Kurzweil SP6-Musicians - Guide - (RevB)

®
It’s the sound.

®
Rev. B - For software release v1.03 and OS 3.81.29444 Part Number 910584-002
i
CAUTION The lightning flash with the arrowhead symbol, within an equilateral
triangle is intended to alert the user to the presence of uninsulated
RISK OF ELECTRIC SHOCK "dangerous voltage" within the product's enclosure that may be of
DO NOT OPEN sufficient magnitude to constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

The exclamation point within an equilateral triangle is intended
DO NOT REMOVE THE COVER. to alert the user to the presence of important operating and
NO USER SERVICEABLE PARTS INSIDE. maintenance (servicing) instructions in the literature
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. accompanying the product.
IMPORTANT SAFETY & INSTALLATION INSTRUCTIONS

INSTRUCTIONS PERTAINING TO THE RISK OF FIRE ELECTRIC SHOCK , OR INJURY TO PERSONS‌
WARNING: When using electric products, basic precautions should 8. The product should be connected to a power supply only of the
always be followed, including the following: type described in the operating instructions or as marked on the
product.
1. Read all the Safety and Installation Instructions and Explanation
of Graphic Symbols before using the product. 9. This product may be equipped with a polarized line plug (one
blade wider than the other). This is a safety feature. If you are
2. This product must be grounded. If it should malfunction or unable to insert the plug into the outlet, contact an electrician to
break down, grounding provides a path of least resistance for replace your obsolete outlet. Do not defeat the safety purpose of
electric current to reduce the risk of electric shock. This product the plug.
is equipped with a power supply cord having an equipment-
grounding conductor and a grounding plug. The plug must be 10. The power supply cord of the product should be unplugged
plugged into an appropriate outlet which is properly installed and from the outlet when left unused for a long period of time. When
grounded in accordance with all local codes and ordinances. unplugging the power supply cord, do not pull on the cord, but
grasp it by the plug.
DANGER: Improper connection of the equipment-grounding
conductor can result in a risk of electric shock. Do not modify the 11. Care should be taken so that objects do not fall and liquids are
plug provided with the product – if it will not fit the outlet, have a not spilled into the enclosure through openings.
proper outlet installed by a qualified electrician. Do not use an
adaptor which defeats the function of the equipment-grounding 12. The product should be serviced by qualified service personnel
conductor. If you are in doubt as to whether the product is properly when:
grounded, check with a qualified serviceman or electrician. A. The power supply, power cord or plug have been damaged;
3. Do not use this product near water – for example, near a bathtub, B. Objects have fallen, or liquid has been spilled into the
washbowl, kitchen sink, in a wet basement, or near a swimming product;
pool, or the like. C. The product has been exposed to rain;
4. This product should only be used with a stand or cart that is D. The product does not appear to be operating normally or
recommended by the manufacturer. exhibits a marked change in performance;
5. This product, either alone or in combination with an amplifier and E. The product has been dropped, or the enclosure damaged.
speakers or headphones, may be capable of producing sound
levels that could cause permanent hearing loss. Do not operate 13. Do not attempt to service the product beyond that described in
for a long period of time at a high volume level or a level that is the user maintenance instructions. All other servicing should be
uncomfortable. If you experience any hearing loss or ringing in referred to qualified service personnel.
the ears, you should consult an audiologist. 14. WARNING: Do not place objects on the product’s power supply
6. This product should be located so that its location or position cord, or place the product in a position where anyone could trip
does not interfere with its proper ventilation. over, walk on, or roll anything over cords of any type. Do not
allow the product to rest on or be installed over cords of any type.
7. The product should be located away from heat sources such as Improper installations of this type create the possibility of a fire
radiators, heat registers, or other products that produce heat. hazard and/or personal injury.
RADIO AND TELEVISION INTERFERENCE

WARNING: Changes or modifications to the instrument not expressly • Increase the separation between the instrument and the receiver.
approved by Young Chang could void your authority to operate the • Connect the instrument into an outlet on a circuit other than the
instrument. one to which the receiver is connected.
IMPORTANT: When connecting this product to accessories and/or • If necessary consult your dealer or an experienced radio/television
other equipment use only high quality shielded cables. technician for additional suggestions.
NOTE: This instrument has been tested and found to comply with the The normal function of the product may be disturbed by strong
limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. electromagnetic interference. If so, simply reset the product to resume
These limits are designed to provide reasonable protection against normal operation by following the instructions in the manual. If normal
harmful interference in a residential installation. This instrument function does not resume, please use the product in another location.
generates, uses, and can radiate radio frequency energy and, if not NOTICE
installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no This apparatus does not exceed the Class B limits for radio noise
guarantee that interference will not occur in a particular installation. If emissions from digital apparatus set out in the Radio Interference
this instrument does cause harmful interference to radio or television Regulations of the Canadian Department of Communications.
reception, which can be determined by turning the instrument off and AVIS
on, the user is encouraged to try to correct the interference by one or
more of the following measures: Le present appareil numerique n’emet pas de bruits radioelectriques
depassant les limites applicables aux appareils numeriques de la
• Reorient or relocate the receiving antenna. class B prescrites dans le Reglement sur le brouillage radioelectrique
edicte par le ministere des Communications du Canada.
SAVE THESE INSTRUCTIONS

ii
IMPORTANT SAFETY INSTRUCTIONS
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding type plug has two blades and a third grounding
prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit
into your outlet, consult an electrician for replacement of the obsolete outlet
10) Protect the power cord and power supply adapter from being walked on or pinched, particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
11) Only use power adapters and attachments/accessories specified by the manufacturer.
12) Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer,
or sold with the apparatus. When a cart is used, use caution when moving the cart/
apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of
time.
14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate
normally, or has been dropped.
Warning: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Do not
expose this equipment to dripping or splashing and ensure that no objects filled with liquids, such as vases, are
placed on the equipment.
To completely disconnect this equipment from the AC Mains, disconnect the power supply cord plug from
the AC receptacle.
©2017 Young Chang Co., Ltd. All rights reserved. Kurzweil® is a product line of Young Chang Co., Ltd. Kurzweil®, Young Chang®,
V. A. S. T.®, and SP6® are trademarks of Young Chang Co., Ltd. All other trademarks and copyrights are property of their respective companies.
Product features and specifications are subject to change without notice.
You may legally print up to two (2) copies of this document for personal use. Commercial use of any copies of this document is prohibited.
Young Chang Co. retains ownership of all intellectual property represented by this document.
iii
Kurzweil International Contacts
Contact the Kurzweil office listed below to locate your local Kurzweil representative.
US Customers: Customers outside the US:
American Music & Sound Young Chang Co., LTD.

925 Broadbeck Dr #220 178-55, Gajwa-Dong, Seo-Ku
Newbury Park, CA 91320 Incheon, Korea
Post Code: 404-714
Tel: 800-431-2609
Fax: 818-597-0411 Tel: +82-32-570-1576
Email: [email protected] Fax: +82-32-576-2340
www.kurzweil.com
[email protected]
www.facebook.com/kurzweilmusicsystems/
www.twitter.com/KurzweilMusic
www.youtube.com/user/KurzweilTutorials
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Table of Contents

Table of Contents
Getting Started................................................................... 1-1
Features of the SP6....................................................................................................... 1-1
Quick Start..................................................................................................................... 1-2
The Front Panel............................................................................................................. 1-4
The Rear Panel.............................................................................................................. 1-9
SP6 Sounds.................................................................................................................. 1-12
Modes........................................................................................................................... 1-15
Program Mode................................................................... 2-1

Selecting Programs....................................................................................................... 2-1
Program Demo............................................................................................................... 2-2
The LCD.......................................................................................................................... 2-2
Favorites........................................................................................................................ 2-3
Controllers..................................................................................................................... 2-3
SPLIT/LAYER................................................................................................................. 2-7
Program Save Dialog...................................................................................................2-11
Changing the MIDI Channel........................................................................................ 2-13
PANIC............................................................................................................................ 2-13
Program Edit Mode............................................................ 3-1

Assignable Params Page.............................................................................................. 3-1
Arpeggiator Page........................................................................................................... 3-2
Master Page................................................................................................................... 3-5
Save User Programs..................................................................................................... 3-7
TOC-i
Table of Contents

Multi Mode.......................................................................... 4-1

Selecting Multis............................................................................................................. 4-1
The LCD.......................................................................................................................... 4-2
Favorites........................................................................................................................ 4-2
Controllers..................................................................................................................... 4-2
SPLIT/LAYER................................................................................................................. 4-6
Multi Save Dialog......................................................................................................... 4-10
PANIC............................................................................................................................ 4-12
Multi Edit Mode.................................................................. 5-1

Main Page....................................................................................................................... 5-1
Mixer Page..................................................................................................................... 5-2
Key/Velocity Page.......................................................................................................... 5-3
Transpose/Bend Page................................................................................................... 5-4
FX Page.......................................................................................................................... 5-5
Buttons Page................................................................................................................. 5-5
Switch Pedals Page....................................................................................................... 5-6
CC Pedal Page............................................................................................................... 5-7
Controllers Page............................................................................................................ 5-8
Channel Page............................................................................................................... 5-10
Common Page..............................................................................................................5-11
Save User Multis.......................................................................................................... 5-12
Global Mode....................................................................... 6-1

Settings Page................................................................................................................. 6-1
Overrides Page.............................................................................................................. 6-6
File Page......................................................................................................................... 6-8
Delete Page.................................................................................................................. 6-10
Info Page.......................................................................................................................6-11
Reset Page....................................................................................................................6-11
TOC-ii
Table of Contents

Troubleshooting................................................................ 7-1
Maintenance................................................................................................................... 7-1
Power On Problems...................................................................................................... 7-1
Audio Problems............................................................................................................. 7-2
MIDI Problems................................................................................................................ 7-3
Pedal Problems............................................................................................................. 7-4
Kurzweil Support........................................................................................................... 7-5
MIDI Implementation.........................................................A-1
MIDI Control...................................................................................................................A-2
Physical Specifications....................................................B-1
Programs............................................................................C-1
Multis..................................................................................D-1
Index............................................................................Index-1
TOC-iii
Getting Started
Features of the SP6
Chapter 1
Getting Started
This chapter will give you a quick overview of the SP6. Be sure to keep this manual on hand as you
familiarize yourself with the features and functions of the SP6.
Features of the SP6

• FlashPlay technology utilizing 2GB of instrument samples including:
• Optimized German D and Japanese C7 Pianos, Triple Strike Piano, 73 Electric Piano,
Clavinets, Harpsichords, Celeste, Bowed and Hit Crotales, Vector Synthesis Waveforms
• Updated Rock, Synth and Orchestral sounds from Kurzweil’s Forte SE, PC3, and KORE64
• 10 Categories of Programs (Piano, E. Piano, Clav, Organ, Strings/Pads, Brass/Winds,
Voices/Misc, Leads/Synths, Guitar/Bass, Drums/Perc)
• Space for 1024 Factory and 1024 User Programs and Multis
• KSR: Kurzweil String Resonance (Piano String Resonance Simulation)
• Support for optional Half-Damper pedal
• KB3 Organ simulations with control of 9 drawbars
• Arpeggiator with dedicated On/Off and Tap Tempo buttons (up to 4 simultaneous in Multi Mode)
• High quality audio effects with dedicated knob assignments
• 4 knobs with Shift button (3 shift rows for 12 assignments per Program)
• Support for up to 4 switch pedals
• 128 voices of polyphony
• 16 MIDI Channels for multitimbral applications
• 4 Zone MIDI Controller
1-1
Getting Started
Quick Start
Quick Start
Be sure to check the Kurzweil website at www.kurzweil.com for new sounds, documentation
and software updates.
Setting Up the SP6

1. If your SP6 keyboard has been out in the cold during shipping, give it time to warm up
to room temperature before powering it on, since condensation may have formed inside.
2. Place the SP6 on a keyboard stand or on a hard, flat, level surface.
3. Connect the DC power adaptor to the SP6 DC Power jack.
4. Make sure your power outlet is compatible with the included power adaptor, then plug
the power cable into the power outlet.
5. Plug the included Switch Pedal into the SW1 (SUSTAIN) jack on the SP6 rear panel.
6. If you have an additional switch pedal, plug it into the SW2 jack for Sostenuto control.
7. If you have a MIDI CC pedal (also known as a MIDI expression or volume pedal), plug
it into the CC (VOLUME) jack for volume control.
8. If you are using speakers, turn the master volume all the way down on your amplifier
or mixer. Using standard (1/4-inch) audio cables, first plug into the input jacks of your
amplifier or mixer, then plug the other end of the cables into the SP6 AUDIO OUT
jacks. (Connecting in this order minimizes the possibility of static discharge damage.) For
a mono signal, only use the LEFT (MONO) jack, and leave the RIGHT jack unplugged.
Balanced (“TRS” or “Stereo”) cables are recommended if your mixer or amp supports
balanced inputs.
9. If you are using headphones, connect stereo headphones to the headphone jack on the
rear panel.
10. Turn the SP6 VOLUME knob (on the far left side of the front panel) to MIN.
Powering On the SP6

1. Power on the SP6 by pressing the POWER button on the right rear panel.
2. If you are using speakers, turn up the volume on your amplifier or mixer.
3. Slowly turn up the SP6 VOLUME knob and play some notes to check the volume level.
(If you have a CC pedal plugged into the CC (VOLUME) jack, make sure it is set to the
maximum volume position).
1-2
Getting Started
The Front Panel
4. If you are using speakers and the SP6 is not loud enough, turn up the volume on your
amplifier or mixer.
5. If you are using a mixer and hear distortion, reduce the gain level on the mixer, or use
the mixer’s Pad button if it has one (a button that typically decreases the audio input level
by 20dB).
6. After using the SP6, if you are using speakers, turn the master volume all the way down
on your amplifier or mixer before powering off the SP6.
Auditioning SP6 Sounds

1. The SP6 starts up in Program Mode. Use the PREVIOUS and NEXT buttons, ALPHA
WHEEL, or CATEGORY buttons to select a different Program. See SP6 Sounds on page
1-12 for more details on selecting Programs or Multis.
1. To hear a Program Demo song for the current Program, press the KEYPAD and ENTER
buttons simultaneously.
2. To hear the capabilities of the SP6, you can play the multi-channel demo songs. Press the
KEYPAD and DRUMS/PERC buttons simultaneously to listen to a multi-channel demo
song.
3. To switch between auditioning Programs or Multis, press the PROGRAM or MULTI
Mode button under the MODE label to the right of the LCD display.
Automatic Power Saving

The SP6 has an automatic power saving feature (Auto Power Off) that can automatically
power off the SP6 after a period of inactivity, in order to conserve electricity. The Auto Power
Off feature is enabled by default. The default Power Off Time is 8 hours, which will cause the
SP6 to power off after 8 hours of inactivity.
A count down timer warning will be shown in the LCD display a few minutes before the SP6
is powered off. At any time, touching any SP6 control or playing a note will cause the SP6 to
remain powered on, until the SP6 has been inactive for the set Power Off Time.
Auto Power Off can be disabled in Global Mode. The Power Off Time can also be adjusted
in Global Mode.
1-3
Getting Started
The Front Panel
The Front Panel

TRANSPOSE Buttons
VOLUME Knob
ARP ON/OFF Button and TAP TEMPO Button
ZONE ON/OFF Buttons
CHANNEL/PAGE Buttons
LCD Display
ALPHA WHEEL
MODE Buttons and USER Button
CATEGORY Buttons
LOCAL DEST Button and EXIT Button

PREVIOUS/NEXT Buttons and FAVORITES Buttons
SAVE Button and EDIT Button
KNOBS
SHIFT Button
VARIATION Button
PITCH WHEEL and MODULATION WHEEL
VOLUME Knob
The VOLUME knob controls the volume level of the AUDIO OUT and HEADPHONE
jacks.
LCD Display
The LCD display is the main user interface for the SP6. Use the LCD display to view
Program and Multi names, controller assignments, and editing functions.
1-4
Getting Started
The Front Panel
ALPHA WHEEL
In Program and Multi Mode, use the ALPHA WHEEL to navigate through the Program or
Multi list.
In Program Edit or Multi Edit Mode, use the ALPHA WHEEL to scroll through the list of
values for the currently selected parameter. Turn the ALPHA WHEEL counter-clockwise or
clockwise to select the previous or next value. Turn the ALPHA WHEEL slowly to change
the value by one increment, or turn it quickly to jump several increments.
PREVIOUS and NEXT Buttons

