4b-Engineering Applications of Botany
4b-Engineering Applications of Botany
Dr Ashok S. Nene
The figure 2.2.2, contains the original reference verse and the table gives
the ingredients used.
A) Extracts of herbs, fruits and tree barks: Trifala- Aamla, Hirda and
Behada,Wood apple, Holy tree fruit ,Barks- Khadir4, Arjun trees
C) Natural polymers: Cow Dung, Jiggery, Coconut water, Eggs, Green Algae,
rice husk, burnt coconut shell.
The Sanskrit alternate name for clay is “Dharmi” which means a material
changes its properties according to the requirement. The procedures for
manufacture of different clay products are described below.
1b-soil stabilization for idol making: Additives- milk, yogurt, ghee, stone
dust; iron slag. Decoctions made from barks of Khdir or Arjun trees.
turpentine oil, resinous exudation of Sal tree, grass of kandru plant. Ref.
Tantrasamuchhyaya and Vastu Vidya
Suitable soil (white, red or yellow) is mixed with cow’s milk and tawny color,
linseed oil, floor of wheat and barley. A decoction is prepared by boiling
barks of Kshir and bakul in water
Clay balls are prepared and allowed to dry. Further lime and gum is added to
dry pulverized clay balls are allowed to mature for one month. Lime in 1:2
pats is added and the mixer is used for coating the idols. Ref.
Aparajitprichha (1200-1300 AD)
Fig.2.5-Fruits
3-Natural polymers
Cow Dung, Jiggery, Coconut water, Eggs, Green Algae, rice husk, burnt
coconut shell etc.
Shatapatha Brahman mentions use of sand, stone dust and iron slag for soil
stabilization.
Trifala (three fruits-Aamla, Hirda and Behda) are boiled in water till the
solution is reduced to one fourth of original volume. This decoction is called
Trifala-Kashaya. (Ref. Shilparatna).
The suitable soil is mixed with Trifala-Kashaya. The soil is kneaded for a long
period. The soil such prepared was used for plastering of walls.
• Add extracts of barks of milky trees, knead for one to ten days
• Add extracts of barks of Shirish tree, knead for one to ten days
Case Study
13th Centaury Floating Bricks are still available at Ter and Dhoki Village on
Kurduwadi Latur Road, Maharashtra. These bricks are supposed to be
made by Saint Gora Kumbhar. The properties of these floating bricks are;
1b-Clay idols
1d-Adobe floors
Fig. 2.11-Isabgol plants, seeds and mud floor prepared with Isabgol
Floors are made from poured and toweled mud mixed with psyllium hulls
(Isabgol).The mud is easy to work and acts as a binder when the floor dries.
It reduces cracking and increases strength.
2.4 Pottery
Mix floor of Satu, powder of Amaksh , Tatwasi and coconut water to clay in a
proportion of 8 parts of clay and 1 part of admixtures. Ref. Shilparatna
1.14.48
Apply a mixture of milk ghee, honey and Herb powder (churni, Pipli,Marichi
and Rasani ) to clay pots. This process imparts glazing to the ceramic pots.
Ref. Shilparatna 1.14.15
The main constituents are local soil, fine sand, cow dung, quick lime,
extracts of Belphal , fibers of jute and water for mixing.
a-Lime Mortar
Grind ripe bananas, fibers of cotton and pulp of cactus and mix in slaked
lime to make a good quality lime mortar. Alternatively add decoction of
barks of trees (Pipal. Amla, Kadamb) and paste of black gram are added to
the slaked lime.
c-Sunla
Curd, milk, black gram paste, gud, ghee, ripe bananas, coconut and mango
pulp are added to slake lime. Plaster made of these materials is non-
shrinking .
Mix Ghee, coconut water, black gram paste , extract of barks(Pipal), milk,
curd, decoction of Trifala, and Pichhit, in proportion of 3,4,5,6,7,8,9,10 and
11 parts to 100 parts of slaked lime.
Ajanta caves: Clay, cow dung, stone powder, rise husk and lime.
Sirgirea caves: Tempered kaolin clay, rice husk, Coconut shell fibers and
lime.
Bagh caves: Red clay, green gram, lime and jute. Mansoullas recommends
use of powder of conchs, katha, pulses, molasses, and boiled bananas.
