09 - From Identifying Issues To Forming Questions Chapter 4
09 - From Identifying Issues To Forming Questions Chapter 4
Forming Questions
Chapter 4
Inquiries
Inquiry is central to the process of composing.
Writing grows out of answering these questions:
• What are the concerns of the authors?
• What situations motivate them to write?
• What frames or contexts do they use to construct
their arguments?
Inquiries
Writing grows out of answering these questions:
• What is my argument in response to their writing?
• What is at stake in my argument?
• Who will be interested in reading what I have to
say?
• How can I connect with readers?
• What kinds of evidence will persuade my readers?
• What objections are they likely to raise?
• To answer these questions, you must read in
the role of writer, with an eye toward
A manufacturing company has You feel that this company What would persuade the city
plans to move to your city with will compromise the quality of to prevent this company from
the promise of creating new life for the surrounding moving in, even though the
jobs in a period of high community because the company will provide much-
unemployment. manufacturing process will needed jobs?
pollute the air.
Your school has made an You see that the school has Is there another way for the
agreement with a local much to gain from this school to generate needed
company to supply vending arrangement, but you also revenue without putting
machines that sell drinks and know that obesity is a growing students’ health at risk?
food. The school plans to use problem at the school.
its share of the profit to
improve the library and
purchase a new scoreboard for
the football field.
Identifying Issues
• Steps to identifying an issue
– You don’t have to follow these steps in this particular order.
– Issues do not simply exist in the world well formed.
– Writers construct what they see as issues from the
situations they observe.
– E.g., consider legislation to limit downloads from the
Internet.
• If such legislation conflicts with your own practices and sense of
freedom, you may have begun to identify an issue: the clash of
values over what constitutes fair use and what does not.
• Be aware that others may not understand your issue and that in
your writing you will have to explain carefully what is at stake.
Steps to identifying an issue
• Draw on Your Personal Experience
• Identify What Is Open to Dispute
• Resist Binary thinking
• Build on and Extend the Ideas of Others
• Read to Discover a Writer’s Frame
• Consider the Constraints of the Situation
Draw on Your Personal Experience
• Personal experiences influence how we read, what we pay
attention to, what inferences we draw
-> begin with you .
In a school where students and teachers had free rein to abuse anyone
different from them, I was constantly abused. As the only black student in
English honors, I was commonly belittled in front of my “peers” by my teacher.
If I developed courage enough to ask a question, I was always answered with
the use of improper grammar and such words as “ain’t” as my teacher
attempted to simplify the material to “my level” and to give me what he called
“a little learning.” After discussing several subjects, he often turned to me,
singling me out of a sea of white faces, and asked, “Do you understand, Mila?”
When asking my opinion of a subject, he frequently questioned, “What do your
people think about this?” Although he insisted on including such readings as
Martin Luther King’s “I Have a Dream” speech in the curriculum, the speech’s
themes of tolerance and equity did not accompany his lesson.
• This student discovered that few prominent scholars have
confronted the issue of racism in schools directly.
• Although she grants that curricular reform and increased funding
may be necessary to improve education, she argues that scholars
also need to address race in their studies of teaching and learning.
-> issues may be more complex than you first think they are.
For this student, the issue wasn’t one of two positions
—reform the curriculum or provide more funding.
Instead, it combined a number of different positions, including race
(“prejudice” and “race wars”) and the relationship between student
and teacher (“Do you understand, Mila?”) in a classroom.
— the principle of egalitarian democracy on the one hand & the reality of citizens
in a democracy living in abject poverty on the other.
• This student offers us an important lesson about the role of inquiry and
the value of resisting easy answers.
He has built on and extended his own ideas—and the ideas of others—
after repeating the process of reading, raising questions, writing, and
seeing problems a number of times.
Read to Discover a Writer’s Frame
• Writer’s frame = the perspective through which a writer presents his or
her arguments.
– Writers want us to see the world a certain way, so they frame their arguments
much the same way photographers and artists frame their pictures.
you would focus on what you would most like to remember — friends’
faces — blurring the images of the people walking behind your friends.
Setting up the picture, or framing it, might require using light and shade
Years of schooling must pass before the boy will be able to sketch the
cultural differences in his day as abstractly as this. But he senses those
differences early. Perhaps as early as the night he brings home an
assignment from school and finds the house too noisy for study. He has to
be more and more alone, if he is going to “get on.” He will have, probably
unconsciously, to oppose the ethos of the hearth, the intense
gregariousness of the working-class family group. . . . The boy has to cut
himself off mentally, so as to do his homework, as well as he can.
• Here is Rodriguez’s response to Hoggart’s description of
the scholarship boy:
• Finally, the situation itself can function as a major constraint. E.g., suppose
your topic is the decline of educational standards. It’s difficult to imagine any
writer making the case for accelerating that decline, or any audience being
receptive to the idea that a decline in standards is a good thing.
Steps to Identifying Issues
• Draw on your personal experience. Start with your own sense of what’s
important, what puzzles you, or what you are curious about. (Then build
your argument by moving on to other sources to support your point of view.)
• Identify what is open to dispute. Identify a phenomenon or some idea in a
written argument that challenges what you think or believe.
• Resist binary thinking. Think about the issue from multiple perspectives.
• Build on and extend the ideas of others. As you read, be open to new ways
of looking at the issue. The issue you finally write about may be very
different from what you set out to write about.
• Read to discover a writer’s frame. What theories or ideas shape the writer’s
focus? How can these theories or ideas help you frame your argument?
• Consider the constraints of the situation. Craft your argument to meet the
needs of and constraints imposed by your audience and form.
Identify Issues in an essay
• In the following editorial, published in 2002 in Newsweek, writer Anna
Quindlen addresses her concern that middle-class parents overschedule
their children’s lives. She calls attention to the ways leisure time helped
her develop as a writer and urges parents to consider the extent to which
children’s creativity depends on having some downtime. They don’t
always have to have their time scheduled. As you read Quindlen’s “Doing
Nothing Is Something,” note what words and phrases Quindlen uses to
identify the situation and to indicate who her audience is. Identify her
main claim as one of fact, value, or policy. Finally, answer the questions
that follow the selection to see if you can discern how she locates,
defines, and advances her issue.
• See textbook
Reading as a Writer
1. What evidence of Quindlen’s personal responses and
experiences can you identify?
2. What phenomenon has prompted her to reflect on what she
thinks and believes? How has she made it into an issue?
3. Where does she indicate that she has considered the issue
from multiple perspectives and is placing her ideas in
conversation with those of others?
4. What sort of lens does she seem to be using to frame her
argument?
5. What constraints (such as the format of an editorial) seem
to be in play in the essay?
A Practice Sequence: Identifying Issues
• Draw on your personal experience.
– Reflect on your own responses to what you have been reading in this class or in other
classes, or issues that writers have posed in the media. What concerns you most? Choose a
story that supports or challenges the claims people are making in what you have read or
listened to. What questions do you have? Make some notes in response to these questions,
explaining your personal stake in the issues and questions you formulate.