In Program and Multi Mode, use the PREVIOUS and NEXT buttons to navigate through
the Program or Multi list.
In Program and Multi Mode, press the PREVIOUS and NEXT buttons simultaneously to
access the Split/Layer function.
In Program Edit or Multi Edit Mode, use the PREVIOUS and NEXT buttons to navigate to
each parameter on the current page.
MODE Buttons
Press the MODE buttons to access PROGRAM, MULTI or GLOBAL Mode. See Modes on
page 1-15 for a description of each Mode.
CATEGORY Buttons
In Program Mode, the CATEGORY buttons allow you to select and browse Programs in 10
categories of instruments. Engaging the KEYPAD button allows you to use the CATEGORY
buttons as an alphanumeric keypad. The KEYPAD button is always on in Multi Mode, and
where needed for editing parameter values.
FAVORITES Buttons
The FAVORITES buttons can be used to instantly recall your favorite Programs and Multis.
To assign the currently selected Program or Multi to a FAVORITES button, press and hold
the desired FAVORITES button for a few seconds until the LCD display indicates that the
favorite has been saved. Press a FAVORITES button to instantly select the stored Program or
Multi.
1-5
Getting Started
The Front Panel
TRANSPOSE Buttons
The TRANSPOSE buttons can be used to change the tuning of notes played on the SP6
keyboard in semitones (also known as half steps). The current transpose amount is shown
in the LCD display (for example, the default is “Xp:0st”). Press both TRANSPOSE buttons
simultaneously to reset the transposition to 0.
PITCH WHEEL and MODULATION WHEEL

Use each wheel to respectively perform pitch bends or vary the modulation amount. The
MODULATION WHEEL will perform a pre-assigned modulation for each Program or
Multi. The name of the current assignment is shown in the LCD display when the wheel is
moved.
VARIATION Button
Pressing the VARIATION button will perform a pre-assigned variation for each Program or
Multi. The name of the current assignment is shown in the LCD display when the button is
pressed.
The VARIATION button has two states, off (not lit) and on (lit). The VARIATION button
will typically modify the sound by adding an orchestral string section or synth pad layer, or
enabling an effect.
For KB3 Organ Programs, the VARIATION button controls the Rotary Speaker speed,
changing between fast and slow. The LCD display shows “KB3” when a KB3 Program is
selected.
KNOBS
The KNOBS are used to control various Program and Multi parameters. Press the SHIFT
button to shift between 3 rows of 4 knob assignments.
In Program Mode: The top row of knob assignments control user-assignable parameters, and
the bottom two rows of knob assignments perform the functions labeled on the front panel.
The top row of user-assignable parameters can be adjusted in Program Edit Mode.
In Multi Mode: The top row of knob assignments control Multi Zone volumes, and the
bottom two rows of knob assignments perform the functions labeled on the front panel. For
the bottom two rows of KNOBS, value scaling and offset can be adjusted per Zone for each
knob in Multi Edit Mode. This allows each knob range to be adjusted or disabled per Zone.
In Program and Multi Mode: When a KB3 Organ Program is selected, some of the knobs
may perform Organ drawbar functions instead of the functions labeled on the front panel.
The LCD display shows “KB3” when a KB3 Program is selected.
1-6
Getting Started
The Front Panel
SHIFT Button
The SHIFT button allows you to shift between 3 groups of knob assignments. The available
knob assignments are labeled in 3 rows below the knobs. Press the SHIFT button to shift to
the next assignment group, indicated by a lit LED to the left of each row.
ARP ON/OFF Button

Use the ARP ON/OFF button to turn on and off the SP6’s Arpeggiator.
TAP TEMPO Button

Use the TAP TEMPO button to set the rate of the Arpeggiator or tempo synced FX (such as
Delay). Press the TAP TEMPO button a few times at the desired rate to set the tempo.
ZONE ON/OFF Buttons

In Multi Mode, these buttons allow you to turn each of the 4 Zones on or off. When a Zone
is on, the corresponding button is lit. When a Zone is off, the corresponding button is not
lit. Press each Zone button to turn each Zone on or off.
SAVE and EDIT Buttons

These buttons are used when editing Programs or Multis to create User sounds. In Program
Mode, press the SAVE button to save a User Program with the current controller settings.
EXIT Button
In Program Edit Mode, Multi Mode, or Global Mode, press the EXIT button to return to
Program Mode. In Multi Edit Mode, press the EXIT button to return to Multi Mode.
USER Button
Press and enable the USER button to access previously saved User Programs or Multis. Press
and disable the USER button to access all Programs or Multis (Factory and User).
CHANNEL/PAGE Buttons
Use the CHANNEL/PAGE buttons to change the current MIDI Channel in Program Mode,
or the current page in Program Edit or Multi Edit Mode.
1-7
Getting Started
The Front Panel
LOCAL DEST Button

The LOCAL DEST button controls the destination of MIDI notes produced by playing the
SP6 keyboard. Pressing the LOCAL DEST button will step through the options, LOCAL,
MIDI, or LOCAL + MIDI. When the LOCAL DEST button is pressed, the current
setting is briefly shown in the LCD display. The color of the LOCAL DEST button changes
depending on the current setting.
LOCAL + MIDI: MIDI notes will be sent to the local SP6 sound engine, as well as the
MIDI OUT and USB Computer ports.
LOCAL: MIDI notes will only be sent to the local SP6 sound engine.
MIDI: MIDI notes will only be sent to the MIDI OUT and USB Computer ports.
1-8
Getting Started
The Rear Panel
The Rear Panel
POWER Button
Press the POWER button to power the SP6 on or off.
DC Power Jack
Plug the included power adaptor into the DC Power jack.
USB Ports
Use the USB ports to connect the SP6 to a computer/tablet or USB hard drive in order to do
the following:
• Use the SP6 as a MIDI controller to play software instruments on a computer/tablet.
• Use a computer/tablet to sequence multi-channel songs on the SP6.
• Backup and restore User Programs and Multis on a computer/USB hard drive.
• Update the software and sounds of the SP6.
MIDI IN and OUT Ports

Use the MIDI ports to communicate with other MIDI modules and controllers. The OUT
port is the MIDI transmitting port, and the IN port is the MIDI receiving port.
To use the SP6 as a MIDI controller for another sound module, use a MIDI cable to connect
the SP6’s MIDI OUT port to the MIDI input port of the module that you want to control.
To control the SP6 using another MIDI controller, use a MIDI cable to connect the SP6’s
MIDI IN port to the MIDI output port of the controller that you will be using.
1-9
Getting Started
The Rear Panel
SW1 (SUSTAIN) and SW2 Jacks

Use the SW1 (SUSTAIN) and SW2 jacks to connect switch pedals. One switch pedal is
included with the SP6.
In Program Mode, SW1 (SUSTAIN) defaults to controlling Sustain, and SW2 defaults to
controlling Sostenuto. (For KB3 Organ Programs, SW1 (SUSTAIN) defaults to controlling
the Rotary Speaker speed, changing between fast and slow. This assignment can be changed
in Global Mode. The LCD display shows “KB3” when a KB3 Program is selected.)
In Multi Mode, pedal assignments can vary per Multi. Pedal assignments can be adjusted for
each Zone by using Multi Edit Mode.
Global Mode can be used to set pedal overrides, which can change the pedal assignments for
all Programs and Multis.
NOTE : Do not to step on the switch pedals when powering on the

SP6, as the state of the pedals is detected as part of the start up
sequence.
Dual Switch Pedals
The SW1 (SUSTAIN) and SW2 jacks can be connected to dual switch pedals (2 pedals per
jack), allowing up to four switch pedals to be used. Compatible pedals should use a single
1/4 inch tip-ring-sleeve plug.
Pedals plugged into the SW1 (SUSTAIN) jack are referred to as SW1a and SW1b, and
pedals plugged into the SW2 jack are referred to as SW2a and SW2b. In Program Mode the
default assignments are:
SW1a Sustain
SW1b Sostenuto
SW2a Sostenuto
SW2b Soft Pedal
1-10
Getting Started
The Rear Panel
To emulate the 3 pedals of an acoustic piano, plug a single switch pedal into the SW1
(SUSTAIN) jack, and a dual switch pedal into the SW2 jack.
Continuous Switch Pedals (Half-Damper)

The SW1 (SUSTAIN) jack is also compatible with continuous switch pedals (Half-Damper)
that use a 1/4 inch tip-ring-sleeve plug (such as the Korg DS-1H). When connected to the
SW1 (SUSTAIN) jack, a Half Damper pedal enables finer control of Sustain than a standard
switch pedal. Half Damper control is enabled for Programs in the Piano category. Programs
outside of the Piano category will respond to a Half Damper pedal as if it is a standard switch
pedal.
CC (VOLUME) Jack
Use the CC (VOLUME) jack to connect a MIDI CC pedal (also known as a MIDI
expression or volume pedal). By default this pedal is assigned to control Program and Multi
volume (pre-FX).
For KB3 Organ Programs, the CC (VOLUME) pedal controls organ swell. Organ swell is
similar to Program volume, except volume can not be turned all the way down to silence.
For User Multis, the CC pedal can be assigned to a different function for each Zone by using
Multi Edit Mode.
The optional Kurzweil CC-1 continuous control pedal will work best with the SP6, but
it is also possible to use third-party continuous control pedals designed for keyboards.
Compatible pedals should use a 10 kΩ linear-taper potentiometer, with a 1/4 inch tip-ring-
sleeve (stereo) plug with the wiper connected to the tip.
AUDIO OUT LEFT (MONO) and RIGHT Jacks

Use the AUDIO OUT jacks to connect to an amplifier or mixer. See Quick Start on page
1-2 for details.
HEADPHONE Jack
Use the HEADPHONE jack located on the left rear panel of the instrument to listen to
the SP6 on stereo headphones. You will need a 1/4-inch-to-1/8-inch adapter in order to use
headphones that have a smaller mini plug connector.
When headphones are plugged in, audio is still transmitted from the AUDIO OUT jacks.
1-11
Getting Started
SP6 Sounds
SP6 Sounds
The SP6 contains Programs and Multis. A Program is typically a single instrument sound
such as a Piano, Organ, or Synth. Programs are organized by instrument type in 10
categories.
A Multi is a combination of Programs arranged as layers and/or splits across the keyboard.
Multis are not categorized by instrument type, so the KEYPAD button is always on when in
Multi Mode.
Selecting Programs
In Program Mode, use any of the methods below to select a Program.
Browse All Programs

Make sure the USER button is off, then use the ALPHA WHEEL or PREVIOUS and
NEXT buttons to select a Program from all of the available Programs.
Select a Program by Category

Make sure the KEYPAD button is off, then press one of the CATEGORY buttons to select
the first Program of a category (or the current Category Default Program). The selected
CATEGORY button will turn on. Use the ALPHA WHEEL or PREVIOUS and NEXT
buttons to select Programs from the selected category.
Select a Previously Saved User Program

Press and turn on the USER button, then use the ALPHA WHEEL or PREVIOUS and
NEXT buttons to browse only User Programs. To return to browsing Factory and User
Programs, press and turn off the USER button.
Select a Program by ID Number

Press and turn on the KEYPAD button. The keypad button allows you to use the numbers
labeled on the CATEGORY buttons to select Programs or Multis by ID number. Type an ID
number followed by pressing the ENTER button to select the associated Program.
Select a Category Default Program

Each category has a Category Default Program (the Program which is selected when each
CATEGORY button is pressed). By default the Category Default Program is set to the first
Program of each category. To set a different Category Default Program, select a Program,
make sure the KEYPAD button is off, then press and hold the currently lit CATEGORY
button.
1-12
Getting Started
SP6 Sounds
Selecting Multis
In Multi Mode, use any of the methods below to select a Multi.
Browse All Multis

NEXT buttons to select a Multi from all of the available Multis.
Select a Multi by ID Number

The KEYPAD button allows you to use the numbers labeled on the CATEGORY buttons to
select Multis by ID number. Use the CATEGORY buttons to type an ID number followed
by pressing the ENTER button. Multis are not organized by category, so the KEYPAD
button is always on in Multi Mode.
Select a Previously Saved User Multi

NEXT buttons to browse only User Multis. To return to browsing Factory and User Multis,
press and turn off the USER button.
Controllers
The Knobs, Wheels, Pedals and Buttons can control each of the Factory Programs and
Multis, to produce variations to the sound. Don’t forget to try these out as you explore the
Factory sounds on the SP6.
Generally, each control will perform the assignment labeled on the front panel, although
some controls may have different assignments per Program or Multi. When a controller
is moved, the name of the current assignment is shown in the LCD display. Controller
assignments can be adjusted in Program and Multi Edit Mode.
Favorites
Use the FAVORITES buttons to quickly store and recall a set of 5 favorite Programs and/or
Multis while in Program or Multi Mode.
To recall a favorite Program or Multi, simply press one of the FAVORITES buttons. The
FAVORITES buttons work from both Program or Multi Mode, and pressing a FAVORITES
button will automatically bring you to Program Mode or Multi Mode if required.
favorite has been saved.
1-13
Getting Started
SP6 Sounds
Splits and Layers

The Split and Layer function can be used to Split or Layer the current Program or Multi.
Different keyboard regions can play different Programs, or multiple Programs can be played
from the same region. To Split or Layer a Multi, it must contain at least one Zone which is
unused (Off).
In Program or Multi Mode, press the PREVIOUS and NEXT buttons simultaneously to
view the Split/Layer Page. You will then be able to configure up to three additional Programs
to create a Split or Layered Multi containing up to four Programs.
Press the SAVE button once to view the Save Dialog. The Save Dialog allows you to choose
an ID number and name for the Split/Layer Multi you are saving. Use the CHANNEL/
PAGE buttons to switch between ID selection and naming pages. On the Multi Save Page,
press the SAVE button again to save the Split/Layer Multi.
After saving the Split or Layer as a Multi, additional Multi Controller and FX settings can be
edited in Multi Edit Mode.
1-14
Getting Started
Modes
Modes
Program Mode
The SP6 always powers up in Program Mode, where single instrument sounds can be played
directly from the keyboard, or multitimbrally via MIDI.
Saving Programs
If you make changes to the current Program using any of the controllers (Knobs, Wheels
or Buttons), the SAVE button turns on to indicate that a change has been made to that
Program.
To save a copy of the Program with the changes you’ve made, press the SAVE button once to
view the Save Dialog. The Save Dialog allows you to choose an ID number and name for the
Program you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection
and naming pages. On the Program Save Page, press the SAVE button again to save the
Program as a User Program.
Program Edit Mode

Program Edit Mode allows you adjust the current Program’s Arpeggiator settings, select
parameters for the 4 assignable knobs, and adjust other Program parameters. See above for
details on saving an edited Program as a User Program.
Multi Mode
Multi Mode allows you to play Multis, which are arrangements of up to 4 Programs split
and/or layered in Zones across selected ranges of the keyboard. The volume of the Program
in each Zone can be easily adjusted while playing by using the top row of knobs assignments,
and each Zone can be turned on or off by using the ZONE ON/OFF buttons above these
knobs.
The bottom two rows of knob assignments control the Program parameters. Controller
settings can be adjusted in Multi Edit Mode.
Multi Edit Mode

Multi Edit Mode is used to modify the many parameters that make up Multis, including
Program Selection, Key Range, Volume, Pan, and Controller assignments. Use Multi Edit
Mode to create custom sound combinations.
1-15
Getting Started
Modes
To save a copy of the Multi with the changes you’ve made, press the SAVE button once to
Multi you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection
and naming pages. On the Multi Save Page, press the SAVE button again to save the Multi as
a User Multi.
Global Mode
Use Global Mode to adjust common settings that are shared between all Modes, such as
velocity sensitivity and power saving options. Global Mode is also used for storing or loading
User backup files, and restoring Factory default settings. Some of the more common settings
are summarized below.
Info
The Info Page shows the currently installed operating system and sound object versions. Use
this page to check if your SP6 is up to date with the most recent software and sounds posted
at www.kurzweil.com.
Reset
You can return the SP6 to the Factory default state by doing a Reset.
NOTE : Reset will erase ALL User Programs and Multis, so it is

important to back up your User sounds before doing a Reset. Factory
Program/Multis are not affected.
Saving to External Storage