Mix 3 parts of slaked lime and 1 part of powder of dry unripe banana. Add
water to make butter like mixture. Such leveling coat gives a marble finish
to the wall surface. Repeat the procedure and store the liquid color in an
earthen pot.
c-Sunla
Mix Ghee, coconut water, black gram paste , extract of barks(Pipal), milk,
curd, decoction of Trifala, and Pichhit, in proportion of 3,4,5,6,7,8,9,10 and
11 parts to 100 parts of slaked lime. Ref. Shilparatna 1.14.70
Mix 3 parts of slaked lime and 1 part of powder of dry raw banana. Add
water to make butter like mixture. Such leveling coat gives marble finish to
the wall surface.
Shilpdeepak" Ref. Fig. 3.6 also gives procedure to prepare lime mortars. The
steps are;
Basic Colors: White, yellow, red, black and blue are five basic (pure) colors.
All other composite colors are made from these colors. Ref.
Vishnudharmottar PuraN, Ch.27.
White color: White color is prepared from lime made of shells or mother of
pearls or from white clay (pottery clay-Kaolin). White color is prepared by
mixing resins of Neem or Wood Apple tree with white soil or lime. The
mixture is pulverized and dissolved in hot water. Ref. Fig.2.6.2
Yellow color: Yellow color is prepared from pounding yellow wood trees
(Haridra) and yellow soil (from hills or river banks) together. The mixture is
poured in clear water for two hours. The top yellow solution is stored in
earth pot till it dries. The dry powder is used for preparing yellow color.
Black color: -Oil lamp is ignited in a mud pot. Inner surface of another mud
pot is smeared with powder of dry cow dung. This pot is place on the first
pot such that lamp black is coated inside the top pot. The lamp black is
cleaned with water before application.
Composite colors: Composite colors are made by mixing two or more basic
colors.
C-Ajantha paintings
Experimental Studies
Brushes and Hide glue : Ancient texts also mention about preparation of
golden color, brushes and hide glue but it is not included here.
Varahmihir (505 C.E- 587 C.E), the famous astronomer, mathematician and
astrologer of India, compiled a treatise "Brihat Samhita". Many modern
translations and commentaries on this text are available. This text is based
on the text "Krishi Parashar" of Sage Parashar. The title of chapter 54 is
Dakargala. (Daka is short form of Udaka or water and Argal means
obstruction). This text describes how the presence of some surface
indicators can be used to predict presence of underground water both in
quality and quantity. The indicators are
The chapter 54 contains 124 verses. For example few verses are quoted
below;
1. The surface water or its flow does not indicate the underground
water conditions.
2. Many ant hills in a particular area suggest of good source of
water.
3. If certain types of trees (Country Fig, Shami or Pipal) are grown
in close proximity, then good water storage at that spot can be
predicted.
4. No site is completely devoid of water, but depth of water table
changes from place to place. If a hard rock stratum is met
during the digging well, water table cannot be expected till
bottom of this stratum.
Type A B C
A place where five trees (Vat, Oudumber, Pipal, Shami and Bel) exist side by
side is termed as Panchwati (a place of five trees). Abundant water is
available at such site at a shallow depth. Ref. Table 5.3 for botanical names.
Breach child: If during birth of a child, feet appear first, such child is called
Breach child. Such person possesses some magnetic powers which are
25 Engineering Applications of Botany
useful for water dowsing. A person born as a Breach child person possesses
some magnetic powers which are useful for water dowsing.
If such person (born as breach child) is not available, dowsing can be done
by any person with the help of herbs mentioned in ancient Indian text
Mantrashastra
First formula:
The ingredients are unripe fruits of Tinduka and Kapittaka, flowers of silk
cotton seeds of Sallaki, barks of Dhanavana and Vaca root. (Refer Table 1)
All these ingredients (SN 1.1 to 1.6) are boiled 256 parts of water till the
decoction reduces to an eighth of its original volume (i.e.32 Parts).
The sediments are mixed with substances, such as. Shrivasaka , Raktabola,
Guggulu, Bhallataka, Kunduruka resin , Atasi and Bilva fruit.(SN 1.7 to 1.13)
The resulting paste is termed as adamantine glue. This glue is heated and
then used in construction of temple, and fixing Siva’s emblems and idols of
gods. It was expected to last for a million years. Ref. Brihatsamhita ch.56. v-
210-213
Second Variety -Adamantine Glue
Mayamatam
Table 2.7-Terminology
Gruhdhooma - Soot
Amlaka Emblica Amla, anwla
officinalis (fruit)
Atasi Linum Linseed oil
usikatissimum
Bhallataka Semecarpus Marking ink
anacardium tree
Preparing the mixture is a 41-day long procedure and the ingredients are;
• Mix powder Atis root, Hiracus and red ochre in milk. Apply this paint to
the stone and keep it overnight. OR
CASE STUDIES
This temple is among the best examples of brick temples of ancient India.
