Arms and The Man PDF

Arms and the
Man
Study Guide by Course Hero
Aeneid, the title is meant ironically or contrastingly.

What's Inside
j Book Basics ................................................................................................. 1 d In Context
d In Context ..................................................................................................... 1
a Author Biography ..................................................................................... 3

Social Satire in Victorian
h Characters .................................................................................................. 4
Comedy
k Plot Summary ............................................................................................. 7
Arms and the Man is an example of a seemingly lighthearted
c Section Summaries ............................................................................... 13 romantic comedy that is actually biting social satire with a
number of hidden messages. This genre of social satire
g Quotes ........................................................................................................ 23
comedy that was popular in the time of Queen Victoria
l Symbols ...................................................................................................... 25 (1819–1901) is rooted in street dramas performed by traveling
troupes of players during the English Middle Ages (c.
m Themes ...................................................................................................... 26 1066–1450). The English playwright William Shakespeare
(1564–1616) refers to the immunity from direct censorship such
players had in his 1603 play, Hamlet, when a troupe performs a
court mime enacting the ignoble murder of Prince Hamlet's
j Book Basics father by his uncle. Puppet (notably "Punch and Judy") shows
arrived in England from Italy around 1660. These street dramas
AUTHOR were entertaining, but they also invariably included a dig or two
George Bernard Shaw at some local official, cleric, or unpopular public figure. The
hump-backed puppet character Punch became especially
FIRST PERFORMED joined to political satire in England in the early 1800s, and the
1894 British periodical Punch (1841–1992 and 1996–2000) was
immensely popular worldwide for its biting satire. Other
GENRE
notable dramatists who wrote plays in this genre include Irish
Romance, Satire
author Oscar Wilde (1854–1900) and the British musical team
ABOUT THE TITLE playwrights William S. Gilbert (1836–1911) and composer Arthur
The title, Arms and the Man, comes from a line in Roman poet S. Sullivan (1842–1900).
Virgil's (70–19 BCE) epic poem Aeneid (c. 30 BCE) about the
Oscar Wilde's play The Importance of Being Ernest, A Trivial
founding of Rome: "I sing of arms and the man who first from
Comedy for Serious People (1895) has become one of the most
the shores of Troy came destined an exile to Italy and the
enduring plays of this genre and remains popular in
Lavinian beaches." As Arms and the Man satirizes or ridicules
educational and community theater venues both in England
the sort of nationalistic military heroism portrayed in the
and the United States to the present day. The characters
Arms and the Man Study Guide In Context 2
engage in witty banter, and the plot tightly twists around British.
mistaken identities, romantic entanglements, and secrets "in
the family closet," all of which are resolved through love at the Another such play in the satiric comedy mode is Englishman
end. Above all, Wilde's drama satirizes British society and its Brandon Thomas's (1848–1914) Charley's Aunt (1893). Such
class hypocrisy as well as the institution of marriage. plays poke fun at the idea that marriage to someone within
one's class was the be-all and end-all of social success and,
Wilde's play includes a number of parallels to Arms and the indeed, happiness. They do so by emphasizing the shallowness
Man true to the genre of a Victorian romantic comedy. For of the players in the game of love. Often, a lie told between
example, one of Wilde's characters lies about his own name. In lovers is at the center of the plot. In Thomas's play, a male
Arms and the Man, a young lady lies to her love about an character masquerades as an elderly woman to help in a
encounter with another man while he lies to her about his friend's courtship.
feelings for her maid. While Shaw portrays various young
characters falling in love and living happily ever after, he also Shaw sets Arms and the Man in Bulgaria during the Serbo-
portrays the older characters, Catherine and Paul Petkoff, as Bulgarian War. This setting is at a remove from Britain, and
the logical end result of love and courtship. Catherine worries Britain had no involvement in the Serbo-Bulgarian War. Going
about whether Paul yells at the servants, and Paul dismisses into little detail about the war itself, Shaw uses the war to
Catherine's silly prattle about how the war should have been satirize the romantic ideas of heroism in battle. He also gently
handled. Both Petkoffs lie to one another just as Wilde's inserts references to his own socialist ideals through the
characters lie to the objects of their affections. Wilde's elderly romances between upper-class Sergius and the maid Louka
pair Miss Prism and the Rev. Canon Chasuble conclude The and upper-class Raina and the soldier-for-hire Bluntschli.
Importance of Being Earnest by declaring their love for one Shaw's later and best-known play, Pygmalion (1913), satirizes
another. both the class system in Britain and the inequality of the sexes
through the portrayal of protagonist Eliza Doolittle. In the play
Gilbert and Sullivan wrote a number of very popular operettas, Eliza is plucked off the streets of London where she was
beginning with Thespis in 1871 and ending with The Grand Duke selling flowers, taken into Henry Higgins's home to be taught
in 1896. All their works have some level of social commentary upper-class diction in the English language, and trained to
on subjects, including the legal system in Trial by Jury (1875), behave as a member of the upper class. However, she could
the royal navy in H.M.S. Pinafore (1878), and copyright laws in never be accepted as such due to her low birth.
The Pirates of Penzance (1879).
Two operettas that are particularly notable as satire on the

British peerage, the various ranks of nobility in England at the
Serbo-Bulgarian War
time, and the government were Iolanthe (1882) and The Mikado
The Serbo-Bulgarian War took place from November 1885 to
(1885). Iolanthe lampoons the British peerage, a system of
March 1886 between Serbia and Bulgaria. The conflict arose
government in which men who are fortunate enough to be born
because both sides felt that the Treaty of Berlin, entered in
into families of high rank are allowed a position in government
1878, should have given them more extensive territory. Under
similar to that of a member of Congress in the present-day
this treaty, one territory, Eastern Rumelia, had been separated
United States. Gilbert, the lyricist, does this with subtle digs in
from Bulgaria and given to the Ottoman Empire instead. In
his lyrics, such as lines stating "The House of Peers made no
September 1885, Bulgarian nationalists mounted a coup (a
pretense / To intellectual eminence / Or scholarship sublime."
sudden action designed to take over the government by force)
In other words, those with inherited positions don't really
and attempted to reunify this territory with Bulgaria. Serbia did
understand the matters upon which they are voting. Instead
not wish to see their rival strengthened in this way. So, on
Gilbert portrays the peers as buffoons who spend their days
November 14, 1885, after failing to get Bulgaria to give some of
mooning over pretty girls. The Mikado, one of the duo's most
their territory to Serbia, the Serbian king, Milan Obrenović IV
popular and enduring works, satirizes the British legal system
(1854–1901; ruled 1882–89) declared war. The Serbs expected
and the use of capital punishment in unfair ways. Setting the
a quick victory. However, the Bulgarians won a battle at
comedy in Japan allows them to do so in a veiled way, although
Slivnitza that began on November 17 and lasted three days. It is
much of what the operetta portrays and protests is clearly
this battle to which Catherine refers when speaking to Raina at
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Arms and the Man Study Guide Author Biography 3
the beginning of Act 1. one of the ways in which Shaw, as a Fabian, tried to influence
his fellow Britons. Throughout the play, there are subtle
Prince Alexander I of Bulgaria (1857–93) was not quick to messages as to Shaw's feelings about class. For example, in
accept an armistice (a truce between warring parties). He Arms and the Man, the members of the Petkoff family and
accepted it only after Austria-Hungary threatened to enter the Sergius are portrayed as being upper-class society people. In
war in Serbia's defense. Because it is exactly what Prince contrast, the servants Louka and Nicola and the soldier
Alexander also wanted, Catherine's statement in Act 2 is Bluntschli are of a lower class. Though Bluntschli comes from a
humorous. She says the Bulgarians "could have annexed moneyed family, as a Swiss citizen he has no rank or title.
Servia and made Prince Alexander emperor of the Balkans. Raina and Sergius speak to each other in high-minded ways
That's what I would have done." and prance about acting as if they are special. However, both
Raina and Sergius find that they can only have real
The Treaty of Bucharest (1886) was entered on March 3, 1886.
conversations with the lower-class people: Raina with
This is the treaty about which the characters are speaking at
Bluntschli and Sergius with Louka. It is as if their upper-class
the beginning of Act 2.
happiness is no more than a façade they have to put on to
preserve appearances.
Shaw's Fabian Socialist Views Shaw also makes light of the idea that being a member of the
upper class conveys or is evidence of merit. For example,
George Bernard Shaw was an early and very active member of Sergius and even the older, more competent Major Petkoff are
the Fabian Society. It was named for a Roman general, Fabius at a loss as to how to write the necessary orders in Act 3. They
Cunctator (c. 280–03 BCE), who avoided pitched battles but have to enlist the lower-class (and, indeed, lower-ranking)
instead wore down his opponents. The Fabians were a middle- Bluntschli to help them. Sergius says of this, "He finds out what
class intellectual socialist group who aimed to transform British to do; draws up the orders; and I sign 'em. Division of labor."
society without revolution. Rather, they hoped to permeate the Later in the same act, Louka asks Sergius, "Did you find ... that
country's intellectual and political life. They attempted to the men whose fathers are poor ... were any less brave than
infiltrate the Liberal and Conservative political parties, the two the men who are rich like you?" Sergius responds in the
main political parties in England at that time, with their socialist negative. In the end, both Raina and Sergius realize they are
ideas. However, they eventually ended up helping to organize happier with someone who is not a member of their class.
the Labor Representation Committee, which in 1906 became Class is irrelevant. Shaw encodes such messages in a light,
the British Labor Party, one of the main political parties in romantic comedy, giving the audience food for thought long
Britain today. after the curtain has gone down.
The Fabian Society had other notable members, including:
H.G. Wells (1866–1946), a novelist whose best-known works a Author Biography

were The Time Machine (1895) and War of the Worlds
(1898), George Bernard Shaw, born on July 26, 1856, was a leading
Sidney (1859–1947) and Beatrice (1858–1943) Webb, Irish dramatist of his time. In addition to his contributions as a
cofounders of the London School of Economics and playwright, he was a music and theater critic, a novelist, and an
Political Science, outspoken social reformer.
Graham Wallas (1858–1932), a noted educator,
Annie Besant (1847–1933), a British social reformer and
Indian independence leader, Early Life
Thomas Davidson (1840–1900), a Scottish naturalist and
philosopher, who founded the Fellowship of the New Life
Shaw was born in Dublin as the third and last child of George
that later became the Fabian Society.
Carr and Lucinda Elizabeth Gurly Shaw. He suffered what he
described as "a devil of a childhood." His father was a civil
The writing of plays such as Arms and the Man may have been
servant turned unsuccessful corn merchant, as well as an

