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    Justin Raines Bass Solo: Transcribed by Jon Kent 2011

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    bassistbase
    This document provides a bass solo transcription in musical notation. The solo is performed over a chord progression in 4/4 time at a tempo of 87 beats per minute. It consists of various bass lines, runs, and fills played across 27 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Justin Raines Bass Solo: Transcribed by Jon Kent 2011

    Uploaded by

    bassistbase
    174 views2 pages
    This document provides a bass solo transcription in musical notation. The solo is performed over a chord progression in 4/4 time at a tempo of 87 beats per minute. It consists of various bass lines, runs, and fills played across 27 measures.

    Original Description:

    vxhgxkjgmhf

    Original Title

    soslo bass

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    This document provides a bass solo transcription in musical notation. The solo is performed over a chord progression in 4/4 time at a tempo of 87 beats per minute. It consists of various bass lines, runs, and fills played across 27 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    174 views2 pages

    Justin Raines Bass Solo: Transcribed by Jon Kent 2011

    Uploaded by

    bassistbase
    This document provides a bass solo transcription in musical notation. The solo is performed over a chord progression in 4/4 time at a tempo of 87 beats per minute. It consists of various bass lines, runs, and fills played across 27 measures.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Justin Raines Bass Solo

    Transcribed by jon kent 2011


    'Holy' - Doobie Powell
    q = 87
    
       
          
            
     
    3          
             
           


    3 6
    5            
              
         
     
                 
    7
     
               

           
     
    6 6 6 6

          
    9
            
         

    11    
              
      
           

    6
     
    13                     
                 
       

    6 6

    15
                  
           
      
     
    6 3
      
    17       
    
           
    
      

             
       

         
    20             

        
           
           

    3
    2
    22 
             
                      
      
    6
    24            
       

    25        
           
     
     
    27
      
     
            
        

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