Early Modern Japanese Art History A Bibl PDF

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EARLY MODERN JAPANESE ART HISTORY: A

BIBLIOGRAPHY OF PUBLICATIONS, PRIMARILY IN
ENGLISH (to 2002)
(arranged chronologically within categories)
©Patricia J. Graham
ACKNOWLEDGEMENTS: Numerous citations in this bibliography came from members of the

Japan Art History Forum email list serve worldwide, and I thank everyone for their assistance. I
owe special indebtedness to: Frank Chance, John Clark, Pat Fister, Maribeth Graybill, Patrizia
Jirka-Schmitz, Lee Johnson, Sandy Kita, Elizabeth Lillehoj, Andrew Maske, and Melanie Trede.
This bibliography encompasses Western language studies of Japanese art,

published primarily outside of Japan, with emphasis on works published in English
between 1980 and 2001, although it also cites important, influential publications of
earlier date, and a few publications in European languages. Also included are broader
publications on Japanese art with significant portions devoted to the arts of the Early
Modern era (roughly 1600-1868). I omit smaller publications, including minor exhibition
catalogues and the numerous articles in the periodicals Arts of Asia, Andon (Journal of
the Society for Japanese Arts, Leiden), Daruma, and older issues of Impressions (the
journal of the Ukiyo-e Society of America). Impressions has been published since 1976,
usually once or occasionally, twice a year, with an occasional missed year. Beginning
with number 19, the journal expanded from a small newsletter into a bound magazine
format and became a juried publication. An index for the first 20 issues appears in vol.
20 (1998). Due to limitations of space, I am not including references to articles prior to
vol.19 in my bibliography, for even without them, the Ukiyoe section is the largest. Many
of articles in these journals focus on uikyoe prints and decorative arts, and are (with the
exception of some of the articles in Andon and Impressions) aimed at collectors rather
than a scholarly audience. The bibliography also only contains minimal references to
peripheral, subsidiary fields for which the literature is vast, such as Japonisme and
netsuke. In these cases, references are provided to published bibliographies and a few
other noteworthy sources, such as major exhibition catalogues.
Although I made great effort to include as many relevant publications as possible,
I regret the inevitable omissions. Tracking down citations for publications in European
languages and exhibition catalogues from smaller, less well-known museums was
especially problematic. Also, difficult to find were references to journal articles, as
contributions by art historians can be found in diverse publications, including scholarly
journals for the field of Asian and/or art history in general (ie. Archives of Asian Art, Ars
Orientalis, The Art Bulletin, The Art Journal, Artibus Asiae), periodicals of scholarly
value but also designed for a broader (collectors’) readership (such as Oriental Art,
Orientations, and Apollo), interdisciplinary scholarly journals on Asia and Japan (ie. the
now defunct Chanoyu Quarterly, Harvard Journal of Asiatic Studies, Japanese Journal
of Religious Studies, Journal of Asian Studies, Journal of Japanese Studies, Modern
Asian Studies, Monumenta Nipponica, and Res), and various art museum bulletins.
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ORGANIZATIONAL FRAMEWORK
1. REFERENCES AND SURVEY BOOKS

A. REFERENCE BOOKS AND BIBLIOGRAPHIES
B. WEB RESOURCES
C. SURVEY BOOKS AND ARTICLES, EXHIBITION AND COLLECTION
CATALOGUES
2. ARCHITECTURE AND GARDENS
3. CRAFTS AND FOLK ARTS
A. CERAMICS
B. LACQUERS
C. MINGEI (FOLK ARTS)
D. NETSUKE AND INRO
E. TEXTILES AND BASKETRY
F. THEATRICAL ARTS: COSTUMES AND MASKS
4. PAINTINGS, PRINTS, AND CALLIGRAPHY
A. PAINTING AND CALLIGRAPHY (Note: for Ukiyoe--see section 4B, below)
1. Broad Studies
2. Studies on Individual Artists and Lineages
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS
1. Broad Studies
2. Studies on Individual Artists, Types of Prints, and Lineages
5. THEMATIC AND INTERDISCIPLINARY STUDIES
A. ARCHAEOLOGY
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS
C. GENDER STUDIES/SEXUALITY IN ART
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS
E. SAMURAI ARTS, ARMS AND ARMOR
F. TEA CEREMONY AND RELATED ARTS
G. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES
6. DISSERTATIONS AND POST DOCTORAL THESES
A. IN NORTH AMERICA
B. IN EUROPE
A NOTE ON ORGANIZATIONAL FORMAT: Most publications are listed according to

the main media they address, but in some instances, such as publications on thematic
topics or those that address several media, I duplicate the citation in the appropriate
categories. Within each category, publications are listed chronologically, to provide some
sense of the development of the respective sub-fields.
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1. GENERAL SOURCES
A. REFERENCE BOOKS AND BIBLIOGRAPHIES
1908. Joly, Henri. Legend in Japanese Art. London, J. Lane. Rutledge, VT: Tuttle
(reprint), 1967.
1972. Mitchell, C. H. The Illustrated Books of the Nanga, Maruyama, Shijo, and Other
Related Schools of Japan, A Biobibliography. Los Angeles: Dawson’s Book
Shop.
1976. Roberts, Laurence P. A Dictionary of Japanese Artists: Painting, Sculpture,
Ceramics, Prints, Lacquer. Tokyo: Weatherhill.
1978. Tompkins, John Barr and Dorothy Campbell Tompkins. People, Places, and
Things in Henri Joly’s Legend in Japanese Art. Alexandria, VA: Kirin Books.
1981. Tazawa, Yutaka, ed. Biographical Dictionary of Japanese Art. Tokyo: Kodansha
International.
1984. Murase, Miyeko. Iconography of the Tale of Genji. New York: Weatherhill.
1990. A Dictionary of Japanese Art Terms Tokyo: Bijutsu Co., Ltd.
1990. Weisberg, Gabriel P. and Yvonne M. L. Japonisme, An Annotated Bibliography.
New York and London: Garland Publishing, Inc.
1993. Ettig, Wolfgang. Bibliographie zur Technik, Geschichte und Anwendung
historischer japanischer Waffen (Bibliography on technique, history and
usage of Japanese weapons). Bad Homburg: Verlag Wolfgang Ettig.
1993. Green, William, comp. Japanese Woodblock Prints, a bibliography of writings
from 1822-1993, entirely or partly in English text. Leiden: Ukiyo-e Books and the
Ukiyo-e Society of America.
1995. Moog, Eike. Handbuch japanischer Priester mit Bedeutung für Schrift und Malerei
(Bibliographical Dictionary of Japanese and Chinese Buddhist and Shintô Priests,
Monks and Nuns and Artists Related to the with significance for Calligraphy and
Painting). Köln: Galerie Eike Moog.
1996. The Grove Dictionary of Art, New York: Grove Press.
B. WEB RESOURCES
Barnet, Sylvan. A Reader’s Guide to the Arts of Japan (an annotated bibliography
arranged by historical period). New York: Asia Society.
http://www.asiasociety.org/arts/japan_guide/intro.html
Expanding Edo Art: Final Report (summary of the one-day workshop sponsored by the
Donald Keene Center at Columbia University, February 20, 1999).
http://www.cc.Columbia.edu/~hds2/expanding.htm
Gitter-Yelen Collection: Online exhibitions and selections from their collection (primarily
Early Modern Japanese painting). http://www.gitter-yelen.org
Grove Dictionary of Art, New York: Grove Press, 1996. (available online at:
http://www.groveart.com) Numerous articles on Japanese art in an historical
perspective with additional entries by media, cities, religious sites, and individual
artists.
Orientations Magazine: Index of articles in past issues. http://www.orientations.com.hk/
Ukiyo-e Soceity of America: Contents information for their journal, Impressions, from
volume 19 forward, appears on the site: http://www.ukiyo-e.org.
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C. SURVEY BOOKS AND ARTICLES, EXHIBITION AND COLLECTION

CATALOGUES
1912. Fenollosa, Ernest F. Epochs of Chinese and Japanese Art. 2 vols. Reprint: New
York: Dover Publications, 1963.
1955. Paine, Robert Treat and Alexander Soper. The Art and Architecture of Japan.
Baltimore: Penguin Books (third edition of 1981 was last reprinted in 1992).
1966. Noma, Seiroku. The Arts of Japan volume 2. Tokyo: Kodansha International.
1981. Japan Society, ed. Japanese Art Exhibitions with Catalogue in the United States of
America 1893-1981. New York: Japan Society.
1958. Sickman, Laurence. Japanese Art of the Edo Period, 1615-1867. Kansas City: The
Nelson Gallery. [exhibition catalog].
1975. Metropolitan Museum of Art. Momoyama: Japanese Art in the Age of Grandeur.
New York: Metropolitan Museum of Art in collaboration with the Agency for
Cultural Affairs of the Japanese Government. [exhibition catalog].
1981. Watson, William, ed. The Great Japan Exhibition, Art of the Edo Period, 1600-
1868. London: Royal Academy of Arts. [exhibition catalog].
1983. Addiss, Stephen, et al. A Myriad of Autumn Leaves, Japanese Art from the Kurt
and Millie Gitter Collection. New Orleans: New Orleans Museum of Art.
[exhibition catalog]
1986. Earle, Joe, ed. Japanese Art and Design: The Toshiba Gallery. London: Victoria
and Albert Musuem.
1986. Friedman, Mildred, ed. Tokyo: Form and Spirit. Minneapolis: Walker Art Center
and New York: Harry N. Abrams. [exhibition catalog]
1986. Hyland, Alice R. M. Vital Diversity: Japanese Paintings and Ceramics of the Edo
Period; the Dixon Gallery and Gardens, Memphis, Tennessee. [exhibition
catalog].
1987. Ford, Barbara Brennan. "The Arts of Japan." The Metropolitan Museum of
Art Bulletin 45.1 (Summer 1987).
1987. Seattle Art Museum, ed. A Thousand Cranes: Treasures of Japanese Art. Seattle:
Seattle Art Museum and San Francisco: Chronicle Books.
1988. Ford, Barbara Brennan and Oliver R. Impey. Japanese Art from the Gerry
Collection in the Metropolitan Museum of Art. New York: The Metropolitan
Museum of Art. [exhibition catalog].
1989. Gerstle, C. Andrew, ed. 18th Century Japan: Culture and Society. London: Allen
and Unwin, 1989. Reprinted by Curzon Press, 2000.
1989. Japan Society, ed. The Collectors' Eye: Japanese Art Lent by Friends of Japan
Society Gallery. New York: Japan Society, 1989. [exhibition catalog]
1990. Museum of Fine Arts, Boston, ed. Courtly Splendor: Twelve Centuries of
Treasures from Japan. Boston. [exhibition catalog]
1990. Shimizu, Christine. Le Japon du XIX Siecle (Japan in the 19th Century). Paris:
Agep Villo.
1990. Smith, Lawrence et al. Japanese Art: Masterpieces in the British Museum. London:
Trustees of the British Museum.
1991. Cunningham, Michael, ed. The Triumph of Japanese Style: 16th-Century Art in
Japan. Cleveland: The Cleveland Museum of Art. [exhibition catalog].
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1991. Kakudo, Yoshiko. The Art of Japan: Masterworks in the Asian Art Museum of San
Francisco. San Francisco: Asian Art Museum and Chronicle Books.
1993. Mason, Penelope. History of Japanese Art. New York: Harry N. Abrams and
Prentice Hall.
1993. Bowring, Richard and Peter Kornicki, ed. Cambridge Encyclopedia of Japan.
Cambridge University Press.
1994. Ehmcke, Franziska und Masako Shōno-Sládek, ed.. Lifestyle in der Edo-Zeit.
Facetten der städtischen Bürgerkultur Japans vom 17. - 19. Jahrhundert
(Lifestyles in the Edo period. Faccets of urban culture in Japan 17th-19th
centuries). München: Iudicium Verlag.
1994. Murase, Miyeko, et al. Jewel Rivers: Japanese Art from the Burke Collection.
Richmond: Virginia Museum of Fine Arts. [exhibition catalog]
1994. Woodson, Yoko and Richard Mellott. Exquisite Pursuits: The Harry S. Packard
Collection of Japanese Art at the Asian Art Museum of San Francisco. Seattle:
University of Washington Press.
1995. Marhenke, Dorit and Ekkehard May. Shunga. Erotische Holzschnitte des 16. bis
19. Jahrhunderts (Erotic Art in Japan 16th-19th century). Heidelberg: Edition
Braus.
1996. Hickman, Money, et al. Japan’s Golden Age: Momoyama. Dallas: Dallas Museum
of Art and New Haven: Yale University Press. [exhibition catalog].
1997. Hanley, Susan B. Everyday Things in Premodern Japan: The Hidden Legacy of
Material Culture. Berkeley: University of California Press, 1997.
1998. Rosenfield, John. “Japanese Art Studies in America Since 1945,” in: Helen
Hardacre, ed. The Postwar Development of Japanese Studies in the United States.
Leiden: Brill, 161-194.
1998. Singer, Robert T., ed. Edo: Art in Japan 1615-1868. Washington, D.C: National
Gallery of Art. [exhibition catalog].
1999. Gluck, Carol. "The Invention of Edo." in: Stephen Vlastos, ed. Mirror of
Modernity: Invented Traditions of Modern Japan. Berkeley: University of
California Press, 262-284.
1999. International Symposium on the Preservation of Cultural Property, ed. The Present
and the Discipline of Art History in Japan (Ima, Nihon no bijutsu shigaku o
furikaeru: Bunkazai no hozon ni kansuru kokusai kenkyū shukai. Tokyo: Tokyo
Kokuritsu Bunkazai Kenkyūjo.
2000. Murase, Miyeko and Judith G. Smith, ed. The Arts of Japan, An International
Symposium. New York: The Metropolitan Museum of Art.
2000. Murase, Miyeko. Bridge of Dreams: The Mary Griggs Burke Collection of
Japanese Art. New York: The Metropolitan Museum of Art. [exhibition
catalog]
2000. Museum für Ostasiatische Kunst, SMPK, Berlin, ed. CD-Rom of a long scroll,
depicting a busy street in Edo. Produktion: Ars Digitalis, Berlin. Köln: Verlag
Buchhandlung Walther König. Zweisprachig (text in German/English.)
2001. Ehmke, Fransziska und Hiroko Yoshikawa-Geffers. Kidai shōran (Vortrefflicher
Anblick unseres prosperierenden Zeitalters)/Kindai shōran (Excellent view of our
prosperous age). (text in German/English). Köln.
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2001. Yiengpruksawan, Mimi Hall. Japanese Art History 2001: The State and Stakes of
Research." The Art Bulletin 83.1 (March 2001): 105-122.
2002. Butler, Lee. Emperor and Aristocracy in Japan, 1467-1680: Resilience and
Renewal. Cambridge: Harvard University Press.
2002. Kobayashi Tadashi, guest curator; Lisa McCord, curator; essays by Stephen
Addiss, Paul Berry, John Carpenter, Patricia Fister, Patricia Graham, Christine
Guth, Masatomo Kawai, Motoaki Kōno, Jōhei Sasaki, James Ulak. An Enduring
Vision: 17th to 20th –century Japanese Painting from the Manyo’an Collection.
New Orleans: New Orleans Museum of Art. [exhibition catalogue]
2002. Takeuchi, Melinda, ed. with essays by Melinda Takeuchi, Donald F. McCallum,
Karen Brock, Louise Cort, Julie Davis, Christine Guth, and Jonathan Reynolds.
The Artist as Professional in Japan. Stanford: Stanford University Press.
2002. Yoshida Ishida and Yamamoto Yukari, ed. Delightful Pursuits: Highlights from the
Lee Institute for Japanese Art at the Clark Center (Amerika kara kita Nihon –
Kuraku saidan Nihon bijutsu korekushon). Tokyo: Nihon Keiza Shimbun (text in
Japanese/English) [exhibition catalog].
2. ARCHITECTURE AND GARDENS

