Bachelor Thesis

Keeping up appearances
An overview of the archaeological history of Palenque, Chiapas, Mexico,

from the 19th to the 21st century
Author: Evelien Deelen
Student ID: S0947407
Specialization: Archaeology of Native American Cultures
Supervisor: Dr. Rojas Martínez
Leiden University, Faculty of Archaeology
21 June, 2012
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Contact details
Evelien Deelen
Hildebrandpad 612
2333DD Leiden
The Netherlands
Email: [email protected]
Phone number: 0636089794
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In loving memory of Leo Deelen
30-04-1933 – 11-06-2012
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Table of contents
Foreword 4
Introduction 1
Research question 2
Sub question 3
Theoretical framework 2
Thesis structure 3
Chapter One. Palenque. 4
Chapter Two. Romanticism at Palenque 4
2.1 What had happened at Palenque between the arrival of the Spanish and the exploration in
the 19th century? 5
2.2 Who were the two most influential explorers visiting Palenque in the 19 th century and what did
they do? 6
2.2.1 John Lloyd Stephens 6
2.2.2 Alfred Percival Maudslay 6
2.3 What streams and schools were of major influence on these visitors and shaped their way of
thought? 5
2.3.1 Colonial and Antiquarian period (1500-1890)6
2.3.2 Classificatory-Descriptive period within the Antiquarian period (1840-1910) 6
2.3.3 The Institutionalization of Americanist Archaeology (1890-1910) 6
2.4 Conclusion 6
Chapter Three. Archaeology at Palenque . 4
3.1 What had happened at Palenque between the explorations in the 19 th century and the first half
of the 20th century? 5
3.2 Who were the two most influential archaeologists working at Palenque in the first half of the
20th century and what did they do? 6
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3.2.1 Alberto Ruz Lhuillier 6
3.2.2 Primera Mesa Redonda de Palenque 6
thought? 5
2.3.1 The Culture-Historical phase (1910-1960) within the institutionalizing period 6
2.3.2 New Archaeology (1960-1980) 6
3.4 Conclusion 6
Chapter Four. Science at Palenque 4
4.1 What had happened at Palenque between the first half of the 20 th century and the beginning of
the 21th century? 5
4.2 Who were the two most influential archaeologists working at Palenque in the 21 th century and
what did they do? 6
4.2.1 Edwin Barnhart and the Palenque Mapping Project 6
4.2.2 Further contemporary research 6
4.3 What streams and schools were of major influence on these visitors and had shaped their
way of thought? 5
4.3.1 Postprocessual Archaeology (1985-2000) 6
4.3.2 Postprocessual archaeology into the new millennium 6
4.4 Conclusion 6
Discussion 4
Conclusion 4
Summary 4
Bibliography 4
List of figures 4
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Appendix 4
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Foreword
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Introduction
A warm morning sun evaporates the last clouds of fog that surround the ancient ruins of Palenque,
Chiapas, Mexico. Only the chattering of birds reflecting from the walls of temples and palaces disturbs
the peace and quietness of the early morning, and one can easily imagine the ancient city waking up
back in Classical times, preparing itself for the rituals of everyday life. But this idyllic picture will
soon be over when busloads of tourists from all over the world will reach the grounds, ready to
explore the buildings that in ancient times might only have been accessible for the elite few.
Not only in Mexico but throughout the whole of Mesoamerica the monumental centers of what
once were mighty cities or city states are now being visited by tourists on a daily basis. But the mere
fact that this is even possible comes from years of excavating, mapping, drawing, photographing,
restoring and reconstructing, by numerous archaeologists and other experts.
For now, let us concentrate on the Maya area, where the city of Palenque is situated. These
cities have come a long way from the time they got deserted by their original inhabitants, to the time
were they get repopulated by tourists so to speak. After more than hundreds or thousands of years of
facing the elements (tropical storms, burning sun, humidity) and the destructive force of jungle
vegetation, most buildings wgot degraded to mounds of stone and rubble, heavily overgrown by trees
and shrubs. What happened to these mounds that transformed them from inaccessible heaps of stone to
the grand monuments we see today? Who transformed them, and why did they make the choices they
did? What scientific and theoretical background were they working from and how were they
influenced? These questions arose during the author’s stay in Mexico, where she and her teammates
visited Palenque as part of the ethnographic field school organized by Professor Dr. Maarten Jansen
from the faculty of Archaeology at Leiden University. By writing this bachelor thesis, the author aims
to provide an answer to all those questions.
Research question
The research question is the spine of any investigation. To structure this bachelor thesis the following
research question was formulated:
How has the development of archaeological research at Palenque from the 19 th century upwards lead
to the current appearance of the site?
Let us take a closer look at the structure of this question. It consists of several components,
respectively;
 The development of archaeological research
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 Palenque
 From the 19th century upwards
 Current appearance of the site
The site of Palenque was chosen as a case study because during the author’s stay in Mexico, this site
was of special importance for her research and has intrigued her ever since. Palenque is a very
prominent site and plays a major role in science, tourism, Mexican nationalism and economics, and
has a long archaeological history. Therefore the author expects that there exists abundant
(archaeological) data to be able to execute this investigation.
After visiting several Mexican sites in various stages of development, it became clear to the
author that the current appearance of many sites like Monte Albán, Chichen Itzá, Uxmal etc. differs
greatly from the appearance of unexcavated sites and therefore is the result of many years of
renovation and reconstruction. But how realistic are these renovations? To what degree are structures
altered after years of intense research? In what way are renovations and reconstructions based on
scientific and historical evidence, or perhaps influenced by time bound schools of thought, academic
perspectives, or the personal opinion of the archaeologist? And who made the choice to renovate, and
on what did they base their decision?
