Progressive Jazz Double Bass Repertoire 2020 PDF
Progressive Jazz Double Bass Repertoire 2020 PDF
Progressive Jazz Double Bass Repertoire 2020 PDF
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________________________________________________________________________
____________________________________________________________________________________
version 2.0
New York, NY
July 2020
www.robertsabinbass.com
Table of Contents 4
Song Index 7
Performer Index 10
Introduction 13
Acknowledgments 14
Guide to Notation 15
I. Blues as played by
II. Melodies
iv
I’ll Remember April Grant Green 127
I’ll Remember April Wilbur Ware/Grant Green 129
Seven Minds Michael Moore & Rufus Reid 132
Tricotism Oscar Pettiford 135
The Gentle Art of Love Oscar Pettiford 140
Manha De Carnaval Luiz Bonfa 142
Reflections on Ives and Whittier Bertram Turetsky 145
Utviklingssang Carla Bley/Steve Swallow 146
Gaia Gary Peacock/Ralph Towner 148
Ghosts (First Variation) Gary Peacock/Albert Ayler 150
Beauty is a Rare Thing Ornette Coleman 152
M Donny McCaslin 153
Anthem Ralph Towner 155
Whisper Not The Jazztet 162
Jelly Roll Charles Mingus/Jimmy Knepper 164
We See Paul Motian 167
Lament J.J. Johnson 169
Ornithology Charlie Parker 170
Dig Miles Davis 172
Donna Lee Charlie Parker 174
Quasimodo Charlie Parker 175
Segment Charlie Parker 176
Remember Rockefeller at Attica Charles Mingus 179
Theme for Ernie John Coltrane 184
Evidence Andy Gonzalez 187
Subconcious-Lee Lee Konitz 189
26-2 Kenny Werner 190
Lopsy Lu Stanley Clarke 191
III. Basslines
v
IV. Solos
vi
Song Index as played by
vii
M Donny McCaslin 153
Make Sure You Bring It Back Home Ray Brown 33
Manha De Carnaval Luiz Bonfa 142
Misterioso Thelonious Monk 41
Mood Indigo Clark Terry/Bob Brookmeyer 109
Moody's Mood For Love James Moody 296
My Funny Valentine Chet Baker 102
My Funny Valentine Paul Chambers 203
My One and Only Love Bob Cranshaw 223
Nardis Scott LaFaro/Bill Evans 306
Nemesis Dave Holland 271
Night Train Ray Brown 77
Oh Lord, Don't Let Them Drop Charles Mingus 40
That Atomic Bomb on Me
On Green Dolphin Street Miles Davis 281
One Finger Snap Ron Carter 224
Ornithology Charlie Parker 170
Pannonica Thelonious Monk 343
Pannonica Robert Sabin 347
Perdido Oscar Pettiford 283
Potluck Paul Chambers 48
Quasimodo Charlie Parker 175
Reflections on Ives and Whittier Bertram Turetsky 145
Relaxin’ at Camarillo Charlie Parker 69
Remember Rockefeller at Attica Charles Mingus 179
Rhythm-a-Ning Charlie Rouse 287
Santa Claus is Coming To Town Gary Peacock 353
Satin Doll Sam Jones 200
Segment Charlie Parker 176
Segment Dave Holland 241
Seven Minds Michael Moore & Rufus Reid 132
So What Paul Chambers 207
Splanky Eddie Jones/FrankFoster 61
Stardust Oscar Pettiford 298
Stella by Starlight Victor Young 124
Stella by Starlight Hank Jones 125
Stella by Starlight George Mraz 205
Straight No Chaser Sam Jones 25
Straight No Chaser Al McKibbon/Thelonious Monk 72
Subconcious-Lee Lee Konitz 189
Take the A Train Charles Mingus 229
Tempus Fugit Ray Brown 256
Tempus Fugit Bud Powell 350
Tenor Madness Paul Chambers and Sonny Rollins 28
The Days of Wine and Roses Henry Mancini 122
The Days of Wine and Roses Ray Brown 201
The Gentle Art of Love Oscar Pettiford 140
The Girl from Ipanema Sebastião Neto/Joao Gilberto 107
The Kicker Bob Cranshaw 45
The Sidewinder Bob Cranshaw 43
The Thumb Ron Carter/Wes Montgomery 37
Theme for Ernie John Coltrane 184
Tip Toe Dennis Irwin 249
Trane’s Blues Paul Chambers 54
Tricotism Oscar Pettiford 135
Trouble No. 2 Bob Cranshaw 197
Tune Up Paul Chambers 231
Unit Seven Sam Jones 29
Utviklingssang Carla Bley/Steve Swallow 146
Walkin’ Percy Heath 22
viii
We See Paul Motian 167
What is This Thing Called Love? Cole Porter 123
What is This Thing Called Love? Hank Jones 315
What's Going On James Jamerson 259
When Your Lover Has Gone Paul Chambers 291
Whisper Not The Jazztet 162
Windows Miroslav Vitous 265
Windows Roy Haynes 268
Windows Chick Corea Bob 329
Yes I Can, No You Can’t Cranshaw Ray 42
You Don't Have to Play Loud to Swing Brown Paul 32
You’d Be So Nice to Come Home To Chambers 277
ix
Performer Index
x
Kenny Werner 26-2 190
Larry Gales All the Things You Are 199
Larry Grenadier Giant Steps 304
Larry Grenadier/ Brad Mehldau All the Things You Are 332
Lee Konitz Subconcious-Lee 189
Luiz Bonfa Manha De Carnaval 142
McCoy Tyner Impressions 210
Michael Moore I Can't Get Started 121
Michael Moore & Rufus Reid Seven Minds 132
Miles Davis Dig 172
Miles Davis On Green Dolphin Street 281
Miroslav Vitous Windows 265
Ornette Coleman Beauty is a Rare Thing 152
Oscar Pettiford Perdido 283
Oscar Pettiford Stardust 298
Oscar Pettiford The Gentle Art of Love 140
Oscar Pettiford Tricotism 135
Oscar Pettiford/Thelonious Monk It Don’t Mean a Thing 115
Paul Chambers Bye-Bye Blackbird 196
Paul Chambers Lazy Bird 311
Paul Chambers Lover 261
Paul Chambers My Funny Valentine 203
Paul Chambers Potluck 48
Paul Chambers So What 207
Paul Chambers Trane’s Blues 54
Paul Chambers Tune Up 231
Paul Chambers When Your Lover Has Gone 291
Paul Chambers You’d Be So Nice to Come Home To 277
Paul Chambers and Sonny Rollins Tenor Madness 28
Paul Motian We See 167
Percy Heath Bags’ Groove 18
Percy Heath Blue Haze 17
Percy Heath Walkin’ 22
Percy Heath/Miles Davis Bag's Groove 20
Ralph Towner Anthem 155
Ray Brown Night Train 77
Ray Brown Blues in the Bassment 36
Ray Brown Cherokee 97
Ray Brown Frankie and Johnny 34
Ray Brown Make Sure You Bring It Back Home 33
Ray Brown Tempus Fugit 256
Ray Brown The Days of Wine and Roses 201
Ray Brown You Don't Have to Play Loud to Swing 32
Ray Brown/Jimmy Rowles Alone Together 104
Richard Davis Little Pixie II 246
Rick Germanson Left Hand Shell Voicings 39
Robert Sabin Pannonica 347
Ron Carter Eye of the Hurricane 83
Ron Carter Confirmation 235
Ron Carter Joshua 213
Ron Carter One Finger Snap 224
Ron Carter/Herbie Hancock Eye of the Hurricane 86
Ron Carter/Wes Montgomery The Thumb 37
Roy Haynes Windows 268
Sam Jones Straight No Chaser 25
Sam Jones Gemini 58
Sam Jones Satin Doll 200
Sam Jones Unit Seven 29
Sam Jones/Miles Davis Autumn Leaves 94
Scott LaFaro/Bill Evans Nardis 306
xi
Sebastião Neto/Joao Gilberto The Girl from Ipanema 107
Sonny Rollins I Want to Be Happy 321
Stanley Clarke Lopsy Lu 191
SuperBass Blue Monk 27
The Jazztet Whisper Not 162
Thelonious Monk Misterioso 41
Thelonious Monk Pannonica 343
Ugonna Okegwo El Ray 274
Victor Young Stella by Starlight 124
Walter Page Lady Be Good 193
Wilbur Ware/Grant Green I’ll Remember April 129
Wynton Kelly Freddie Freeloader 81
xii
Introduction
The development of a repertoire is a much larger area of study than just the mastery of works prepared for
performances and auditions however. For the contemporary bassist, repertoire involves the intimate knowledge of a
vast catalog of recordings and countless melodies, transcribed basslines, chord progressions, rhythms, and
improvised solos. The history of the instrument, as well as the technique needed to perform modern music is
accessed via these assimilations. In this way much of modern jazz repertoire is, initially, the recording or
performance itself.
This compilation began with transcriptions created for private double bass students at the Manhattan School of
Music Precollege Jazz Division, and as a representation of the interests, experience levels, and demands of the
program. The project soon grew to incorporate pieces encountered in professional situations and those transcribed
for personal use, becoming a working notebook of large and small excerpts used to study a variety of players and
perforrmances. Many of the enclosed were transcribed and studied in tandem with students so as to compare our
interpretations in successive weeks. The shared discoveries became highlights of our time together, demonstrating a
mutual exploration of the double bass and the art of improvised music.
Each piece was chosen from a widely available and historically significant recording, one that was listened to and
dissected repeatedly as the piece was developed. This process of listening and cultivating the strongest internal
sound and rhythmic concept is paramount for all elements of double bass practice. In this way the repertoire forms
an essential sound image at the core of a player's aesthetic, the larger discography evolving into a primary point of
creative reference.
The contents here are grouped by categories into blues, melodies, basslines, and solos, although many include
basslines of various lengths, and some contain all of the above. Transcriptions within each section are roughly
sequenced from a beginning to advanced level. While many of these pieces took several months to develop, some of
the shorter excerpts (portions of solos or basslines) could be played and benefited from in a manner of hours. This
addition of shorter, preliminary transcription excerpts was directly inspired by the Progressive Repertoire for the
Double Bass series by George Vance, which has become an indispensable tool for fast-tracking technique. The
nature of short pieces united with manageable and repeated technical challenges facilitates an accelerated progress
in fundamental areas. The inclusion of duets to be played by teacher and student is also a natural advantage to any
method. The works here partially emulate the sequential nature of Vance’s method but specifically address
challenges related to pizzicato playing and common practice jazz improvisation. These transcriptions are not meant
to necessarily be studied sequentially, the course of practice being left entirely to the needs and interests of the
player.
The technique of playing jazz double bass is necessarily immersive, with students quickly moving beyond the
instrument to develop their listening skills, theory, familiarity with the piano, aural skills, and, of course, the ability
to construct walking basslines. Hence these examples include selected piano, horn, and drum transcriptions to
encourage study and practice of these elements. Importantly, this process should emphasize rhythmic practice away
from the bass. These separate parts help demonstrate the fundamentally interactive nature of jazz improvisation,
accepting that one part is created and best understood in relation to the other players in the group.
Melodies and solos not originally played on the bass are often transposed into appropriate octaves to accommodate
the instrument. Some solos and arrangements have been altered further to create slightly more playable versions.
These different types of transcriptions are indicated with either “as played by” or “in the style of” in their respective
credits. Other works, while transcribed from given recording, have been adapted and arranged as double bass duets
(or trios).
This text is offered to all those who wish to explore, develop, or correct its contents. The material should be
disseminated freely but for educational purposes only, and with all credit given to the relevant composers,
performers, and bassists involved. It is a work in progress, one that will be updated in years to come so as to include
the countless additional performances that deserve to be studied in detail. It is hoped that this text may inspire
others to create similar collections of material relevant to their own personal growth, understanding that the
undertaking of such an endeavor is vital for the development of the player.
- RS
xiii
Acknowledgments
Thank you to the young artists who have shared their energy and dedication to their instrument each week, and for
inspiring all of their teachers to rise to the occasion.
Thank you to Linda May Han Oh for the privilege of letting me share her students during her tenure, and offering
invaluable ideas on how best to support them.
Thank you to Chris Rosenberg for leading the MSM precollege jazz program for so many years, and for providing the
foundation needed to guide students, parents, and faculty toward their creative goals.
This book is dedicated with gratitude to Λέων Θεοδωρίδης, a master student and friend. Thanks man!
xiv
15
Guide to Notation
Z--- ---M
scoop hammer smear bend fall marcato legato accent staccato ghost left hand left hand lay back push
note pull-off pizz
Harmonics
Pitches with a circle indicate the note where the harmonic is found. Diamond noteheads indicate the pitch
that is heard.
artificial harmoics
played sounds
notated sounds
I II III IV
Harmony consists of voiceleading movements, rather than a series of static entities. To this end it should be
reminded that chord symbols may, in separate contexts, refer to either 1) the composed harmony of a given
bar; 2) the specific sounded harmony of a pianist or guitarist (which could include extensions, alterations,
substitutions, or omissions); or 3) the harmonic implications of the bassist’s line. This is complicated further
when, with a blues for example, these three aspects are combined with a fourth area of awarness, the deep
structure of the piece – common chords, functions, and harmonic rhythms. It is encouraged that readers
evaluate the specific application and usefulness of these symbols within each given transcription.
I. Blues
17
Blue Haze
Introduction by Percy Heath
Miles Davis Blue Haze
1954
Swing = 72
B 7 E7 E7 B 7
E7 E7 B 7 G7
5
Cm7 F7 B 7 F7
9
B 7 E7 B 7
13
E7 E7 B 7 G7
17
Cm7 F7 B 7 F7
21
This record I made way back...Blue Haze… Bob Weinstock said “Put the lights out and let’s play
a slow blues.” Miles said “Percy you walk a couple of choruses in front.” I walked a couple of
choruses using Walter Pages’ bassline from Count Basie, but embellishing it with some ‘in-
between’ notes.’
– Percy Heath
F7 B 7 F7 Cm7 F7
B 7 F7 D7
5
Gm7 C7 F9 C7
9
F7 B 7 F9 Cm7 F7
13
B 7 F9 A 7
17
Gm7 C7 F7 C7
21
F7 B 7 F7 Cm7 F7
25
B 7 F7 A 7
29
Gm7 C7 F7 C7
33
Bags’ Groove 19
F7 B 7 F7 Cm7 F7
37
B 7 F7 A 7
41
Gm7 C7 F7 C7
45
20
Bag’s Groove
Milt Jackson
As played by Miles Davis, Milt Jackson
& Percy Heath
Miles Davis Bag’s Groove
Swing = 116
1954
F7 B 7 F7 Cm7 F7
B 7 F7 D7
5
Gm9 C7 F9 C7
9
F7 B 7 F9 Cm7 F7
13
Bag’s Groove 21
B 7 F7 D7
17
Gm7 C7 F7 Gm7 C7
21
22
Walkin’
Gene Ammons
As played by Percy Heath
Miles Davis All Stars Walkin’
1954
Swing = 126
5
F7 B 7 F7
9
B 7 F7
13
A13(11) A 13(11) G13(11) G 13(11) G7(5) C7(9) F7
17
F7 B 7 F7
21
B 7 F7
25
A13(11) A 13(11) G13(11) G 13(11) G7(5) C7(9) F7
29
F7 B6 B 7 F7 Cm7 F7
33
B 7 F7 D7
37
Walkin’ 23
Gm7 C7 F7 C7
41
F7 B6 B 7 F7 Cm7 F7
45
B 7 F7 D7
49
Gm7 C7 F7 C7
53
F7 F7
57
B 7 F7 D7
61
Gm7 C7 F7 C7
65
F7
69
B 7 B 7 F7 D7
73
Gm7 C7 F7 C7
77
24 Walkin’
F7 B6 B 7 F7
81
B 7 B 7 F7 D7
85
Gm7 C7 F7 C7
89
F7 Cm7 F7
93
B 7 B 7 F7 D7
97
Gm7 C7 F7 Gm7 C7
101
F7 B6 B 7 F7
105
B 7 F7 A 7
109
Gm7 C7 F7 C7
113
25
Straight No Chaser
Thelonious Monk
As played by Sam Jones
Cannonball Adderley Quintet In San Fransisco
1959
Swing = 184
5
9
F7 B 7 F7
13
B 7 F7 D7
17
G7 C7 F7 C7
21
F7 B 7 F7
25
B 7 F7 D7
29
G7 C7 F7 C7
33
26 Straight No Chaser
F7 B 7 F7
37
B 7 F7 D7
41
G7 C7 F7 C7 F7
45
27
Blue Monk
Thelonious Monk
In the style of John Clayton, Ray Brown, and
Christian McBride
SuperBass
Swing = 102 1996
B 7
B 7
5
B 7 E7 B 7
9
E7 E7 B 7
13
F7 B 7
17
28
Tenor Madness
Sonny Rollins
As played by Sonny Rollins, John Coltrane,
and Paul Chambers
Medium swing
1956
B 7
E7 B 7 Dm7 G7
5
9
29
Unit Seven (Cannon’s Theme)
Sam Jones
As played by Sam Jones
Cannonball Adderley Sextet In New York
1962
Swing = 194
C7
F7 C7
5
A maj7 G7 C7 G7
9
C7
13
F7 C7
17
A maj7 G7 C7 G7
21
straight
Dm7 G7 Em7 E7
25
swing
Dm7 G7 Em7 E7 Dm7 G7
29
30 Unit Seven (Cannon’s Theme)
C7 F7 C7
33
F7 C7
37
A maj7 G7 C7 G7
41
31
Blues in F
Christian McBride
www.openstudionetwork.com
Fundementals of Jazz Bass
All notes played with the second finger of the right hand unless indicated. 2018
= 130
Swing
F7
r.h.