Programs and Multis that you have created can be saved to a USB Flash Drive or a computer.
Loading from External Storage

Programs and Multis can be loaded onto the SP6 from USB Flash Drives or a computer. This
allows you to load new sounds from Kurzweil or other developers, or to load sounds that you
have previously saved.
1-16
Program Mode
Selecting Programs
Chapter 2
Program Mode
Use Program Mode to play a Program directly from the keyboard, or to play up to 16
Programs multitimbrally via MIDI. Programs typically contain a single instrument sound,
although some Programs may contain multiple instrument sounds.
The SP6 always powers on with Program Mode selected. To enter Program Mode from
another Mode, press and turn on the PROGRAM Mode button, or press the EXIT button
repeatedly until you reach Program Mode.
The SP6 powers on with Program 1 selected, or the Program that was selected the last time
Global Mode was exited.
Selecting Programs
In Program Mode, use any of the methods below to select a Program.
Browse All Programs



2-1
Program Mode
Program Demo

Select a Category Default Program

Each category has a Category Default Program (the Program which is selected when each
CATEGORY button is pressed). By default the Category Default Program is set to the first
Program of each category. To set a different Category Default Program, select a Program,
make sure the KEYPAD button is off, then press and hold the currently lit CATEGORY
button.
Program Demo
To hear a Program Demo song for the current Program, press the KEYPAD and ENTER
The LCD
In Program Mode, the top line of the LCD shows the current Mode, MIDI transposition,
and MIDI Channel.
The Program ID number and name are displayed in the center of the LCD.
When a controller is moved, the controller assignment and value is briefly displayed below
the Program ID and name.
The values of the KNOBS currently selected by the SHIFT button are displayed at the
bottom of the LCD.
2-2
Program Mode
Favorites
Favorites
Controllers
In Program Mode, you can use the SP6 physical controllers (the Knobs, Buttons, Wheels,
and Pedals) to modify an instrument sound during a performance to add variation or
expression.
The basic function of each controller is labeled on the front panel. For some controllers
(MODULATION WHEEL, Variation Button, P1 through P4, FX 1 and FX 2) the assigned
parameter will vary for each Program. Move a controller to view the assigned parameter
name and value in the LCD display.
If you make changes to the current Program using any of the controllers, the SAVE button
lights up to indicate that a change has been made to that Program. For more information on
the SAVE button, see Program Save Dialog on page 2-11.
TRANSPOSE Buttons
keyboard in semitones (also known as half steps). This is a convenient way to change the key
of a song without learning to play it in a different key.
The current transpose amount is shown in the LCD display (for example, the default is
“Xp:0st”). Press both TRANSPOSE buttons simultaneously to reset the transposition to 0.
The TRANSPOSE buttons also transpose MIDI notes sent to the USB and MIDI Out ports.
PITCH WHEEL
Use the PITCH WHEEL to perform pitch bends. The Bend Up and Bend Down amount
can be adjusted for each Program in Program Edit Mode.
2-3
Program Mode
Controllers
MODULATION WHEEL
Use the MODULATION WHEEL to vary the modulation amount. The MODULATION
WHEEL will perform an assigned modulation for each Program. The name of the current
assignment is shown in the LCD display when the wheel is moved.
VARIATION Button
Pressing the VARIATION button will perform an assigned variation for each Program. The
name of the current assignment is shown in the LCD display when the button is pressed.
enabling an effect.
For KB3 Organ Programs, the VARIATION button controls the Rotary Speaker speed,
selected.
ARP ON/OFF Button

Use the ARP ON/OFF button to turn on and off the SP6’s Arpeggiator.
The Arpeggiator takes note input from the keyboard and outputs a rhythmic and/or melodic
pattern of MIDI notes. The Arpeggiator can affect both the internal Programs and external
MIDI instruments.
The Arpeggiator settings can be adjusted in Program Edit Mode.
TAP TEMPO Button

KNOBS
Press the SHIFT button to shift between 3 rows of 4 knob assignments.
The top row of knob assignments control user-assignable parameters (P1 through P4). Move
a knob to see the assigned parameter and value in the LCD display. These assignments can be
adjusted in Program Edit Mode.
The bottom two rows of knob assignments perform the functions labeled on the front panel:
2-4
Program Mode
Controllers
The FILTER 1 knob is usually assigned to filter frequency. The FILTER 2 knob is usually
assigned to filter resonance. These knobs may be assigned to different filter parameters for
each Program. Move a knob to see the assigned parameter and value in the LCD display.
The ATTACK knob is assigned to amplitude attack time (the time it takes for each note to
reach its full volume). When the ATTACK knob is set to a low value, the attack time will be
fast, and each note will quickly reach its full volume. When the ATTACK knob is set to a
high value, the attack time will be slow, and each note will slowly fade up to its full volume.
This can be useful for making acoustic instrument Programs sound like synth “pad” sounds.
The RELEASE knob is assigned to amplitude release time (the time it takes for each note
to fade to silence after a key is released). When the RELEASE knob is set to a low value,
the release time will be fast, and each note will quickly fade to silence. When the RELEASE
knob is set to a high value, the release time will be slow, and each note will slowly fade to
silence.
The FX 1 and FX 2 knob assignments vary for each Program. The knobs are usually
assigned to effects such as Chorus, Phaser, Flanger, Tremolo, or Distortion. Move a knob
to see the assigned parameter and value in the LCD display. For most FX 1 and FX 2 knob
assignments, setting the knob to a low value will disable the effect, and setting the knob to a
high value will increase the amount of the effect that is heard.
The DELAY knob is assigned to Delay amount, which controls an echo effect. Setting the
knob to a low value will disable the effect, and setting the knob to a high value will increase
the amount of the effect that is heard. Tap the TAP TEMPO button at the desired rate to
change the delay time of the effect. You may be able to control additional Delay parameters
(such as feedback amount) by using Program Edit Mode to change the assignments of the
user-assignable parameters.
The REVERB knob is assigned to Reverb amount, which controls a reverb effect. Reverb
can give the impression of playing in a large room or concert hall. Setting the knob to a low
value will disable the effect, and setting the knob to a high value will increase the amount
of the effect that is heard. You may be able to control additional Reverb parameters (such as
Reverb Time) by using Program Edit Mode to change the assignments of the user-assignable
parameters.
When a KB3 Organ Program is selected, some of the knobs may perform Organ drawbar
functions instead of the functions labeled on the front panel. The LCD display shows “KB3”
when a KB3 Program is selected. Move a knob to see the assigned parameter and value in the
LCD display.
2-5
Program Mode
Controllers
SW1 (SUSTAIN) and SW2 Pedals

The SW1 (SUSTAIN) pedal defaults to controlling Sustain, which will sustain any note that
is played while the pedal is pressed, for as long as the pedal is held.
The SW1 (SUSTAIN) jack is compatible with continuous switch pedals (Half-Damper)
that use a 1/4 inch tip-ring-sleeve plug (such as the Korg DS-1H). When connected to the
SW1 (SUSTAIN) jack, a Half Damper pedal enables finer control of Sustain than a standard
switch pedal. Half Damper control is enabled for Programs in the Piano category. Programs
outside of the Piano category will respond to a Half Damper pedal as if it is a standard switch
pedal.
For KB3 Organ Programs, the SW1 (SUSTAIN) pedal controls the Rotary Speaker speed,
selected.
The SW2 pedal defaults to controlling Sostenuto, which will sustain notes from any keys that
are being held when the pedal is pressed, for as long as the pedal is held.
all Programs.
CC (VOLUME) Pedal
The CC (VOLUME) pedal is assigned to control Program volume (pre-FX).
2-6
Program Mode
SPLIT/LAYER
SPLIT/LAYER
Press the PREVIOUS and NEXT buttons simultaneously to access the Split/Layer function.
The Split and Layer functions have identical parameters, but produce different results.
The Split function allows you to quickly create a Multi such that keys in one range of the
keyboard produce different sounds than another range.
The Layer function allows you to layer Programs and Multis such that more than one
instrument sound can be produced by playing one key.
The Split and Layer functions allow you to quickly create Multis without using Multi Edit
Mode to configure Zone key ranges, Programs, and volumes. After creating and saving a Split
or Layer Multi, you can edit additional Multi parameters in Multi Edit mode.
SPLIT
When you create a Split in Program Mode, you are creating a Multi with two Zones set to
On.
The Program you were using in Program Mode is used in the right hand of the Split as the
Zone 1 Program. You can choose a Program that will be used in the left hand of the Split as
the Zone 2 Program.
Follow these steps to create a Split:
1. In Program Mode, select a Program for the right hand of the Split.
2. Press the PREVIOUS and NEXT buttons simultaneously to access the “Split or Layer”
Page.
2-7
Program Mode
SPLIT/LAYER
3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Split
<ENTER>”, then press the ENTER button.
4. On the “Split” Page, Zone 2 is selected with a default Bass Program selected for the left
hand of the Split. Use the ALPHA WHEEL or CATEGORY buttons to select a different
Program for the left hand of the Split.
5. Additional Split parameters are described in Split/Layer Parameters on page 2-9.
Use the CHANNEL/PAGE buttons to navigate between each of the 3 Split function
pages. Use the PREVIOUS or NEXT buttons to select each parameter, and the ALPHA
WHEEL or CATEGORY buttons to change the value of each parameter.
6. Press the SAVE button to save your Split as a Multi (See below for details on saving).
After saving your Split Multi, you can edit additional Multi parameters in Multi Edit
mode.
LAYER
When you create a Layer in Program Mode, you are creating a Multi with two Zones set to
On.
The Program you were using in Program Mode is used for the Zone 1 Program. You can
choose a Program that will be used as the layered Zone 2 Program.
Follow these steps to create a Layer:
1. In Program Mode, select a Program that you wish to layer.
Page.
3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Layer
4. On the “Layer” Page, Zone 2 is selected with a default layer Program selected for the
layered Zone 2 Program. Use the ALPHA WHEEL or CATEGORY buttons to select a
different Program for the layered Zone 2 Program.
2-8
Program Mode
SPLIT/LAYER
5. Additional Layer parameters are described in Split/Layer Parameters on page 2-9.
Use the CHANNEL/PAGE buttons to navigate between each of the 3 Layer function
6. Press the SAVE button to save your Layer as a Multi (See below for details on saving).
After saving your Layer Multi, you can edit additional Multi parameters in Multi Edit
mode.
Split/Layer Parameters
The following parameters are available for each of the 4 Zones. The ZONE ON/OFF
parameters are controlled by using the front panel ZONE ON/OFF buttons.
The remaining parameters are accessed on each of the pages listed below. Use the
CHANNEL/PAGE buttons to navigate between each of the 3 Layer or Split function pages.
On these pages, the left hand Zn column indicates the Zone number associated with each of
the 4 rows of parameters.
ZONE ON/OFF
While creating a Split or Layer, Zones 3 and 4 can be turned On by turning on the ZONE
ON/OFF 3 and 4 buttons. By default the keyrange of Zones 3 and 4 cover the whole
keyboard range, allowing these Zones to be used as additional layers.
Split Page / Layer Page
Program
The default Split or Layer Program will appear in Zone 2. Use the ALPHA WHEEL or
CATEGORY buttons to select a different Program for Zone 2.
2-9
Program Mode
SPLIT/LAYER
Split Mixer Page / Layer Mixer Page
Volume
The Volume parameter sets the volume of each Zone. To change the volume of a Zone:
1. Select a Volume parameter for the desired Zone by using the PREVIOUS and NEXT
buttons.
2. Change the volume by using the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type a volume value (0-127) followed by pressing the ENTER
button.
A value of “None” can also be selected, which will use the last volume value used by the
Zone’s MIDI channel. (This volume values is often set by the expression pedal.) A value of
“None” can be entered by using the ALPHA WHEEL to scroll below 0.
Pan
The Pan parameter sets the panning (left/right stereo placement) of each Zone. To change the
panning of a Zone:
1. Select a Pan parameter for the desired Zone by using the PREVIOUS and NEXT
buttons.
2. Change the panning by using the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER
button.
A value of 0 is full left, 64 is center, and 127 is full right. Other values will move the stereo
placement in between these positions.
A value of “None” can also be selected, which will use the last pan value used by the Zone’s
MIDI channel. A value of “None” can be entered by using the ALPHA WHEEL to scroll
below 0.
2-10
Program Mode
Program Save Dialog
Split Key Range Page / Layer Key Range Page
Key Low / Key High

The Key Low and Key High parameters set the keyboard ranges for each Zone. Using Split
sets the boundary between Zone 1 and Zone 2 to E3. Using Layer sets the Zone 2 keyboard
range to C1 - G9. Change these parameters for each Zone to create custom Split and Layer
key ranges.
Values for the currently selected Key Low or Key High parameter can be selected by holding
down the ENTER button and then playing the desired key on the keyboard. Values can
also be selected by using the ALPHA WHEEL, or by using the keypad function of the
CATEGORY buttons, followed by pressing the ENTER button.
Program Save Dialog

If you make changes to the current Program using any of the controllers (Knobs, Wheels
or Buttons), the SAVE button turns on to indicate that a change has been made to that
Program.
To save a copy of the Program with the changes you’ve made, press the SAVE button once to
Program you are saving. Use the CHANNEL/PAGE buttons to switch between ID selection
and naming pages. On the Program Save Page, press the SAVE button again to save the
Program as a User Program.
Changing ID Numbers
The display shows the first available ID number and the current Program name. You can save
Programs with ID numbers from 1025 to 2048.
2-11
Program Mode
Program Save Dialog
If you are saving a Program that has not been previously edited, the next available unused ID
number will be selected.
If you are saving a previously edited User Program, the ID number that the Program was last
saved with will be selected.
Press the PREVIOUS and NEXT buttons simultaneously to toggle between selecting the ID
number that the Program was last saved with and the next available unused ID number.
To change the ID number, use the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type an ID number (1025-2048) followed by pressing the ENTER
button. If you select an ID number that is already used by another Program, the bottom of
display will show a message to warn that you are going to replace a Program.
Naming a User Program
In the Save Dialog, you can name a Program by using the Program Name Page.
Use the CHANNEL/PAGE buttons to select the Program Name Page.
The display shows the current Program name. Program names can total 16 characters in
length.
To name a Program:
1. Use the PREVIOUS and NEXT buttons to move the cursor to each character.
2. Change the current character by using the ALPHA WHEEL, or use the keypad function
of the CATEGORY buttons to type a character.
To insert a space before the selected character, press and hold the NEXT button. The selected
character and all characters to the right will move one space to the right.
To delete the selected character, press and hold the PREVIOUS button. All the characters to
the right of the selected character will move one space to the left.
After naming the Program, press the SAVE button to return to the Program Save Page. On
the Program Save Page, press the SAVE button again to save the Program as a User Program.
2-12
Program Mode
Changing the MIDI Channel
Saving a User Program

To save a User Program, select the Program Save Page and press the SAVE button, (or press
the EXIT button to exit without saving). The display will show a brief message to confirm
that the Program was saved.
After successfully saving, the Program will be selected in Program Mode in the User ID range
(1025-2048). To find the Program again later, make sure to press the USER button.
Changing the MIDI Channel

