Graveyard Wanderers. The Wise Ones & The Dead in Sweden PDF

THE
GRAVE YARD
WANDERERS
Gra"eyard
«Ianderere
The Wise Ones
+
The Dead
in
Sweden
Tom Johnson Ph.D.

CONTENTS
Prologue 1
Initiation 3
Healing with the Dead 13
The Detection & Transfixation of Thieves 21
The Dead Control Animals & People 31
Hexing with the Dead 37
The Dead give Protection 47
Winning with the Dead 55
Sh ooting with the Dead 59
Invisibility 63
The Spiritus 67
The Ring-Belt 71
The Rune-Stone 77
Some Warnings 82
THE WISE & THEIR WORLD 85

Select Bibliography 97
Footnotes 99
PROLOGUE 1
Herein ls ex amin e d one aspect of the practice of the Wise Ones of

Sweden; their relationship with the Dead. Of this, it has been said:
Hardly any magical item has b een so much used by the Wise Ones
as graveyard earth and human bone, and in certain cases coffin nails,
fragments from the h eads tone and such like from the cemetery.
This was illustrated by the title "graveyard-wanderer" that was given
to the Wise Ones "He was a real graveyard man: it was said of a
wise man in Holm, Medelpad.1
The method by which a wise person received a special ability might

also be captured in the word used to refer to them. "Graveyard
wanderer" (Sw. kyrko9drds9anaare) refers to the common visitation of
the wise folk to cemeteries to procure human skeletal re mai ns or
"graveyard earth" (Sw. kyrko9cirdsmull) for use in magical rites, and to
the practice of enlisting the aid of a nc estral spirits. The following
excerpt about Kristina i Prekeb o, known locally as "Prekeborskan:
and her errands in graveyards, is exemplary: Once she had been all
the way down to Halmstad. There was a farmhand who was to
convey her home by horse. But it was the worst trip he'd ever been
on, he said, because at every c e m e te ry they drove past that night
she wanted to go and talk to the dead, as well as fetch some earth
from the graves that she could then use as medicine.·
Whoever wants to learn to do magic should fetch a bone from the

cemetery. After that, it will be possible to see and know more than
others.3
There now follows the rituals and teachings of the Wise Ones, largely as
written by themselves in their Black Art Books and in accounts they
recorded of their practice. The nature of this tradition is startling.
INITIATION
4
One's introduction to the Dead

so as to receive insight
and acquire their services.
Thus, may one become a sorcerer.

TO GAIN SIGHT .. 5
Go to a churchyard. Recite this over a gravestone whilst crossing yourself:
Your Si/jht shall be in my Si/jht

in whose nameyou rest here
I will not disturb you
but hoped that you
in the name of peace may sleep
so that I may see theHidden
and see its power
hear its celebration
and help in need.
Could you
OHolyGhost
9iPe to me ofyour power
in the name of the Holy Crucified One
Amen.
Then make crosses over your eyes. three times. over each lid.
This ritual reflects the benevolent aspect of the Wise Ones. The Christian Holy Ghost (unusually,
not the Holy Trinity) is reguested to enable sight ofthe "Hidden" (i.e. the Kingdom ofthe Dead).
to hear its celebrations and realise its potential to help the living.
AFLUTE5
A bone flute from the churchyard. or made from a tree branch found there;
to blow the spirit through.
In Britain. the use of such flutes has been associated with the Ancient Order ofBonesmen.
6 TO KNOW THE INVISIBLE SCIENCES 6
If one wants to know about the sciences of the Invisibles their wisdom - -
namely about the families of Wights and Lucifers, then one goes to a grave
on a Thursday night between the hours of twelve and one o'clock.
One takes a little earth from the grave, cuts the left ring finger, so that three
drops of blood fall down on the grave-earth and then throw the earth on
you as the priest does when h e casts the earth onto a coffin.
When one has done so, one has sold oneself into the power of the Invisibles.
and then you can learn from them anything one desires to learn in this way.
It "'"ill become clear that Thursday night was the preferred time for graveyard wandering and
graveyard earth was a crucial tool ofthe craft. Here, by making himself one with the Dead. the
practitioner acquires the power to communicate wi th other families of spirits as well, and
may gain knowledge from them. This ritual has no Christian component, the Wise On e simply
places himself under the power of the Invisibles
CHARM TO BORROW A HUMAN BONE 1
Farj"IJ ldna ditt Iii/a ben,

om en ska du fa det wen!
...
IfI can borrowyour little bone,

then in a week* you will get it back aaain!
*Or day, month or year etc. the required time period is stated. The Graveyard \Vanderers
-
removed bones from the churchyard but they were borrowed. and had to be returned.
TO BECOME A SORCERER 8 7
If onewishes to become a true sorcerer. but without having to sell oneself

to the Devil, then one should go to the churchyard on a Thursday night
between two and four o'clock. This is what one says:
Inhabitants ofthe Kinadom ofDeath
this payment I borrowfrom you
that sometime you might tell me
how to find out that which I wish to know.
Then one goes up to the church-bell and scrapes a little metal from it and
keeps it in a bottle. If one then wants to find out about something. whatever
it may be, then one goes to the churchyard on a Thursday night and says:
Inhabitants ofthe Kinadom ofDeath.
Comeforth!
Tell me how I should restore this coin that I have borrowedfrom you
it shall be paid back to you on that day that I enter with you into eternity.
Then one may learn from the spirits anything that one wishes to know, even
if there is no earthly way for you to discover it. Each time one wants to find
out about something. then one goes to the churchyard and repeats the ritual.
The Wise One purloins some bell metal (ap p ar e nt ly considered to be akin to a coin) and
promises to return it when he j oins them in the Kingdom of Death.In exchange for this
undertaking he requests knowledge. There is no Christian component to this ritual. simply a
rather manipulative contract between the Wise One and the Dead. Also, there is no infernal
aspect; the services of the Dead being obtained in�eag of selling oneself to the Devil.
8 TO CONJURE A DEAD PERSON FROM THE EARTH 9
If you wish to do mischief with a corpse, then take a little earth from a grave
in the churchyard. ne it into a piece of cloth with a long thread attached.
Then go into the air above where the Dead One's body lies. Bore a hole and
tie a knot onto the corpse's chest. Haul up the knot very slowly. then the
corpse will rise. Do it several times, raising and lowering the corpse again.
However, if you want to conjure a dead mother or father, or whatever relative

you choose, even if they have lain in the earth for twenty years, then you go
out in the evening. out through your door and take a bit of chalk and write
the Dead One's baptismal and common name over the door, as well as over
all the other doors that enter the house.
Then put a penknife between the names over each door and then the Latin
with Hebrew:
Comotote Prili Sall
Two hours thereafter the Dead One will come and place themselves inside
the door of the house. But no one should speak to them. And when the
dead one has stayed a little while, then you go out and take the penknife out
and strike out the Latin and Hebrew.
Then you go inside and cast seeds and quicksilver all over the dead one,
remaining silent. Then the dead one will depart.
The instruction, to "Go into the air above where the dead one's corpse lies" probably infers that
the Wise One is to be strung from ropes tied to com·enient trees, or perhaps constructs a
suitable improvised timber structure.
10 9
TO SEE AND SPEAK WITH INVISIBLE SPIRITS
To reveal invisible spirits and to be able to hear and speak with them. in
whatever way one desires. so as to find out hidden things write your name
and then these words in red letters on a chip of spruce wood:
Filx Gackte ol hordea

OSS. YQS)J'elock Bjelsebubb
Behov 1'ara
On a T hursday evening go to the cemetery and put that chip under an earth
fast stone. Return there the following T hursday evening. Then take the chip
and say. giving their names:
I order you spirits

to come and meet me here next Thursday e1'enina
in the name of
Domine Pater Filius Saned Spiritus
or in the name of
God the Father
and of the Son
and of the Holy Spirit
Then, go thence the third Thursday evening. then the chip will be gone and
a little round stone will be in its place. Take this stone and keep it. then the
spirits will come to you and then you can get to know whatever you ask of
them; but don't ask too much all at once, because then they get too tired.
save it for later.
When you have the stone in your pocket. you will never lack for money.
Take the stone in a bottle and knock it once, for each spirit you want to
speak with. They shall procure for you in this. way whatever you require.
from wherever in the whole world.
10 11
TO OBTAIN THREE SECRET WORDS
Take a one year old hazel branch and make a circle around the grave. With
your left hand, take up earth from the grave three times. Say this:
I conjure you
you skeleton and your spirit
by Christ
by the Vir9in Marys birth
and the earthly path of the holy er>an9elists and apostles
that you rise up and meet me here at this place
before the hour of twelr>e
when I shall askyou secretly
and you shall answer me three words
which I shall not rer>eal
and I conjure you that you will not 90 outside this circle
nor harm a hair upon �head
in the name of the Holy Trinity
and of Marys birth
and the earthly path of the holy er>an9elists and the apostles.
Amen.
Write then these signs around the circle:
t ttl\' .:J Itt t

Then plant the branch into the earth and step backwards from the circle.
When the spirit finishes speaking with you, he will run widdershins around
the circle. As he runs nine circuits, you throw the graveyard earth over him
three times , and he will immediately will sink into the ground.
TO OBTAIN THE SERVICE OF A SPIRIT 12 11
Write the following with your own blood. upon a small piece of paper:
I give you this as a proof

you impure spirit.
And sign your name.
On a Thursday. go back to the church making sure that no one catches up

with you. or meets you. Put the piece of paper under the threshold of the
church door.
On the following Thursday grasp the lock of the church door. Say:
I giPe you this as a proof

you impure spirit
so that you will meet me
on the next Thursday wenina.
Then go home again. but be careful that no one catches up with you. or
meets you. for you must be all by yourse1£ Then go back the third Thursday
evening just as day gives way to night. You will find your note has gone. Stay
there. at that place. until a spirit comes forth and gives you a box. He will
then go his way. but you must not be frightened. for he will say nothing to
you. In the box is a little bell. When you ring that little bell. then the spirit
will come forth to you, and will be visible to your eyes but not to anyone
else's. This spirit must serve you and do what you command him to, whether
for ill or good, and he must procure for you everything that you desire of
him. whether money or other goods. or even other arts that you wish to try.
But as often as you want him to serve you. then you have to ring the bell, and
then he will come forth to do what vou command him.
12 PROCURING THE SERVICE OF A DEAD PERSON •3
The Sc\m.i Adolf said to take three hairs from a corpse, then say:
You who rest here

in whose name you now sleep
with this you shall 9ive to me power to hear what I wish
you shall only follow me
you are the serflant ofmy spirit
in the name of all the Saints
until the be9innin9 ofJudament day.
Recite aloud at 12 o'clock at night.
Cross then + + + times over the coffin.
Usually, the Wise One sought the service of a spirit until a bone was returned, or perhaps until
the practitioner passed from the Land of the Living into the Kingdom of Death. Here, however,
the spirit must serve the Wise One's long after his death. until the morning ofJudgement Day
HEALING WITH THE DEAD
14
Whereby the Dead

now beyond suffering
take pain from the living.
THE HEAD NAIL� 15
One might also take body parts of the newly departed to perform magic
with: e speci ally of suicides and the executed. Gallows nails were magically
effective. Especially the "head nail" with which the head of the condemned
had been fastened to the pole. One could heal illness in both humans and
animals with this.
FOR PROGNOSIS is
Bones of the Dead and graveyard earth were of great use to the Wise One. If
he wanted to find out the prognosis for a sick person. he would take a piece
of bread in one hand and a dead man's bone in the other. but secretly. so no
o ne could see what he had. Then, when he went in to the sick one he let ,
the patient make a choice. If they chose the bread he would get better. But
if he c hose the bone he would die.
.
16
TO AID DEFORMITY
Go early to the churchyard and borrow a corpse bone and soak it in the
dew. Then stroke with it over the affe cted limb. It will also help with injuries.
It is done in the new and waning moo ns to help women. Then the bone is
put back in the same place and earth is thrown over it. Say:
Let my weakness now rot away

with you in the earth
as this bone does.
16 TELLING A SPIRIT TO ACCEPT AN INCURABLE ILLNESS rJ
If a person has not healed, even if they have sought out all the cunning folk
and even the doctors, then on a Thursday night - best during the waning
moon - go to a grave and have with you a piece of cloth that belongs to the
invalid. Take the cloth and wrap it widdcrshins around the gravestone. Tie a
knot and say:
YouNN.
who lie here
JOU know nothtna.
Then make another knot and say:
You can take this sickness from NN.
For the third time. tie a knot while you say:
ForJOU feel nothtna