1886. Morse, Edward S. Japanese Homes and Their Surroundings. Boston: Ticknor and
Company. Rutland, VT: Tuttle (reprint), 1972.
1893. Conder, Josiah. Landscape Gardening in Japan. Tokio: Kelly and Walsh.
1936. Taut, Bruno. Fundamentals of Japanese Architecture. Tokyo: Kokusai Bunka
Shinkokai (The Society for International Cultural Relations).
1937. Taut, Bruno. Houses and People of Japan. Tokyo: Sanseido (second edition, 1958).
1960. Gropius, Walter et al. Katsura. New Haven: Yale University Press.
1964. Engel, Heinrich. The Japanese House: A Tradition for Contemporary Architecture.
Rutland, VT: Tuttle.
1968. Kuck, Lorraine. The World of the Japanese Garden. Tokyo: Weatherhill.
1969. Yoshida, Tetsuro. The Japanese House and Garden. New York: Praeger.
1969. Itoh, Teiji and Yukio Futagawa. The Elegant Japanese House. New York:
Weatherhill/Tankosha.
1981. Bring, Mitchell and Josse Wayembergh. Japanese Gardens: Design and Meaning.
New York: McGraw Hill.
1981. Coaldrake, William H. “Edo Architecture and Tokugawa Law,” Monumenta
Nipponica 34.3 (1981): 235-242.
1981. Dove, V., "Riutsurin Kōen: A Japanese Garden," Orientations 12.7 ( July 1981).
1981. Hashimoto, Fumio. Architecture in the Shoin Style. Translated and adapted by H.
Mack Horton. New York: Kodansha International.
1983. Fujioka, Michio. Kyoto Country Retreats: The Katsura and Shugakuin Palaces.
Translated by Bruce Coats. New York: Kodansha International.
1983. Nishi, Kazuo and Kazuo Hozumi. What is Japanese Architecture?. Translated,
adapted, and with an introduction by H. Mack Horton. Tokyo: Kodansha
International.
1986. Dunfield, David M. with Patricia J. Graham "Conservation and Integration of
Historic Architecture in Contemporary Japan." Orientations 17.6 (June 1986): 42-
53.
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1986. Hinaga, Motoo. Japanese Castles. Translated and adapted by William Coaldrake.
Tokyo: Kodansha International.
1986. Kawashima, C. Minka: Traditional Houses of Rural Japan. New York: Kodansha
International.
1990. Yoshida, Tetsuro. "The early modern city in Japan." in: National Committee of
Japanese Historians, ed., Historical Studies in Japan VII, 1983-1987. Leiden:
E.J.Brill.
1991. Graham, Patricia J. "The Development of an Architectural Setting for the Japanese
Sencha Tea Ceremony." Orientations 22.9 (September 1991): 65-75.
1992. Coaldrake, William. "Unno: Edo Period Post-town of the Central Japan Alps,"
Asian Art and Culture 5.2 (spring 1992): 9-30.
1996. Coaldrake, William H. Architecture and Authority in Japan. London: Routledge.
1996. Keane, Marc P. Japanese Garden Design. Rutland, VT: Tuttle.
1997-98. Watsky, Andrew. "Floral Motifs and Mortality: Restoring Numinous Meaning
to a Momoyama Building," Archives of Asian Art 50 (1997-98): 62-90.
2001. Diniz, Sofia. Jesuit Buildings in China and Japan:a Comparative Study.”
(Universidade Nova de Lisboa) Bulletin of Portuguese-Japanese Studies 3
(December 2001): 107-128.
2002. Butler, Lee. Emperor and Aristocracy in Japan, 1467-1680: Resilience and
Renewal. Cambridge: Harvard University Press.
3. CRAFTS AND FOLK ARTS

A. CERAMICS
1880. Franks, Augustus Wollaston. Japanese Pottery: Being A Native Report With An
Introduction And Catalogue By Augustus W. Franks, With Illustrations And
Marks (South Kensington Museum Art Handbooks). London: Published for the
Committee of Council on Education by Chapman and Hall, Limited.
1881. Audsley, George A. & James L. Bowes. Keramic Art of Japan.
London: Henry Sotheran & Co.
1882. Dresser, Christopher. Japan: Its Architecture, Art, and Art Manufactures. London:
Longmans, Green, and Co.
1887. Baxter, Sylvester. The Morse Collection of Japanese Pottery
(Reprint from the American Architect, May 28,1887). Boston: Ticknor and
Co.
1901. Morse, Edward S. Catalogue of the Morse Collection of Japanese Pottery.
Cambridge, MA: Privately printed at the Riverside Press (reprinted by Tuttle in
1979).
1902. Brinkley, Captain Frank. Japan: Its History, Arts and Literature VIII (ceramics).
Boston: J.B. Millet Company.
1946. Leach, Bernard. A Potter's Book. London: Faber and Faber.
1960. Miller, Roy Andrew. Japanese Ceramics. Tokyo: Toto Shuppan.
1965. Jenyns, Soame. Japanese Porcelain. London: Faber and Faber.
1966. Leach, Bernard. Kenzan and His Tradition. London: Faber and Faber.
1967. Sanders, Herbert H. The World of Japanese Ceramics. Tokyo and Palo
Alto, Ca.: Kodansha International.
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1970. Cleveland, Richard S. 200 Years of Japanese Porcelain. Kansas City and St. Louis:
City Art Museum, St. Louis. [exhibition catalog].
1970. Rhodes, Daniel. Tamba Pottery. Tokyo, New York, San Francisco:
Kodansha International.
1971. Jenyns, Soame. Japanese Pottery. New York: Praeger Publishers.
1972. Seattle Art Museum, ed. Ceramic Art of Japan. Seattle: Seattle Art Museum.
[exhibition catalog].
1979. Cort, Louise. Shigaraki, Potters' Valley. Tokyo: Kodansha International.
1980. Nagatake, Takeshi. Japanese Ceramics from the Tanakamaru Collection. New
York: The Metropolitan Museum of Art. [exhibition catalog].
1980. Reichel, Friedrich. Early Japanese Porcelain in the Dresden Collection. London:
Orbis.
1981. Faulkner, R.F.J and O.R. Impey. Shino and Oribe Kiln Sites. Oxford: Ashmolean
Museum in association with Robert G. Sawers Publishing. [exhibition catalog].
1981. Famous Ceramics of Japan (series title). 12 volumes. Tokyo: Kodansha
International.
1. Nabeshima; 2. Agano and Takatori; 3. Folk Kilns I; 4. Folk Kilns II; 5.
Kakiemon; 6. Imari; 7. Tokoname; 8. Oribe; 9. Karatsu; 10. Kiseto and
Setoguro; 11. Hagi;12. Shino.
1982. Kawahara, Masahiko. "Early Kyoto Ceramics." Chanoyu Quarterly 32 (1982): 31-
46.
1984. Tanihata, Akio. "Tea and Kyoto Ceramics in the Late Edo Period." Chanoyu
Quarterly 39 (1984): 7-27.
1985. Kawahara, Masahiko. Translated and adapted by Richard L. Wilson. The Ceramic
Art of Ogata Kenzan. Tokyo: Kodansha.
1986. Japan Society, ed. The Burghley Porcelains. New York: Japan Society. [exhibition
catalog].
1986. Wilson, Richard L. "Concept, Style, and Development in Kenzan Ware,"
Orientations 17.6 (June 1986): 20-28.
1989. Cardeiro, C. Philip. Japanese Hirado Porcelain 1640-1909. Monterey, CA: Art
Asia Museum. [exhibition catalog].
1990. Ayers, John et al. Porcelain for Palaces: The Fashion for Japan, 1650-1750.
London: Oriental Ceramic Society, distributed by P. Wilson Publishers.
1990. Ayers, John. "Japanese Porcelain and the Great Houses of Europe,
Orientations 21.9 (September 1990): 55-61.
1990. Impey, Oliver. “Japanese Export Porcelain Figures in Light of Recent Excavations
in Arita,” Oriental Art 36.2 (1990): 66-75.
1990. Wilson, Richard L. "Aspects of Rimpa Design," Orientations 21.12
(December 1990): 28-35.
1991. Wilson, Richard. The Art of Ogata Kenzan. New York: Weatherhill.
1992. Cort, Louise. Seto and Mino Ceramics, Japanese Collections in the Freer Gallery
of Art. Washington, DC.: Freer Gallery of Art, Smithsonian Institution.
1992. Maucuer, Michel. “Kyoto Ceramics of the Late Edo Period in the Henri Cernuschi
Collection,” Orientations 23.8 (August 1992): 37-41.
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1994. Graham, Patricia J. "Japanese Popular Ceramics in the Nelson-Atkins Museum of

Art," Orientations 25.9 (September 1994): 32-39.
1994. Wilson, Richard. “Ezara: Pictorial Plates from Seto.” Orientations 25.9 (September
1994): 40-46.
1994. Wood, Donald A. et al. Echizen: Eight Hundred Years of Japanese Stoneware.
Birmingham, AL: Birmingham Museum of Art in Association with the University
of Washington Press. [exhibition catalog]
1996. Graham, Patricia J. "From Industrial Artisans to Studio Potters: Porcelain Makers
in Japan," Orientations 27.11 (November 1996): 45-52.
1996. Impey, Oliver. The Early Porcelain Kilns of Japan: Arita in the First Half of the
Seventeenth Century. Oxford: Clarendon Press.
1997. Lawrence, Louis. Hirado: Prince of Porcelains. Chicago: Art Media Resources.
1997. McCord, Lisa Rotondo. “Imari: Japanese Export Porcelain from the Fred and
Ralph Lupin Collection,” Orientations 28.11 (November 1997): 60-64.
1997. McCord, Lisa Rotondo and Peter James Bufton. Imari: Japanese Porcelain for
European Palaces from the Freda and Ralph Lupin Collection. New Orleans:
New Orleans Museum of Art. [exhibition catalog].
1997. Singer, Robert T. and Hollis Goodall. Hirado Porcelain of Japan from the
Kurtzman Family Collection. Los Angeles: Los Angeles County Museum of Art.
2000. Jőrg, Christiaan J.A. Fine and Curious: Japanese Export Porcelain in Dutch
Collections. Leiden: Hotei Publishing.
2001. Impey, Oliver. Japanese Export Porcelain: Calagogue of the Collection of the
Ashmolean Museum, Oxford. Leiden: Hotei Publishing.
2001. Wilson, Richard. The Potter's Brush: The Kenzan Style in Japanese Ceramics.
Washington, DC: Freer and Sackler Galleries, Smithsonian Institution, in
cooperation with Merrell Publishers. [exhibition catalog]
B. LACQUERS
1976. von Rague, Beatrix. A History of Japanese Lacquerwork. Toronto/Buffalo:
University of Toronto Press.
1979. Yonemura, Ann. Japanese Lacquer. Washington, DC: Freer Gallery of Art.
1980. Pekarik, Andrew J. Japanese Lacquer, 1600-1900:Selections from the Charles A.
Greenfield Collection. New York: The Metropolitan Museum of Art. [exhibition
catalog].
1983. Okada, Barbra Teri. A Sprinkling of Gold, the Lacquer Box Collection of Elaine
Ehrenkranz. Newark: The Newark Art Museum. [exhibition catalog].
1984. Schneeberger, Pierre F. Japanese Lacquer (selected pieces): [catalog of] the Baur
Collection, Geneva. Geneva: Collections Baur.
1985. Brommelle, N.S.and Perry Smith, ed. Urushi: Proceedings of the Urushi Study
Group. Tokyo: The Getty Conservation Institute.
1986. Earle, Joe "Object of the Month: Edo Lacquer Paper and Writing Box Set,"
1986. Earle, Joe. "What Should we Do About Japanese Lacquer? A Selection of
Edo Period Lacquers," Orientations 17.12 (December 1986): 53-69.
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1990. Eskenazi Ltd. And Foxglove House. The Charles A. Greenfield Collection of
Japanese Lacquer. London: Eskenazi.
1991. Watt, James C.Y. and Barbara Brennan Ford. East Asian Lacquer: The Florence
and Herbert Irving Collection. New York: The Metropolitan Museum of Art.
1992. Ulak, James T. “Views Beneath the Surface, Aspects of Edo Period Lacquer in the
Barbara and Edmund Lewis Collection,” Orientations 23/3 (March 1992): 57-64
1994. Okada, Barbara Teri. Symbol and Substance in Japanese Lacquer: Lacquer Boxes
from the Collection of Elaine Ehrenkrantz. New York: Weatherhill.
1996. Earle, Joe, ed. Shadows and Reflections: Japanese Lacquer Art from the Collection
of Edmund Lewis at the Honolulu Academy of Arts. Honolulu: Honolulu Academy
of Arts. [exhibition catalog].
1996. Johnson, Lee. "Dew Drops and Dancing Plovers-Literary Themes in Japanese
Lacquer [in the collection of the Rijksmuseum, Amsterdam]" Aziatische Kunst,
March 1996.
1996. Samonides, William H. “Patronizing Images: Kōdai-in and Toyotomi Hideyoshi at
Kōdai-ji,” Nichibunken Japan Review 7 (1996): 99-126.
1996. Wiedehage, Peter. Goldene Gründe. Japanische Lackarbeiten im Museum für
Kunst und Gewerbe Hamburg (Golden Ground. Japanese lacquer in the Museum
für Kunst und Gewerbe Hamburg). Hamburg: Museum für Kunst und Gewerbe.
2001. Kopplin, Monika. Japanische Lacke. Die Sammlung der Königin Marie-Antoinette
(Japanese Lacquer. The Collection of Marie-Antoinette). Paris and Münster:
München Hirmer Verlag [exhibition catalog].
2001. Leiria, Leonor. “The art of lacquering according to the Namban-jin written
sources.” (Universidade Nova de Lisboa) Bulletin of Portuguese-Japanese Studies
3 (December 2001): 9-26.
C. MINGEI (FOLK ARTS)

1964. Ouwehand, C. Namazu-e and their Themes: An Interpretive Approach to Some
Aspects of Japanese Folk Religion. Leiden: E. J. Brill, 1964.
1978. Hauge, Victor and Takako. Folk Traditions in Japanese Art. New York: Japan
Society. [exhibition catalog]
1983. Rathbun, William and Michael Knight. Yo no bi: The Beauty of Japanese Folk Art.
Seattle: University of Washington Press. [exhibition catalog]
1985. Moes, Robert. Mingei, Japanese Folk Art. Brooklyn: Brooklyn Museum.
1988. Levy, Dana, et al. Kanban, the Art of the Japanese Shop Sign. San Francisco.
1991. Japanese Folk Craft Museum, ed. Mingei: Masterpieces of Japanese Folk Craft.
Tokyo: Kodansha International. [exhibition catalog]
1993. Japan Society. Japanese Folk Art: A Triumph of Simplicity. New York: Japan
1994. Graham, Patricia J. "Japanese Popular Ceramics in the Nelson-Atkins Museum of
Art," Orientations 25/9 (September 1994): 32-39.
1994. Welch, Matthew. Otsu-e: Japanese Folk Paintings from the Harriet and Edson
Spencer Collection. Minneapolis Institute of Art. [exhibition catalog].
11
1994. Wilson, Richard. “Ezara: Pictorial Plates from Seto.” Orientations 25/9
(September 1994): 40-46.
1995. Moes, Robert et al. Mingei: Japanese Folk Art from the Montgomery Collection.
Alexandria, VA: Art Services International. [exhibition catalog]
1995. Welch, Matthew. “Otsu-e: Japanese Folk Paintings from the Harriet and Edson
Spencer Collection,” Orientations 2.10 (October 1994): 50-57.
1998. Stinchecum, Amanda Mayer. "The Mingei Aesthetic. Orientations 29.3 (March
1998): 90-96.
1999. McArthur, Meher. Gods and Goblins: Japanese Folk Paintings from Otsu.
Pasedena, CA: Pacific Asia Museum. [exhibition catalog].
D. NETSUKE AND INRO