The current MIDI channel is shown on the right side of the top line of the display. Use the
CHANNEL/PAGE buttons to change the MIDI channel. Pressing both CHANNEL/PAGE
buttons simultaneously will reset the current MIDI channel to 1.
A different Program can be selected for each MIDI Channel. All channels can be played
simultaneously from an external MIDI sequencer or computer.
One Reverb effect is shared between Programs on all channels. The Reverb settings (such as
Reverb Time) of the Program on the currently selected MIDI Channel is used for Programs
on all Channels. Programs on each channel can adjust the amount of Reverb used by using
the REVERB knob.
The MIDI OUT and USB ports will also transmit MIDI to the selected Channel when the
keyboard is played. This is useful for playing external MIDI instruments or software on a
computer/tablet.
PANIC
Pressing the 0 and ENTER buttons simultaneously performs the PANIC function. PANIC
deactivates all sounding notes and resets controller values by sending an “All Notes Off ”
message and a “Reset All Controllers” message on all 16 MIDI channels.
2-13
Program Edit Mode
Assignable Params Page
Chapter 3
Program Edit Mode
Program Edit Mode allows you to edit and customize Programs. Any Program can be edited
in Program Edit Mode and saved to one of the 1024 User IDs.
To enter Program Edit Mode, first press the PROGRAM Mode button to enter Program
Mode, then press the EDIT button.
In Program Edit Mode, the top line of the display shows the current page name and number.
Navigate to each page by using the CHANNEL/PAGE buttons.
Navigate to each parameter on the current page by using the PREVIOUS and NEXT
buttons.
Change the value of the selected parameter by using the ALPHA WHEEL, or use the keypad
function of the CATEGORY buttons to type a numeric value followed by pressing the
ENTER button.
Assignable Params Page
Use the Assignable Params Page to view and edit the 4 user assignable parameters of the
knobs (P1 through P4). The left column shows the name of the parameter assigned to each
of the 4 knobs. The right column shows the current value of each parameter.
Parameter Column
When the Parameter column is selected with the cursor, change the parameter assignment for
the selected knob by using the ALPHA WHEEL.
For all Programs, the assignable parameters can be set to control EQ parameters, panning,
Delay time and feedback parameters, and Reverb time. Each Program may also have
additional parameters that are specific to the Program’s FX or instrument category.
3-1
Program Edit Mode
Arpeggiator Page
Value Column
The Value column shows the current value (0-127) of each parameter. The values that are
shown when the Program is saved will be recalled each time the Program is selected.
To adjust the value of each parameter by using the knobs, use the SHIFT button to select the
top row of knob assignments.
When the Value column is selected with the cursor, change the value of the selected
parameter by using the ALPHA WHEEL, or use the keypad function of the CATEGORY
buttons to type a numeric value followed by pressing the ENTER button.
A value of “None” can be selected by using the ALPHA WHEEL to scroll below 0. When
a parameter is set to a value of “None”, this allows the parameter to use whatever value it
had in the previously selected Program (if the previously selected Program had the same
parameter).
Arpeggiator Page
Use the Arpeggiator Page to edit the settings of the Program’s Arpeggiator.
Latch
Use the Latch parameter to set how the Arpeggiator responds to played keys. Select from the
following settings:
Standard: Press and hold a key to add it to the arpeggiation. Release a key to remove it from
the arpeggiation.
Autohold: Autohold is useful for arpeggiating chords. When you play a chord, it continues
arpeggiating after you release the chord. When you play another chord, the previous chord
stops arpeggiating, and the new chord begins arpeggiating. You can use the ARP ON/OFF
button to stop arpeggiation at any time.
3-2
Program Edit Mode
Arpeggiator Page
Beats
The Beats parameter sets the rate of the arpeggiator, based on a measure of 4 beats. Select
from the following settings:
1/1 1 note per measure (whole notes)

1/2 2 notes per measure (half notes)
1/4 4 notes per measure (quarter notes)
1/8 8 notes per measure (eighth notes)
1/12 12 notes per measure (eighth note triplets)
1/16 16 notes per measure (sixteenth notes)
1/24 24 notes per measure (sixteenth note triplets)
1/32 32 notes per measure (thirty-second notes)
Play Order
The Play Order parameter determines the order in which the arpeggiator plays notes of
pressed keys. Select from the following settings:
Played: Notes play in the chronological order in which you played them.
Upwards: Notes play from lowest to highest pitch.
Downwards: Notes play from highest to lowest pitch.
UpDown: Notes play from lowest to highest pitch, then from highest to lowest pitch.
Shuffle: Notes play in random order.
Simul: Notes play simultaneously.
3-3
Program Edit Mode
Arpeggiator Page
Velocity
The Velocity parameter determines how the arpeggiator processes the attack velocity of the
played notes. Select from the following settings:
Constant: All notes play at the velocity of the first played note.
Played: Each note plays at the velocity which you played.
Human1 through Human4: These settings randomly change played note velocities within a
range in order to make arpeggiation sound more human like, with each note varying slightly
in velocity. The Human settings use the velocity received from the first note played as the
center of the randomization range. Each note of the arpeggiator will randomly choose a
velocity within a range, with Human1 having the smallest range, and Human4 having the
largest range.
Chimp1 through Chimp4: These settings function in a similar fashion to the Human
settings (see above). Like the Human settings, the Chimp settings randomly change played
note velocities within a range, but the Chimp settings have larger randomization ranges.
The Chimp settings use the velocity received from the first note played as the center of the
randomization range. Each note of the arpeggiator will randomly choose a velocity within a
range, with Chimp1 having the smallest range, and Chimp4 having the largest range.
MissNotes1 through MissNotes9: These settings make the arpeggiator randomly miss
playing a percentage of inputted notes. With MissNotes1 missing the fewest notes, and
MissNotes9 missing the most notes. Each of these settings also randomly changes some of
the inputted velocities, with the purpose of simulating a more human played sound. The
MissNotes settings use the velocity received from the first note played as the center of the
velocity randomization range.
Duration
Duration determines how long each arpeggiated note plays, based on the current Beats value.
For example, 100% means that a note sustains until the next one sounds. 50% means that
the note fills half the space between itself and the next note. This parameter has no effect on
percussion sounds or other sounds whose duration is fixed.
Shift
The Shift parameter sets how much transposition will occur for each cycle of notes. Setting
Shift to 12 and ShiftLimit to 12 or 24 creates an arpeggio that repeats the same pattern of
notes in different octaves.
3-4
Program Edit Mode
Master Page
Shift Limit
When the Shift parameter is set to a value other than 0, Shift Limit determines how far up or
down the Arpeggiator can shift the arpeggiated notes.
Limit Option
The Limit Option parameter determines what the Arpeggiator does when it has shifted the
currently arpeggiated notes up (or down) to the value set by the Shift Limit parameter. Select
from the following settings:
Reset: When the Arpeggiator reaches the Shift Limit, the Arpeggiator returns to its original
pitch.
Unipolar: When the Arpeggiator reaches the Shift Limit, the Arpeggiator begins shifting
notes in the opposite direction, until it reaches the original pitch. When the Arpeggiator
reaches the original pitch, it reverses direction again.
Bipolar: When the Arpeggiator reaches the Shift Limit, the Arpeggiator begins shifting notes
in the opposite direction, until it reaches the shift limit in the opposite direction, where it
reverses direction again.
Master Page
Use the Master Page to control overall settings of the current Program.
PBendUp and PBendDwn

Use these parameters to set how much the pitch will change when you move the PITCH
WHEEL up or down. For both Pitch Bend parameters, positive values will cause the pitch to
bend up, while negative values will cause the pitch to bend down.
Pitch bend values are set in cents (ct), where 100 cents equals 1 semitone (also known as a
half step).
Large positive values can cause samples to bend to their maximum upward pitch before the
PITCH WHEEL is fully up (or down). This will not happen when bending pitch down.
3-5
Program Edit Mode
Master Page
Mono
When the Mono parameter is set to Off, the Program is polyphonic—it can play multiple
notes at a time. When the Mono parameter is set to On, the Program will play only one note
at a time.
When the Mono parameter is selected and set to On, press the EDIT button to view the
Mono Parameters Page. See below for details.
Mono Parameters Page
Legato
When Legato is on, a note will play its attack amplitude envelope only if no other notes are
being held.
Portamento
When the Portamento parameter is set to On, pitch will glide between played notes.
Port Rate
When the Portamento parameter is set to On, the Port Rate parameter determines how many
seconds a note takes to glide one semitone to the next played note (in keys per second). For
example, at a setting of 12 keys/second the pitch would glide an octave every second.
Port Attk
When the Portamento parameter is set to On and the Port Attk parameter is set to Off, pitch
will only glide between notes when two keys are held at once.
When the Portamento parameter is set to On and the Port Attk parameter is set to On, pitch
will always glide between notes.
MonoSamp X
When the Portamento parameter is set to On, setting the MonoSamp X parameter to On can
create a smoother sound when using certain sample based Programs.
3-6
Program Edit Mode
Save User Programs
OutGain
Use the OutGain parameter to adjust the overall volume of a Program.
Category
This parameter sets the category that the Program will be grouped into when you press one of
the CATEGORY buttons in Program Mode.
For example, if you were to edit a Program in the VOICES/MISC category that you want
to use primarily as a Synth, you could make it appear in the LEADS/SYNTHS category by
changing this parameter to Leads/Synths.
Save User Programs

For details on saving User Program, see Program Save Dialog on page 2-11.
3-7
Multi Mode
Selecting Multis
Chapter 4
Multi Mode
Use Multi Mode to play up to 4 split or layered Programs directly from the keyboard. Each
of the 4 Zones in a Multi can have a different Program, controller settings, and MIDI
transmit channel. Zones can also control external sound modules or computer software
through a MIDI or USB cable.
To enter Multi Mode from another Mode, press and turn on the MULTI Mode button.
The SP6 powers on with Multi 1 selected, or the Multi that was selected the last time Global
Mode was exited.
Selecting Multis
In Multi Mode, use any of the methods below to select a Multi.
Browse All Multis

NEXT buttons to select a Multi from all of the available Multis.
Select a Multi by ID Number

The KEYPAD button allows you to use the numbers labeled on the CATEGORY buttons to
select Multis by ID number. Use the CATEGORY buttons to type an ID number followed
by pressing the ENTER button. Multis are not organized by category, so the KEYPAD
button is always on in Multi Mode.
Select a Previously Saved User Multi

NEXT buttons to browse only User Multis. To return to browsing Factory and User Multis,
press and turn off the USER button.
4-1
Multi Mode
The LCD
The LCD
In Multi Mode, the top line of the LCD shows the current Mode and MIDI transposition.
The Multi ID number and name are displayed in the center of the LCD.
When a controller is moved, the controller assignment and value for each Zone is briefly
displayed below the Multi ID and name.
The values of the KNOBS currently selected by the SHIFT button are displayed at the
bottom of the LCD.
Favorites
Controllers
In Multi Mode, you can use the SP6 physical controllers (the Knobs, Buttons, Wheels, and
Pedals) to modify an instrument sound during a performance to add variation or expression.
The basic function of each controller is labeled on the front panel. For some controllers
(MODULATION WHEEL, Variation Button, FX 1 and FX 2) the assigned parameter will
vary for each Multi. Move a controller to view the assigned parameter name and value for
each Zone in the LCD display.
Some controllers can also be disabled or reassigned for each Zone in Multi Edit Mode.
Because of this, controllers may function differently for each Zone in each Multi.
4-2
Multi Mode
Controllers
ZONE ON/OFF Buttons

The ZONE ON/OFF buttons allow you to turn each of the 4 Zones on or off. When a Zone
is on, the corresponding button is lit, and you can hear the Program in the Zone. When a
Zone is off, the corresponding button is not lit, and the Program in the Zone is silent. Press
each Zone button to turn each Zone on or off.
TRANSPOSE Buttons
keyboard in semitones (also known as half steps). This is a convenient way to change the key
of a song without learning to play it in a different key.
The current transpose amount is shown in the LCD display (for example, the default is
“Xp:0st”). Press both TRANSPOSE buttons simultaneously to reset the transposition to 0.
The TRANSPOSE buttons also transpose MIDI notes sent to the USB and MIDI Out ports.
PITCH WHEEL
Use the PITCH WHEEL to perform pitch bends. The Bend Up and Bend Down amount
can be adjusted for each Zone in Multi Edit Mode.
MODULATION WHEEL
Use the MODULATION WHEEL to vary the modulation amount. The MODULATION
WHEEL will perform an assigned modulation for the Program in each Zone. The name and
value of the current assignment for each Zone is shown in the LCD display when the wheel
is moved. The modulation amount can be adjusted for each Zone in Multi Edit Mode.
VARIATION Button
Pressing the VARIATION button will perform an assigned variation for the Program in each
Zone. The name of the current assignment for each Zone is shown in the LCD display when
the button is pressed. The VARIATION button can be enabled or disabled for each Zone in
Multi Edit Mode.
enabling an effect.
4-3
Multi Mode
Controllers
ARP ON/OFF Button

Use the ARP ON/OFF button to turn on and off the Arpeggiator in each Zone. Each Zone
in a Multi has an arpeggiator, allowing up to 4 simultaneous arpeggiations. The ARP ON/
OFF button can be enabled or disabled for each Zone in Multi Edit Mode.
The Arpeggiator takes note input from the keyboard and outputs a rhythmic and/or melodic
pattern of MIDI notes. The Arpeggiator can affect both the internal Programs and external
MIDI instruments.
The Arpeggiator settings for the Program in each Zone can be adjusted in Program Edit
Mode.
TAP TEMPO Button

KNOBS
Press the SHIFT button to shift between 3 rows of 4 knob assignments.
In Multi Mode, the top row of knob assignments (ZN1 VOL through ZN4 VOL) control
the volume of each Zone. Move a knob to see the selected Zone volume value in the LCD
display. The Zone volume value can be adjusted for each Zone in Multi Edit Mode.
The bottom two rows of knob assignments perform the functions labeled on the front panel
(see below for details). The amount of each function applied can be adjusted for each Zone
in Multi Edit Mode. Because of this, the bottom two rows of knob assignments may function
differently for each Zone in each Multi.
The FILTER 1 knob is usually assigned to filter frequency. The FILTER 2 knob is usually
assigned to filter resonance. These knobs may be assigned to different filter parameters for
each Program. Move a knob to see the assigned parameter and value for each Zone in the
LCD display.
The ATTACK knob is assigned to amplitude attack time (the time it takes for each note to
reach its full volume). When the ATTACK knob is set to a low value, the attack time will be
fast, and each note will quickly reach its full volume. When the ATTACK knob is set to a
high value, the attack time will be slow, and each note will slowly fade up to its full volume.
This can be useful for making acoustic instrument Programs sound like synth “pad” sounds.
4-4
Multi Mode
Controllers
The RELEASE knob is assigned to amplitude release time (the time it takes for each note
to fade to silence after a key is released). When the RELEASE knob is set to a low value,
the release time will be fast, and each note will quickly fade to silence. When the RELEASE
knob is set to a high value, the release time will be slow, and each note will slowly fade to
silence.
The FX 1 and FX 2 knob assignments vary for each Program. The knobs are usually assigned
to effects such as Chorus, Phaser, Flanger, Tremolo, or Distortion. Move a knob to see the
assigned parameter and value for each Zone in the LCD display. For most FX 1 and FX 2
knob assignments, setting the knob to a low value will disable the effect, and setting the knob
to a high value will increase the amount of the effect that is heard.
The DELAY knob is assigned to Delay amount, which controls an echo effect. Setting the
knob to a low value will disable the effect, and setting the knob to a high value will increase
the amount of the effect that is heard. Tap the TAP TEMPO button at the desired rate to
change the delay time of the effect. You may be able to control additional Delay parameters
(such as feedback amount) by using Program Edit Mode to change the assignments of the
user-assignable parameters.
The REVERB knob is assigned to Reverb amount, which controls a reverb effect. Reverb
can give the impression of playing in a large room or concert hall. Setting the knob to a low
value will disable the effect, and setting the knob to a high value will increase the amount
of the effect that is heard. You may be able to control additional Reverb parameters (such as
Reverb Time) by using Program Edit Mode to change the assignments of the user-assignable
parameters.
When a KB3 Organ Program is selected in a Zone, some of the knobs may perform Organ
drawbar functions instead of the functions labeled on the front panel. Move a knob to see the
assigned parameter and value for each Zone in the LCD display.
SW1 (SUSTAIN) and SW2 Pedals