Arms and the Man Study Guide Characters 4
alcoholic—all of which reduced the family to living in genteel from the 19th-century stereotype of the male-dominated,
poverty. His mother—the daughter of a well-to-do sweetly fragile, self-sacrificing female.
family—found escape from the family difficulties in music. A
professional singer and student of the conductor George
Vandeleur Lee, she eventually followed him to London to Career as a Playwright
pursue her own career and improve her situation. These life
events encouraged Shaw to be a lifelong teetotaler (person Shaw's career as a playwright began in 1891 when he met J.T.
who does not drink alcohol). They also imbued him with a Grein (1862–1935), the director of The Independent Theatre—a
strong interest in music and kindled his sensitivity to the plight new, progressive venue for "the theatre of ideas" inspired by
of women in Victorian society (1837–1901). the realistic "problem plays" of Norwegian dramatist Henrik
Ibsen (1828–1906). Grein offered to read Shaw's play
In 1876 Shaw joined his mother and Vandeleur Lee in London.
Widowers' Houses. He accepted it almost immediately, and it
He expanded his knowledge of music to include literature. He
was first publicly performed in 1892. Over the next six years,
read voraciously, attended socialist lectures and debates, and
Shaw completed a collection of dramas called Plays Pleasant
pursued a career in journalism and writing. His first attempts to
and Unpleasant. Each attacked with varied ferocity the social
write prose—a string of five novels—were rejected by
evils of the day. Arms and the Man was part of this collection
publishers. However, he did land a job as a freelance critic for
and satirized romantic ideas of war and heroism. It was first
an influential daily paper, the Pall Mall Gazette. The liberal
produced in 1894 and published in 1898. It was made into a
political leanings of the paper were in line with Shaw's growing
musical, The Chocolate Soldier (1908), which was successful
interest in socialism (social and economic practice where the
but in which Shaw did not cooperate.
government owns and controls property and resources). His
articles and critiques of art, music, and theater written for this Shaw's writing successes continued to the eve of World War I
and other publications brought him at last to the attention of (1914–18), when Pygmalion opened in Vienna in 1913 and in
London literary society. London in 1914. It was a hit. However, with the outbreak of war,
Shaw's plain-spoken antiwar views and pamphlets created
uproar. He was shunned by friends and ostracized by the
Socialism public. Nevertheless, he continued writing plays, and by 1923,
with the production of Saint Joan, he succeeded in reviving his
Shaw's interest in socialism had a profound effect on his career. In 1925, Shaw was the recipient of the Nobel Prize in
writing. In 1884 he joined the recently established Fabian Literature. He also won an Academy Award for screenwriting
Society, a British socialist organization intent on advancing the for the 1938 film adaptation of Pygmalion. A musical
principles of non-Marxist evolutionary socialism (peaceful adaptation, My Fair Lady, opened on Broadway in 1956.
transition from capitalism to socialism in contrast to the ideas
of German philosopher Karl Marx [1818–83]). He became one Shaw continued writing until his death on November 2, 1950, at
of its leading members and regularly wrote and lectured on age 94. At the time, he was working on yet another play.
socialist topics. Often he focused on themes of marriage,

education, politics, class struggle, and religion. As a self-
professed socialist, Shaw was a vigorous proponent of gender h Characters
equality. He believed that all people have a purpose in life and
that women were being denied chances to play their critical
roles in society. He actively supported efforts to alter the
marriage laws, eliminate patriarchy, establish female suffrage
Raina
(right to vote), and recast gender roles. Shaw felt that "unless
Raina doesn't know exactly what she wants. She has been
woman repudiates her womanliness, her duty to her husband,
raised to marry a man like Sergius and to hope for him to be a
to her children, to society, to the law, and to everyone but
hero. She has also been raised to be sweet and kind and never
herself, she cannot emancipate herself." As a playwright, his
to lie. It's difficult for her to admit that these things are
portrayal of remarkable, clever, and powerful women departed
impossible for her. When she meets Bluntschli, it is her first

experience with the idea that gray areas exist. Not all soldiers
are brave, not all cowards are bad, and not all lies are Louka
unforgivable.
Louka is very clever, and she sees everything. She is the one
who tells Raina that the shutters can be opened, and she
Bluntschli knows that someone can come in. Although she isn't Sergius's
equal in class, she is more than his equal in intelligence. She
feels she shouldn't be kept down by her low station. Moreover,
Bluntschli is a very practical sort of fellow. He wants to make
she is not willing to degrade herself.
money by being in the war, but he doesn't particularly want to
die. However, he isn't as cowardly as he would have Raina
believe, and he also isn't as mercenary. He doesn't want to hurt
anyone. Rather, he wants adventure and to live his life. Nicola
Nicola is a man who knows his place and wants to be safe. He
Sergius doesn't want to defy the Petkoffs, and he warns Louka against
doing so. However, in the end, he is willing to give up his claim
on her to see her rise in class. He is a capable servant and
Sergius is a very conflicted character. He has always believed
hopes to be rewarded for that in the end.
that he has to be a certain way—a brave soldier and a
worshipful admirer to Raina. The war and the servant Louka
challenge these beliefs. He comes across as sort of a
cardboard cutout of a man, but he wants to be more than that.
Catherine
Catherine is presented as a very typical woman of her era. She
can be bribed by her husband with pretty things, as with the
bet over a piece of jewelry. She sets a standard for Raina to be
a perfect woman who never lies or does anything wrong. In
fact, she does lie to her husband, as she is never really herself
around him. She is also very concerned about what people
think. She worries people will think the Petkoffs are low-class
for yelling for the servants or because Raina made a poor
marriage.
Petkoff
Petkoff is smarter than his family would believe. He sees what
is going on most of the time. He realizes Sergius is something
of a buffoon and also that Raina put a photograph in the coat
for someone to find. He also realizes the coat was missing in
the first place. He is not an expert on military tactics, but he
knows he isn't and is willing to delegate.

Character Map
Servant
Bluntschli
Swiss professional
soldier; fights with
the Servians
Nicola Sergius
Protector
Sensible manservant Bulgarian soldier
Engaged
Engaged
Raina
Sympathetic young woman
Servant
Father
Louka Petkoff
Mother
Coquettish servant girl Bulgarian major
Employer Married
Catherine
Haughty middle-aged
woman
Main Character
Other Major Character
Minor Character

Arms and the Man Study Guide Plot Summary 7
Full Character List Act 1, Section 1

The play begins in Raina's bedroom, 1895. Raina's mother,
Character Description
Catherine, tells Raina that her fiancée, Sergius (whose
photograph is on ostentatious display in the room), was very
Raina is a romantic young lady. She is
Raina heroic in a battle of the Serbo-Bulgarian War that day. He led
engaged to Sergius.
the cavalry in a charge. Raina is happy because she had
doubts about Sergius's bravery. Then, the servant Louka
Bluntschli is a Swedish professional soldier
who fights with the Servians. He climbs comes in and says they must close the shutters because there
Bluntschli
through Raina's window looking for a place is gunfire in the streets. Raina says she feels sorry for the
to hide.
Serbian soldiers, who are poor refugees, and she doesn't really
want to close her shutters. Louka tells her in secret that the
Sergius Sergius is Raina's fiancée. He is a soldier. shutters don't close properly because the latch is broken.
Raina closes them and goes to bed.
Catherine is Raina's mother. She is
Catherine concerned about appearances but also A moment later, a man breaks into the room. He is a Serbian
practical.
soldier trying to avoid capture and death. Raina chides him for
being fearful, and he says all soldiers are. A Bulgarian officer
Paul Petkoff is a major in the Bulgarian
comes in, looking for the soldier, whom someone saw climbing
Petkoff army. He is Catherine's husband and
Raina's father. up Raina's balcony. Raina hides the man and lies about him
being there. The officer chalks it up to people's imaginations
Louka is a young servant in Catherine and running away with them.
Raina's home. However, she is described as
Louka
"so defiant that her servility to Raina is
almost insolent."
Act 1, Section 2
Nicola is a middle-aged servant who values
Nicola himself on his rank in servitude. He is After the officer leaves, Raina notices that the man's gun was
engaged to Louka. on the ottoman the whole time. He tells her it doesn't matter,
as it wasn't loaded. He has no ammo because he's been
The officer is a Bulgarian soldier. He stops carrying chocolate instead, to have something to eat. Raina is
Officer by the Petkoffs' house while on patrol, shocked but offers him some chocolate she has, as he is
looking for fugitive soldiers.
hungry.
They get to talking about that day's battle. The man says he
k Plot Summary
was certainly fearful, as every soldier is once he's been in
battle for three days. He also comments the Bulgarian army
wasn't very professional, sending in soldiers they knew would
be killed. The only reason they weren't killed was that the
Preface Serbians had the wrong kind of cartridges for their guns. He
describes the man who led the cavalry charge in a way that
The preface was written at a later date for the publication of makes him sound not very heroic and somewhat buffoonish.
several of Shaw's plays in book form. In it Shaw mentions that Raina shows him Sergius's picture and asks if he was the
it is difficult to decide what to write. Although he wants to write cavalry leader. The man says it was and apologizes. Raina tells
something meaningful, it must also be something common him to leave. He says he can't climb the drainpipe again. He'd
people will want to see, so it can make a profit. In addition to just as soon die. In fact, dying would just be a long sleep, and
Arms and the Man, Shaw mentions other plays, including he's very tired. Raina takes pity on him and says he can take
Candida (1894) and Widowers' Houses (1892). refuge in their home. After all, he is a guest and the duties of a