1971. Bushell, Raymond. Collectors' Netsuke. New York: Weatherhill.
1979. Bushell, Raymond. The Inrō Handbook. New York: Weatherhill.
1980. Okada, Barbra Teri. "Netsuke: The Small Sculptures of Japan." The Metropolitan
Museum of Art Bulletin 38.2 (fall 1980).
1982. Lazarnick, George. Netsuke & Inro Artists, and How to Read Their Signatures.
Honolulu: Reed Publishers.
1983. Arakawa, H., The Go Collection of Netsuke. Tokyo: Kodansha.
1987. Harris, Victor. Netsuke: The Hall Grundy Collection in the British Museum,
London: British Museum.
1988. Wylie, Hugh. The Gould Collection of Netsuke: Miniature Sculptures from Japan.
Toronto: Royal Ontario Museum. [exhibition catalog].
1991. Kinsey, Robert O. Ojime. New York: Abrams.
1993. Davey, Neil K. and Susan G. Tripp. The Garrett Collection: Japanese Art,
Lacquer, Inrō, Netsuke. London: Dauphin Publishing Ltd.
1995. Wrangham, E.A. edited by Joe Earle. The Index of Inrō Artists. Leiden: Hotei
Publishing.
1997. Brown, Kendall. “Why Art Historians Don’t Study Netsuke and Why they
Should.” International Netsuke Society Journal 17.1 (spring 1997): 8-24.
1997. Helmert-Corvey, Theodor, ed. Inrō: Das Ding am Gürtel. Japanische
Medizindöschen aus der Sammlung Heinz und Else Kress (Inro. The thing at the
hip. Japanese pill boxes from the collection of Heinz and Else Kress). Bielefeld:
Kerber Verlag. [exhibition catalog].
1997. Hutt, Julia. Japanese Inro. London: Victoria and Albert Museum and New York:
Weatherhill.
1998. Hutt, Julia. “Masterpieces in Miniature, Aspects of Japanese Inrō,” Orientations
29.10 (October 1998): 55-59.
1999. Sandfield, Norman L. The Ultimate Netsuke Bibliography: An Annotated Guide to
Miniature Japanese Carvings. Chicago: Art Media Resources.
1999. Welch, Matthew and Sharen Chappell. Netsuke, the Japanese Art of Miniature
Carving. Minneapolis Institute of Arts. [exhibition catalog].
2000. Jirka-Schmitz, Patrizia. Netsuke (Catalogue raisonné of the netsuke in the Linden-
Museum Stuttgart, the Trumpf collection). 2 volumes. Stuttgart: Arnold‘sche Art
Publishing.
12
E. TEXTILES AND BASKETRY

1983. Hays, Mary V. and Ralph E. Hays. Fukusa: The Shojiro Nomura Fukusa
Collection. Oakland, CA: Mills College Art Gallery. [exhibition catalog].
1984. Stinchecum, Amanda Mayer, et al. Kosode: 16th-19th Century Textiles from the
Nomura Collection. New York: Japan Society. [exhibition catalog].
1988. North Carolina Museum of Art. Robes of Elegance: Japanese Kimonos of the 16th-
20th Centuries. Raleigh: North Carolina Museum of Art. [exhibition catalog]
1990. Kennedy, Alan. Japanese Costume, History and Tradition. Paris: Adam Biro.
1990. Shaver, Ruth M. Kabuki Costume. Second edition. Tokyo: Charles E. Tuttle Co.
1992. Gluckman, Dale Carolyn, Sharon Sadako Takeda et al. When Art Became Fashion,
Kosode in Edo-period Japan. Los Angeles County Museum of Art. [exhibition
catalog].
1992. Gluckman, Dale Carolyn; Sharon Sadako Takeda, Hollis Goodall Cristante, “When
Art Became Fashion, Kosode in Edo Period Japan,” Orientations 23.9
(September 1992): 34-44.
1992. Nagasaki, Iwao, et al. Patterns and Poetry: Nō Robes from the Lucy Truman
Aldrich Collection at the Museum of Art, Rhode Island School of Design.
Providence, RI: Rhode Island School of Design. [exhibition catalog].
1993. Rathbun, William Jay, ed. Beyond the Tanabata Bridge, Traditional Japanese
Textiles. Thames and Hudson in association with the Seattle Art Museum.
1995. Hays, Mary V. and Ralph E. Hays, “No Drama Costumes and Other Japanese
Costumes in The Art Institute of Chicago,” in The Art Institute of Chicago
Museum Studies 18.1 (1995): 20-36.
1995. Siffert, Betty Y. “Hinagata Bon: The Art Institute of Chicago Collection of
Kimono Pattern Books,” in The Art Institute of Chicago Museum Studies 18.1
(1995): 86-94.
1997. Kennedy, Alan. “Out of Line – the Pictorial Impulse in Edo Period Kesa,”
Orientations 28.4 (April 1997): 70-77.
1998. Tai, Susan Shin-tsu, ed. Carved Paper: The Art of the Japanese Stencil. Santa
Barbara and New York: Santa Barbara Museum of Art and Weatherhill.
1999. Graham, Patricia J. "The Appreciation of Chinese Flower Baskets in Premodern
Japan," in Joseph N. Newland, ed. Japanese Bamboo Baskets: Masterworks of
Form and Texture, from the Collection of Lloyd Cotsen. Los Angeles: Cotsen
Occasional Press.
F. THEATRICAL ARTS: COSTUMES AND MASKS

1977. Okochi, Sadao, trans. and adapted by Louise Allison Cort and Monica Bethe.
Tokugawa Collection of Nō Robes and Masks. New York: Japan Society.
1983. Nakanishi, Toru and Kiyonori Komma. Noh Masks. Tokyo: Hoikusha.
1990. Kennedy, Alan. Japanese Costume, History and Tradition. Paris: Adam Biro.
1992. Nagasaki, Iwao, et al. Patterns and Poetry: Nō Robes from the Lucy Truman
Aldrich Collection at the Museum of Art, Rhode Island School of Design.
Providence, RI: Rhode Island School of Design. [exhibition catalog].
13
1993. Bernegger, Brigit. Nō Masken im Museum Rietburg, Zurich. Zurich: Museum

Rietburg.
1995. Hays, Mary V. and Ralph E. Hays, “No Drama Costumes and Other Japanese
Costumes in The Art Institute of Chicago,” in The Art Institute of Chicago
Museum Studies 18.1 (1995): 20-36.
1995. Irvine, Gregory. "Collecting a Tradition: The Japanese Mask Collection of the
Victoria and Albert Museum." Oriental Art 61.3 (1995): 2-9.
1997. Leiter, Samuel, ed. Japanese Theater in the World. Tokyo, New York, Munich:
The Japan Foundation, Japan Society, Inc., Museum Villa Stuck, and the
Tsubouchi Memorial Theater Museum, Waseda University. [exhibition catalog].
4. PAINTINGS, PRINTS, AND CALLIGRAPHY

A. PAINTING AND CALLIGRAPHY (Note: for studies specifically on Ukiyoe--see
section 4B, below)
1. Broad Studies
1911. Morrison, Arthur. The Painters of Japan. 2 vols. London and Edinburgh: T. C. &
E. C. Jack
1966. Hillier, Jack. Japanese Paintings from the Collection of Mr. And Mrs. Richard P.
Gale. Minneapolis: The Minneapolis Institute of Arts. [exhibition catalog].
1967. Shimizu, Yoshiaki. Japanese Paintings: From the Collection of Joe D. Price.
Lawrence, KS: Museum of Art, the University of Kansas. [exhibition catalog].
1970. Grilli, Elise. The Art of the Japanese Screen. Tokyo: Weatherhill.
1971. Murase, Miyeko. Byōbu: Japanese Screens from New York Collections. New
York: The Asia Society. [exhibition catalog]
1976. McCallum, Donald F. "Edo Paintings from the Brotherton Collection at the Los
Angeles County Museum of Art," Oriental Art 22.1 (1976): 97-100.
1977. French, Calvin L. et al. Through Closed Doors: Western Influence on Japanese Art
1639-1853. Rochester, MI: Oakland University, Meadow Brook Art Gallery.
1979. Meech-Pekarik, Julia. "Twelve Japanese Screens." The Metropolitan Museum of
Art Bulletin 37.2 (fall 1979).
1979. Rosenfield, John, et al. Song of the Brush. Seattle: Art Museum. [exhibition
catalog]
1981. Addiss, Stephen. "Edo Period Paintings in the New Orleans Museum of
Arts," Orientations 12.6 (June 1981): 8-22.
1982. Birmingham Museum of Art. Japanese Paintings 1600-1900 from the New Orleans
Museum of Art. Birmingham, Alabama: The Birmingham Museum of Art.
1983. Adams, Celeste, and Paul Berry. Heart Mountain and Human Ways, Japanese
Landscape and Figure Painting. Houston: The Museum of Fine Arts. [exhibition
catalog].
1984. Cunningham, Louisa. The Spirit of Place: Japanese Paintings and Prints of the
16th Through 19th Centuries. New Haven: Yale University Art Gallery.
1985. Shimizu, Yoshiaki and John Rosenfield. Masters of Japanese Calligraphy 8th-19th
Century. New York: Asia Society and Japan Society. [exhibition catalog]
14
1985. Miyajima Shin’ichi and Yasuhiro Sato. Japanese Ink Painting. Los Angeles: Los
Angeles County Museum of Art. [exhibition catalog]
1986. Los Angeles County Museum of Art. Masterpieces from the Shinenkan Collection.
Los Angeles. [exhibition catalog].
1986. Murase, Miyeko. Tales of Japan: Scrolls and Prints from the New York Public
Library. New York: Oxford University Press. [exhibition catalog]
1986. Singer, Robert T. "Masterpieces from the Shin'enkan Collection, Japanese
Paintings of the Edo Period," Orientations 17.6 (June 1986): 29-41.
1988. Fister, Patricia. Japanese Women Artists 1600-1900. Lawrence, Kansas: Spencer
Museum of Art, University of Kansas. [exhibition catalog].
1988. Rosenfield, John. Extraordinary Persons: Japanese Artists (1560-1860) in the
Kimiko and John Powers Collection. Harvard University Art Museums.
1989. Owyoung, Steven D. "Japanese Calligraphy and Painting." The Saint Louis Art
Museum Bulletin new series 19.2 (Winter 1989).
1989. Wheelwright, Carolyn. Word in Flower, the Visualization of Classical Literature in
Seventeenth Century Japan. New Haven: Yale University Art Gallery. [exhibition
catalog].
1990. Fister, Patricia. "Women Artists in Traditional Japan," in Marsha Weidner, ed.
Flowering in the Shadows: Women in the History of Chinese and Japanese
Painting. Honolulu: University of Hawaii Press, 219-240.
1990. Murase, Miyeko. Masterpieces of Japanese Screen Painting: the American
Collections. New York: Braziller.
1991-92. Graham, Patricia J. "A Heterodox Painting of Shussan Shaka in Late Tokugawa
Japan," Artibus Asiae, Part I, 51.3-4 (1991): 275-292 and Part II, 52.1-2 (1992):
131-145.
1991. Lillehoj, Elizabeth. Legend in Japan: Art from the Boone Collection of the Field
Museum of Natural History. Chicago: De Paul University Art Gallery [exhibition
catalogue].
1992. Ushioda, Yoshiko. Tales of Japan: Three Centuries of Japanese Painting from the
Chester Beatty Library, London. Alexandria, VA: Art Services International.
1995. Kuroda Taizō et al. Worlds Seen and Imagined: Japanese Screens from the
Idemitsu Museum of Arts. New York: The Asia Society Galleries. [exhibition
catalog].
1995. Lillehoj, Elizabeth. Women in the Eyes of Man: Images of Women in Japanese Art
from the Field Museum. Chicago: The Smart Museum, University of Chicago.
1997. Fister, Patricia. “Feminine Perceptions in Japanese Art of the Kinsei Era.” Japan
Review 8 (1997): 3-21.
1997. Impey, Oliver. The Art of the Japanese Screen. Oxford: Ashmolean Museum and
Weatherhill.
1998. Hempel, Rose. Zeichen der Freundschaft. Maler-Alben, Fächer, Rollbilder aus
Japan (Signs of Friendship, Painter’s albums, fans, hanging scrolls from Japan).
Hamburg [exhibition catalog].
15
1998. Murase, Miyeko, ed. Herbstwind in den Kiefern. Japanische Kunst der Sammlung
Langen (Wind in the Pines. Japanese Art from the Langen collection [mainly
paintings of the Edo period]). Ausstellungskatalog. München/London/New York:
Prestel.
1999. Lippit, Yukio. "The Surrogate Signature in Seventeenth-Century Japan," in: The
Transactions of the International Conference of Eastern Studies (Tokyo: Tōhō
Gakkai) 44 (1999): 70-97.
1999. Rosenfield, John M. Extraordinary Persons: Works by Eccentric, Nonconformist
Japanese Artists of the Early Modern Era (1580-1868) in the Collection of
Kimiko and John Powers. three vols. Cambridge, MA: Harvard University Art
Museums.
2000. Hickman, Money L. Painters of Edo Japan: 1615/1868. Indianapolis: Indianapolis
Museum of Art. [exhibition catalogue].
2000. Teramoto, John. “Problems of Corporeality in Japanese Painting.”in: Kuriyama,
Shigehisa, ed. International Symposium: The Imagination of the Body and the
History of Bodily Experience. Kyoto: International Research Center for Japanese
Studies: 193-215.
2001 Clark, Timothy. 100 Views of Mount Fuji. London and New York: The British
Museum and Weatherhill [exhibition catalogue].
2001. Cunningham, Michael. Unfolding Beauty: Japanese Screens from the Cleveland
Museum of Art. Cleveland: Cleveland Museum of Art. [exhibition catalog].
2001. Graham, Patricia J. "Chinese Scholarly Imagery in Edo Period Paintings at the
Indianapolis Museum of Art." Orientations 32.3 (March 2001): 78-92.
2001. Woodson, Yoko. Zen Painting and Calligraphy 17th-20th Century. San Francisco:
Asian Art Museum [exhibition catalog].
2002. Jordan, Brenda and Victoria Weston, ed. Copying the Master and Stealing His
Secrets: Talent and Training in Japanese Painting. Honolulu: University of
Hawaii Press.
2. Studies on Individual Artists and Lineages