The SW1 (SUSTAIN) pedal defaults to controlling sustain, which will sustain any note that
is played while the pedal is pressed, for as long as the pedal is held.
For KB3 Organ Programs, the SW1 (SUSTAIN) pedal controls the Rotary Speaker speed,
changing between fast and slow. The LCD display shows “KB3” when a Multi containing a
KB3 Program is selected.
The SW2 pedal defaults to controlling Sostenuto, which will sustain notes from any keys that
are being held when the pedal is pressed, for as long as the pedal is held.
The SW1 (SUSTAIN) and SW2 pedals can be enabled, disabled, or reassigned for each Zone
in Multi Edit Mode. Because of this, the pedals may function differently for each Zone in
each Multi.
all Multis.
4-5
Multi Mode
SPLIT/LAYER
CC (VOLUME) Pedal
The CC (VOLUME) pedal defaults to control Program volume (pre-FX).
The LCD display shows “KB3” when a Multi containing a KB3 Program is selected.
The CC (VOLUME) pedal can be enabled, disabled, or reassigned for each Zone in Multi
Edit Mode. Because of this, the pedals may function differently for each Zone in each Multi.
SPLIT/LAYER
Press the PREVIOUS and NEXT buttons simultaneously to access the Split/Layer function.
The Split and Layer functions have identical parameters, but produce different results.
The Split function allows you to quickly create a Multi such that keys in one range of the
keyboard produce different sounds than keys in another range.
The Layer function allows you to layer Programs and Multis such that more than one
instrument sound can be produced by playing one key.
The Split and Layer functions allow you to quickly create Multis without using Multi Edit
Mode to configure Zone key ranges, Programs, and volumes. After creating and saving a Split
or Layer Multi, you can edit additional Multi parameters in Multi Edit mode.
SPLIT
When you create a Split in Multi Mode, you are creating a copy of the selected Multi with a
new Zone which covers the left hand of the keyboard.
4-6
Multi Mode
SPLIT/LAYER
To create a Split in Multi Mode, the selected Multi must have at least one ZONE ON/
OFF button set to off (an inactive Zone). When creating a Split in Multi Mode, the lowest
numbered inactive Zone will be used for the new left hand Zone.
You can choose a Program that will be used in the new left hand Zone of the Split Multi.
Follow these steps to create a Split:
1. In Multi Mode, select a Multi for the right hand of the Split. The selected Multi must
have at least one ZONE ON/OFF button set to off (an inactive Zone).
Page.
3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Split
4. On the “Split” Page, the lowest numbered inactive Zone is selected with a default
Bass Program selected for the left hand of the Split. Use the ALPHA WHEEL or
CATEGORY buttons to select a different Program for the left hand of the Split.
5. Additional Split parameters are described in Split/Layer Parameters on page 4-8.
Use the CHANNEL/PAGE buttons to navigate between each of the 3 Split function
6. Press the SAVE button to save your Split as a Multi (See below for details on saving).
After saving your Split Multi, you can edit additional Multi parameters in Multi Edit
mode.
LAYER
When you create a Layer in Multi Mode, you are creating a copy of the selected Multi with a
new Zone which covers the entire keyboard.
To create a Layer in Multi Mode, the selected Multi must have at least one ZONE ON/
OFF button set to off (an inactive Zone). When creating a Layer in Multi Mode, the lowest
numbered inactive Zone will be used for the new Layer Zone.
You can choose a Program that will be used in the new Zone of the Layer Multi.
4-7
Multi Mode
SPLIT/LAYER
Follow these steps to create a Layer:
1. In Multi Mode, select a Multi that you wish to layer. The selected Multi must have at
least one ZONE ON/OFF button set to off (an inactive Zone).
Page.
3. On the “Split or Layer” Page, use the PREVIOUS or NEXT buttons to select “Layer
4. On the “Layer” Page, the lowest numbered inactive Zone is selected with a default
layer Program selected for the layered Zone 2 Program. Use the ALPHA WHEEL or
CATEGORY buttons to select a different Program for the layered Zone 2 Program.
5. Additional Layer parameters are described in Split/Layer Parameters on page 4-8.
Use the CHANNEL/PAGE buttons to navigate between each of the 3 Layer function
6. Press the SAVE button to save your Layer as a Multi (See below for details on saving).
After saving your Layer Multi, you can edit additional Multi parameters in Multi Edit
mode.
Split/Layer Parameters
The following parameters are available for each of the 4 Zones. The ZONE ON/OFF
parameters are controlled by using the front panel ZONE ON/OFF buttons.
The remaining parameters are accessed on each of the pages listed below. Use the
CHANNEL/PAGE buttons to navigate between each of the 3 Layer or Split function pages.
On these pages, the left hand Zn column indicates the Zone number associated with each of
the 4 rows of parameters.
ZONE ON/OFF
While creating a Split or Layer, inactive Zones can be turned On by turning on the ZONE
ON/OFF buttons.
4-8
Multi Mode
SPLIT/LAYER
Split Page / Layer Page
Program
The default Split or Layer Program will appear in the lowest numbered inactive Zone. Use
the ALPHA WHEEL or CATEGORY buttons to select a different Program for the selected
Zone.
Split Mixer Page / Layer Mixer Page
Volume
The Volume parameter sets the volume of each Zone. To change the volume of a Zone:
1. Select a Volume parameter for the desired Zone by using the PREVIOUS and NEXT
buttons.
2. Change the volume by using the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type a volume value (0-127) followed by pressing the ENTER
button.
Pan
The Pan parameter sets the panning (left/right stereo placement) of each Zone. To change the
panning of a Zone:
1. Select a Pan parameter for the desired Zone by using the PREVIOUS and NEXT
buttons.
4-9
Multi Mode
Multi Save Dialog
2. Change the panning by using the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER
button.
below 0.
Split Key Range Page / Layer Key Range Page
Key Low / Key High

The Key Low and Key High parameters set the playable key range of each Zone by setting
the lowest and highest playable key of each Zone. Keys played within this range will trigger a
note for the selected Zone.
Using Split sets the boundary between the left hand and right hand Zones to E3. Using
Layer sets the new Layer Zone keyboard range to C1 - G9. Change these parameters for each
Zone to create custom Split and Layer key ranges.
Values for the currently selected Key Low or Key High parameter can be selected by holding
down the ENTER button and then playing the desired key on the keyboard. Values can
also be selected by using the ALPHA WHEEL, or by using the keypad function of the
Multi Save Dialog

Press the SAVE button to save a Split or Layer Multi as a User Multi, or to save a Multi with
the current state of the ZONE ON/OFF buttons.
The current state of the VARIATION button and/or the ARP ON/OFF button is saved if
any of the Arp and/or Variation parameters are set to Yes on the Multi Edit Buttons Page. To
save changes made by using the MODULATION WHEEL or any of the Knobs, you must
set the value of each controller on the Multi Edit Mode Controllers Page.
4-10
Multi Mode
Multi Save Dialog
To save a copy of the Multi, press the SAVE button once to view the Save Dialog. The Save
Dialog allows you to choose an ID number and name for the Multi you are saving. Use the
CHANNEL/PAGE buttons to switch between ID selection and naming pages. On the Multi
Save Page, press the SAVE button again to save the Multi as a User Multi.
Changing ID Numbers
The display shows the first available ID number and the current Multi name. You can save
Multi with ID numbers from 1025 to 2048.
If you are saving a Multi that has not been previously edited, the next available unused ID
number will be selected.
If you are saving a previously edited User Multi, the ID number that the Multi was last saved
with will be selected.
Press the PREVIOUS and NEXT buttons simultaneously to toggle between selecting the ID
number that the Multi was last saved with and the next available unused ID number.
To change the ID number, use the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type an ID number (1025-2048) followed by pressing the ENTER
button. If you select an ID number that is already used by another Multi, the bottom of
display will show a message to warn that you are going to replace a Multi.
Naming a User Multi
In the Save Dialog, you can name a Multi by using the Multi Name Page.
Use the CHANNEL/PAGE buttons to select the Multi Name Page.
The display shows the current Multi name. Multi names can total 16 characters in length.
4-11
Multi Mode
PANIC
To name a Multi:
1. Use the PREVIOUS and NEXT buttons to move the cursor to each character.
2. Change the current character by using the ALPHA WHEEL, or use the keypad function
of the CATEGORY buttons to type a character.
To insert a space before the selected character, press and hold the NEXT button. The selected
character and all characters to the right will move one space to the right.
To delete the selected character, press and hold the PREVIOUS button. All the characters to
the right of the selected character will move one space to the left.
After naming the Multi, press the SAVE button to return to the Multi Save Page. On the
Multi Save Page, press the SAVE button again to save the Multi as a User Multi.
Saving a User Multi

To save a User Multi, select the Multi Save Page and press the SAVE button, (or press the
EXIT button to exit without saving). The display will show a brief message to confirm that
the Multi was saved.
After successfully saving, the Multi will be selected in Multi Mode in the User ID range
(1025-2048). To find the Multi again later, make sure to press the USER button.
PANIC
Pressing the 0 and ENTER buttons simultaneously performs the PANIC function. PANIC
deactivates all sounding notes and resets controller values by sending an “All Notes Off ”
message and a “Reset All Controllers” message on all 16 MIDI channels.
4-12
Multi Edit Mode
Main Page
Chapter 5
Multi Edit Mode
Multi Edit Mode allows you to edit and customize Multis. Any Multi can be edited in Multi
Edit Mode and saved to one of the 1024 User IDs.
To enter Multi Edit Mode from another Mode, press and turn on the MULTI Mode button
to enter Multi Mode, then press and turn on the EDIT button.
In Multi Edit Mode, the top line of the display shows the current page name and number.
buttons.
ENTER button.
Many parameters apply only to one of the 4 Zones (Zone specific parameters). Pages with
Zone specific parameters show “Zn” in the top left of the page and list Zone numbers 1-4 on
the lines below. This indicates that the parameters in lines 1-4 each respectively apply only to
Zones 1-4.
Main Page
Use the Main Page to select a Program for each of the 4 Zones.
Only one KB3 Organ Program can be loaded at a time. The Main Page shows “KB3” to the
left of the Program name when a KB3 Program is loaded in a Zone. See KB3 Chan on page
5-12 for details.
Use any of the methods below to select a Program for each Zone.
5-1
Multi Edit Mode
Mixer Page
Browse All Programs




Mixer Page
Use the Mixer Page to set the Volume and panning for each Zone.
Volume
The Volume parameter sets the volume of each Zone. Change the volume of a Zone by using
the ALPHA WHEEL, or use the keypad function of the CATEGORY buttons to type a
volume value (0-127) followed by pressing the ENTER button.
5-2
Multi Edit Mode
Key/Velocity Page
Pan
The Pan parameter sets the panning (left/right stereo placement) of each Zone. Change
the panning of a Zone by using the ALPHA WHEEL, or use the keypad function of the
CATEGORY buttons to type a pan value (0-127) followed by pressing the ENTER button.
below 0.
Key/Velocity Page
Key Low / Key High

The Key Low and Key High parameters set the playable key range of each Zone by setting
the lowest and highest playable key of each Zone. Keys played within this range will trigger
a note for the selected Zone. (You can also set a range where playing keys will not trigger a
note, by setting Key Low to a higher key than Key High).
A Value for the currently selected Key Low or Key High parameter can be selected by
holding down the ENTER button and then playing the desired key on the keyboard. Values
can also be selected by using the ALPHA WHEEL, or by using the keypad function of the
5-3
Multi Edit Mode
Transpose/Bend Page
Velocity Low / Velocity High

The Velocity Low and Velocity High parameters set the playable velocity range of each Zone
by setting the lowest and highest playable velocity of each Zone. Velocities within this range
will trigger a note for the selected Zone. (You can also set a range where playing velocities
will not trigger a note, by setting Velocity Low to a higher velocity than Velocity High).
Transpose/Bend Page
Xpose
The Xpose parameters set the transposition of each Zone. The Xpose parameters change the
pitches generated by each Zone, without changing the Key Low and Key High range on the
keyboard. This is done by changing the MIDI note numbers generated by the keys in the
Zone.
If you transpose out of the range of the selected Program in the selected Zone, notes from
that Zone’s Program will not produce sound, though MIDI notes will still be transmitted
from the Zone.
Bend Up / Bend Down