host are paramount. He falls asleep in Raina's bed, and she

tells her mother to let him sleep there. Act 3, Section 1
A bit later, in the library, Bluntschli is fixing Major Petkoff's
Act 2, Section 1 military matter when Petkoff says he wants his coat, which he
cannot find. Catherine says it's in the closet and sends Nicola
to get it. While she is gone, Petkoff takes bets on whether or
Several months later, Sergius and Major Petkoff are coming
not the coat will be found. Nicola returns with the coat, which
home from war. Petkoff is pleased at having won, while Sergius
he found in the closet where it belongs. Bluntschli completes
announces he is going to resign from the military. They tell a
his work and Sergius, Petkoff, and Catherine go off to deliver
story they heard from a Swiss soldier, who said he had
the orders.
escaped harm by hiding in a young lady's bedroom and then
snuck off, wearing the master of the house's coat. Catherine Left alone with Bluntschli, Raina tells him that Petkoff and
and Raina appear offended by this story. Meanwhile, Louka Sergius heard about him hiding in a lady's room but don't know
and her fellow servant, Nicola, to whom she is engaged, have that she is the lady. She says Sergius would challenge him to a
figured out that something is up. duel and kill him if he knew. What's more, she says it is hard for
her to lie to Sergius because she never lies. Bluntschli says he
Sergius and Raina dramatically declare their love for one
thinks she lies all the time, as does he. He also says he admires
another and plan an outing.
her. Raina tells Bluntschli that he is the first man not to take
her seriously, and he says he is the first man who has. She says
she puts on a noble attitude in front of everyone, implying it is
Act 2, Section 2 an act. They all believe her. Raina tells Bluntschli she left a
portrait of herself in the coat, for him to find. However, he didn't
After Raina leaves to get ready, Louka talks to Sergius. Sergius
see it and thinks it might still be in the coat. It might not be,
declares how tiring "higher love" is, meaning the type of love he
though, since he also pawned the coat for a while. Raina is
has with Raina. They always have to make dramatic
horrified because she wrote something on the portrait.
declarations of the other's perfection, and he is unable to be
himself. Louka says there was a man in Raina's bedroom. She Louka comes in with mail for Sergius, saying that his father is
heard enough of their conversation to know that if the man dead. She and Nicola discuss that she has ideas above her
returned, Raina would marry him. They had a real conversation, station.
unlike Raina and Sergius. This upsets Sergius, and he grabs
Louka's arm, bruising her. At the same time, though, they are
also flirting. Louka asks Sergius to cure the bruise. He Act 3, Section 2
apologizes and offers her money, but she wants a kiss, which
he will not give. Sergius and Louka argue about Sergius caring too much what
others think. She says if she were the empress of Russia, she
Raina and Catherine enter. After Sergius leaves the room to
would marry the man she loved even if he was beneath her. But
talk with Petkoff, they discuss how much trouble they'd be in if
Sergius doesn't have that kind of courage. Sergius says she is
the men knew about the man in Raina's room. Raina, however,
just jealous of Raina. Louka says she knows Raina really loves
still seems enamored with the man and says she'd stuff him
Bluntschli, not him. Sergius says that if he were to love Louka,
with chocolates if he came back. Just then, Bluntschli, the very
he would marry her in spite of what Bulgaria thinks. If he
same soldier, arrives to return Petkoff's jacket. Catherine begs
touches her again, it will be as his fiancée.
him to sneak out and plans to send back his duffel bag after
she extracts Petkoff's coat from it. But before he can go, Sergius challenges Bluntschli to a duel. Bluntschli protests
Petkoff and Sergius come into the room. Recognizing Raina only allowed him in her room because he held a pistol to
Bluntschli, whom they know, they invite him to stay at the her head. Raina realizes that it was Louka who told Sergius the
house. truth. She knows Sergius has been making love to Louka.

Petkoff enters. He has found the photograph in his coat

pocket, which Raina inscribed, "Raina, to her Chocolate Cream
Solider: a souvenir." Finally, Bluntschli tells Petkoff what
happened. Petkoff asks which of the gentlemen she is
engaged to. Raina says that Sergius loves Louka, not her.
Petkoff says that's impossible because Louka is engaged to
Nicola. Nicola says she isn't. He gives her up, and Sergius
becomes engaged to Louka. After realizing that Raina wants to
marry him and is 23, which is older than he thought, Bluntschli
becomes a suitor for Raina's hand. He reveals he has a lot of
family money from his hotel business. Raina protests that she
didn't give her hand to kiss, her bed to sleep in, or her roof to
shelter to the emperor of Switzerland. She gave them to her
chocolate cream soldier.

Plot Diagram
Climax
7
10 Falling Action
Rising Action
6
11
5
4 12
3 Resolution
2
1
Introduction
Introduction Climax
1. There is shooting outside, so Raina closes her shutters. 9. Sergius challenges Bluntschli to a duel.
Rising Action Falling Action
2. A man (Bluntschli) breaks into Raina's room. 10. Bluntschli learns his father died and left him everything.
3. Raina protects the man from an officer looking for him. 11. Sergius bravely becomes engaged to Louka.
4. Raina allows the man to stay for the night.
5. Months later, Petkoff and Sergius return home from the war.
Resolution
6. Bluntschli returns Petkoff's coat, which Raina gave him.
12. Bluntschli is deemed an acceptable match for Raina.
7. Bluntschli and Raina flirt; they are clearly in love.
8. Louka tells Sergius about Raina and Bluntschli.

Timeline of Events
Night in November 1885
Catherine tells Raina of Sergius's heroism; Raina admires

Sergius's portrait.
Little later
Louka says there is shooting in the street, and a man

breaks into Raina's bedroom.
Soon after
A Bulgarian officer comes looking for the escapee, and

Raina hides him.
Afterward
Raina offers the man chocolates.
Next
The man describes the cavalry charge and says Sergius

wasn't heroic.
Minutes later
Raina enters with Catherine to find the man asleep in her

bed.
March 1886
Major Petkoff returns from the war.
Minutes later
Sergius returns and says he is resigning from the army.
Moments later
Raina and Sergius declare their love.
Then
Sergius flirts with Louka, who tells Sergius that Raina

flirted with another man.
Next

Bluntschli (the man) shows up to return Petkoff's coat,

and Catherine tries to hide him.
Later that afternoon
Petkoff asks for his coat, which he says isn't in the

closet.
Little later
Left alone together, Bluntschli tells Raina he admires her.
Moment later
Raina asks Bluntschli about the portrait she left in the

coat pocket, but he didn't see it.
Next
News arrives of Bluntschli's father's death; Bluntschli will

have to take over the family business.
Then
Louka tells Sergius that Raina is in love with Bluntschli;

Sergius challenges him to a duel.
Moment later
Petkoff reveals he found the photo in his coat pocket

and asks who is engaged to whom.
Next
Sergius asks Louka to marry him; Bluntschli would like to

marry Raina.
Then
Catherine is concerned Bluntschli isn't of their social

class.
In the end
Bluntschli reveals he has both rank and wealth and is

deemed a good match.

Arms and the Man Study Guide Section Summaries 13
level of prestige possible while still turning a profit. Plays

c Section Summaries should not be "over the heads of the public." He realizes that
he is sometimes guilty of this. However, he has been kinder to
The text of Arms and the Man has three acts and a preface. actors. He writes good roles for actors.
Each act has been broken into two sections for the purposes
He knows he can't entirely ignore audiences but says if
of summary and analysis.
playgoers can't handle serious drama, they shouldn't come to
his plays. Shaw challenges anyone who thinks one of his plays
Preface would make a good comic opera to "try his hand" at it.
However, Shaw realizes that sometimes the disagreements he

has with audiences and critics arise from the fact that he
Summary doesn't portray the archetypes they're used to seeing. For
example, the Swiss officer in Arms and the Man isn't "a
Shaw writes of having only written "unpleasant" plays before conventional stage soldier." However, Shaw claims his
writing Arms and the Man, a more pleasant play. Arms and the depiction is in line with contemporary military experts. He also
Man made £1,777 in its first two-week run. Shaw states a book defended himself against those who took offense at his
making this much would be profitable. However, he adds, mention of a Bulgarian who didn't wash his hand every day.
"experts in theatrical management will contemplate that figure
with a grim smile," meaning it was less successful. Still, this However, Shaw makes clear he doesn't write plays to please
was not altogether discouraging. everyone. And he certainly doesn't write plays to please people
who would rather believe a fantasy. He finds tragedy and
After Arms and the Man, Shaw went to Italy to write and comedy in the results of people's insisting on basing their
contemplate. He thought about conflict since "every drama institutions on imaginary ideals rather than reality. He stops at
must be the artistic presentation of conflict." Conflict, he says, this point to let the play speak for itself.
is indispensable. For example, he wrote Widowers' Houses
(1892), which is about the conflict between a slumlord and an
(unseen) clergyman. But he doesn't deal with the cheap Analysis
conflicts of heroes and villains. He wants every view to be
expressed, whether or not the audience will like every In his preface Shaw discusses writing several of his plays. He
character. explains how he struggles to find something that will satisfy his
literary and artistic ideals and yet please enough people to turn
He experimented with the idea of Christian socialism in his play a profit. This is something with which writers always struggle. If
Candida (1894). He says he would have been more successful a play is simply standard fare, it will please no one. However, if
getting it performed if there had been someone young enough a play is too controversial, it won't make a profit. Thus, writers
to play the poet. must walk a fine line.
Next, he started A Man of Destiny (1897) and also wrote You It's interesting Shaw mentions comic opera because Arms and
Never Can Tell (1896). Shaw characterizes these as attempts the Man was indeed turned into a successful comic opera
to write something like Arms and the Man while keeping in mind called The Chocolate Soldier. When an Austrian composer
the needs of West End theater managers searching for approached Shaw about writing it, Shaw insisted that he was
fashionable comedies. not to use the play's original wording. Perhaps for that reason,
the comic opera is very unlike Arms and the Man. When he saw
Shaw says authors can't expect theater managers to invest
it, Shaw didn't like it at all. In fact, he said he would never allow
money in plays that "commonplace people"—as he calls
another comic opera to be based on one of his plays. Still, The
them—will not see. Playwriting and running theaters are
Chocolate Soldier was so popular with audiences in London
businesses. He speaks of unscrupulous managers who try to
and New York that MGM wanted to turn it into a movie with the
make the maximum profit with the minimum risk. Shaw believes
same title (1941). Shaw refused to allow them to use the plot of
theater managers should try to produce plays of the highest