in the name of God the Father
and of the Son
and ofthe Holy Ghost.
The sick one should then keep the piece of cloth and untie all three knots,
,
then he, or she, will be healthy.
TO EASE PAIN 18
Say three times:
Your pain shallfade
as a dead person that is in the earth does
in the name of the Father
the Son
and the Holy Ghost.
TO AID IN CASES OF DEFORMITY 19 17
A way to help. without fail all people's deformities is as follows. Each must
do this for him or hersel£ If their parents have died, go to a churchyard in
the summer time, when there is a lot of dew and the graves are open. Take
a corpse's bone and put it to the side of the churchyard. But remember. the
bone that is borrowed should accord with to the limb that is affiicted. Go
to the churchyard early in the new and waning moon. Dip this bone in the
dew. and stroke it upon your injuries. it will surely help. For another kind
this is done during the quarter to full moon. When one has finished using
it. put the bone back in the same place, and cover it with earth. as you throw
on the earth say:
Let now my weakness

which this bone now owns
rot with you in the earth.
CAWNG FOR ASSISTANCE :io
Go to a grave. pull up a plant with its roots. Say this while you take it:
When I take you

the one who lies in this 9raPe,
do not deny me this root
that I takefor plentiful blessinas
rather 9iPe meyour power and blessino
rest soundly in your9raPe
I wish you no ill.
WOrk peacefully in God's name.
Afterwards. keep the ro ot indoors.
This ritual shmvs that the \Vise Ones could be respectful t.o the spirits of the Dead.
18 TO AID BACKACHE 21
This is a good remedy for those suffering badly with lumbago.
Go to the cemetery and find a newly opened grave. look for where the
earth has mixed with the remains of a dead body. Take a water vessel full of
this earth as a loan. and leave a one-crown coin in the grave. T hen go from
there in silence.
Upon returning home. empty the vessel in a bathtub or such and fill the
tub with water. All this takes place on a Thursday night. In the morning
remove all the dirt from the bathtub, whereupon the sick one is bathed
completely in the water. And however difficult the sickness may be. it will
disappear completely through this cure.
But you should take the dirt back to the graveyard and take back the coin .
With graveyard earth, both when helping another. or when overcoming them.
every time one borrows from the graveyard one should have serious intent,
and keep in mind what you desire. Then. it will come to pass; whether for
good or for ill.
TO HEAL PAINFUL BONES 22
For very painful or. so-called. inflamed bones take a human bone and put it
in the gap in the fuel that one makes when starting a fire in the oven. Bum
it and then remove it and grind it completely into a fine powder. Sift this
together with flour. and then spread it on the affected part. Be very careful
when using it, not to get any in the eyes. It will make you blind without any
hope of regaining your sight. It is very dangerous. but in cases of great need.
very useful.
TO GET RID OF WORMS� 19
Take some worms from each tree and go to the churchyard on a Thursday
morning before the sun comes up. Do not look behind you as you travel
there. Drop the worms into an open grave; if you cannot find one, make a
hole in a closed grave with a staff. This should be done in silence. Then
think, or say:
Hence will all worms go
that are in N. N. garden
the Son
and the Holy Ghost.
Then leave the churchyard and go back to the garden again. Do not look
behind you as you go. Find a tree that is in the middle of the garden and
place in its freshest foliage a needle threaded with yarn that has been used
previously to sew through a shroud that a corpse has been wrapped in,
though washed three times.
TO CU RE FLEN 24
Recite the following words three times and the third time draw a five
pointed star over the affected area:-
F/ennar Jlena opos.

Flen you shall shrink, be subdued,
{the person's name & their father's name]
as a dead man under the ground
far away in the woods

and of the Son
20 All TYPES OF REMEDIES USEFUL FOR MANY
CIRCUMSTANCES 25
Take the moss that grows on a dead man's skull, peat pellets, a bell that is
found in a flowing stream and earth that is dug up in a left shoe whilst the
p riest buries a body This is obtained in the following way; when the priest
.
says in the name of the Father and of the Son and of the Holy Spirit, each
time one takes up some earth with the leather from the left shoe. Also, take
the remains of home spun wool that has lain in the earth, snakeskin that lies
at a crossroads, a wedding ring. asafoetida garlic, castoreum. valertum, the
.
roots of rushes. three drops of blood from a bat, nails from a corpse's hand,
or its nameless finger. as well as a cuckoo's left claw.
TO DULL PAIN 16
Jesus, he walked into the churchyard.

There he sought the means
and there he healed wounds
and dulled pain
and you will fall asleep
and the pain will dull
and this in the name of the Triune God.
Amen.
A CU RE FOR STROKE XJ
Take peas so that they sprout, and put them aside. Take a human skull from
whom the stroke seems to come Then the mother will pee three drops
.
each morning into it, and. in silence. give it to the child to drink on an
empty stomach for nine mornings in a row. If you forget, then you need to
start over again. and if you haven't a skull, then she can pee into her right
hand and give it to her child.
THE DETECTION &
TRANSFIXATION OF THIEVES
22
The Dead send dreams that reveal the thief.
In return for coin

or the promise of peaceful rest
the Dead can torment thieves
or transfix them
communicating the stillness of Death
until the Wise One commands th e i r release.
But the Wise One may not punish

a miscreant thus constrained.
TRANSFIXATION OF THIEVES & FINDING STOLEN 23
28
GOODS
If you wore a human bone on a string around the neck, one could transfIX
thieves even before they left the scene of their crime, and they couldn't
move again until the Wise One released them. If you took a human bone,
sawed it in half and laid the pieces in a cross under one's pillow, then during
the night you would have a dream ofwhere the thiefwas, and also the location
of the stolen goods.
TO SEE A THIEF 29
Take a human bone from the churchyard

and a little splinter from under the altar
and a little cloth from the pulpit
and a little fragment from the church door.
Put these under your head at night with these words written down. and with
the desire in you mind wrap them in a linen cloth:
To 9et to see the thief

T hen you will see him.
Another. Take raven's feathers, namely the middle and topmost feathers from
the left wing and put them under your head at night and when you sleep
then you will see the form of the thief as the feathers turn together in a ring.
DETECTION OF A THIEF 30
To see the thiefin your sleep. Dig up a human bone. Put it under your pillow
when you sleep. T hen you will see the thie£
TO SHOW A THIEF IN A GLASS OF WATER AND PROTECT
ONE'S PROPERTY 31
It works like this, you go to the cemetery and get a hold of a skeleton that
has not been destroyed by the teeth of time. From this you take the longest
finger of the left hand and leave a one-crown piece in payment for it. While
doing this say:
Thou dead
this, I borrowfrom you
so that you will help me
when I call upon you
to show who the thiefis
and to return the stolengoods.
If you want yet another wish, you can state it, since you have three wishes -
but no more. This experiment you should do alone on a Thursday night
between twelve and one o'clock. Now if someone has been robbed and you
want to show him who the thief is, then you stir the liquor in a glass three
times widdershins with the finger of the dead person. Then the thief will
become visible, so that anyone can see him. If you want to have the stolen
goods returned, order the spirit of the finger to do so.
I heard last winter of one place where, during a wedding. one of the guests
made off with a gold watch. Because there was a Wise One among the
wedding guests, who knew the art of showing the thief and getting stolen
goods returned, the victim wanted to get the watch back again. This the
sorcerer promised; and in an hour's time one of the neighbours came
running up, as if for his life, with the watch in his hand and returned it to
the owner.
The thief said that when he had come home with the stolen watch and
gone to bed, he was surrounded by a group of spirits who ordered him to
return the stolen goods; if he didn't obey, they said they would take
him with them to Eternity. This terrified the thief so much that he didn't 25
even have time to put on more than a pair of trousers before he rushed
back to return the watch.
The owner of the watch said, though that had he known just wh o the thief
.
was. then for all the world, he would not have wished him exposed to all
the people there.
If you want to protect your possessions. for example things that are left out
under the open sky. and you own such an amulet. then you go three times
widdershins around them. Then. if a thiefcomes along and grasps something.
he will remain standing and will not be able to move from that spot until
the owner returns. To release the thie£ you say:
Thanks shall you ha11e

you who ha11e stood here
andguarded my possessions.
Then the thief will be released from his enchantment. But if the owner is
angry and becomes abusive. then he can expect other after-effects. which
can destroy him for his entire life.
TO TRANSFIX THIEVES 32
Take a woollen yarn in a needle that has been threaded widdershins. Go to

a corpse and pass the thread through the left hand and go three times around
the grave widdershins and put the needle and the thread in the grave.
TO TRANSFIX THIEVES"
When a corpse is being enshrouded speak to the one who sews so as to

obtain the needle and thread, but it must be the same as was actually used,
and no other. And when you get hold of a grass snake, take him living and
unharmed, and put him in front ofyour possessions upon an earth-fast stone
until he d ries up, and take his head off him, and stick the needle through
and let it remain there on the thread, and thread it through that which you
wish to keep safe.
Snakes were important to the Wise Ones. being both infernal pestilence incarn;ite, but also a
source of power. An earth-fast stone is, presumably, protruding bedrock and is often utilsed in
Black Art Book practice.
A SPIRIT TO PROTECT ONE'S PROPERTY*
Go to the churchyard, dig up a human bone and ask to borrow it for however
long a time, and say:
I exorcise you
you spirit ofthe bone
by the Virgin Marys birth
'
and by all the Aposdes paths
and I wake you up
to become a 9uardian over everythina I own
so that no thief
whoe11er it mwht be
will be able to steal any ofmy 9oods
but will rather remain standina in place
until I allow my guardian to release him.
As long as you have the bone under lock and key. the spirit of the bone
will be a watchful guardian over your house.
TO RESTORE STOLEN GOODS 35 27
Talk to someone who is to enshroud a corpse and obtain the needle with
five quarters [a measure] of thread that has been used to sew up the shroud.
Keep this needle and thread and take the following:
Three pine cone scales, and take them apart and cut them up finely.
Remove the seedpods from the seeds.
A knife's measure of water from three springs that run into the same
stream
Nine grains of salt
Three drops of blood out of the left ring finger
Three pinches of flour
And recite the Our Father, and the Lord's Benediction and say:
As truly as you are a thiefin the world

just as truly you will come back 011er mountains and 11alleys
Then draw this figure on wood:-
Then get seven button-holes and blow the mixture through them without
seeing where it goes.
28 TO TRANSFIX THIEVES WHEN THEY ARE ABOUT TO
STEAL 11
Take a human skull from the churchyard and borrow it for a certain period
of time. and make sure that when that time has passed you bring it back
again. Borrow the skull in the name of the Holy Trinity; and at the same
time state what use you will make ofit. With this skull go three times around
your property. and each time recite the Our Father. When you now come to
the place you started. say:
As still as this corpse lies

thats as still as you will remain
you thief
who in11ites himselfin to steal
remain here inside this place
that I ha11e encircled
until I myself come to you
and 9i11e you permission to lea11e.
Cut away for yourself three chips
Then bury the skull and recite the Our Father.
TO RESTORE THAT WHICH HAS BEEN STOLEN JB
Cut away for yourself three chips or bits from that place that you know the
thing was taken from. Take them to church and put them under the altar.
Leave them there for three Thursday evenings. T hen pass them three times
around your right thigh. and lastly put them in a grave or a coffin.
TO FORCE A THIEF TO CONFESS 39
You take something that you believe belongs to the thie£ On a Thursday,
having fasted, go to the churchyard and bury that item under a gravestone.
Then say:
I conjureyou
you spirit ofthe dead ones body
thatyou will dri1'e NN.
the damned thiefthat stolefrom me
so that he confesses this publicly
or returns thegoods
or pain and suffering to him
until I shall orderyou otherwise
ofthe Son
And the Holy Ghost
TO TRANSFIX A THIEF UPON THE SPOT 40
You borrow a bone from the churchyard at a certain time. Then you go
around the place three times widdershins and say:
Stand still
like that state in which this body lies
so stillyou shall stand
until I come.
When you begin to walk, when youve made it through the place, then
write these words on the top of the bone:
I.N.R.L
T hen bury this bone again in its place.

