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    Juslin Sloboda HANDBOOK OF MUSIC AND EMOTION THEORY, RESEARCH, APPLICATIONS

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    CRISTINA AIESTA YUSTE
    This document is a handbook that provides an overview of the field of music and emotion from multiple disciplinary perspectives. It is divided into eight parts that cover topics such as philosophical, psychological, neurobiological, and sociological perspectives on music and emotion; methods of measuring emotion in music; the role of emotion in music making and listening; influences of development, personality, and social factors; and applications of music and emotion research. The handbook aims to provide a comprehensive resource on the theory, research, and applications relating to how music can express and arouse emotion. It features chapters from experts in various relevant fields and disciplines.

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    Juslin Sloboda HANDBOOK OF MUSIC AND EMOTION THEORY, RESEARCH, APPLICATIONS

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    CRISTINA AIESTA YUSTE
    699 views5 pages
    This document is a handbook that provides an overview of the field of music and emotion from multiple disciplinary perspectives. It is divided into eight parts that cover topics such as philosophical, psychological, neurobiological, and sociological perspectives on music and emotion; methods of measuring emotion in music; the role of emotion in music making and listening; influences of development, personality, and social factors; and applications of music and emotion research. The handbook aims to provide a comprehensive resource on the theory, research, and applications relating to how music can express and arouse emotion. It features chapters from experts in various relevant fields and disciplines.

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    MUSIC AND EMOTION THEORY, RESEARCH, APPLICATIONS

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    juslin sloboda HANDBOOK OF MUSIC AND EMOTION THEORY, RESEARCH, APPLICATIONS

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    This document is a handbook that provides an overview of the field of music and emotion from multiple disciplinary perspectives. It is divided into eight parts that cover topics such as philosophical, psychological, neurobiological, and sociological perspectives on music and emotion; methods of measuring emotion in music; the role of emotion in music making and listening; influences of development, personality, and social factors; and applications of music and emotion research. The handbook aims to provide a comprehensive resource on the theory, research, and applications relating to how music can express and arouse emotion. It features chapters from experts in various relevant fields and disciplines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    699 views5 pages

    Juslin Sloboda HANDBOOK OF MUSIC AND EMOTION THEORY, RESEARCH, APPLICATIONS

    Uploaded by

    CRISTINA AIESTA YUSTE
    This document is a handbook that provides an overview of the field of music and emotion from multiple disciplinary perspectives. It is divided into eight parts that cover topics such as philosophical, psychological, neurobiological, and sociological perspectives on music and emotion; methods of measuring emotion in music; the role of emotion in music making and listening; influences of development, personality, and social factors; and applications of music and emotion research. The handbook aims to provide a comprehensive resource on the theory, research, and applications relating to how music can express and arouse emotion. It features chapters from experts in various relevant fields and disciplines.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
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    The document discusses music and emotion from multi-disciplinary perspectives including philosophy, musicology, psychology, neuroscience, anthropology and sociology.

    Perspectives discussed include philosophical, musicological, psychological, neuroscientific, anthropological and sociological.

    Methods discussed for measuring emotions expressed through music include self-report measures, continuous self-report methods, indirect perceptual/cognitive/behavioral measures, and psychophysiological measures.

    HANDBOOK OF

    MUSIC AND
    EMOTION
    THEORY, RESEARCH,
    APPLICATIONS

    PATRIK N. JUSLIN
    and
    JOHN A. SLOBODA

    OXFORD
    UNIVERSITY PRESS
    CONTENTS

    List of contributors xiii

    PART I OVERTURE
    i. Introduction: aims, organization, and terminology
    PATRIK N. JUSLIN AND JOHN A. SLOBODA

    PART II
    MULTI-DISCIPLINARY PERSPECTIVES
    2. Emotions expressed and aroused by music: philosophical
    perspectives 15
    STEPHEN DAVIES

    3. Emotion in culture and history: perspectives


    from musicology 45
    NICHOLAS COOK AND NICOLA DIBBEN

    4. At the interface between the inner and outer world:


    psychological perspectives 73
    JOHN A. SLOBODA AND PATRIK N. JUSLIN

    5. Towards a neurobiology of musical emotions 99


    ISABELLE PERETZ

    6. Exploring the habitus of listening: anthropological


    perspectives 127
    JUDITH BECKER

    7- Emotion as social emergence: perspectives


    from music sociology 159
    TIA DENORA
    CONTENTS

    PART III MEASUREMENT


    8. Self-report measures and models 187
    MARCEL ZENTNER AND TUOMAS EEROLA

    9. Continuous self-report methods 223


    EMERY SCHUBERT

    10. Indirect perceptual, cognitive, and behavioural measures 255


    DANIEL VÄSTFJÄLL

    11. Psychophysiological measures 279


    DONALD A. HODGES

    12. Functional neuroimaging 3!3


    STEFAN KOELSCH, WALTER A. SIEBEL, AND THOMAS FRITZ

    PART IV MUSIC MAKING


    13. Emotion and composition in classical music: historiometric
    perspectives 347
    DEAN KEITH SIMONTON

    14. The role of structure in the musical expression of emotions 367


    ALF GABRIELSSON AND ERIK LINDSTRÖM

    15. Emotion and motivation in the lives of performers 401


    ROBERT H. WOODY AND GARY E. MCPHERSON

    16. The role of negative emotions in performance anxiety 425


    DIANNA T. KENNY

    17. Expression and communication of emotion in music


    performance 453
    PATRIK N. JUSLIN AND RENEE TIMMERS

    PART V MUSIC LISTENING


    18. Music in everyday life: the role of emotions 493
    JOHN A. SLOBODA
    CONTENTS XI

    19. Experimental aesthetics a n d liking for music 515


    D A V I D J. H A R G R E A V E S A N D A D R I A N C. N O R T H

    20. Strong experiences with music 547


    ALF GABRIELSSON

    21. Musical expectancy a n d thrills 575


    D A V I D H U R O N AND ELIZABETH HELLMUTH MARGULIS

    22. H o w does music evoke emotions? Exploring the underlying


    mechanisms 605
    P A T R I K N . JUSLIN, S I M O N LILJESTRÖM, D A N I E L VÄSTFJÄLL,
    AND LARS-OLOV LUNDQVIST

    PART VI DEVELOPMENT, PERSONALITY,


    AND SOCIAL FACTORS
    23. Perspectives on music and affect in the early years 645
    SANDRA E. TREHUB, ERIN E. HANNON,
    AND ADENA SCHACHNER

    24. Preference, personality, and emotion 669


    PETER J. RENTFROW AND JENNIFER A. M C D O N A L D

    25. The influence of affect on music choice 697


    VLADIMIR J. KONECNI

    26. Politics, mediation, social context, and public use 725


    REEBEE GAROFALO

    27. Cross-cultural similarities and differences 755


    WILLIAM FORDE THOMPSON AND LAURA-LEE BALKWILL

    PART VII APPLICATIONS


    28. Music education: the role of affect 791
    SUSAN HALLAM

    29. Music therapy 819


    M I C H A E L H. T H A U T AND BARBARA L. WHEELER
    Xll CONTENTS

    30. Music, health, and well-being 849


    SUZANNE B. HANSER

    31. Music as a source of emotion in film 879


    ANNABEL J. COHEN

    32. Music and marketing 909


    ADRIAN C. NORTH AND DAVID J. HARGREAVES

    PART VIII ENCORE


    33. The past, present, and future of music and emotion research 933
    PATRIK N. JUSLIN AND JOHN A. SLOBODA

    Index 957

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