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    Name: Nur Amalina Syahirah Binti Mohamad NO MATRIC: 2018222866 Class: Ad242 4A Subject: RMD 577

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    Amalina Syahirah
    1. The document discusses a research project focused on woven fabric designs that can be produced using a four-shaft broadloom. It is limited to designs that can be created with a four-shaft loom. 2. The research aims to produce hand-woven fabric designs for individuals rather than mass production. It faces limitations due to the remote nature of the study and challenges in gathering information from sources. 3. The research questions examine what yarns, weave structures, and methods can be used for upholstery fabric production and what qualities justify the woven samples for different applications.

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    Name: Nur Amalina Syahirah Binti Mohamad NO MATRIC: 2018222866 Class: Ad242 4A Subject: RMD 577

    Uploaded by

    Amalina Syahirah
    73 views4 pages
    1. The document discusses a research project focused on woven fabric designs that can be produced using a four-shaft broadloom. It is limited to designs that can be created with a four-shaft loom. 2. The research aims to produce hand-woven fabric designs for individuals rather than mass production. It faces limitations due to the remote nature of the study and challenges in gathering information from sources. 3. The research questions examine what yarns, weave structures, and methods can be used for upholstery fabric production and what qualities justify the woven samples for different applications.

    Original Description:

    RMD

    Original Title

    WEAVING

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    1. The document discusses a research project focused on woven fabric designs that can be produced using a four-shaft broadloom. It is limited to designs that can be created with a four-shaft loom. 2. The research aims to produce hand-woven fabric designs for individuals rather than mass production. It faces limitations due to the remote nature of the study and challenges in gathering information from sources. 3. The research questions examine what yarns, weave structures, and methods can be used for upholstery fabric production and what qualities justify the woven samples for different applications.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    73 views4 pages

    Name: Nur Amalina Syahirah Binti Mohamad NO MATRIC: 2018222866 Class: Ad242 4A Subject: RMD 577

    Uploaded by

    Amalina Syahirah
    1. The document discusses a research project focused on woven fabric designs that can be produced using a four-shaft broadloom. It is limited to designs that can be created with a four-shaft loom. 2. The research aims to produce hand-woven fabric designs for individuals rather than mass production. It faces limitations due to the remote nature of the study and challenges in gathering information from sources. 3. The research questions examine what yarns, weave structures, and methods can be used for upholstery fabric production and what qualities justify the woven samples for different applications.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
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    NAME : NUR AMALINA SYAHIRAH BINTI MOHAMAD

    NO MATRIC : 2018222866
    CLASS : AD242 4A
    SUBJECT : RMD 577
    DELIMITATION
    In woven , some fabrics are woven manually or mechanically. The
    project concentrates only on woven fabric designs. Even though there
    eight-shaft broadlooms, the study utilises a four-shaft broadloom
    because of availability and accessibility. Again, it is limited to weaves
    possibly constructed with a four-shaft loom.
    Although the research intends to produce hand-woven fabric designs,
    the objective is not for mass production but for individuals who have
    understanding, preference and taste for woven fabrics.
    LIMITATION
    Distance constraints due to study in nature and difficult to study
    because being home temporarily due to movement control commands.
    Again, there were challenges on primary sources of data as most
    resource persons interviewed by the researcher were not willing to
    give detailed information and did not have in-depth knowledge on the
    subject. This, the researcher believes, was due to lack of education on
    the part of the upholstery merchandisers and furniture producers. This
    posed a great challenge during the analyses and interpretation of the
    data.

    RESEARCH QUESTION
    1. Which type of yarns and weave structures can be exploited for
    upholstery fabric production?
    2. What methods are used in innovative weaving fabric design?
    3. What intrinsic / extrinsic qualities or properties justify the woven
    samples for application?
    HYPHOTHESIS
    1. Shortage of capital, inappropriate technology, non- availability
    of raw materials led to non-adoption of the improved
    technology.
    2. Among the entrepreneurs, a big majority are those who adopted
    improved
    3. Technology, in terms of the introduction of new equipment, due
    to availability of institutional support.

    STATEMENT OF SIGNIFICANCE
    1. The production of fabric designs with broadloom unearths the
    artistic and creative knowledge of weaving. Again, it gives
    symbolic meaning and identity to locally made. Additionally
    there is an introduction of innovative design structures for
    industrial fabric manufacturing which will assist weavers and
    the nation as a whole.
    2. The main responsibility of art to society is the formation of a
    view of the world, a true and large-scale assessment of events, a
    rational, reasoning orientation of man in the world around him, a
    true assessment of his own self. But why does art have this
    function because in its great production it is not only
    consummately artistic but also profoundly philosophical.
    3. The philosophical importance of the study is therefore to change
    the perceptions of woven fabrics, the limitations of the
    handloom and to encourage the attitude of explorations into the
    various traditional art practices.

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