30 TO TRANSFIX A THIEF il
Leave home silently, a nd go to the churchyard, taking care that no one should
meet or greet you either on the way there, or when you go home. When you
have got there and found the human skull you seek, say:
LNN.
pray toyouforforai'Peness
for takill[Jyou
for such a Iona time
so thatyou will 9uard me, and mine, from thiel'es.
When the time is up

I shall with rePerence
brill/J you back
and buryyou.
In just this way he should be brought back silently and be buried, but then
you may talk to whomever you want. When you have the skull with you, put
it in a leather bag with a piece of a chasuble and a communionwafer in a
secret place. You may not speak harshly to the thief thus caught.
THE DEAD CONTROL
ANIMALS & PEOPLE
32
The stillness of Death is communicated to:

human
beast
bird
& fish.
Even fire may be halted!

TO CONTROL ANIMALS AND FIRE 4l 33
Take earth from three graveyards and place it under the church altar for
three Sundays. Then put it in your shoes under your feet. and walk around
any animal. It won't walk over your footprints. If you walk around a fire.
then it will not bum beyond that boundary.
APPROACHING BIRDS 13
If you can arrange it so that you get yourself a human skull and look through
its eye sockets. then you can go as close as you want to birds.
TO PREVENT SOMEONE FROM LEAVING ....
Take a sewing needle with which a corpse has been sewn into the shroud.
Draw the needle through the hat. or the shoe of the one you wish to transfix.
This cannot be undone.
TO OVERCOME A GIRL 45
Take a coffin nail from a grave and some earth. Take it in all the names and
put it into where a girl has pissed. while it is still warm. and say:
Teeth and ton9ue
mouth and bone dust.
" .. all the names" being the Holy Trinity. or the saints & angels. This charm, for the rape of a girl.
is shocking evidence of amorality and manipulation.
34 TO TRANSFIX A BIRD IN ITS PLACE 46
First you look for the tree wherein the bird has its place to sing. or where it
roosts during the night. When the bird has flown to its nest, take earth from
the graves of three stillborn children, and a little ash from the oven, an d
mix together. Then you go around the place where you want the bird to be
transfixed. and you should draw a four rimmed circle, and on it spread a
-
little of the earth. and say:
I {aiPe both your, and yourfather's name]

bind you to this place
before 8 o'clock
with words and earth
with my io finaers
and with 12 of God's anaels.
and then recite the Our Father in the four corners backwards four times;
but whatever you do, don't look b ac k when you leave there. This must be
done in the names of:
God the Father

and Son
and Holy Ghost.
Amen.
Say this three times.
TO CATCH FISH -+7
I have been told that if when you go fishing you should spread in the water
a little earth that you have taken from the south church road together with
fragments of rotten coffin. These ingredients should have been kept in a
little purse. T hen the fish will come forth.
TO MAKE A BIRD STAY IN A CERTAIN PLACE 19 35
Take a corpse skull and write upon it the following:
Bide me
bird on the branch
as the dead man in the Gra11e

and of the Son
and ofthe Holy Ghost.
Take the skull in your right hand and walk around the place that the bird
roosts and say:
Bide me
bird
in the name of the Trinity
God the Father
the Son
and the Holy Ghost
Do this three times then they cannot fly away from that place.
,
TO MAKE A BIRD STAY STILL So
Take the foremost part of a skull. Then make three holes in it, one each
Sunday during the sermon. Spy the bird through the hole and say:
Little bird on the next branch

as the dead man in the 9raf'e
and of the Son
and ofthe Holy Spirit
TO MAKE A SEATED PERSON UNABLE TO RISE sa
Whilst the priest stands over the grave during a funeral, you take a little
earth from the grave. Take it with y ou outside the churchyard gate and swing
yourself by the left heel widdershins three times and say:
In the name of the Holy Trinity.

Then spread the earth o n the head of someone who's sitting down> say:
Here you will sit as Iona as I wish

and ofthe Son
and of the Holy Ghost.
TO MAKE A BIRD STAY STILL 51
Go to a cemetery on a Thursday evening, after the sun has set. Take a fragment
of bone from near where the ear woul d have been. Write the re upon with
your own blood and say three time s:
I bind you Bird

with my own blood
and this in the name of the Father
and of the Son
and of the Holy Spirit.
I bind you by heaPen and earth
by the sun and moon
by the stars and planets
and werythina that God has created
in heaPen and on the earth
and by all the holy martyrs and anaels
thatyou shall not escape from this circle.
HEXING WITH THE DEAD
The bane of Death
is communicatedto the victim by:
bone
coffin nail
graveyard earth
shroud needle
Troll-powder.
KILUNG SOMEONE 52 39
In all secrecy, borrow a bone from a corpse and say:
Oh-you
my brother, or sister, in the Christian faith
loan me this bone.
State your intent and establish the time period involved. Lay the bone
unnoticed under the head of the one whose sleep you want to last for all
eternity and say:
'Tuu *
will sleep
and never wake up.
Thereafter, the bone must be brought back to its resting place.
* Give the victim's name.
HEXING A SHOTGUN SJ
To magically destroy a shotgun take a nail from a coffin and put it in the
shotgun. As far as you put it down. then it is cursed, and no one can fix it
thereafter.
TO HEX A SHOTGUN 44
Take a sewing needle that has sewn the corpse into a shroud. and stick it
into the muzzle three times and pull on the lock and iron at once.
40 AKIWNG.s+
In Selanger Sattna, Indal, Lidan, Holm and other parishes in Medelpad, there
,
are various scary people who practice their dark, devilish deeds yet to this
,
very day. Although it is an era of enlightenment I would say that Me delpad

,
is no better today than it was under Karl the 9tlis or Karl the iotlis reign - or,
in other wo rds: it isn't any better now than five to seven hundred years ago,
that time when witch p ower was flourishing.
-
Have a lo ok here at what is going on in the beginning of the 20th century.

Then, H. H. in Holm poached moose whenever he wanted. But then a farmer
there thought that this was going too fa� especially so since he discovered
the poacher with a moose and reported the criminal. The result of this was
that the poacher had to do six months at "The White Dove" as the Sundsvall
Royal Prison is known. When he got out of there, he had thoughts of revenge
towards the farmer who had informed upon him. He said:
Now I h aPe se111ed mine
butyou haPe yours left!
He went to the churchyard and took a coffin nail, drew his enemy's image
upon a fir tree and drove the nail into the chest of the figure. Some time
afterwards the farmer began to pine away and then it wasn't long before he
died. When H H. heard that, he said when drunk:
I thouahc that bastard would kick the bucket in threeyears

but that dwil liPed on for five.
ANOTHER ACCOUNT OF THE SAME KILLING 55
There's a story ab out a magician-beggar, who had had a complaint lodged

against him by a farmer for illegal moose-hunting. The magi cian hid in
such a way, so that he could get to the graveyard one night and took a nail
from a coffin. Then he went to the woods and painted the shape of the
farmer on a fir tree. and then struck the nail into its chest. right over the
heart. Afterwards he went to the farmer and said:
I have suffered my punishment

nowyou haveyours left.
After that time the farmer began to fade away. Each time the Wise One hit
,
the nail a little further in, the farmer became ever weaker. He continued in
this way for seven years. then he hit the nail into the figure's head, and then
the farmer died.
TO GIVE SOMEONE DIARRHOEA 9>
Take a nail from out of a coffin. Nail it i nto his fzces.
TO HEX A SHOTGUN 57
Here's how: you take a common pin that has been passed over a corpse and
put it into the barrel of the gun in b ot h ends, and in the lock.
Or you only stick a finger into the mouth of a corpse, and then stick your
finger into both ends of a shotgun barrel. and into the lock, then it is well
and truly hexed.
TO SEND "SHOT" AT SOMEONE sa
It is a useful if you can arrange to obtain a human skull at the beginning of

the month of May. You plant peas during the summet. and keep it in a secure
and secret hiding place. Come autumn. when the peas are fully ripe pick .
them all yourself, so that they won't be used for anything else. When you
want to s ho ot someone. then load your shotgun as usual with gunp owder
but. for ammunition. take the peas instead of shot. But before you shoot
them, you should draw the victim's picture, best likeness you can and then
you say his and his father's name, and the three great Old Guys names. At the
same moment have the shotgun in your hand and let it offwitho ut flinching.
Then that person will receive that shot in the place on his body that you hit
on the picture.
The motif of using a hu man skull and planting peas in the eye sockets is c o m m o n . The usual
refe rence t o reciting the "Three Holy Names" i s substituted ,..,i th the less fo r mal, some might
eve n say irreligious "de 3 stora Gubbarnas nam n :· " I n the name of the Three Big Guys''. M o re
than th at, there is ambiguity as to which three guys are being referred to. Use oft he n a mes "Od,
Fro och Lok" (Odin, Freya and Loki) persisted i nto the 19th century, and could be what is
intended here.
HEXING A FIDDLE 59
A little graveyard earth strewn onto a fiddle, the strings will burn off.
SO THAT A TREE OR BUSH WILL WITHER AWAY 6o
Take a nail from a coffin that has been in a grave. and hit it into the root of
the tree, then it will whither and die out.
61
TROLL-POWDER 43
The poison is usually in bottles, mixed in with some liquid, but it also appears
in pulverized form, and can then be given to the victim in coffee, alcohol
or baked with butter or cheese. The original and most feared corpse poison
is procured from the skin of the body. My informant states that the corpse
should have lain in the earth for approximately eight months. When buried
for this long it begins to sweat and the sweat then creates a shell of fungus
on the exterior of the skin. This fungus is scraped off and bottled. Anyone
who drinks of it will immediately become powerless. He will feel fierce
burning in his stomach, and then the burning sensation moves up toward
the chest, and then the curse will then take root in the heart, the lungs or
the brain. As a rule. the poisoned one will become insane and then die
soon afterwards.
A weaker type of troll-powder is procured from the earth with which the
corpse has been in contact.
A third. less common, type of the poison is procured from the bones of the
corpse which are ground up into a powder. The one who drinks of this type
of poison shrivels up and in this way dies.
PUNISHING A THIEF 62
One could put a curse of diarrhoea on someone by filling a hollow human

bone with the excrement of a thief. and putting it in a swiftly moving stream.
TO TRIUMPH . OVER ONE SAID TO BE UNTOUCHABLE BY
SWORD OR BLOWS 63
Whenever you have to face such a man, prepare yourself by finding a ring
that is us e d in the marriage of three c ouples this ls put on the middle finger
,
of the right hand. T hen take a key that has been pas s e d down for three
generati ons also a little lovage root. Then if you want to hit the hard man
,
with a sword or sabe� you should look for a man who die d by the sword or ,
possibly a bull et Collect the glazing off the body. and some clothes, and
.
put it in the hilt and also take either three or nine hairs from his head and
tie them around the saber-hilt. Then o ne can order one s saber to make as '
deep a wound as you want.
Before hand you can dig up a hole b etween two walls that are near to each
.
oth� and pass your saber through the hole. but whatever you do, do not let
it touch the earth.
The only p lace \vhere two walls a r e likely be close enou g h for this to be practicable is wh ere
th ey m eet at a c o r n e r. s o a strange and spec ial pl ace is c reated to effect the swo rd. It i s a vo i d .
b u t under the earth (v·•hich the sword m ust n o t t ouch) a n d is below two boundari es s o . most
likely. simultaneously both within and outside an e nclosu re. Having passe d though this
subterranean, neither-nor, liminal space the sword is ready to accept the influence ofm a n who
d ied by violence. Thus armed. and fortified by sy mbols of family and property, one is ready to
meet the challenge of a supernaturally protected foe.
TO CAUSE INSANITY 6+
Put graveyard earth into someone's coffee, little by little. T hey will go insane.
TO MAKE A HORSE LAME 6s 45
Take a nail from a rotten coffin, and three nails out of a horseshoe that has
been found with the nails still in it. Smith it with the horseshoe nails. As
you hammer them upon the anvil, say:
In the names of
Belsebub
Ludfer
Belia/
and all the angels of Hell.
The nail is struck without a head. It ls made on a Thursday morning when
the sun comes up. Push it into the hoof print of a horse and it will become
lame. When it is removed, then the horse will be cured.
Observe: when the nail is taken, you should be silent, and when it is finished
and being stored in the smithy.
This spell is remin isc ent of one fo r stopping horses attri buted to Gui don in a text first published
as appendix to the Grimoire of Pope H o n o rius i n France in i670. Th e r e it is Beelzebub. Lucifer
,
and Satanas, t h at form the i n fe rnal triumvirate . A special nail is also fo rg e d during whic h ,
Gui d o n tells us, a l l C h rist ian acts (su c h a s praye rs) must b e eschewed. Here o n e h a s t o stay
si l e nt, asi d e fr o m the naming t h e ange ls of Hell.
TO MAKE A HORSE LAME 66
Take three old horse-shoe nails, and a nail from a coffin that you have found
in the churchyard. Hammer them in the middle of the hoof print, where
the horse has walked. Then the horse will be lame, until the nails are
removed.
The same p roc e d u re as t h e p revious it e m, but without the infe rnal i nvocation.
TO MAKE A HORSE LAME flJ
If youre following after someone who is riding on a road, and you want to
have his horse become lame, so that he won't out pace you. then take a nail
and find the horse's footprint, where he has stepped on the road. Take the
nail and pierce it, then the horse will become lame. The nail should be
from a coffin.
This form of the spell is common in European fol k magic.
TO DRIVE AWAY RATS 68
Malt is ground to flour. whe rein is mixed finely grou nd human bone. taken
from the churchyard. This is put out for the rats, so they flee away.
THE DEAD GIVE
PROTECTION
The living call upo n the Dead
to guard th em & thei r possessions.
A PARTICULAR BONE 69 49
The left ring finger of a corpse is good as a protective amulet. This finger of
a dead man is a singularly good amulet of protection. If carried, no one can
injure or shoot the bearer for a period of one day and one night. If a bullet
is heading for the body. then it will rebound back and fall down harmlessly.
It is the spirit of the bone who receives the bullet.
The surest protective amulet is the left collar bone of the corpse of an aged
man, as long as one buys it properly. and this should be done on a Thursday
night during the waning moon.
SO THAT NO ONE CAN STEAL FROM YOUR CART "JO
Take a sewing needle with a white silk thread and sew three times
widdershins through the nose of a dead person, and then put the needle
into the wagon before you load it.
PRAY FOR PROTECTION 71
Go on to the 9raves
fall upon your knees
and pray to the dead.
Receive protection
so that they have peace.
Those who do it
50 TO HINDER THIEVERY AND FIRES .,,.
Go to a graveyard when there are open graves and take a dead man's skull.
Hide it in the cemetery. Go there in silence on a Sunday evening, then say:
I takeyou to use for my Ie9itima.te business