The main focus of this thesis is the development of archaeological research at Palenque, e.g.
the historical process that formed the archaeological history of the site. This process is worth
investigating because at one point in the archaeological history of Palenque the overgrown mounds
that once were majestic temples and palaces were reconstructed, but why, how and by who?
Three so called ‘epochs’ will be analyzed; the 19th century, the 20th century, and the 21st
century. For every epoch two of the most influential researchers will be chosen, and analyzed what
contributions they made to Palenque’s archaeological history and in what way they were influenced
by anthropological or archaeological theoretical schools of thought, cultural-historical phases in time,
archaeological policies and the development of archaeological science.
To achieve these goals a literature study will be carried out and by making use of scientific
publications in the form of books and (digital) articles, excavation and research rapports, official
governmental websites or the official field project websites, and interviews used for the movie
‘Breaking the Maya Code’. From all three epochs images will be gathered that clearly show the state
of the ruins at the time and the development through time. By doing so, a coherent chronology will be
created that shows how Palenque was discovered, excavated, reconstructed and restored and why it
looks like it does today.
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Sub questions
To support the research question several sub questions have been formulated;
 What did Palenque look like when 19th century explorers arrived?
 How has Palenque looked like throughout the 19th, 20th and 21th century, according to images?
 What were the time-bound ideas, schools and streams behind archaeological research,
excavation, restoration and renovation at particular moments in time?
 It is possible to single out the process of renovation and reconstruction from the literature?
 What does the government say regarding their police about renovation and reconstruction?
Together, these questions will exemplify and support the research question by illuminating several
aspects that gather the information from which the research question can be answered.
Theoretical framework
This paragraph will explain the content of the theoretical framework of this thesis. Due to the structure
of this manuscript (three chapters with identical 1 st, 2nd and 3rd paragraphs each discussing a different
epoch, see next paragraph ) a theoretical framework will be given in the chapters itself. It will mainly
follow the theories of Trigger and his 2006 book ‘A history of archaeological thought’ and of ‘Maya
archaeology. Perspectives at the millennium’ by Golden and Borgstede (2004). The framework will
put in perspective what archaeological and anthropological theories and streams of thought were of
influence on the explorers and archaeologist working at Palenque.
Thesis structure
After the introduction, the collected data will be presented in three chapters. These chapters all follow
the same outline, to present a coherent chronology. The first paragraph discusses the archaeological
developments between the previous period and the second paragraph of each chapter. The second
paragraph discusses the two most influential researchers of each century. Each subparagraph consists
of who the researcher was, his motifs, the goal of his expedition, his work at the site, and his
contribution to science. The third paragraph contains the theoretical framework of each chapter. The
fourth paragraph, the conclusion, is the sum of the second and third paragraph.
Chapter two focuses on the 19th century and discusses the works of Stephens & Catherwood
and Maudslay. Before conducting an in-depth analysis on who the two most influential explorers back
in the 19th were and what they did, an overview will be provided from the moment of the Spanish
‘rediscovery’ of the site, up until the arrival of Stephens & Catherwood. The third paragraph will
elaborate what literary streams and movement were of major influence on these early explorers, and
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how this shaped their way of thought. This will explain why people made the decisions they did and
what they contributed to the city shaped by their moment in time. The chapter will be closed with a
conclusion.
Chapter three and four follow the same outline in the first three paragraphs as chapter two.
The paragraphs are similar but applied to the period of time that is analyzed in each chapter. Paragraph
3.1 will inform the reader what happened at Palenque between the visits of the 19 th century explorers
and the archaeological research of the 20th century, to illuminate what renewed basis the archaeologist
were working on. The second paragraph will discuss the works of archaeologist Alberto Ruz Lhuillier
and the First Mesa Redonda de Palenque. In chapter four the Palenque Mapping Project by Edwin
Barnhart will be subject of discussion, together with an overview of several smaller project due to a
lack of a sixth large influential archaeological project.
Chapter five forms the discussion in which the author will discuss her personal observations
regarding the studied literature. As a guideline she will keep in mind the divided components of the
research question. The discussion will also include a critical view on this thesis and future
recommendations . Chapter six will offer a conclusion in which the research question will be
answered.
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Palenque
Figure 1. 1 Palenque’s location in Mesoamerica (Graham 2003, 5)
The city of Palenque is situated in the Mexican state of Chiapas, on the slopes of Sierra Madre de
Chiapas, about 7 kilometers away from the modern town of Santo Domingo de Palenque. The Sierra
Madre de Chiapas is a large chain of mountains that stretches through parts of Mexico, Guatemala, El
Salvador and Honduras. From the Sierra originate numerous streams and rivers of which the Otolum
river flows through Palenque (Stuart 2008, 12). There are more than 50 natural springs that originated
within the grounds of the city (French 2002, 75).
Palenque was build on a 3x1 square kilometer plateau (Barnhart 2005, 3), about 350 meters
above sea level (French 2007, 8). To the south the city is walled by a 300 meter high mountainside and
to the east and west the hilly landscape becomes kastic (Barnhart 2005, 3). The steep mountainous
area is the result of plate tectonic during the Cenozoic, specifically during the Pliocene. It consists
mainly of igneous and metamorphic rock like granite, which were formed during the Paleozoic (Julia,
Provencio, Elvira, and Carlos 1999, 25). Another main geographic component is limestone, which
formed an abundant source of construction material for Palenque’s monuments (Stuart and Stuart
2008, 20). Although opportunities for expansion were limited due to the positioning of the city,
defensively it had a great advantage. Enemies could not ambush the city from its sides and its back,
and the only way in was via the wide Tabasco plains, on which they could easily be spotted (French
2002, 4).