1970. Awakawa, Yasuichi. Zen Painting. Tokyo: Kodansha International.
1971. Stern, Harold. Rimpa. New York: Japan Society [exhibition catalog].
1972. Cahill, James. Scholar-Painters of Japan: The Nanga School. New York: The Asia
Society [exhibition catalog].
1973. Moes, Robert. Rosetsu. Denver: Denver Art Museum [exhibition catalog].
1974. French, Calvin L. et al. The Poet-Painters: Buson and His Folllowers. Ann Arbor:
The University of Michigan Museum of Art [exhibition catalog].
1974. French, Calvin L. Shiba Kōkan: Artist, Innovator, and Pioneer in the
Westernization of Japan. Tokyo: Weatherhill.
1974. Hillier, Jack. The Uninhibited Brush: Japanese Art in the Shijo Style. London:
Hugh M. Moss.
1976. Addiss, Stephen. Zenga and Nanga: Paintings by Japanese Monks and Scholars
from the Collection of Kurt and Millie Gitter. New Orleans: New Orleans
Museum of Art [exhibition catalog].
1978. Addiss, Stephen. Obaku: Zen Painting and Calligraphy. Lawrence, KS: Helen
Foresman Spencer Museum of Art, University of Kansas [exhibition catalog].
16
1979. Link, Howard. The Art of Shibata Zeshin: The Mr. And Mrs. James E. O’Brien
Collection at the Honolulu Academy of Arts. Honolulu: Robert G. Sawers.
1980. Glum, Peter "Layers of Meaning and Lyric Echoes in A Japanese Screen Painting
of the Sotatsu School," Oriental Art 26.1 (1980): 72-81.
1980. Link, Howard A. Exquisite Visions: Rimpa Paintings from Japan. Honolulu:
Honolulu Academy of Arts [exhibition catalog].
1980. Sasaki, Johei. Okyo and the Maruyama-Shijo School of Japanese Painting. Saint
Louis: The Saint Louis Art Museum [exhibition catalog].
1980. Stanley-Baker, Joan. Nanga, Idealist Painting of Japan. Art Gallery of Greater
Victoria.
1981. Addiss, Stephen. “Japanese Nanga in the Western World,” Oriental Art
27.2 (1981): 172-182.
1981. Rucinski, J. "The Noble Cockerel: The Art of Itō Jakuchu," Orientations
12.2 (February 1981): 13-21.
1981-82. Papapavlou, Clare. “On Buson’s Haiga Illustrations for Basho’s Nogarashi
kikô,” Oriental Art 27.4 (1981-2): 413-422.
1981. Shimizu, Yoshiaki. “Workshop Management of the Early Kano Painters, ca. A.D.
1530-1600,” Archives of Asian Art 34 (1981): 32-47.
1981. Wheelwright, Carolyn. “Kano Painters of the Sixteenth Century A.D.: The
Development of Motonobu’s Daisen-in Style,” Archives of Asian Art 34 (1981):
6-30.
1981. Wheelwright, Carolyn. "A Visualization of Eitoku's Lost Paintings at Azuchi
Castle," in George Elison and Bardwell Smith, ed. Warlords, Artists, and
Commoners: Japan in the Sixteenth Century. Honolulu: University of Hawaii
Press, 87-111.
1982.Cahill, James. “Yosa Buson and Chinese Painting.” The Proceedings of the Fifth
International Symposium on the Conservation and Restoration of Cultural
Properties. Tokyo: Tokyo National Research Institute of Cultural Properties.
1982.Zolbrod, Leon M. Haiku Painting. New York: Kodansha International.
1983.Cahill, James. Sakaki Hyakusen and Early Nanga Painting. Berkeley: Center for
Japanese Studies, University of California, Japan Research Monograph 3.
Fister, Patricia. "Figure Paintings of the Maruyama-Shijo School in the Kurt and
Millie Gitter Collection," Orientations 14.12 (December 1983): 12-21.
1983. Mizuo Hiroshi, “A Portrait of Hon’ami Koetsu.” Chanoyu Quarterly 34 (1983):
21-52.
1983. Ōmori Sōgen and Translated by John Stephens. Katsujō. Zen and the Art of
Calligraphy. London: Arkana.
1983. Takeuchi, Melinda. “Ike Taiga: A Biographical Study,” Harvard Journal of
Asiatic Studies 43.1 (1983): 141-186.
1984. Addiss, Stephen. The World of Kameda Bōsai. New Orleans Museum of Art.
1984. Graham, Patricia J. "Nanga Painters of Nagoya," Orientations 15.10 (October
1984): 34-48.
1984. Kanda, Christine Guth. "Watanabe Shiko's Irises." The Bulletin of the Cleveland
Museum of Art 71.7 (September 1984): 240-251.
17
1984. Kita, Sandy. "An Illustration of the Ise Monogatari: Matabei and the Two Worlds
of Ukiyo." The Bulletin of the Cleveland Museum of Art 71.7 (September 1984):
252-267.
1984. Sasaki, Jōhei. “The Era of the Kanō School,” Modern Asian Studies 18.4 (1984):
647-656.
1984. Takeuchi, Melinda. "Tradition, Innovation, and 'Realism' in a Pair of Eighteenth-
Century Japanese Landscape Screens," Register (Spencer Museum of Art,
University of Kansas) 6.1 (1984): 34-66.
1985. Fister, Patricia “Yokoi Kinkoku and the Nagoya Haikai World,” Oriental Art 31.2
(1985): 392-408.
1985. Graham, Patricia J. "Japan Through An Artist's Eye, The True-View
Pictures of Yamamoto Baiitsu," Orientations 16.2 (February 1985):12-27.
1985. Murase, Miyeko. “Themes from Three Romantic Narratives of the Heian Period.”
Apollo 276 (February 1985): 100-107.
1985. Williams, Marjorie. "The Brilliance of Poem in Pattern, Edo Period
Paintings of the Tales of Ise," Orientations 16.7 (July 1985): 29-43.
1986. Addiss Stephen. "The Life and Art of Fugai Ekun." The Eastern Buddhist 19.1
(1986).
1986. Addiss, Stephen, ed. The Japanese Quest for a New Vision: The Impact of Visiting
Chinese Painters, 1600-1900. Lawrence, Kansas: Spencer Art Museum, The
University of Kansas. [exhibition catalog].
1986. Guth, Christine M.E. “Varied Trees: An I’nen Seal Screen in the Freer Gallery of
Art,” Archives of Asian Art 39 (1986): 48-61.
1986. Kondo Hidemi. “Shen Nanpin’s Japanese Roots,” Ars Orientalis 19 (1989):79-
102.
1986. Wheelwright, Carolyn. “Tohaku’s Black and Gold,” Ars Orientalis 16 (1986): 1-
31.
1986. Wheelwright, Carolyn. "Taking Shelter from the Rain, A Genroku Period
Genre Painting by Hanabusa Itchō," Orientations 17.9 (September 1986):
18-25.
1987. Addiss, Stephen. Tall Mountains and Flowing Waters, the Art of Uragami
Gyokudō. Honolulu: University of Hawaii Press.
1987. Brown, Kendall H. “Shōkado Shōjō as ‘Tea Painter.’ ” Chanoyu Quarterly
49 (1987): 7-40.
1987. Meadows, Anne. “The Paintings of Matsumura Goshun and his Change in Style
from Nanga to Shaseiga,” Oriental Art 33.2 (1987): 165-174.
1989. Addiss, Stephen. The Art of Zen: Paintings and Calligraphy by Japanese Monks
1600-1925. New York: Abrams. [exhibition catalog].
1989. Best, Sarah L. "Memoirs of an Eastern Journey: by Karasumaru Mitsuhiro
in the Spencer Museum of Art," Orientations 20.12 (December 1989): 66-
69.
1989. Brown, Yu-ying. “Kaempfer’s Album of Famous Sights of Seventeenth Century
Japan,” The British Library Journal 15.1 (1989): 90-103.
1989. Chance, Frank. "Tani Bunchō's Eight Views of Xiao and Xiang: Origins,
Ideas, Implications." The Bulletin of the Cleveland Museum of Art 76.8
(October 1989): 266-279.
18
1989. Hickman, Money L. and Yasuhiro Sato. The Paintings of Jakuchu. New York: the
Asia Society. [exhibition catalog].
1989. Mason, Penelope E. “Seisen’in and his Sketches: A Kanō Master and Edo Castle,”
Monumenta Nipponica 43.2 (1989): 187-196.
1990. Addiss, Stephen. "The Three Women of Gion," in Marsha Weidner, ed. Flowering
in the Shadows: Women in the History of Chinese and Japanese Painting.
Honolulu: University of Hawaii Press, 241-263.
1990. Fister, Patricia. "The Impact of Shugendō on the Painting of Yokoi Kinkoku. Ars
Orientalis 18 (1990): 163-195.
1990. Fister, Patricia. "The Life and Art of Chō Kōron," in Marsha Weidner, ed.
1990. Graham, Patricia J. "Lifestyles of Scholar-Painters in Edo Japan." The Bulletin of
the Cleveland Museum of Art 77.7 (September 1990): 262-283.
1990. Nakahashi, Gratia Williams. "The Bodhisattva Jizo Playing a Flute by Kano
Tan'yu," Orientations 21.12 (December 1990): 36-45.
1990. Stevens, John with Alice Rae Yelen. Zenga: Brushstrokes of Enlightenment. New
Orleans: New Orleans Museum of Art. [exhibition catalog].
1991. Fister, Patricia. "Female Bunjin: The Life of Poet-Painter Ema Saikō, in Bernstein,
Gail Lee, ed. Recreating Japanese Women, 1600-1945. Berkeley: University of
California Press.
1991. Kita, Sandy. "A Court Painting of a ‘Fast Bull’ in the Cleveland Museum of Art,"
1992. Kita, Sandy. “The Bulls of the Chōmyō-ji: A Joint Work by Sotatsu and
Mitsuhiro,” Monumenta Nipponica 47.4 (1992): 492-520.
1992. Mostow, Joshua S. “Painted Poems, Forgotten Words: Poem-pictures and
Classical Japanese Literature,” Monumenta Nipponica 47.3 (1992): 323-346.
1992. Shimizu, Yoshiaki. “Multiple Commemorations: The Vegetable Nehan of Itō
Jakuchū, chapter 8 of: Sanford, James H. et. al., ed. Flowing Traces: Buddhism in
the Literary and Visual Arts of Japan. Princeton, NJ: Princeton University Press,
201-233.
1992. Stanley-Baker, Joan. The Transmission of Chinese Idealist Painting to Japan:
Notes on the Early Phase (1661-1799). Ann Arbor: Center for Japanese Studies,
the University of Michigan.
1992. Takeuchi, Melinda. Taiga's True Views, the Language of Landscape Painting in
Eighteenth Century Japan. Stanford, CA: Stanford University Press.
1993. Addiss, Stephen. “Yamanaka Shintenō: The Albatross of Japanese Painting,”
1993. Graham, Patricia J. “Two Artists of the Edo Period, a review article” 48.1 (1993):
89-99.
1993. Kono, Motoaki. "The Workshop System of the Kano School of Painting," in
Isabella Stewart Gardner Museum, ed. Fenway Park Papers (publication of a
January 1993 symposium on the Iemoto System in Japanese Arts). Boston:
Isabella Stewart Gardner Museum, 19-29.
1993. Rosenfield, John M. "Japanese Painting Workshops and the Gardner Museum
Collections," in Isabella Stewart Gardner Museum, ed. Fenway Park Papers
19
(publication of a January 1993 symposium on the Iemoto System in Japanese

Arts). Boston: Isabella Stewart Gardner Museum, 8-17.
1993. Rosenfield, John M. “Japanese Studio Practice: The Tosa Family and the Imperial
Painting Office in the Seventeenth Century,” in: Lukehart, Peter, ed. The Artist’s
Workshop. Washington, D.C.: National Gallery of Art, 79-102.
1993. Takeuchi, Melinda. "Individualism in Perpetuity: Ike Taiga and the Tale of the
Taigadō Lineage," in Isabella Stewart Gardner Museum, ed. Fenway Park Papers
(publication of a January 1993 symposium on 'the Iemoto System in Japanese
Arts'). Boston: Isabella Stewart Gardner Museum, 85-103.
1993. Sasaki, Jōhei and Sasaki Masako. "The Formation and Development of Japanese
Painting Schools," in Isabella Stewart Gardner Museum, ed. Fenway Park Papers
(publication of a January 1993 symposium on the Iemoto System in Japanese
Arts). Boston: Isabella Stewart Gardner Museum, 46-59.
1993. Woodson, Yoko. “Nanga Paintings from the Harry G. C. Packard Collection in the
Asian Art Museum of San Francisco,” Orientations 24.4 (April 1993): 50-57
1994. Phillips, Quitman E. “Honchō gashi and the Kano myth,” Archives of Asian Art 47
(1994): 46-57.
Spencer Collection. Minneapolis Institute of Art. [exhibition catalog]
1995. Addiss, Stephen. Haiga: Takebe Sōchō and the Haiku-Painting Tradition.
Richmond, VA: Marsh Art Gallery in association with the University of Hawaii
Press. [exhibition catalog].
1995. Jungmann, Burglind. “Confusing Traditions: Elements of Korean An Kyōn
School in Early Japanese Nanga Painting,” Artibus Asiae 55.3-4 (1995): 303-318.
1995. Murase Miyeko. “The Evolution of Meisho-e and the Case of the Mutamagawa,”
Orientations 26.1 (January 1995): 94-100.
1996. Kuroda, Taizō “Reception and Variation of Chinese Styles: Ink Painting in Japan
and the Role of Hasegawa Tōhaku,” Orientations 27.2 (February 1996): 46-50.
1996. Mostow, Joshua S. Pictures of the Heart: The Hyakunin Isshu in Word and Image.
Honolulu: University of Hawaii Press
1996. Phillips, Quitman Eugene. “The Price Shuten dōji Screens: A Study of Visual
Narrative,” Ars Orientalis 26 (1996): 1-22.
1997. Brown, Kendall H. The Politics of Reclusion: Painting and Power in Momoyama
Japan. Honolulu: University of Hawaii Press.
1997. Gerhart, Karen M. “Honchōgashi and Painting Programs: Case Studies of Nijo
Castle’s Ninomaru Palace and Nagoya Castle’s Honmaru Palace,” Ars Orientalis
27 (1997): 67-97.
1997. Gerhart, Karen M. “Tokugawa Authority and Chinese Exemplars: The Teikan
zusetsu murals of Nagoya Castle,” Monumenta Nipponica 5.1 (1997): 25-68.
1997. Kita, Sandy. “Kaikoku michi no ki: A 17th Century Travelogue by Iwasa Matabei
(1578-1650),” Monumenta Serica 45 (1997): 309-352.
1997. McKelway, Matthew P. “The Partisan View: Rakuchū-rakugai Screens in the
Mary Jackson Burke Collection,” Orientations 2.2 (February 1997): 48-57
1997. Seo, Audrey Yoshiko. “The Flight of the Cranes: A Pair of Six-Panel Screens by
Soga Shōhaku,” Orientations 27.11 (November 1996): 28-36
20
1998. Yamane, Yūzō, et. al. Rimpa Art from the Idemitsu Collection, Tokyo. London:
British Museum. [exhibition catalog].
1999. Kita, Sandy. The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e.
Honolulu: University of Hawaii Press.
2000. Epprecht, Katharina. Hasegawa Tōhaku (1539-1610) : Untersuchungen zu
Biographie, Frühwerk und Tuschmalerei der Reifezeit. (in German) Schweizer
Asiatische Studien. Monographien, vol 39. Bern and New York : P. Lang.
2000. Fischer, Felice, et al. The Arts of Hon'ami Kōetsu, Japanese Renaissance Master.
Philadelphia: Philadelphia Museum of Art. [exhibition catalog].
2000. Johnson, Hiroko. "Itō Jakuchū and His Innovative Approach in Painting." Oriental
Art 46.1 (2000): 28-34.
2001. Graham, Patricia J. "Ōkubo Shibutsu, Vagabond Poet of Edo, and His Nanga
Painter-friends." Kaikodo Journal 20 (fall 2001): 63-73.
2001. Hickman, Money. "Shōhaku the 'Eccentric' and his Paintings in the Indianapolis
Museum of Art." Orientations 32.3 (March 2001): 93-102.
B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS

1. Broad Studies
1896. Fenollosa, Ernest. The Masters of Ukiyo-e. A Complete Historical Description of
Japanese Paintings and Color Prints of the Genre School. New York: W.H.
Ketcham.
1922. Stewart, Basil. Subjects Portrayed in Japanese Prints. New York: E. P. Dutton.
1923. Binyon, Laurence and J.J. O’Brien Sexton. Japanese Colour-Prints. London:
Ernest Benn Limited. Reprinted in 1954, 1960, 1978.
1955. Art Institute of Chicago. The Clarence Buckingham Collection Of Japanese Prints.
Chicago: Art Institute of Chicago.
1964. Ouwehand, C. Namazu-e and their Themes: An Interpretive Approach to Some
Aspects of Japanese Folk Religion. Leiden: E. J. Brill, 1964.
1966. Young, Martie, and Robert Smith. Japanese Painters of the Floating World. Ithaca,
N.Y.: Andrew Dickson White Museum of Art, Cornell University. [exhibition
catalog].
1968. Stern, Harold. Master Prints of Japan. New York: Abrams. [exhibition catalog].
1973. Stern, Harold P. Ukiyo-e Paintings. Washington, D.C.: Smithsonian Institution,
Freer Gallery of Art. [exhibition catalog].
1977-90: Rappard-Boon, Charlotte van et.al. Catalogue of the Collection of Japanese
Prints, 5 vols. Amsterdam: Rijksmprentenkabinet, Rijksemuseum.
1978. Hickman, Money L. "Views of the Floating World." Bulletin of the Museum of
Fine Arts, Boston 76 (1978): 4-33.
1978. Lane, Richard. Images from the Floating World: the Japanese Print. Secaucus, NJ:
Chartwell Books.
1980. Edoardo Chiossone Museum of Oriental Art. Ukiyo-e Prints and Paintings from
the Early Masters to Shunsho. Genoa, Italy: Edoardo Chiossone Museum of
Oriental Art.
21
1980. Hillier, Jack and Lawrence Smith. Japanese Prints--300 Years of Albums and
Books. British Museum.
1980. Illing, Richard. The Art of Japanese Prints. New York: Gallery Books.
1980. Link, Howard A., with the assistance of Juzo Suzuki and Roger S. Keyes.
Primitive Ukiyo-e from the James A. Michener Collection in the Honolulu
Academy of Arts. Honolulu: Published for the Honolulu Academy of Arts by the
University Press of Hawaii.
1982. Forrer, Matthi, ed. Essays on Japanese Art Presented to Jack Hillier. London: R.G.
Sawers.
1982. Kanagawa Prefectural Museum, ed. Japan and the West in Japanese Prints:
International Exchange Exhibition. Yokohama: Kanagawa Prefecture
International Exchange Executive Committee.
1982. Munsterberg, Hugo. Japanese Prints: A Historical Guide. Tokyo: Weatherhill.
1983. Waterhouse, David. Early Japanese Prints in the Philadelphia Museum of Art .
Toronto: University of Toronto-York University, Joint Centre on Modern East
Asia.
1983. Williams, Marjorie. Japanese Prints: Realities of the Floating World. Cleveland:
Cleveland Museum of Art. [exhibition catalog].
1984. Cunningham, Louisa. The Spirit of Place: Japanese Paintings and Prints of the
16th Through 19th Centuries. New Haven: Yale University Art Gallery.
1985. Addiss, Stephen, ed. Japanese Ghosts and Demons: Art of the Supernatural. New
York: Braziller and the Spencer Museum of Art, University of Kansas. [exhibition
catalog].
1986. Goodwin, Shauna J. The Shape of Chic: Fashion and Hairstyles in the Floating
World. New Haven: Yale University Art Gallery. [exhibition catalog].
1987. Hillier, Jack. The Art of the Japanese Book, 2 vols. London: Sotheby's.
1987. Plutschow, Herbert. " Bijin Paintings from the Harari Collection,"
Orientations 18.10 (October 1987): 60-65.
1988. Brown, Yu-Ying. Japanese Book Illustration.London & Wolfboro, NH: British
Library.
1988. Meech-Pekarik, Julia, with catalogue entries by Christine Guth. The Matsukata
Collection of Ukiyo-e Prints: Masterpieces from the Tokyo National Museum.
New Brunswick, N.J.: Jane Voorhees Zimmerli Art Museum, Rutgers, the State
University of New Jersey.
1988. Smith, Lawrence, ed. Ukiyoe: Images of Unknown Japan. London: British Museum
Publications.
1989. Kanada, Margaret Miller. Color Woodblock Printmaking: The Traditional Method
of Ukiyo-e. Tokyo, Japan: Shufunotomo.
1989. Keyes, Roger. The Male Journey in Japanese Prints. Berkeley: University of
California Press.
1990. Keyes, Roger. The Edward Burr van Vleck Collection of Japanese Prints.
Madison, WI: Elvehjem Museum of Art, University of Wisconsin.
1990. Newland, Amy and Chris Uhlenbeck, ed. Ukiyo-e to Shin Hanga: The Art of
Japanese Woodblock Prints. New York: Mallard Press.
22
1991. Avitabile, Gunhild. Early Masters: Ukiyo-e Prints and Paintings from 1680 to
1750. Translation by Celia Brown. New York: Japan Society Gallery. [exhibition
catalog].
1991. Faulkner, Rupert and Richard Lane. Masterpieces of Japanese Prints, the
European Collections, Ukiyo-e from the Victoria and Albert Museum. Tokyo:
1991. Hillier, Jack. The Japanese Picture Book: A Selection From the Ravicz Collection.
New York: Abrams.
1991. Rappard-Boon, Charlotte van., William. van Gulik, and K. van Bremen-Ito,
Catalogue of the van Gogh Museum's Collection of Japanese Prints. Amsterdam.
1991. Thompson, Sarah E. and H.D.Harotoonian. Undercurrents in the Floating World:
Censorship and Japanese Prints. NY: Asia Society. [exhibition catalog].
1992. Clark, Timothy. Ukiyo-e Paintings in the British Museum. London.
1993. Green, William, comp. Japanese Woodblock Prints, a bibliography of writings
from 1822-1993, entirely or partly in English text. Leiden: Ukiyo-e Books and the
Ukiyo-e Society of America.
1993. Hornby, Joan and Anne-Birgitte Fonsmark. Ukiyo-e. Japanske farvetraesnit,
bloktrykte boeger og album, surimono fra danske Samlinger (Ukiyo-e. Japanese
color prints, woodblock printed books and albums, surimono from Danish
collections). Ny Carlsberg Glyptotek, Dansk-Japansk Selskab, Copenhagen. (text
in Danish/English) [exhibition catalog]
1993. Jenkins, Donald, ed. The Floating World Revisited. Portland, OR: Portland Art
Museum. [exhibition catalog].
1994. Birmingham Museum of Art, ed. Van Gogh's Japanese Prints. Birmingham,
Alabama: Birmingham Museum of Art. [exhibition catalog].
1994. Forrer, Matthi. The Bauer Collection, Geneva: Japanese Prints. 2 vols. Geneva:
Collections Bauer.
1994. Kornicki, Peter F. "The Emergence of the Printed Book in Japan: A Comparative
Approach," in Andrew Gerstle, ed. Recovering the Orient : Artists, Scholars,
Appropriations (Studies in Anthropology and History 11). Chur: Harwood
Academic Publishers, 229-243.
1994. Kraft, Eva. Japanische Handschriften und traditionelle Drucke aus der Zeit vor
1868 in München. Neuerwerbungen der Bayerischen Staatsbibliothek (Japanese
manuscripts and traditional prints from pre-1868 in Munich, New acquisitions of
the Bavarian state library). Stuttgart: Franz Steiner Verlag.
1994. Screech, Timon. “The Meaning of Western Perspective in Edo Popular Culture,”
Archives of Asian Art 47 (1994): 58-69.
1995. Baten, Lea. Playthings and Pastimes in Japanese Prints. New York: Weatherhill.
1995. Hempel, Rose. Ukiyo-e. Meisterwerke des japanischen Holzschnittes aus dem
Kupferstich-Kabinett Dresden (Masterpieces of Japanese woodblock prints
from the in Dresden). New York and Dresden: Kupferstich-Kabinett.
1995. Kerlen, Henry. Pre-Meiji Japanese Books and Maps in Public Collections in the
Netherlands. Leiden: Hotei Puiblishing.
1996. Japan Art Abroad Research Project, ed. Index of Ukiyo-e in Western Collections.
Kyoto: International Research Center for Japanese Studies.
23
1996. Kita, Sandy. A Hidden Treasure: Japanese Prints from the Carnegie Museum of
Art. Pittsburgh: Carnegie Museum of Art. [exhibition catalog].
1996. Screech, Timon. The Western Scientific Gaze and Popular Imagery in Later Edo
Japan: the Lens Within the Heart. New York: Cambridge University Press.
Reprinted by University of Hawaii Press, 2002.
1996. Swinton, Eizabeth de Sabato, et al. The Women of the Pleasure Quarters. New
York: Husdon Hills in association with the Worcester Art Museum. [exhibition
catalog].
1997. Clark, Timothy T. “Mitate-e: Some Thoughts and a Summary of Recent Writings,”
Impressions 19 (1997).
1997. Hempel, Rose. Meisterwerke des japanischen Farbholzschnitts. Die Sammmlung
Otto Riese (Masterpieces of Japanese colour woodblock prints. The Otto Riese
Collection). München.
1997. Jones, Sumie, ed. Imagining/Reading Eros: Proceedings for the Conference,
Sexuality and Edo Culture, 1750-1850. Bloomington IA: Center for East Asian
Studies.
1997. Kobayashi, Tadashi. Mark A. Harbison (Translator). Ukiyo-e: An Introduction to
Japanese Woodblock Prints. New York: Kodansha International.
1997. Kondo Eiko. Schön wie Blumen. Japanische Farbholzschnitte des 19. Jahrhunderts
aus dem Wilhelm Lehmbruck Museum Duisburg (Beautiful as Flowers, Japanese
woodblock prints of the 19th Century from the Wilhelm Lehmbruck Museum
Duisburg). Oberhausen: Plitt Druck und Verlag Gmbh.
1997. Rousmaniere, Nicole. “The Accessioning of Japanese Art in Early 19th Century
America: Ukiyo-e Prints in the Peabody-Essex Museum, Salem,” Apollo 145.421
(new series, March 1997): 23-29.
1998. Asano Shugo. “An Overview of Surimono,” Impressions 20 (1998).
1998. Hickey, Gary. Beauty and Desire in Edo Period Japan. Canberra: National Gallery
of Australia. [exhibition catalog].
1998. Hillier, Mary and Peter Dailey, editors. “Journey to the Land of Rosetsu: Jack
Hillier's Letters from Japan (1970),” Impressions 20 (1998).
1998. Kornicki, Peter F. The Book in Japan: A Cultural History From the Beginnings to
the Nineteenth Century. Leiden and Boston: Brill. Reprinted by the University of
Hawaii Press, 2000.
1999. Coombs, Elizabeth I. “The Role of Discovery in Conservation: Reading History
from Japanese Prints,” Impressions 21 (1999).
1999. Duus, Peter. “Japan's First Modern Manga Magazine,” Impressions 21 (1999).
1999. Lane, Richard, ed. Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and
Albert Museum. New York: Kodansha International.
2000. Asano, Shūgō. “The Imagination and Experience of the Body in Edo Erotic Prints,”
in: Kuriyama, Shigehisa, ed. International Symposium: The Imagination of the
Body and the History of Bodily Experience. Kyoto: International Research Center
for Japanese Studies, 217-233.
2000. Clark, Timothy. “Prostitute as Bodhisattva: The Eguchi Theme in Ukiyo-e,”
2000. Kyrova, Magda, et al. The Ear Catches the Eye: Music in Japanese Prints. Den
Haag: Gemeentemuseum and Hotei Publishing. [exhibition catalog]
24
2000. Nakamachi Keiko; Translated and Adapted by Henry Smith and Miriam Wattles.
“Ukiyo-e Memories of Ise Monogatari,” Impressions 22 (2000).
2000. Screech, Timon. “Bubbles, East and West: An Iconic Encounter in 18th Century
Ukiyo-e,” Impressions 22 (2000).
2000. Uhlenbeck, Chris and Merel Molenaar. Mount Fuji: Sacred Mountain of Japan.
Groningen and Leiden: Groninger Museum and Hotei Publishing. [exhibition
catalog].
2000. Teramoto, John et al. Illusion and Reality: Edo Period Japanese Prints and
Paintings from the collection of Dr. and Mrs. William T. Price. Amarillo, TX:
Amarillo Museum of Art. [exhibition catalog].
2001 Clark, Timothy. 100 Views of Mount Fuji. London and New York: The British
Museum and Weatherhill [exhibition catalogue].
2001. Clark, Timothy, Anne Nishimura Morse and Louise Erica Virgin. The Dawn of the
Floating World, 1650-1765: Early Ukiyo-e Treasures from the Museum of Fine
Arts, Boston. London : Royal Academy of Arts ; New York : Distributed in the
U.S. and Canada by H.N. Abrams [exhibition catalog].
2001. Hockley, Allen. "Cameras, Photographs, and Photography in Nineteenth Century
Japanese Prints," Impressions 23 (2001).
2001. Kajiya, Kenji. "Reimagining the Imagined: Depictions of Dreams and Ghosts in the
Early Edo Period," Impressions 23 (2001).
2002. Garcia, Amaury. "Desentrañando 'lo pornográfico': La xilografía makura-e"
(Unscrambling "the pornographic": the makura-e prints). Anales (Instituto de
Investigaciones Estéticas, UNAM, Mexico) 79:23 (2002).
2002. Thompson, Sarah. "Poetry and Parody: Two Eighteenth-Century Ukiyo-e Prints,"
2002. Yonemura, Ann and contributions by Donald C. Keene, Andrew Gerstle, Elizabeth
de Sabato Swinton, Joshua Mostow, Lee Bruschke-Johnson, Allen Hockley, Julie
Nelson-Davis, and Ellis Tinios. Masterful Illusions: Japanese Prints in the Anne
van Biema Collection, by University of Washington Press in association with The
Arthur M. Sackler Gallery, Smithsonian Institution [exhibition catalogue].
2. Individual Artists, Types of Prints, and Lineages