durtns my lifetime.
Then take the dead man's skull between your hands and say the following,
as you circle your belongings. You may go as widely around them as you
want:
Yc>u unnamed man

I inroke you
by the power of the name ofthe 9reat triune G od
and LordJehovah
and by the power of the names ofJesus Christ
and of God the Holy Spirit.
or only:
By the name of G od thefather

of God the Son
may you bind and transfix the hand of the thief
on my 9oods
until I return
and keep fire away
from my belonstnas
and h ouse
andfarm
in the same power of the High Names
who created me andyou.
Amen.
N.B. This is said three
times. as you walk three times around your belongings 51
with the skull in your hands. Then put the skull on
clean straw in a cupboard
or trunk, under lock and key. This should all be do ne with proper respect.
Untried.
IF YOU WANT TO WIN WHEN YOU FIGHT 73

'
Carry a corpse tooth and a cockerel s egg in yo ur clothes. then you can never
be hit, even if you fight with someone.
A cock's egg is yokeless, and was traditionally thought to

have been l aid by a cockerel. Bestiaries
stated such an egg. incubated by a toad or snake, hatched a cockatrice, which could petrify Vvith
its stare.
TO EMPOWER A KNIFE :n
Sharpen. that is whet it. it on a gravestone. Say:
Whet out
and whet in.
The Poweryours
the Power mine
and this will be united
in the Mother of God
Jesus Christ.
52 PROTECTING A SHOTGUN 1s
To get your shotgun to be able to shoot far; and so that no one can hex it,
then you should take some of the earth that the priest has thrown with his
spade upon the coffin of a married woman who had identical twins. To that
add:- the ash ofa juniper tree; the heart of a bat; three snake-stingers; prepared
quicksilver and three grains that have come whole and unharmed from the
mill. Drill a hole under the point of the swan-screw, and put the powder
down into the stock after it has been sewed into a piece of cloth from a cap
of one who has been decapitated. Put some cloth from the right glove of
the same man on the flint with a little of the juniper tree ash. Say the
following three times:-
In the name of God
the Father
and of the Son
and ofthe Holy Ghost
Amen.
This charm requ ires two ingredients touched by miraculous fate. Identical t"'rins are a biological
wonder. The trad iti onal h o rizontal mills o f Scandi navia had c osmologi c a l sign ific ance . The
movi n g uppe r stone sy mbolizing the heavens; the static lower stone - t h e earth and the
wat ercourse beneat h - the unde rv-m rl d . Grains that c o me unharmed th rough the mill are akin
to a life o n the surface ofthe earth t h at has escaped death. The heart ofa bat and snake sti nge rs
(the forked tongue of snakes - widely be lieve d to carry the venom) are c o nsidered hurt fu l , and
therefore can provide protection from hurt. All are contained in cloth from a cap. Such head wear
is not mentioned elsewh ere in these texts. Usual l)� b o nes were the ve hicle fo r the spirits of the
Dead, but it seems that in the rare c i rcumstance of decapitation, the spi rit of the unfortu nate
man might rest i n his hat.
WHEN A MAN HAS BEEN HEXED BY AN EVIL WOMAN 76
Take a corpse tooth and cense yourself with it. this will help
IF YOUR SHOTGUN IS HEXED n 53
Take moss from a human skull. Put it between the gunpowder and the shot.
Then fire the gun.
Moss from a h u man sku l l was an orthodox medi c i nal remedy th at could be purchased from
apothecaries in the 17th Centu ry.
IF YOUR SHOTGUN IS HEXED 711
Dismantle the shotgun and then take some black crow chicks. Remove a
kidney from one, as well as a little asafetida and a little bit of graveyard
earth. Use this misxture to polish the iron on the day when the Sun goes in
Sp P J h. Thereafter no one will be able to hex the shotgun.
TO FREE CALVES AND THE CATTLE SHED FROM

BEWITCHMENT 79
Having asked for it, take three handfuls of consecrated earth from the
churchyard. Go around the cattle shed, preferably on Maundy Thursday
morning. Throw one fistful of earth on the roof over the calf pens; then go
three more times round the shed and throw the rest of the earth on three
places on the roo£ The cure is as good as done.
54
WHEN A HORSE HAS ITS STRENGTH STOLEN 8o
Take fragments from a decayed coffin. give it to the horse in its oats. but
don't bring them under the roo£
WINNING WITH THE DEAD
56
The Dead
invisible
beyond ti me
p redict chance
and assist the gambler.
TO WIN AT THE LOTTE RY 81 57
You go to the churchyard and borrow a human skull with these words:
I ask you my brother in Christendom

or sister ifyou are
that here rest in these bones
in the name of the Holy Trinity
and of the Son
and of the Holy Ghost
that I may borrow your headfor three nights
which I shall bring back at the same time and place
and I orderyou my brother or sister in Christendom
that upon the third night you come
and tell me which numbers will come up in the Royal Number Lottery.
Then, take the skull and put it under the headpiece of your bed and the
third night the dead one will come and will want his or her head back.
Then you say to the corpse:
Tell mefirst the numbers that I orderyou

then you shall ha11eyour head brought back.
Then he will say all five numbers, and then you have to have a board on top
of the blanket and a piece of chalk, and as quickly as the corpse says the
numbers then write them down. But no light can be lit, and then the dead
one will leave, and after that you must take back the head to its place again.
58 TO WIN AT THE LOTTE RY 82
Go on a Thursday evening to the churchyard and take a human skull and

write on it the numbers you believe will come up. Return the next day. and
retrieve the skull The numbers that have been crossed out will not win.
but the ones that have been left will come up. and those you will put into
your hat, and then you'll win.
TO ALWAYS WIN AT GAMBLING 83
Take a needle with which a corpse has been sewn into a shroud. and stick it
under the table where you're sitting and playing, then you can never lose. Or
carry with you the herb that in German is called Gods11eis in your right shoe.
Or carry with you an owl's heart, then you won't lose, rather. you'll win.
TO WIN AT GAMBLING a+
Take a needle with which a corpse was sewn into a burial shroud. and stick
into the underside of the table where you are sitting and playing cards. then
vou'll win.
SHOOTING WITH THE D EAD
60
The Dead
confer lethality
to gun and ammunition.
THE CORRECT WAY TO SHOOT as 61
When autopsy is practiced upon a murderer. then his abdomen will be sewn
back together. Take the needle with which this is accomplished and put it
so that it will go into the butt-screw hole and then is screwed in. Then
shoot with the shotgun at an animal. without taking care to aim, but you
will surely hit your target even so.
THE CORRECT WAY TO SHOOT 69
Take note when three hunters stand together on New Year's day, then take
moss from a dead man's skull. grind it and mix it with lead. then cast the
bullet or shot from that, between 11 and 12 o'clock at night. without saying a
word. When they've cooled. drop a little cottonseed oil on them.
SO THAT A SHOTGUN WILL KILL 8J
On a Thursday evening. after the sun has gone down. take some earth from
the graveyard and pass it through the shotgun three times. Then. at the first
opportunity. load the gun. When you have done this, carry the shotgun back
and put the muzzle towards the floor and the stock upwards towards wood.
Take the shotgun and shoot some kind of game bird and remove its heart.
After you have recharged the gun with powder, load the heart and shoot it at
this or that. then your shotgun will kill.
Here, the deathly quality of the graveyard earth is captu red by load i ng it as quickly as possibly,
preserved by t h e gun b e i ng point e d towards the earth. an d then distilled by shooting the heart
of the fi rst animal killed.
62 TO SHOOT AND HIT YOUR MARK 811
Take a corpse bone. dried, and grind it to powder. and mix it amongst the
lead when you cast your shot, and some amongst the powder, and carry a
little with you. then you'll always hit what you shoot at. ,
SO THAT A SHOTGUN Wlll KILL 89
Take a decayed bone at the churchyard. shave a little off with the nail. and
then put it under the shot.
Take a sewing needle with which a corpse has been sewn into its shroud.
and break it apart into five pieces. Put four pieces of it underneath the butt.
and the fifth with the eye where you usually hold your thumb. then one will
hit the target that you're shooting at.
The shotgun should be prepared in this way: take 2 measures of mercury. 2

measures of saltpeter, 4 measures of adipis humanis (human fat). and let it
move inside the shotgun, and work it long enough that it comes up out of
the muzzle. Or take a piece of wood from a coffin in which a mother who
died in childbirth has lain. and insert a fragment into the butt of the shotgun.
then whatever you shoot at will be hit.
It should be noted th at. up until the 18th Century. human fat was a recognized medical unguent
available from apothecaries.
INVISIBILITY
Th e s p irits of the Dead are i nvisible
the Wise One may b e acquire this p ower.
THROUGH A PEA GROWN IN A SKULL 91 65
One goes to the churchyard on a Thursday night and borrows a bowl made
from a skull's cranium, leaving a one-crown coin on the grave as payment.
One places graveyard earth in the skull and puts it in a hollow tree or under
a rocky outcrop, north of the church. Plant a p ea in the earth. When the p ea
has grown and borne fruit, one takes a mirror and looks into it. One by one.
put each pea in your mouth, until one comes to that pea that gives to you
the power of invisibility. The very moment that pea goes into your mouth,
your own image will disappear from the mirror. With that pea you can make
yourself invisible whenever you please.
Th e sense ofthis rittial and the fol lowing rit ual is that the dead person's spirit is drawn into the
living plant as it sprouts forth from \•vithin the skull. The spirit then enters one of the peas. the
one which gives the power of invisibility. Spel ls to a c h i eve invisibility th rough peas grown in
a skull are widespread i n European folk magic. being recorded in a number ofpopular European
printed grimoires.
ANOTHER WITH A PEA GROWN IN A SKULL 93
Take a human skull and bury it in the earth at a place that is wise, and put a
pea through the eye in the skull, and let it grow and ripen. Then harvest
them, open the pods, but be careful that you do not lose any of the peas.
Then take one pea at a time, put it in your mouth and look in a mirror until
you find the right one. Then you will not see your reflection in the mirror.
66 INVISIBLE LlKE THE SPIRITS OF THE DEAD 9+
One buys a human bone on a Thursday night between twelve and one. Scrape
it with a knife. so it becomes like flour. Take this flour and throw it over
your head whilst saying:
With this I hide myself

in the way of in11isibiltty
like the spirit that was
at one time
united with this bone
and I lea Pe my soul as security.
Bornus Bister
under the DePil's sigtl
in the name of God
the Father
and of the Son
and of the Holy Ghost
When one wants to once become visible again, thrust the knife into a tree.
or into the wall of the house.
In this perilous working the Wise One leaves his soul as security "under the Devil's sigil" for the
loan of the pmver ofinvisibll ity.
THE SPIRITUS
68
The Spiritus
a being in box or jar
p erhaps given form
as scarab p oppet
frog puppet
or found larva.
Here
a spirit of th e Dead
is present with bone
and graveyard earth
or captured as a fly.
TO PROCURE FOR YOURSELF SPIRITS %
Take unleavened bread that was baked on Sunday morning. or Saturday

evening; either before or after the rising of the sun. Take just a crust and
three new sewing needles made of thorn. Put the needles in a triangle in
the bread and put three shillings worth of quicksilver into a prepared leather
pouch that is sewn tight. Then late on Saturday evening go to the churchyard
and lay the pouch under a headstone of a man and say slowly:-
Up and meet me.

