23

chapter

Television
T his chapter introduces you to the subject of TV technology. It embodies almost
all the principles and circuits covered elsewhere in this book. Studying TV is an
excellent review of communication fundamentals, including modulation and mul-
tiplexing, transmitters and receivers, antennas and transmission lines, and even
digital techniques.
This chapter covers the basic NTSC system and TV receiver. The NTSC is the
National Television Standards Committee, the group that developed the standards
for analog TV and color TV in the 1950s. It also covers cable TV, satellite TV, and
the new digital and high-definition TV systems as defined by the Advanced
Television Standards Committee (ATSC).

Objectives
After completing this chapter, you will be able to:
■ Describe and give specifications for a complete TV signal including all its
individual components.
■ Explain the process used by a TV camera to convert a visual scene to a
video signal.
■ Draw a simplified block diagram, showing main components, of a TV trans-
mitter, a TV receiver and the signal flow.
■ Draw a block diagram of a cable TV system.
■ Name all the elements of and explain the operation of a cable TV system.
■ Explain the operation of a DBS TV receiver.
■ Define digital TV (DTV) and high-definition TV (HDTV), and state the basic
specifications of HDTV receivers.

1
 23-1 TV Signal
TV signal A considerable amount of intelligence is contained in a complete TV signal. As a result,
the signal occupies a significant amount of spectrum space. As indicated earlier, the TV
signal consists of two main parts: the sound and the picture. But it is far more complex
than that. The sound today is usually stereo, and the picture carries color information as
well as the synchronizing signals that keep the receiver in step with the transmitter.

Signal Bandwidth
Signal bandwidth The complete signal bandwidth of a TV signal is shown in Fig. 23-1. The entire TV
signal occupies a channel in the spectrum with a bandwidth of 6 MHz. There are two
carriers, one each for the picture and the sound.

Audio signal Audio Signal. The sound carrier is at the upper end of the spectrum. Frequency mod-
ulation is used to impress the sound signal on the carrier. The audio bandwidth of the
signal is 50 Hz to 15 kHz. The maximum permitted frequency deviation is 25 kHz, con-
siderably less than the deviation permitted by conventional FM broadcasting. As a result,
a TV sound signal occupies somewhat less bandwidth in the spectrum than a standard
FM broadcast station. Stereo sound is also available in TV, and the multiplexing method
used to transmit two channels of sound information is virtually identical to that used in
stereo transmission for FM broadcasting.

Video Signal. The picture information is transmitted on a separate carrier located

4.5 MHz lower in frequency than the sound carrier (refer again to Fig. 23-1). The video
signal derived from a camera is used to amplitude-modulate the picture carrier. Differ-
ent methods of modulation are used for both sound and picture information so that there
is less interference between the picture and sound signals. Further, amplitude modula-
tion of the carrier takes up less bandwidth in the spectrum, and this is important when
a high-frequency, content-modulating signal such as video is to be transmitted.
Note in Fig. 23-1 that vestigial sideband AM is used. The full upper sidebands of the
picture information are transmitted, but a major portion of the lower sidebands is sup-
pressed to conserve spectrum space. Only a vestige of the lower sideband is transmitted.
The color information in a picture is transmitted by way of frequency-division mul-
tiplexing techniques. Two color signals derived from the camera are used to modulate a
3.85-MHz subcarrier which, in turn, modulates the picture carrier along with the main
video information. The color subcarriers use double-sideband suppressed carrier AM.
The video signal can contain frequency components up to about 4.2 MHz. There-
fore, if both sidebands were transmitted simultaneously, the picture signal would occupy

Figure 23-1 Spectrum of a broadcast TV signal.

2 Chapter 23
8.4 MHz. The vestigial sideband transmission reduces this excessive bandwidth. The total
bandwidth allocated to a TV signal is 6 MHz.

TV Spectrum Allocation. Because a TV signal occupies so much bandwidth, it must TV spectrum allocation
be transmitted in a very high-frequency portion of the spectrum. TV signals are assigned to
frequencies in the VHF and UHF range. In the United States, TV stations use the frequency
range between 54 and 806 MHz. This portion of the spectrum is divided into sixty-eight
6-MHz channels which are assigned frequencies (Fig. 23-2). Channels 2 through 7 occupy
the frequency range from 54 to 88 MHz. The standard FM radio broadcast band occupies
the 88- to 108-MHz range. Aircraft, amateur radio, and marine and mobile radio com-
munication services occupy the frequency spectrum from approximately 118 to 173 MHz.
Additional TV channels occupy the space between 470 and 806 MHz. Figure 23-2 shows
the frequency range of each TV channel.