1893. Fenollosa, E. F. Hokusai and His School. Boston: Museum of Fine Arts [exhibition
catalog].
1939. Henderson, Harold Gould and Louis V. Ledoux. The Surviving Works of Sharaku.
New York: E. Weyhe on behalf of the Society for Japanese Studies.
1961. Hillier, Jack. Utamaro: Color Prints and Paintings. Oxford: Phaidon.
1964.Ouwehand, C. Namazu-e and their Themes: An Interpretive Approach to Some
Aspects of Japanese Folk Religion. Leiden: E. J. Brill.
1964. Waterhouse, David. Harunobu and His Age: The Development of Colour Printing
in Japan. London: Trustees of the British Museum. [exhibition catalog].
1971. Jenkins, Donald. Ukiyo-e Prints and Paintings: The Primitive Period, 1680-1745.
Chicago: Art Institute of Chicago. [exhibition catalog].
1973. Keyes, Roger and Keiko Mizushima. The Theatrical World of Osaka Prints.
Boston: David R. Godine (on the collection in the Philadelphia Museum of Art).
25
1977. Brandt, Klaus J. Hosoda Eishi: (1756-1829), der japanische Maler und
Holzschnittmeister und seine Schüler. Stuttgart: K.J. Brandt.
1977. Link, Howard A. The Theatrical Prints of the Torii Masters. Honolulu: Honolulu
Academy of Arts. [exhibition catalog].
1980. Addiss, Stephen, ed. Tōkaidō: Adventures on the Road in Old Japan. Lawrence,
KS: The University of Kansas, Spencer Museum of Art. [exhibition catalog].
1980. Hillier, Jack. The Art of Hokusai in Book Illustration. London: Sotheby Parke
Bernet; Berkeley, Calif.: University of California Press.
1981. Addiss, Stephen. “Traveling the Tokaido with Hiroshige,” Orientations
12.4 (April 1981): 20-37.
1981. Lane, Richard. “Japanese Color Prints of the Primitive Period,” Oriental Art 27.4
(1981-2): 423-431.
1982. Kobayashi, Tadashi. Utamaro. Translated by Mark A. Harbison. Tokyo; New
York: Kodansha International.
1982. Oka, Isaburo. Hiroshige: Japan's Great Landscape Artist. Tokyo: Kodansha.
1982. Robinson, B.W. Kuniyoshi: The Warrior Prints. Ithaca, NY: Cornell University
Press.
1983. Narazaki, Muneshige. Sharaku: The Enigmatic Ukiyo-e Master. Tokyo: Kodansha.
1983. Vergez, Robert. Early Ukiyo-e Master: Okumura Masanobu. Tokyo: New York:
1984. Henderson, Harold G. and Louis V. Ledoux. Sharaku's Japanese Theater Prints,
an Illustrated Guide to his Complete World. New York: Dover.
1984. Lee, Sherman E. The Sketchbooks of Hiroshige. 2 vols. New York: Braziller.
1984. Keyes, Roger. Hirosada: Osaka Printmaker. Long Beach, CA: University Art
Museum, California State University, Long Beach. [exhibition catalog].
1984. Keyes, Roger. Surimono: Privately Published Japanese Prints in the Spencer
Museum of Art. New York: Kodansha International.
1985. Forrer, Matthi. Eirakuya Toshiro, Publisher at Nagoya. Amsterdam: J.C. Gieben
1985. Mason, Penelope and D. Lange Rosenzweig. Pleasures of the Twelve Hours:
Classic Ukiyo-e Prints. Florida State University. [exhibition catalog].
1985. Mayer, A. Hyatt. "Hokusai." The Metropolitan Museum of Art Bulletin 63.1
(Summer 1985).
1986. Poster, Amy and Henry D. Smith III. Hiroshige, One Hundred Famous Views of
Edo. New York: Braziller.
1986. Toby, Ronald P. "Carnival of the Aliens: Korean Embassies in Edo-Period Art and
Popular Culture," Monumenta Nipponica 41.4 (1986): 415-456.
1987. Keyes, Roger. Surimono from the Chester Beatty Collection. Alexandria, VA: Arts
Services International. [exhibition catalog].
1987. Takeuchi, Melinda. “Kuniyoshi’s Minamoto Raikō and the Earth Spider: Demons
and Protest in Late Tokugawa Japan,” Ars Orientalis 17 (1987): 5-38.
1988. Bogel, Cynthia, and Israel Goldman. Hiroshige: Birds and Flowers. New York:
Brazillier in association with the Rhode Island School of Design.
1988. Forrer, Matthi. Drawing by Utagawa Kuniyoshi from the Collection of the National
Museum of Ethnology, Leiden. Leiden.
1988. Forrer, Matthi. Hokusai. New York: Rizolli.
26
1988. Goodwin, Shauna. "The Realm of Pleasure: A Cherry Blossom Viewing

Picinic in the Brooklyn Museum," Orientations 19.6 (June 1988): 40-49.
1988. Kita, Sandy. “The Elvehjhem Museum Yanone Goro, A Late Example of the Torii
Tradition,” Oriental Art 34.2 (1988): 106-116.
1989. Lane, Richard. Hokusai: Life and Work. London: Barrie and Jenkins.
1989. Mirviss, Joan B. "The Jewels of Ukiyo-e: Hayashi's Spring Rain Collection of
Surimono Albums," Orientations 20.2 (February 1989): 26-37
1989. Morse, Peter. Hokusai: One Hundred Poets. London: Cassell.
1989. Schwaab, Dean J. Osaka Prints. New York: Rizolli International.
1990. Clark, Timothy. "Paintings by Hokusai in the British Museum,"
Orientations 21.8 (August 1990): 37-44.
1990. Schmidt, Steffi and Setsuko Kuwabara. Surimono, Kostbare japanische
Farbholzschnitte aus dem Museum fuer Ostasiatische Kunst Berlin. Berlin, D.
Reimer.
1990. Yonemura, Ann. Yokohama: Prints from 19th Century Japan. Washington, DC:
Smithsonian Institution. [exhibition catalog].
1991. Forrer, Matthi. Hokusai: Prints and Drawings. Munich: Prestel Verlag.
1991. Link, Howard A. Prints by Utagawa Hiroshige in the James A. Michener
Collection. 2 vols. Honolulu: Honolulu Academy of Arts.
1991. Pekarik, Andrew J. The Thirty-six Immortal Women Poets. New York: Braziller.
1992. Clark, Timothy. “Katsukawa Shunkō and the Revolution in Actor Portraiture,”
1992. Clark, Timothy. “The Rise and Fall of Nakazu,” Archives of Asian Art 45 (1992):
72-92.
1992. Hokusai Manga: the Sketchbooks of Hokusai, (limited edition facsimile edition).
Tokyo: Weatherhill.
1992. Sandler, Mark H. “The Traveler’s Way: Illustrated Guidebooks of Edo Japan,”
Asian Art and Culture 5.2 (Spring, 1992): 31-56.
1992. Swinton, Elizabeth de Sabato. "Hiroshige and His Pictures of the Famous Places."
Asian Art 5.2 (1992): 57-79.
1992. Calza, Gian Carlo. Hokusai Paintings, Selected Essays. Milan: The International
Hokusai Research Center.
1994. Bickford, Lawrence. Sumo and the Woodblock Print Masters. Tokyo: Kodansha
International.
1993. Hickman, Money L. "Enduring Alliance: The Torii Line of Ukiyo-e Artists and
Their Work for the Kabuki Theatre," in Isabella Stewart Gardner Museum, ed.
Fenway Park Papers (publication of a January 1993 symposium on 'the Iemoto
System in Japanese Arts'). Boston: Isabella Stewart Gardner Museum, 60-73.
1993. Izzard, Sebastian, et al. Kunisada's World. New York: Japan Society. [exhibition
catalog].
1993. Clark, Timothy. Demon of Painting: The Art of Kawanabe Kyōsai. London: British
1994. Clark, Timothy, et. al. The Actor’s Image: Printmakers of the Katsukawa School in
the Art Institute of Chicago. Princeton: Princeton University Press.
1994. Forrer, Matthi. Stars from the Stage in Osaka. Bergeyk, The Netherlands: Society
for Japanese Arts.
27
1995. Asano, Shugo and Timothy Clark. The Passionate Art of Utamaro. London: British
1995. Mirviss, Joan B. with John T. Carpenter. The Frank Lloyd Wright Collection of
Surimono. New York and Phoenix: Weatherhill and the Phoenix Art Museum.
1995. Nagata, Seiji. Hokusai: Genius of the Japanese Ukiyo-e. Tokyo: Kodansha.
1995. Stubbs, Judy. “Charm, Wit, and Sensuality in Two Paintings by Teisai Hokuba,”
Monumenta Serica 43 (1995): 439-447.
1995. Ulak, James T. “Utamaro’s Views of Sericulture,” in The Art Institute of Chicago
Museum Studies 18.1 (1995): 73-85.
1996. Tinios, Ellis. Mirror of the Stage: The Actor Prints of Kunisada. Leeds, UK: The
University Gallery, Leeds. [exhibition catalog].
1997. Fagioli, Marco. Shunga: The Erotic Art of Japan. New York: Universe Publishing.
1997. Forrer, Matthi, ed. Hiroshige: Prints and Drawings. International Book Import
Service, Inc.
1997. Forrer, Matthi with Suzuki Jūzō and Henry D. Smith II. Hiroshige: Prints and
Drawings. London : Royal Academy of Arts and Munich: Prestel. [exhibition
catalog].
1997. Hillier, Jack. “A Second Look at Utamaro,” Impressions 19 (1997).
1997. Izzard, Sebastian. “Courtesan Emerging from a Mosquito Net: A Late Painting by
Kunisada,” Impressions 19 (1997).
1997. Keyes, Roger. “Kunimasa: A Fictional memoir,” Impressions 19 (1997).
1997. Waterhouse, David. “Some Confucian, Buddhist and Taoist Mitate-e by
Harunobu,” Impressions 19 (1997).
1998. Fiorillo, John. “Drama in the Surimono-style Prints of Hokuei,” Impressions 20
(1998).
1998. Izzard, Sebastian. “A New Actor Painting by Utagawa Kunisada,” Impressions 20
(1998).
1998. Keyes, Roger. "My Master is Creation," Prints by Hokusai Sori (1795-1798),”
1998. Klompmakers, Inge. Of Brigands and Bravery: Kuniyoshi's Heroes of the
Suikoden. Leiden: Hotei Publishing.
1998. Mirviss, Joan B. "’Earth’: The Missing Element from a Surimono Series by
Hokkei ,” Impressions 20 (1998).
1998. Schaap, Robert. Heroes and Ghosts: Japanese Prints by Kuniyoshi.. Leiden:
Society of Japanese Arts. [exhibition catalog].
1998. Smith, Henry D. Hokusai: One Hundred Views of Mount Fuji. New York:
Braziller.
1999. Calza, Gian Carlo. Hokusai—The Old Man Mad with Painting. Milan: Piazetta
Reale. [exhibition catalog].
1999. Newland, Amy. Time Present and Time Past: Images of a Forgotten Master,
Toyohara Kunichika (1835-1900). Leiden: Hotei Publishing.
1999. Screech, Timon. Sex and the Floating World: Erotic Images in Japan, 1700-1820.
1999. Solomon, Jonathan. “Bridging Edo and Meiji: Shosai Ikkei's Comic Views of Early
Tokyo,” Impressions 21 (1999).
28
1999. White, Julia M et al. Hokusai and Hiroshige : Great Japanese Prints from the
James A. Michener Collection, Honolulu Academy of Arts. Seattle: University of
Washington Press. [exhibition catalog].
2000. Hockley, Allen. "Shunga: Function, Context, Methodology." Monumenta
Nipponica, 55.2 (summer 2000): 257-269.
2000. Kobayashi Tadashi. Translated by Henry Smith. “The Rediscovery of "Tendo
Hiroshige,” Impressions 22 (2000).
2000. Mirviss, Joan B. and John T. Carpenter. Jewels of Japanese Printmaking:
Surimono of the Bunka-Bunsei Era (1804-1830). Tokyo: Ōta Kinen Bijutsukan.
[exhibition catalogue]
2000. Rappard-Boon, Charlotte and Lee Bruschke-Johnson. Surimono: Poetry & Image
in Japanese Prints. Amsterdarm: Rijksmuseum Amsterdam and Hotei Publishing.
2000. Weinberg, David R. Kuniyoshi: the Faithful Samurai. Leiden: Hotei Publishing.
2001. Hayakawa, Monta. The Shunga of Suzuki Harunobu: Mitate-e and Sexuality in
Edo. Kyoto: International Research Center for Japanese Studies.
2001. Herwig, Henk and Arendie. Heroes of the Kabuki Theater: 36 Popular Japanese
Kabuki Plays Illustrated in Woodblock Prints. Leiden: Hotei Publishing.
2001. Klompmakers, Inge. Japanese Erotic Prints: Shunga by Harunobu and Koryūsai.
Leiden: Hotei Publishing.
2001. Talerico, Danielle. "Interpreting Sexual Imagery in Japanese Prints: A Fresh
Approach to Hokusai's Diver and Two Octopi," Impressions 23 (2001).
2002. Takeuchi, Melinda. Making Mountains: Mini-Fujis, Edo Popular Religion and
Hiroshige's One Hundred Famous Views of Edo,” Impressions 24 (2002).
2002. Thomsen, Hans. "Commercialism, Cuisine, and the Other Hiroshige," Impressions
24 (2002).
5. THEMATIC AND INTERDISCIPLINARY STUDIES

A. ARCHAEOLOGY
1997. Wilson, Richard L., ed. Working Papers in Japan Studies Number Seven: The
Archaeology of Edo, Premodern Tokyo. Tokyo: Japan Studies Program and
Archaeology Research Center, International Christian University.
1998. Vaporis, Constantine N. "Digging for Edo: Archaeology and Japan's Premodern
Urban Past." Monumenta Nipponica 53.1 (spring 1998): 73-104.
B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS

1870. La Farge, George. “Japanese Art,” in: Pumpelly, Raphael. Across America and
Asia, Notes of a Five Years' Journey Around the World, and of Residence in
Arizona, Japan, and China. New York: Leypoldt & Holt, 195-202.
1963. Lancaster, Clay. The Japanese Influence in America. New York: Walton R. Rawls.
1974. French, Calvin L. Shiba Kōkan: Artist, Innovator, and Pioneer in the
Westernization of Japan. Tokyo: Weatherhill.
1977. French, Cal et al. Through Closed Doors: Western Influence on Japanese Art 1639-
1853. Rochester, MI: Oakland University, Meadow Brook Art Gallery.
29
1984. Impey, Oliver. “Japanese Export Art of the Edo Period and its Influence on
European Art,” Modern Asian Studies 18.4 (1984): 685-697.
1984. Watanabe, Toshio. “The Western Image of Japanese Art in the Late Edo Period,”
Modern Asian Studies 18.4 (1984): 667-684.
1985. Adams, Henry. “John La Farge’s Discovery of Japanese Art: New Perspectives on
the Origins of Japonisme,: Art Bulletin 67.3 (1985): 449-485.
1986. Addiss, Stephen, ed. The Japanese Quest for a New Vision: The Impact of Visiting
Chinese Painters, 1600-1900. Lawrence, Kansas: Spencer Art Museum, The
University of Kansas. [exhibition catalog].
1986. Museum voor Volkenkunde In the Wake of the Liefde, Cultural Relations Between
the Netherlands and Japan since 1600. Rotterdam: Museum voor Volkenkunde.
1986. Toby, Ronald P. "Carnival of the Aliens: Korean Embassies in Edo-Period Art and
Popular Culture," Monumenta Nipponica 41.4 (1986): 415-456.
1989. Smith, Henry D. II. "World without Walls: Kuwagata Keisai's Panoramic Vision
of Japan," in Gail Lee Bernstein and Haruhiro Fukui, eds. Japan and the World:
Essays on Japanese History and Politics in Honour of Ishida Takeshi. New York:
St. Martin's Press, 3-19.
1989. Steele, M. William. "Goemon's New World View: Popular Representations of the
Opening of Japan." Asian Cultural Studies 17 (1989): 69-83.
1990. Ayers, John et al. Porcelain for Palaces: The Fashion for Japan, 1650-1750.
London. [exhibition catalog].
1990. Ayers, John. "Japanese Porcelain and the Great Houses of Europe,
1992. Cohen, Warren I. East Asian Art and American Culture: A Study in International
Relations. New York: Columbia University Press.
1994. Bromfield, David. "Japanese Art, Monet and the Formation of Impressionism:
Cultural Exchange and Appropriation in Later Nineteenth Century European Art,"
in Andrew Gerstle, ed. Recovering the Orient : Artists, Scholars, Appropriations
(Studies in Anthropology and History vol 11). Chur: Harwood Academic
Publishers, 7-43.
1996. Screech, Timon. The Western Scientific Gaze and Popular Imagery in Later Edo
Japan: the Lens Within the Heart. New York: Cambridge University Press.
Reprinted by University of Hawaii Press, 2002.
1997. Rousmaniere, Nicole. “The Accessioning of Japanese Art in Early 19th Century
America: Ukiyo-e Prints in the Peabody-Essex Museum, Salem,” Apollo 145.421
(new series, March 1997): 23-29.
1998. Graham, Patricia J. Tea of the Sages: the Art of Sencha. Honolulu: University of
Hawaii Press.
1999. Edo-Tokyo Museum, Tokyo and the Peabody-Essex Museum, Salem, ed. Worlds
Revealed: The Dawn of Japanese and American Exchange. Tokyo: Edo-Tokyo
Museum [exhibition catalog]
2001. Clark, John. Japanese Exchanges in Art, 1850s-1930s. Sydney: Power
Publication.
30
C. GENDER STUDIES/SEXUALITY IN ART