in the way that I shall order next Saturday evenino!
The next Saturday evening. go there, touch the pouch and repeat:
Up and meet me.
in the way that I shall order next Saturday wenirllJ!
On the third Saturday is said:
Up
in the name of God
the Father
the Son
and ofthe Holy Ghost
and come to meet me here
next Saturday night at midnight
in the form ofa fly upon my window
then I shall take you into my serPice.
Have a suitable little bottle to hand, cork it well and wrap it up and keep it
with you so that you can catch the fly. When you want to know something.
take the bottle in your hand, put it to your ear and speak slowly. then you
will immediately get the right answer. But do not ask too much all at once,
because then the fly will tire and suffer.
N.B. Look out. that the bottle doesn't break, because then the spirit will get
loose, and that will cost you your life.
70 When you die if you keep the bottle that long. have it place d in your coffin
,
so that it is burie d with you, and then it will break. No other person may
carry the bottle during your lifetime.
Untri ed
OBTAINING ONE'S DESIRES 96
A p ers o n who was skilled in magic in Ransater had a

so-calle d "Spiritus"
[Swe dish: spertus]. The being was held in a round brass box which was filled
with graveyard earth and "a dead man's bone� When it had been filled the
lock was turned so that it could not be ope ne d On the lock there was a
.
knob with a notch, like the sights of a rifle.
When the Spertus was to be used, its owner went to the crossroads during the
new moon and stood at the very middle of the two roads and looked at the very
tip of the new moon through the sighting notch on the box. and at that very
moment wished for something. Then that wish would be fulfilled.
A woman who knew magic in Nyed parish also had a Spiritus. It was also a brass
box in which she had placed the larva of a type of butterfly together with green
leaves and over time it happened that she wished things ofit. This Spiritus had
especially the ability to draw money to its ownei:
There were several kinds of Spiritus, but all had this o ne thing in common,
that they would finally destroy their owners. T he Spertus was actually the
Devil himself, and for payment for the good done to the owner, he took
them in the end.
It is to be noted that it is an i nbetv•;een or liminal state that is sought for thl<> working. you stand
at a point from whence four roads lead just as the dark m o o n turns t o light. then . at that time
and place, the spiritus may carry o ut the will of the \Vise One.
THE RUNE-STONE
72
Th e red Rune-Stone
exchange d by the Dead
for a pact with Beelezebub
written i n blood.
It summ ons t he Dead

and gives many powers.
73
THE RUNESTONE '!J
To conjure forth invisible spirits so as to be able to speak to them in order

to find out hidden things.
First, using your own blood, write these letters and your name upon an old
chip of evergreen wood.
On a Thursday evening go to the churchyard and put the chip of wood

under an earth-fast stone. As you do so, say your name and ask the spirits to
meet you on the following Thursday evening. When you go there for the
second Thursday evening. take the shaving and state their name as well as
saying the following:
I command you NN.
thatyou come to meet me
on the next coming Thursday et:1enin9
this in the name of

God the Father
The Son
And the Holy Ghost
The meaning of t h e blood drawn trollkaraktarer [troll letters] is elusive, the last tv.•o words of
the inscription translate as "Beelezebub needs''.
74 Then go there on the third Thursday evening. You will find the shaving has
gone and a little runestone is there instead. Take this stone and keep it.
Then. they will come to you. You can ask them anything you wish to know.
but don't ask them too much the first time. otherwise they will become
unhappy. But thereafter. you may know of the nature of the book.
i.
When you have this runestone in your purse. then you will never be short
of money.
2. When you put the stone in a glass bottle and shake it. then the spirits will
come to you, wherever you are. If you don't want to have more than one,
then just shake the bottle once. But if you want to have several, then you
should shake the bottle once for each one that you wish to appear. For as
soon as you have that stone, then they are bound to serve you and do
everything that you order them.
They will tell you everything that you wish to know in the whole wide
3.
world.
+ If you want to fight and have this stone in your clothes, then you will
never get beaten.
5.If you have the stone in your purse and hang the purse under your left arm
and then go out and gamble, then you will win as often as you wish.
6. If you desire it so that no court will punish you, before you go to court,
place the runestone in your left shoe. Then no judge can condemn you, nor
any witness testify against you.
7. Ifyou have the stone in your mouth and wish for something from someone,
whether it is little or big. they will be enchanted and will not be able to
deny you what you wish.
8. If you are in dispute with someone, then put the stone under your tongue,
then you cannot be out talked by any person.
9 . If you have the stone on you and want a maide n to love you. then take her 75
in your embrace. and then she will love you obsessively.
10. If you want to shoot. take the stone and put it into the shotgun cas e then
.
the animals will come forward to you. and you can shoot them as quickly as
you have time to load.
11. Ifyou wish to win the lottery. take the money out of the purse and put the
stone in it. Leave it there for three days and three nights. Then take the same
money and put it into the lottery. then you'll win.
12. If you take the stone and put it on your head. the n you are invisible for all
people.
13· As long as you have that stone. then you will have luck in everything that
you will begin whatever it may be.
.
i+ If you put the stone under your left foot and want to walk on water. then
you will be able to go dry-shoed. Ifyou put the stone at your knee and then
go on wate� then you will go down into the water to your knees. and however
far up you put the stone on your body. that's as far as you will sink in the
water.
15. Even if you are far away. but you want to get home in an hour, then you
take three drops of blood and anoint the sto ne and say:
I wish that I were home.
A spirit will appear and carry you home. but you won't know how you got
there.
16. This stone is red of colour. and no larger than a nut. Once you had had it
for a year. then lt will not leave you. Ifyou throw it into a lake or fire. it will
come back to you again. But. after you have had it for fifty years. then don't
keep it any lo nger Then you can be rid of it by s elling it to someone els e or
.
take it back to the place you got it from. and then you can get rid of it there
THE RING-BELT
Lycanthropy
arctura n thropy
transformations achieved
by passi ng through the death1y Ring-Belt.
THE RING-BELT 911 79
The practice of clothing oneself in a form of an animal is a tradition which

our forefathers amongst both the Sami and the Swedes knew well, however
very few are able to succeed in this endeavour and, those that do often lose
their mind.
To acquire the ability to take on the shape of an animal, whether it be that of

a bear or a wolf, one must first procure a belt that has magical power. This
belt, which is made of human skin, is obtained on a Thursday night -
preferably towards Christmas, Pentecost or some other ofthe greater holidays
- between twelve and one, from a corpse that one digs up in the graveyard.
Preferably, it should be a man's corpse. The belt is taken from around the
corpse's waist and is about three or four thumbs wide. One uses a knife to
flay it off, taking care that it is undamaged in the process. One who owns
such a belt can, whenever he wishes, take the shape of a bear or a wolf
To transform yourself. do the following: Creep, head first, through the belt
three times. The first time one creeps through it one gets the head of the
animal; the second one is half animal and the third time the transformation
is complete. When one wants to return to human shape again, one creeps
with the feet first through the belt, three times as before.
It was about thirty-five years ago, when in my travels I came to a village in

Ramsele, Vastra Vimmelvattnet, where they told me about a man who had
such a belt. A few years before my arrival that they hired the Sami Anders
Fjallmark as a horse grazer. whose job it was to take care of the animals for
several villages. When the autumn came and Fjallmark brought the horses
back to receive his remuneration, there was a mean, rich farmer. who didn't
want to pay the fee. Fjallmark became very angry over this, and said that
since the farmer didn't want to pay willingly, then both wolf and bear would
devastate his cattle and horses. The farmer only laughed at his threats and
said that if the Sami didn't leave off. he would throw him out. The Sami left.
So But when he came to the woods. he took his belt-ring and transformed
himself into a bear, went and mauled the farmer's horses. so that he lost the
animals. Then. he took a wolf shape and savaged all the cows, sheep. goats
and hens. so that the farmer had no livestock left. Finally. Fjallmark set loose
lice and vermin on the greedy farmer and he suffered from these parasites
for the rest of his life.
Another time. this same Fjallmark was in Jamtland. in Hammardals parish.

where he lived one summer with his family. On one occasion he was in the
woods and was helping some farmers bringing in the firewood. One night,
the seasonal workers were sleeping in a hay barn. One of the girls awoke
when Fjallmark went out. As she was lying close to the barn wall she could
peek out through the cracks. so she could see what it was that Fjallmark was
doing outside. She saw how he took forth something out of the folds of his
sweater and crept through - it was the remarkable ring-belt. Then she saw
how Fjallmark was. step by step. transformed into a bear. The girl. naturally.
was petrified with fear and could neither move nor call out to anyone. In a
while. the bear returned and took again its human shape.
When day came. she described for the farmer what she had seen. He could
not believe what he had been told. but asked her not to reveal to anyone
else what she had seen. The farmer began to spy on Fjallmark and when he
had fallen asleep one time; he managed to steal the ring-belt from him.
Then. when he had it in his hands. he threw it in the fire to destroy it. But. as
it became surrounded by flames. it hurled itself back. The second time he
threw it on the fire. it was thrown back as before. But the third time it
stayed there and was burned to ashes. During that time. Fjallmark agonized
greatly in his sleep. broke out in a cold sweat. and threw himself back and
forth. But after that time. Fjallmark lost his ability to transform himself into
a wolf or a bear.
There is another method to procure for yourself such a ring-bdt which I 81
heard from an old Samt calle d Paulus August Nilsson of Nora Parish. He
learnt it from his parents. To obtain such a belt. do the following. Between
twelve and one at night, on a Thursday or feast day, go to place where a
a
suicide or another corpse has been buried. Take from the corpse the sinew
that runs down the left arm to the hand. From such sinew spin threads and
make rope in the form of a ring. large enough so that one can creep through
it. Do this. and you have the ability to transform yourself into a bear or wol£
A magic belt by which a m a n transforms i nto a werewolf is an importan t feature of German

fo lklore. This narrative d escribes how it was used t o supernaturally attack horses and other
livestock. Guidon. Magical Secrets (Society of Esoteric Endeavour) infers i n obscene terms that
t7'h Century blacks miths in Normandy might take the form of wolves to inj ure t he horses of
rivals. In B r itai n . mysterious mutilations of horses continue into the present day. though
supernatu ral explanations for such attacks are nov,· forgotten.
SOME WARNING S
RETURNING THE BONES 99
No matter what, before their own death. the Wise One must put back what
he took from the Dead Otherwise, he wou ld have no peace in the grave.
.
There was a man who emigrated to America who was, according to accounts.
finally fo rced to make the lo ng journey home. to put b ac k what he had
borrrowed from the churchyard
PROTECTIVE AMULET 100
A good protective amulet is obtained if o ne takes a one-crown piece and