Arms and the Man, so the movie is actually based on another worried she only thought he looked good because she had
comic opera entirely. romantic ideas from reading poetry and going to the opera.
The amount Shaw states that Arms and the Man made in its Raina's servant, Louka, enters and tells them they must close
first run is equivalent to £229.053.67 today (at this writing, the windows because there has been shooting in the streets.
2019)—almost $300,000.00 U.S. dollars. The Serbians are being chased back through the pass and may
run into town. The Bulgarian cavalry is chasing them. Raina and
In retrospect, the plays Shaw would have termed too Catherine are alarmed, and Raina says she wishes their people
controversial or unpleasant to attract a wide audience are weren't so cruel. "What glory is there in killing wretched
probably Shaw's most successful and well-remembered plays. fugitives?" Catherine goes downstairs, cautioning Raina to
They include Arms and the Man, Pygmalion, and Saint Joan. close the shutters. Louka tells Raina she can open the
Critical acclaim was given to his 1901 play Caesar and shutters. One of the bolts at the bottom is broken, so it doesn't
Cleopatra, specifically for the human rather than heroic close properly. Raina says they have to do as they're told.
portrayal of Caesar.
After Louka leaves, Raina ostentatiously admires the portrait of
Readers might wonder how Shaw would have responded to My Sergius, exclaiming about how he is her hero. Gunfire is heard
Fair Lady, the 1956 U.S. musical based on Pygmalion. Shaw had outside, and Raina blows out the candles. Immediately
died in 1950, so librettist Alan Jay Lerner (1918–86) and afterward, the shutters open, and a man sneaks in.
composer Frederick Loewe (1901–88) did not have to worry
about getting his permission. When My Fair Lady was first The person who entered is a soldier, about 35 years old, of
produced, it ran longer than any previous musical in both New average appearance, in the tattered uniform of a Serbian
York and London. It was translated into several other officer. The script identifies him as "man." He has climbed up
languages and performed around the world. Since then it has the balcony. He threatens Raina if she sounds the alarm,
undergone a number of revivals. My Fair Lady was also made saying he doesn't intend to get killed. She remarks haughtily
into an Academy Award–winning movie (1964) starring Rex that some soldiers are afraid of death. He says they all are. He
Harrison as Henry Higgins and Audrey Hepburn as Eliza. says if she calls for help and he doesn't shoot her, they'll all see
her in her nightgown. She goes to get her cloak, and he takes
it, saying it is a better weapon than a revolver. She says it's not
Act 1, Section 1 the weapon a gentleman would choose. He hears someone
approaching and gives her back her cloak. Impulsively, Raina
hides him behind the curtains then takes off the cloak, the
Summary better to feign sleep.
Louka and Catherine come in, followed by a Bulgarian officer

The play takes place during the Serbo-Bulgarian War. Act 1
who says someone saw a man sneak up and hide on Raina's
takes place in November 1885 in a lady's bedchamber in
balcony. (He doesn't know the broken latch on the shutters
Bulgaria, the décor of which is described as "half rich Bulgarian
allowed the man to get inside.) She tells him to check the
and half cheap Viennese." A large portrait of a very handsome
balcony. He finds nothing and chalks it up to imagination.
Bulgarian officer dominates the décor. Raina, a young woman,
stands on the balcony in her nightgown and expensive furs.
The stage directions note that the furniture is shabby and
Analysis
worth much less than the furs. Raina is drinking in the romantic
evening when her mother, Catherine, comes in. Catherine tells The tenuous nature of Raina's love for Sergius is apparent in
Raina that Raina's fiancée, Sergius, has been involved in a the first conversation she has with her mother. She is in love
great battle in Slivnitza and Sergius was the hero of it. He led with the idea of her handsome fiancée, whose portrait she
the cavalry charge. Raina is overjoyed to hear this and displays. However, she is not really sure if he is brave or heroic.
expresses relief because she had doubts about Sergius's Meanwhile, she feels he must be these things in order for him
heroism. She makes her mother promise not to tell him that to be worthy of her love. Thus, she is relieved when Catherine
she thought he might look bad beside the Russian officers. She

tells her of his heroism. However, she also feels guilty for exposure to young men to see them as real, flesh-and-blood
having doubted it. It is possible she also suspects Sergius isn't human beings. (After all, she has no brothers.) Instead, Raina
the brightest of bulbs, but she would rather not know it. sees men, such as Sergius, as larger-than-life idols to be
worshiped. Thus, she venerates Sergius's photograph, hoping
Her feelings are also complicated by her feelings about war in against hope that he will live up to the faith she has placed in
general. While her mother is more than ready to take a side, him.
Raina isn't as sure. In truth, she is something of a pacifist—a
person who is opposed to war or violence. She says that there The soldier, unlike her revered Sergius, is obviously bright and
is no glory "in killing wretched fugitives." This is at odds with quick on his feet. She is impressed with him, and this is part of
wanting her fiancée to be a war hero. However, this explains what motivates her to help him. Helping him hide may well be
why she helps the man when she could just as well sound the the bravest and most self-motivated thing Raina has ever done.
alarm when the Bulgarian officer shows up. It is likely that up until now she has acted based on her
understanding of what her parents and society expect from
Shaw is interested in pointing out the difference between her.
fanciful ideals and real life. Raina's love for Sergius and her
concern for his conduct in war are based on unrealistic Shaw's lengthy description of the scenery both here and later,
concepts of romance and heroism. When faced with the idea in the library, are worth noting. Playwrights do not always
of real people being chased down and killed, she has a describe every detail of the set, but Shaw does so here for a
completely different response. This ethical conflict is apparent reason. The characters who live in this house are upper class,
from the very first scene in the play. The absolute idealism of as Raina will take pains to tell the man later in the act.
the romantic couple in a satirical comedy is a common trope of They—especially Catherine—care very much about
the genre. In this particular play, the overpowering idea of love appearances. However, the décor in Raina's bedroom, a room
runs into the reality that people are far from ideal in either love few outsiders will enter, is both cheap and shabby. The shutter
or war. The collision of idealism and reality in battle serves as a is broken. Meanwhile, she wears expensive furs, as that is an
reflection of the title Arms and the Man, which is a phrase outer garment that will be seen by many. The family is,
taken from the Roman poet Virgil's (70–19 BCE) epic, the perhaps, not as wealthy as they would like people to believe
Aeneid (c. 30 BCE). Virgil had been requested (or coerced) into they are. It is possible they are looking to Raina's marriage to
writing it as a work praising the noble origins of the Romans by Sergius to improve their situation or, at least, hers.
the Emperor Augustus (63 BCE–14 CE), but Virgil embedded
the work with any number of subtle digs at this view. For
example, Aeneas and his followers have escaped the fall of Act 1, Section 2
Troy (during which he somehow manages to save his son and
father but loses his wife) and landed, exhausted, in Queen
Dido's realm, where he begs her for help. It is clear from his
Summary
description of his flight that Aeneas isn't much of a fighter, and
he relies on Dido very much as the Serbian soldier must rely on
After they all leave, Raina is again alone with the man. He tells
Raina's compassion.
her he is not Serbian but a Swiss mercenary, or a soldier for
hire. Her asks if he can wait a bit to leave, and Raina says she
It seems that this meeting with the Serbian soldier is the first
wishes he weren't in danger. She's shocked to notice his gun
time Raina has had anyone validate her secret feelings about
has been left on the ottoman. He says not to worry, as it isn't
war. It remains to be seen whether this is because she hasn't
loaded. He carries not cartridges but chocolate with him; he
met anyone who agrees or because no one has considered her
says many soldiers do so. Raina is "outraged in her most
an adult with valid opinions. However, it is likely a combination
cherished ideals of manhood" that he should stuff his pockets
of these reasons.
with chocolate "like a schoolboy." Still, she offers him some of
Raina is very surprised when the man says all soldiers fear her chocolate.
death. This is probably because no one has admitted that to
He eats it, saying he's not very brave, that no one is after
her before. It may also be because she hasn't had enough
they've been under fire for three days. But he didn't think the

Bulgarian soldiers were very professional. They sent in a mamma: the poor dear is worn out. Let him sleep."
cavalry, knowing that none of them would survive. They only
survived because the Serbian soldiers had the wrong
cartridges and couldn't fire on them. He describes the cavalry Analysis
charge as "slinging a handful of peas against a window pane."
First one comes, then a few more, then a clump. The first man Heroism in battle, or the want of heroism, is a major theme of
is always trying to pull his spooked horse back. No one actually Arms and the Man. Soldiers are supposed to be brave and,
wants to be first. Raina says she doesn't think the first man is a indeed, signing up to be a soldier, if one has other options, is a
coward. The man describes the first man in line today (which brave act. However, it is one thing to be brave when signing up
the audience knows was Sergius) as being like an operatic and another when actually going into battle. It is much the
tenor or Don Quixote. Don Quixote was the main character in a same with climbing the drainpipe. The man says he could climb
novel by the Spanish writer Miguel de Cervantes (1547–1616); it when someone was chasing him, but now, when there is no
the character is delusional and battles with windmills. Raina immediate threat, he can't do it.
shows the man the portrait of Sergius, saying he is her
The reader may well wonder if the man actually means it when
betrothed. She asks if he was the first man.
he says he'd rather die than go down the drainpipe. Perhaps he
The man says he was. He apologizes, saying that perhaps is toying with Raina, having recognized she has a kind heart
Sergius knew they wouldn't fire on him. Raina says this is just and will allow him to stay.
as bad, as it would make him a pretender and a coward. She
As a hired soldier, the man would likely be less concerned
says he can't stay after what he has said about Sergius.
about the outcome of the war or the nobility of the cause. (The
However, she will check and see if the coast is clear. The man
validity of the cause is not discussed in the play. It would likely
says he is too cowardly to climb down the drainpipe now that
not be a huge concern for the British audience for whom the
he isn't in fear of dying as he was while climbing up. He tells her
play was originally written.) Someone with real ties to the
to give the alarm.
country for which he was fighting might be more invested.
Pitying him now, Raina calls him a poor "chocolate cream Logically, the man would want to do a good enough job at
soldier." She says it is better to go down the drainpipe than to soldiering to continue to make a living at one. But he is unlikely
be captured. But the man says "capture only means death; and to want to lay down his life. The reader will learn, however, that
death is sleep—oh, sleep, sleep, sleep, undisturbed sleep!" this man had other choices when it came to a career. Indeed,
When she asks him if he's really that tired, he says he must get he mentions in this scene that his family owns several hotels.
down the drainpipe. This does not seem like the family background of someone
who became a soldier for want of other options. The audience
Now, Raina is concerned and decides to protect him. She says may wonder why he became a mercenary, since he has stated
he can take advantage of their hospitality because the he is not brave.
Petkoffs are the wealthiest family in town. Her father is a major
in the Bulgarian army, and their house is very elegant, boasting Shaw doesn't mention many specifics about the war itself, not
the only library in the city. She says he could throw himself as a even the name of the war. Perhaps he wished to tell a universal
fugitive on their hospitality, which she will offer though her story and so set it in a country whose politics would be a
father is out of town. The man says his own father owns mystery to his British audiences.
several hotels, implying they also understand hospitality.
Raina is deeply confused by the man's admission that he
Raina offers her hand to make a pledge. The man says he carries chocolates in his pocket, rather than replacement
daren't take it, as it has been a while since he last washed. cartridges for his pistol. Indeed, the stage directions state that
Raina says her family washes every day. However, she insists Raina is "outraged in her most cherished ideas of manhood" at
he take her hand, so he kisses it. She leaves him to tell her hearing this. Yet she wants to give the soldier more chocolate.
mother what she's doing. He says he'll remain standing, but as What he has said makes him into a human being rather than an
soon as Raina leaves, he climbs into her bed and falls asleep. unapproachable hero, as she views Sergius.
Catherine comes in and is scandalized, but Raina says, "Don't,
The term chocolate soldier came to mean a soldier who didn't