B. Mud flooring.
Sanskrit Verses
अर्जन
ु ोमजस्तोशीरै ् सरार्कोशामककचूर्णै ॥
कनकफऱसमायजक्तैयोग्ग् कूपे
प्रदातव्य्॥१२१॥
वराहसंहहता अ५४
कर्णामजस्तकसंयजक्तमेऱोशीरकचंदन् ।
अचभऱत्तषतािु चचंतामर्णी
वयगोिाममाऺंच तत्वसीचूर्णस
ु ंक्षऻतं।
त्तियबंकल्कचभननतज कदऱीचभस्तदर्ुवद्।
SV2.4-Clay Mortar
श्रवेष्टग
ं जग्गऱंचव
ै कजंदरु
ज ष्कं तिैवच।
चशल्परत्न २-१९-१२
SV2.5-Earthen pots
चशल्परत्न २-१९
चंदनागरुकपूरु गोषजगोरोचनंसमं ॥
अतसीस्नेहसंयजक्तं मद्येद्देचशकोिम् ॥
चशल्परत्न २-१९-१८
चशल्परत्न २-१९-१३
SV2.8-Ceramic pots
आज्यं च कदऱीपंकनाररकेरांबजमाषयजक ।
चशल्परत्न १-१४-६०
नवचनतचमवयाचत याविावत्सजपेषमेत ्॥
चतऱादकसमंत्तपंड सजक्ष्मचजरर्णाचतिैवच ॥
कापाुसतंतजवश्चात्तप मृदंकृत्वासजपेषयेत ्।
त्तियंबकल्कचभननंच कदऱीचभस्तदर्ुवत ्॥
नवनीतचमवायचत याविवस्सजपषेयेत ्।
भृगजसंहहता अ ४८
नाररकेराम्र फऱयोर्ऱैश्चतत्प्रकल्पयेद्।
आज्यं च कदऱीपंकनाररकेरांबजमाषयजक् ॥
दग्ज ्वाशंखाहदकंकाष्ठैरचूक्षर्णुतंहहसजर्ाभवेत ्।
सजर्ाचूर्णच
ु तजिश
ं मजग्कक्कवािऱवै् सह॥
गजऱतोयेनसंचसचेत ् तछचूर्णव
ु ऱजकांत्तवतं
गजऱतोयिमार्णंहह सजर्ातजयंचशमानत्॥
दोव्याक्षऺप्त्वाचसंमर्ु चचिकमाुक्षर्णयोर्येत ्।
चशल्परत्न अ १४
शंखशंक्कत्याहदकंवािजचसतमृदर्वऱेभवेत ्।
कत्तपत्िाचऱंबचनयाुस तोमैराऱोड्यबजक्ष्दमान ्॥
त्तपष्ठवापून्पून् सनमग्मजसऱनउऱखऱे ।
ताक्षत्पसष्तमजष्र्णतोयेनसनमगा ऱोड्यगाऱयेत ्॥
SV2.15-White color
अिदारूनपीतवर्णाुन ् ररनद्याहदसंभवान ्।
शज्दतोयैमद्द
ु ोपािे मजहजतु प्रचतपाऱयेत ्॥
SV2.16-Yellow color
गैरहककंतजचशऱापृष्ठे हदनयेकंसजपेषयेत ्।
एतेषांचनंबचनयाुसतोयंसंयोज्य यजत्तक्तत्।
समर्ुऱेपेनहरयाद्रव्येषजचप्रयोर्येत ्॥
अितैऱसमाचसछय वर्ुमानेछिवचतुकां।
शजष्कगोमयचूर्णन
े समृज्र्ोदरमस्यच ।
आऱग्नंसम्यगादाय मृद्घिादौत्तवऱेपयेत ्॥
श्यामर्ातूनयवमािं शज्दतोयेनपेषयेत ्
पजन्कत्तपत्िचनयाु तोयै्समर्ुयेत ्॥
SV2.20-Composite colors
SV2.21-Natural Colors
नयघ्रोर्ंदब
ज र वि त्तपप्पऱ त्तबल्व दे वदारु वृऺार्णां ।
SV2.22a- Varnish
वचापाठाचचनगजड
ं ी किज तजंब्याश्वमजऱकं ।
मंिशाि
बृहतसंहहता अ ५६
आमं चतंदक
ज मांस कत्तपत्िकं पजष्पमत्तप च शाल्मल्या् ।
श्रीवसकरसगजग्गजऱजभल्ऱातककजंदरूकसर्ुरसै् ।
प्रासादहम्र्यवऱभीचऱंगप्रचतमासज कजड्यकूपेशज ।
गैररकचूर्णक
ु ं तस्मादर्ंतज घनचूर्णक
ु म ्॥६५॥
सवेषामर्ंतस्तैऱं चनक्षऺपेल्ऱोहभार्ने।
मयमत अ ६४
ऱाऺकजंदरू
ज गजग्गजऱजगह
ृ र्जमकत्तपत्ित्तबल्वम्याचन ।
नागफऱचनम्बचतंदक
ज मदं फऱमर्जकमंक्षर्ष्ठा् ॥५॥
बृहतसंहहता अ ५६
बृहतसंहहता अ ५६
SV2.27-Hide glue
बृहतसंहहता अ ५६
SV2.28- Vajrasanghata
संगह्य
ृ ाष्ठौ सीसभागात ् व्दौ तिाशकंम।
मासीरोगहवाररयादर्ऱै् सार्ुपऱनांियं ।
चशल्परत्न भाग १ अ १४
SV2.30-Stone softening
2-Cooling: The fire is moved to adjacent area of rock surface. The preheated
surface is cooled down quickly by pouring certain types of liquids listed
below.
Fig.3.3-Preservation of ropes
2. Double boiled linseed oil prevents rusting of iron, can substitute under
coat for automobiles.