bores a hole in it and threads a black silk thread through the hole. Then
one takes hold of the thread without touching the coin. and lays the coin in
.
the mouth of a suicide This is a good amulet, which can be used to reveal
.
thieves and evil p eop le and to attract money or other things, whatever one
desires. When one puts the coin in the mouth of the suicide, then one can
wish three wishes. If one puts the c oin in alco ho l then one can see thieves
and other p eople in the liquor.
But when one day. you leave the earthly plane then you will have regrets. I
. .
have seen such a p erso ns journey into dea th and if I lived to the age of
Methuselah. fd never be able to forget it. It was the most
frightening thing
that I have seen in all my life. Foam came fro m his mouth and he screamed
as he suffered terribly. He could hear and see the sufferings of the damned.
THE WISE
&
THEIR WORLD
Dr.TomJohnson
As late as 195 8, Swedish folklorist Carl-Herman Tillhagen made a case 87
for the continuity of the practice of klokskap, (lit. wisdom) or use of folk
magic, from as early as the Bronze Age in the first millennium b.c.e. all
the way to the more modern practice of folk healing and sorcery in
Sweden (Tillhagen 195 8:6-9). Tillhagen followed a distinguished line of
Swedish folklorists who pursued this same line of reasoning: J. J. Torner
(1787), L. F. Raaf (1843), C. W. von Sydow (1878-1952), G. Ericksson (1878), E.
Linderholm (1927-39), and C - M Bergstrand (1932). All understood the
continuity of folk magic and medicine with what had preceded it, in a
past whether pagan or priestly.
What we know of the earliest magical practices is generalized primarily

from archaeological evidence. With the passage of time, oral traditions
and written sagas preserved what was left of a well-rounded practice of
folk magic. These traditions did not end with bronze-age archaeology
or medieval literature, however. In Sweden, and Scandinavia generally,
we have always had the Wise Ones, de kloka, who worked healing and
hexing, divination and transfixing, and exercised their considerable
control over folk and livestock well into the twentieth century. In my
research at the Nordic Museum in Stockholm (Sw. Nordiska museet) in
the early 1990s, the most recent collection of spells and magic to which
I had access was a manuscript that was still being written in 1941 by Elsa
Halmdahl, a practitioner of these arts in Stockholm (NM #271.601 A-C.
Halmdahl. Stockholm, 1929-39).
The wise were always predisposed to seeing the world differently. Their
p ercepti ons included what most might dismiss as signs o f mental
instability. These were. fo r example, being able to see and speak with
spirits of the dead, calling up winds, altering hunting luck by means of
various manipulations of the hunting rifle or fish net, or conjuring the
spirit of the p rey. They included creating illusions to frighten, and
concocting medicinal tinctures and plasters to administer to the ill and
suffering. Conjuring forth the image of a thief in a tumbler of whiskey
88 by first blessing it with one's sorcerer's knife (Sw. trol{qubbekni11) was a
skill that was much in demand i n a rural life that did not know
sophisticated locks. Even better was when the stolen goods were returned,
with the thief left maimed in some way as a warning to others who might
be overly trusting.
The wise were clever at manipulating public opinion as well. One tale
tells of Anders i Alehagen being warned that he was under magical attack
by a wise woman in a neighboring parish. Boasting. he belittled the
magical skill of his alleged adversary, saying "Oh, she only has eleven,
but I have twelve" (C-M Bergstrand, p 6). The folklore collector makes a
parenthetical comment that this was meant to refer to serving or familiar
spirits, in Swedish called spertusar. Another collection mentions Mor Lisa
i Finshult (Lisa Katrina Svensdotter), who had an eye ailment that resulted
in th e shrinking of her eyeballs. When she wished to impress upon
someone her status as a powerful healer, she would insert tufts of wool
or yarn into the sockets to frighte n them (Elis abet Dillner, " Lisa of
Finshult and her 'Smojtra'" in Papers on Folk-Medicine, C-H Tillhagen, ed.
Stockholm: The Nordic Museum. 1961. p 118).
To be sure, Sweden was not the only country to see a continuation of

folk magic and healing through millennia. It was a cultural phenomenon
that existed all over the European continent and beyond, and in Sweden
was a local manifestation or reflex of what could be called a pan-European
Folk Magic Culture. In its own way. it also represented a unique cultural
confluence of currents from at least three areas: a circum-polar shamanic
culture represented by the Sami lore collected in the North, a native
healing tradition that had its own, more native herbal materia medica. and
a shared European body of lore that came up through Germany and
Denmark. and which included lore from the Middle East and Northern
Africa. This last was the subject of much academic work in the 1950s by
scholars such as Will-Erich Peukert (1954) and Carl-Martin Edsman (1946,
1959. 1 9 62). In these studies. textual relationships between the Swedish
Black Art Books and the continental grimoires, which were called in 89
Danish Cyprianer and which Peukert calls in German Haus'Piiterlitteratur, were
explored. Recent work by Professor Owen Davies at the University of
Hertfordshire shows that the English reflex of this pan-European folk
magic culture bears many similarities to its neighbors: both in practice
and in the presence of the phenomenon of the Black Art Book (Davies,
2003 , 2009 ).
As with any c o nfluence o f currents, o ne must b e wary of over

generalizing. The diversity of sources requires care in analysis, and
doctrinal statements about such a pluralistic tradition are made in vain.
To the extent that traits are shared, however, one can joyfully recognize
similarities in trends, approaches, views, and practices.
For example, one factor that is important in all folk magic is its traditional
quality - it is handed down, and typically shows some conservatism in
that transmission. Things which are not repeated are not traditional.
Sometimes, words are the conserved trait, with ritual actions open to
spontaneous improvisation. At other times, the ritual action is the
conservative element. and the spoken or chanted charm whi ch
accompanies it is created anew for each performance. Along this same
line of reasoning, the age of a spell, or a spell book, is important to bolster
a belief in its efficacy. If a procedure or spell had not been effective, it
would not have survived through the centuries to be recorded in the
present.
Another trait of folk magic is its reliance on power objects. These are
sometimes objects found in nature that display some unusual quality or
appearance. Sometimes, however, they are items created by the craftsman,
and derive their power by ritual performed over them, such as the small
magical boxes (Sw. trollaskar) which contain carved pieces of wood or
worked stone, and which were considered an adjunct in the wise one's
spellcrafting. A related idea to power objects is the idea of power plants.
90 The materia m edica of folk medicine that the wise ones p racticed contained
not j u st plants. h o wever. We have s ub s t anc e s that recall Ren ais s a n c e
theurgy and alchemy. such as su lfu r and liqui d mercury. Animal parts
such as cas to reu m (Sw. b afverg all. essentially beaver mu s k ) were common
ingredients in plasters as well as p o tio ns . Gun powder was also prescribed
to be taken i nterna lly. Pe rhaps gun powde r was p o pul ar because of its
volatility. and thus its power to induce activity and health in the patient.
Some of these p ow er substances are share d across Europe. and some
even with East Asian Medicine.
The magic of place was also i mp o rtant in the Wise Ones' craft. Trees
with unusual shape s , or that had b ran che s that had grown in such a way
that they fused together to form a gap (Sw. smojtrii.) through which items
or people might be p ass ed, were important in bringing about magical
result s . Folk healing was often performed with such a smoj trii, or wooden
ri ng. S o metimes the p a t i e n t 's n a m e wo u l d be changed a fter this
performance. so that the passage through the ring e mu lat e d a type of
rebirth. one without the prior afflicti on. With a d i ffe rent name. the
infective agent would find it difficult to find its prior victim.
Places where roads meet, sometimes crossroads. but often places where
three roads meet, contained a magical charge. Often, the practitioner
would bury an obj ect or offering in its vicinity so that it would absorb
this charge.
In the Swedish tradition, movements were p r e s c ri b ed to happe n i n

particular directions. and toward various quarters. For example, Tillhagen
(195�b36) write s that any circular movement should always occur " agai ns t
the sun" (Sw. ansyls, aPi[j). and if something is to bethrown. it sh ou ld be
over the left shoulder. The directions of power were the North and the
West - a northward running stream or the north side of a tree are both
places of power and afford powerful aid. The repetition of a formula
three tim es, the pr o scripti o n not to look back after obtaining a magical
object, or leaving an offering. the admonition to remain silent about the 91
working, and the prohibition against thanking the healer after a working:
all of these were at work in the tradition. Even nakedness had its place
in both healing and in wo rki ng magic.
And of course, the realm of the Dead, the cemetery or churchyard,

participated especially in the magic of place. As the selection of spells
and charms in this collection shows, the place - often an enclosed space
around parish churches. its contents - bones. skulls and graveyard dirt,
and the contacts it might hold with spirits of the dead were all reasons
the churchyard was important in the practice of folk magtc. Just as the
vehicle of magical change was hidden, with cause and effect often
invisible to o bs e rver and practitioner alike. so were the spirits of the
dead from whom one sought favors. But the physical artifacts. the dirt
and the bones. were immediate reminders of this hidden company of
souls with whom the wise worked.
That we know anything at all about the Wise in Sweden ls the result of
folklore gathering effo rts there. especially between the i7 th and 20th
centuries. During this time, the Swedish government made it a priority
to gather what was known about folk lore and customs throughout the
realm. As a result. folklore became "folk treasure," (Sw. folkskatt) and
individuals educated in interview tech niques we re sent o ut from
universities and governmental bodies to gather this treasure and bring
it back to catalogue and preserve. Included in this gathering effort were
folk tives oral magical charms. healing and ritual procedures. and
na rra .
hand-written manuscripts of folk spells called "SPartkonstbocker" or black

art books. Sometimes entire manuscripts were surrendered to these
collectors. but more often. the collectors were allowed to copy whatever
they might in an effort to present a well-rounded picture of the general
practice of folk healing and magic in its time and place. In this way, they
were always dated, and as much information about practitioner and locale
was gathered as possible. Swedish folk l o re archives are unusual in the
92 fact that they seek to capture as much contextual i nform ation as possible.
With all this information, we can surmise quite a good deal about who
these Wise Folk were, where they lived, and how they pract i c ed their
art. We have names, birth and death dates, locations, church records.
stories about their practice, and about other wise folk in their vicinity.
For example, we have a large range of terms that were used for these
magical practitioners, each with their own story. Smiiltaumman, or "melting
woman; was one name, because one technique used by the Wise Ones
was to m elt either wax or lead and pour it into a pail of cold water, and
from the shap es of the solidified substances th ey could divine the cause
of illness or give bo dy to the alien spirit's shape. If molten lead was used
to give it shape, then the Wise One may have had the name "bly9umman"
or " lead wo m an " Another co mm only used term was "kukkel9ubbe" or
- .
"kukkel9umma" sorcerer or sorceress. from an Old Norse term meaning

-
to work m agi c Lovjerska ( fe m ) or l011jare (masc.) come from the Old Norse
. .
"lyf meaning "healing or poisoning substances." "Kusla" and "kusme" come

from a co m m o n root meaning to do magic by means of incantation,
hence "kusme9ubbe" or "kuslakiirring� Often, wise folk wou l d take their
names from either the place they worked. or the type of work they did:
Ben -Lasse (bone -healing Lars), or Anders i Aleha9en (A n d e r s from
Mandrake Meadow). And finally, the Wise Ones were also called "church
"
yard wanderers (Sw. kyrko9ards9dnaare) because much of the power they
derived was from an interaction with the Dead, and the i r Realm. The
Swedish kyrkogdrd can be translated as either "churchyard" or "cemetery�
Many Wise Ones obtained the powers they wielded from power obj ects
obtained from the cemetery or through the intercession of dead sp irits.
,
There is no doubt that at least part of the function of the Wise Ones in
Sweden was to serve as medical providers in a rural society that had
misgivings about a new ly rising and costly medical profession. But there
is also a subtlety here. Health can be understood in larger terms than the
strictly physical or m edical It was as likely that the causes of disease
.
were to be found in som e thi ng as mundane as tooth decay as it was to

be found in the "overlooking" of a jealous neighbour. Misfortune from 93
being burgled was as likely to be from a condition of ill health as it was
of ill luck. In such a world, those who healed and those who hexed were
interpreters of natural phenomena. They sought the cause, and its
c o r r e c ti o n for t h e p e o p l e . This has s o m e t i m e s r e s u l t e d in the
overgeneralization that the Wise Ones were only folk-medical healers.
Greater attention needs to be paid by specialists to categories of both
folk illness and ill luck, of both medicine and magic.
Theoretically speaking. ill health in folk and livestock was often credited
to "worms" (Sw. torsk, orm) that had invaded the flesh of the patient. This
is an idea with roots back to a pan-European folk medical understanding.
whi ch includes the Anglo-Saxo n charm corpus and the Merseburg
charms. If not worms, then the most likely culprit was elf-shot (Sw.
trollskott), either from a j ealous neighbor or from an offended nature spirit
such as the wood- or water-sprite (Sw. sko9srd; sjiird). All required that
materials be gathered, whether for incense or herbal soak, for plaster or
for potion. In almost all cases, divination was the method of diagnosis.
One common method of diagnosis was to take a head scarf, and fold it
'
in four horizontal folds with one s knife at the first innermost fold. One
then took it and swept it nine times around the patient's head. If the
blade of the knife became exposed from the folds of the scarf during
the procedure, the diagnosis of the illness was established.
The Wi s e O n e s live d on the e dges of s o c i a l a c c e p t a b i lity. T h ey