fight but was assigned to noncombat tasks. This might imply

cowardice. However, the man is not so much a coward as a Act 2, Section 1
pragmatist. Moreover, the reader will see in the second and
third acts that he is highly intelligent. He simply doesn't believe
in wasting his intelligence on a cause he doesn't really care Summary
about.
It is now March 1886. In Major Petkoff's garden, Louka and her
Raina is upset to hear Sergius isn't really brave, yet she is more fiancée, an older male servant named Nicola, discuss the
forgiving of the man. Perhaps this is because he, unlike respect due to the Petkoffs. Nicola wants to marry Louka and
Sergius, has never lied to her about his heroism. Alternatively, start a shop someday, so he must have the Petkoffs' good
perhaps it is because she is able to converse freely with this opinion, as they and their friends will be his customers. Louka
man. After all, theirs is a relationship in which she has little or scoffs at this, saying she knows many secrets about the
no investment. In contrast, she places a high value on her Petkoffs, so they have to be nice to her. Nicola says all they
relationship with Sergius. This would explain why she is would have to do is fire her for dishonesty, and then no one
appalled to realize he has lied to her if, as the man said, no would believe her stories. He knows secrets too.
soldiers are truly heroic. In the case of the man, however, she
feels he is finally telling her the truth. She recognizes that he is Major Petkoff comes home, as the war is over. Catherine
a fallible human being like herself. comes to greet him, sorry that the Austrians have forced him
to make peace rather allowing Bulgaria to win the war with
In Shaw's time, unlike today, men were expected to be brave, Servia. He says they had to enter a treaty, but they don't have
rather than sensitive. Thus, this is Raina's first encounter with to be friendly. She says she's been having sore throats, and
the idea that men can have feelings and fears. She is offended Petkoff says it's because of too much washing. Catherine tells
when the man reveals Sergius's weakness. Yet she is so him they've had an electric bell installed, so they don't have to
charmed by the idea that he is genuinely afraid to go down the shout for the servants in a low-class way. Sergius is heard
ladder that she puts herself at risk so that he may stay the arriving, and Petkoff shouts for the servant, Nicola. Petkoff
night. says he finds Sergius annoying and that he would never
promote him unless he was certain they would be long at
Shaw mentions in the preface that his saying the soldier didn't
peace.
wash his hands every day was controversial. It may seem
obvious today that someone in the heat of battle might not Sergius enters. A handsome man, he greets the Petkoffs with
wash regularly, might be afraid, or might suffer from PTSD. affection. They discuss the cavalry charge, and Sergius reveals
However, in Shaw's time, soldiers were often portrayed as that he "won the battle the wrong way when our worthy
brave, heroic, and magnificent. Thus Shaw's portrayal was Russian generals were losing it the right way." Catherine says
unusual and thought-provoking, possibly even disturbing. he should be promoted, but Sergius says he is resigning from
the military.
Here, Raina refers to the family's fancy house and their
library—outward symbols of their success. She also mentions Raina enters, and Sergius continues talking about his
how often they wash, a repeated topic in the play. The idea is resignation. "Soldiering," he explains, "is the coward's art of
that as affluent people, they can afford to be cleaner. This type attacking mercilessly when you are strong, and keeping out of
of thing is very important to Raina because it affects how she harm's way when you are weak." He mentions that he heard
is perceived by others. This is an important aspect of how she the story of a man who escaped danger by being hidden by
views class. But by now the audience has seen the shabbiness two women, a patriotic young lady and her mother. The women
of her bedroom and knows that her wealth and class are then snuck him out dressed in a coat belonging to the master
nothing more than appearance. of the house. Raina and Catherine act offended at being told
such a story.
It is not only the audience who has seen Raina's shabby
bedroom. The man has also seen it. Therefore, he has seen After Raina's parents leave, Raina and Sergius declare their
past the outward trappings of class to the real Raina. Perhaps love for each other in very lofty terms. Sergius says she
this is what has allowed him to be so honest with her.

inspired him in war, and Raina bemoans that she had no such There is a marked contrast in the dialogue between Sergius
way to prove her worthiness of him. They hear Louka and Raina and the one between Nicola and Louka, the
approaching, and Raina excuses herself to dress to go out. servants. The servants talk about practical things in a practical
way. This is Shaw's way of pointing out the difference between
the different classes of people in the play. It also explains why
Analysis the man, like Louka, speaks candidly. He does not come from
old money as the Petkoffs do.
Catherine's statement that the Bulgarians should have been
allowed to force the other side to submit to their rule shows
her lack of knowledge about what is actually going on in the Act 2, Section 2
war. The fact that her husband doesn't even attempt to
discuss it with her may indicate that he doesn't take her
seriously. He may well see her as a silly woman who can't know
the truth. It also reflects common Victorian notions that women
Summary
needed to be protected from brutal truths and were not
Sergius asks Louka if she is familiar with "higher love," saying it
intellectually capable of dealing with political intricacies. This is
is a very tiring thing to practice. He says he is many different
in contrast to the way the man in Act 1 spoke to Raina, as if she
people, depending who he is with. There are about a half-
were an intelligent human being who could understand
dozen Sergiuses. He flirts with Louka, who warns Raina will be
complex ideas.
spying on him but that Raina has also flirted with someone
Meanwhile, Catherine also lies to her husband, not telling him else. Louka says she's heard the man and Raina talking and
what happened with the prisoner even when it is directly knows that, if the man returns, Raina will marry him. She says, "I
brought up. Despite years of marriage, Catherine and Paul know the difference between the sort of manner you and she
Petkoff do not—and perhaps cannot—speak candidly with one put on before one another and the real manner."
another.
Sergius gets angry and grasps Louka's arm. He scolds her for
In their first scene together, Raina and Sergius talk to each betraying her mistress and having the soul of a servant. She
other in elaborate terms. He calls her "my queen" while she says he can hurt her with his tongue as well as his hands. She
talks about how unworthy she is of him. It is difficult to believe says that Raina is a liar, and she is worth six of Raina. Sergius
that they believe these things. Moreover, they seem to hold apologizes for hurting her. She says that won't do, and he
each other to an impossibly high standard. Because of this, offers her money. She says no, she wants her hurt made well.
were Sergius to want to express some of the misgivings He asks how, and she shows him her bruised arm, which she
expressed by the man in the first act, he wouldn't be able to. wants him to kiss. He refuses, and she walks away, injured.
He would risk disappointing his worshipful fiancée. Raina returns, joking about whether Sergius has been flirting
with Louka.
Meanwhile, Sergius's statement that soldiering is "the coward's
art of attacking mercilessly when you are strong and keeping Catherine enters and tells Sergius that Petkoff won't listen to
out of harm's way when you are weak" sounds more likely to her ideas about his three regiments, and Sergius should speak
have come from Shaw's mind than his character's. Shaw, the to him. Raina makes him promise to hurry. After Sergius leaves,
playwright, was a pacifist—a person opposed to war and Catherine says she's upset that the man told the story of their
violence. However, Sergius's statement may actually arise from keeping him there. Petkoff asked for his coat as soon as he
post-traumatic stress disorder, PTSD, a psychological came home. Raina expresses anger but in affectionate terms,
condition that occurs when someone suffers extreme stress, saying if he was here, she'd cram him with chocolates so he
such as a near-death experience. An attack such as the couldn't speak. She asks Raina how long the man was there
cavalry charge described by the man in Act 1 (in which Sergius before Raina summoned Catherine. Raina says she doesn't
was the lead man) might well cause such symptoms. However, remember, and Catherine warns if Sergius finds out, he will
Sergius does not express any of this to Raina, wanting instead break off his engagement with Raina. Raina says she wishes
to keep up his perfect façade. her mother could marry Sergius, instead of her. She, Raina,

