¦b8 22.e8=£† ¤xe8 23.¥xe8 ¥f5! with
18.¥e6 when White wins. For example, if an approximately equal position.
18...£c8 then 19.¤f7† ¢g8 20.¤e5† ¢h8
21.£d2, with a decisive advantage. 19...hxg5
Less accurate is: 19...¥b7?! 20.¤e6² Now
bad is 20...£xe7?! 21.dxe7 since Black cannot
play ...¤e5. And even after the better defence
20...£c8 21.¥g6 £g8 22.¦d1 White keeps
the initiative.
20.fxg5
17.£e7
This sets more problems than taking on f7
at once, though of course 17.¥xf7† might also
transpose.
17...h6
Again, Black must play an only move.
20...¤g8!
18.¥xf7† The only way! Black is in trouble after
Instead 18.¤xf7 can be met by 18...£xe7 20...¤g4?! 21.¦d1 ¤ge5 22.¥d5 while of
19.dxe7 ¤b6 20.¥b3 and then either course 20...¥b7?! simply fails to 21.gxf6.
20...¢h7 or even 20...¥d7!? leave Black with
no problems; it’s about level. 21.£e4 ¦b8
After 21...£xf7 22.£xa8 ¤b6 23.£f3² the
18...¢h8 19.f4! rook and four pawns are more dangerous than
The most promising follow-up. three scattered minor pieces.
Chapter 8 – 5...¥b4† 6.¥d2 ¥xd2† 7.¤bxd2 161
We will consider B1) 10...a5 and 19.¤d2 ¤e6 20.¤xe4 ¤xd4 21.¢b1, with a
B2) 10...¤a6. decisive advantage thanks to the attack on the
kingside.
B1) 10...a5 11.a3!±
Black has played ...a7-a5 too late, and White
now has no need for a2-a4. What makes all
the difference is that after ...¤a6 Black doesn’t
have the important b4-square available. As we
shall see in the variations following 7...a5 8.a4,
it is this very possibility of ...¤b4 that enables
Black to obtain compensation for a material
deficit.
11...¤a6
It doesn’t help Black to play 11...a4 12.¥a2
¦a5, as he cannot get at the b2-pawn:
13.0–0–0 12.g5 dxe4
Or 12...¤d7 13.exd5± with an extra pawn
and a big advantage.
13.dxe4 ¤d7 14.h4±
On ...¤ac5 White withdraws with ¥a2. He
then castles long and sets about mating the
black king.
B2) 10...¤a6
And now let’s see two options:
a) 13...¦b5 14.¤c4!? (the simple 14.g5 ¤e8
15.h4 £b6 16.£e3± also preserves a large plus
after the exchange of queens) 14...¤bd7 15.g5
¤e8 16.h4± Black’s pieces are too clumsily
placed. He gains nothing from 16...£c7?
17.¤e3 £b6 18.exd5+–, as the b2-pawn
cannot be taken owing to ¤c4.
b) 13...¤e8 14.h4 ¤c7 15.£g3 ¤d7 16.¤f3±
as in Bajt – Almeida, corr. 2016. Black has no
11.g5 dxe4 12.dxe4
time to create counterplay. In the game there
In the game Dastan – A. Saric, Izmir 2016,
followed 16...¦e8 17.g5 £e7 18.d4! dxe4
White played 12.£f5 which Black could
Chapter 8 – 5...¥b4† 6.¥d2 ¥xd2† 7.¤bxd2 163
have answered with: 12...¤h5!?N 13.¤xe4 but in these positions Black has some
g6 14.£f3 (14.£xe5 ¦e8 15.£c3 £xg5÷) counterplay.
14...¤c5 15.¤xc5 £a5†= with a comfortable 16...¤d6
game for Black.
17.¦hg1
Less convincing is 17.¤f5 ¤xf5 18.exf5 e4
(unlike 17.¦hg1 ¦ad8 18.¤f5 here Black
has had no reason to put a rook on d8). For
12...¤d7
The other knight retreat is also worth example on 19.£g3 Black can play 19...¦ae8
studying: and ...£e5.
12...¤e8 13.h4 ¤c5 14.0–0–0 £e7 17...¦ad8 18.¤f5 ¤xf5 19.exf5²
After 19...¤xb3† 20.axb3 £b4 21.£g3 or
19...¦xd1† 20.¦xd1 ¤xb3† 21.axb3 £b4
22.£g3 White has a stable advantage thanks
to the initiative on the kingside.
Here White can get an advantage in several
ways; I will give two small options:
15.¤c4
Or: 15.a3!? ¤xb3† 16.£xb3 ¤d6 17.¦he1²
White placed the rook on e1 so that he could
play ¤f3 and then push h4-h5.
15...b5 16.¤e3! 13.h4 ¤ac5 14.0–0–0
Also possible is 16.¤a5 £c7 when White White’s play is straightforward and strong.
also has an edge after, for example, 17.£e3
¤xb3† 18.¤xb3 or 17.£c3!? ¤xe4 18.£e1, 14...£e7
164 Part I – Bishop’s Opening
13...cxd5
Abridged Variation Index
The Variation Index in the book is 8 pages long. Below is an abridged version giving just the main
variations, not the sub-variations.
Chapter 1 Chapter 5
A) 4...h6 23 Chapter 7
B) 4...d6 24
C) 4...c6 25 1.e4 e5 2.¥c4 ¤f6 3.d3 c6 4.¤f3 d5 5.¥b3
¥b4†
Chapter 3
A) 6.c3 143
1.e4 e5 2.¥c4 ¤f6 3.d3 ¤c6 4.¤c3 B) 6.¥d2 ¥xd2† 7.£xd2!? 143
A) 4...¥b4 38 Chapter 8
B) 4...¥c5 45
C) 4...¤a5 53 1.e4 e5 2.¥c4 ¤f6 3.d3 c6 4.¤f3 d5 5.¥b3
¥b4† 6.¥d2 ¥xd2† 7.¤bxd2
Chapter 4
A) 7...¤bd7 159
1.e4 e5 2.¥c4 ¤f6 3.d3 c6 4.¤f3 B) 7...¥g4 161
C) 7...a5! 164
A) 4...¥e7 61
B) 4...d5 5.¥b3 £c7!? 64
The Italian Renaissance I: Move Orders, Tricks & Alternatives
Chapter 9 Chapter 14
1.e4 e5 2.¤f3 ¤f6 3.¤xe5 1.e4 e5 2.¤f3 ¤f6 3.¤xe5 d6 4.¤f3 ¤xe4
5.¤c3 ¤xc3 6.dxc3 ¥e7 7.¥e3 0–0 8.£d2
A) 3...£e7?! 184 ¤d7 9.0–0–0 ¤e5 10.¤xe5!? dxe5 11.¥d3
B) 3...¤xe4 186
A) 11...c6 236
Chapter 10 B) 11...¥e6 240
A) 8...£e8 217
B) 8...¤c6 217
C) 8...b6 219