The Bend Up and Bend Down parameters set the pitch bend up and pitch bend down range
of the PITCH WHEEL for each Zone. Use these parameters to set how much the pitch will
change when you move the PITCH WHEEL up or down. Change the Bend Up or Bend
Down values by using the ALPHA WHEEL, or use the keypad function of the CATEGORY
buttons to type a value (0-88) followed by pressing the ENTER button.
A value of “Prog” can also be selected, which will use the respective PBendUp or PBendDwn
value of the Program in the selected the Zone. A value of “Prog” can be entered by using the
ALPHA WHEEL to scroll below 0.
Bend Up values greater than 12 can cause samples to bend to their maximum upward pitch
before the PITCH WHEEL is fully up.
5-4
Multi Edit Mode
FX Page
FX Page
Use the FX Page to enable or disable the FX of the Program in each Zone. Each Zone can
be set to Y to enable effects, or to N to disable effects. Some Zones set to Y may be displayed
as (Y). This means that there are not enough effects resources available for that Zone, and
that Zone’s effects are not loaded. If you want to use the FX for a Zone displayed as (Y), try
setting other Zones to N to make more FX resources available.
Buttons Page
Arp
The Arp parameters set whether the ARP ON/OFF button is functional for the Program in
each Zone.
When a Zone’s Arp parameter is set to Yes, the Arpeggiator for the Program in that Zone will
be controlled by the ARP ON/OFF button. When a Zone’s Arp parameter is set to No, the
Arpeggiator for the Program in that Zone is set to Off.
Variation
The Variation parameters set whether the VARIATION button is functional for the Program
in each Zone.
When a Zone’s Variation parameter is set to Yes, the variation for the Program in that Zone
will be controlled by the VARIATION button. When a Zone’s Variation parameter is set to
No, the variation for the Program in that Zone is set to Off.
5-5
Multi Edit Mode
Switch Pedals Page
Switch Pedals Page
Use the Switch Pedals Page to select an assignment for each switch pedal in each Zone.
When a switch pedal is plugged into the SW1 (SUSTAIN) and/or SW2 jacks, use the
parameters in the SW1a and SW2a columns to select an assignment for the switch pedals in
each Zone.
When a dual switch pedal is plugged into the SW1 (SUSTAIN) jack, use the parameters
in the SW1a and SW1b columns to select an assignment for the dual switch pedals in each
Zone.
When a dual switch pedal is plugged into the SW2 jack, use the parameters in the SW2a and
SW2b columns to select an assignment for the switch pedals in each Zone.
Note: If a Switch Pedal Override has been selected in Global Mode, Multi Edit Mode will
display overridden functions with an asterisk “*” to indicate that the selected function has
been overridden. See Switch Pedal Overrides on page 6-6 for details on Switch Pedal
Overrides.
Each switch pedal can be assigned to these functions:
OFF
When OFF is selected, the selected pedal is disabled in the selected Zone.
Sust / Rota
When Sust is selected, the selected pedal is assigned to the Sustain function in the selected
Zone. Pedals assigned to Sust will sustain any note that is played in the selected Zone while
the pedal is pressed, for as long as the pedal is held.
For Zones containing KB3 Organ Programs, the Rota function is available instead of Sust.
The Rota assignment controls the Rotary Speaker speed, changing between fast and slow.
5-6
Multi Edit Mode
CC Pedal Page
Sost
When Sost is selected, the selected pedal is assigned to the Sostenuto function in the selected
Zone. Pedals assigned to Sost will sustain notes from any keys that are being held in the
selected Zone when the pedal is pressed, for as long as the pedal is held.
Soft
When Soft is selected, the selected pedal is assigned to the Soft pedal function in the selected
Zone. Pedals assigned to Soft will perform the Soft pedal function for Piano category
Programs in the selected Zone. For Programs in the Piano category, the Soft pedal function
simulates applying dampers to the piano strings. Soft will dampen any Piano note that is
played in the selected Zone while the pedal is pressed.
CC Pedal Page
Use the CC Pedal Page to select an assignment for the CC pedal in each Zone. The CC pedal
can be assigned to these functions:
OFF
When OFF is selected, the CC pedal is disabled in the selected Zone.
Expression / Swell
Expression controls the pre-FX Program volume, scaling between silence and the current
Zone volume. The Expression assignment can also be used to send MIDI CC 11 to external
MIDI devices.
For Zones containing KB3 Organ Programs, the Swell function is available instead of
Expression. Organ swell is similar to Program volume, except volume can not be turned all
the way down to silence. The Multi Edit Main Page shows “KB3” to the left of the Program
name when a KB3 Program is loaded in a Zone.
5-7
Multi Edit Mode
Controllers Page
Foot
The Foot assignment controls a wah effect for some Programs. Usually the wah effect must be
enabled with the VARIATION button. The Foot assignment can also be used to send MIDI
CC 4 to external MIDI devices.
Pan
The Pan assignment controls panning (left/right stereo placement). The Pan assignment can
also be used to send MIDI CC 10 to external MIDI devices.
Controllers Page
Use the Controllers Page to adjust controller settings for each Zone. Settings can be adjusted
for the MODULATION WHEEL, as well as the KNOBS assignments.
Ctl
Use the Ctl parameter to select a controller. When the Ctl parameter is selected, you can
select a controller by using the ALPHA WHEEL, or by holding the ENTER button and
moving the MODULATION WHEEL or one the KNOBS.
Value
Use the Value parameter to set a value (0-127) for the selected controller.
When the Value parameter is selected, you can set a value by using the ALPHA WHEEL, or
by using the keypad function of the CATEGORY buttons to type a value (0-127) followed
by pressing the ENTER button.
When the Value parameter is selected, you can also set a value by holding the ENTER
button and moving the MODULATION WHEEL or one the KNOBS.
5-8
Multi Edit Mode
Controllers Page
State
Use the State parameter to enable or disable the selected controller in the selected Zone.
When a Zone’s State parameter is set to Yes, the selected controller is active.
When a Zone’s State parameter is set to No, the Program in that Zone will not be controlled
by the selected controller. The Program in that Zone will use the controller setting that the
Program was saved with in Program Mode.
Scale
Use the Scale parameter to scale the value of the selected controller for each Zone. The Scale
parameter multiplies the current value of the controller by the selected Scale amount (-300%
through 300%). Press the MULTI Mode button to quickly apply the selected value.
The Scale parameter effectively allows you to apply different values to each Zone, while
maintaining a single value for each controller. For example, with the Ctl parameter set to
Reverb, you could set the Zone 1 Scale parameter to 100%, and the Zone 2 Scale parameter
to 50%. With the REVERB knob set to 127, Zone 1 would have a Reverb value of 127, and
Zone 2 would have a Reverb value of 63. With the REVERB knob set to 64, Zone 1 would
have a Reverb value of 64, and Zone 2 would have a Reverb value of 32.
Add
Use the Add parameter to offset the value of the selected controller for each Zone. The
Add parameter offsets the current value of the controller by the selected Add amount (-128
through 127). Press the MULTI Mode button to quickly apply the selected value.
The Add parameter effectively allows you to apply different values to each Zone, while
maintaining a single value for each controller. For example, with the Ctl parameter set to
Reverb, you could set the Zone 1 Add parameter to 0, and the Zone 2 Add parameter to 10.
With the REVERB knob set to 0, Zone 1 would have a Reverb value of 0, and Zone 2 would
have a Reverb value of 10. With the REVERB knob set to 15, Zone 1 would have a Reverb
value of 15, and Zone 2 would have a Reverb value of 25.
5-9
Multi Edit Mode
Channel Page
Channel Page
Use the Channel Page to select a MIDI Channel and Destination for each Zone.
The Chan and Destination parameters are useful when using the SP6 to send MIDI to
external equipment, or when receiving MIDI from external equipment. If you are not using
external MIDI equipment, these parameters can be left at their default values.
Chan
The Chan parameters set the MIDI transmit and receive channel for each Zone.
For most uses, each Zone should be set to a different MIDI channel. If you set multiple
Zones to the same MIDI channel, the same Program will be used for each of those Zones.
Destination
The Destination parameters determine where MIDI data generated from each Zone is sent
when playing the SP6 keyboard and moving the SP6 controllers. MIDI data from each
Zone can be sent to a SP6 Program (LOCAL), to the MIDI OUT port (MIDI), to the USB
COMPUTER port (USB), or to any combination of these destinations.
The Destination parameters work in combination with the LOCAL DEST button on the
front panel. The Destination parameters and the LOCAL DEST button each act like filters.
For example, if the Zone 1 Destination parameter is set to LOCAL, and the LOCAL DEST
button is set to LOCAL + MIDI, MIDI data from Zone 1 will be sent to LOCAL only.
5-10
Multi Edit Mode
Common Page
Common Page
Tempo
Use the Tempo parameter to set the rate of the Arpeggiator or tempo synced FX (such as
Delay). You can set a value by using the ALPHA WHEEL, or by using the keypad function
of the CATEGORY buttons to type a value followed by pressing the ENTER button.
The value of the Tempo parameter can also be set by tapping the TAP TEMPO button at the
desired rate.
Clock Src
Use the Clock Src (Clock Source) parameter to set whether the selected Multi will use its
own tempo, or whether it will sync with the tempo from an external MIDI device.
Set the Clock Src parameter to Internal to use the tempo set by the Tempo parameter.
Set the Clock Src parameter to External to use the tempo from an external MIDI device.
When the Clock Src parameter is set to External, an external MIDI device must be sending
MIDI clock data to the USB or MIDI in port.
Revrb Chan
Use the Revrb Chan (Reverb Channel) parameter to set the MIDI channel which will be
used for Reverb. The Reverb effect of the Program loaded in the selected MIDI channel will
be used for all Programs in the current Multi. To view the MIDI Channel of each Zone, see
Channel Page on page 5-10.
5-11
Multi Edit Mode
Save User Multis
KB3 Chan
Use the KB3 Chan (KB3 Channel) parameter to set the MIDI channel which will be used
for KB3 organ Programs. Only one KB3 Program can be loaded at a time. If KB3 Programs
are selected for more than one Zone, this parameter specifies which MIDI channel has
priority to load a KB3 Program. If you want a KB3 Program to play in a Zone, set KB3
Chan to the channel of the Zone. To view the MIDI Channel of each Zone, see Channel
Page on page 5-10.
Save User Multis

For details on saving User Multis, see Multi Save Dialog on page 4-10.
5-12
Global Mode
Settings Page
Chapter 6
Global Mode
Global Mode allows you to adjust performance settings which affect all Programs and Multis.
Global Mode also allows you to Store, Load, and Delete Programs and Multis, or restore
factory defaults by performing a Reset.
buttons.
ENTER button.
Settings Page
Tune
Use the Tune parameter to adjust the fine tuning of all Programs and Multis.
VelocityMap
The VelocityMap parameter determines the way the SP6 generates MIDI velocity
information. Different maps generate different MIDI velocity values for the same physical
key strike velocity.
The default map (Linear) provides the widest range of velocity expression, but you may want
to choose a different map if the default does not suit your playing style. You can select from
any of the following settings:
6-1
Global Mode
Settings Page
Light3 Makes it increasingly easier to produce high MIDI velocity values for the
Light2 same key strike velocity (with Light3 being the easiest). These maps
work best for those with a light touch.
Light1
The default map. Linear, allows MIDI velocities to pass unchanged. It
Linear
follows a linear response.
Hard1 Makes it increasingly harder to produce high MIDI velocity values for the
Hard2 same key strike velocity (with Hard3 being the hardest). These maps
work best for those with a heavy touch.
Hard3
Simulates the general velocity response of an acoustic piano, and is
PianoTouch
best suited for playing acoustic piano Programs.
Similar to the Light1/Light2/Light3 settings. Makes higher velocities
easier to play, but allows more sensitive control over playing high
EasyTouch
velocities by not boosting the MIDI velocity for fast strike velocities as
much as it does for medium strike velocities.
Mimics the velocity response commonly used by keyboards that use the
General MIDI (GM) sound set. The GM Receive map makes medium
GM Receive
strike velocities produce higher MIDI velocities compared to the Linear
map.
IntonatMap
Most modern western music uses what is known as equal temperament. This means that
the interval between each semitone of the 12 tone octave is precisely the same as every other
semitone.
However, many different intonation intervals have evolved over the centuries and across
cultures and instruments, so equal temperament will not sound appropriate for certain styles
of music. The SP6 supplies you with 18 different factory intonation maps which are useful
for a range of different styles. Each of these maps defines different intervals between each of
the semitones in a single octave (used for all octaves) by setting pitch offsets for each note in
cents.
Like many instruments before the adaptation of equal temperament, most of these
intonation maps were designed to sound best in one specific key. Though some may have
historically been in a different key, all of the SP6’s factory intonation maps are set to root
note C by default. You can change the root key of the current intonation map by using the
IntonatKey parameter (see the IntonatKey section below).
0 None No intonation map is used, intonation is equal.

1 Equal No detuning of any intervals. The standard for modern western music.
Tunings are defined based on the ratios of the frequencies between
2 Just
intervals. The original tuning of Classical European music.
3 Just/b7th Similar to Just, but with the Dominant 7th flatted an additional 15 cents.
6-2
Global Mode
Settings Page
4 Harmonic The perfect 4th, Tritone, and Dominant 7th are heavily flatted.
5 JustHarm Approximation of a historical intonation.
Named for its inventor, Andreas Werkmeister, it was developed to enable
6 Werkmeiste
transposition with less dissonance than classic equal temperament.
7 1/5thCmma Approximation of a historical intonation based on the comma system.
8 1/4thCmma Approximation of a historical intonation based on the comma system.
9 IndianRaga Based on the tunings for traditional Indian music.
10 Arabic Oriented toward the tunings of Mid-Eastern music.
11 BaliJava1 Based on the pentatonic scale of Balinese and Javanese music.
12 BaliJava2 A variation on BaliJava1, slightly more subtle overall.
13 BaliJava3 A more extreme variation.
14 Tibetan Based on the Chinese pentatonic scale.
Developed by Wendy Carlos, an innovator in microtonal tunings, this
15 Carlos A intonation map flats each interval increasingly, resulting in an octave with
quarter-tone intervals.
This is a Pythagorean tuning, based on the Greek pentatonic scale. The
16 Pyth/aug4
tritone is 12 cents sharp.
This is a Pythagorean tuning, based on the Greek pentatonic scale. The
17 Pyth/dim5
tritone is 12 cents flat.
18 EastMed Eastern Mediterranean. The Major 3rd and Major 7th are flat by 50 cents.
IntonatKey
Use the IntonatKey parameter to set the tonic (or base note) from which the currently
selected intonation map calculates its intervals. If you select G as the intonation key, for
example, and the intonation map you select tunes the minor 2nd down by 50 cents, then
G# will be a quartertone flat relative to equal intonation. If you change the intonation key to
D, then D# will be a quartertone flat. If you use nonstandard intonations, you’ll want to set
IntonatKey to the key you’re playing in.
If the Intonation parameter is set to Equal, changing IntonatKey has no effect.
Local Chan
The Local Chan parameter enables an external MIDI keyboard to function as if it is the SP6’s
keyboard and physical controllers. This allows all Channels/Zones of a Multi to be played
simultaneously from an external MIDI keyboard transmitting on a single MIDI channel
(or a single MIDI channel of a sequencer), with split and layered Zones laid out across the
external MIDI keyboard. To do this, set Local Chan to the same MIDI channel that your
external MIDI keyboard or sequencer is transmitting.
6-3
Global Mode
Settings Page
If you are not using an external MIDI device to play Multis, you can ignore this parameter
and leave it set to None. When Local Chan is set to None, an external MIDI device
transmitting on one channel will only play one Channel/Zone of a Multi.
In Program Mode, an external MIDI keyboard or sequencer transmitting on the Local Chan
will always play the Program on the currently selected Program Mode MIDI channel.
AutoPwrOff
The SP6 has an automatic power saving feature (Auto Power Off) that can automatically
power off the SP6 after a period of inactivity, in order to conserve electricity.
Use the AutoPwrOff parameter to enable or disable the automatic power saving feature.
When the AutoPwrOff parameter is set to On, the SP6 will automatically power off after
the Power Off Time has expired, from the last key press (physical or MIDI), button press,
controller movement, or USB MIDI activity.
APwrOffTime
Use the APwrOffTime parameter to set the Power Off Time. If the AutoPwrOff parameter is
set to On, then the SP6 will automatically power off after the Power Off Time has expired,
from the last key press (physical or MIDI), button press, controller movement, or USB
MIDI activity.
MultiChange
Use the MultiChange parameter to set the behavior of how Multis are loaded when selecting
a Multi in Multi Mode.
When MultiChange is set to Immediate, a selected Multi will be loaded immediately.
When MultiChange is set to AllKeysUp, a selected Multi will be loaded when you’ve released
all currently held notes.
6-4
Global Mode
Settings Page
SysEx ID
The SysEx ID parameter sets the ID number for the unit if you are using more than one
device with the same MIDI manufacturer ID number. You can set this parameter to any
number from 0 to 127.
Unless you have multiple SP6 keyboards receiving SysEx messages from a single source, you
will not need to change the SysEx ID from the default setting of 0.
If you do have multiple SP6s receiving SysEx messages from a single source, make sure each
SP6 has a different SysEx ID. This will allow you to direct SysEx messages to the appropriate
SP6 by specifying which unit with the SysEx ID byte that’s included with every SysEx
message.
To have the unit respond to SysEx messages regardless of the SysEx ID, set SysEx ID to 127.
LCDContras
Use the LCDContras parameter to adjust the contrast of the LCD display.
BankMode
The BankMode parameter determines the MIDI controller number(s) that will be used to
select MIDI Program Banks.
When using an external MIDI device to send MIDI bank change messages to the SP6,
different manufacturers may use different MIDI controller numbers for sending bank change
messages (usually 0, 32, or both 0 and 32). You can use the BankMode parameter to ensure
that the SP6 responds to bank change messages from external MIDI devices. Set BankMode
to any of the following settings:
Ctl 0 MIDI Bank change messages are received with controller number 0.
Ctl 32 MIDI Bank change messages are received with controller number 32.
Ctl 0/32 MIDI Bank change messages are received with both controller numbers 0 and 32.
FXMode
The FXMode parameter determines how effects resources are used in Program Mode.
Use the Perform setting when playing a single Program in Program Mode. With FXMode
set to Perform, the SP6 minimizes disruption of effects when changing Programs or MIDI
channels in Program Mode.
When controlling the SP6 from an external sequencer to play multiple channels in Program
Mode, setting FXMode to MultiTrk allows effects to be loaded on more MIDI channels,
although effects may be momentarily disrupted when changing Programs or MIDI channels.
6-5
Global Mode
Overrides Page
Overrides Page
Switch Pedal Overrides

The Switch Pedal Override parameters (SW1a through SW2b) allow the assignments for
the Switch Pedals to be changed for all Programs and Multis. (KB3 organ Programs have
a separate override for the SW1a pedal, see the KB3 Rotary section below for details). The
alternative assignments available for the Switch Pedal Overrides include the standard piano
pedal controls of Sustain, Sostenuto and Soft as well as DataInc, DataDec, FavoriteInc and
FavoriteDec, which can be used to change Programs, Multis or Favorites by using a pedal.
The Arp On/Off and Arp Latch assignments allow for easy control of arpeggiator functions.
Use the DataInc and DataDec assignments (data increment/decrement) to select the next or
previous ID when you depress the pedal. If you are in Program mode, DataInc and DataDec
will select the next or previous Program. If you are in Multi mode, DataInc and DataDec will
select the next or previous Multi.
Use the FavoriteInc and FavoriteDec assignments (Favorite increment/decrement) to
select the next or previous Favorite when you depress the pedal. If you are not playing any
Favorites, FavoriteInc and FavoriteDec will select the first Favorite, or the last Favorite that
was selected since turning on the SP6.
Use the Arp On/Off and Arp Latch assignments to easily control arpeggiator functions.
The Arp On/Off assignment allows you to toggle the arpeggiator on and off by pressing
a switch pedal. The Arp Latch assignment allows you to latch held notes to be played by
the arpeggiator by holding down a switch pedal. When using the Arp Latch assignment,
make sure the arpeggiator is turned on. Play the notes you wish to latch, press and hold the
assigned pedal, then release the notes. The notes will continue to arpeggiate until the pedal is
released.
In Multi Edit Mode, if a pedal is selected which has a pedal override enabled in Global
mode, Multi Edit Mode will display the original assignment with an asterisk (*) to remind
you that the Global mode pedal override settings are being used instead of the Multi mode
pedal settings.
6-6
Global Mode
Overrides Page
In Multi Edit Mode, setting a Pedal assignment to “OFF” will disable the override for that
Pedal in the selected Zone. It can be useful in Multi Mode to disable the Pedal Override for
some Zones. For example, you may want to use a Pedal Override to control Sustain in all
Zones of a Multi, but disable Sustain for one Zone.
KB3 Rotary
By default KB3 organ Programs have the Slow/Fast speed control for the Rotary speaker
effect assigned to the VARIATION button and the SW1 (SUSTAIN) pedal (the
“Button+Ped” setting). Setting the KB3 Rotary parameter to “Button” allows the Sustain
pedal to function as sustain for all KB3 Programs, instead of Rotary Slow/Fast. The
VARIATION button will always control the Rotary speed, regardless of this parameter’s
setting.
6-7
Global Mode
File Page
File Page
The File Page allows you use a USB Device (such as a thumb drive) or a computer to store
and load backup files of User Objects (Programs and Multis), or to load new sounds. On the
File Page, press the ENTER button to go to the File Options Page.
File Options
On the File Options Page, use the PREVIOUS and NEXT buttons to select Load or Store,
then press the ENTER button to continue to the Load Device Page or Store Method Page.
While using the File Options Page, the playing of notes is disabled.
Load / Load Device