always wants to shock Sergius because he is so proper and love. She could tell that the man and Raina are really talking to
stuffy. She wishes he would find out. one another and in love. In contrast, Raina and Sergius just act
the way they think they're supposed to when they're in love.
Raina leaves, and Louka comes in, saying there is a Serbian This is what Sergius is referring to when he talks about "higher
soldier, Captain Bluntschli, there to see the lady of the house. love" and how tiring it is. He means it's tiring never to be
Catherine realizes this is the same soldier they harbored, there allowed to be a real person with normal emotions and normal
to return the coat. Catherine tells Louka to let him in, be sure to failings. Rather, he has to live his life as the valiant soldier in
close the library door, and bring his bag (which contains the Raina's portrait and subscribe to only an ideal of love rather
coat) to her. than genuine feelings. Were Sergius and Raina to have gotten
married, it is entirely likely they would end up like Raina's
Bluntschli—the script identifies him thus, whereas previously he
parents.
was identified only as the man—enters. Catherine warns there
will be horrible consequences if her husband finds out he was The bruise on Louka's arm is the result of a show of honest
there since he still has a terrible animosity toward the enemy. emotion. When Louka asks Sergius to kiss it away, his
He should leave the coat and sneak out the back. She'll have response is also passionate. His desire is clear, but he is also
his bag sent to him. As Bluntschli is writing his address so she committed to fidelity. Flirtation is acceptable, but to go further
can send the bag, Petkoff and Sergius come in. They would break the code of behavior he has chosen to live by.
immediately recognize Bluntschli and greet him warmly, belying Clearly, Sergius is a gentleman through and through—at least
Catherine's words. They say he should have been brought to with Raina. He would never dream of harming her and is
the library and ask his advice on the military matter they were shocked that his feelings for Louka have resulted in his
considering. As they are taking him to another room to discuss harming her. Shaw contrasts the fake love of Raina and
it, Raina enters. Seeing Bluntschli, who is not nearly the Sergius with the real, more passionate love between Louka
imposing figure that Sergius is, she exclaims, "Oh, the and Sergius. However, the raising of bruises goes too far.
chocolate cream soldier!" Somewhere between the blatantly artificial conduct between
Raina and Sergius and that sort of conduct is the ideal. This
Raina tries to cover up this error by saying that she made a
may be the respectful discussion between Raina and
chocolate cream soldier ornament for a pudding she was
Bluntschli.
making, but Nicola destroyed it. She didn't mean that Bluntschli
was a chocolate cream soldier. Flirtatiously, he says that he did The honesty between Louka and Sergius (and between Raina
think she meant that. Petkoff remarks that it is strange that and Bluntschli) reflect Shaw's socialist views. Shaw was deeply
Raina was cooking at all and wonders whether Nicola has involved in the Fabian socialist movement, a group that aimed
become clumsy because he is drinking. This suspicion seems to transform British society by infiltrating socialist ideals into
to be confirmed a moment later, when Nicola brings out the country's intellectual and political life. By writing a play
Bluntschli's bag. Catherine covers up having requested the bag showing love that transcends class boundaries, Shaw was
by making it seem like it was Nicola's mistake. The servant attempting to do that. He did not believe that class should be a
takes the bag away again, obedient but obviously annoyed. barrier to marriage or an argument for it.
Petkoff says that Bluntschli should stay with them while he's in Catherine is distressed when Bluntschli shows up in part
town. Raina and Sergius agree he should. Bluntschli, knowing because she worries that her husband is likely to find out about
Catherine wouldn't want him to, refuses, but Petkoff urges her their escapade in November. However, she may also suspect
to tell her it's okay. She does, and Bluntschli agrees to stay. As Raina's passionate feelings for Bluntschli—feelings that are
the curtain goes down, Catherine makes a "gesture of despair." stronger than those she has for her heroic Sergius. Catherine
wants Raina to marry Sergius to maintain the status quo.
Marrying Sergius can help Raina maintain or even better her
Analysis social position, which is very important to Catherine. If Raina
falls in love with Bluntschli and if Sergius finds out about it, that
When Louka tells Sergius she knows the different between his
will be the end of an advantageous match. This is more
manner with Raina and "the real manner," she is talking about
important, in Catherine's eyes, than real love. Based on her

relationship with her husband, it is likely that Catherine made She wants to be perfect with him because their relationship is
and has remained in a similar match herself. In this respect, the beautiful and noble. Also, she has only lied twice in her life. The
shabbiness of their home at the expense of their clothes first, which she should remember, was when she lied on
reflects their attitude on marriage relations. Bluntschli's behalf about his not being there when the officer
came looking for him.
One may wonder why Bluntschli returned at all. It has been
four months since he was in the Petkoffs' house, and he's been Bluntschli says as a soldier, he is used to hearing people
at war. Returning the coat seems of low importance. What's lie—and to having his life saved. Raina says this makes him
more, returning it is more likely to expose the Petkoff women's incapable of gratitude. He asks if she likes gratitude. He says,
hiding him than if the coat had simply gone missing. Therefore, "If pity is akin to love, gratitude is akin to the other thing." She
the audience can presume Bluntschli was willing to risk coming says he doesn't respect women. He says he thinks two lies in
back because he wanted to see Raina again. an entire lifetime is too few. Two lies wouldn't last him a
morning. He says, "When you get into that noble attitude and
speak in that thrilling voice, I admire you; but I find it impossible
Act 3, Section 1 to believe a single word you say."
Raina is overcome that he understands that she sometimes

lies. She says he is the first man not to take her seriously, and
Summary he says he is the first man who has. She says she takes the
noble attitude in front of everyone, implying it is an act. They all
Act 3 takes place the same day in the Petkoffs' library. This is
believe her. She says he must be disgusted, now that he's
the library Raina bragged about in Act 1. The stage directions
found her out. He says he isn't. He's another infatuated
describe the library as a single shelf of books in poor condition.
admirer.
At curtain, Bluntschli is writing very competently about the
military matter at hand while Sergius gazes on enviously. Raina asks him about the picture of herself she left for him in
Petkoff says he wants his coat, which he cannot find. the coat pocket. Bluntschli says he didn't know anything about
Catherine says it's in the closet where it belongs, and Petkoff it. It must still be there. Raina is appalled, since her father will
says it isn't. Catherine sends Nicola to get the coat. Petkoff find it, but Bluntschli says she can simply tell him he must have
bets her a piece of jewelry that it isn't there and enlists the put it there herself. However, she wrote a note on it. He tells
other men to bet also. Bluntschli, knowing the whereabouts of that, to keep it safe while he was at war, he pawned the coat.
the coat, refuses. Sergius bets his best charger, a horse ridden He suggests the pawnbroker may have cleaned out the
into battle, against an Arabian mare, a fancier horse, that pockets. Raina is appalled that he pawned the coat and says
Nicola will find the coat where it belongs. Nicola returns with he isn't a gentleman. She wishes she'd never met him.
the coat, which he says was hanging in the closet. Petkoff
thinks he's hallucinating and reminds Sergius he didn't take his Louka, wearing a bracelet to cover the bruise on her arm,
bet. arrives with mail for Bluntschli. In it is news that his father has
died. Bluntschli must leave immediately to take over the family
Bluntschli completes his work. He sends Sergius and Petkoff business. Louka remarks that Bluntschli has no heart because
off to deliver the orders. Petkoff says Catherine should come he wasn't upset about his father's death. Raina says that's
with them, so Bluntschli and Raina are left alone. because he has been a soldier, but Louka counters that
Sergius still has a heart. Raina leaves.
Raina approaches Bluntschli, asking whether he told anyone
about hiding in their house. He says he only told one person. Nicola comes in. He and Louka discuss their upcoming
Raina says that person told her father and Sergius. marriage and differing philosophies about staying within their
Fortunately, they don't know she and Catherine were the ladies stations.
involved. She says if Sergius knew, he would challenge
Bluntschli to a duel and kill him. Bluntschli says, "Bless me! then
don't tell him." She's angry he's being flippant and says he
doesn't understand how hard it is for her to deceive Sergius.

shown her how to act like a classy lady, a potential customer

Analysis for his eventual business. But what he hasn't taught her is how
to hide her feelings like a proper lady. Yet it is precisely her
The library in which this act takes place is the one about which
straight talking that makes her appealing to Sergius, who is
Raina bragged in Act 1. The audience now finds out it is nothing
tired of putting on an act all the time. If both Sergius and Raina
but a few books with coffee stains and broken spines. Raina
dropped the act, they might be happy together. However, class
bragged about the library to make her family sound rich and
expectations make this impossible.
intellectual. However, she assumed the soldier would never see
it. As with Raina's furs, the Petkoffs spend money on things
that will make them look good and skimp on things people
won't see, such as bedroom furniture or the library. They value
Act 3, Section 2
style over substance. That's why Catherine is so eager to have
Raina marry the handsome and seemingly heroic Sergius.
However, in the play Raina is getting a lesson in substance. Summary
Shaw takes great pains to show Bluntschli's competence at Left alone with Louka, Sergius asks if he can still cure her
drafting the military orders, an endeavor at which both Sergius bruise. She says no and that an officer shouldn't trifle with a
and Petkoff have failed. This is in part due to Shaw's socialist servant girl. He says he wasn't. She asks if he is a brave man,
views. As a member of the Fabian Society, Shaw did not and he says he is. When he was in battle, he started at the first
believe that being a member of the upper class is a guarantee shot, but when he charged in, he realized he was actually
of intellect or merit. In fact, being a member of the upper class brave. Louka asks if the sons of poor men were less likely to be
is likely to prevent people from fulfilling their potential. This is brave than the sons of rich men. He says no. Poor men are only
clear from the portrayal of Raina. While Bluntschli doesn't afraid of their officers, who are rich men. He says that a brave
come from such a noble or (to the viewer's/reader's man is one "who will defy to the death any power on earth or in
knowledge) learned family, he is actually more capable than heaven that sets itself up against his own will and conscience."
these upper-class men. Sergius says of him, "He finds out what
to do; draws up the orders; and I sign 'em. Division of labor." Louka says he has no idea what true courage is. She isn't
Sergius is well aware Bluntschli is more competent than he is. allowed to have her will in anything, but it doesn't degrade her
to be a servant if it doesn't degrade him. But if she were
Raina finds she can converse more freely with Bluntschli and empress of Russia, she would show true courage. She "would
be herself around him—something she cannot do with Sergius. marry the man I loved, which no other queen in Europe has the
With Sergius, she must put on a façade of being the perfect courage to do." She says if she loved him, she would marry him
woman. She tells Bluntschli she's only lied twice in her entire even if he was as far beneath her as she is beneath him now.
life, but he is correct in saying that her entire personality is a She accuses Sergius of lacking that kind of courage. That is
lie. She lies by omission. She does not let the man she why he would deny the feelings he has for her and marry a rich
supposedly loves see who she really is. Nor does Sergius allow man's daughter instead.
her to see his real self as evidenced by his comment to Louka
about there being half a dozen Sergiuses. Sergius says she is just jealous of Raina because he loves
Raina and Raina is so far above her. Louka says she has no
Raina's mother, Catherine, offers an example of the type of life reason to be jealous of Raina because Raina will marry the
Raina can expect if she marries Sergius. Catherine is a pet who Swiss, meaning Bluntschli. Sergius is horrified but takes Louka
can be bought off with a piece of jewelry. Her husband doles in his arms and says he will kill Bluntschli and then do whatever
out housekeeping money as if he is doing her a favor. She lies he wants with Louka. Louka retorts maybe Bluntschli will kill
to her husband constantly—several times just in the course of Sergius, just as he has beaten him in love. Sergius says it's
the play. Yet Catherine, like Raina, would probably say she impossible to believe that Raina, who is so sweet and perfect,
never lies. would cheat on him. Louka counters by wondering if anyone
would believe she, a servant, is in Sergius's arms right now.
Louka and Nicola, on the other hand, speak to each other in
Sergius says if he chooses to love Louka, he will marry her, in
simple terms about practical matters. He tells her he has