1988. Fister, Patricia. Japanese Women Artists 1600-1900. Lawrence, Kansas: Spencer
Museum of Art, University of Kansas. [exhibition catalog].
1989. Keyes, Roger. The Male Journey in Japanese Prints. Berkeley: University of
California Press.
1990. Addiss, Stephen. "The Three Women of Gion," in Marsha Weidner, ed. Flowering
in the Shadows: Women in the History of Chinese and Japanese Painting.
Honolulu: University of Hawaii Press, 241-263.
1990. Fister, Patricia. "The Life and Art of Chō Kōron," in Marsha Weidner, ed.
1990. Fister, Patricia. "Women Artists in Traditional Japan," in Marsha Weidner, ed.
1991. Fister, Patricia. "Female Bunjin: The Life of Poet-Painter Ema Saikō, in Bernstein,
Gail Lee, ed. Recreating Japanese Women, 1600-1945. Berkeley: University of
California Press.
1995. Lillehoj, Elizabeth. Women in the Eyes of Man: Images of Women in Japanese Art
from the Field Museum. Chicago: The Smart Museum, University of Chicago.
1995. Marhenke, Dorit and Ekkehard May. Shunga. Erotische Holzschnitte des 16. bis
19. Jahrhunderts (Erotic Art in Japan 16th-19th century). Heidelberg: Edition
Braus.
1996. Chino Kaori, “Gender in Japanese Art,” translated by Joshua S. Mostow, Aesthetics
(The Japanese Society for Aesthetics) 7 (1996): 49-68.
1996. Lillehoj, Elizabeth. “Tōfukumon’in: Empress, Patron, and Artist,” Woman’s Art
Journal, 17.1 (Spring/Summer 1996): 28-34.
1996. Swinton, Eizabeth de Sabato, et al. The Women of the Pleasure Quarters. New
York: Husdon Hills in association with the Worcester Art Museum. [exhibition
catalog].
1997. Fagioli, Marco. Shunga: The Erotic Art of Japan. New York: Universe Publishing.
1997. Fister, Patricia. “Feminine Perceptions in Japanese Art of the Kinsei Era.” Japan
Review 8 (1997): 3-21.
1997. Jones, Sumie, ed. Imagining/Reading Eros: Proceedings for the Conference,
Sexuality and Edo Culture, 1750-1850. Bloomington IA: Center for East Asian
Studies.
1998. Hickey, Gary. Beauty and Desire in Edo Period Japan. Canberra: National Gallery
of Australia. [exhibition catalog].
1999. Screech, Timon. Sex and the Floating World: Erotic Images in Japan, 1700-1820.
2000. Asano, Shūgō. “The Imagination and Experience of the Body in Edo Erotic Prints,”
in: Kuriyama, Shigehisa, ed. International Symposium: The Imagination of the
Body and the History of Bodily Experience. Kyoto: International Research Center
for Japanese Studies, 217-233.
31
2000. Fister, Patricia. “Creating Devotional Art with Body Fragments: The Buddhist Nun
Bunchi and Her Father, Emperor Gomizuno-o,” Japanese Journal of Religious
Studies 27.3-4 (Fall 2000): 213-38.
2001. Hayakawa, Monta. The Shunga of Suzuki Harunobu: Mitate-e and Sexuality in
Edo. Kyoto: International Research Center for Japanese Studies.
2000. Hockley, Allen. "Shunga: Function, Context, Methodology." Monumenta
Nipponica 55.2 (summer 2000): 257-269.
2001. Klompmakers, Inge. Japanese Erotic Prints: Shunga by Harunobu and Koryūsai.
Leiden: Hotei Publishing.
2002. Garcia, Amaury. "Desentrañando 'lo pornográfico': La xilografía makura-e"
(Unscrambling "the pornographic": the makura-e prints). Anales (Instituto de
Investigaciones Estéticas, UNAM, Mexico) 79:23 (2002).
D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS

1947. Lee, Sherman. "Six of Five Hundred Rakan." The Art Quarterly (Detroit Institute
of Art) 10.2 (spring 1947): 125-132. (on sculptures from Rakanji, Edo)
1970. Awakawa, Yasuichi. Zen Painting. Tokyo: Kodansha International.
1974. McCallum, Donald F. "The Sculpture of Enku: Part One, The Early Period,"
Oriental Art new series 20.2 (1974): 174-191. Part Two, The Mature Period,"
Oriental Art new series. 20.4 (1974) pp. 400-415.
1976. Addiss, Stephen. Zenga and Nanga: Paintings by Japanese Monks and Scholars
from the Collection of Kurt and Millie Gitter. New Orleans: New Orleans
Museum of Art. [exhibition catalog].
1978. Addiss, Stephen. Obaku: Zen Painting and Calligraphy. Lawrence, KS: Helen
Foresman Spencer Museum of Art, University of Kansas. [exhibition catalog].
1982. Kazuaki, Tanahashi. Enku. Boulder: Shambhala.
1983. Ōmori Sōgen and Terayama Katsujō. Translated by John Stephens. Zen and the Art
of Calligraphy. London: Arkana.
catalog].
1986. Addiss, Stephen. “The Zen Nun Ryonen Gensho (1646-1711), Spring Wind 6.1-2
(1986): 180-187.
1989. Addiss, Stephen. The Art of Zen: Paintings and Calligraphy by Japanese Monks
1600-1925. New York: Abrams. [exhibition catalog].
1990. Nakahashi, Gratia Williams. "The Bodhisattva Jizo Playing a Flute by Kano
Tan'yu," Orientations 21.12 (December 1990): 36-45.
1990. Stevens, John with Alice Rae Yelen. Zenga: Brushstrokes of Enlightenment. New
Orleans: New Orleans Museum of Art. [exhibition catalog].
1991. Frank, Bernard. Le Panthéon bouddhique au Japon: Collections d’Emile Guimet.
Paris: Réunion des musées nationaux.
1991-92. Graham, Patricia J. "A Heterodox Painting of Shussan Shaka in Late Tokugawa
Japan," Artibus Asiae, Part I, 51.3-4 (1991): 275-292 and Part II, 52.1-2 (1992):
131-145.
Spencer Collection. Minneapolis Institute of Art. [exhibition catalog].
32
1996. Morse, Anne Nishimura and Samuel Crowell Morse. Object as Insight: Japanese
Buddhist Art and Ritual. Katonah, NY: Katonah Museum of Art..
1996. Screech, Timon. “The Strangest Place in Edo: The Temple of the Five Hundred
Arhats.” Monumenta Nipponica 48.4 (1993): 407-428.
1997. Kennedy, Alan. “Out of Line – the Pictorial Impulse in Edo Period Kesa,”
Orientations 28.4 (April 1997): 70-77.
1997-98. Watsky, Andrew. "Floral Motifs and Mortality: Restoring Numinous Meaning
to a Momoyama Building," Archives of Asian Art 50 (1997-98): 62-90.
1999. van Alphen, Jan. Enkū 1632-1659: Timeless Images from 17th Century Japan.
Antwwerpen: Ethnografisch Museum.
2000. Fister, Patricia. “Creating Devotional Art with Body Fragments: The Buddhist Nun
Bunchi and Her Father, Emperor Gomizuno-o,” Japanese Journal of Religious
Studies 27.3-4 (Fall 2000): 213-38.
2000. Hur, Nam-lin. Prayer and Play in Late Tokugawa Japan: Asakusa Sensōji and Edo
Society (Harvard East Asian Monographs 185). Cambridge: Harvard University
Asia Center.
2000. Schulenburg, Stephan Graf von der and Bernd Jesse. Mönche, Monster, schöne
Damen: japanische Malerei, Buch- und Holzschnittkunst des 16. bis 18.
Frankfurt: Museum für Angewandte Kunst Frankfurt am Main. [exhibition
catalog].
2001. Levine, Gregory P. "Switching Sites and Identities: The Founder's Statue at the
Buddhist Temple Kōrin'in," The Art Bulletin 83.1 (March 2001): 72-104.
2001. Woodson, Yoko. Zen Painting and Calligraphy 17th-20th Century. San Francisco:
Asian Art Museum [exhibition catalog].
2003?. Watsky, Andrew. Adornment, Authority, and Chikubushima: Reforming the
Sacred in Momoyama Japan. Seattle: University of Washington Press.
E. SAMURAI ARTS, ARMS AND ARMOR

1983. Addiss, Stephen and Cameron Hurst III. Samurai Painters. New York: Kodansha
International.
1983. Tokugawa, Yoshinobu, ed. Shogun: The Shogun Age Exhibition from the
Tokugawa Art Museum, Japan. Tokyo: The Shogun Age Executive Committee.
1985. Munroe, Alexandra, ed. Spectacular Helmets of Japan, 16th--19th Century. New
York: Japan Society. [exhibition catalog].
1988. Shimizu, Yoshiaki, ed. Japan: The Shaping of Daimyo Culture 1185-1868.
Washington, DC: National Gallery of Art. [exhibition catalog]
1989. Montreal Museum of Fine Arts. The Japan of the Shoguns: the Tokugawa
collection. Montreal. [exhibition catalog].
1989. Ogawa Morihiro. Japanese Master Swordsmiths: the Gassan Tradition. Boston:
Museum of Fine Arts.
1989. Yonemura, Ann. “Art and Authority: A Tokugawa Palanquin,” Asian Art and
Culture 2.1 (winter 1989): 9-28.1992.
33
1989. Lubarsky, Jared. Noble Heritage: Five Centuries of Portraits from the Hosokawa
Family. Washington, D.C.: Smithsonian Institution. [exhibition catalog]
1994. Kremers, Eckhard. Sukashi Tsuba in europäischen Sammlungen (Sukashi tsuba in
European Collections). Stuttgart.
1995. Heckmann, Günther. Tsuba. (text in Japanese/English/German). Nürtingen:
H.U.B.Verlag.
1996. Heckmann Günther. Kodogu (Small sword fittings). (text in
Japanese/English/German). Nürtingen: H.U.B. Verlag.
1999. Gerhart, Karen M. The Eyes of Power: Art and Early Tokugawa Authority.
2000. Irvine, Gregory. The Japanese Sword: The Soul of the Samurai. Victoria and
Albert Museum Far Eastern Series. London and Trumbull, CT: Victoria and
Albert Museum and Weatherhill.
2000. Screech, Timon. The Shogun's Painted Culture: Fear and Creativity in the
Japanese States, 1760-1829. London: Reaktion Books.
F. TEA CEREMONY AND RELATED ARTS

1979. Hayashiya Seizo, et. al. Chanoyu: Japanese Tea Ceremony. New York: Japan
1980. Museum voor Volkenkunde. The Enshu Way of Tea. Leiden: Museum voor
Volkenkunde. [exhibition catalog].
1985. Graham, Patricia J. “Sencha (Steeped Tea) and its Contribution to The Spread of
Chinese Literati Culture in Edo Period Japan,” Oriental Art 31.2 (1985): 186-
195.
1985. Itoh Teiji. “Kobori Enshu: Architectural Genius and Chanoyu Master.” Chanoyu
Quarterly 44 (1985): 7-37.
1987. Arts, P.L.W. Tetsubin, A Japanese Waterkettle. Groningen: Geldermalsen
Publications.
1989. Varley, H. Paul and Kumakura Isao, ed. Tea in Japan: Essays on the History of
Chanoyu. Honolulu: University of Hawaii Press.
1994. Hennemann, Horst Siegfried. Chasho Geist und Geschichte der Theorien
japanischer Teekunst (Chasho, Spirit and History of the theories on Japanese
tea art). Wiesbaden.
1994. Lillehoj, Elizabeth. “The Early Kanamori Family and Tea,” Chanoyu Quarterly 77
(1994): 33-55.
1995. Watsky, Andrew. “Commerce, Politics, and Tea: the Career of Imai Sokyu,”
1998. Graham, Patricia J. Tea of the Sages: the Art of Sencha. Honolulu: University of
Hawaii Press.
2003? Pitelka, Morgan, ed. Japanese Tea Culture: Art, History, and Practice. London:
Routledge Press.
34
G. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES

1976. Stern, Harold P. Birds. Birds, Beasts, Blossoms, and Bugs--The Nature of Japan.
New York and Los Angeles: Harry N. Abrams in association with the UCLA Art
Council and the Frederick S. Wight Gallery. [exhibition catalog]
1983. Japan Society, ed. From the Suntory Museum of Art--Autumn Grasses and Water:
Motifs in Japanese Art. New York: Japan Society. [exhibition catalog].
1983. Lee, Sherman. Reflections of Reality in Japanese Art. Cleveland: The Cleveland
Museum of Art. [exhibition catalog]
1984. O’Neill, P.G. “Organization and Authority in the Traditional Arts,” Modern Asian
Studies 18.4 (1984): 631-645.
catalog].
1986. Tsuji, Nobuo. Playfulness in Japanese Art. The Franklin D. Murphy Lectures VII.
Lawrence, KS: The University of Kansas, Spencer Museum of Art.
1989. Wheelwright, Carolyn. Word in Flower, the Visualization of Classical Literature in
Seventeenth Century Japan. New Haven: Yale University Art Gallery. [exhibition
catalog].
1991. Rimer, J. Thomas; Jonathan Chaves, Stephen Addiss, and Hiroyuki Suzuki.
Shisendo, Hall of the Poetry Immortals. NY: Weatherhill.
1992. Guth, Christine. Asobi: Play in the Arts of Japan. Katonah, NY: Katonah Museum
of Art. [exhibition catalog]
1992. Guth, Christine M.E. “Asobi: Play in the Arts of Japan,” Orientations 23.9 (1992):
45-52.
1992. Mostow, Joshua S. “Painted Poems, Forgotten Words: Poem-pictures and
Classical Japanese Literature,” Monumenta Nipponica 47.3 (1992): 323-346.
1993. Meech, Julia et al. Rain and Snow: The Umbrella in Japanese Art. New York:
Japan Society. [exhibition catalog]
1994. Kornicki, P.F. “Public Display and Changing Values: Early Meiji Exhibitions and
Their Precursors,” Monumenta Nipponica 49.2 (1994): 167-196.
1994. Tsuji Nobuo, “Ornament (Kazari): An Approach to Japanese Culture,” Archives of
Asian Art 47 (1994): 35-45.
1996. Guth, Christine. Art of Edo Japan: The Artist and the City 1615-1868. New York:
Abrams, Perspectives Series.
1996. Lillehoj, Elizabeth. “Flowers of the Capital: Imperial Sponsorship of Art in
Seventeenth Century Kyoto” Orientations 27.8 (1996): 57-69.
1996. Mostow, Joshua S. Pictures of the Heart: The Hyakunin Isshu in Word and Image.
1997. Brown, Kendall H. The Politics of Reclusion: Painting and Power in Momoyama
Japan. Honolulu: University of Hawaii Press.
1997. Lillehoj, Elizabeth. “Highbrow/Lowbrow?: The Aristocratic and the Plebeian in
Early Edo Arts,” Proceedings of the Midwest Japanese Literary Studies (1997):
204-220.
1998. Singer, Robert T., ed. Edo: Art in Japan 1615-1868. Washington, D.C: National
Gallery of Art. [exhibition catalog].
35
2000. Schulenburg, Stephan Graf von der and Bernd Jesse. Mönche, Monster, schöne
Damen: japanische Malerei, Buch- und Holzschnittkunst des 16. bis 18.
Frankfurt: Museum für Angewandte Kunst Frankfurt am Main. [exhibition
catalog].
2001. Graham, Patricia J. "Chinese Scholarly Imagery in Edo Period Paintings at the
Indianapolis Museum of Art." Orientations 32.3 (March 2001): 78-92.
2001. Graham, Patricia J. "Ōkubo Shibutsu, Vagabond Poet of Edo, and His Nanga
Painter-friends." Kaikodo Journal 20 (fall 2001): 63-73.
2003? Takeuchi, Melinda, ed. with essays by Melinda Takeuchi, Donald F. McCallum,
Karen Brock, Louise Cort, Julie Davis, Christine Guth, and Jonathan Reynolds.
The Artist as Professional in Japan. Stanford: Stanford University Press.
6. DISSERTATIONS AND POST DOCTORAL THESES