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Figure 1. 2 A closer view of Palenque and its neighbors (www.latinamericanstudies.org)
The tropical climate in the Palenque area reaches temperatures from 22.9 °C (December/January) to
28.8 °C (May) with an average rainfall of 300 cm per year (French 2008, 13) (Stuart and Stuart 2008,
17). Humidity often reaches 100% (French 2007, 9).
The chronology of Palenque is composed by Robert Rands and is based on ceramics found in various
strata at the site (see chapter 4 for more detail). Occupation first took place around 500 BC during the
Preclassic Period when occupants settled at what is now the western part of the site. They carried with
them red-brown ceramics defined as the Picota phase. Around 400 BC the social stratification of the
community had developed in such an extent that rulers were established (Stuart 2008, 32).
Palenque’s dynasty was founded during the Classic Period (AD 250 – AD 900) by king K’uk’
Balam I who acceded the thrown on March 11, 431 (French 2002, 6). The city reached its peak in
architectural development and art during the reign of K’inich Janab Pakal who acceded on July 29,
615 (French 2002, 6). The corresponding ceramic phase is the Otolum phase, which reflects stability
and welfare in the sheer amount of both local and imported luxury ceramics, imported by the elite. In
the 8th century AD a series of expansions was evicted by the son and successor of K’inich Janab Pakal,
K’inich Kan Balam II, the Cross Group and the Palace aqueduct being examples of those projects
(French 2002, 8). By the end of the Classic Period, Palenque had grown to its maximum size and was
highly developed in its art, architecture and social stratigraphy (Stuart 2008, 32).
At the end of the Classic Period in the 9th century AD a series of unknown events lead to the so
called ’Maya Collaps’ in the Maya highlands. Most city states witnessed a sudden abandonment and
the population of the central highlands dropped dramatically. Even though the exact cause of the
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collapse has yet to be defined, there is strong evidence towards a dramatic increase in population
during the Late Classic period at Palenque. The Balunté phase (the final ceramic phase at 770-850
AD) is a clear indicator for a phenomenal population density at the ritual center of the site. This high
population would have put the natural resources under huge stress; Palenque had reached its carrying
capacity (Stuart 2008, 32). After the collapse the city was not abandoned immediately. A specific type
of sherds called ‘Fine Orange Ware’ was found in the most prominent structures of the ritual center,
indicating that after the collapse a group of people remained resident in the city. Eventually even they
disappeared and around 1000 AD Palenque got abandoned for good (Stuart 2008, 32).
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Figure 1. 3 Palenque in a broader context (www.latinamericanstudies.com)
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Romanticism at Palenque
This chapter marks the initial period of research at Palenque; the inevitable rediscovery, the first
expeditions undertaken primarily by the Spanish, but later also by French, British and American
gentlemen. The explorations at the end of the first half of the 19 th century had awakened public and
academic interest and illustrations, pictures and casts spoke to the imagination.
Careful explorations of the city started in the 18th century AD, and within 50 years the Spanish
Crown hosted several expeditions to gather written descriptions and drawings. But it wasn’t until 1839
that systematic study and documentation began by the hands of John Lloyd Stephens and Frederic
Catherwood. By writing and illustrating the famous ‘Incident of Travel’ series the world finally got
word of the hidden ruins. Half a decade later another important visit was undertaken by Alfred
Percival Maudslay, who took numerous photos and casts of structures and architectural elements. Both
works represent time capsules that hoist information that since had degraded or even disappeared.
2.1 What had happened at Palenque between the arrival of the Spanish and the exploration in
the 19th century?
Affected by the collapse that occurred in the central Maya area at the end of the Classic period, the
city of Palenque got abandoned in the 10th century AD. Without the presence of humans the jungle
vegetation soon got a hold of the limestone buildings and within decades houses, milpas, plazas,
temples and palaces got overgrown completely. Between the 10 th and the 18th century the ruins lay
forgotten in the forest, although local Indians must have been aware of their presence (Stuart and
Stuart 2008, 35). In the 16th century a group of Ch’ol Maya founded a small settlement near the ruins,
that consisted of a street lined with a few pole and thatched buildings. Soon, this settlement named
Santo Domingo de Palenque, became an important stop between San Christobal De Las Casas
(formerly known as Cuidad Real de Chiapa) and the Mexican states of Tabasco, Campeche, and
Yucatán (Stuart and Stuart 2008, 35, 36). The inevitable rediscovery of the ancient ruins occurred in
the 18th century, when a group of Spaniards were surveying the area in search of suitable farmland.
Knowing king Charles III of Spain would be interested in this matter, expeditions were arranged by
Fray Ramón Ordoñez de Aguiar, priest of the cathedral of Ciudad Real, to discover these ‘casas de
piedras’. Fray Ramón’s brother was ordered to undertake the expedition and arrived at Palenque in
1773, coincidentally 200 years prior to an event which would be a great milestone in Palenque’s
modern history (see chapter 3) (Griffin 1973, 9) (Stuart and Stuart 2008, 36). During the late 18 th
century a political change occurred in Spain after the War of the Spanish succession, and the Bourbon
monarchy came into power (Evans 2004, 16).The first official expedition took place in 1784-1785 and
consisted of deputy major José Antonio Calderón and architect Antonio Bernasconi. Both men
described and drew elements of what they saw in letters and journals to inform their superiors.