participated as much in village life as they did in the open desolate places
haunted by forest sprite and nixie. They knew the church or ecclesiastical
year as well as an older pagan pantheon that allowed them to call upon
either demons of the infernal hierarchy such as Beelsebub, or non
Christian nature spirits such as the farm wight (Sw. tomte9ubbe) to imbue
their spells with power. Because the Wise Ones participated, at least
initially, in homogeneous Swedish society, some were able to receive a
state-sp o n s o r e d edu cati o n . T h ey w e r e taught t o r ead a n d write.
94 The material you have in this volume is the result of reading and writing
(i.e., literate) Wise Ones from Sweden whose lives spanned a period from
the late 16 0 0s to the mid 1 9 00s. They were each inheritors of lore from
periods before this, as is shown by remnants of Roman Catholic ritual
which remain in the texts. The conversion to Protestantism occurred in
Sweden officially in 1523, long before these texts were written down. We
know however that the version of Christianity that was in place was not
well established, with many families persisting in folk customs that much
more resembled those of their pagan ancestors. Saint Birgitta of Vadstena
wrote in her Revelations (Sw. Uppenbarelser 6:28) over three and a half
centuries after the official conversion to Roman Christianity that it was
still common among the folk of the area to make offerings of cattle,
swine, bread, wine and other drinks to the "tomte god" (Old Sw. tompte
9udh). Offerings are unapologetically still being made today to the tomte
or farm wight, both in Scandinavia and among expatriates.
Writing styles in manuscripts originating in southern Swedish provinces

often show continental influence, such as in the use of the German Fraktur
(so called "Gothic") handwriting style. These southern grimoires typically
use herbal names that are either calques (literal translations) or direct
loans of names of continentally growing herbs. Locally growing herbs
mentioned in recipes from central and northern provinces suggest
grimoires that were more likely created within Sweden using native
healing lore.
The books were themselves enshrouded with lore. They were supposed
to be written in ink composed in some cases of -blood. In others, the
pages were black, with letters of white (cf. Torner). Concern for discovery
and persecution were clearly evident in some, as whole sections were
e nciphered, using a numerical sub stituti o n fo r alphab etical
representation. Power substances, references to heretical use of church
property. the sacraments, or to demonic spirits were written in this cipher.
Whether this was to avoid discovery, or to preserve the secrets of the art
from prying eyes is a matter for conjecture.
S o me spells included what have in Swedish been called Wittenberg 95
Letters (Sw. Wittenbergska bokstiiver) or magical-characters (Sw. trollkaraktiirer).
They were figures sometimes based on letters of the alphabet, but more
often were sigils of some type that lent power to the spell. In this, they
functioned much like the sigils found in the Lemegeton or Goetia. They
were often meant to be drawn on either virgin paper or parchment (i.e.,
paper or parchment that had not previously had writing on it), and carried
on one's person. At some times, they were drawn as a part of a longer
spell, and inserte d i nto the keyhole of the church, or left under its
threshold. At others they were folded and kept in one's shoe, or otherwise
close to the skin. These magical letters evoked the power that was used
to accomplish the aim of the accompanying text.
Perhaps most importantly, the book itself was a magical fetish, a power
obj e ct, the mere p o s s e s s i o n of which guaranteed magi c a l p ower,
regardless of any ability to read it. One tale tells of an unwitting assistant
opening a volume and releasing a host of demonic spirits, which required
their eventual recapture by the book's true owner. Another tale tells of
how the ever-increasing weight of the volume prevented an assistant
fro m fetching the book for their master. This require d the master's
eventual intervention. Perhaps this was ametaphor for the weight of
learning it contained, or perhaps the slippery nature of the Black Art?
These compendia of lore were carefully guarded, and narratives suggest

that when such a black art book was passed on to another, the sorcerer
could well lose the power it bestowed. The lore it contained was not
sufficient for a complete understanding of the practices of magic, but it
was clear that with such a book in one's possession, one had the power
to hex or heal, to bind or to loose, to give luck or to take it away, to hush
the mouths of false witnesses, to transfix prey, thieves or enemies, and
to hear even the speech of birds. These bo oks of the Black Art (Sw.
svartkonstbOcker) were more than mere textbooks. They were allies in the
96 practice of the Dark Art. And they continue to exist, and whisper their
secrets to us through dark corridors of infernal scriptoria even today.
ToDl Johnson. PhD
July 16, 2ou

97
SELECT BIBLIOGRAPHY
Ankarloo. Bengt and Gustav Henningsen eds. Early Modern European Witchcraft:
.
Centres and Peripheries. Oxford: Oxford University Press. i9 90.
Bergstrand. Carl-Martin. Trolldom och klokskap i Viistergotland under 1800-talet.

Distribution. B o ds : H. Borgstroms b okha ndel i932. Lund: Aktiebolaget
,
Sklnska Centraltryckeriet. i932.
Davies. Owen. Cunnina Folk: Popular Maatc in Enalish History. London: Hambledon
and London, 2003.
Davies, Owen. Grimoires: A History of Maaic Books. Oxford: Oxford University

Press, 2009.
' '
Dillnec Elisabet. "Lisa of Finshult and her Smojtra : in Papers on Folk-Medicine,
C-H Tillhagen, ed Stockholm.: The Nordic Museum. i96L
.
Edsman. Carl-Martin. "Folklig sed med rot 1 heden tid� ArP 1-2(1946):i45-176.
Edsman, Carl-Martin. "Sjatte och sjunde Mosebo� Saaa och sed (1962):63-
102.
Edsman. Carl-Martin. "Svartkonstb6cker i sage n och historia Saaa och sed

(1959):i60-168.
Linderholm, Emanuel "Signelser och besvarJ elser fdn me deltid och nytid�
SPenska landsmdl och wenskt falkliP 41(1927, -29, -39 ):1-478.
Peukert, Will-Erich. "Die Agyptischen Geheimnisse� Ar11 10(1954):40-96.

Raaf, Leonhard Fredrik., K. Robert V. Wik.man, ed. SPenska Skrock och Si/Jnerier.
98 Kungliga Vitterhets Historie och Antikvitets Akademiens Handlingar.
Filologisk-filosofiska serien + Stockholm: Almqvist & Wiksell. 1957.
Tillhagen. Carl-Herman. Folklia Liikekonst. Stockholm: Nordiska Museet. 1958.

xii. 378 pp. Index pp. 351-378; bibliography pp . 335-350.
Torner.. Johan J. K. Robert V. Wikman. ed .• Samlina af Widskeppelser. Skrifter

utgivna av Kungl. Gustav Adolfs Akademien. 15. Uppsala: Almqvist & Wiksell.
19 46. (A scholarly edition by K. Rob. V. Wikman of three manuscripts by
Torner: Cod. Linc. N 30 nr i-118: Ve reliquiis Paaanismi et Papismi in Smalandia
with comments in light of Cod. Linc. H47; Cod. Ups. S 71 nr 1-125: Ve reliquiis
in Smolandia Paaanismi et Papismi with commentary; and Cod. Linc. N3o nr
119-1244.)
von Sydow. C.W. "Det ovanligas betydelse i tro och sed" Folkminnen och
folktankar Bd XIII (1926):23 ff.
FOOTNOTES
i. C-H Tillhagen, Folk/;8 Liikekonst (Stockholm: Nordiska Museet, 1952), p.78.
2. IFGH J..4.48 s. 1-3- LarsJohan Samuelsson. uppt. Elin Emannelsson. 1cp8 Oxablick, Vasterg0tland.
3. Tillhagen, Folklfa Liikekonst, p.78 collected in Skredsvik parish, Bohuslan.
+ Nordiska museet ms No. 7J1.6o1 Llikarbok[The Book ofHealing]. Elsa Halmdahl, Stockholm.
1�29. item No. 10J. Much ofthe ms is her record ofinstructions received from her teacher Olle
Aberg ofGMtjam (d. Sept io, 1932). Some were acquired after his death. by means ofvisions and
dreams. The inside of the front and back covers records the names of well over sixty Wise
Ones known to Halmdahl.
5. Nordiska museet ms No. 271.601 Sankt Petri Nyckel [The Key ofSaint Peter]. item No. 36 in
ms also complied by Halmdahl 1939-40. She carefully records her source for each item, the
charm's power being seemingly related to its provenance. This item she acquired from "PS�
The British references to such flutes can be found in Nigel Pennick.Secrets ofEastAnalian Maaic,
Hale t995 and Andrew Chumbley, One, the Grimotre of the Golden Toad, Xoanon 2000.
6. LUF, Mss A, B. C.Signerier och Besvarjelser [Spells and Conjourations]. Jon Johansson
Svartkonstbok [Black Arts Book] from Mo, R1dom. Vastnorrlands Ian. Lappland, item No. 9
which was acquired from]. A. Aberg ofKarlsmyran. When Johansson sent this record ofhis
and other Sci.mi Wise Ones practice to folklorist C. W. von Sydow in Lund, he wrote:
By sending these to you. I have surrendered my power, that is to say I no longer have the
r,ower to stop bleeding and such. It isn't "humbug" as modem folk say about so called
kukkelgubbar" [magicians] because such wisdom in words and spells finds its origins
all the way back to Christ's time when the Saviour walked here on Earth and because he
gave his disciples power to heal all sorts ofsicknesses, make the blind see, resurrect the
dead. etc. Because we are also his disciples, because we believe, but we cannot work
wonders for those who don't believe, and unfortunately. there aren't many believers.*
7. Tillhagen, Folkli9 Liikekonst, p.u9.
8. Johansson, Spells and Conjurations, item No.8, a ritual he learned from J. A. Aberg.
Karlsmyran.
9. MS KUm20 Svartkonstbok [Black Arts Book] Slimminge socken, Vemm.enhogs harad,

Skine, 185J, item No.u1 It would appear that this ms was compiled by a blacksmith as it
contains numerous mundane metallurgical recipes and instructions.
io. Nordiska mu&ttt ms No. 271.602 Negromanlis ka saker (Necromantic I Nigromantic
Matters - the ms title may mean either], item No.l much of this ms is copied from a i]th
Century German printed book attributed to Faust.
1L MS Supriania Fru Alstads Socken. Sk:ytts harad, 1858, item No. 5. The ms has 17 items mostly
devoted to healing. The title is a variant spelling of Cyprianus, considered to be the patron
saint ofsorcerers. A number of different magical texts are attributed to him.
u. MS ULMA 36365, Salomoniska magiska konster (Solomon's Magical Arts] Nottehack