2 1 2 1
B 7 F7 Am7 D7
5
2 1
1
Gm7 C7 F7 D7 Gm7 C7
9
1 2
2 2 2 2 2 1
F7 B 7 F7
13
2 1
1 1 1
B 7 F7 Am7 D7
17
2 1
2 1
2 1
Gm7 C7 F7 D7 Gm7 C7
2
21
1 1 1 1 1 2 1 1 1 1 2 2
F7 B 7 F7 B7
25
1
2 1
B 7 B 7 F7 Am7 D7
29
2 1
G7 C7 F7 A 7 Gm7 G 7
33
2 1
2
32
“You Don’t Have to Play Loud to Swing”
As played by Ray Brown
(5:14) Ray Brown - DoubleBassMasterclass.avi
A 7
BBC Two England, 28 July 1978
Swing = 110
A 7 D 7
D 7 A 7 G7 C7 F7
5
B 7 E7 A 7 B m7 E7
9
A 7
D 7
A 7
13
F7
D 7 A 7 D 7 C7
17
B 7 E7 A 7 E7 A 7
21
33
“Make Sure You Bring It Back Home”
As played by Ray Brown
Ray Brown - Double Bass Master class.avi
BBC Two England, 28 July 1978
Swing = 104
F
F
2
F
3
Gm7 C7 F G 7 F7
4
Gm7 C7 F B E A D G F
5
Gm7 C7 F
6
F
7
34
Frankie and Johnny
Traditional
As played by Ray Brown
The Milt Jackson Quintet
That’s the Way It Is
Swing = 120
1969
bs. 2
5
l.h.
A
G7
C7 G7 F 7 F7 E7
13
1. 2.
Am7 D7 G7 G7
17
Frankie and Johnny 35
G7 C7 G7
23
C7 G7 Bm7(5) E7
27
Am7 D7 G7 E7 Am7 D7
31
G7 C7 G7 Dm7 G7
35
C7 G7 Bm7(5) E7
39
Am7 D7 G7 E7 Am7 D7
43
G7 C7 G7 Dm7 G7
47
C7 G7 Bm7(5) E7
51
Am7 D7 G7 E7 Am7 D7 G7
55
36
Blues in the Bassment
Ray Brown
As played by Ray Brown
The Milt Jackson Quintet That’s the Way It Is
Funk (swing 16ths) ( = 76) 1969
E7
A7 E7
5
B7 A7 E7
9
Played originally by solo bass; can be played with a trio by dividing the top staff.
37
The Thumb
Wes Montgomery
As played by Wes Montgomery and Ron Carter
Wes Montgomery Tequilla
G7
1966
Swing = 136
G7 C7
C7 G7 G 7 F7 E7
5
Am7 D7 G7 B 7 A7 A 7
9
G7
G7 C7
13
C7 G7 G 7 F7 E7
17
38 The Thumb
B 7
Am7 D7 G7 A7 A 7
21
39
Left Hand Shell Voicings
As played by Rick Germanson
Medium swing Rick Germanson (Comping on Piano)
mymusicmasterclasses.com
F7 B 7 B 7 F7 Cm7 B7
piano
B 7 B 7 F7 D7
5
Gm7 C7 A7 D7 G7 C7
9
F7 B 7 B 7 F7 Cm7 B7
13
B 7 B 7 F7 Am7 D7
17
Gm7 C7 F7 D7 Gm7 C7
21
40
Oh Lord Don’t Let Them Drop
Charles Mingus
Swing = 68
C7
F7 C7 A7
5
G7 F7 C7
9
rit.
C7 C7
13
41
Misterioso
Thelonious Monk
Sonny Rollins Volume 2
B 7
Straight = 72
1957
B 7 E7
B 7
E7
5
F7 B 7
Cm7
9
if played solo:
B 7 E7 B 7
13
B 7
E7
17
Cm7 F7 B 7
21
42
Yes I Can, No You Can’t
Lee Morgan
Bassline by Bob Cranshaw
Lee Morgan The Gigolo
1963
Straight = 116
F7
A
F7 B 7 F7
F7 B 7 F7
9
B 7
13
F Gm7 FA A m7
17
G7 G 7
21
F7 B 7 F7 C7
25
43
The Sidewinder
Lee Morgan
Bob Cranshaw (bass) and
Barry Harris (piano)
Swing = 163
Lee Morgan The Sidewinder
E7 1963
E7
6
A 7
10
E7
14
44 The Sidewinder
Fm B6 Fm B6 Fm B6 Fm7 B 13(9)
18
E7
22
45
The Kicker
Joe Henderson
Bassline by Bob Cranshaw
Grant Green Solid
1964
Swing = 206
5
B 7
9
E m7 A 7 D maj7 G maj7
13
C7 F7 B 7 F7
17
21
E m7 A 7 D maj7 G maj7
25
C7 F7 B 7 F7
29
B 7
33
46 The Kicker
E m7 A 7 D maj7 G maj7
37
C7 F7 B 7 F7
41
B 7
45
E m7 A 7 D maj7 G maj7
49
C7 F7 B 7 F7
53
B 7
57
E m7 A 7 D maj7 G maj7
61
C7 F7 B 7 F7
65
B 7
69
E m7 A 7 D maj7 G maj7
73
The Kicker 47
C7 F7 B 7 F7
77
B 7
81
E m7 A 7 D maj7 G maj7
85
C7 F7 B 7 F7
89
B 7
93
E m7 A 7 D maj7 G maj7
97
C7 F7 B 7 F7
101
48
Pot Luck
Bassline and solo by Paul Chambers
Wynton Kelly Trio Kelly at Midnight
1960
Swing = 172
B 7 E7 B 7
E7 B 7 Dm7 G7
5
Cm7 F7 B 7 Cm7 F7
9
B 7
13
E7 B 7 Dm7 G7
17
Cm7 F7 B 7 Cm7 F7
21
B 7
25
E7 B 7 Dm7 G7
29
Cm7 F7 B 7 Cm7 F7
33
Pot Luck 49
B 7 E7 B 7
37
E7 B 7 Dm7 G7
41
Cm7 F7 B 7 Cm7 F7
45
B 7
49
E7 B 7 Dm
53
Cm7 F7 B 7 Cm7 F7
57
B 7 E7 B 7
61
E7 B 7 G7
65
Cm7 F7 B 7 Cm7 F7
69
B 7 E7 B 7
73
50 Pot Luck
E7 B 7 Dm7 G7
77
Cm7 F7 B 7 Cm7 F7
81
B 7 E7 B 7
85
E7 B 7 Dm7 G7
89
Cm7 F7 B 7 Cm7 F7
93
B 7 E7 B 7
97
E7 B 7 Dm7 G7
101
Cm7 F7 B 7 Cm7 F7
105
B 7 E7 B 7
109
E7 B 7 Dm7 G7
113
Pot Luck 51
Cm7 F7 B 7 Cm7 F7
117
B 7 E7 B 7
121
E7 B 7 Dm7 G7
125
Cm7 F7 B 7 Cm7 F7
129
B 7 E7 B 7
133
E7 B 7 Dm7 G7
137
Cm7 F7 B 7 Cm7 F7
141
B 7 E7 B 7
145
E7 B 7 Dm7 G7
149
Cm7 F7 B 7 Cm7 F7
153
52 Pot Luck
157
161
165
B 7
169
E7 B 7 Dm7 G7
173
Cm7 F7 B 7 G7 C7 F7
177
B 7
181
Z---
E7 B 7 Dm7 G7
185
Cm7 F7 B 7 G7 C7 F7
189
B 7
193
Pot Luck 53
E7 B 7 Dm7 G7
197
Cm7 F7 B 7 G7 C7 F7
201
B 7
205
E7 B 7 Dm7 G7
209
Cm7 F7 B 7 G7 C7 F7 B 7
213
54
Trane’s Blues
piano solo (4:11) As played by Paul Chambers
Miles Davis Quintet Workin’
= 164
Swing 1956
B 7 E7 B 7
E7 B 7
5
Cm7 F7 B 7 G7 Cm7 F7
9
B 7 E7 B 7
13
E7 B 7 G7
17
Cm7 F7 B 7 G7 Cm7 F7
21
B 7 E7 B 7
25
E7 B 7 G7
29
Cm7 F7 B 7 G7 Cm7 F7
33
Trane’s Blues 55
B 7 E7 B 7
37
E7 B 7 G7
41
Cm7 F7 B 7 G7 Cm7 F7
45
B 7 E7 B 7
49
E7 B 7 G7
53
Cm7 F7 B 7 G7 Cm7 F7
57
B 7 E7 B 7
61
E7 B 7 G7
65
Cm7 F7 B 7 G7 Cm7 F7
69
B 7 E7 B 7
73
56 Trane’s Blues
E7 B 7 G7
77
Cm7 F7 B 7 Cm7 F7
81
B 7 E7 B 7
85
E7 B 7 G7
89
Cm7 F7 B 7 Cm7 F7
93
B 7 E7 B 7
97
E7 B 7 G7
101
Cm7 F7 B 7 Cm7 F7
105
B 7 E7 B 7
109
E7 B 7 G7
113
Trane’s Blues 57
Cm7 F7 B 7 Cm7 F7
117
B 7 E7 B 7
121
E7 B 7 G7
125
Cm7 F7 B 7 Cm7 F7 B 7
129
58
Gemini
Jimmy Heath
As played by Sam Jones
Cannonball Adderley Sextet In New York
1962
Swing = 230
piano solo (8:03) E7
5
A 7
9
E7 C7
13
F7 B 7
17
E7
21
E7
25
29
A 7
33
E7 C7
p.o.
37
Gemini 59
F7 B 7
41
E7
45
E7
49
53
A 7
57
E7 C7
61
F7
B 7
65
E7
69
E7
73
77
60 Gemini
A 7
81
E7 C7
85
F7 B 7
89
E7
93
61
Splanky
Neal Hefti
As played by Frank Foster, tenor
and Eddie Jones, bass*
Count Basie The Complete Atomic Basie
= 126
Swing
1957
D 7 G 7 D 7
Fm7
G 7 D 7 B 7
5
A 7
E7 D6 A 7
9
D 7
13
D 7
G 7 Fm7 E7
17
62 Splanky
E7 D7 D 7
21
and Sonny Payne
Count Basie The Complete Atomic Basie
1957
Swing = 212
G Cm6 C 7 G7
4
C6 F F 7 C6 C7 F6
1
C6 A 7(5) G13
11
64 Fantail
G7 C G7
15
2
C6 C7 F6 C6 C7
F6 C6 A 7(9) G9
23
Ebo7
(Em
G7 C E7 E m7 A 7
27
Dm7 G7)
Fantail 65
2-3
D6 D m7 G 13 C7(9) D 7(9) D 7 D 9
G 7 D m7 G 13 C7(9) D 7(9) D 7 Fm7(5) B 9
35
E m7 E7(9) E m7 C7(9) D 7(9) D 7 A 7
39
4
drums
47
51
5
66 Fantail
59
63
6
71
75
7 dbl. x feel swing
83
87
Fantail 67
8
95
99
9
107
111 D.S.
68
Dig Dis
Solo break by Hank Mobley
Hank Mobley Soul Station
1960
Swing = 124
B 7 E 6 E m B 7
E7 Dm7 G7(9)
5
C9 B9 B 9 Cm7 F7
9
B 7
13
E7 B 7
17
C9 B9 B 9
21
Dodo Marmarosa (piano)
Complete Dial Sessions
1947
Swing = 192
5
A C6 C7 (9)
F7 C7 A7 (9)
13
Dm7 G7 C7 G7
17
70
Billie’s Bounce (take 5)
Charlie Parker
As played by Charlie Parker and Dizzy Gillespie
The Complete Savoy And Dial
Studio Recordings
Swing = 166
1945
Am7 A m(maj7) Gm7 C7(9)
F6 B 7 F6 F7
5
Am7
B 7 F6 D7
9
Gm7 C7 F6
13
F6 B 7 F6 F7
17
B 7 F6 Am7 A m7
21
Gm7 _M
C7 F6 C7
25
Billie’s Bounce (take 5) 71
F6 Z_ _M
B 7 F6 F7
29
B 7 F6 Am7 A m7
33
Gm7 C7 F6
37
F6 B 7 Bm F6 F7
41
Z_
B 7 F6 Am7 A m7
45
Gm7 C7 F6 C7
49
F7
53
B 7 F6 Am7 D7
57
Gm Gm(maj7) Gm7 C7 F6
61
72
Straight No Chaser
Thelonious Monk
As played by Thelonious Monk (piano) and
Al McKibbon (bass)
Thelonious Monk Genius Of Modern Music: Vol. 2
1951
Swing = 164
E7 B 7(9)
5
F7(5) B 7(9)
9
Straight No Chaser 73
2 B 7(9) E7 B 7(9)
E7 B 7(9)
17
F7(5) B 7(9)
21
3
B 7 E7 B 7
Straight No Chaser
74
B 7
E7
29
Cm7 F7 B 7
33
4
B 7 E7 B 7
E7 B 7
41
Straight No Chaser 75
Cm7 F7 B 7
45
76 Straight No Chaser
5
comping rhythm
53
57
6
65
69
7
77
81
77
Night Train
Duke Ellington/Johnny Hodges
As played by Ray Brown
Oscar Peterson Trio Night Train
1962
Swing = 104
G7
C7 G7
5
E7 D7 G7
9
G7
13
C7 D 7 C7 D 7 C7 D 7 C7 G7
17
A7 D7 G7
21
G7
25
C7 G7 E7
29
78 Night Train
Am7 D7 G7 D7
33
G7
37
C7 G7 E7
41
Am7 D7 G7 D7
45
G7
49
C7 D 7 C7 D 7 C7 D 7 C7 G7
53
Am7 D7 G7
57
G7
61
C7 G7
65
Night Train 79
E7 D7 G7 D7
69
G7
73
Z---
C7 G7
77
Am7
D7 G7 D7
81
G7
85
C7 G7
89
D7 C7 G7 Am7 D7
93
G7
97
C7 G7 E7
101
80 Night Train
E7 D7 G7 D7
105
G7
109
E7
C7 G7
113
Am7 D7 F7 E7
117
Am7 D7 G7
121
81
Freddie Freeloader
Miles Davis
As played by Wynton Kelly
Miles Davis Kind of Blue
1959
Swing = 129
B 7
E7 B 7
5
E7
A 7
F7
9
B 7
13
E7
B 7
17
F7 E7 A 7
21
B 7
25
E7 B 7
29
82 Freddie Freeloader
F7 E7 A 7
33
---M
B 7
37
E7 B 7
41
F7
E7 A 7
45
83
The Eye of the Hurricane
Herbie Hancock
As played by Ron Carter
piano solo 3:03 Herbie Hancock Maiden Voyage
1964
Swing = 260
Fm
Bm Fm
5
D 7 C7 Fm C7
p.o.
9
Fm
13
Bm Fm
p.o.
17
D 7 C7 Fm C7
21
Fm
25
Bm Fm
29
84 The Eye of the Hurricane
D 7 C7 Fm C7
33
Fm
37
Bm Fm
41
D 7 C7 Fm C7
45
Fm
49
Bm Fm
53
D 7 C7 Fm C7
57
Fm
61
Bm Fm
65
The Eye of the Hurricane 85
D 7 C7 Fm C7
p.o.
69
Fm
73
Bm Fm
77
D 7 C7 Fm C7
p.o.