3. Double boiled linseed oil protects wooden doors and windows from white
ants. Second coat (oil paint) to be applied after one year.
तजल्यांशऺीत्तपुष्टस्
ै तजत्तवसकासीसगैररकै् ॥
कासीतचोरौगोऺीरे त्तपष्टवाचाऱेपयेतचशऱा ।
मासीरोगहवाररयाररदर्ऱै्सार्ुपऱानांियं ।
चशल्परत्न अ १४
नयघ्रोर्ंदब
ज र वि त्तपप्पऱ त्तबल्व दे वदारू वृऺार्णां ।
An ancient text on botany mentions that “if juice of Palash flowers (Flame of
forest), treated with sulfur, is rubbed on copper surface, the surface shines
as gold”. Similarly, decoction of mixture of flowers juice and Hartal
(Orpiment) is used to make silver like lead metal. Ref. “Vanaushadhi
GunAdarsh” by Pade
Dhokra also spelt Dokra) is non–ferrous metal casting using the lost-wax
casting technique. This sort of metal casting has been used in India for over
4,000 years and is still used. One of the earliest known lost wax artefacts is
the dancing girl of Mohenjo-daro. The tribal people of Bastar still use this
technique.
The first task in the lost wax hollow casting process consists of developing a
clay core which is roughly the shape of the final cast image.
Next, the clay core is covered by a layer of wax composed of pure bee’s wax,
resin from the tree Damara orientalis, and nut oil.
The first layer, the closest to the wax sculpture, is the river bed soil, water
and coal powder applied with brush.
The wax is then shaped and carved in all its finer details of design and
decorations.
A paste of red soil with rice husk is applied to first dry solidified layer.This is
applied with hands. It is then covered with layers of clay, which takes the
negative form of the wax on the inside, thus becoming a mould for the metal
that will be poured inside it.
A final coating of rice husk, sand and clay is applied to the entire surface of
the piece.
Drain ducts are left for the wax, which melts away when the clay is cooked.
The wax is then replaced by the molten metal, often using brass scrap as
basic raw material.
The liquid metal poured in hardens between the core and the inner surface of
the mould.
The metal fills the mould and takes the same shape as the wax. The outer
layer of clay is then chipped off and the metal icon is polished and finished as
desired.
Sanskrit Verses
बृहतसंहहता अ ५४
बृहतसंहहता अ ५९
A- Waterproof cloth for air balloons: The juice of certain coreless trees
contains water retarding substances. The procedure for making a cloth
water/air proof is described in Agastya Samhita .Ref. SV5.1 and SV5.2 The
steps involved are;
B-Light weight wood: For seats of air balloons extracts of few trees are
specified in Agastsamhita.
ऺीरद्रम
ज कदं बाम्रा गवाऺत्वगऺैरत्तप ।
अगत्यसंहहता
अगत्यसंहहता
B-Modern References