Quick Company Analysis PVR Limited: Shiksha
Quick Company Analysis PVR Limited: Shiksha
Quick Company Analysis PVR Limited: Shiksha
Disclaimer
The purpose of this document is purely educational in nature. The idea is to help someone kick-start
their analysis on this company. However, this is not to be construed as a recommendation of any sort
on the company or its stock. All information has been sourced from publicly available data such as
annual reports and news items and the veracity of the sources has not been independently
established. Kindly use your judgement while analysing further or using this document.
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Introduction
PVR Limited (PVR) is the largest cinema chain in India with 748 screens spread over 161 properties in
64 cities across the country as on January 2018. PVR is the dominant leader with 30‐35% share of box
office collections for Hollywood movies in India & 20‐25% share of Bollywood movies.
Business
• Before understanding the company, one must understand how things function in theatre
business.
• After the movie is produced, distributor acquires right to distribute the film in a particular
territory, for a limited period of time by paying a minimum guarantee to the producer.
• Distributor then talks with exhibitors for release of the movie. Exhibitors are responsible for
public screening for paying customers, they generally consist of the movie theatre.
• Distributor secures a written contract stipulating the amount of the gross ticket sales the
exhibitor will be allowed to retain (usually a percentage of the gross). The distributor collects
the amount due to him from exhibitors takes his commission and remits the rest to the movie
producer. 2
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• Net box office collection refers to the collective sum of the ticket value sold by the theatre.
• The net box office collection depends on average ticket price and the number of visitors.
• Ticket pricing for a movie is determined well in advance and can be changed on Monday for
the following week starting Friday.
• The net box office collection for PVR has grown at a CAGR of 15% from 2015 to 2018 while the
average ticket prices have grown by CAGR 6% in the same period. The number of visitors have
increased from 590 lakhs to 760 lakhs i.e. growth of 9% CAGR.
200 196
188
190
178
180
170
160
2015 2016 2017 2018
• It is important to note that online bookings have touched ~50% of PVRs total ticketing sale.
Consequently, PVR’s income from online booking in form convenience fees is continuously
increasing from 20 crore in 2015 to 60 crore in 2018.
40
20
0
2015 2016 2017 2018
Advertisement
• Theatres are used as a medium of advertising by many corporates.
• This segment is the third largest contributor to the revenues of the company. Company enjoys
a leadership position in advertisement, as well as sponsorship revenue, a near double of that
of its nearest competitor in both.
• The revenue from this segment has grown at a CAGR of 19% from 2015 to 2018. Revenue from
this segment depends on ad rates and number of screens.
• FMCG, Telecom, Consumer Electronics and Automobiles are the main advertisers, new sectors
like BFSI have also started advertising through PVR.
• Per screen advertising revenue has increased from 38 lakhs in 2015 to 48 lakhs in 2018.
30
20
10
0
2015 2016 2017 2018
Revenue Drivers
• Company’s revenue has grown at a CAGR of 28% from Rs.334 crore in 2010 to Rs.2334 crore
in 2018.
• In 2018, company’s year on year revenue grew by 10% in 2018.
• This was mainly due to increase in revenue from Net box office by 11%, food and beverage
revenue showed a growth of 8%, and advertising income showed a rise of 18% in 2018 vis-à-
vis previous year.
Distribution of revenue
100%
7% 8% 8% 7%
12% 12% 12% 13%
80%
25% 27% 27% 27%
60%
40%
56% 54% 53% 53%
20%
0%
2015 2016 2017 2018
• The share of income from sale of movie tickets is reducing in revenue pie while the share of
advertising income and sale of food and beverages is increasing in the revenue pie. This is
considered as a positive sign as margins on sale of food and beverages and advertising income
are generally high. F&B and advertisement generate gross margin of ~75% and ~95%,
respectively, against ~55% of box office.
• Despite of increase in revenue, the occupancy of theatre is continuously decreasing and
footfall per screen has decreased this is due to increase in number of screens.
32%
31% 31%
31%
30%
5
29%
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1.25 1.22
1.20
1.15
2015 2016 2017 2018
Number of screens
800
700 72
600 3
29
500
400
622 676
300 138 550
464 516
200 421
100 166 213
0
FY12 FY13 FY14 FY15 FY16 FY17 FY18 Jan-18
• During FY 2017-18, PVR invested in iPic – Gold Class Entertainment, it’s first-ever stake
purchase outside India. In a $4 million deal, PVR has gained a 2% interest in the American
cinema chain. This company owns 121 screens with a superior revenue mix of F&B (51% share)
and theatricals (33% share).
• PVR also operates in premium screen category. As on 31st March 18, the Company was
operating the premium screen category with 36 screens of Gold Class, 7 of IMAX, 7 of 4DX, 4
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Cost Drivers
• The largest cost for company is movie exhibition cost, rent and employee benefit expense.
• Movie exhibition cost is the amount paid to movie producer or distributors out of the money
collected from ticket sales. PVR signs a one-week agreement with every producer and the
agreement for the next week is renewed every Monday. It provides pricing details for every
week to the producer.
• Company is expected to have a high rental cost as it is present in attractive real estate
locations, with an asset-light model, free from ownership of real estate. It has long-term rental
agreements with well-known mall developers in the country. Company has anchor tenant in
more than 60% of top 20 Malls in India.
• Company has nearly 50% of its capital employed in fixed assets. It mainly consist of leasehold
improvement and plant & machinery. Leasehold improvement is change made to the rental
property by PVR.
• Other financial assets forms 9% of the balance sheet, these are majorly security deposits paid
by PVR to Landlord.
• Company’ goodwill forms 18% of its balance sheet. Goodwill includes the amount paid to
acquire Cinema exhibition undertaking of DLF Utilities Limited and Cinemax India Limited over
and above their net assets. Goodwill is subjected to annual tests of impairment.
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• Borrowings form nearly 30% of the capital employed. Company has reduced its borrowings
by 9% in 2018. Company’s interest coverage ratio has improved.
• Company has negligible inventory. Inventory mainly consists of food, beverages, stores and
spares.
• Company’s receivable days have increased by 7 days in 2018. Receivables are generally with
respect to advertising business and movie production and distribution business.
• Company has a negative cash conversion cycle indicating that company’s creditors are funding
the working capital requirement of the company.
• Working capital as a percentage of sales is stable indicating company is efficient in managing
its working capital.
Receivables days 19 18 17 24
• Company’s return of equity has improved due to improvement in asset turnover ratio.
• Company’s return on capital employed has increased due to increase in EBITDA and reduction
in borrowings.
• Company’s cash flow from operations are nearly thrice of its net profits. The reason for the
vast difference in net profit and operating cash flow is depreciation, finance cost and deferred
rent (Rent holiday offered by landlord to tenant for few months as incentive) which are added
back to net profit to arrive at cash flow from operations.
• Company’s cash flow from investing activity is negative indicating company is investing in
CAPEX.
• Company’s cash flow from financing activity is positive till 2017 indicating it is borrowing.
However in 2018 company has a negative cash flow indicating company is paying back its
loans.
Management’s Quality
• Shareholding of promoter is 20.25% in March 2018.
• PE- 57
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