81
86
The Eye of the Hurricane
Herbie Hancock, piano
Ron Carter, bass
Herbie Hancock Maiden Voyage
1964
Swing = 260
1
Fm
Bm Fm
5
D 7 C7 Fm C7
9
p.o.
2
Fm
The Eye of the Hurricane
87
Bm Fm
17
p.o.
D 7 C7 Fm C7
21
3
Fm
Bm Fm
29
88 The Eye of the Hurricane
D 7 C7 Fm C7
33
4
Fm
Fm
Bm
41
C7
D 7 Fm C7
45
The Eye of the Hurricane
89
5
Fm
Bm Fm
53
C7
D 7 C7 Fm
57
6
Fm
90
Bm Fm
D 7 C7 Fm C7
69
p.o.
7
Fm
Bm Fm
77
The Eye of the Hurricane 91
D 7 C7 Fm C7
81
p.o.
II. Melodies
93
Autumn Leaves
Joseph Kosma
Lyric by Johnny Mercer
1946
Rubato
1. 2.
A
The fall ing leaves, drift by my win dow, The fall ing leaves, of red and gold.
I see your lips, the sum mer kiss es, The sun burned hands I used to hold.
B
Since you went a way the days grow long, and soon I’ll hear old win ter’s song.
C
But I’ll miss you most of all, my dar ling, when au tumn leaves start to fall.
94
Autumn Leaves
as played by Miles Davis and Sam Jones
Cannonball Adderly Somethin’ Else
Straight = 110 1958
many times last time
Gm6
Swing
A Cm7 F7 B maj7 E maj7
Am7(5) D7 Gm6 G7
10
Cm7 F7 B maj7 E maj7
14
Am7(5) D7 Gm6
18
Autumn Leaves 95
B
Am7(5) D7 Gm6
Bbmaj7
Cm7 F7
26
Am7
C
(5) D7 Gm6
Am7(5) D7 Gm6
34
v.s.
96 Autumn Leaves
2
Cm7 F7 B maj7 E maj7
Am7(5) D7 Gm6 G7
42
Cm7 F7 B maj7 E maj7
46
Am7(5) D7 Gm6
50
Am7(5) D7 Gm6
54
Cm7 F7 B maj7
58
Am7(5) D7 Gm6
62
Am7(5) D7 Gm6
66
97
Cherokee
As played and sung by Ray Brown
Ray Brown - Double Bass Master class.avi
BBC Two England, 28 July 1978
Swing = 140
D6 Am7 D7
Gmaj7 C7
5
D6 Fm7(5) B7 E7
9
Em7 B7 B 7(add 11) A7
13
D6 Am7 D7 Gmaj7
17
98
Blue Bossa
Joe Henderson
As played by Butch Warren
Joe Henderson Page One
1963
Straight = 160
Cm7
Cm7 Fm7 B 7sus4
A
Dm7
(5) G7 Cm6
9
E m7 A 7 D maj7
13
Dm7(5) G7 Cm6
17
99
Down By the Riverside
Traditional
As played by Charlie Haden and Hank Jones
Come Sunday
2010
Straight = 160
A7 GD D7 G
A G
B C A7C GD Em
[4]
Am D7 G D9
9
G(add2) B C A7C GD D 7 Em
13
100 Down By the Riverside
A7 GD D7 G
17
B C6 Gmaj7 Em
Am7 D7 G D7 G7
25
C G Em
29
Down By the Riverside 101
Am7 D7 G D7 G D7
33
102
My Funny Valentine
Rodgers and Hart
In the style of Chet Baker
Chet Baker Sings
1954
Ballad = 60
A
Cm Cm(maj7) Cm7 Cm6
My Fun - ny val - en - tine, sweet com - ic val - en - tine,
A maj7 Fm7 Dm7(5) G7
5
you make me smile with my heart.
Cm Cm(maj7) Cm7 Cm6
9
Your looks are laugh - a - ble un - pho - to - graph a - ble
A maj7 Fm7 Fm7(5) B7 Fm7 E7 B 7(9)
13
but you’re my fav - orite work of art. Is your
B E 6 Fm7 E 6 G Fm7 E maj7 Fm7 E 6 G Fm7
fig - ure less than greek? Is your mouth a lit - tle weak? When you
My Funny Valentine 103
G7
E maj7 G7 Cm A maj7 Dm7(5)
21
op - en it to speak, are you smart? But
C
Cm Cm(maj7) Cm7 Cm6
if you care for me.
don’t change a hair for me, not
A maj7 Dm7(5) G7 Cm B7 B m7 E7
29
Stay lit - tle val - en - tine, stay
rit.
A maj7 Dm7(5) G7 Cm A 7 G7 Cm(maj7)
33
Make each day val - en - tine’s day
104
Alone Together
Arthur Schwartz
In the style of Jimmy Rowles and Ray Brown
Slow swing = 63 As Good as it Gets
Em7
1977
A Dm6 Bm7(5) Em7(5) A7 Dm6 Bm7(5) (5) A7
Dm6 Am7(5) D7 Gm7
5
Bm7 E7 Gm7 C7 Fmaj7
9
with variation
Em7(5) A7 Dmaj7
12
Dm6 Bm7(5) Em7(5) A7 Dm6 Em7(5) A7
B
Alone Together 105
Dm6 Am7(5) D7 Gm7
19
Bm7 E7 Gm7 C7 Fmaj7
23
Em7(5) A7 Dmaj7
26
C
Am7(5) D7 Gm6
Gm7(5) C7
Fmaj7 B7 B 7 A7
33
106 Alone Together
Dm6 Bm7(5) Em7(5) A7 Dm6 Bm7(5) Em7 A7
D
rit.
Dm6 Bm7(5) B 7 A7 G7sus4 Em7(5) A7 D69
41
III I I
II
107
The Girl From Ipanema
Antônio Carlos Jobim & Vinicius de Moraes
In the style of Sebastião Neto & João Gilberto
Stan Getz Getz/Gilberto
1965
Bossa Nova = 60
A
Fmaj7 G7
1. 2.
Z_
Gm7 G 7(5) Fmaj7 G 7(5) Fmaj7
5
B
G maj7 B7
Fm7 D7
15
Gm7 E7
19
108 The Girl From Ipanema
Am7 D7 911 Gm7 C7 911
23
C Fmaj7 G7
Gm7 G 7(5) Fmaj7 G 7(5)
31
II I
109
Mood Indigo
Duke Ellington
In the style of the Clark Terry/
Bob Brookmeyer Quintet
Gingerbread Men
1966
Freely
= 58
Swing
A B C9 Fm F9 B
B C9 G 7 F7
7
B B 7 E 6 A 7
11
110 Mood Indigo
B C9 Fm F9 B
15
B6 G7 C9 G 7 F7
B
double x feel
C9
B6 Cm7 F7 B6 G7
22
G 7
F7
25
double x feel
Mood Indigo 111
B B 7
27
E 6 A 7
29
C9
B6 G7
31
B 6
rit.
G 7 F7
33
112
Cottontail
Duke Ellington
As played by Jimmy Blanton
The Blanton–Webster Band
1940
F7
Swing = 180
1
B Gm Cm7 B F7
B 7 E E m B F B F7
5
F7
B Gm Cm7 B Gm Cm7 F7
9
B 7 E E m B F B
13
tpt solo
D7 G7
17
Cottontail 113
F7
C7
21
A7
B 7 A 7 G7 G 7 F7 B
25
2 B Gm Cm7 F7 B F7
B 7 E E B F B F7
33
B Gm Cm7 F7 B Gm Cm7 F7
37
B 7 E E m B F B
41
D7 G7
45
C7 F7
49
114 Cottontail
B 7 E E B F Gm Cm7 F7
53
B 7 E E m B F B
57
3 B 7
sim.
F7
65
B Gm Cm7 F7 B E E
69
B 7 E E m B
73
D7 G7
77
C7 B7 F7
81
B E E B F Cm7 F7
85
B 7 E E B
89
115
It Don’t Mean a Thing
Duke Ellington
As played by Thelonious Monk
and Oscar Pettiford
Thelonious Monk Plays Duke Ellington
1955
Swing = 144
A
Gm6 Gm F F F F E E7 D7 Gm6 D 7 G7
C7 G 7 C7(add 9) B7 B D7
9
Gm6 Gm F F E E7 D7 Gm6 D 7 G7
13
116 It Don’t Mean a Thing
9
C7 G 7 C7 5 F7 B
17
B Fm7 B 7 59 B 7 E maj7 E maj7 E7(add 9) F7(9) F 7
Gm7 C7 F7 D7 E7 E 6 D7
25
C
Gm6 Gm F F F E E7 D7 Gm6 D 7 G7
It Don’t Mean a Thing 117
C7 G 7 C7(add 9) B7 B
33
cont.
118 It Don’t Mean a Thing
2 Gm6 Gm F F E E7 D7 Gm G7
C7 G 7 F7 B D7
41
Gm6 Gm F F E E7 D7 Gm G7
45
C7 G 7 F7 B D7
49
Fm7 B 7 E maj7 E7(9) F7(9) F 7
53
C7 F7 D7
57
Gm6 Gm F F E E7 D7 Gm G7
61
C7 G 7 F7 B D7
65
3 Gm6 Gm F F E E7 D7 Gm G7
It Don’t Mean a Thing 119
C7 G 7 F7 B D7
73
Gm6 Gm F F E E7 D7 Gm G7
77
C7 G 7 F7 B D7
81
Fm7 B 7 E maj7 E7(9) F7(9) F 7
85
C7 F7 D7
89
Gm6 Gm F F E E7 D7 Gm G7
93
C7 G 7 F7 B D7
97
120 It Don’t Mean a Thing
4 Gm6 Gm F F E E7 D7 Gm G7
C7 G 7 F7 B D7
105
Gm6 Gm F F E E7 D7 Gm G7
109
C7 G 7 F7 B D7
113
Fm7 B 7 E maj7 E7(9) F7(9) F 7
117
C7 F7 D7
121
GmF
Gm6 F E E7 D7 Gm G7
125
C7 G 7 F7 B D7
129
121
I Can’t Get Started
Vernon Duke
In the style of Michael Moore
Ballad A (Bm7 E7 Bbm7 Eb7
Cmaj7 Am7 Dm7 G7 E7 Am7
III II I II I II I
Am7 D7 Abm7 Db7)
D7 G7 Cmaj7 Am7 A7(9) Dm7 G7(9)
4
1. 2.
E7 A7(9) D9 G7(9) C6 Fm6 C6
7
Dm7 A7 Dm7 G9 Em7 E 7 Dm7 G9sus4 G7(9)
15
C
Cmaj7 Am7 Dm7 G7 E7 Am7 D13 G9
Cmaj7 A7 Dm7 G7(9) C6 A7 Dm7 G7
23
122
The Days of Wine and Roses
Henry Mancini
Medium swing
A Fmaj7 E7 D7
II I
Gm7 E7(11)
5
C7
Fmaj7 Am7 D7 Gm F Em7(5) A7
9
Em7b5 A7 Dm7 G7
Dm7 G7 Gm7 C7
13
B
Fmaj7 E7 D7
Gm7 E7(11)
21
Fmaj7 Am7 D7 C Bm7(5) E7
25
Am7 D7 Gm7 C7 F6 Gm7 C7
29
123
What is This Thing Called Love
Cole Porter
from the original sheet music
http://images.indianahistory.org/cdm/landingpage/
Slow (in the manner of a "Blues")
collection/p16797coll1
1930
A
C7 Fm6 C
Dm7(5)G G7 G7 C Cmaj7 C6 C
5
C7 C7(9) Fm6 C
9
Dm7(5)G G7 G7 C C7 Fm C
13
B
F9 B
A A A 6 Fm7 G AG G7(9)
21
C
C7 Fm6 C
Dm7(5) G7 G7 C Fm C7
29
124
Stella by Starlight
Victor Young
The Uninvited
Half-time ballad feel = 118 Soundtrack 1944
A
B 7 Cm11 F7 F7
5
B 69 D Gm9 Gm6 Dm B m6 D
9
FC B 7 Am7(5) D7
13
Abm/G
B
G7 95 Cm11
E m69 B maj7D
21
B maj7D Fm6 A G7 G7
Cm7(5) F7(9) B6
29
125
Stella by Starlight
Victor Young
As played by Hank Jones
Joe Lovano I’m All For You
Swing = 176 2004
B 6 F C F B F C F
B F C F B F
5
A
Em7(5) A7(9) Cm11 F13
B 7sus4 B 7(9) E maj9 A 13(11)
13
B maj7 Em7(5) A7(9) Dm6 B m6
17
Fsus4 C B m6 Am7(5) D7(9)
B
A 7 G7 59 Cm11
A 7(11) B maj7 Cm7 C 7 B maj7D
C
Em7(5) A7 59 Dm7(5) G7(9)
Cm7(5) F13(5) B 69
37
127
I’ll Remember April
Gene de Paul
As played by Grant Green
Grant Green Standards
1961
Straight = 198
A
Gmaj7
Gm7 C7sus4
5
swing
Am7 D7 Bm7(5) E7
9
Am7 D7 Gmaj7
13
B Cm7 F7 B maj7 Dm7(5) G7
Cm7 F7 B maj7
21
Am7 D7 Gmaj7
25
Fm7 B7 Emaj7 Am7 D7
29
128 I’ll Remember April
straight
C
Gmaj7
Gm7
37
swing
Am7 D7 Bm7(5) E7
41
Am7 D7 Gmaj7
45
129
I’ll Remember April
Gene de Paul
As played by Grant Green and Wilbur Ware
Grant Green Standards
1961
Straight = 198
A
Gmaj7
Gm7 C7sus4
5
swing
Am7 D7 Bm7(5) E7
9
Am7 D7 Gmaj7
13
B
Cm7 F7 B maj7 Dm7(5) G7
130 I’ll Remember April
Cm7 F7 B maj7
21
Am7 D7 Gmaj7
25
Fm7 B7 Emaj7 Am7 D7
29
Gmaj7
C
straight
Gm7
37
swing
Am7 D7 Bm7(5) E7
41
I’ll Remember April 131
Am7 D7 Gmaj7
45
132
Seven Minds
Sam Jones
In the style of Michael Moore and Rufus Reid
Doublebass Delights
1995
Swing = 200
C7(9) D 7(9) D7(9) E7(9) Em7
* plucked with thumb behind left hand
Em7
5
II I II I
9
A
Em7
1.
17
Seven Minds 133
B
B maj7 G7
2.
21
Am11 Bm11 B maj7 G7
25
C
Am11 G9 A 7 G maj7(5) Fmaj7(5) Em7
29
Em7
33
36
134 Seven Minds
D
C7(9) D 7(9) D7(9) E7(9) Em7
Solos on A-B-C then DC al Coda
43 open vamp and fade
135
Tricotism
Oscar Pettiford
As played by Lucky Thompson,
Oscar Pettiford, and Skeeter Best
Lucky Thompson Tricotism
= 162
1956
D6
optional 8va
4
E7 E7 D 69
7 loco
D6 E7 E7
A
[10]
*
1.
G 7 G 7 D A B 7 A7 A 7
15
2.
B
E7 A 7(9) D maj9 A7
19
**
D6 Cm7(5) F7 Bm B m(maj7) B m7 B m6
23
E m E m(maj7) E m7 A 7(9) C D6 E7
27
E7 G 7 G 7
31
D A B 7 E7 A 7(9) D maj7
34
* Tenor plays Db
* * Tenor plays Gb.
