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    Dominant Pentatonic

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    The document discusses the dominant pentatonic scale, which is spelled 1 2 3 5 b7. It is derived from the dominant 7th arpeggio with an added 2nd note. This scale can be used over dominant 7th chords and their extensions like minor 6, major 7 #11, and altered dominant chords. Fingerings for the scale are provided across the fingerboard.

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    Dominant Pentatonic

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    243 views1 page
    The document discusses the dominant pentatonic scale, which is spelled 1 2 3 5 b7. It is derived from the dominant 7th arpeggio with an added 2nd note. This scale can be used over dominant 7th chords and their extensions like minor 6, major 7 #11, and altered dominant chords. Fingerings for the scale are provided across the fingerboard.

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    for bass

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    dominant-pentatonic

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    The document discusses the dominant pentatonic scale, which is spelled 1 2 3 5 b7. It is derived from the dominant 7th arpeggio with an added 2nd note. This scale can be used over dominant 7th chords and their extensions like minor 6, major 7 #11, and altered dominant chords. Fingerings for the scale are provided across the fingerboard.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    243 views1 page

    Dominant Pentatonic

    Uploaded by

    d
    The document discusses the dominant pentatonic scale, which is spelled 1 2 3 5 b7. It is derived from the dominant 7th arpeggio with an added 2nd note. This scale can be used over dominant 7th chords and their extensions like minor 6, major 7 #11, and altered dominant chords. Fingerings for the scale are provided across the fingerboard.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    Dominant Pentatonic

    The Dominant Pentatonic is a useful scale with multiple modal applications. It’s spelled
    1 2 3 5 b7, which is a Dominant 7 arpeggio with an added 2nd. Generally used over Dominant
    7th chords with natural tensions, it has uses for Minor 6, Major 7 #11, and Altered Dominant
    chords as well. These applications will be outlined in another sheet. Below are fingerings
    derived from each degree of the scale, giving coverage across the fingerboard.

    #1 #2 #3

    #4 #5

    justin piper is a performer, educator and guitarist who aims to further the awareness,
    appreciation, and education of Funk, Jazz, Classical and anything guitar based. Check out his
    album Avant Funk at www.justinpiper.com/avant-funk

    justonemusic 2016 www.justinpiper.com

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