(HABILITATIONS)
A. IN NORTH AMERICA
1960. Stern, Harold."Ukiyo-e Paintings: Selected Problems." University of Michigan.
1966. French, Calvin L. “Shiba Kōkan: Pioneer of Western Art and Sciences in Japan.”
Columbia University
1969. Link, Howard A. "A Theory on the Identity of Torii Kiyomasu I." University of
Pittsburgh.
1970. Webb, Glenn Taylor. “Japanese Scholarship Behind Momoyama Painting and
Trends in Japanese Painting Circa 1500-As Seen in the Light of a Stylistic
Reexamination of the Nature of Chinese Influence on Kano Painters and Some of
Their Contemporaries.” University Of Chicago.
1973. Monroe, Betty Iverson. "Okada Beisanjin (1744-1820): Transitional Bunjinga
Artist." University of Michigan.
1974. Becker, Johanna Lucille. “The Karatsu Ceramics Of Japan: Origins, Fabrication,
And Types.” University Of Michigan
1976. Hickman, Money Lynch. “The Paintings of Soga Shohaku (1730-1781).” Harvard
University.
1976. Vlam, Grace Alida Hermine. “Western-Style Secular Painting In Momoyama
Japan.” University of Michigan
1977. Addiss, Stephen. “Uragami Gyokudō: the Complete Literati Artist.” University of
Michigan.
1977. Sandler, Mark Howard. “The Yomihon Illustrations of Katsushika Hokusai.”
University of Washington
1978. Cunningham, Michael Robert. “Unkoku Tōgan’s (1547-1618) Paintings and Its
Historical Setting.” University of Chicago.
1979. Takeuchi, Melinda. “Visions of a Wanderer: The True View Paintings of Ike Taiga
(1723-1776) .” University of Michigan.
1981. Kita, Sandy. "Matabei As Machishu': A Reconsideration of the So-Called Founder
of Ukiyo-e as a Court Classicist." University of Chicago
1981. Papapavlou, Cleopatra Helen Claire. “The Haiga Figure as a Vehicle of Buson's
Ideals: With Emphasis On The Illustrated Sections of 'Oku no Hosomichi' and
'Nozarashi Kiko'.” University Of California, Berkeley
36
1981. Wheelwright, Carolyn Kelley. “Kano Shoei.” Princeton University

1983. Coaldrake, William Howard. “Gateways of Power: Edo Architecture and
Tokugawa Authority 1603-1651.” Harvard University
1983. Graham, Patricia J. “Yamamoto Baiitsu: His Life, Literati Pursuits, and Related
Paintings” University of Kansas.
1983. Fister, Patricia. “Yokoi Kinkoku : the Life and Painting of a Mountain Ascetic.”
University of Kansas.
1983. Woodson, Yoko. "Traveling Bunjin Painters and their Patrons: Economic Lifestyle
and Art of Rai Sanyo and Tanomura Chikuden." University of California,
Berkeley.
1984. Johnson, Deborah Jean. “The Impact of East Asian Art Within the Early
Impressionist Circle, 1856-1868.” Brown University
1984. Ohki, Sadako. "Ike Taiga's Karayo Calligraphy." University of Michigan.
1984. Wilson, Richard. "Ogata Kenzan (1663-1743)." University of Kansas.
1985. Berry, Paul. "Tanomura Chikuden: Man Amidst the Mountains 1777-1835."
University of Michigan.
1985. Steinmetz, Mayumi Takanashi. “Artistic And Religious Aspects of Nosatsu
(Senjafuda).” University of Oregon
1986. Chance, Frank. "Tani Bunchō (1763-1841) and the Edo School of Japanese
Painting." University of Washington.
1987. Kobayashi, Hiromitsu. “Figure Compositions in Seventeenth-Century Chinese
Prints and Their Influences on Edo Period Japanese Painting Manuals.”
University of California, Berkeley.
1987. Thompson, James Paul. “Raku: Sixteenth Century Japan/Twentieth Century
America.” Illinois State University
1988. Lillehoj, Elizabeth Ann. “The Art of Soga Chokuan and Nichokuan: Two Painters
of Sixteenth and Seventeenth-Century Japan.” Columbia University
1989. Marceau, Lawrence E. "Literati Consciousness in Early Modern Japan: Takebe
Ayatari and the Bunjin." Harvard University
1989. Morland, Margaret Carol. "Watanabe Kazan 1793-1841: Tradition and Innovation
in Japanese Painting." University of Michigan.
1989. O'Mara, Joan Hertzog. “The Haiga Genre and the Art of Yosa Buson (1716-
1784).” University of Michigan
1991. Samonides, William. "The Koami Family of Maki-e Lacquerers." Harvard
University.
1991. Screech, Timon. "The Western Scientific Gaze and Popular Culture in Late Edo,
Japan." Harvard University.
1991. Wylie, Hugh. “Nanga Painting Treatises of Nineteenth Century Japan:
Translations, Commentary, and Analysis.” University of Kansas
1992. Phillips, Quitman E. "Kano Motonobu and Early Kano Narrative Painting."
University of California, Berkeley.
1992. Gerhart, Karen. "Kanō Tan'yū: His Art at Nijō and Nagoya Castles." University of
Kansas.
1992. Virgin, Louise Erica. “Yosa Buson and ‘The Dawn of the Basho Haiku Revival,’
Revival': A Surimono of the Cuckoo Bird Singing in a Tree with Fresh Foliage.”
University of Chicago.
37
1993. Jordan, Brenda. "Strange Fancies and Fresh Conceptions: Kyōsai in an Age of
Conflict." University of Kansas.
1993. Motobu, Chana Chiemi. “The Chronological Development of Kosode Designs
Throughout the Edo Period.” University of Hawaii
1993. Stubbs, Judith. “Omi Hakkei.” University of Chicago.
1994. Johnson, Hiroko. “Western Influence on Japanese Art: Akita Ranga.” University of
Southern California
1994. Lee, Susan Jung. “The Changing Image of Woman in Genre Paintings of
Momoyama and Early Tokugawa Japan.” California State University, Long
Beach
1994. Sharf, Elizabeth Horton. “Obaku Zen Portrait Painting: A Revisionist Analysis.”
University of Michigan
1994. Brown, Kendall Huber. “The Politics of Aesthetic Reclusion: The Seven Sages and
Four Graybeards In Momoyama Painting.” Yale University
1994. Watsky, Andrew Mark. “The Art of the Ensemble: the Tsukubusuma Sanctuary,
1570-1615.” Princeton University
1995. Welch, Matthew. “The Painting and Calligraphy of the Japanese Zen Priest Tōjū
Zenchū, Alias Nantenbō (1839-1925).” University of Kansas.
1995. Hockley, Allen Francis. “The Prints of Isoda Koryusai.” University of Toronto
1995. Togasaki, Fumiko T. “Santo Kyoden's 'Kibyoshi': Visual-Verbal and
Contemporary-Classic Intercommunications.” Indiana University
1996. Yonemura, Judy Kazumi. “The Influence of Ukiyo-e on Impressionism and Post-
Impressionism.” California State University, Dominguez Hills
1996. Watanabe, Kaoru. “The Influence of Ukiyo-e Woodcuts on the Prints of Arthur
Wesley Dow.” Michigan State University
1997. Seo, Audrey Yoshiko. “Painting-Calligraphy Interactions in The Zen Art of Hakuin
Ekaku (1685-1768) .” University of Kansas
1997. Davis, Julie Nelson. “'Drawing His Own Ravishing Features': Kitagawa Utamaro
and the Construction of a Public Identity in Ukiyo-e Prints.” University of
Washington.
1997. Levine, Gregory. "Jukōin: Art, Architecture, and Mortuary Culture at a Japanese
Zen Buddhist Temple." Princeton University.
1998. Rousmaniere, Nicole Coolidge. “Vessels of Influence: Chinese Ceramics Imported
Into Japan and the Formation of the Porcelain Industry.” Harvard University.
1999. McKelway, Matthew P. "Capitalscapes: Painting and Politics in 16th-17th Century
Japan." Columbia University.
2000. Nagata, Helen. "Reading a Pictorial Narrative: A Study of the Illustrations
Attributed to Hishikawa Moronobu in Yoshiwara Koi no Michibiki (A Gude to
Love in the Yoshiwara, 1678). Stanford University.
2001. Pitelka, Morgan. "Raku Ceramics: Traditional and Cultural Reproduction in
Japanese Tea Practice, 1574-1942." Princeton University.
2002. Katz, Janice. "Art Collecting and Patronage in Seventeenth Century Japan: The
Maeda Daimyo." Princeton University.
2002. Milhaupt, Terry Satsuki. “Flowers at the Crossroads: The Four-Hundred-Year-Life
of a Japanese Textile.” Washington University in Saint Louis.
38
2002. Mintz, Robert. "Manifestations of Cultural Hybridity in Yosa Buson's Bunjinga:

Interpretations of Eighteenth-Century Japanese Paintings." University of
Washington.
B. IN EUROPE
1974. Nishida, Hiroko."Japanese Export Porcelain During the 17th and 18th Centuries."
University of Oxford.
1978. Croissant, Doris. "Sootatsu und der Sootatsu-Stil. Untersuchungen zu Repertoirre,
Ikonographie und Aesthetik der Malerei des Tawaraya Sootatsu (um 1600 bis
1640). Wiesbaden: Franz Steiner Verlag GmbH (habilitation)
1980. Izzard, Sebastian. "The Half Length Portraits of Utagawa Kunisada (1786-1864)."
University of London.
1984. Klein, Bettina. "Kano Eitoku (1543-1590) - Biography, Oeuvre and Impact
According to Documents From the 16th to 19th Century." University of
Heidelberg. Published in 1993 (in German) as: Kano Eitoku (1543-1590)
Europäische Hochschulschriften, Reihe XXVII: Kunstgeschichte. Frankfurt: Peter
Lang Publishers.
1986. Stanbury, Nicholas. "Japanese Shakudo and Shibuichi Alloys." Faculty of Art and
Design, Middlesex Polytechnic University, London.
1987. Faulkner, Rupert. "Seto And Mino Kiln Sites--An Archaeological Survey of the
Japanese Medieval Glazed Ware Tradition and its Early Modern Transformation."
University of Oxford.
1988. Dreesmann, W.J.R. "A Study of the Zen Master Hakuin as a Painter." Leiden
University.
1994. Maske, Andrew Lawrence. "The Historical Development of Takatori Ware:
Official Ceramic of the Kuroda Han of Chikuzen." University of Oxford
1996. Mayr, Birgit. "The Japanese Painter's Portrait of the Late Edo Period
(app. 1750-1868)." University of Heidelberg. Published in 1998 (in German) as
Das japanische Malerporträt in der späten Edo-Zeit (ca. 1750-1868).
Europäische Hochschulschriften, Reihe XXVIII Kunstgeschichte, 322. Frankfurt:
Peter Lang Publishers.
1996. Jungmann, Burglind. "Japanese Painters and Korean Envoys: Korean Inspiration in
18th Century Nanga." University of Heidelberg (habilitation)
1999. Trede, Melanie. "Image, Text and Audience: The Taishokan story in Visual
Representations of the Early Modern Period. Studies of Pictorial Narrative in
Japan.” University of Heidelberg.
2000. Epprecht, Katharina. “Hasegawa Tōhaku.” University of Zurich. Published (in
German) in 2000 as Hasegawa Tōhaku (1539-1610): Untersuchungen zu
Biographie, Frühwerk und Tuschmalerei der Reifezeit. Schweizer Asiatische
Studien. Monographien, 39. Bern and New York: P. Lang.
2000. Trinh, Khanh. "Representation of Real Landscapes in Pre-Modern Japan: The
Shinkei-paintings of Tani Bunchō (1763-1840)." University of Zurich.
2002. Bruschke-Johnson, Lee. "The Calligrapher Konoe Nobutada: Reassessing the
Influence of Aristocrats on the Art and Politics of Early Seventeenth-Century
Japan." Leiden University.

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What is the organizational framework of the bibliography?

What is the organizational framework of the bibliography?

What areas of Japanese art does the bibliography cover?

What areas of Japanese art does the bibliography cover?

1

EARLY MODERN JAPANESE ART HISTORY: A

ACKNOWLEDGEMENTS: Numerous citations in this bibliography came from members of the

This bibliography encompasses Western language studies of Japanese art,

1. REFERENCES AND SURVEY BOOKS

A NOTE ON ORGANIZATIONAL FORMAT: Most publications are listed according to

C. SURVEY BOOKS AND ARTICLES, EXHIBITION AND COLLECTION

2. ARCHITECTURE AND GARDENS

3. CRAFTS AND FOLK ARTS

1994. Graham, Patricia J. "Japanese Popular Ceramics in the Nelson-Atkins Museum of

C. MINGEI (FOLK ARTS)

D. NETSUKE AND INRO

E. TEXTILES AND BASKETRY

F. THEATRICAL ARTS: COSTUMES AND MASKS

1993. Bernegger, Brigit. Nō Masken im Museum Rietburg, Zurich. Zurich: Museum

4. PAINTINGS, PRINTS, AND CALLIGRAPHY

2. Studies on Individual Artists and Lineages

(publication of a January 1993 symposium on the Iemoto System in Japanese

B. UKIYOE PRINTS, PAINTINGS, AND ILLUSTRATED BOOKS

2. Individual Artists, Types of Prints, and Lineages

1988. Goodwin, Shauna. "The Realm of Pleasure: A Cherry Blossom Viewing

5. THEMATIC AND INTERDISCIPLINARY STUDIES

B. CROSS CULTURAL INFLUENCES AND INTERNATIONAL CONTACTS

C. GENDER STUDIES/SEXUALITY IN ART

D. RELIGIOUS SITES, ICONS, AND OTHER DEVOTIONAL ARTS

E. SAMURAI ARTS, ARMS AND ARMOR

F. TEA CEREMONY AND RELATED ARTS

G. OTHER THEMATIC AND INTERDISCIPLINARY STUDIES

6. DISSERTATIONS AND POST DOCTORAL THESES

1981. Wheelwright, Carolyn Kelley. “Kano Shoei.” Princeton University

2002. Mintz, Robert. "Manifestations of Cultural Hybridity in Yosa Buson's Bunjinga:

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