Tricotism 137
2 D6 E7
G 7 G 7 D A B 7 A7 A 7
41
D6 E7
45
G 7 G 7 D A B 7 E7 A 7(9) D maj9
49
A7 D6 Cm7(5) F7
53
Bm B m(maj7) B m7 B m6 E m E m(maj7) E m7 A 7(9)
57
D6 E7
61
G 7 G 7 D A B 7 E7 A 7(9) D maj7
65
3
D6 E7
138 Tricotism
G 7 G 7 D A B 7 A7 A 7
73
D6 E7
77
G 7 G 7 D A B 7 E7 A 7(9) D maj9
81
A7 D6 Cm7(5) F7
85
Bm B m(maj7) B m7 B m6 E m E m(maj7) E m7 A 7(9)
89
D6 E7
93
G 7 G 7 D A B 7 E7 A 7(9) D maj7
97
Tricotism 139
4
D6 E7
G 7 G 7 D A B 7 A7 A 7
105
E 7
D6
109
G 7 G 7 D A B 7 E7 A 7(9) D maj9
113
A7 D6 Cm7(5) F7
117
Bm B m(maj7) B m7 B m6 E m E m(maj7) E m7 A 7(9)
121
D6 E7
125
G 7 G 7 D A B 7 E7 A 7 D maj7 (9)
129
140
The Gentle Art of Love
Melody and solo by Oscar Pettiford
Oscar Pettiford Vienna Blues: The Complete
Session
Ballad = 58 1959
G maj7 E m7 A 7 A 7 (5)
D maj7 D 6 E m7 E 6 Fm7 D6 Fm7 E7
3
E m7 E m7 A 7
5
D maj7 A m7 D 7 D7 G13
7
9
D maj7 E m7 D F D 6 Fm7 E7 E m7
11
E m7 A 7 D maj7
14
Gm7 C7(add 9) C7(add 9) Fmaj7(5) Fmaj7 Dm6
16
The Gentle Art of Love 141
C7
Fmaj7
Gm6 (add 9) Dm
18
Gm7 C7(add 9) G maj7 E m7
20
A m7 D 7 G maj7 E m7
22
A m7 G maj7 D 7 59
24
26
Fm7 E m7E7
28
E m7 A 7 D maj7 A m7 D 7
30
142
Manha de Carnaval
Luiz Bonfa
In the style of Luiz Bonfa
Soundtrack to the film Black Orpheus
1959
rit.
= 42
II I
IV
II I II II I
1
II III II
5
III
IV
7
10
Manha de Carnaval 143
rit
12
rit.
Dm7 Am(maj7) D7sus4 Am6 Dm E7 Asus4
15
II
III
Bossa Nova = 88
A Am Bm7(5) E7 Am Bm7(5) E7
II I
Am Dm7 G7 Cmaj7 B 7 A7
21
Dm7 G7 C6 Am7
25
Bm7(5) E7 Am E Bm7(5) E7
29
B
Am Bm7(5) E7 Am Bm7(5) E7
144 Manha de Carnaval
Em7(5) A7 Dm Dm(5) Dm6
37
Dm7 C Bm7(5) E7 Am Fmaj7
41
Bm7(5) E7 Am Bm7(5) E7
45
rit.
Dm7 Am(maj7) D7sus4 Am6 F6 E7 Am(add9)
49
II
III
145
Reflections on Ives and Whittier (excerpt)
Bertram Turetsky
Compositions and Improvisations
Rubato
1982
All notes played as harmonics, sounding as written.
arco
-
[1]
[1]
146
Utviklingssang
Carla Bley
In the style of Carla Bley and Steve Swallow
Carla Bley Trios
Slow = 70 2013
Am
optional 8va
A
GA DA
FA EA Am
5
Am
F7A DA
9
bs. 2 enters
II III II
FA F7A E7A Am
13
B Em G Fmaj7 E9sus4
Dm9 EC Am C B7 911 Dm E E7
21
Utviklingssang 147
Am
GA DA
25
FA EA Am
29
148
Gaia
Gary Peacock
As played by Gary Peacock and Ralph Towner
Oracle
1994
Straight = 154
5
9
13
17
Gaia 149
21
25
29
33
150
Ghosts (First Variation)
Albert Ayler
As played by Gary Peacock and Albert Ayler
Albert Ayler Trio Spiritual Unity
1964
Freely = 100
March = 100
5
A
13
B
21
Ghosts (First Variation) 151
C
29
152
Beauty is a Rare Thing
Ornette Coleman
As played by Ornette Coleman
accidentals carry through each line
This is Our Music
1960
Freely (slow) ( = 60)
A
moving
[1]
[1]
B
open solo
D.C.
Letter C is then played to fine.
tpt
alto
C
alto
tpt
rit.
153
M
Donny McCaslin
As played by Donny McCaslin
Donny McCaslin Declaration
2009
Straight = 165
A
Em11 E(omit3)D Am(maj7)C
Em11 E(omit3)D Am(maj7)C
8
Am11 G6 F6
12
154 M
D C69
15
B
A maj7 Am7(add 6) G6 A maj7
Am7(add 6) G6 Fmaj7
22
Counter melody can replace lower voice on repeat (if played as a duet).
155
Anthem
Ralph Towner
Anthem
2000
Expressively
=
8
12
16
= 69
A
[19]
156 Anthem
24
28
32 Fine
B
Anthem 157
40
44
48
52
158 Anthem
56
60
64
V.S.
Anthem 159
C Bm G Bm A F m A
Bm G Bm A
72
Bm G Bm A F m A
76
G Em7 F m Bm Bm
80
160 Anthem
D Bm G Bm A F m A
Bm G Bm A
88
Bm G Bm A F m A
92
G Em7 F m Bm Bm A C
96
Anthem 161
E
D F D A C A C
D F D A C DC
104
GB A F G A Bm F m G A
108
D.S. al Fine
Bm DF G Gm7(5) Asus4
112
162
Whisper Not
Benny Golson
In the style of The Jazztet
Here And Now
1962
= 101
Em7
Swing
A Cm Cm7B Am7(5) D7(9) Gm7F (5) A7(9)
Dm7 Bm7(5) Em7(5) A7(9) Dm7 Em7 Fm7 G7(9)
5
Cm Cm7B Am7(5) D7(9) Gm Gm7F Em7(5) A7(9)
9
Dm7 Bm7(5) Em7(5) A7(9) Dm7 Em7 Fm7 B 7(9)
13
Whisper Not 163
B
Am7(5) D7 Gm7 C7
Em7(5) A7(9) Dm7(5) G7(9)
21
C Cm Cm7B Am7(5) D7(9) Gm Gm7F Em7(5) A7(9)
Dm Bm7(5) Em7(5) A7(9) Dm7 A 7 G7(9)
29
164
Jelly Roll
Charles Mingus
In the style of Charles Mingus and Jimmy Knepper
= 132 Charles Mingus Mingus Ah Um
Swing
1959
B m7 E7 B m7 E7 B m7 E7
sim.
snap/slap
A 7 D 7
5
B 7
A 7 G7 G 7
F7
8
E7 A 7 A B m7 E7
12
pizz.
Jelly Roll 165
B m7 E7 B m7 E7 B m7 E7 A 7
16
G7
D 7 A 7 G 7
20
F7 B 7 E7
24
1. 2.
A 7 A 7
27
solos on form, last time to coda
166 Jelly Roll
31
36
dbl. x feel-----------------------------------------
40
43
167
We See
Thelonious Monk
As played by Paul Motion and the Electric Bebop
Band
Swing = 188
Play Monk and Powell
1999
B A 7 G 7 Cm7 F7
A
B 7
Fm7 E maj7 A 7 C7 F7sus4 F7(5)
5
B Cm7 F7 Cm7 F7
Cm7 F7 Cm7 F7
13
B A 7 G 7 Cm7 F7
C
168 We See
B 7
Fm7 E maj7 A 7 C7 F7sus4 F7(5) B
21
169
Lament
J.J. Johnson
J.J. Johnson & Kai Winding
Ballad Jay & Kai
1955
C pedal
Fm9 E m9 A 13 D maj7 Gm7(5) C7 911
A
A7 59
Fmaj7 Am7 D7 Gm7
9
C B
Dm7 Am7 Dm7 Gm7 C7(9)
13
E m9
Fm7 A 7 Gm7(5) C7 59
17
B Fm9 E m9 A 13 D maj7 Gm7(5) C7 911
9
Fmaj7 Am7 D7 Gm7 A7
5
25
Dm7 C B Am7 Dm7 Bm7(5) B m7 E7(11)
29
Fmaj7C Dm7 Gm7 C7 F69 Dm7 D 7(11) C7 59
33
170
Ornithology
Benny Harris
As played by Charlie Parker
Complete Savoy Live Performances/
Complete Dial Sessions
Swing = 220
1948 & 1946
1
Gmaj7 Gm7
C7 Fmaj7 Fm7
4
B 7 E7 Am7(5) D7
8
1.
Gm6 Bm7(5)
11
E7 Am7 D7
14
2.
Gmaj7 Cm7 F7 Bm7 B m7
17
Am7 D7 G69
20
Ornithology 171
2 Gmaj7 Gm7 C7
Fmaj7 Fm7 B 7
27
E7 Am7 (5)D7 Gm6
31
G6 Am7 D7 Bm7 E7 Am7 D7
35
Gmaj7 Gm7 C7
lay back
39
Fmaj7 Fm7 B 7
43
E7 Am7(5) D7 Gmaj7 Cm7 F7
47
Bm7 B m7 Am7 D7 G69
3
51
172
Dig (Donna)
Jackie McClean
As played by Miles Davis
Miles Davis Volume One
Swing = 164 1952
F7
A
B 7
5
E7
9
B m7
bass solo fill....
A maj7 E7 A maj7 Gm7 C7
13
F7
B
B 7
21
Fm7 C7 Fm7 E7
25
A maj7 F7 B m7 E7 A maj7
29
solo break
Dig (Donna) 173
F7
33
B 7
37
E7
41
A maj7 B m7 E7 A maj7 Gm7 C7
45
F7
49
B 7
53
Fm7 C7 Fm7 E7
57
A maj7 F7 B m7 E7 A maj7
61
174
Donna Lee
Electric Bass
As played by Charlie Parker
Left hand fingerings indicated below the staff The Complete Savoy And Dial Studio Reocrdings
F7
1947
Swing = 216
A B 7
1 2 1 4 3 2 2 1 4 3 1 4 1
2 4 2 1 2 1 4 2 1 0 1 2 0
A 7
3 2 1 4 3 4 3 4 1 4 1 4 1 4 1 0
3 2
B m7 E7 A E m7
5
1 0 4 2 1 2 1 4 2 4 2 1 4 2 1 4 4 2 1 4 2 2 1 2 1 4 3 2 4
1
D maj7 G 7 A F7
9
4 2 1 4 4 2 4 2 1 2 1 2 3 4 2 1 4
3 1 4 1 2 4 2 1 2
B 7 B m7 E7
13
1 4 3 2 3 1 3 1 4 3 2 1 4 1 4 2 1 4 4 2
1 4 2 1 2 4 2 1 4
F7
A B 7
17
3
1 4
Gm7(5) C7 Fm
21
3 4 1 3 4 3 1 4
1 4 1 1 4
1 4 1 1 3 4 0
Fm C7 Fm B
25
2 1 2 1 2 1 2 2 4 2 4 2 1 2 1 4
1 4 1 1 2 4 2 1 4 3 1 4 2 1 4 3 2
Cm7 F7 B m7 E7 A
29
1 4 3 3 2 4 3 1 4 3 2 1 4 2 1 2 2
175
Quasimodo
Charlie Parker
As played by Charlie Parker
Complete Dial Sessions
1947
Swing = 144 A
E 69 G Fm7 C7 F7 Gm7(5) C7
A m7 D7
Fm7 E Dm7 G7 6 (5)
9
5
E m6
Cm7 B Am7(5) D7(add 9) Em7 Gm7 (5)
9
Cm7 F7
Dm7 G7(add 9)
Fm7 B 7 E7 (5)
13
B E 6 G 7 Fm7 C7 F7 Gm7(5) C7
A m7 D7
Fm7 E maj7 B m7 E7
21
D7
A maj7 Dm7(5) G7 Cm7 Am7 (5)
25
Gm7 C7 Fm7 B 7 E maj7 Fm7(9) B 7
29
176
Segment
Charlie Parker
As played by Charlie Parker The Complete Charlie
= 238
Swing Parker On Verve
1949
1 Bm Cm7 F7 Bm (5) Cm7 F7 (5)
Bm Cm7 F7 Bm Cm7
(5) F7 (5)
5
Bm Cm7 F7 Bm
(5) Cm7 F7 (5)
9
Bm Cm7 F7 Bm (5)
13
Fm7 B 7 E m
17
E m7(5) A 7 D maj7 Cm7 F7 (5)
21
Bm Cm7 F7 Bm (5) Cm7 F7 (5)
25
Bm Cm7 F7 Bm
(5)
29
Segment 177
2
Bm Cm7(5) F7 Bm Cm7(5) F7
Bm Cm7(5) F7 Bm Cm7(5) F7
37
Bm Cm7(5) F7 Bm Cm7(5) F7
41
Bm Cm7(5) F7 Bm
45
Fm7 B 7 E m
49
E m7(5) A 7 D maj7 Cm7 (5) F7
53
Bm Cm7(5) F7 Bm Cm7(5) F7
57
Bm Cm7(5) F7 Bm
61
178 Segment
Cm7(5)
3
Bm Cm7(5) F7 Bm F7
Bm Cm7(5) F7 Bm Cm7(5) F7
69
Bm Cm7(5)F7 Bm Cm7(5) F7
73
Bm
Bm Cm7(5) F7
77
Fm7
B 7 E m
81
E m7(5) A 7 D maj7 Cm7(5) F7
85
Bm Cm7(5) F7 Bm Cm7(5) F7
89
Bm Cm7(5)
F7 Bm
93
179
Remember Rockefeller at Attica
Charles Mingus
As played by Charles Mingus
melody played by trumpet and tenor Changes One
1975
Swing = 220
B m7 E9 A maj7 F7(add 9)
A
B 7(add 11) E13(11) A maj7 D9(11)
5
D maj9 C7(9)
9
F7(5) B 7(9)
13
E m7 A 13
17
D7
D maj9 D
21
B
G maj7 Gm7(5) C7 Fmaj7
Emaj7 Fm7(5) B 7 E maj7 A7(add 11)
29
A maj7
D7 D maj7 C7(9)
33
180 Remember Rockefeller at Attica
9
F7(11) B 7 E m7 (11) A 13
5
37
C
D maj7 B m9 E9
41
A maj7 F7(9) B 7(11) E9
45
A maj7 D9 D maj7
49
tenor solo
2 B m7 E9 A maj7 F7(add 9)
B 7(add 11) E13(11) A maj7 D9(11)
56
D maj9 C7(9)
60
F7(5) B 7(9)
64
E m7 A 13
68
D maj9 D7
72
Remember Rockefeller at Attica 181
G maj7 Gm7(5) C7 Fmaj7
76
Emaj7 Fm7(5) B 7 E maj7 A7(add 11)
80
A maj7 D7 D maj7 C7(9)
84
F7(11) B 7 95 E m7(11) A 13
88
D maj7 B m9 E9
92
A maj7 F7(9) B 7(11) E9
96
A maj7 D9 D maj7
piano solo 2 choruses
100
(cont.)
182 Remember Rockefeller at Attica
E9
5 B m7 A maj7 F7
(add 9)
1
D9
B 7(add 11) E13(11) A maj7 (11)
5
D maj9 C7 (9)
9
F7(5) B 7 (9)
13
A 13
E m7
17
D maj9 D7
21
Gm7
G maj7 C7 Fmaj7
(5)
25
Emaj7 Fm7(5) B 7 E maj7 A7(add 11)
29
A maj7 D7 D maj7 C7 (9)
33
Remember Rockefeller at Attica 183
F7(11) B 7 95 E m7(11) A 13
37
D maj7 B m9 E9
41
A maj7 F7 B 7
(add 9) E9 (11)
45
A maj7 D9 D maj7
49
184
Theme For Ernie
Fred Lacey
As played by John Coltrane and Paul Chambers
John Coltrane Soultrane
1958
Ballad = 62
A
Fm7 B 7(9) E m7 A 7 D maj7 G7
Cm7 F7 B m7 E7(9) A 6 Fm7
4
B m7 E7(9) A 6 Gm7 C7 Fm7 B 7(9)
7
E m7 A 7 D maj7 G7 Cm7 F7
10
B m7 E7(9) A 6 Fm7 B m7 E7(9)
Theme For Ernie 185
B
A 6 B m7 Cm7 D m7 G 7 C maj7
16
Bm7 E7 Amaj7 Fm7 G 7
19
Dm7 G7 Cm7 F7 B 7 B 7(9) B m7 E7(add 9)
22
C
Fm7 B 7(9) E m7 A 7 D maj7 G7
Z---
Cm7 F7 B m7 E7(9) A 6 Fm7
28
186 Theme For Ernie
B m7 E7(5) D m7 G 7 C maj7 E7(add 11)
31
Amaj7 E7 A m7 Gm7 C7
34
187
Evidence
Thelonious Monk
As played by Andy Gonzalez
Jerry Gonzalez Ya Yo Me Curé
2-3 rumba clave = 136 1993
"Gandinga" groove
open on cue
A
E maj7 C7 Fm7 B 7
E7 A m7 D 7 Gm7 C7 F7(5) B 7(9)
10
E maj7 C7 Fm7 B 7
14
E7 A m7 D 7 Gm7 C7 F7(5) B 7(9)
18
188 Evidence
B
B m7 E7(add 11) A maj9 D 7
Gm7 C7(9) F13(5) B 7(5)
26
C
E maj7 C7(5) Fm7 B 7
E7 A m7 D 7 F7(5)
34
*The upper part of the introduction is taken from the album "Obatala" (1988).