Figure 23-2 VHF and UHF TV channel frequency assignments.

CHANNEL FREQUENCY, MHZ CHANNEL FREQUENCY, MHZ

Low-band VHF UHF (cont.)
2 54–60 32 578–584
3 60–66 33 584–590
4 66–72 34 590–596
5 76–82 35 596–602
6 82–88 36 602–608
FM broadcast 88–108 37 608–614
Aircraft 118–135 38 614–620
Ham radio 144–148 39 620–626
Mobile or marine 150–173 40 626–632
41 632–638
42 638–644
High-band VHF 43 644–650
7 174–180 44 650–656
8 180–186 45 656–662
9 186–192 46 662–668
10 192–198 47 668–674
11 198–204 48 674–680
12 204–210 49 680–686
13 210–216 50 686–692
51 692–698
52 698–704
UHF
14 470–476 53 704–710
15 476–482 54 710–716
16 482–488 55 716–722
17 488–494 56 722–728
18 494–500 57 728–734
19 500–506 58 734–740
20 506–512 59 740–746
21 512–518 60 746–752
22 518–524 61 752–758
23 524–530 62 758–764
24 530–536 63 764–770
25 536–542 64 770–776
26 542–548 65 776–782
27 548–554 66 782–788
28 554–560 67 788–794
29 560–566 68 794–800
30 566–572 69 800–806
31 572–578 Cellular telephone 806–902

Television 3
 To find the exact frequencies of the transmitter and sound carriers, use Fig. 23-2 and
the spectrum outline in Fig. 23-1. To compute the picture carrier, add 1.25 MHz to the
GOOD TO KNOW lower frequency of range given in Fig. 23-2. For example, for channel 6, the lower fre-
In a TV signal, the sound is quency is 82 MHz. The picture carrier is 82 ⫹ 1.25, or 83.25, MHz. The sound carrier
frequency-modulated, and the is 4.5 MHz higher, or 83.25 ⫹ 4.5, that is, 87.75, MHz.
picture is amplitude-modulated.
It is important to point out that although TV is still transmitted by radio waves, most
viewers get their TV signals via a cable. More than 80 percent of U.S. homes have cable
Different methods of modulation
TV that carries the “over-the-air” TV channels as well as premium and specialized chan-
are used to minimize interference nels of programming. In the near future, the FCC will auction off the upper VHF chan-
between the picture and sound nels (53–69) to other services such as cell phones and wireless LANs and MANs. Some
signals. cell phone TVs will use these channels.

Generating the Video Signal

The video signal is most often generated by a TV camera, a very sophisticated electronic
device that incorporates lenses and light-sensitive transducers to convert the scene or
GOOD TO KNOW object to be viewed to an electric signal that can be used to modulate a carrier. All vis-
A given scene is divided into seg- ible scenes and objects are simply light that has been reflected and absorbed and then
ments that can be transmitted
transmitted to our eyes. It is the purpose of the camera to take the light intensity and
color details in a scene and convert them to an electric signal.
serially over a period of time,
To do this, the scene to be transmitted is collected and focused by a lens upon a
because any scene contains so light-sensitive imaging device. Both vacuum tube and semiconductor devices are used
much light information that it for converting the light information in the scene to an electric signal. Some examples
would be impossible for an are the vidicon tube and the charge-coupled device (CCD) so widely used in camcorders
electronic device to perform a and all modern TV cameras.
simultaneous conversion of all
The scene is divided into smaller segments that can be transmitted serially over a
period of time. Again, it is the job of the camera to subdivide the scene in an orderly
of it.
manner so that an acceptable signal is developed. This process is known as scanning.

Scanning

Example 23-1
Compute the picture and sound carrier frequencies for UHF TV channel 39.
1. From Fig. 23-2, channel 39 extends from 620 to 626 MHz.
2. The picture carrier is 1.25 MHz above the lower band limit, or
1.25 ⫹ 620 ⫽ 621.25 MHz
3. The sound carrier is 4.5 MHz above the picture carrier:
4.5 ⫹ 621.25 ⫽ 625.75 MHz

Principles of Scanning. Scanning is a technique that divides a rectangular scene

into individual lines. The standard TV scene dimensions have an aspect ratio of 4:3; that
is, the scene width is 4 units for every 3 units of height. To create a picture, the scene is
subdivided into many fine horizontal lines called scan lines. Each line represents a very Scan lines
narrow portion of light variations in the scene. The greater the number of scan lines, the
higher the resolution and the greater the detail that can be observed. U.S. TV standards
call for the scene to be divided into a maximum of 525 horizontal lines.
Figure 23-3 is a simplified drawing of the scanning process. In this example, the scene
is a large black letter F on a white background. The task of the TV camera is to convert this