spite of what Bulgaria thinks. If he touches her again, it will be Catherine enters, angry at Louka, but Louka says she knew
as his fiancée. Raina was in love with Bluntschli. Bluntschli says he knows
Raina would never want to marry someone like him. He has
Sergius goes to Bluntschli and challenges him to a duel in the spoiled all his chances in life through an incurably romantic
morning with sabres, a type of sword. Raina comes in and asks disposition. That's why he ran away to become a soldier
what they're fighting about. Bluntschli promises that he has instead of taking over his father's hotel business. He also
often acted as a sword instructor, so Sergius won't be able to believes she is too young for him, thinking she is only 17 when
hurt him, and he won't hurt Sergius. Rather, he will leave, and he is 34. When he finds out she is 23, he says he will become a
she and Sergius can live happily ever after. Sergius realizes by suitor for her hand.
her reaction that she is in love with Bluntschli and accuses her.
Bluntschli says Raina only allowed him in her room because he Catherine protests that Raina needs a man like Sergius, who is
held a pistol to her head. He orders Sergius to apologize. upper class and keeps 20 horses. Bluntschli says he has 200
horses and 70 carriages. He also has (in his hotel business)
Raina says it is Bluntschli's friend who told the story. He is to thousands of tablecloths, sheets, and quilts. He also is also an
blame. Bluntschli says he is dead, senselessly burned alive. officer and a gentleman and speaks three languages. Finally,
Sergius declares that it is ridiculous. "Oh, war! war! The dream he has the highest rank known in Switzerland; he is a free
of patriots and heroes! A fraud, Bluntschli, a hollow sham, like citizen. Petkoff and Catherine are convinced. Raina, however,
love." Raina is offended, but Sergius doesn't believe there is protests that she is not "to be sold to the highest bidder." She
nothing between her and Bluntschli. Raina realizes Louka was didn't give her hand to kiss, her bed to sleep in, or her roof to
his real informant and says she knows that he has been making shelter to the emperor of Switzerland. She gave them to her
love to Louka. chocolate cream soldier. Bluntschli tells Petkoff to send the
infantry home and Sergius not to get married until Bluntschli
Sergius calls off his duel with Bluntschli. Raina, angry that
returns in two weeks.
Sergius has had Louka spy on her, reminds Sergius that Louka
is engaged to Nicola. They discover Louka listening at the
door. Louka says she isn't ashamed of her behavior. Her love
for Sergius is stronger than anything Raina can feel for her
Analysis
chocolate cream soldier.
In his conversation with Louka, Sergius says that he found he
Just then, Petkoff enters, complaining that his coat was big on was brave in battle. However, he says that a brave man is one
him, as if it were stretched by someone with broader "who will defy to the death any power on earth or in heaven
shoulders. Catherine is altering it. He sends Louka to get the that sets itself up against his own will and conscience."
coat when, just then, Nicola enters with the coat. Raina offers Although Bluntschli says soldiers are never brave, Sergius
to help him put it on, using the opportunity to sneak the seems sincere in his belief that he was. Perhaps he didn't have
photograph out of the pocket and to Bluntschli. Petkoff, time to think about being otherwise, just as Bluntschli was able
however, has already seen the photograph and remarks that it to shimmy up a drainpipe on an adrenaline rush. But by this
is missing. He assumes that Sergius is the intended recipient of statement, he means that bravery in battle isn't true bravery,
the photograph, which was inscribed from Raina "to her merely adrenaline. It is harder to defy societal norms (by, for
Chocolate Cream Solider, a souvenir." example, marrying a maid) than it is to fight in the adrenaline
rush of battle.
Finally, Bluntschli tells Petkoff what happened. Petkoff asks
which of the gentlemen she is engaged to. Raina says that It is clear, here, that he is struggling with this point. Raina is a
Louka is the object of Sergius's affections. Petkoff says that's pleasant girl and pretty. But marrying her will mean a lifetime of
impossible because Louka is engaged to Nicola. Nicola says having to lie about who he really is and be half a dozen
she isn't. He was only covering for her because he knew she different Sergiuses. This may be more difficult than doing what
wanted to marry above her station. Louka demands an apology he wants and being himself. The idea that Raina has cheated
from Sergius. He apologizes and kisses her hand. She declares on him actually gives him an out. If Raina doesn't want to be
they are engaged. with him either, he is off the hook. Thus, he challenges
Bluntschli to a duel, possibly hoping to bring the whole matter

Arms and the Man Study Guide Quotes 23
to a head. He has already said, of course, that he possesses Here, Raina tries to make a comparison between Sergius,
the type of bravery necessary to fight a duel. The other kind, whom she believes to be perfect and fearless, and other, more
however, is more difficult for him. mortal men. That she does not see Sergius as a person
capable of human fear seems complimentary to him but, in
Shaw's socialist sensibilities are again revealed in Louka's fact, it shows that she doesn't really know him at all.
question: "Did you find ... that the men whose fathers are poor
... were any less brave than the men who are rich?" Sergius
responds in the negative to this because, of course, social
"All of them, dear lady, all of them,
class and money have little to do with bravery, a point Shaw
wanted to make. believe me. It is our duty to live as
Catherine is appalled at the idea that Raina would marry long as we can."
someone who is merely a soldier for hire. She is only
concerned with what people will think. Of course, this is all — Bluntschli, Act 1, Section 1
cured when she realizes that Bluntschli is rich—very likely
richer than Sergius—now that his father is dead. However,
Here, the man assures Raina that all soldiers fear death. This is
Raina wished to marry him before she found this out.
deeply relatable to Raina because, of course, she is a normal
In the end, both Raina and Sergius realize that they are happier human being with normal fears. But all the military people she
not putting on the false personality necessary to marry each has met have refused to acknowledge fear, so she is shocked
other. Each is happier with someone else. Sergius is happier by it. Shaw didn't mean this acknowledgment of fear to be an
with an intelligent and witty servant. Raina is happier with a admission of weakness on the part of the soldier, but rather, an
capable and straightforward businessman. Thus, class is admission of humanity.
irrelevant. These messages are encoded into a light, romantic
comedy, giving the audience something to think about long
after the curtain has gone down. "It's like slinging a handful of peas
against a window pane. First one
g Quotes comes ... and then all the rest in a
lump."
"What glory is there in killing
— Bluntschli, Act 1, Section 1
wretched fugitives?"
The man describes the cavalry charge, which the audience first
— Raina, Act 1, Section 1
heard described by Catherine in very gallant terms. The terms
in which the man describes it are definitely not gallant. Rather,
Raina's question is in marked contrast to her previous concern they convey the very real fear the man at the head of the
that her fiancée, Sergius, will find glory in battle. Indeed, it charge might feel, wishing his horse had not gotten in front.
seems as if she would not find his victory glorious in any case.
This shows that her feelings are conflicted, between what she
knows she should want and what she actually wants. "Death is sleep—oh, sleep, sleep,
sleep, undisturbed sleep!"
"Some soldiers, I know, are afraid
of death."

Arms and the Man Study Guide Quotes 24
The man tells Raina that he might as well die if he has to leave. Here, again, Sergius talks about the reasons he is quitting the
Dying, in his estimation, is easy or, at least, quick. Living, army. He wants to be strong and noble and good, but he found
climbing down a drainpipe and sneaking around, would be far that for a soldier this was not the route to success. He wanted
more difficult. After three days in combat, he simply isn't up to a fair fight, like the duel to which he will later challenge
it. It is eye-opening for Raina to learn that soldiers suffer for Bluntschli. But war isn't fair. It's about trying to get an unfair
lack of everyday needs, such as sleep and food. advantage.
"Don't, mamma: the poor dear is "I know the difference between
worn out. Let him sleep." the sort of manner you and she
put on before one another and the
real manner."
When Catherine sees the man asleep in Raina's bed, she is
appalled. What if anyone found out? But Raina takes a more — Louka, Act 2, Section 1
realistic tack. There are hints of her sympathy early in the act,
when she says that there is no glory in killing wretched Louka, a pragmatist, tells Sergius, a romantic, the truth. He and
fugitives. Even if Raina believes in the cause of the war, she Raina act out a pantomime of love, but they don't really talk to
doesn't believe in killing for its own sake. In the man, she or value each other. What Louka heard between Raina and
doesn't see a dangerous fugitive, but a human being in need. Bluntschli was "the real manner." She also knows that the way
Sergius treats her is honest and real.
"I won the battle the wrong way

when our worthy Russian generals "Do you like gratitude? I don't. If
were losing it the right way." pity is akin to love, gratitude is akin
to the other thing."
— Sergius, Act 2, Section 1
Sergius bemoans that, as a soldier, he has to fight unfairly in

order to win. He is a man of honor, or considers himself one. Here, Bluntschli is reacting to Raina's accusation that he is
Being in an actual battle has disillusioned him. He has learned ungrateful for her help. However, he doesn't believe gratitude
he can be brave. However, he no longer wants to watch other is a good basis for a relationship between any two people.
brave soldiers kowtow to less capable men whose social Bluntschli doesn't want someone to follow or care about him
standing has won them a higher rank. because of gratitude. Rather, he wants to be loved for himself,
not for what he can do for a person. He says that gratitude
breeds resentment because no one wants to be beholden to
"Soldiering ... is the coward's art of someone else who has taken pity on him.
attacking mercilessly when you

are strong, and keeping out of "When you get into that noble
harm's way when you are weak." attitude and speak in that thrilling
voice, I admire you; but I find it

Arms and the Man Study Guide Symbols 25
However, by the end of the play, he will find he is brave in love

impossible to believe a single word
as well.
you say."
— Bluntschli, Act 3, Section 1 "I would marry the man I loved,

which no other queen in Europe
Bluntschli not only realizes that Raina is lying but also thinks it's
okay to lie. This is a novel and thrilling concept to Raina
has the courage to do."
because all her life, people have told her she has to be perfect
to be good enough. Part of being perfect is never lying. Yet — Louka, Act 3, Section 2
Bluntschli points out that her actions lie. She is not honest
about her true self.
Here, Louka calls him on his lack of bravery. She says she
would marry the man she loved no matter how far beneath her
he might be. This, she claims, makes her braver than any queen
"Do you know, you are the first because no queen would do that. They all submit to the
dictates of society and social class.
man I ever met who did not take
me seriously?"
"Oh, war! war! The dream of
patriots and heroes! A fraud,
Bluntschli has just told Raina he knows she lies. Raina thinks
Bluntschli, a hollow sham, like
Bluntschli is teasing her (and thus, not taking her seriously) love."
when he is, in fact, doing her the favor of treating her as
someone with intelligent thoughts. Bluntschli replies that he is
actually the first man to take her seriously. This is likely very
true. The audience sees in Raina's parents a good example of
two people who never seem to take each other seriously. This quote is a nutshell summary of the entire play. Sergius
Catherine lies to her husband all the time, and Petkoff never says that soldiers lie to themselves about the brave conquests
listens to her ideas and opinions. they will make in war. However, once you get there, it's a sham.
In the same way, love is a sham. You can't choose the person
you really want, and you are expected to act in accordance
"I am a brave man. My heart with social rules, not speak honestly.
jumped like a woman's at the first

shot; but in the charge I found that
l Symbols
I was brave."