189
Subconscious-Lee
Lee Konitz
Lee Konitz Live At The Half Note
optional 8va m. 1-14 1959
Swing = 232
C7 Fm
G7 Cmaj7
5
C7 Fm
9
G7 Cmaj7
13
F7
I II III I
Cm7 B maj7 (9)
17
II I II I II III II I
A 7 G7
21
II I II I I
C7 Fm
25
II I II I II I II I
G7 Cmaj7
29
I II I III I
190
26-2
John Coltrane
As played by Kenny Werner
The Melody
2015
Swing = 198
A
Fmaj7 A 7 D maj7 E7 Amaj7 C7 Cm7 F7
B maj7
D 7 G maj7 A7 Dm7 G7 Gm7 C7
5
Fmaj7 A 7 D maj7 Amaj7 C7 Cm7 F7
9
B maj7 A 7 D maj7 E7 Amaj7
C7 Fmaj7
13
B
Cm7 Em7 A7 Dmaj7 F7 B maj7
E m9 A 7 D maj7 Gm7 C7
21
C
Fmaj7 A 7 D maj7 E7 Amaj7 C7 Cm7 F7
B maj7 A 7 D maj7 E7 Amaj7 C7 Fmaj7
29
191
Lopsy Lu
Electric Bass Stanley Clarke
As played by Stanley Clarke
Stanley Clarke
1974
Shuffle = 126
Eb/Ab
A
2nd x
3
5
8
E D A
B
1.2. 3.
G D D
13
Letter A as interlude;
Letter B for solos
E
16
III. Basslines
193
Lady Be Good
Gershwin
Bassline by Walter Page
Count Basie & Lester Young Jones Smith Inc.
1936
Swing = 188
A
G6 C7 G6 Bm B 7
Am7 D7 G6 D7
5
G6 C7 G6 Bm B 7
9
Am7 D7 G6 C6 G6 G7
13
B
C6 F7 G6
A7 D7
21
C
G6 C7 G6 Bm B 7
Am7 D7 G6 D7
29
2 G6 C7 G6 Bm B 7
194 Lady Be Good
Am7 D7 G6 D7
37
G6 C7 G6 Bm B 7
41
Am7 D7 G6 C6 G6 G7
45
C6 F7 G6
49
A7 D7
53
G6 C7 G6 Bm B 7
57
Am7 D7 G6 D7
61
3
G6 C7 G6
Am7 D7 G6 G 7 Am7 D7
69
G6 C7 G6 G 7
73
Lady Be Good 195
Am7 D7 G6 C6 G6 G7
77
F7
C6 G6 B 7
81
A7 D7
85
G6 C7 G6
89
Am7 D7 G6
93
196
Bye Bye Blackbird
Ray Henderson
As played by Paul Chambers
Miles Davis Round About Midnight
1956
Swing = 122
A Fmaj7
Fmaj9 F6
F6 B 13 Am7(5) D7(9) Gm7 Gm6 C7 D7(9)
5
Gm D7(9) Gm7 C7
9
Gm7 C7 C7(9) F6
13
B
Am7(5) D7(9)
Gm7 C7(9)
21
C Fmaj7 B 13 Am7(5) D7(9)
Gm7 C13(9) F6 Gm7 C7
29
197
Trouble (No. 2)
Harold Logan, Lloyd Price
As played by Bob Cranshaw
Stanley Turrentine Hustlin’
1964
Shuffle = 148
G7 C7 G7 C7
G7 C7 G7 C7
5
G7 C7 G7 C7
9
1
G7 C7 G7 C7
G7 C7 G7 C7
17
G7 C7 G7 C7
21
G7 C7 G7 C7
25
G7 C7 G7 C7
29
G7 C7 F6 F6 G6
33
198 Trouble (No. 2)
2
G7 C7 G7 C7
G7 C7 G7 C7
41
G7 C7 G7 C7
45
G7 C7 G7 C7
49
G7 C7 G7 C7
53
G7 C7 F6 F6 G6
57
199
All the Things You Are
Jerome Kern
As played by Larry Gales
Thelonious Monk Live at the It Club
1964
Swing = 162
Fm7 B m7 E7 A maj7 D7
D maj7 Dm7 G7 Cmaj7
5
Cm7 Fm7 B 7 E maj7 A7
9
A maj7 Am7 D7 Gmaj7 E7
13
Am7 D7 Gmaj7
17
Fm7 B7 Emaj7 C7
21
Fm7 B m7 E7 A7 A maj7
25
D maj7 G 7 Cm7 B 7
29
B m7 E7 A 6
33
200
Satin Doll
Duke Ellington
As played by Sam Jones
Live in Rome (televised) Oscar Peterson Trio
1969
Swing = 137
A
Cm7 F7 Cm7 F7 Dm7 G7
C7 B7 B maj7(11)
5
Cm7 F7 Cm7 F7 Dm7 G7
9
C7 B7 B maj7(11)
13
B
Fm7 B 7 Fm7 B 7 E 6
Gm7 C7 Gm7 C7 Cm7 F7 G 7 F7 D 7(9)
21
C
Cm7 F7 Cm7 F7 Dm7 G7
C7 B7 B maj7(11)
29
201
The Days of Wine and Roses
Henry Mancini
As played by Ray Brown
Oscar Peterson Trio We Get Requests
1964
Swing = 154
1
Fmaj7 E7 D7
Gm7 E7 G7 C7
5
Fmaj7 Am7 D7 Gm F Em7(5) A7
9
Dm7 G7 Gm7(5) C7
13
Fmaj7 E7 D7
17
Gm7 E7 G7 C7
21
Fmaj7 Am7 D7 Bm7(5) E7
25
Am7 D7 Gm7 C7 F6
29
202 The Days of Wine and Roses
2 Fmaj7 E7 D7
Gm7 E7
37
Fmaj7 Am7 D7 Gm F Em7(5) A7
41
Dm7 G7 Gm7(5) C7
45
Fmaj7 E7 D7
49
Gm7 E7
53
Fmaj7 Am7 D7 Bm7(5) E7
57
3
Am7 D7 Gm7 C7 F6 D7C7 Gm7 Fmaj7
61
203
My Funny Valentine
As played by Paul Chambers
Ballad The Miles Davis Quintet
Cookin’ with the Miles Davis Quintet
1956
E maj7 Fm7 Gm7 Fm7 E maj7 Fm7 Gm7 Dm7(5) G7
Bb pedal
A Cm69 A 7 G7 Cm69 F7
A maj7 Gm7 G m7 Fm E Dm7(5) G7
9
Cm69 A 6 G7 Cm69 F7
13
swing 16ths
A maj7 Am7 D7 Gm7 C7 Fm7 B 7 B 7(9)
17
B
E maj7 Fm7 Gm7 Fm7
E maj7 Fm7 Gm7 Fm7
23
E maj7 Dm7(5) G7 Cm7 Bm7 B m7 E7 A maj7 Dm7(5) G7
25
A 7 G7
Cm69 Cm 6
C 9
204 My Funny Valentine
F7 A maj7 Dm7(5) G7 Cm Bm7
32
B 7
B m7 E7 A maj7 Gm7 G m7 Fm7 E maj7 Fm7
36
2
Gm7 Dm7(5) G7
40
205
Stella by Starlight (2004)
Victor Young
As played by George Mraz
Joe Lovano I’m All For You
Swing = 176 2004
B 6 F C F B F C F
B F C F B F
5
A Em7(5) A7(9) Cm11 F13
B 7sus4 B 7(9) E maj9 A 13(11)
13
B maj7 Em7(5) A7(9) Dm6 B m6
17
Fsus4 C B m6 Am7(5) D7(9)
21
B
A 7 G7 59 Cm11
A 7(11) B maj7 Cm7 C 7 B maj7D
29
206 Stella by Starlight (2004)
C Em7(5) A7 59 Dm7(5) G7(9)
Cm7(5) F13(5) B 69
37
207
So What
Miles Davis
as played by Paul Chambers
Miles Davis Kind of Blue
A
1958
Swing = 135
*
1. 2.
6
B
21
C
29
2 Dm11
37
Dm11
41
208 So What
45
49
Eb-11
53
Dm11
57
61
3 Dm11
69
73
Dm11
77
81
Eb-11
So What 209
85
Dm11
89
93
* PC plays the notated Db in measures 16, 18, 20, and 22 as D natural on the recording.
210
Impressions
John Coltrane
As played by McCoy Tyner
Swing = 270 John Coltrane Quartet
Live at the Village Vanguard
1961
A
Dm7G
5
B
13
C
Dm7G
21
211
Impressions
John Coltrane
As played by Jimmy Garrison
John Coltrane Quartet
Live at the Village Vanguard
= 270
Swing
1961
A
Dm7G
5
Dm7G
9
13
B
E m7A
21
C Dm7G
29
212 Impressions
2
Dm7G
37
Dm7G
41
45
E m7A
49
53
Dm7G
57
61
213
Joshua
Victor Feldman
As played by Ron Carter
Miles Davis Seven Steps to Heaven
1963
Swing = 227
A
Dm9
9
1.
Dm9 Cm9 B m9 Cm9 Dm9
13
2.
B
Dm9 Fmaj7 Fm7 B 7alt.
17
piano
E maj7 E m7 A 7alt. D maj7
21
Cmaj7(11) B m13 FE A13(9) C Dm7
25
29
Dm9 Cm9 B m9 Cm9 Dm9
34
214 Joshua
2
Dm7
43
Dm7 Cm7 B m7 Cm7 Dm7
47
Dm7
51
55
Dm7 Cm7 B m7 Cm7 Dm7
p.o.
59
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
63
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
67
Fmaj7 Fm7 B 7 E maj7 E m7 A 7
71
Joshua 215
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
75
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
79
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
p.o.
83
Dm7
87
91
Dm7 Cm7 B m7 Cm7 Dm7
95
3
Dm7
103
Dm7 Cm7 B m7 Cm7 Dm7
107
216 Joshua
Dm7
111
115
Dm7 Cm7 B m7 Cm7 Dm7
119
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
123
A7alt.
D maj7 G7alt. Cm7 B m7 E7alt.
127
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
131
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
135
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
139
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
143
Joshua 217
Dm7
147
151
Dm7 Cm7 B m7 Cm7 Dm7
155
4
Dm7
163
Dm7 Cm7 B m7 Cm7 Dm7
167
Dm7
171
175
Cm7
Dm7 B m7 Cm7 Dm7
179
218 Joshua
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
183
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
187
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
191
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
195
Fmaj7 Fm7 B 7(9) E maj7 E m7 A 7(9)
199
D maj7 G7alt. Cm7 B m7 E7alt. A7alt.
203
Dm7
207
211
Dm7 Cm7 B m7 Cm7 Dm7
215
219
Conga Jam
Candido Camero
As played by Candido Camero & Andy Gonzalez
Straight = 106 Candido and Graciela Inolvidable
2004
A
bs.
tuned A-C-D
congas
5
1.
2.
9
14
18
22
26
220 Conga Jam
30
34
38
42
46
50
54
58
62
Conga Jam 221
66
70
74
78
82
86
90
94
98
222 Conga Jam
102
106
110
open conga solo then D.C. al Coda
114
ral.
118
223
My One and Only Love
Guy Wood
As played by Bob Cranshaw
Sonny Rollins The Standard Sonny Rollins
1964
Ballad = 50
A A 69 Fm9 B m7 E7 E7 Fm7 D maj7 G7(9) C13(9) F7 59
B m7 B m A Gm7(5) C7 Fm7 B 7 B m7 E7 Cm7 F7 B m7 E7
5
A 69 Fm9 B m7 E7 E7 Fm7 D maj7 G7(9) C13(9) F7 59
9
B m7 B m A Gm7(5) C7 Fm7 B 7 B m7 E7 A 69 G7
13
B
Cm9 D maj7(11) Cm Cm6 D maj7(11)
Cm Cm(maj7) Cm7 F7 Bm G 7 F7 Bm E7 A7
21
C
A 69 Fm9 B m7 E7 E7 Fm7 D maj7 G7(9) C13(9) F7 59
B m7 B m A Gm7(5) C7 Fm7 B 7 B m7 E7
29
1
A 6
A 6 Fm7
9
32
224
One Finger Snap
Herbie Hancock
As played by Ron Carter
Herbie Hancock Empyrean Isles
1964
Swing = 267
N.C.
E7sus4
5
E m7 A 7 E m7 A 7
9
Gm7(5) C7(9) Fm7(5) B 7(9)
13
E maj7 Dm7(5) G7
l.h.
17
2
N.C. Z--- Z---
E7sus4
25
A 7
E m7 A 7 E m7
29
Gm7(5) C7 Fm7(5) B 7(9)
33
One Finger Snap 225
E maj7 Dm7(5) G7(5)
37
3
C7
E7sus4
45
E m7
49
Gm7(5) C7 Fm7(5) B 7(9)
53
E maj7 Dm7(5) G7
57
4 C7
E7sus4
65
E m7
69
Gm7(5) C7 Fm7(5) B 7(9)
73
226 One Finger Snap
E maj7 Dm7(5) G7
77
5 C7
E7sus4
85
E m7
89
Gm7(5) C7 Fm7(5) B 7(9)
93
E maj7 Dm7(5) G7
97
6 C7
E7sus4
p.o.
105
E m7
p.o.
109
Gm7(5) C7 Fm7(5) B 7(9)
113
One Finger Snap 227
E maj7 Dm7(5) G7
117
7 C7
p.o. sim.
E7sus4 p.o.
sim.
125
E m7
129
Gm7(5) C7 Fm7(5) B 7(9)
133
E maj7 Dm7(5) G7
137
8 C7
E7sus4
145
E m7
149
Gm7(5) C7 Fm7(5) B 7(9)
153
228 One Finger Snap
E maj7 Dm7(5) G7
157
9 C7
E7sus4
165
E m7
169
Gm7(5) C7 Fm7(5) B 7(9)
173
E maj7 Dm7(5) G7
10
177
229
Take the A Train
Billy Strayhorn
As played by Charles Mingus
Live in Norway (video recording)
April 12th, 1964
Swing = 200
C6 D7
1
Dm7 G7 C6 Dm7 G7
5
C6 D7
9
Dm7 G7 C6 C7
13
Fmaj7
17
D7 Dm7 G7
21
C6 D7
25
Dm7 G7 C6
29
2
C6 D7
230 Take the A Train
Dm7 G7 C6 Dm7 G7
37
C6 D7
41
Dm7
G7 C6 C7
45
Fmaj7
49
D7 Dm7 G7
53
C6 D7
57
Dm7 G7 C6
61
231
Tune Up
Miles Davis
As played by Paul Chambers
Miles Davis Quintet
Up Swing = 155 Cookin’ with the Miles Davis Quintet
1956
1
Em7 A7 Dmaj7
Dm7 G7 Cmaj7
5
Cm7 F7 B maj7
9
Em7 F7 B maj7
13
Em7 A7 Dmaj7
17
Dm7 G7 Cmaj7
21
Cm7 F7 B maj7
25
Em7 F7 B maj7
29
232 Tune Up
2 Em7 A7 Dmaj7
Dm7 G7 Cmaj7
37
Cm7 F7 B maj7
41
Em7 F7 B maj7
45
Em7 A7 Dmaj7
49
Dm7 G7 Cmaj7
53
Cm7 F7 B maj7
57
Em7 F7 B maj7
61
3
Em7 A7 Dmaj7
Tune Up 233
Dm7 G7 Cmaj7
69
Cm7 F7 B maj7
73
Em7 F7 B maj7
77
Em7 A7 Dmaj7
81
Dm7 G7 Cmaj7
85
Cm7 F7 B maj7
89
Em7 F7 B maj7
93
A7
4 Em7 Dmaj7
Dm7 G7 Cmaj7
101
234 Tune Up
Cm7 F7 B maj7
105
Em7 F7 B maj7
109
Em7 A7 Dmaj7
113
Dm7 G7 Cmaj7
117
Cm7 F7 B maj7
121
F7
Em7 B maj7
125
5
Em7 A7 Dmaj7
Dm7 G7 Cmaj7
133
Cm7 F7 B maj7
137
Em7 F7 B maj7
141
235
Confirmation
Charlie Parker
As played by Ron Carter
Ethan Iverson The Purity of Turf
2016
Swing = 172
F6 Em7(5) A7 Dm7 G7
Cm7 F7
4
B 7 Am7(5) D7 G7 C7
5
A7
G7
Cm7
F6 Em7(5) Dm7 F7
9
B 7 Am7(5) D7 Gm7 C7 F6
13
Cm7 F7 B maj7
17
C7
E m7 A 7 D maj7 Gm7
21
F6 Em7(5) A7 Dm7 G7 Cm7 F7
25
236 Confirmation
B 7 Am7(5) D7 Gm7 C7 F6
29
2
F6 Em7(5) A7 Dm7 G7 Cm7 F7
B 7 Am7(5) D7 A m7 D 7 Gm7 C7
37
F6 Em7(5) A7 Dm7 G7 Cm7 F7
41
B 7 E7 A 7 D 7 Gm7 C7 F6
45
Cm7 F7 B maj7
49
E m7 A 7 D maj7 Gm7 C7
53
F6 Em7(5) A7 Dm7 G7 Cm7 F7
57
B 7 E7 A 7 D 7 Gm7 C7 F6
61
Confirmation 237
F6 Em7(5) A7 Dm7 G7 Cm7 F7
3
B 7 Am7(5) D7 G7 C7
69
F6 Em7(5) A7 Dm7 G7 Cm7 F7
73
B 7 Am7(5) D7 Gm7 C7 F6
p.o.