4 Chapter 23
Figure 23-3 Simplified explanation of scanning.

4:3

scene to an electric signal. The camera accomplishes this by transmitting a voltage of 1 V

for black and 0 V for white. The scene is divided into 15 scan lines numbered 0 through
14. The scene is focused on the light-sensitive area of a vidicon tube or imaging CCD
which scans the scene one line at a time, transmitting the light variations along that line as
voltage levels. Figure 23-3 shows the light variations along several of the lines. Where the
white background is being scanned, a 0-V signal occurs. When a black picture element is
encountered, a 1-V level is transmitted. The electric signals derived from each scan line are
referred to as the video signal. They are transmitted serially one after the other until the
entire scene has been sent (see Fig. 23-4). This is exactly how a standard TV picture is
developed and transmitted.
Since the scene contains colors, there are different levels of light along each scan
line. This information is transmitted as different shades of gray between black and white.
Shades of gray are represented by some voltage level between the 0- and 1-V extremes
represented by white and black. The resulting signal is known as the brightness, or lumi- Luminance (Y ) signal
nance, signal and is usually designated by the letter Y.
A more detailed illustration of the scanning process is given in Fig. 23-5. The scene is
scanned twice. One complete scanning of the scene is called a field and contains 262 1兾2 Field

Figure 23-4 The scan line voltages are transmitted serially. These correspond to the
scanned letter F in Figure 23-3.

Television 5
Figure 23-5 Interlaced scanning is used to minimize flicker.

lines. The entire field is scanned in 1兾60 s for a 60-Hz field rate. In color TV the field
rate is 59.94 Hz. Then the scene is scanned a second time, again using 262 1兾2
lines. This second field is scanned in such a way that its scan lines fall between those
Interlaced scanning of the first field. This produces what is known as interlaced scanning, with a total of
2 ⫻ 262 1兾2 ⫽ 525 lines. In practice, only about 480 lines show on the picture tube
screen. Two interlaced fields produce a complete frame of video. With the field rate being
1兾60 s, two fields produce a frame rate of 1兾30 s, or 30 Hz. The frame rate in color TV
is one-half the field rate, or 29.97 Hz. Interlaced scanning is used to reduce flicker, which
is annoying to the eye. This rate is also fast enough that the human eye cannot detect
individual scan lines and therefore sees a stable picture.
The rate of occurrence of the horizontal scan lines is 15,750 Hz for monochrome,
or black and white, TV and 15,734 Hz for color TV. This means that it takes about
1/15,734 s, or 63.6 ␮s, to trace out one horizontal scan line.
At the TV receiver, the picture tube is scanned in step with the transmitter to accu-
rately reproduce the picture. To ensure that the receiver stays exactly in synchronization
with the transmitter, special horizontal and vertical sync pulses are added to and transmit-
ted with the video signal (see Fig. 23-6). After one line has been scanned, a horizontal
blanking pulse comes along. At the receiver, the blanking pulse is used to cut off the elec-
tron beam in the picture tube during the time the beam must retrace from right to left to
get ready for the next left-to-right scan line. The horizontal sync pulse is used at the receiver

