Tkam Synthesis Paragraph - Final
Tkam Synthesis Paragraph - Final
Tkam Synthesis Paragraph - Final
Ms. Woelke
30 May 2020
While Harper Lee’s To Kill a Mockingbird o ffers insightful lessons on racial and social
inequality, the stereotypes and images portrayed can be easily misinterpreted by a young
audience that may be quick to internalize these viewpoints and the book should therefore not be
A frequent critique of To Kill a Mockingbird is it’s consistent use of offensive terms such
as the n-word. While the word is no longer considered socially acceptable to use, the book uses
the term to paint the scene of the South amidst the Great Depression. Usage of the term, when
put into the wrong classroom setting, can be falsely interpreted by a young audience reading the
book. In a case in Biloxi, Mississippi, the book was removed mid-lesson due to students’s
response to it, “which reportedly included laughter over usage of [the n-word],” which made an
uncomfortable environment for a black student (Source A). In essence, the usage of the n-word
had not only caused discomfort amongst those in the classroom, it had also caused an opposite
comedic effect to some students, whether it be by the context the n-word was used in, the mere
shock value of it, or otherwise. While it is true that using the n-word in To Kill a Mockingbird
can portray the obscenity of the term and show the potential harm it can cause, the consistent
usage of the word, often without consequence, can breed normalizing the offensive word.
Though it is imperative to teach children the essence of racial equality, there are countless other
works of literature that accomplish this same feat without using the n-word nearly as frequently.
Misinterpretation can also be found in the core lessons that To Kill a Mockingbird teaches,
especially in an increasingly diverse student body. In an NBC article, Alice Randall takes note of
the changes in student body composition from today and the initial release of To Kill a
Mockingbird in 1960. Randall directs to the trial of To Kill a Mockingbird and Tom Robinson, a
“falsely accused [and] ‘crippled’.... meant to indicate that he would have been physically
misrepresented as “to ask them about whether or not black men are desirable… or that rape is a
crime that can only be committed by an able-bodied person” (Source E). When put into the
wrong instructor, Lee’s lessons of racial inequality and injustice can be flipped onto their heads
when paired with asking younger audiences to answer and decode situations that they are too
Mockingbird h ave the potential to be internalized by these younger audiences as many of the
racist themes Lee explores reinforces many of the stereotypes seen today. Ultimately, Harper
Lee’s To Kill a Mockingbird may be an awe-inspiring novel for adults to read, but the complex
situations Lee illustrates are susceptible to misunderstanding of Lee’s message by the younger
audiences that simply may not have a full comprehension of the novel, even when placed under