77
Cm7 F7 B maj7
81
E m7 A 7 D maj7 Gm7 C7
85
F6 Em7(5) A7 Dm7 G7 Cm7 F7
89
B 7 Am7(5) D7 Gm7 C7 F6
93
4 F6 Em7(5) A7 Dm7 G7 Cm7 F7
238 Confirmation
B 7 Am7(5) D7 G7 C7
101
F6 Em7(5) A7 Dm7 G7 Cm7 F7
105
B 7 Am7(5) D7 Gm7 C7 F6
p.o.
109
Cm7 F7 B maj7
113
E m7 A 7 D maj7 Gm7 C7
117
F6 Em7(5) A7 Dm7 G7 Cm7 F7
121
B 7 Am7(5) D7 Gm7 C7 F6
125
bass solo
5
F6 Em7(5) A7 Dm7 G7 Cm7 F7
p.o.
B 7 Am7(5) D7 G7 C7
133
Confirmation 239
F6 Em7(5) A7 Dm7 G7 Cm7 F7
137
B 7 Am7(5) D7 Gm7 C7 F6
141
Cm7 F7 B maj7
145
E m7 A 7 D maj7 Gm7 C7
p.o.
149
F6 Em7(5) A7 Dm7 G7 Cm7 F7
p.o.
153 p.o.
B 7 Am7(5) D7 Gm7 C7 F6
157
6
F6 Em7(5) A7 Dm7 G7 Cm7 F7
B 7 Am7(5) D7 G7 C7
165
F6 Em7(5) A7 Dm7 G7 Cm7 F7
169
240 Confirmation
B 7 Am7(5) D7 Gm7 C7 F6
173
F7
Cm7 B maj7
177
E m7 A 7 D maj7 Gm7 C7
181
F6 Em7(5) A7 Dm7 G7 Cm7 F7
185
B 7 Am7(5) D7 Gm7 C7 F6
189
241
Segment
Charlie Parker
As Played by Dave Holland
A Dave Holland Trio Triplicate
1988
Swing = 160
Bm Cm7(5) F7 Bm Cm7(5) F7
Bm Cm7(5) F7 Bm Cm7(5) F7
5
Bm Cm7(5) F7 Bm Cm7(5) F7
9
Bm Cm7(5) F7 Bm
13
Fm7 B 7 E m
17
E m7(5) A 7 D maj7 Cm7(5) F7
21
Bm Cm7(5) F7 Bm Cm7(5) F7
25
Bm Cm7(5) F7 Bm
29
242
All the Things You Are
Jerome Kern
As played by Bob Cranshaw
Sonny Rollins Sonny Meets Hawk
1963
Swing = 192
Fm Emaj7(5) G6 E m
GF Cmaj9 G 7
5
1
Fm B m7 E7 A
D Dm7 G7 C
13
Cm Fm B 7 E
17
A Am7 D7 G
21
Am7 D7 Gmaj7
25
Fm7(5) B7 Emaj7 C7
29
Fm Bm E7 A 6
33
D maj7 G 7 Cm7 F 7 Bm F7
37
All the Things You Are 243
B m7 A7 A 6
41
2
Fm Bm E7 A maj7
D maj7 Dm7 G7 Cmaj7
49
Cm7 Fm7 B 7 E maj7
53
A maj7 Am7 D7 Gmaj7
57
Am7
D7 Gmaj7
61
Fm7 B7 Emaj7 C7
65
Fm Bm E7 A maj7
69
D maj7 D m7 Cm7 B 7
73
B m7 E7 A maj7 C7
77
244 All the Things You Are
3
Fm Bm E7 A maj7
D maj7 Dm7 G7 Cmaj7
85
Cm7 Fm7 B 7 E maj7
89
A maj7 Am7 D7 Gmaj7
93
Am7 D7 Gmaj7
97
Fm7 B7 Emaj7 C7
101
Fm Bm E7 A maj7
105
D maj7 D m7 Cm7 B 7
109
B m7 E7 A maj7 C7
113
4 Fm Bm E7 A maj7
All the Things You Are 245
D maj7 Dm7 G7 Cmaj7
121
Cm7 Fm7 B 7 E maj7
125
A maj7 Am7 D7 Gmaj7
129
Am7 D7 Gmaj7
133
Fm7 B7 Emaj7 C7
137
Fm Bm E7 A maj7
141
D maj7 D m7 Cm7 B 7
145
B m7 E7 A maj7 C7
149
246
Little Pixie II
Thad Jones
As played by Richard Davis
Thad Jones/Mel Lewis Big Band Live at the Village
Swing = 224 Vanguard
1966
1
5
7
11
15
19
23
27
31
2
39
Little Pixie II 247
43
47
51
55
59
63
3
71
75
79
83
248 Little Pixie II
87
91
95
4
103
107
111
115
119
123
5
127
249
Tip Toe
Thad Jones
As played by Dennis Irwin
The Mel Lewis Jazz Orchestra
trumpet solo
The Definitive Thad Jones Vol. 2
Swing = 157 1990
1
5
9
13
17
21
25
29
2
250 Tip Toe
37
41
45
49
53
57
G
61
cont.
Tip Toe 251
()
unis. (w trbs.)
66
70
74
H
79
84
I
93
J
straight
A
E A 6 D 7 Cm7 F7 Fm7 B7
Em7(5) A7 59 A m6 D7(9) E7(9) E7(9) Fm7 Dmaj7
5
E A 6 D 7 Cm7 F7 Fm7 B7
9
Em7(5) A7 A m6 D7 E7 E7 Fm7 Dmaj7
13
B m7 Bm7 Cm7 D maj7 E7sus4 Em7 Dmaj7 Cmaj7 F7 Gmaj7
B
A 6 Amaj7 B6 Bmaj7 B m7(5) A13
21
A m7 Dm7 D 7(add 9) Gm7(5) G 7 Fm7 E7
25
C
E A 6 D 7 Cm7 F7 Fm7 B7
Jeru 253
Em7(5) A7 A m6 D7 E7 E7 Fm7 Dmaj7 Gmaj7 Cm6 Fm7(5)
33
B m7 A7 A 7 G7(5) Cm7 F7(5) Fm7 E9
38
Em7(5) A7 A maj7 A7 Gm7 G m7 Fm7 Em7(5)
42
B m7 A7 A 7 G7(5) Cm7 F7 Fm7 E9
46
Em7(5) A7 A maj7 A7 Gm7 G m7 Fm7 E7
50
B m7 Em7 A7 A
54
A m7 Dm7 G7 Gm7 G m7 Fm7 E7
58
B m7 A7 A 7 G7 Cm7 F7 Fm7 E7
62
Em7(5) A7 A maj7 A7 Gm7 G m7 Fm7 Em7(5) E
66
254
Ezz-Thetic
George Russell
As played by Bob Cranshaw
Grant Green Solid
1964
Swing = 258
A
Cm11
Cm11
14
Fm7 B 7(9) E m7 A 7(5)
18
Dm7(5) G7 Cm9
22
Cm11
26
Cm11
30
Fm7 B 7(9) E m7 A 7(5)
34
Dm7(5) G7 Cm9
38
Ezz-Thetic 255
B
Fm7 B 7 E maj7 C7
Fm7 B 7 E maj7
46
C7 Fm
50
Am7(5) D7 A 7 G7
54
C
Cm11
Cm11
62
Fm7 B 7(9) E m7 A 7(5)
66
Dm7(5) G7(9) Cm9
70
256
Tempus Fugit
Bassline by Ray Brown
Bud Powell Jazz Giant
Fast Swing = 144 1949
1
Gm A7 Dm Em7(5) A7 Dm
Gm A7 Dm B 7 A7 Dm
5
Gm A7 Dm Em7(5) A7 Dm
9
Gm A7 Dm B 7 A7 Dm
13
Em7(5) A7 Bm7(5) E7
17
A7(5) D7(5)
21
Gm A7 Dm Em7(5) A7 Dm
25
Gm A7 Dm B 7 A7 Dm
29
A7
Gm Dm Em7(5) A7 Dm
2
Gm A7 Dm B 7 A7 Dm
37
Tempus Fugit 257
Gm A7 Dm Em7(5) A7 Dm
41
A7
Gm A7 Dm B 7 Dm
45
Em7(5) A7 Bm7(5) E7
49
A7(5) D7
53
Gm A7 Dm Gm A7 Dm
57
A7
Gm A7 Dm B 7 Dm
61
3
Gm A7 Dm Em7(5) A7 Dm
Gm A7 Dm B 7 A7 Dm
69
Gm A7 Dm Em7(5) A7 Dm
73
Gm A7 Dm B 7 A7 Dm
77
258 Tempus Fugit
Em7(5) A7 Bm7(5) E7
81
A7(5) D7(5)
85
Gm A7 Dm Em7(5) A7 Dm
89
Gm A7
Dm B 7 A7 Dm
93
259
What’s Going On
Marvin Gaye
Electric Bass As played by James Jamerson
Marvin Gaye What’s Going On
1971
Slight swing 16th = 98
Emaj9
A
Emaj9 Cm9
Emaj9 Cm9
9
13
Emaj9 Cm9
17
Emaj9 Cm9
21
Fm7 B7
25
B Fm7 B7 Fm7
260 What’s Going On
B7 Fm7 B7
32
Emaj9 Cm9 Emaj9 Cm9
35
C Am9
B7sus4
47
D
Emaj9
50
Cm9 Emaj9
53
Cm9 Fm7
57
E
B7
61
261
Lover
Rodgers and Hart
As played by Paul Chambers
John Coltrane The Last Trane
1958
Fast swing = 200
1
E7(11) Am7 D7
A m7 D 7 Gm7 C7
5
Fm7 B7 Fm7 B 7
9
E C7 F7 B 7
13
E7(11) Am7 D7
17
A m7 D 7 Gm7 C7
21
Fm7 B7 Fm7 B 7
25
E B 7 E Am7 D7
29
Gmaj7 E7 Am7 D7
33
Bm7 E7 Am7 D7
37
262 Lover
B maj7 G7 Cm7 F7
41
B maj7 F 7 Bmaj7 B 7
45
E7(11) Am7 D7
49
A m7 D 7 Gm7 C7
53
Fm7 B7 Fm7 B 7
57
E
61
2
E 6 Am7 D7
A m7 D 7 Gm7 C7
69
Fm7 B7 Fm7 B 7
73
E maj7 C7 F7 B 7
77
Lover 263
E7(11) Am7 D7
81
A m7 D 7 Gm7 C7
85
Fm7 B7 Fm7 B 7
89
E B 7 E Am7 D7
93
Gmaj7 E7 Am7 D7
97
Bm7 E7 Am7 D7
101
B maj7 G7 Cm7 F7
105
B maj7 Fm7 B 7
109
E7(11) Am7 D7
113
A m7 D 7 Gm7 C7
117
264 Lover
Fm7 B7 Fm7 B 7
121
E Fm7 B 7 E maj7
125
265
Windows
Chick Corea
As played by Miroslav Vitous
Chick Corea Now He Sings, Now He Sobs
1968
Swing = 212
1
Bm7
Gm9(5) C13
5
Fm9
9
D7sus4
13
Emaj7(11)
17
Emaj7(11)
21
A 13 A13 A 13 A13
25
A 13 A13 A 13 A13
29
Emaj7(11) D C B
33
B m7(5) A E7G
37
266 Windows
A m7 G D 7F
41
Emaj7(11) D C C13
45
2
Bm7
Gm9(5) C13
53
Fm9
57
D7sus4
p.o.
61
Emaj7(11)
65
Emaj7(11)
69
A 13
A13 p.o. A 13 A13
73
A 13 A13 A 13 A13
77
Windows 267
Emaj7(11) D C B
81
B m7(5) E7
85
A m7 D 7
89
Emaj7(11) D C C13
93
268
Windows
Chick Corea
As played by Roy Haynes
Swing = 212 Now He Sings, Now He Sobs
1968
composite rhythms
1 Bm7
5 Gm9(5) C13
9 Fm9
13 D7sus4
17 Emaj7(11)
21 Emaj7(11)
25 A 13 A13 A 13 A13
29 A 13 A13 A 13 A13
33 Emaj7(11) D C B
37 B m7(5) A E7G
Windows 269
41 A m7 G D 7F
45 Emaj7(11) D C C13
2 Bm7
53 Gm9(5) C13
57 Fm9
61 D7sus4
65 Emaj7(11)
69 Emaj7(11)
73 A 13 A13 A 13 A13
77 A 13 A13 A 13 A13
270 Windows
81 Emaj7(11) D C B
85 B m7(5) E7
89 A m7 D 7
93 Emaj7(11) D C C13
271
Nemesis
Kevin Eubanks
Bassline by Dave Holland
Dave Holland Quartet Extensions
1989
Broken swing = 190
G7(9) open on cue
1:20
E13(5)
5
9
13
17
B maj7(11)
p.o.