6 Chapter 23
Figure 23-6 Sync pulses are used to keep the receiver in step with the transmitter.

to keep the sweep circuits that drive the picture tube in step with the transmitted signal.
The width of the horizontal blanking pulse is about 10 ␮s. Since the total horizontal period
is 63.6 ␮s, only about 53.5 ␮s is devoted to the video signal.
At the end of each field, the scanning must retrace from bottom to top of the scene
so that the next field can be scanned. This is initiated by the vertical blanking and sync
pulses. The entire vertical pulse blacks out the picture tube during the vertical retrace.
The pulses on top of the vertical blanking pulse are the horizontal sync pulses that must
continue to keep the horizontal sweep in sync during the vertical retrace. The equaliz-
ing pulses (not shown in Fig. 23-6) that occur during the vertical retrace period help
GOOD TO KNOW
synchronize the half scan lines in each field. Approximately 30 to 40 scan lines are used The bandwidth of a video system
up during the vertical blanking interval. Therefore, only 480 to 495 lines of actual video determines the resolution. The
are shown on the screen. greater the bandwidth, the
greater the definition and detail.
Relationship between Resolution and Bandwidth. Scanning a scene or pic-
ture is a kind of sampling process. Consider the scene to be a continuous variation of
light intensities and colors. To capture this scene and transmit it electronically,
the light intensity and color variations must be converted to electric signals. This con-
version is accomplished through a process called scanning, whereby the picture is divided Scanning
into many fine horizontal lines next to one another.
The resolution of the picture refers to the amount of detail that can be shown. Resolution
Pictures with high resolution have excellent definition, or distinction of detail, and the Definition
pictures appear to be clearly focused. A picture lacking detail looks softer, or somewhat
out of focus. The bandwidth of a video system determines the resolution. The greater Video bandwidth
the bandwidth, the greater the definition and detail.
Resolution in a video system is measured in terms of the number of lines defined
within the bounds of the picture. For example, the horizontal resolution RH is given
as the maximum number of alternating black-and-white vertical lines that can be dis-
tinguished. Assume closely spaced vertical black-and-white lines of the same width.
When such lines are scanned, they will be converted to a square wave (50 percent duty
cycle). One cycle, or period, t of this square wave is the time for one black line and
one white line. If the lines are very thin, the resulting period will be short and the fre-
quency will be high. If the lines are wide, the period will be longer and the resulting
frequency lower.
The National Television Standards Committee (NTSC) system restricts the band-
width in the United States to 4.2 MHz. This translates to a period of 0.238 ␮s, or 238 ns.
The width of a line is one-half this value, or 0.238/2 ␮s, or 0.119 ␮s. Remember that
the horizontal sweep interval is about 63.6 ␮s. About 10 ␮s of this interval is taken up
by the horizontal blanking interval, leaving 53.5 ␮s for the video. The displayed scan
line takes 53.5 ␮s. With 0.119 ␮s per line, one horizontal scan line can resolve, or
contain, up to 53.5/0.119, or 449.5, vertical lines. Therefore, the approximate horizontal
resolution RH is about 450 lines.

Television 7
 Figure 23-7 Creating other colors with red, green, and blue light.

The vertical resolution RV is the number of horizontal lines that can be distinguished.
Only about 480 to 495 horizontal lines are shown on the screen. The vertical resolution
is about 0.7 times the number of actual lines NL:
RV ⫽ 0.7NL
If 485 lines are shown, the vertical resolution is 0.7 ⫻ 485, or 340, lines. In practice,
the bandwidth varies as will the horizontal resolution. The lowest is about 340, but it
could be as high as 640. A typical figure is 427.

Color signal generation Color Signal Generation. The video signal as described so far contains the video
or luminance information, which is a black-and-white (B&W) version of the scene. This
is combined with the sync pulses. Now the color detail in the scene must somehow be
represented by an electric signal. This is done by dividing the light in each scan line into
three separate signals, each representing one of the three basic colors, red, green, or blue.
It is a principle of physics that any color can be made by mixing some combination of
the three primary light colors (see Fig. 23-7).
In the same way, the light in any scene can be divided into its three basic color
components by passing the light through red, green, and blue filters. This is done in a
color TV camera, which is really three cameras in one (see Fig. 23-8). The lens focuses
the scene on three separate light-sensitive devices such as a vidicon tube or an imag-
ing CCD by way of a series of mirrors and beam splitters. The red light in the scene
passes through the red filter, the green through the green filter, and the blue through
the blue filter. The result is the generation of three simultaneous signals (R, G, and B)
during the scanning process by the light-sensitive imaging devices.

Figure 23-8 How the camera generates the color signals.

8 Chapter 23
Figure 23-12 Complete TV transmitter.

R
G Color processing Y
B [from Fig. 23-10(a)]

set of sharp bandpass filters that pass the transmitter signal to the antenna but prevent
signals from getting back into the sound transmitter.
At the same time, the voice or sound signals frequency-modulate a carrier that is
amplified by class C amplifiers and fed to the same antenna by way of the diplexer. The
resulting VHF or UHF TV signal travels by line-of-sight propagation to the antenna and
receiver.

23-2 TV Receiver
The process involved in receiving a TV signal and recovering it to present the picture
and sound outputs in a high-quality manner is complex. Over the course of the years
since its invention, the TV set has evolved from a large vacuum tube unit into a smaller
and more reliable solid-state unit made mostly with ICs.
TV receiver A block diagram of a TV receiver is shown in Fig. 23-13. Although it is basically
a superheterodyne receiver, it is one of the most sophisticated and complex electronic
devices ever developed. Today, most of the circuitry is incorporated in large-scale ICs.
Yet the typical TV receiver still uses many discrete component circuits.