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Although these drawings are unrealistic, highly interpretive and lack what is considered today as
scientific value, it was Bernasconi who drew the first true records of Mayan hieroglyphs (Griffin 1973,
10) (Stuart and Stuart 2008, 37).
Then, in 1787, Capitan of Artillery Antonio Del Rio, together with Calderón and a group of
Ch’ol Maya, undertook a three week excavation where he cleared the ruins of the dense vegetation,
wrote a detailed report on his observations and interpretations, and selected several artifacts to send
back to Spain. At the same time Ignacio Armendáriz took upon him the task of visually recording
various aspects of the site, like stucco ‘adornos’ of the interior walls of the Palace, exterior piers from
the Palace and Temple of the Inscriptions, and several stuccos and hieroglyphic panels. His work
marks the point in time where the visual recording of Palenque began in earnest (Griffin 1973, 10)
(Stuart and Stuart 2008, 39).
Figure 2. 1 A drawing by Ignacio Armendáriz.

(Source: http://decipherment.wordpress.com 2012)
At the time Mexico was still part of the Spanish colony New Spain and rarely allowed literate
‘outsiders’ to visit the ruins (Griffin 1973, 10). This finally changed in 1805 when King Charles IV
sent retired Captain of Dragoons Guillermo Dupaix and artist José Luciano Castañeda on three
expeditions to the ruins of Mexico; they reached Palenque in 1807. Whilst Dupaix wrote his travel
logs, Castañada drew almost 30 images of many different aspects of the site. Unfortunately his
drawings do not represent Palenque realistically but from the point of view of an early 19 th century
artist trying to make sense of a strange, unfamiliar world (Griffin 1973, 10) (Stuart and Stuart 2008,
42, 43).
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Figure 2. 2 The Temple of the Inscriptions by Castañada
(Source: www.mesoweb.com)
When the Dupaix-Castañada expedition came to an end in 1809, so did the first initial period of
discovery at Palenque. A short hiatus followed in which nobody brought an official visit to the site
(Stuart and Stuart 2008, 43). Yet two important publications appeared at the start of the 19 th century:
1808 saw the first printed description of Palenque in ‘a history of Guatemal’a by Domingo Juarros and
the first published picture of a Palencian relief in 1818 by Alexander von Humbolt in his ‘Vues de
Cordilleres, et monuments des peoples indigenes de L’Amerique’ ( in Paris) (Griffin 1973, 10).
Later, in 1822, Del Rio’s 1787 excavation report surprisingly got printed and published by
Henry Berthoud. The book got accompanied by 17 images, and although the artist is unknown, they
were the first the general public ever saw. This event marked yet another period of research, in which
publication became an important focus, which was made possible by new printing techniques (Stuart
and Stuart 2008, 46).
In 1827 the general public was able to read more and more about the Maya when Constantine
Samuel Rafinesque started publishing letters on Maya in a local newspaper, the customary form of
communication between scholars at the time. Eventually the discussion got supplemented by an image
of the column of ten glyphs; most likely the first ever publication of Maya hieroglyphs in the
Americas (Stuart and Stuart 2008, 59).
Another remarkable figure that played a role in Palenque’s early modern history was Jean
Frederic Maximilien, Compte de Waldec, a shady figure with a endless imagination. He lived at the
ruins for a year and made several drawings, ranging from very realistic to completely imaginative.
Many were drawn in a neo Egyptian style, since he was convinced the Egyptians built the ancient city.
For unknown reasons, after he drew the ‘Beau Relief’, he destroyed parts of it. In 1866 his images got
published as lithographs. Interestingly, some showed graffiti left by previous visitors and even
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thename of Desiree Charnay! (Griffin 1973, 11).
Figure 2. 3 Graffiti presumably by Charnay.

( Source: http://laurateaton.blogspot.nl 2011)
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Figure 2. 4 Vandalism is of all times.
(Source: http://www.svsereia.com 2006)
With the works of Waldeck the first major era of introducing Palenque to the world, both by word and
by print, came to an end. Although Waldeck’s words and images were more fiction than fact, they
reached a broad public and got many people interested in Palenque. But the men who came next would
truly reach the general reading public and brought Palenque the fame it deserved (Stuart and Stuart
2008, 63).
2.2 Who were the two most influential explorers visiting Palenque in the 19 th century and what
did they do?
2.2.1 John Lloyd Stephens & Frederick Catherwood
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Figure 2. 5 John Lloyd Stephens
(Source: www.latinamericanstudies.org 2012)
Born and raised in New Jersey, United States of America, John Lloyd Stephens (November 28, 1805
– October 13, 1852) was a lawyer and politician, but also a traveler, author, and diplomat. His
professional career was shaped by his father who took him to the city of New York where he obtained
a lawyers’ degree at the Columbia University. After practicing law for nine years an infectious throat
disease put his career to a halt by forcing Stephens to undertake a trip abroad to cure himself (Roscoe
1949, 197, 198).
Returning home from his ‘Grand Tour’ to Europe and the Near East he discovered that the
letters he had sent had been published in a local newspaper. Motivated by this unexpected success,
Stephens contacted the New York publisher Harper & Brothers, to explore the possibilities of a more
formal way of publishing (Porta 2005, 64). It is slightly unclear how Stephens took notice of the
hidden archaeological treasures of Central America, but Porta (2005, 65) suggests that certain
antiquarian bookshops which functioned as a meeting place for New York intellectuals, might have
been where he first picked up on rumors of mysterious overgrown ruins. He found a partner in crime
in the Brit Frederick Catherwood (27 February 1799 – 27 September 1854), who as an architect had
accompanied previous expeditions to the Near East and therefore had experience with capturing
archaeological remains (Porta 2005, 65). Coincidently, around the same time Stephens was selected to
be the Minister of the United States for the Central American Republic, (Roscoe 1949, 198) adding an
important diplomatic aspect to the expedition. In 1839 Stephens set sail for Central America, where he
teamed up with Catherwood to embark on their epic nine month journey.