Use the Load Device Page to select the device you wish to load from.
Load a File from a Computer

1. Connect a USB cable from your computer to the USB COMPUTER port on the rear
panel of the SP6.
2. On the Load Device Page, use the PREVIOUS and NEXT buttons to select PC Drive,
then press the ENTER button.
3. Add a file to the SP6 drive on your computer, then eject the drive from your computer.
4. When the drive has been ejected from you computer, press the ENTER button on the
Load Page.
5. On the Load File Page, use the PREVIOUS and NEXT buttons to select the file in the
list, then press the ENTER button.
6. On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load
method. See the Load Method section below for details.
Load a File from a USB Device

1. Connect a USB Device (such as a thumb drive) containing your file to the USB
STORAGE port on the rear panel of the SP6.
6-8
Global Mode
File Page
2. On the Load Device Page, use the PREVIOUS and NEXT buttons to select USB
Device, then press the ENTER button.
3. On the Load File Page, use the PREVIOUS and NEXT buttons to select the file in the
list, then press the ENTER button.
4. On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load
method. See the Load Method section below for details.
Load Method
On the Load Method Page, use the PREVIOUS and NEXT buttons to select a load method,
then press the ENTER button. See below for details on each method.
All: Use All to load all of the objects from the selected file. Objects will be loaded into the
lowest User ID numbers that are currently unused in your SP6. Used User IDs will not be
overwritten.
Some: Use Some to load some of the objects from the selected file. You will be brought to
the Load Some Page, where you can select objects from a list.
On the Load Some Page, use the PREVIOUS and NEXT buttons or ALPHA WHEEL to
scroll through the list. Use the LOCAL DEST button to select or de-select objects in the list.
Selected objects are marked with an asterisk (*).
Press the ENTER button to load the selected objects, or press the EXIT button to cancel.
Objects will be loaded into the lowest User ID numbers that are currently unused in your
SP6. Used User IDs will not be overwritten.
All-Ovrwrte: Use All-Ovrwrte to delete all of the User Objects in your SP6, then load all of
the objects from the selected file using the ID numbers stored in the file.
All-Ovrwrte will delete all of the User Objects in your SP6 before loading the objects
from the selected file. This cannot be undone. Before using All-Ovrwrte, you may wish
to use the File Page to store your existing User Objects to a computer or USB Device.
Deleted User Objects can not be recovered.
Store / Store Method

On the Store Method Page, use the PREVIOUS and NEXT buttons to select a store
method, then press the ENTER button. See below for details on each method.
All: Use All to store all User Objects from the SP6.
Some: Use Some to store some of the objects from the SP6. You will be brought to the Store
Some Page, where you can select objects from a list.
On the Store Some Page, use the PREVIOUS and NEXT buttons or ALPHA WHEEL to
scroll through the list. Use the LOCAL DEST button to select or de-select objects in the list.
Selected objects are marked with an asterisk (*).
6-9
Global Mode
Delete Page
Press the ENTER button to store the selected objects, or press the EXIT button to cancel.
Store Device
After selecting a store method, use the Store Device Page to select the device you wish to
store to.
Store a File to a Computer
1. Connect a USB cable from your computer to the USB COMPUTER port on the rear
panel of the SP6.
2. On the Store Device Page, use the PREVIOUS and NEXT buttons to select PC Drive,
then press the ENTER button to go to the File Name Page.
3. On the File Name Page, use the PREVIOUS and NEXT buttons to move the cursor to
each character. Change the current character by using the ALPHA WHEEL, or use the
keypad function of the CATEGORY buttons to type a character. After naming the file,
press the ENTER button to store the file to the PC Drive.
4. On your computer, copy the stored file from the SP6 drive to your computer, then eject
the drive from your computer.
Store a File to a USB Device
1. Connect a USB Device (such as a thumb drive) to the USB STORAGE port on the rear
panel of the SP6.
2. On the Store Device Page, use the PREVIOUS and NEXT buttons to select USB
Device, then press the ENTER button.
3. On the File Name Page, use the PREVIOUS and NEXT buttons to move the cursor to
each character. Change the current character by using the ALPHA WHEEL, or use the
keypad function of the CATEGORY buttons to type a character. After naming the file,
press the ENTER button to store the file to the USB Device.
Delete Page
Use the Delete Page to delete selected Programs and Multis from the SP6. On the Delete
Page, press the ENTER button to view a list of User Objects.
6-10
Global Mode
Info Page
While viewing the list of User Objects, use the PREVIOUS and NEXT buttons or ALPHA
WHEEL to scroll through the list. Use the LOCAL DEST button to select or de-select
objects in the list. Selected objects are marked with an asterisk (*).
Press the ENTER button to delete the selected objects, or press the EXIT button to cancel.
Info Page
The Info Page shows currently installed Operating System version (OS) and Objects version.
To make sure that you have the latest Operating System and sound Objects, go to the
Kurzweil website at www.kurzweil.com.
Select the About parameter and press the ENTER button to see a list of credits and
acknowledgments.
Reset Page
Use the Reset Page to reset the SP6 to its original factory settings. Press the ENTER button
to restore all Global Mode settings to their factory defaults, and delete all User Programs and
Multis.
All User Programs and Multis will be permanently erased. This cannot be undone.
Before using the Reset Page, you may wish to use the File Page to store your existing
User Objects to a computer or USB Device. Deleted User Objects can not be recovered.
6-11
Troubleshooting
Maintenance
Chapter 7
Troubleshooting
Use this chapter to learn how to maintain your SP6 and solve operational problems.
Maintenance
Clean the SP6 with a soft cloth dampened with water. Never use abrasives or solvents as they
may damage the SP6.
Power On Problems
This is the normal power on sequence:
1. The LCD backlight turns on.
2. “Loading...” appears in the LCD for a few seconds.
3. The SP6 enters Program Mode with Program 1 or the default boot up Program selected.
If your SP6 does not follow the normal power on sequence, check the problems and
solutions below:
Problem The SP6 does not power on

Solutions Plug the power cable securely into the wall outlet.
Plug the power cable securely into the SP6 power jack.
Use a different wall outlet, power strip, or extension cord.
Problem The SP6 powers on but operation is abnormal

Solution Try plugging the power cable into a different wall outlet on a
different circuit.
Problem The SP6 powers on but the LCD is difficult to read

Solution Go to the Global Mode Settings page and adjust the LCDContras
parameter.
7-1
Troubleshooting
Audio Problems
Audio Problems
CAUTION: To protect your ears, do not troubleshoot audio problems while
wearing headphones. Additionally, always set the SP6 and connected
audio system or mixer to a low volume level when troubleshooting audio
problems.
NOTE: When solving audio problems, playing the SP6 Demo Songs is an easy way to test
if the audio is working properly. To play the SP6 Demo Songs, press the KEYPAD and 0
Problem The SP6 functions normally but does not produce sound or
has low volume
Solutions If the VOLUME knob is turned down, slowly turn the VOLUME
knob up.
If an expression pedal is plugged into the CC1 jack, try to turn up
the volume using the expression pedal.
Use the MIDI Panic function by simultaneously pressing the 0
and ENTER buttons to reset the MIDI Volume and Expression
values for all MIDI Channels.
Press the LOCAL DEST button until the LCD shows “Destination
LOCAL+MIDI”.
If the volume control on your audio system or mixer is turned
down, slowly turn the volume control up.
If your audio cables are not securely plugged into the SP6, audio
system, or mixer, set the volume of the audio or mixer to the
lowest level, securely plug in the audio cables on both ends, and
then slowly turn up the volume.
Try using different audio cables. Obtain and securely connect
the correct type of audio cables. The SP6 accepts both balanced
(TRS) and unbalanced (TS) 1/4-inch audio cables.
If the signal source selection on your audio system or mixer is
incorrect, set the volume of the audio or mixer to the lowest level,
select the correct signal source, and then slowly turn up the
volume.
If the input to your audio system or mixer is set for low
impedance, set the volume of the audio or mixer to the lowest
level, change the impedance setting to high, and then slowly turn
up the volume of the audio system or mixer.
If the input trim to your audio system or mixer is set too low,
slowly turn up the trim on your audio system or mixer.
7-2
Troubleshooting
MIDI Problems
MIDI Problems
Problem Sending MIDI messages to a computer or external MIDI
device is not working
Solutions Make sure the MIDI channel being used by the SP6 matches the
MIDI channel being used by the external device.
Press the LOCAL DEST button until the LCD shows “Destination
MIDI.”
If using a MIDI cable, make sure the MIDI cable is plugged into
the SP6 MIDI OUT port and the external MIDI device MIDI IN
port.
Make sure the USB or MIDI cable being used is securely
plugged in at both ends.
Try using a different USB or MIDI cable.
Problem Receiving MIDI messages from a computer or external MIDI

device is not working
Solutions Make sure the MIDI channel being used by the SP6 matches the
MIDI channel being used by the external device.
If using a MIDI cable, make sure the MIDI cable is plugged into
the SP6 MIDI IN port and the external MIDI device MIDI OUT
port.
Make sure the USB or MIDI cable being used is securely
plugged in at both ends.
Try using a different USB or MIDI cable.
7-3
Troubleshooting
Pedal Problems
Pedal Problems
Switch Pedal Problems
Problem Sustain or Sostenuto pedals are stuck “on”, or functioning
backwards (“on” when up instead of down)
Solution Always plug pedals in before powering on the SP6, and do not
press the pedals before the SP6 has powered on. Turn power
off, then on, if necessary.
Problem A switch pedal is not doing the expected function

Solutions Check the Global Mode Overrides page to see if you have
applied any pedal overrides.
If you have pedal problems in Multi Mode, use the Multi Edit
Mode Switch Pedals page to check the pedal settings for each
Zone in each Multi.
Problem A dual switch pedal is not working correctly

Solution A dual switch pedal must be wired as shown below. Any other
wiring pattern will not work correctly.
Sleeve Ring Tip
Left Pedal Right Pedal
7-4
Troubleshooting
Kurzweil Support
Continuous Control (Expression) and Half

Damper Pedal Problems
Problem A Continuous Control (Expression) or Half Damper pedal is
not working correctly
Solution For best results, use a Kurzweil CC-1 Continuous Control pedal,
available from your dealer. See below for specifications when
using Continuous Control pedals from other manufacturers.
A Continuous Control (Expression) or Half Damper pedal must be wired to a single stereo
1/4-inch plug as follows:
• Wiper to Tip
• Top end of resistance element to Ring
• Bottom end of resistance element to Sleeve
These connections are shown schematically below:
Increasing Foot Pressure
10KOhm Linear Taper Sleeve Ring Tip
A continuous control pedal should have an impedance between 5,000 and 100,000 ohms.
An impedance less than 5,000 may overload the reference voltage source in the SP6 and
interfere with operation of other controls. An impedance more than 100,000 may result in
electrically noisy operation, which may cause your SP6 to send unwanted MIDI controller
messages.
The taper of the control should be linear for easy, predictable control. Pedals designed for
volume control typically have an exponential (or anti log) taper, which results in most of
their range being concentrated in the upper half of pedal’s path of travel.
Pedals may have a control range that is less than 100%. Make sure that when the pedal is
in the fully down position, its impedance is 0, and when it is in the fully up position, the
impedance is at its maximum rating.
Kurzweil Support
For additional help, contact Kurzweil support at kurzweil.com/support. You may also find
unofficial help at some of the internet communities listed at kurzweil.com/community.
7-5
MIDI Implementation

Appendix A
MIDI Implementation
Function Transmitted Recognized Remarks
Default 1 1
Basic Channel Memorized
Changed 1–16 1–16
Default Mode 3 Mode 3 For multi-timbral applications, set the Global
Mode Messages Mode “FXMode” parameter to “MultiTrk” (see
Altered FXMode on page 6-5 for details)

0–127
Note Number
True Voice 0–127 0–127
Note ON O O
Velocity
Note OFF O O
Keys X O
Aftertouch
Channels X O
Pitch Bender O O
O 0–31 O 0–31
Control Change 32–63 (LSB) 32–63 (LSB)
64–127 64–127
0 to 2,097,151 0–511
Program Change Standard and custom formats
True # 0–127 0–127
System Exclusive O O
Song Pos. X X
System Common Song Sel. X X
Tune X X
Clock O O
System Real Time
Messages O O
Local Control O O
All Notes Off O O
Aux Messages
Active Sense X X
Reset X X
Manufacturer’s ID = 07
Notes Device ID: default = 0;
programmable 0–127
Mode 1: Omni On, Poly Mode 2: Omni On, Mono O = Yes
Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono X = No
A-1
MIDI Implementation
MIDI Control
MIDI Control
SP6 Physical Controllers
In Program and Multi Mode the SP6 physical controllers can send MIDI messages to
an external MIDI device. The parameters assigned to each of these physical controllers
can be controlled by an external MIDI device by sending the appropriate message on the
appropriate channel. This is useful for controlling SP6 parameters when using the SP6 with
an external sequencer or computer.
SP6 Physical Controller Program Mode MIDI Message Multi Mode MIDI Message
PITCH BEND WHEEL Pitch Wheel Pitch Wheel
MODULATION WHEEL CC 1 CC 1
VARIATION Button CC 29 CC 29
KNOBS: ZN1 VOL/P1 CC 71 CC 7
KNOBS: FILTER 1 CC 12 CC 12
KNOBS: FILTER 2 CC 13 CC 13
KNOBS: ATTACK CC 22 CC 22
KNOBS: RELEASE CC 23 CC 23
KNOBS: FX 1 CC 25 CC 25
KNOBS: FX 2 CC 26 CC 26
KNOBS: DELAY CC 27 CC 27
KNOBS: REVERB CC 28 CC 28
PEDALS: SW1a (SUSTAIN) CC 64 CC 64
PEDALS: SW1b CC 66 CC 66
PEDALS: SW2a CC 66 CC 66
PEDALS: SW2b CC 67 CC 67
PEDALS: CC (VOLUME) CC 11 CC 11
SP6 MIDI Channel Functions

In Program and Multi Mode, certain SP6 MIDI channel functions can be controlled by an
external MIDI device by sending the appropriate message on the appropriate channel. This
is useful for controlling SP6 MIDI channel parameters when using the SP6 with an external
sequencer or computer.
SP6 MIDI Channel Function MIDI Message
MIDI Channel Volume CC 7
MIDI Channel Pan CC 10
A-2
Physical Specifications