21
B maj7(5)
25
A7(5) p.o. A maj7(11)
29
A maj7(11)
33
272 Nemesis
Cm9 B m9
37
Em7D
41
A maj7(5)
44
4/4+4/4+3/4
G7(9) 3x
48
49
52
55
Nemesis 273
274
El Ray
Tony Moreno / arr. Marc Mommaas
As played by Ugonna Okegwo
Tony Moreno Quintet Short Stories
2016
Straight = 80
5
9
13
16
21
26
31
35
El Ray 275
39
44
49
53
55
58
IV. Solos
277
You’d Be So Nice to Come Home To
Cole Porter
As played by Paul Chambers
Paul Chambers Bass on Top
1957
Swing = 160
Gm6 B 7(11)
E7(11) D7 59
5
1 Gm6 Am7(5) D7(add 9) Gm6
Fm7 B 7 E maj7
13
Am7(5) D7 Am7(5) D7 Gm6
17
Em7(5) A7(9) Am7(5) D7
21
Gm6 Am7(5) D7(9) Gm6
25
Fm7 B 7 E maj7
29
278 You’d Be So Nice to Come Home To
Cm7 F13(9) B maj7 Am7(5) D7(9) Gm6
33
C7(5) F7(9) B 69 D7
37
2
Gm6 Am7(5) D7(9) Gm6
Fm7 B 7 E maj7
45
Am7(5) D7 Am7(5) D7 Gm6
49
Em7(5) A7(9) Am7(5) D7
53
Gm6 Am7(5) D7(9) Gm6
57
Fm7 B 7 E maj7
61
Cm7 F13(9) B maj7 Am7(5) D7(9) Gm6
65
You’d Be So Nice to Come Home To 279
C7(5) F7(9) B 69 D7
69
3 Gm6 Am7(5) D7(9) Gm6
Fm7 B 7 E maj7
77
Am7(5) D7 Am7(5) D7 Gm6
81
Em7(5) A7(9) Am7(5) D7
85
89
Fm7 B 7 E maj7
93
Cm7 F13(9) B maj7 Am7(5) D7(9) Gm6
97
C7(5) F7(9) B 69 D7
101
280 You’d Be So Nice to Come Home To
4
Gm6 Am7 D7 (5) (9) Gm6
Fm7 B 7 E maj7
109
Am7(5) D7 Am7(5) D7 Gm6
113
Em7(5) A7 Am7 (9) (5) D7
117
Gm6 Am7(5) D7(add 9) Gm6
121
Fm7 B 7 E maj7
125
Cm7 F13(9) B maj7 Am7(5) D7(9) Gm6
129
C7(5) F7(9) B 69 Am7(5) D7
133
281
On Green Dolphin Street
Bronisław Kaper
As Played by Miles Davis
Miles Davis Sextet 58 Sessions
1958
Swing = 169 E maj7 G maj7
1
Fmaj7 Emaj7 E maj7
5
Fm7 B 7 E maj7
9
A m7 D 7 G maj7 Fm7 B 7
13
G maj7(11)
17
Fmaj7(11) Emaj7(11) E maj7(11)
21
Fm7 E Dm7(5) G7(add 9) Cm7 B Am7(5) D7(add 9)
25
Gm7 C7 Fm7 B 7 Gm7 C7 Fm7 B 7
29
282 On Green Dolphin Street
2 E maj7 G maj7
Fmaj7 Emaj7 E maj7
37
Fm7 B 7 E maj7
41
A m7
D 7 G maj7 Fm7 B 7
45
E maj7 G maj7
49
Fmaj7 Emaj7 E maj7
53
B
Fm7 E Dm7(5) G7(add 9) Cm7 Am7(5) D7(add 9)
57
B7
Gm7 C7 Fm7 Gm7 C7 Fm7 B 7
61
Gm7 C7 Fm7 B 7 E maj7
65
283
Perdido
Juan Tizol
As played by Oscart Pettiford
Swing = 160 Deep Passion
1956
A Cm7 F7 B7(9) B6 A 7 G7 D 13(9)
cello (8va)
Cm7 F7 B7 59 B6 G7
5
Cm7 F7 B7(9) B6 A 7 G7 D 13(9)
9
Cm7 F7 B7 59 B6
13
B
Am7 D7 Dm7 G7
Gm7 D 7 C7 Cm7 F7 D 7(11)
21
C Cm7 F7 B7(9) B6 A 7 G7 D 13(9)
9
Cm7 B7 B6 F7
5
29
284 Perdido
2
9
Cm7 F7 B6 A7 Dm7 G7 (9)
5
bass
Cm7 F7 B6 Dm7 G7(9)
37
B 6
9
Cm7 F7 A7 Dm7 G7(9)
5
41
Cm7 F7 B6
45
D7 G7
49
C7 F7
53
A7 59
Cm7 F7 B6 Dm7 G7(9)
57
Cm7 F7 B6
61
Perdido 285
cello (8va)
3
Cm7 F7 B6 A7 59 Dm7 G7(9)
Cm7 F7 B6 Dm7 G7(9)
69
Cm7 F7 B6 A7 59 Dm7 G7(9)
73
Cm7 F7 B6
77
D7 G7
81
C7 F7 G7(9)
85
Cm7 F7 B6 A7 59 Dm7 G7(9)
89
Cm7 F7 B6
93
286 Perdido
4
9
Cm7 F7 B6 A7 Dm7 G7(9)
5
Cm7 F7 B6 Dm7 G7(9)
101
9
Cm7 F7 B6 A7 Dm7 G7(9)
5
105
Cm7 F7 B6
109
D7 G7
113
C7 F7
117
Cm7 F7 B6 A7 59 Dm7 G7(9)
121
Cm7 F7 B6 G7(9)
125
287
Rhythm-a-Ning
Thelonious Monk
As Played by Charlie Rouse
Thelonious Monk Criss Cross
1962
Swing = 204
B
B 7
5
B 7
9
B 7 B
13
D7 G7(add 11)
17
C7(add 11) F7
21
B Bmaj7 B 7
25
E Cm7 F7(add 9) B
29
288
Autumn Leaves
As played by Chet Baker
Swing = 180 Chet Baker She Was Too Good to Me
1974
B m7 E7 A maj7 D maj7
1
Gm7(5) C7 Fm
4
B m7 E7 A maj7 D maj7
8
Gm7(5) C7 Fm
12
Gm7(5) C7 Fm
16
B m7 E7 A maj7 D maj7
20
Fm B 7 E m7 A 7
Gm7(5) C7
24
D 7 C7 C ped.
28
32
Autumn Leaves 289
2
B m7 E7
36
A maj7 D maj7 Gm7(5) C7
40
Fm B m7 E7
44
A maj7 D maj7 Gm7(5) C7
48
Fm Gm7(5) C7
52
Fm B m7 E7
56
A maj7 D maj7 Gm7(5) C7
60
Fm
B 7 E m7 A 7 D 7 C7
64
C ped.
68
72
290
Lady Bird
Tadd Dameron
As played by Fats Navarro
The Tadd Dameron Septet
Fm7
= 174 Fats Navarro Memorial Album
Swing
1948
C 6
9 B 7 (5)
C69 Bm7 E7 B m7 E7
5
A 6 Am7 D13 D7
9
Dm7 G7(9) Cmaj7 E7 A maj7 G7
13
C69 Fm7 B 7(5)
17
21
D13
A 6 Am7
25
Dm7 G7(9) Cmaj7 E7 A maj7 G7
29
291
When Your Lover Has Gone
As Played by by Paul Chambers
Sonny Rollins Tenor Madness
1958
Swing = 108
1 E maj7 E m6 A 9
F13 A m6 D 9sus4 D 9
6
E maj7 G7 59 Cm7 F9 Am7(5) D7
10
Gm7 C7(5) Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
14
E maj7 E 6 E m6 A 9
18
F13 A m6 D 9sus4 D 9
22
E maj7 G7 Cm7 D 9 E maj7 G7 C7
26
Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
30
2 E maj7 E m6 A 9
292 When Your Lover Has Gone
F13 A m6 D 9sus4 D 9
38
E maj7 G7 Cm7 F9 Am7(5) D7
42
Gm7 C7(5) Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
46
E maj7 E m6 A 9
50
F13 A m6 D 9sus4 D 9
54
E maj7 G7 Cm7 D 9 E maj7 G7 C7
58
Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
62
3
E maj7 E m6 A 9
F13 A m6 D 9sus4 D 9
70
E maj7 G7 Cm7 F9 Am7(5) D7
74
When Your Lover Has Gone 293
Gm7 C7(5) Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
78
E maj7 E m6 A 9
82
F13 A m6 D 9sus4 D 9
86
5
E maj7 G7 add 9 Cm7 D 9 E maj7 G7 C7
90
Fm7 B 7(add 9) E maj7 C7(add 9) Fm7 B 7(add 9)
94
(cont.)
294 When Your Lover Has Gone
11 E maj7 E 6 E m6
A 9 F13
101
A m6 D 9 E maj7 G7
104
Cm7 F9 Am7(5) D7
107
Gm7 C7(5) Fm7 B 7(add 9) E maj7 C7(add 9)
110
Fm7 B 7 E maj7
(add 9) E 6
113
E m6 A 9 F13
116
A m6 D 9sus4 D 9
119
G7 59
E maj7 Cm7 D 9 E maj7
122
When Your Lover Has Gone 295
125
E maj7 C7(add 9) Fm7 B 7(add 9) E maj7
128
296
Moody’s Mood for Love
James Moody
As played by James Moody
James Moody and his Swedish Crowns Vintage
50’s Swedish Jazz Vol. 6
Ballad
A 1949
Cmaj7 Am7 Dm7 G7 Dm7 G7
Cmaj7 F7 Em7 E 7 Dm7
4
G7
Dm7 Em7 A7 Dm7 G7
7
Cmaj7 Am7 Dm7 G7
9
Dm7 G7 Cmaj7 F7
11
Em7 E 7 Dm7 Dm7 G7(9)
13
Cmaj7 B Dm7 G7(9)
16
Cmaj7 A7(9) Dm7 G7 Cmaj7
18
Moody’s Mood for Love 297
Fm7(5) B7(9) Em6 Am7 D7
21
C
Dm7 G7(9)Cmaj7 Am7 Dm7 G7
24
Dm7 G7 Cmaj7 F7 Em7 E 7
27
Dm7 G7
30
Cmaj7 Em7 E 7 Dm7
32
298
Stardust
Hoagy Carmichael
As played by Oscar Pettiford
Oscar Pettiford Vienna Blues:
The Complete Session
Rubato 1959
D maj7 G 9 F7(9)
B 7
4
Fm7
E m7 A 7 B m7
5
rall.
Gm7 C7 E m7 A 7 D7
7
D maj7 G 9 F7(9)
9
B 7
12
Fm7
E m7 A 7 B m7
13
straight = 61
E m7 A 7 D maj7 B 7(9)
15
Stardust 299
E m9
A
B 7
Fm7 B7 D maj7 Fm7
(9)
20
E m7 B 7 E m7 A 7sus4
23
A 7sus4 A 7(9) D maj7 E7 Fm7 B m7
26
E13 B m7 E7 A 7sus4
29
B
A 7 G E m9
32
Fm7 B7 D maj7
35
Fm7 B 7 E m7 B 7(9) E m7
38
300 Stardust
B m7
Fm7 B13 D maj7
41
Fm7 B 7 (9) E m7 A 7
44
D maj7 A 7 D maj7 D 7(5)
47
301
I’ll Remember April
Latin = 116 Solo by Idris Muhammad
John Hicks Trio Is That So?
1990
4:32
1
composite rhythm
5
9
13
B
21
25
29
C
37
302 I’ll Remember April
41
45
2
53
57
61
B
69
73
77
I’ll Remember April 303
C
85
89
93
304
Giant Steps
John Coltrane
Solo by Larry Grenadier
Pat Metheny Trio → Live
Straight = 160 2000
1 Bmaj7 D7 Gmaj7 B 7 E maj7 Am7 D7
Gmaj7 B 7 E maj7 F 7 Bmaj7 Fm7 B 7
5
E maj7 Am7 D7 Gmaj7 Cm7 F 7
9
Bmaj7 B 7 Fm7
E maj7 Cm7 F 7
13
---M
2 Bmaj7 D7 Gmaj7 B 7 E maj7 Am7 D7
Gmaj7 B 7 E maj7 F 7 Bmaj7 Fm7 B 7
21
E maj7 Am7 D7 Gmaj7 Cm7 F 7
25
Bmaj7 Fm7 B 7 E maj7 Cm7 F7
29
Giant Steps 305
Bmaj7 D7 Gmaj7 B 7 E maj7 Am7 D7
3
Gmaj7 B 7 E maj7 F 7 Bmaj7 Fm7 B 7
37
E maj7 Am7 D7 Gmaj7 Cm7 F 7
41
Bmaj7 Fm7 B 7 E maj7 Cm7 F 7
45
Cmaj7(11)
49
53
306
Nardis
Miles Davis
As played by Scott LaFaro and Bill Evans
Bill Evans Trio Explorations
1961
Swing = 158
A
Em9 Fmaj9 Emaj7 B7 Cmaj7(11)
Am11 Fmaj13 Bmaj7(5)E Em11
5
Em9 Fmaj9 Emaj7 B7 Cmaj7(11)
9
Am11 Fmaj13 Bmaj7(5)E Em11 B 7(11)
Nardis 307
B
Am11 Fmaj7(11) Am11 Fmaj7(11)
Dm9 G7sus4 G9 Cmaj7 Fmaj7(11)
21
C
Em9 Fmaj9 Emaj7 B7 Cmaj7(11)
Am11 Fmaj13 Bmaj7(5)E Em11
29
308 Nardis
2
Em9 Fmaj9 Em9 B7 Cmaj7(11)
Am11 Fmaj13
Am11 Em11 B7 59
37
Fmaj9
Em9
Em9 B7 Cmaj7(11)
41
Am11 Fmaj13 B7 Em11
45
Am11 Fmaj7(11) Am11 Fmaj7(11)
49
Dm7 G7 Cmaj7 Fmaj7(11)
53
Em9
Em9 Fmaj9 B7 Cmaj7(11)
57
Am11 Fmaj13 B7 Em11
61
Nardis 309
Fmaj9
3
Em9 Em9 B7 Cmaj7(11)
B7 59
Am11 Fmaj13 Am11 Em11
69
Em9 Fmaj9 Em9 B7 Cmaj7(11)
73
Am11 Fmaj13 B7 Em11
77
Am11 Fmaj7(11) Am11 Fmaj7(11)
81
G7
Cmaj7
Dm7 Fmaj7 (11)
85
Cmaj7
Em9 Fmaj9 Em9 B7 (11)
89
Am11
Fmaj13
B7 Em11
93
310 Nardis
4 Em9 Fmaj9 B7 Cmaj7(11)
Am11 Fmaj13 Em11 B7 59
101
Em9 Fmaj9 Em9 B7 Cmaj7(11)
105
Am11 Fmaj13 B7 Em11
109
Am11
Am11 Fmaj7(11) Fmaj7 (11)
113
Dm7 G7 Cmaj7 Fmaj7 (11)
117
Em9 Fmaj9 Em9 B7 Cmaj7(11)
121
Fmaj13
Am11 B7 Em11 5
125
311
Lazy Bird
John Coltrane
As Played by Paul Chambers
John Coltrane Blue Train
1958
Swing = 253
1 Am9 D7 Cm9 F7 Fm9 B 7
E maj7 Am7 D7 Gmaj7 A m7 D 7
5
Am9 D7 Cm9 F7 Fm9 B 7
9
E maj7 Am7 D7 Gmaj7
13
Bm7 E7 Amaj7 B m7 E7
17
Am7 D7 Gmaj7 A m7 D 7
21
Am9 D7 Cm9 F7 Fm9 B 7
25
E maj7 Am7 D7 Gmaj7 A m7 D 7
29
2
Am9 D7 Cm9 F7 Fm9 B 7
312 Lazy Bird
E maj7 Am7 D7 Gmaj7 A m7 D 7
37
Am9 D7 Cm9 F7 Fm9 B 7
41
E maj7 Am7 D7 Gmaj7 D 7
45
Bm7 E7 Amaj7 B m7 E7
49
Am7 D7 Gmaj7 A m7 D 7
53
Am9 D7 Cm9 F7 Fm9 B 7
57
E maj7
Am7 D7 Gmaj7 A m7 D 7
61
3
Am9 D7 Cm9 F7 Fm9 B 7
E maj7 Am7 D7 Gmaj7 A m7 D 7
69
Am9 D7 Cm9 F7 Fm9 B 7
73
Lazy Bird 313
E maj7 Am7 D7 Gmaj7
77
Bm7 E7 Amaj7 B m7 E7
81
Am7 D7 Gmaj7 A m7 D 7
85
Am9 D7 Cm9 F7 Fm9 B 7
89
E maj7
4
Am7 D7 Gmaj7 A m7 D 7
93
(cont.)
314 Lazy Bird
bass solo
Am9 D7 Cm9 F7 arco Fm9 B 7
1
E maj7 Am7 D7 Gmaj7 A m7 D 7
5
Am9 D7 Cm9 F7 Fm9 B 7
9
E maj7 Am7 D7 Gmaj7
13
Bm7 E7 Amaj7 B m7 E7
17
Am7 D7 Gmaj7 A m7 D 7
21
Am9 D7 Cm9 F7 Fm9 B 7
25
E maj7 Am7 D7 Gmaj7 A m7 D 7
29
315
What is This Thing Called Love
Cole Porter
In the style of Hank Jones
Hank Jones Live at Maybeck Volume 16
1992
Freely A7 95 D 7(5) C7(9) Fm6
A
G7
Dm7(5) G13sus4 G13(9) G7 95 Cmaj9 E 69 A 13 (9)
5
E7(9) D7 59 D 7 59 C7(9) G 7(9) Fm7
9
D7 59 G7 59 G7 59 Cmaj13
13
316 What is This Thing Called Love
B
D7 95 G7 59 G 7(11) F7 59 B maj7 B maj7(5) B maj13 B maj7(5)
rit.