Stephens traveled to Central America with several objectives in mind. First of all, and most
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importantly, the mythical lands had to be explored, described and mapped. His travel log would have
to be accessible by the general public. In his own words, Stephens states that:
“My object has been, not to produce an illustrated work, but to present the drawings in such an
inexpensive form as to place them within reach of the gross of our reading public” (Pérez Luna 2002,
204).
Whilst visiting archaeological sites Stephens intended to gather artifacts and ship them back to the US
for display (Roberts 2000, 551). Roberts calls this act ‘a salvage paradigm of archaeological science’
in which historically successful nations aim to rescue golden age artifacts from cultures that have
denigrated beyond the capacity to care for them. Personally, Stephens entered the expedition with an
open mind, aiming to prevent prejudice when exploring sites and ruins, careful not to draw premature
conclusions on who built those ‘casas de piedras’. (Pérez Luna 204).
Figure 2. 2 The Temple of the High Hill (Temple of Inscriptions) by Frederick Catherwood.
(Source: www.mesoweb.com 2012)
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Figure 2.3 Casa no. 1 (Temple of the Inscriptions) by Frederick Catherwood
(Source: http://mesoamerica.narod.ru 2011)
But the literature also displays also a different point of view of why Stephens undertook his
mission. An economical point of view is taken by R. Tripp Evans in his book ‘Romancing the Maya’
(2004). According to Evans, Stephens main personal motivation was of financial interest (Evans 2004,
48). Before traveling to Mesoamerica Stephens had already undertaken two extensive journeys to the
Near East and Europe after which he produced Incidents of Travel in Egypt, Arabia, Petraea and the
Holy Land (1837) and Incidents of Travel in Greece, Turkey, Russia and Poland (1838) with the aim
to prepare ignorant travelers for the problems one could encounter on a trip. To further exploit his
status as a bestselling author, Stephens and his publishers Harper and Brothers aimed at the mystique
that surrounded Mesoamerica (Evans 2004, 49). With a journalistic style of writing (Evans 2004, 43),
a minimal amount of theory, method or philosophy (Evans 2004, 45), images that spoke to the
imagination and unlike other travel logs who would sell at several hundreds of dollars, Stephens sold
his works for a price affordable for middle-class readers (Evans 2004, 43, 45).
Besides this personal financial aspect, Stephens’ and Catherwoods journey was drenched in an
extremely heavy political agenda. Stephens had just been assigned the position of U.S. representative
to the Central American Federations and therefore would be at the right place at the right time to find
the primary seat of power of this recently independent country. Once established, he could then focus
on building a diplomatic relationship between the United Stated and Mexico and ultimately establish a
trade agreement (Evans 2004, 49). Furthermore, the journey made by Stephens and Catherwood could
also be seen as a survey, an expression of the United States territorial expansion drift during the 19 th
century. Spanish Florida had just been annexed in 1819, and the Yucatan peninsula was only a
relatively short distance away(Evans 2004, 55).
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Figure 2.4 Casa de Piedra no. 2 by Frederick Catherwood
Some years after the Mexican revolution of 1820 the Monroe Doctrine was issued in the
United States. This doctrine, combined with the ‘manifest destiny’ (a concept which justified U.S.
expansion towards the west (Weinberg 1935, 8)) was aimed to prevent European powers from further
colonize the Americas which in turn enabled the U.S. to pursuit and legalize their expansion. This
secured the United States future expansion of the American continent (Evans 2004, 44, 55). Stephens
executed the doctrine in his own way by preventing Europeans from gaining ownership of the
prehistoric ruins (Evans 2004, 3, 4). According to Evans, purchasing some of the ruined cities was part
of Stephens’ plan to form a national museum of American Antiquities (Evans 2004, 54). Palenque also
seemed suitable for relocation, but Stephens’ options for obtaining the site were minimal: he had to
either marry a local Palencana or let the wife of a Mexican friend settle the deal (Evans 2004, 55).
Fortunately, both options failed and most of Palenque remained at its place.
During his initial nine months in the field, Stephens systematically surveyed the landscape
(Roberts 2000, 553), explored multiple sites including Palenque, and wrote down whatever he found
useful in his log. Whilst he explored, Frederick Catherwood drew numerous figures of temples, stelaes
and inscriptions, with the understanding of their meaning still decades away. The accuracy of his
drawings was the result of a technique recently adopted in the exploration of Mesoamerica called the
‘camera lucida’ (Porta 2005, 64, 65) (Evans 2004, 53). His drawings also included detailed
descriptions and measurements. The ruins, being heavily overgrown by the lush vegetation, had to be
cleared of vegetation before Catherwood was able to make sense of the unfamiliar architecture. At
times, Stephens himself had to scrub clean the engravings, because they were heavily affected by mold
and plants (Pérez Luna 2002, 204).
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Figure 2.5 Principle Court of the Palace at Palenque by Frederick Catherwood
(Source: www.superstock.com 2012)
Firuge 2.6 The Palace by Frederick Catherwood

Catherwoods romantic drawings of Palenque were not of the same standard and accuracy as
his other work. A fever caused by malaria was probably the cause of the strange imperfections
uncharacteristic of his works. The pictures made by the camera lucida are not so much affected by his
illness, but when he redrew the overview of the site, the Palace, the Temple of the Inscriptions and the
site map his memory failed on him and caused him to make some mistakes. But that doesn’t change
the fact that his drawings are generally seen as the most beautiful ever produced, and it proved to be
the collaboration between Stephens and Catherwood that was their key to success (Evans 2004, 49).