Granhult parish. Sm1land. This ritual is item No.70 in the ms, which dates fro m the middle of
the 18th Century. It carries this remarkable illustration on the first page:-
• "
.,.
13. Halmdahl, Book of Healing. item No. 88 being acquired from AdolfLundkvist, a Sarni in
September 1936.
1+ Tillhagen, Folkli[J Liikelwnst. Collected from Korsberga in Vastergotland.
15. Tillhagen, Folkli,g Liiulwnst. Collected from Ekesbog in V5stergotland.
i6. EM 3329 B [ "N" 4 Stora katekis [No4 The Great Catechism,] Bengt AhlstrCSm. Eslov, 1865.
item No. 36. ThJs ms records the teachings of Ahlstrom who died in 1919, aged aged 92. A
talented carpentel'.. he turned from woodwork to healing. becoming known as "The Professor"
He was described as a pleasant and talkative man with quite an extensive library. An elderly
native ofEslov said ofhim:
The poor always went to professor Ahlstrom. The real doctors were too expensive for
anyone to be able to afford going to them. Professor was a tale nte d man who could cure
all sorts ofsickness. You could have a pain wherever. and he could get rid ofthe evil. He
was inexpensive and knowledgeable�. There were always terribly many pe ople at his
place. He didn't just heal people, but animals as well, for example pigs that had bone
sickness. The farmers often came with a heifer or a horse for him. .�
.
17. Johansson, Spells and Conjurations, item No.6 in the supplement to ms B.
18. Ahlstrom. Rademin. item No. 37.
19. Ahlstrom. No4 The Great Catechism, item No. 8.
20. Halmdahl. The Bo ok of Healing. item No.58. She received this ritual from a Wise One
named Vallin.
21. Johansson. Spe lls and Conjurations, item No.3 in the supplement to ms B .
22. Nordiska museet ms No. 33.824, item No. 18. This ms has inscriptions which list some
owners. the flrst being Erik Unmark in Sp. with the date 1838. Then comes Carl Lager from
Lanna Works and then AmandaJosefina from Akers parish in SOdermanland where the mswas
discovered in 1886. Occasionally code is used; in this charm all mention ofthe use ofhuman
bones is enciphered.
2J. Solomon's Magical Arts. Item No.125.
:z+ Nordiska musttt ms No. 33.824 item No.1. Flen is a dialect word that refers to various
affitctions in different localities. A body in the woods sounds like that ofa murder victim.
25. Nordiska musttt: ms Onumrerad [Unnumbered] Akers harad, SOdermanland Item No. 30.
26. MS KU 3335. Trollboken. [Magic Book} Erik Johan Arboren, Lakback, Rogsta socken,
Halsingland. private ownership. item No. 26. Arboren worked as a fisherman, farmer and
business man in Lakbli.ck. He compiled this ms when aged 17. Pusten. a Wise One, was a
squatter in Vastanback, Rogsta parish. He was away for the day and Arboren managed to
persuade his wife to lend him her husband's Black Book. He copie d as much as he could,
creating this manuscript. before he had to rush to get the book back before Pusten returned.
Enigmatically, the ms commences with this inscription: "My oath is broken. This Ekonomia or
Maria Christina Naturalia Belongs to ErikJohan Andersson Rogsta Vastanbackk The isth of
August, i881: It is not clear what oath has been broken. There are also some subsequent ownership
inscriptions, namely: Gustav Astrom 1819 and 182J. and Jonas Magnus Astrom 1850.
27. Ahlstrom, No.4 The Great Catechism, item No. 51 ibid Stroke may be either the same as in
English, or the stroke of a faery whip causing a painful raised swelling.
28. Tillhagen, FolkliO Liikelwnst. Recorded in Nodinge in the Vastergotland - Sodermanland

area.
29. Nordiska museet ms No. +1.674 Per Persson known as "Neringen: Lonsboda, Stromhult,
Frostentorp, 1674, item No. 11. Whilst the ms bears the date 1674, this may have been copied
later. It is believed by his descendants to have been written by Persson who lived 1759 - 1834 in
LOnsboda in Osby Parish in Northeast Skme. Much ofthe rest ofthe ms is devoted to use ofthe
divining rod to discover treasure.
30. MS KUm20 Svartkonstbok [Black Arts book] Slimminge socken, Vemmenhogs harad,
Sldne, 1853 item No.60.
31. Johansson, Spells and Conjurations, item No. 1 in ms C. Sometimes a knife with a black
handle was used to stir the liquor.
32. Arboren, Magic Book, item No. 35.
33. Ibid, item No. 22.
3+ Erik Therman, Bland noider och nomader, Tammerfors-Tampere, 1940, p. 22f. cited in
Grimsson, Atrid. Svartkonstbok: Om shamanism, folklig lakekonst och magi. Stockholm:
Vattumannenf"orlag. 199:z.
35. Arboren, Magic Book, item No. 24
37. KUm20, Black Arts Book, item No.82
38. Nordiska museet ms No. 33.824 item No. 55. In this charm, the mention ofthe altar ofthe
church is enciphered
39. Ahlstrom, Rademin, item No. 53.
+o. Ahlstrom, The Great Catechism, item 20.
+1. Solomon's Magical Arts, item No.92
+2· C. 0. Svahns Svartkonstbok [C. 0. Swahn' Black Arts Book.] C. 0. Svahn, ist Magic Professor.
Stockholm, item No. 26. Posited origin (based on dialect): Tveta socken,Aspelands lan, SmMand,
handwriting appears to date from first halfof 19th C.
+3· Swahn, Black Arts Book, item 6.
++ LUF. A. 795:i6-31 Magi.ska formler och magi.ska handlingar Diversa anteckningar [Magical
spells and magical procedures Diverse notes] Lunds universitets Folkminnessamling
+5· Halmdahl, The Key of Saint Peter. item No. 12. Shes acquired this spell from "K�
+6. Solomon's Magical Arts, item No.1. The reference to a

"four-rimmed circle" with corners ts enigmatic. One
interpretation is that it may be a Saint John's Arms, here
illustrated by a Finnish butter mould dated 1755 that has a form
that accentuates a four rimmed aspect. The glyph is protective,
and in Sweden it has bec o m e the road sign indicating a
preserved ancient monument. The fourfold nature ofthis charm
stands out from the general emphasis upon the Trinity in the
p racti ce of the Wise Ones.
+7· Nordic Museum unnumbered ms, Om fiskeri i des lnehU [Regarding Fishing and its
Equipagei item No. 91 Handwriting ofthis manuscript suggests it originates from the late 17'1'
to early is<h Century
+9· Swahn, Black Arts Book, item No. 81.
50. To fix a shotgun that is hexed, item No . 20.
51· Ibid., item No. 6.
si. Nordiska museet. Ms unumbered Att bota en bossa som ar skamd. [To fix a shotgun that is
hexed} item No. 21.
53. Leonhard Fredrik Raaf, K. Robert V. Wikman. ed. Svenska Skrock och Signerier. Kungliga
Vitterhets Historic och Antikvitets Akademiens Handlingar, Filologisk-filosoflska serien +·
Stockholm: Almqvist & Wiksell, 1957. p 141, No. +71
5+· Ttllhagen, FolklfB Liikelumst, p.79. This l ore being recorded inJukkasjarvt. Lappland
55· Johansson, Spells and Conjuraeions, ibid, this unnumbered item being in ms C.
55. Tillhagcn, Folkl'8 Liikekonst. p.67. Collected in Holms parish, Medelpad.
56. Nordiska museet ms No. 271.600 15:i9+9 Konstbok [Book of Art) item No. +5· A small
bound ms, a little more than + inches tall The cover is black, with the title picked out in white.
an appearance particularly associated with the Black Art Books.
Folklore Society ofLund Varuti jag skrifver varjehanda [In which I write a bit ofeverything)
57.
PetterJohanJohanesson. 18+1. item No. n. the ms being lodged withJ. A. Sandblom, a teacher in
Hultsjo. Ofthe ms, the author notes: "this book ls to read in order to learn many different types
ofwounds both to h eal magically and other ways to learn to heal�
58. Ibid., item No. +5.
59. nllhagen, FolklfS Lakekonst, p. 81. Collected in Holms parish, Skons parish, Medelpad.
60. Swahn. Black Arts Book, item No. 81.
61. Erik Therman. Bland noider och nomader, Tammerfors-Tampere, 19+0, p.u+ Grimsson,
Atrid. Svartkonstbok: Om shamanism, fo lklig lakekonst och magi. Sto c kholm:
Vattumannenilirlag, 1992.
62. Tillhagen, Folkl(g Liikekonst, p. 79. Collected in Ostra Fro lunda Viistergotland.
,
63. Solomon's Magical Arts item No. 2.

,
fut.. Tillhagen. FolklfS Liikekonst, p. 79. This lore being recorded inJukkasjarvi, Lappland.
65. S olomon's Magical Arts, item No. 98.
66. KUu120, Black Arts Book. item No.67.
67. Kulturhistoriska museet �n Hamosand, C!nster att bruka, nembligen: [Arts to employ.
namely:i Anders P. item No.i in manuscript subtitled Black Arts ofAnders P. Informed opinion
dates the manuscript to the late 18th Century. with internal evidence suggesting it is a copy
made then ofan earlier text.
68. Solomon's Magical Arts, item No. 119. Given to Praepositus P. Starck by a traveller from
Lappland to Karlskrona.
69. Johansson. Spells and Conjurations, item No. 14 &. an extact from No. L
70. Solomon's Magical Arts, ibid, ite m No. 71.
71. Halmdahl . The Book ofHealing. item No.136.
p.. Necromantic/Nigromantic Matters item No. +
73. Solomon's Magical Arts ibid. Item No. 51.
7+· Halmdahl. The Book of Healing. item No.136. Halmdahl received this ritual from a Wise
One whose name is abbreviated as 01. Trac. in September 1936.
75. Solomon's Magical Arts item No. J.

,
76. Swahn, Black Arts Book. item No. +i.

J7. KUm20, Black Arts Book, item No.22.
78. LUF. MS A. 285 Svartkonstbok fdn Glimikra sockcn Sk!ne [Black arts book from GlimMcra
parish. Sldnei Eva Wigstrom, i87os, item No. +· The following note accompanies the ms:
The book in question, which was somewhat more detailed than what is recorded below,
belonged to an So-year old man, who died this past year in the vicinity ofBroby, and was
calle d "Skagelen" ('Little beard). His father. who dwelt in Simonstorp. Glimikra parish,
was a so-called 'Wise One" who owned the book in question. which is a manuscript
from the i7oos.
79. Regarding Fishing and its Equipage. item No. +5·
So. Solomon's Magical Arts, item No. 3.
81. KU11120. Black Arts Book. item No. 117.
82. NM27L600 15:t9"1-9 Book of Art item No. 29.
83. KU11120, Black Arts Book. ite m No. 39.
8+ Black Arts ofAnders P., Hamosand, ibid No.52.
85. Swahn, Black Arts Book. item No. 60.
86. Ibid., ite m No. 59.
87. Ahlstri>m, No.i Rademin, item No. 51.
88. Swahn. Black Arts Book. item No. 66 .
89. Solomon's Magical Arts ibid. Item No. 1o6.
90. Swahn. Black Arts Book. item No. 59.
91. Ibid., item No. 58.
92. Johansson, Spells and Conjurations, ibid item No. 3 in the supplement to ms C.
,
93. Solomon's Magical Arts, item No. 58.
9+ Johansso n, Spells and Conjurations, item No. 2 in the supplement to ms C.
95. Necromantic/Nigromantic Matters ibid Item No 3 , . .
96. VFF 2153, ss 1-3 G. Roden uppt. G. Roden, 19f2, 15/s Munkfors, Ransater sn., Varmland.
97. Solomon's Magical Arts ibid. Item No. No.]3.

98. Johansson, Spells and Conjurations, unnumbered item appearing first item in ms C.
99. VFF 215J. ss 1-3 G. Roden uppt. G. Roden, 19-42.
loo. Johansson, Spells and Conjurations, item No. 13.

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THE

Tom Johnson Ph.D.

THE WISE & THEIR WORLD 85

Herein ls ex amin e d one aspect of the practice of the Wise Ones of

The method by which a wise person received a special ability might

Whoever wants to learn to do magic should fetch a bone from the

One's introduction to the Dead

Thus, may one become a sorcerer.

Go to a churchyard. Recite this over a gravestone whilst crossing yourself:

Your Si/jht shall be in my Si/jht

CHARM TO BORROW A HUMAN BONE 1

Farj"IJ ldna ditt Iii/a ben,

IfI can borrowyour little bone,

If onewishes to become a true sorcerer. but without having to sell oneself

However, if you want to conjure a dead mother or father, or whatever relative

Comotote Prili Sall

Filx Gackte ol hordea

I order you spirits

Write then these signs around the circle:

t ttl\' .:J Itt t

I give you this as a proof

And sign your name.

On a Thursday. go back to the church making sure that no one catches up

I giPe you this as a proof

You who rest here

Recite aloud at 12 o'clock at night.

Cross then + + + times over the coffin.

Whereby the Dead

Let my weakness now rot away

Then make another knot and say:

You can take this sickness from NN.

For the third time. tie a knot while you say:

ForJOU feel nothtna

then he, or she, will be healthy.

Let now my weakness

CAWNG FOR ASSISTANCE :io

When I take you

Afterwards. keep the ro ot indoors.

This is a good remedy for those suffering badly with lumbago.

TO HEAL PAINFUL BONES 22

F/ennar Jlena opos.

far away in the woods

Jesus, he walked into the churchyard.

The Dead send dreams that reveal the thief.

In return for coin

But the Wise One may not punish

Take a human bone from the churchyard

To 9et to see the thief

Thanks shall you ha11e

Take a woollen yarn in a needle that has been threaded widdershins. Go to

When a corpse is being enshrouded speak to the one who sews so as to

A SPIRIT TO PROTECT ONE'S PROPERTY*

As truly as you are a thiefin the world

Then draw this figure on wood:-

As still as this corpse lies

Cut away for yourself three chips

Then bury the skull and recite the Our Father.

TO RESTORE THAT WHICH HAS BEEN STOLEN JB