The document summarizes different types of violin bow strokes, including those played on and off the string. It defines six bow strokes played on the string - collé, détaché, détaché lancé, legato, louré, and martelé - and four bow strokes played off the string - jeté, ricochet, sautillé, and spiccato. The document notes that articulation markings can have different meanings depending on context and that bow strokes are sometimes used in combination to achieve specific musical effects.
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The document summarizes different types of violin bow strokes, including those played on and off the string. It defines six bow strokes played on the string - collé, détaché, détaché lancé, legato, louré, and martelé - and four bow strokes played off the string - jeté, ricochet, sautillé, and spiccato. The document notes that articulation markings can have different meanings depending on context and that bow strokes are sometimes used in combination to achieve specific musical effects.
The document summarizes different types of violin bow strokes, including those played on and off the string. It defines six bow strokes played on the string - collé, détaché, détaché lancé, legato, louré, and martelé - and four bow strokes played off the string - jeté, ricochet, sautillé, and spiccato. The document notes that articulation markings can have different meanings depending on context and that bow strokes are sometimes used in combination to achieve specific musical effects.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOCX, PDF, TXT or read online from Scribd
The document summarizes different types of violin bow strokes, including those played on and off the string. It defines six bow strokes played on the string - collé, détaché, détaché lancé, legato, louré, and martelé - and four bow strokes played off the string - jeté, ricochet, sautillé, and spiccato. The document notes that articulation markings can have different meanings depending on context and that bow strokes are sometimes used in combination to achieve specific musical effects.
Copyright:
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The passage discusses different types of bow strokes, including their notation and definitions.
Bow strokes played on the string discussed are détaché, détaché lancé, legato, louré, martelé, and staccato.
Bow strokes that involve bouncing the bow discussed are jeté, ricochet, sautillé, and spiccato.
Violin Online Bow Strokes
BOW STROKES: On the String*
NOTATION NAME DEFINITION
Collé means glued. It is a very short stroke, and begins with the bow lightly contacting the string with a distinct and short, sharp pinch. The bow is then Collé lifted to prepare for the next stroke. The resulting sound was described by Galamian as being similar to pizzicato with the bow. Although collé usually has no articulation markings, dots are sometimes used. Détaché indicates smooth, separate bow strokes should be used for each note (it does not mean Détaché detached or disconnected). Notes are of equal value, and are produced with an even, seamless stroke with no variation in pressure. Détaché lancé is a variation of the détaché bow stroke. A slightly separated bow stroke is used to Détaché gently articulate the notes with an unaccented, lancé distinct break between each note. It is often used in combination with the louré or porté stroke to perform several separated notes in the same bow.
Legato indicates the notes should be smoothly
Legato connected, played either in one or several bows (slurs are often used with the legato bow stroke).
Louré strokes are a short series of gently pulsed
legato notes executed in one bow stroke (it is also known as portato). A slight swelling at the beginning of the note should be applied, followed by a gradual lightening of the sound. Strokes are distinctly Louré separate, yet unaccented, and the expressive swell is produced by applying pressure and speed to the bow at the beginning of the note. Although a slur and horizontal dashes are generally used to indicate this effect, dots with slurs are occasionally used. Martelé is a French term meaning hammered. Each note is percussive, and commences with a sharp accent or "pinch" at the beginning of the note, Martelé followed by a quick release. Before the bow is set in motion, the index finger applies this "pinch" or "bite" for articulation. Martelé may be notated in more than one way: with dots, hammer heads or accents. Staccato indicates the bow should remain on the string to play shortened and detached notes, distinctly separate from successive notes. Staccato Staccato is sometimes used with slurs (slurred staccato) for a series of short, stopped notes played in the same up or down bow (many violinists perform slurred staccato as a series of slurred martelé strokes). *Articulation markings often mean different things. For example, a dot means shorten the note and can indicate bow strokes such as spiccato (off the string) and staccato (on the string). It is important to understand the context of the music and the purpose for the articulation in order to properly interpret the markings and corresponding bow strokes. It should also be noted that bowing terminology and markings are not always precise. Different bow strokes are often used in combination with other bow strokes to achieve the desired musical effect. Musicians sometimes disagree about how to interpret bowing terminology and markings, so use your best judgment, and enjoy the music!
BOW STROKES: Off the String
NOTATION NAME DEFINITION
Jeté means "thrown" in French. In this bow stroke, the bow is thrown on the string, and then bounces for several notes in the same bow direction. The Jeté height and speed of the bounce are regulated through factors such as the amount of pressure used by the index finger, and where the bow is initially thrown or placed. Ricochet is a bow stroke where the bow is dropped on the string and rebounds (bounces) on the string for several notes in the same bow direction. The natural resiliency of the string helps the bow to bounce. As in the jeté bow stroke, the height and speed of the bounce are regulated through factors Ricochet such as additional pressure used by the index finger, and where the bow is initially thrown or placed. Although ricochet and jeté are similar, some violinists consider jeté to be more of a controlled bounce than ricochet (there are some violinists who use these terms interchangeably). Sautillé is a fast, bouncing or springing stroke in which the bow naturally bounces off of the string, producing a lighter, more rapid, and less percussive Sautillé sound than spiccato. The natural resiliency of the bow is utilized to produce this light, fast stroke, and it is often played in the middle of the bow. Spiccato is an off-the-string, controlled bouncing bow stroke which produces a crisp sound and very Spiccato short notes. It is the slowest of the bouncing strokes.
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