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Evans (2004) sheds light on the economic side of why Catherwood was making drawings during the
expedition, other than to illustrate their books. Stephens’ aim was often to obtain ownership of many
of the ruins. Whilst he executed his diplomatic task, Catherwood worked at clearing, measuring and
documenting the sites. In a way the drawings represent more than just images; they were copies,
facsimiles that anticipated ownership. After Stephens reviewed the works made by his companion, he
often tried to buy the structures from the local officials (Evans 2004, 56, 57). Catherwood facilitated
Stephens’ claims on the ruins by emphasizing their broken down and overgrown state, emphasizing
their fate as doomed structures, ownerless and neglected. This way he legalized their attempts to
acquire the Mexican heritage, since the Indians themselves were not interested in claiming it (Evans
2004, 58).
Today, Stephens and Catherwood are perceived as the first true archaeological explorers by
modern day scientists, the first to conduct a true systematic investigation of Mesoamerican sites (Porta
2005, 63). Au contraire to his contemporaries Stephens was the first explorer who broke free from the
past beliefs and concluded that the ruins were built by native Americans and not by descendants of the
Greeks or Egyptians (Roberts 2000, 550). Complemented by Stephens’ eye for detail (Porta 2005, 65)
and the relative objectivity he kept in mind whilst writing, Incidents of travel in Yucatán and Central
America forms a document still used by researchers today (Porta 2005, 63) and gave a major pulse to
Latin American archaeology back in its day. According to Von Hagen (1947) the start of the first
expedition and thus the arrival at Copán was the starting point for Latin American archaeology in
general (Porta 2005, 63). Coincidentally, around the same time of the expedition the so called ‘graphic
book’ got invented and immediately became popular amongst both scholars and the general public
(Porta 2005, 71). This gave a major boost to the popularity of the journals and produced graphics of
such good quality that both images and measurements can still be used today to measure the level of
decay between then and now ( Porta 2005, 68).
27
2.2.2 Alfred Percival Maudslay
Figure 2.7 Maudslay at work in Chichen. By Alfred Maudslay

(Source: www.oncetv-ipn.net 2009)
Alfred Percival Maudslay first saw the light of day on March 18, 1850 in Norwood, a rural area south
of London. (Graham 2002, 20) (Tozzer 1931, 403). As the grandson of a successful engineer, he had
the privilege of attending Cambridge at age 18. Another privilege of his fortunate position in life was
the possibility of frequently going abroad: after his graduation he went on a trip to Guatemala that
would later convince him to give up his diplomatic career and spend his life in the jungles of
Guatemala and Mexico (Graham 2002, 28)(C 1931, 345)(Graham 2003, 31). A visit to the site
Quiriguá, where he pulled off a mat of moss from a monument revealing the well preserved
inscriptions for the first time in possibly hundreds, perhaps even a thousand years turned out to be a
life changing experience (Graham 2003, 31):
“It was the unexpected magnificence of the monuments which that day came into view that led me to
devote so many years to securing copies of them, which, preserved in the museums of Europe and
America, are likely to survive the originals”(Graham 2003, 31).
From 1881 to 1894 he undertook seven elaborate trips to Latin America, sparing no expense while he
made photographs and castings. Surprisingly, he funded the expeditions from his own pocket, but the
printing, the reproduction of the plates and the publishing of his works in the ‘Biologica Centrali
Americana’ would be covered by Mr. Frederick Godman, one of the producers of the encyclopedia
(Tozzer 1931, 404) (Graham 2003, 37).
28
Figure 2.8 View of the Temple of The Inscriptions and the south end of the Palace Mound, looking west.
By Alfred Maudslay (Source: www.mesoweb.com 2012)
Figure 2.9 The Temple of Inscriptions and the west side of the Palace, looking South. By Alfred Maudslay
29
Although Maudslay saw himself as an amateur (Tozzer 1931, 404), his main goal whilst staying at the
ruins was to document and collect as many valuable data as possible, to be used for scientific and
educational purposes, before the precious stuccos and engravings would deteriorate and fall prey to the
harsh jungle conditions. The best way he could do this was by using photography. He already had
experience with this technique and user friendly dry plates had just become commercially available,
which in contrast to hot plates did not require an immediate development and thus were way more
easy to use (Graham 2003, 34). But Maudslay also realized that a photograph would not be able to
capture all aspects of the complicated low and high reliefs of the sculptures. Drawings would present a
far more accurate and detailed picture instead, but difficult working conditions like swarms of
mosquitoes and challenging architectural designs would make this process impossible. To overcome
this problem Maudslay decided to make plaster casts that later could serve as moulds and be
developed in the United States. (This idea actually came from Desiree Charnay, whom he met some
time before at the ruins of Yaxchitlan (Graham 2003, 34).
Figure 2.10 View from the east side of the Palace Mound. By Alfred Maudslay
30
Firuge 2.11 Temple of the Cross, south face. By Alfred Maudslay
In January 1891 Maudslay and his companion Hugh W. Price arrived at Palenque. Before the process
of documenting could start they had to repeat the actions many of their predecessors had done before:
clear the ruins of the dense tropical vegetation, cut down trees and clean the stucco reliefs of thick
encrustations. Price fulfilled his task of surveying and mapping, whilst Maudslay applied himself to
making plans, drawings, photographs and moulds (Stuart and Stuart 2008, 79) (Tozzer 1931, 403).