Chocolate
Sergius seems surprised to realize he was brave in battle even
if it was merely the adrenaline rush that made him so. But in
Chocolate is a symbol of Bluntschli's pragmatism. He knows he
love, he is not brave at all. He wants to do what is expected of
will be hungry, but he might not need additional cartridges.
him: marry Raina and lie about who he is for the rest of his life.
Therefore, he carries chocolate with him. Raina is appalled to

Arms and the Man Study Guide Themes 26
hear this because it is not in keeping with her ideas of a heroic

soldier. However, his statement makes her see the reality of m Themes
the hardships soldiers actually face. For that reason, she is
grateful Bluntschli tells her this information; he is speaking to
her as an adult. Therefore, she offers him some of her
chocolate and even a place to sleep in her home.
Heroism in Battle
The play begins with Catherine telling Raina of Sergius's

Sergius's Portrait heroism in battle. Raina is pleased and also a little relieved to
hear of it, indicating she doesn't really know much about
Sergius. Still, she accepts Catherine's statements at face value
and assumes he was brave. Thus, when the man (Bluntschli)
In the first act Sergius's portrait stands in a position of honor in
later tells her that all soldiers feel fear in battle, Raina says that
Raina's room. At one point, she holds it up and even seems to
some soldiers do, meaning that Sergius doesn't. He assures
venerate it. However, the appearance of the portrait is more
her quite confidently they do: "All of them, dear lady, all of
important to Raina than the actual man it represents. Indeed,
them, believe me." In writing this, Shaw did not consider this to
she doesn't really know this man. This is apparent because she
be an insult to soldiers or an admission of weakness. Rather,
doesn't know whether Sergius will be heroic in battle and
he considered fear to be a normal human emotion and an
because is shocked to hear that he wasn't. She has an
appropriate response to being in battle.
idealized concept of love and beats herself up for not being
able to live up to the impossible standard that she herself has
Shaw, a pacifist (a person who is opposed to war), knew that
set. But no one could. The portrait, venerated but cold, is a
soldiers were hungry, cold, unwashed, and worn down from
symbol of all this.
days of battle. He indicates this in Bluntschli's statement that
he hasn't closed his eyes in 48 hours. Shaw knew that
sometimes soldiers want to give up. This is not necessarily a
The Petkoffs' Library betrayal of their cause. They are just desperate for the relief of
uninterrupted sleep.
Bluntschli refers to Sergius's heroic charge as not being heroic

In Act 1 Raina refers to her home having a library, the only one at all. Rather, he saw him as being laughable, like Dox Quixote
in town. She says this in order to brag about how well or an operatic tenor, simply pretending to be brave. Later, in
appointed their home is and how wealthy her family is. They Act 2, Sergius calls soldiering "the coward's art of attacking
are so wealthy that they can have money to spend on mercilessly when you are strong, and keeping out of harm's
intellectual pursuits. In the third act the audience actually sees way when you are weak." This statement may arise from
this library. It is described as a single shelf of books in poor Sergius's feelings of post-traumatic stress disorder (PTSD), a
condition. Therefore, one can assume Raina was bragging psychological condition that occurs when someone suffers
about the library because she thought the soldier would never extreme stress. A near-death experience such as the cavalry
see it but be impressed. This is similar to Shaw's description of charge might well cause PTSD. However, Sergius is unwilling
the shabby décor in Raina's room and her elaborate furs. The to admit to such symptoms. Indeed, he later says honestly to
Petkoffs spend money on things that will make them look Louka that he discovered in the charge that he was really
good—things people will see, like the furs. They are less brave. Nevertheless, he does not want to stay in the military.
concerned with the appearance of bedroom furniture or a
Near the end of the play, Sergius states that war, "the dream of
library, which others will not see but in which the family might
patriots and heroes" is "a fraud ... a hollow sham." He means
take pride. The outward appearance of being a family who can
that he realizes war is not simply a matter of the strongest
afford a library is more important than actually having one.
army representing the noblest cause and winning. He sees
now that bravery and heroism have little to do with it.

Lovers Lying about Love Irrelevance of Class and Rank
Just as Shaw portrays soldiers lying about their heroism in war, Shaw was an avowed socialist and believed that the class
he portrays the young lovers lying about love. They lie both to system in Britain at his time was wrong. Birth should not
themselves and to each other. Raina tells herself that she loves determine one's success. Rather, merit should. Shaw was a
Sergius, she adores him, she admires him. However, she barely member of the Fabian Society, whose goal was to take over
knows him and hasn't had a real conversation with him. When not through violence but through gradually changing people's
her mother tells her he was heroic in battle, she is pleased but minds. To help change minds, Shaw inserted socialist ideals,
also relieved. She's never discussed the upcoming battle with such as the ideal of a classless society, into his plays.
him. She's never discussed what it entails, what risk it will pose
to him, or whether he is scared. Rather, she is like a knight's This point is mostly revealed through the character of Louka, a
lady, giving her hero a ribbon and happily waving as he goes off clever, pretty girl who deserves to be rewarded for her
to get run through with a sword. intelligence. Louka is initially described as "so defiant that her
servility to Raina is almost insolent," but she does what she
When Sergius and Raina reunite after the war, he drops to one needs to do. She also knows what's going on in the house. She
knee and kisses her hand. Sergius has just announced he is knows Raina's shutter is broken, she knows Raina has a man in
quitting the army—something that troubles him but which he her room, and she knows Raina loves that man more than she
says anyone who knew him would understand. However, he loves Sergius.
doesn't discuss this with Raina. Rather, they call one another
"my queen" and "my king," and Raina talks about being While Nicola, her fellow servant, knows his place, Louka
unworthy of him. Raina says she thinks they have found a doesn't want to know hers. She considers it cowardly to cling
"higher love." to old beliefs about class. She says if she were queen, she'd be
brave and marry the person she loved even if he were a
When Raina leaves the room, Sergius repeats this phrase to common man. Of course, this is easy for her to say because
Louka, saying he finds "higher love" tiring. But he is not blaming she isn't queen and, if she were, she'd be the one making the
Raina. Rather, he blames himself for not being able to live up to rules. However, this statement has an effect on Sergius. He
her impossible expectations of him. In fact, they both have realizes it is more important to marry someone for whom he
impossible expectations of themselves and of each other. feels true affection than someone of the same class.
Raina believes she can never lie to Sergius but also that to be
worthy of him, she must be perfect in thought, word, and deed. Perhaps part of what persuades him is Louka's question: "Did
Barring that, she must never allow him to realize she is you find ... that the men whose fathers are poor ... were any
imperfect. less brave than the men who are rich?" Sergius responds, "Not
a bit." Shaw's point is that social class and money have little to
She cannot live up to this standard, and neither can Sergius. do with bravery.
Rather, he must be "Sergius, the hero of Slivnitza ... Sergius,
the apostle of higher love." He wonders what those Sergiuses What's more, class has little to do with intelligence. Bluntschli is
would think if they saw him now, imperfect as he is. Swiss, a nationality that doesn't recognize ranks of nobility. He
states that he has the highest rank known in Switzerland, that
But both Raina and Sergius can be their real selves with other of a free citizen. However, he is also a soldier for hire. This
people. Raina tells Bluntschli that he is the first man who hasn't implies that he is of a lower class than Sergius, and Catherine
taken her seriously, but he knows she is mistaken. He is the is horrified that her daughter might marry someone like him.
first man who has taken her seriously. He is the first man who Yet both Sergius and Petkoff sit in awe while Bluntschli drafts
has really talked to her. Indeed, he is the first man who loves orders they were at a loss to draft.
her for herself rather than for the façade she puts on.
In the end, both Sergius and Raina realize that the military
ranks and social classes of their sweethearts are irrelevant.

Raina says she helped Bluntschli because he was her

chocolate cream soldier, no more than that.

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What is the genre of the play and what does the title refer to?

What is the genre of the play and what does the title refer to?

How does Shaw portray the class system in Britain through the characters?

How does Shaw portray the class system in Britain through the characters?

Arms and the

Aeneid, the title is meant ironically or contrastingly.

a Author Biography ..................................................................................... 3

Two operettas that are particularly notable as satire on the

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The Fabian Society had other notable members, including:

H.G. Wells (1866–1946), a novelist whose best-known works a Author Biography

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socialist topics. Often he focused on themes of marriage,

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Other Major Character

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Full Character List Act 1, Section 1

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host are paramount. He falls asleep in Raina's bed, and she

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Petkoff enters. He has found the photograph in his coat

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Rising Action Falling Action

4. Raina allows the man to stay for the night.

8. Louka tells Sergius about Raina and Bluntschli.

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Night in November 1885

Catherine tells Raina of Sergius's heroism; Raina admires

Louka says there is shooting in the street, and a man

A Bulgarian officer comes looking for the escapee, and

Raina offers the man chocolates.

The man describes the cavalry charge and says Sergius

Raina enters with Catherine to find the man asleep in her

Major Petkoff returns from the war.

Sergius returns and says he is resigning from the army.

Raina and Sergius declare their love.

Sergius flirts with Louka, who tells Sergius that Raina

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Bluntschli (the man) shows up to return Petkoff's coat,

Later that afternoon

Petkoff asks for his coat, which he says isn't in the

Left alone together, Bluntschli tells Raina he admires her.

Raina asks Bluntschli about the portrait she left in the

News arrives of Bluntschli's father's death; Bluntschli will

Louka tells Sergius that Raina is in love with Bluntschli;

Petkoff reveals he found the photo in his coat pocket

Sergius asks Louka to marry him; Bluntschli would like to

Catherine is concerned Bluntschli isn't of their social

Bluntschli reveals he has both rank and wealth and is

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level of prestige possible while still turning a profit. Plays

However, Shaw realizes that sometimes the disagreements he

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Summary better to feign sleep.

Louka and Catherine come in, followed by a Bulgarian officer

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