Tuner
Tuner The signal from the antenna or the cable is connected to the tuner, which consists of
an RF amplifier, mixer, and local oscillator. The tuner is used to select the TV channel

12 Chapter 23
Figure 23-13 Block diagram of TV receiver.

R
B–Y
G

R–Y

Hz

Television 13
 block light or pass light. A bright white light is placed behind the screen.
Then the red, blue, and green sections of the screen are enabled to pass the
desired amount of light. The screen is also made in the form of groups of
three color dots or segments to produce any desired color. Electric signals
scan across the color dots horizontally, as in other TV sets, to reproduce
the picture. LCD screens are very common in computer video monitors
but are now practical for TV sets. As prices decline more TV sets will
use them.
Projection screens. A popular large screen option is an LCD projection TV. A
very bright light is passed through a smaller LCD screen and then through a
lens, creating a picture from 40 to 60 in diagonally. Another projection
screen uses Texas Instruments’ Digital Light Processing (DLP) chips. These
chips are made with microelectromechanical systems (MEMS). They consist
of thousands of tiny mirror segments each whose tilt angle is controllable.
These mirrors reflect light through color lenses to create a very large
back-projected image.

23-3 Cable TV
CATV (cable TV) Cable TV, sometimes called CATV, is a system of delivering the TV signal to home receivers
by way of a coaxial cable rather than over the air by radio wave propagation. A cable TV
company collects all the available signals and programs and frequency-multiplexes them
on a single coaxial cable that is fed to the homes of subscribers. A special cable decoder
box is used to receive the cable signals, select the desired channel, and feed a signal to the
TV set. Today, most TV reception is by way of a cable connection instead of an antenna.

CATV Background
Many companies were established to offer TV signals by cable. They put up very tall
high-gain TV antennas. The resulting signals were amplified and fed to the subscribers
by cable. Similar systems were developed for apartments and condominiums. A single
master antenna system was installed at a building, and the signals were amplified and
distributed to each apartment or unit by cable.

Modern Cable TV Systems

Today, cable TV companies, generally referred to as multiple (cable) systems operators
(MSOs), collect signals and programs from many sources, multiplex them, and distribute
Headend them to subscribers (see Fig. 23-18). The main building or facility is called the headend.
The antennas receive local TV stations and other nearby stations plus the special cable
channel signals distributed by satellite. The cable companies use parabolic dishes to pick
up the so-called premium cable channels. A cable TV company uses many TV antennas
and receivers to pick up the stations whose programming it will redistribute. These signals
are then processed and combined or frequency-multiplexed onto a single cable.
Trunk cable The main output cable is called the trunk cable. In older systems it was a large, low-
Coaxial cable loss coaxial cable. Newer systems use a fiber-optic cable. The trunk cable is usually
buried and extended to surrounding areas. A junction box containing amplifiers takes the
Feeders signal and redistributes it to smaller cables, called feeders, which go to specific areas
and neighborhoods. From there the signals are again rejuvenated with amplifiers and sent
Drops to individual homes by coaxial cables called drops. The overall system is referred to as
Hybrid fiber cable (HFC) system a hybrid fiber cable (HFC) system.
The coaxial cable (usually 75 ⍀ RG-6/U) comes into a home and is connected to a
cable decoder box, which is essentially a special TV tuner that picks up the cable channels
and provides a frequency synthesizer and mixer to select the desired channel. The mixer

20 Chapter 23
Figure 23-18 The modern cable TV system.

(Coaxial or
fiber-optic
cable)

Frequency-
synthesized
local
oscillator

output is heterodyned to TV channel 3 or 4 and then fed to the TV set antenna termi-
nals. The desired signal is frequency-translated by the cable box to channel 3 or 4 that
the TV set can receive.
Cable TV is a popular and widely used service in the United States. More than 80 per-
cent of U.S. homes have cable TV service. This service eliminates the need for antennas.
And because of the direct connection of amplified signals, there is no such thing as poor,
weak, noisy, or snowy signals. In addition, many TV programs are available only via
cable, e.g., the specialized content and premium movie channels. The only downside to
cable TV is that it is more expensive than connecting a TV to a standard antenna.

Signal Processing Signal processing

The TV signals to be redistributed by the cable company usually undergo some kind of
processing before they are put on the cable to the TV set. Amplification and impedance
matching are the main processes involved in sending the signal to remote locations over
what is sometimes many miles of coaxial cable. However, at the headend, other types of
processes are involved.

Television 21