Once cleaned, Maudslay made photographs of the buildings, stucco and with special emphasis, the
hieroglyphs, which he also made casts of (Stuart and Stuart 2008, 80). The casts were used in two
ways, one type made up of plaster, the other made up of wet paper. Later, meticulously detailed
drawings of the casts were then made by Miss Annie Hunter, most of which were so accurate that no
flaws could ever be discovered (Stuart and Stuart 2008, 80).
Like Stephens and Catherwood, Maudslay captivated Palenque at a time when the ruins were
still relatively unspoiled by human actions. Plates of the casts he made were printed in five volumes of
the 60 volume ‘Biologia Centrali’ Americana under the name ‘Archaeology’ (Tozzer 1931, 407),
providing a time capsule containing precious data that has since been long gone. Miss Annie Hunter
made detailed step by step drawings, some even in color, which are still used by students and scholars
worldwide (Tozzer 2003, 408) (Graham 2003, 34). Maudslay was the first to understand that
photographs would not fully grasp the dimensions of the hieroglyphs, and that’s why he decided to
make precise drawings of many sculptures, and thereby turning out to be the founder of a tradition that
would be continued by many future researchers ( Graham 2003, 34). Almost a century later his
drawings would play a major role in the decipherment of the Maya Hieroglyphs, for which many of
31
Maudslay’s drawings and casts were used. Had he not made his casts and photographs, much
information would have been lost forever, eroded by the elements or looted by treasure hunters
(Graham 2003, 36) Other than that, Mr. Price’s map is without a doubt one of the most accurate ever
made and was used until the beginning of the 21st century (Barnhart 2001, 4).
Figure 2.12 Price's map

(Barnhart 2001, 3)
Alfred Percival Maudslay died on January 22, 1931, but his legacy still lives on through his
photographs, drawings and maps that are being distributed and studied by mayanists worldwide.
32
Figure 2.13 The Palace. View of the western Court and Tower, looking south. By Alfred Maudslay.
Figure 2.14 The Palace house. House D. from the west. By Alfred Maudslay
33
Figure 2.15 View of the Palace, from the Temple of the Inscriptions. Alfred Maudslay
Figure 2.16 View of the Palace looking north west. By Alfred Maudslay.
34
thought?
2.3.1 Colonial and Antiquarian period (1500-1890)
During the first 200 years of colonization the Spanish Crown was not particularly interested in the
history of their newly conquered lands. During the 16th and 17th centuries emphasis lied mainly on
religious convention and control of the indigenous population. By destroying or hiding archaeological
monuments the colonizers intended to erase the pre-Christian past and belief system (Trigger 2006,
116). Other than that, the Spanish had no clue that the ruins once belonged to powerful city-states that
reigned over Guatemala and Mexico, because the Classic Maya cities had been abandoned by
centuries when the Spanish arrived. Therefore, they felt no urge to investigate the parts of their empire
that seemed empty and uninteresting (Evans 2004, 11).
A change of interest in Precolumbian sites and artifacts occurred in 18 th-19th century, due to
several factors. The rise of the Enlightenment in the 18 th century stimulated the urge to break free from
religion, and discover and explain the natural environment in a rational way (Greene 2002, 4). The
18th century also witnessed the increasing interest in American antiquarianism and later the rise of
romanticism (Trigger 1989 in Yaeger & Borgstede 2004, 262), the growing independence movements
in Spanish American Colonies (Sued B. 1995 in Yaeger & Borgstede 2004, 262), and the increasing
dominance of the United States in the Western hemisphere (Patterson 1995 in Yaeger & Borgstede
2004, 262).
Finally, it was antiquarianism that motivated King Charles III to send Antonio Del Rio to
Spain in 1787 (Del Rio 1822 in Yaeger & Borgstede 2004, 262). The study of antiquities is called
Antiquarianism, before organized methods of excavation and interpretation had established (Greene
2002, 280), the goal of which was to collect material evidence relating to the past (Jacks 1993:9 in
trigger 2006, 55).
Before the Mexican independence (1821), Spanish officials rarely allowed non-Spanish
visitors to study pre-Hispanic remains (Trigger 2006, 117).This changed after 1821, and soon many
European and American explorers and adventurers set sail towards the former Spanish colony, their
journeys often made possible by foreign funding and research agendas (Yaeger and Borgstede in
Golden and Borgstede 2004, 262). In their way of trying to make sense of this strange new world and
the lack of evidence to appoint the ruins to a contemporary culture, both explorers and scholars
accepted the idea that the ruins were of Greece, Roman, Egyptian, Phoenician or Israeli origin. This
would stay the dominant view up until the mid 19th century (Evans 2004, 20, 35). These theories can
be explained by the lack of an intellectual background at that point in time. People relied on
theological explanations since modern science was still a long time away of being developed (Willey
and Sabloff 1980, 14). Investigations at the time can be categorized as highly speculative in nature,
35
and therefore the period between 1500-1840 AD can be marked as the Speculative Period (Willey and
Sabloff 1980, 12, 32).
2.3.2 Classificatory-Descriptive period within the Antiquarian period (1840-1910)
Romanticism was the dominant intellectual phase during the first half of the 19 th century. This stream
came forth as a reaction to the rationality of the Enlightenment and the effects of the harshness of the
industrial revolution, and expressed itself through admiration of wild landscapes, the ‘Noble Savage’
instead of primitive peoples (Greene 2002, 286), and a deep interest in the past (trigger 112). Another
characteristic of Romanticism was a romanticized view of landscape (Ashmore in Golden and
Borgstede 2004, 97-98). Landscape was not recognized as a social construct but as the romantic
implication for designating simply ‘nature’, unattained by human presence (Spirn 1996:111 in
Ashmore 2004, 98). According to Trigger (2006, 112) Romanticism also stimulated antiquarianism.
