History of The Whistle

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History of the Whistle

   The whistle is an ancient instrument, apparently originating in ancient China around


5000 years ago, and making its way to Europe in about the 11th century. In Ireland
there is evidence of whistle players in early literature and on the medieval High
Crosses. Bird-bone whistles were played in the 12th century in Viking Dublin.

   Whistle belongs to a group of woodwind instruments called "fipple flutes" (fipple is


the term still used today to describe the block in the mouth piece that constricts the air
to produce sound). Originally called "vertical flutes", they were made of bone or clay.
In the 17th century, the term "Flageolet" was used to describe a fipple flute with four
finger holes on the front, and two thumb holes on the back.

   Whistles were (and still are) called by many different names, including Fipple Flute,
Vertical Flute, Flageolet, Tin Whistle, Penny Whistle, Tin Flute, Feadóg Stáin (Irish
name) and others.

   Early in the 19th century, English-made whistles started to appear with the six
finger hole arrangement that we see today (also some with the traditional thumb hole
and keys). In 1843, Robert Clarke of England made the first "Tinwhistle", borrowing
the design from a wooden whistle that he owned. The Clarke Tinwhistle Co. still
produces whistles today (see more about the Robert Clarke Story on the Original
Clarke Tinwhistle Page in our Online Catalog).

   In the 1950's the plastic mouthpiece was introduced, and a cylindrical (straight tube)
was used to replace the traditional conical (tapered) bore of whistles like the Clarke.

   The Low D Whistle was introduced about 25 years ago by Bernard Overton of
Overton Whistles. It has grown by leaps and bounds in popularity since this time, and
continues to be a highly sought after instrument.

   No one seems to be quite sure how the term "Penny Whistle" originated. It is
generally thought that Robert Clarke originally sold his tinwhistles for a penny, or the
term was used because people used to throw pennies to whistle players in the streets
as they played.
Clearing the Windway
 

After you've played your whistle for a little while, you may
notice the tone has changed. It may be harder to hit some of the
high notes, or the volume may have lowered. This is because
condensation has built-up in the windway. The difference that a
clear windway can make is just amazing!
You'll find that condensation and foreign matter is much more
of a problem in whistles with narrower windways, and for these
you may have to clear the windway much more often. Below are
a few remedies you can try.
 

 If you need to clear the windway while you're playing, you have a few choices:
o Place your finger over the windway opening (so the whistle won't make any
sound), and sharply blow through the mouthpiece.
o Keeping your fingers in playing position, wrap the little finger of your right hand
around to cover the end hole of the whistle. Blow into the windway opening
(you'll be holding the whistle kind of like a flute now), so that the air comes out
the end of the mouthpiece.
o If you're in the middle of a tune and you don't have time to do either of the above,
you can suck in through the whistle to get rid of the condensation. Obviously, you
don't want to do this if you've just used the "dish soap method" below...

 
 Occasionally, you should use a piece of stiff paper (a business card works perfectly) to
clean the windway. Cut a strip of the paper off, then fold it over once (to stiffen it up
more). Run in and out of the mouthpiece to dislodge any foreign matter. Blow through
the mouthpiece (with the windway hole covered) after this to make sure that you get all
foreign matter out of the windway.
 

 The next fix comes from subscribers to Dale Wisely's  The Chiff and Fipple Newsletter,
and works quite well - especially on whistles with narrow windways. Rub a small amount
of mild dish soap in the windway, using a small piece of paper folded over to reach inside
the windway. Don't over do it, or you'll be tasting dish soap for a while. This remedy
usually makes a big difference on how long you can play before your windway becomes
clogged.
PLEASE NOTE: we don't really recommend using dish soap on mouthpieces that
have wooden fipple plugs (like the Original Clarke or the Shaw).

Walton's Irish Whistle


Brass
Key of D or C
 

This is a Walton's Whistle - made in Dublin, Ireland. It is available in the key of D or C (D is the
most popular key for traditional Irish music). It's made of brushed brass and has a plastic fipple
(mouthpiece). The plastic mouthpiece has become accepted and even preferred by most
traditional players, due to the consistency of sound that they produce.

   There is a difference between this whistle and the Walton's Mellow D and the Walton's Brass
Irish D, although the difference is slight. The Mellow D has a slightly wider bore (the inside
diameter of the whistle). This gives the "Irish D Whistle" a brighter tone that's well suited for
jigs, reels, etc.

 
This whistle is played very easily in the entire two octave range, and has a pleasant, bright tone.
Note that the mouthpiece on this whistle is not glued on, so it is tunable, to match pitch
with other instruments or recordings.

(Label will occasionally vary from the image shown above)


(Sometimes the mouthpiece of this whistle will be a color other than green)

Don't forget to order a Whistle Pouch for your whistle!


Walton's "Mellow D"
Key of D, Brass
 
This is a Walton's Whistle - made in Dublin, Ireland. It is tuned to the key of "D" - this is the
most popular key for traditional Irish music. It's made of brushed brass and has a plastic fipple
(mouthpiece). The plastic mouthpiece has become accepted and even preferred by most
traditional players, due to the consistency of sound that they produce.

   There is a difference between this whistle and the Walton's Irish Whistle, although the
difference is slight. The Mellow D has a slightly wider bore (the inside diameter of the whistle).
This gives the Mellow D a tone that's well suited for airs.

It is played very easily in the entire two octave range, and has a pleasant, bright tone.

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