Appendix B
Physical Specifications
Keyboard: 88 note fully-weighted hammer-action with velocity sensitive keys
Display: 128x64 pixel monochrome LCD with front-panel contrast adjust
Polyphony: 128 Voice Polyphony, dynamically allocated
Multitimbral: 16 parts (one per MIDI channel)
Quick Split / Layer: Easy access with adjustable volume and panning
Programs: Space for 1024 Factory and 1024 User Programs (in 10 instrument Categories)
Space for 1024 Factory Multis, plus 1024 User Multi locations with up to 4 programmable Zones for
Multis:
splits and layers
Effects Resources: 32 DSP units
• Pitch wheel
• Modulation wheel
• Volume knob
• 4 knobs with Shift button (3 shift rows for 12 assignments per Program)
• 4 Zone On/Off buttons
• Variation button
Controllers: • Arpeggiator On/Off button
• Tap Tempo button
• 2 switch pedal inputs, each supporting a dual switch pedal or single half damper pedal (for up to
4 switch pedals)
• Continuous control pedal input
• 2 Transpose buttons
• 5 Favorites buttons
Two 1/4” TRS Balanced Outputs (Stereo Pair)
24-bit D-to-A Converters
Frequency Response 20Hz-20kHz +/- 0.1dB
Analog Outputs:
+21dBu Maximum Output Level
-113dB Signal-to-Noise Ratio (A-weighted)
0.003% THD+N (1kHz @ -1 dBFS)
1/4” Rear-Mounted Stereo Headphone Output
Frequency Response 20Hz-20kHz +/- 0.5dB
Maximum Output Power 130mW into 32 Ohms
Headphones: -100dB Signal-to-Noise Ratio (A-weighted)
0.03% THD+N (1kHz @ 100mW Output into 32 Ohm Load)
Output Impedance: < 1 Ohms
Load Impedance: > 24 Ohms
MIDI: IN, OUT
Complete MIDI functionality over USB
USB: User Program / Multi file transfer to/from PC / Mac / USB Flash Drives
Operating System updates from PC / Mac / USB Flash Drive
Height: (5.2”) (14.6cm)
Depth: (15”) (38.1cm)
Length: (52.5”) (133.35cm)
Weight: (27.25 lb.) (12.36 kg)
Power: External Power Supply, 15VDC 2.5A
Specifications subject to change without notice
B-1
Programs

Appendix C
Programs
Object Version 1.01.0
PIANO 27 Walrus Pianet 52 Gimme Some

1 Dyn 9ft Grand 28 She'sNotThere 53 VAST-ly Organ
2 Rich Grand 7ft 29 E-cousticGrand 54 VAST Bars
3 Bright Jazz 9ft 30 VidKilledRadio 55 OleTime Gospel
4 Intimate Pno 7ft 31 FM EP 56 Funky Perc
5 Punchy Edge 32 Thick FM Digital 57 Mr. Smith
6 Studio Grand 7ft 58 D-Vox Organ
7 Smooth Grand 9ft CLAV 59 Far Draws
8 Solo Grand 7ft 33 Clavi AC 60 Pipe Stops
9 RubensteinComp 34 Clavi BC 61 Pipes & Voices
10 Stereo Pno K26 35 Clavi Phaser 62 Chapel Organ
11 Upright Piano 36 Clavi Auto Wah 63 AllStps AllVox
12 Indie Piano 2 37 BC Clav Tube 64 Cmbo Accordian
13 R&B Stack 38 Slap Wah Clav
14 Piano & Strings 39 Flange Clav STRINGS/PADS
15 Dark & Distant 40 SMS Clav 65 Arco Strings
16 Film Piano 41 Deep Fuzz 66 Dulcet Strings
42 Stevie Fuzz 67 Punchy Strings
E.PIANO 43 PPG Comp 68 Bass & Violins
17 Suitcase EP 44 RMI & Harpsi 69 AdagioTutti 8ves
18 EZ Tube EP 45 Classic Harpsi 70 SloMuted Strings
19 Phase EP 46 HarpsiTar 71 Marmalade Stgs
20 Bright EP 47 HarpSeccoRd 72 Proper Pizzicato
21 Dyno EP 48 HarpsiVibe 73 WheelBow Fiddle
22 Broken EP 74 WheelBow Cello
23 Mtron EP ORGAN 75 Electric Bow
24 Wurly EP 49 Big Leslie B3 76 Space Oddity
25 ACL Wurly 50 Classic B3 77 ELOStringSection
26 SlyBallad EP 51 SoulPercOrgan 78 BritishMT String
C-1
Programs

79 Adagio Magic VOICES/MISC 149 ArmonicaWurly

80 Gliss/Arp Harp 113 In A Good Place 150 Whale Call
81 Pedal Pad 114 Choir Redux 151 Fisher Cove
82 Square Pad 115 Aaahlicious 152 Upstream
83 Evolving Pad 116 EnvelopingVoices 153 Sense Delay
84 Water Buffalo 117 Haah Singers 154 Polyphon
85 JunoWhatIMean 118 Swept Voices 155 Kinderklavier
86 Warm Encounter 119 Swell Choir 156 Space Agogos
87 Prophet Pad 120 Voice Waves 157 The Peddler
88 Arpeggi Pad 121 Bandpass Choir 158 Enigmatism
89 Ancient Calling 122 Melotron Vox 159 Throat Siren
90 Omni Strings 123 NYC Voices 160 VoxtronMachine
91 Pan Strings 124 Ooh So G'oohD 161 ArpHollow Bells
92 Film Score Pad 125 Oody Oody 162 Crimson Jungle
93 5th-Scape 126 Strings & Winds 163 80'sMovieMusic
94 OBX Pad 127 Slow Interlude 164 Magic Mbira
95 Slow Rhythm Pad 128 Vox & Strings 165 Blues Harmonica
96 Pan Motion Pad 129 Full Fellowship 166 Insta - Spooky
130 Gothic Climax 167 Suspense Scene
BRASS/WINDS 131 Pastoral DblRds 168 Creepy Crawlies
97 Lucid Brass 132 Pastoral Pizzi
98 Epic Low Brass 133 H'Arps & Harp LEADS/SYNTHS
99 Solo Trbn/Trpt 134 Bartok Ensemble 169 Micromoog Plus
100 Almost Muted 135 Poltergeist Trem 170 MW Lead
101 Lead FrenchHorn 136 Pizz & Perc 171 HipHop Lead
102 Dyn French Horns 137 Matadores 172 E-Bow Mono
103 Dyn Orch Tuba 138 Singapore Sling 173 80's Lead Synth
104 Sax Section 139 Dream Session 174 Brassy Lead
105 SaxSplits+Flute 140 3waySplit Mtron 175 Fitty-Fitty
106 Clarinet/Flute 141 Post Rock 176 AK Wild Lead
107 Bassoon&Oboe 142 Ambience 177 ProphetV Lead
108 Solo Eng Horn 143 JetSet Martini 178 Liquid T Lead
109 AcidJazzFlute 144 Sci-Fi Movie 179 Soy Incident
110 Fruity Floot 145 Celeste Palette 180 Chirp Lead
111 Ocarina 146 After 3pm 181 Square Lead
112 Mellotron Flutes 147 Shokudo Enka 182 Seongdeok Lead
148 Warszawa 183 Mayhem Wheel
C-2
Programs

184 Robin's Lead 219 MiniFunk Bass 254 Tabla Arp

185 D'tuned Polysyn 220 Squeeze Mini 255 Soft Bell Keys
186 AM SquareSynth 221 Skool Bass 256 Blue PVC Tubes
187 Prophesied Six 222 Dolby Bass
188 Vintage Woobler 223 Poppit SynBass UTILITY
189 Quadra Comp 224 Classic Mini 1021 Click Track
190 Punch Synth 225 KneeDeep Mini 1022 Silent Program
191 Super Saw Stabs 226 Rave Bass 1023 Editor Template
192 Clone Bandit 227 Instaprince 1024 Clear Program
193 Square Bell 228 DistBass Solo
194 PolyVector Lead 229 Alias Bass
195 PWM Synth 230 Dub Wob
196 Cosmic Intervals 231 Rhythms
197 Last Challenge 232 Uptown Bass
198 Pattern Machine
199 Radio Googoo DRUMS/PERC
200 Ion Drive 233 Los Angeles Kit
234 East Space Kit
GUITAR/BASS 235 Ring-tone Kit
201 Real Nylon 236 Ziga Funk
202 Steel String 237 Drum&Bass Kit
203 Dulciliere 238 DoorKnocker Kit
204 Rob's Caster 239 Rhythmcon Kit
205 Twin Peaks 240 Marley Kit
206 Les Grit 241 Superfly Kit
207 Dist Comper 242 ScratchMe Kit
208 Chunky Vintage 243 ElectroBeat Kit
209 Acoustic Bass 244 BrushStroke Kit
210 Washtub Bass 245 Essential Perc
211 Finger Bass 246 Orchestral Perc
212 P-Bass 247 Celeste
213 Squire's Rick 248 Chimes Pad
214 Flea/Bootsy 249 Bowed Crotales
215 Jaco Fretless 250 Real Vibes
216 Eberhardt Frtls 251 Stereo Marimba
217 The Way It Is 252 Xylophone
218 Smooth Mooger 253 Steel Drum
C-3
Multis

Appendix D
Multis
Object Version 1.01.0
1 Arp & Pad 30 80s Power 59 Celestial Fears

2 Metallicscape 31 Synth & Lead 60 Pulsing Xenia
3 Wine GLASSical 32 Gleam Cake 61 African Wash
4 Triumphant! 33 Tranquil Moods 62 Sea Breeze
5 M'drnApparatus 34 Dream Segue 63 Noxlumos
6 Plucky Rhodes 35 Expansive Pad 64 Planet J
7 Pno Bass & Ride 36 Apollo 65 Breath of Aura
8 EP & E-Bass 37 Ugokukokoro 66 Silky Pad
9 Organ Bass Funk 38 Lakeside 67 Quadraphobia
10 Bass/Brass/EP 39 Synth & Strings 68 Liquid Sand
11 EP & SynthBass 40 Pads & Strings 69 ForgottenTeaPot
12 Organ Bass Soul 41 SunrizerSynth 70 Nile of Poodle
13 FunkyBass&Organ 42 Vintage Synths 71 Motion News
14 Funky Bass&Clav 43 AOR Pad 72 Timed Divination
15 EPClar&Marimba 44 Synthetic Pad 73 Storm Chaser
16 Organ & EP 45 Pad Organ 74 10 Past 10
17 Wurly & Organ 46 Org/Bass Wrap 75 Synth-Kestra
18 Jazz EP & Flute 47 LoFi Lead 76 GrainCloud3Bells
19 Pianet & MTron 48 Hollow Keys 77 MbiraPad Pattern
20 Clav & MTron 49 Alias Fuzz Grand 78 Marimba Traces
21 ClavPnoBassMW 50 Guitar Bass Pad 79 City Reich
22 Gospel B3 & Pno 51 Cinematic Sitar 80 Rhythmic Pad
23 Flutey Organ 52 Burning Dragster 81 Dream Catcher
24 Organ Bass Vox 53 Torched Tubes 82 Pink Panda
25 Pipes & Choir 54 Guitar Dream 83 Candy Synths
26 Pipes Flute Strs 55 Artful Intellect 84 Last Split 12
27 Pno Vox & Synth 56 Vangalic 85 Last Split 22
28 Synth/Bass Split 57 Effervescence 86 Old Timey Ens
29 Bass/Synth/Lead 58 Bells & Synth 87 Rock Jam 1
D-1
Multis

88 Rock Jam 2 125 AccOrgian Circus

89 No Cry 126 Calypso Ens
90 Jazz Quartet 127 Bwow Theme
91 Bluegrass Group 128 Magnetic Horns
92 Boingo Ens 129 Lo-volt Sax
93 New Music Ens 130 Helter Skelter
94 AnyNote Jam 253 Split Default
95 Hallelujah! 254 Layer Default
96 Netromantic 256 Clear Multi
97 Royal Splits
98 Baroque Ens
99 Wind Strgs Horn
100 Harp & Strings
101 HarpStrsCeleste
102 Reedy Arp Pad
103 Passive Ensemble
104 Wind Pizz & Perc
105 Chamber Orch
106 Trem & Mute Str
107 Strs Wind Harp
108 AccentualStrings
109 Strings & Voices
110 Angelic Pad
111 Rhythmic Choir
112 Dummer Dudes
113 FullBallad Piano
114 Creamy Piano
115 ElectroPop Piano
116 Dyn Wurly Fall
117 Ice & Mist Grand
118 Buzzy FM
119 Rubberband Clav
120 Plastic Baroque
121 Soft Landing
122 Syrup Bellini
123 Purple Concrete
124 Child's Toys
D-2
Index

Index
A K
ALPHA WHEEL 1-5
Auto Power Off 6-4 KB3
Auto Power Off Time 6-4 Global Rotary Override 6-7
in Multi Edit Mode 5-1, 5-6, 5-7, 5-12
in Program Mode 2-4, 2-5, 2-6
C KNOBS 2-5
CATEGORY Buttons 1-5 VARIATION Button 2-4
CC (VOLUME) Jack 1-11 KNOBS 1-6
CHANNEL/PAGE Buttons 1-7 in Program Mode 2-4
Continuous Switch Pedals (Half-Damper) 1-11 KB3 2-5
Contrast 6-5 P1 through P4 2-4
Controllers
in Multi Mode 4-2 L
in Program Mode 2-3
Load 6-8
LOCAL DEST Button 1-8, 7-2
D in Multi Edit Mode 5-10
Delete 6-10
Dual Switch Pedals 1-10 M
MIDI Bank Change 6-5
E MIDI Channel 6-3
EDIT Button 1-7 in Multi Edit Mode 5-10
MIDI IN and OUT Ports 1-9
F MIDI PANIC 2-13, 4-12
MODE Buttons 1-5
FAVORITES Buttons 1-5 MODULATION WHEEL 1-6
Front Panel 1-4
P
G PANIC 2-13, 4-12
Glide 3-6 Pedals
Continuous Controller (CC) Pedal 1-11
H Dual Switch Pedal 1-10
Global Overrides 6-6
Half-Damper Pedal 1-11, 2-6 Half-Damper Pedal 1-11
Headphones 1-11 in Multi Edit Mode 5-6
in Multi Mode 4-5
in Program Mode 2-6
Switch Pedal 1-10
Programs
Selecting 2-1
Index-1
Index

R
Reverb
in Multi Edit Mode 5-11
in Program Mode 2-13
S
Save a Multi 4-10
Save a Program 2-11
SAVE Button 1-7
Selecting Multis 4-1
Selecting Programs 2-1
SHIFT Button 1-7
SPLIT/LAYER
in Multi Mode 4-6
in Program Mode 2-7
Store 6-9
Support 7-5
SW1 (SUSTAIN) and SW2 Jacks 1-10
T
TAP TEMPO Button 1-7
TRANSPOSE Buttons 1-6
Tune 6-1
Tuning 1-6
U
USB Ports 1-9
USER Button 1-7
V
VARIATION Button 1-6
Velocity Map 6-1
Z
ZN1 VOL through ZN4 VOL 4-4
ZONE ON/OFF Buttons 1-7, 4-3
Index-2

Kurzweil SP6-Musicians - Guide - (RevB)

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®

It’s the sound.

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

IMPORTANT SAFETY & INSTALLATION INSTRUCTIONS

RADIO AND TELEVISION INTERFERENCE

SAVE THESE INSTRUCTIONS

US Customers: Customers outside the US:

American Music & Sound Young Chang Co., LTD.

Program Mode................................................................... 2-1

Program Edit Mode............................................................ 3-1

Multi Mode.......................................................................... 4-1

Multi Edit Mode.................................................................. 5-1

Global Mode....................................................................... 6-1

Features of the SP6

Setting Up the SP6

Powering On the SP6

Auditioning SP6 Sounds

Automatic Power Saving

The Front Panel

LOCAL DEST Button and EXIT Button

PREVIOUS and NEXT Buttons

PITCH WHEEL and MODULATION WHEEL

ARP ON/OFF Button

TAP TEMPO Button

ZONE ON/OFF Buttons

SAVE and EDIT Buttons

LOCAL DEST Button

The Rear Panel

MIDI IN and OUT Ports

SW1 (SUSTAIN) and SW2 Jacks

NOTE : Do not to step on the switch pedals when powering on the

Dual Switch Pedals

Continuous Switch Pedals (Half-Damper)

AUDIO OUT LEFT (MONO) and RIGHT Jacks

Browse All Programs

Select a Program by Category

Select a Previously Saved User Program

Select a Program by ID Number

Select a Category Default Program

Browse All Multis

Select a Multi by ID Number

Select a Previously Saved User Multi

Splits and Layers

Program Edit Mode

Multi Edit Mode

NOTE : Reset will erase ALL User Programs and Multis, so it is

Saving to External Storage

Loading from External Storage

Browse All Programs

Select a Program by Category

Select a Previously Saved User Program

Select a Program by ID Number

Select a Category Default Program

ARP ON/OFF Button

TAP TEMPO Button

SW1 (SUSTAIN) and SW2 Pedals

Split Page / Layer Page

Split Mixer Page / Layer Mixer Page

Split Key Range Page / Layer Key Range Page