A 7 Dm7 G7(9)
21
a tempo
C
Gm7(5) A m(maj7) C7 99 Fm6
Fm G13(9) C6 G Cmaj7
29 Dm
Fm(maj7) Cmaj7 G13(9)
32
What is This Thing Called Love 317
Em7 A13 Dm11 G13
35
318
All of Me
Marks & Simons
As Played by Johnny Hodges
Duke Ellington The Great Paris Concert
= 102
Swing 1963
A 6 C7
F7 Bm
5
C7
8
Fm
B 7
11
B m7 E7 A
15
F7
C7
18
B m
D
22
F7
D Cm7 B m7
26
All of Me 319
E7 A
30
A
C7
33
B m
F7
37
C7
40
Fm B 7
43
B m7 E7
46
A C7
49
B m
F7
53
D D Cm7
57
320 All of Me
F7 B m7 E7
60
A E7 A
63
321
I Want to Be Happy
Vincent Youmans
As played by Sonny Rollins, Thelonious Monk,
Tommy Potter, and Art Taylor
Thelonious Monk and Sonny Rollins
1954
Swing = 192
5
A
E 6 E7 Fm7 B 7
E 6 D7 C7 G7 F7
Fm7 B 7 C 7 B 7 E7
13
322 I Want to Be Happy
E 6 E7 Fm7 B 7
17
E 6
Fm7 B 7
B 7 (5)
21
B B m7 E7 E7 A maj7 A m7 D 7
I Want to Be Happy 323
E7
E 6 D 7 C7 G 9 F9 B9 B 9 (5)
29
C E 69 E7 Fm7 B 7
Fm7 B 7 C7 (9) Fm7 B 7
37
324 I Want to Be Happy
Fm7
2
E 6 E 7 B 7
45
E 6
E7 Fm7 B 7
49
Fm7 B 7(5) E 6 D 7 E 6
53
B m7 E7 E7 A maj7 A m7 D 7
57
G9
E 6 D 7 C7 F9 B9 B 9 E7 (5)
61
E 69 E7 Fm7 B 7
65
Fm7 B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
69
3 E 6 E7 Fm7 B 7
I Want to Be Happy 325
Fm7 B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
77
B 7
E 6 E7 Fm7
81
Fm7 B 7(5) E 6 D 7 E 6
85
B m7 E7 E7 A maj7 A m7 D 7
89
E 6 D 7 C7 G 9 F9 B9 B 9 E7(5)
93
E 69 E7 Fm7 B 7
97
Fm7
B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
101
B 7
4
E 6 E7Fm7
Fm7 B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
109
326 I Want to Be Happy
Fm7
E 6 E7 B 7
113
Fm7 B 7(5) E 6 D 7 E 6
117
B m7 E7 E7 A maj7 A m7 D 7
121
E 6 D 7 C7 G 9 F9 B9 B 9 E7(5)
125
E 69 E7 Fm7 B 7
129
Fm7 B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
133
E 6 E7 Fm7 B 7
5
Fm7 B 7 E 6 D 7 C7 G 7 F7 C 7 B 7 E7
141
I Want to Be Happy 327
E 6 E 7 Fm7 B 7
145
D 7
Fm7 B 7 E 6
(5) E 6
149
B m7 E7 E7 A maj7 A m7 D 7
153
D 7 C7
Z--- E7(5)
E 6 G 9 F9 B9 B 9
157
E 69 E7 Fm7 B 7
161
G7 F7 C 7 B 7 E7
Fm7 B 7 E 6 D 7 C7
165
Z---
E 6 E7 Fm7 B 7
6
Fm7 B 7 E 6D 7 C7 G 7 F7 C 7 B 7 E7
173
E 6 E7 Fm7 B 7
177
328 I Want to Be Happy
Fm7 B 7 E 6 D 7
(5)E 6
181
A m7
B m7 E7 E7 A maj7 D 7
185
E 6 D 7 C7 G 9 F9 Z--- B9 B 9 E7(5)
189
E 69 E7 Fm7 B 7
193
G7
Fm7 B 7 E 6 D 7
C7
197
7
F7 C 7 B 7 E7
200
329
Windows
Chick Corea
As played by Chick Corea
piano right hand Chick Corea Now He Sings, Now He Sobs
1968
Swing = 212
2
Bm7
49
Gm9(5) C13
53
Fm9
57
D7sus4
61
Emaj7(11)
65
Emaj7(11)
69
A 13 A13 A 13 A13
73
A 13 A13 A 13 A13
77
D
Emaj7(11) C B
81
330 Windows
B m7(5) A E7G
85
A m7 D 7
89
Emaj7(11) D C C13
93
3
Bm7
Gm9(5) C13
101
Fm9
105
D7sus4
109
Emaj7(11)
113
Emaj7(11)
117
Windows 331
A 13 A13 A 13 A13
121
A 13 A13 A 13 A13
125
Emaj7(11) D C B
129
133
B m7(5) E7
A m7 D 7(9)
137
Emaj7
(11) D C C13
141
332
All the Things You Are
Jerome Kern
As played by Brad Mehldau
straight = 281 and Larry Grenadier
accidentals carry over dotted barlines Brad Mehldau Trio Art of The Trio 4
D maj7
1999
G maj7 C7 Fmaj7
3
B m7
Fm7 E7 A maj7
5
D maj7 G7 Cmaj7
Cmaj7
Dm7 G7
10
Bm7(5) E7 Amaj7 F7
12
All the Things You Are 333
B m7 E m7 A 7(9) D maj7
14
G maj7 G m(maj7) D F A7
16
Dmaj7 A 7 D6 B 7
18
2
E m7 A m7 D 7 G maj7
C maj7 F7 B maj7
22
B m7 E m7 A 7 D maj7
24
All the Things You Are
334
G maj7 Gm7 C7 Fmaj7
26
Gm7 C7 Fmaj7
28
Em7(5) A7(9) Dmaj7 B 7
30
E m7 A m7 D 7 G maj7
32
Bmaj7 Bm7 G 6 B D7(9)
34
Gmaj7 D 7 G maj7 E7
36
All the Things You Are
335
3
Gm7 Cm7 F 7 Bmaj7
Emaj7 B 7 E maj7
40
E m7 A m7 D 7 G maj7
42
Bmaj7 F7 B maj7
44
B maj7
Cm7 F7
46
Am7(5) D7(9) G E7
48
336 All the Things You Are
Gm7 Cm7 F 7 Bmaj7
50
Emaj7 Em7 BD G7
52
Cmaj7 F 7 Bmaj7 G 7
54
4 Cm7 Fm7 B7 Emaj7
Amaj7 E7 A maj7
58
Gm7 Cm7 F 7 Bmaj7
60
All the Things You Are
337
Emaj7 B 7 E maj7
62
Fm7 B 7 E maj7
64
G7
Dm7(5) Cmaj7 G 7
66
Cm7 Fm7 B7 Emaj7
68
Amaj7 Am6 EG C7
70
Fmaj7 B7 Emaj7 C7
72
338 All the Things You Are
5 Fm7 Bm7 E7 Amaj7
bs.
Dmaj7 E m7 A 7 D maj7
76
Cm7 Fm7 B7 Emaj7
78
Amaj7 B m7 E7 A maj7
80
B m7 E7 A maj7
82
Gm7 C7 Fmaj7 C7
84
Fm7 Bm7 E7 Amaj7
86
Dmaj7 Dm7 Cm7 Cm7 F7
88
B maj7 E7 Amaj7 G 7
90
All the Things You Are 339
Cm7 Fm7 B7 Emaj7
6
Amaj7 B m7 E7 A maj7
94
Gm7 Cm7 F 7 Bmaj7
96
Emaj7 Fm7 B 7 E maj7
98
Fm7
B 7
E maj7
100
Dm7 G7 Cmaj7 G 7
102
Cm7 Fm7 B7 Emaj7
104
Gm7
Amaj7 Am7 EG C7
106
B7
Fmaj7 Emaj7 G 7
108
340 All the Things You Are
Cm7 Fm7 B7 Emaj7
7
Amaj7 E7 A maj7
112
Gm7 Cm7 F 7 Bmaj7
114
Emaj7 B 7 E maj7
116
Fm7 B 7 E maj7
118
Dm7 G7 Cmaj7 G 7
120
Cm7 Fm7 B7 Emaj7
122
Am7
Amaj7 EG Gm7 C7
124
G 7
Fmaj7 B7 Emaj7
126
All the Things You Are 341
Fm7
8 Cm7 B7 Emaj7
Amaj7 E7 A maj7
130
Cm7
Gm7 F 7 Bmaj7
132
Emaj7 B 7 E maj7
134
E maj7
Fm7 B 7
136
Dm7 G7 Cmaj7 G 7
138
Cm7 Fm7 B7 Emaj7
140
Amaj7 Am7 EG Gm7 C7
142
Fmaj7 B7 Emaj7 G 7
144
342 All the Things You Are
Cm7
9 Fm7 B7 Emaj7
Amaj7 E7 A maj7
148
Gm7 Cm7 F 7 Bmaj7
150
Emaj7 B 7 E maj7
152
Fm7 B 7 E maj7
154
Dm7 G7 Cmaj7 G 7
156
Cm7 Fm7 B7 Emaj7
158
Amaj7 Am7 EG Gm7 C7
160
Fmaj7 B7 Emaj7 C7
162
343
Pannonica
Thelonious Monk
Double time feel = 80 Thelonious Alone in San Francisco
1959
2 Cmaj7 E m7 A 7 Dm7 B 7
E maj7 A7 A 7 D 7
4
G maj7(11) F7 E m7 A 13 G13 D maj7(4)
6
Cmaj7
E m7 A 7 Dm7 B 7
10
Pannonica
344
E maj7 A7 A 7 D 7
12
G maj7(11) F7 E m7 A 13 G13
14
D maj7(4) Gm7 C7(9) Cm7 F7(9)
16
G 7
straight...........
19
G7alt.
Bmaj7 Dm7
20
swing
Pannonica 345
Cmaj7 Gm7 C7 Bm7 E9 E7(9)
22
rall.
Cmaj7
A7 D7 G7 95
24
straight
E m7 A 7 Dm7 B 7
26
E maj7 A7
28
[28]
346 Pannonica
freely rall.
A 7 D 9 G maj7 F7
29
rit.
E m7 A 13 G13 D7(11) Dm7 G7 95
31
D maj7(11)
33
347
Pannonica
Thelonious Monk
Solo Double Bass Arranged by Robert Sabin
≈ Double time feel = 52 Thelonious Alone in San Francisco
1959
Cmaj7 E m7 A 7 Dm7 B 7
A
l.h.
E maj7 A7 A 7 D 7
4
E m7
G maj7(11)
F7 A 13 G13
6
D maj7(4) Cmaj7 sim.
8
III II I
Dm7
E m7
A 7
B 7
10
III II I sim.
D 7
E maj7 A7 A 7
12
G maj7(11) F7 E m7 A 13 G13
14
348 Pannonica
D maj7(4) B Gm7 C7(9)
16
Cm7 F7(9) F 7
18
Bmaj7 Dm7 G7alt.
20
Cmaj7 Gm7 C7 Bm7 E9 E7(9) A7 D7 G7 95
22
III II I
B 7
Cmaj7 E m7 A 7 Dm7
C
freely
E maj7 A7
28
I II
II I
[28]
Pannonica 349
A 7 D 9 G maj7 F7
ral. tempo
tempo
29
//
D7(11) Dm7 G7 95
E m7 A 13 G13
31
II
I
D maj7(11) rall.
piu mosso
33
350
Tempus Fugit
Bud Powell
As played by Bud Powell
Bud Powell Jazz Giant
1949
1
Fast Swing = 144
Gm A7 Dm
Em7(5) A7 Dm Gm A7 Dm
5
B 7 A7 Dm Gm DmA7
9
Em7(5)
A7 Dm Gm A7 Dm
13
A7
B 7 Dm Em7(5) A7
17
Bm7(5) E7 A7(5)
21
D7(5) Gm A7 Dm
25
Em7(5) A7 Dm Gm A7 Dm
29
2 Gm
B 7 A7 Dm A7 Dm
33
Tempus Fugit 351
Em7(5) A7 Dm Gm A7 Dm
37
B 7 A7 Dm Gm A7 Dm
41
Em7(5) A7 Dm Gm A7 Dm
45
B 7 A7 Dm Em7(5) A7
49
Bm7(5) E7 A7(5)
53
D7
Gm A7 Dm
57
Gm A7 Dm Gm A7 Dm
61
B 7 A7 Dm Gm A7 Dm
3
65
Em7(5) A7 Dm Gm A7 Dm
69
352 Tempus Fugit
Gm A7
B 7 A7 Dm Dm
73
Em7 A7
(5) Dm Gm A7 Dm
77
A7
B 7 A7 Dm Em7 (5)
81
Bm7(5) E7 A7(5)
85
D7(5) Gm A7 Dm
89
Em7(5) A7 Dm Gm A7
93
Dm B 7 A7 Dm
96
353
Santa Claus is Coming to Town
Coots and Gillespie
as played by Gary Peacock
Bill Evans Trio 64
1963
Swing = 186
1
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
Bm7 Em7 E9(add 11) D9 E maj7 A maj7
5
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
9
Bm7 Em7 E9(11) D9 G7 F7 E7 E7
13
Dm7 G7 Em7 A7 Dm7 G7 C69 F7
17
Em7 A7 Fm7 B7 Em7 A7
21
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
25
Bm7 Em7 Am7 D9 G6 D7
29
354 Santa Claus is Coming to Town
2
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
Bm7 Em7 Am7 D9 Gmaj7 A maj7
37
C
Gmaj7 G7 C69 F13 Gmaj7 G13 6
F13
9
41
Bm7 Em7 A7 D7 Gmaj7 E7
45
Dm7 G7 Em7 A7 Dm7 G7 C69 F7
49
Em7 A7 Fm7 B7 Em7 A7 Am7 D7
53
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
57
Bm7 Em7 Am7 D7 Gmaj7 A maj7 D7
61
Santa Claus is Coming to Town 355
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
3
Bm7(5) E7 A7 D13 Gmaj7 A maj7
69
Gmaj7 G7 Gmaj7 G13 C69 F7
73
Bm7 E7 A7 D7 G7 F7 Em7 E7
77
Dm7 G7 Em7 A7 Dm7 G7 C69 F7
81
Em7 A7 Fm7 B7 Em7 A7 Am7
85
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
89
Bm7 Em7 E9(11) D9 Gmaj7 Am7 D7
93
356 Santa Claus is Coming to Town
G6 G7 C6 F7 G6 C6 F7
4
Bm E7 Am D7 G6
101
G6 G7 C6 F7 G6 G7 C6 F7
105
Bm E7 Am D7 Gmaj7
[109] 111
Dm7 G7 Em7 A7 Dm7 G7 Cmaj7
113
Em7 A7 Fm7 B7 Em7 A7 Dmaj7 D7
117
G6 G7 C6 F7 G6 G7 C6 F7
121
BmE7 Am D7 Gmaj7
125
Santa Claus is Coming to Town 357
G6 G7 C6 F7 G6 C6 F7
5
Bm E7 Am D7 Gmaj7
133
G6 C6 F7 G6 C6 F7
137
Bm E7 Am D7 Gmaj7 Em E m
141
Dm7 G7 Em7 A7 Dm7 G7 Cmaj7
145
Em7 A7 Fm7 B7 Em7 A7 Dmaj7 D7
149
G6 G7 C6 F7 G6 C6 F7
154
Bm E7 Am D7 Gmaj7 Am D7
158
358 Santa Claus is Coming to Town
6
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
Bm7 Em7 E9(11) D9 E maj7 A maj7
166
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
170
Bm7 Em7 E9(add 11) D9 G7 F7 E7 E7
174
Dm7 G7 Em7 A7 Dm7 G7 C69 F7
178
Em7 A7 Fm7(5) B7 Em7 A7
182
Gmaj7 G7 C69 F13 Gmaj7 G13 C69 F13
186
Bm7 Em7 E9(11) D9 C 7 Cm6 Bm7 Em7
190
Cm7(5) Cm6 Bm7 Em7 Cm7(5) Cm6 Bm7 Em7
194
B m7
poco rit.
Cm7(5) Cm7 Bm7 Am7 D7 F G D maj7(5)
198
Dr. Robert Sabin is a bassist, composer, author, and
educator specializing in jazz and contemporary improvised
music. He has appeared alongside such artists as Oliver
Lake, Ingrid Jensen, Jean-Michel Pilc, Peter Bernstein,
Dick Oatts, Donny McCaslin, Matt Panayides, Rich Perry,
Rich Shemaria, Mark Stanley, Ingrid Jensen, John Yao, JC
Sanford Orchestra, Luis Bonilla, John Riley, Aaron
Johnson, Kenny Werner, Bruce Arnold, Tony Moreno, Vic
Juris, Combo Nuvo, Brian Lynch, Onaje Allan Gumbs,
Killer Ray Appleton, Victor Lewis, Chico O'Farril, Billy
Taylor, Vince Mendoza, Roland Hanna, Bob Mintzer, and
Dennis Charles. He has presented workshops for the
International Society for Music Education, International
Society of Bassist’s, Association for Popular Music
Education, University of Miami Frost School of Music, City
College, Manhattan School of Music, and the Jazz
Education Network as well as being featured in the
Online Journal of Double Bass Research. Sabin wrote his
Ph.D. dissertation “Gary Peacock: Analysis of Progressive
Double Bass 1963-1965” while studying with Peacock from
2009-2014 and doing extensive research on the early
1960s New York City avant-garde. Sabin currently serves
on the faculty of City University of New York and the
Manhattan School of Music Precollege.