Archaeology as a profession or official field of study was not yet established (Willey and Sabloff
1980, 31). The Descriptive-Historical phase distinguishes itself from the former by systematically
describing archaeological materials, especially architecture and monuments (Willey and Sabloff 1980,
34).
2.3.3 The Institutionalization of Americanist Archaeology (1890-1910)
At the end of the 19th century archaeology got more organized and institutionalized in the United
States, and universities like Harvard and the University of Chicago started to offer schooling in
anthropology (Yaeger & Borgstede 2004, 264, 265). Franz Boas and his four-field anthropology was a
major stimulator for American anthropology, and in combination with historical particularism and an
increased amount of retrieved early colonial documents people became more aware of the connection
between pre-colonial archaeological sites and the modern Maya (Yaeger & Borgstede in Golden and
Borgstede, 2004, 265). Research on the Maya focused mainly on the ruling elite and the religious
aspects of their life (Willey and Sabloff 1980, 66) (Sabloff in Golden and Borgstede 2004, 15) and on
recording ethnographic and ethnohistoric data before it got lost to modernization, like the Lacandon
Maya who live close to Palenque (Yaeger & Borgstede in Golden and Borgstede, 2004, 265).
36
2.4 Conclusion
Stephens and Catherwood mark the beginning of Classificatory-Descriptive Period in Middle America
(Willey and Sabloff 1980, 57). Romanticism influenced these early explorers in several ways.
Stephens employed a very dramatized style of writing, often making use of metaphors and
exaggerations (Evans 2004, 66).
Catherwood had attended the Royal Academy in England where he mastered Romantic
techniques such as claire-obscure and the use of dramatic landscape composition. He was further
influenced by Italian painters, which can be seen in the way he depicts ruins in their landscapes,
carefully placed at the center of the frame, catching light and at the same time being heavily
overgrown by wild and untamed nature. On other occasions, vegetation growing out of the cracks in
the buildings was highlighted to emphasizing the deteriorating state the ruins were in (Evans 2004,
65). Catherwood’s last trick was placing several contemporary details in the foreground, usually
several local inhabitants, to emphasize the contradiction between past glory and present degradation
(Evans 2004, 66).
Even though other combinations of writers and artists had visited Palenque before 1839, the
beginning of systematic investigation starts with Stephens and Catherwood because they were the first
not to present a European or Eurocentric type of image of the site (Willey and Sabloff 1980, 57).
Although influenced by Romanticism, for the first time in history drawings were realistic depictions of
how Palenque actually looked like at the time.
Alfred Percival Maudslay seems to have had very different motifs than Stephens. Although
both men had in common that they were gathering and collecting data in order to publish books,
Maudslay was not in a hurry to publish another ‘cash cow’. The photographs he took were to be
printed in a grand series of encyclopedia called ‘Biologica Centrali Americana’ and therefore were
taken with a different purpose in mind. His pictures aren’t any different from how an archaeologist
today would take them. Monuments are captured at different angles often accompanied either by
himself or by a local Maya, but unlike Catherwood’s staged scenes, Maudslay’s Maya’s play a passive
role, presumably just to give an indication of the scale of the monuments.
It does not seem that Maudslay embarked on his journeys on a political agenda. In the past,
Maudslay had fulfilled several political functions but he gave up his position in South East Asia
(Tozzer 1931, 404) to be able to travel to Latin America. He financed his eight journeys with his own
means, not being paid directly by a sponsor and not at all by a governmental institution. It seems that
his aim truly was to document data for no other purpose than research and education.
To conclude, two different visions on Stephens’ and Catherwood’s journey are being
portrayed in the available literature. One is the romantic, acknowledging Stephens to be a romanticist
and at the same time romanticizing his works. The other emphasizes the economic side of their travels,
their political agenda and the financial aspect. Much less has been published on Maudslay, but by
37
viewing his photographs it can easily be observed that their purpose was not to awe the viewer but to
educate and serve as research material. Although there are many similarities between the works of
Stephens & Catherwood and those of Maudslay, there are also many differences. Stephens was a
commercial writer, aiming on the general reading public by publishing easy accessible, low cost travel
journals. Maudslay seemed more driven by his personal interest in archaeology, but he published his
photographs and findings the expensive, limited edition encyclopedia. But what these men have in
common is that they were entrepreneurs. Their visits formed the start of years of thorough
archaeological and epigraphic research that continues to develop as we speak.
38
Archaeology at Palenque
The increasing interest in Mesoamerican archaeology had both positive and negative effects on
Palenque. Stephens & Catherwood and Maudslay both greatly contributed to the fame of the ancient
city and by the end of the 19th century more expeditions were held that included or directly focused on
Palenque. But more than a century of primitive exploration techniques had left its mark on the city, at
times causing irreversible damage.
The start of the 20th century would see the founding of several short and long lived archaeological
institutions, of which the Instituto Nacional de Antropolgía e Historia was the one to stay. This
Mexican institute would bring forth the man who would make the most famous discovery in Palenque
history: the tomb of king K’inich Janaab’ Pakal.
Several decades later a group of young North American archaeologists and epigraphers would bring
Palenque research to an intercontinental level by founding the first ‘Mesa Redonda de Palenque’.
These two milestones in Palenque’s modern archaeological history are further explained in the
following chapter, as well as the theoretical framework by which these archaeologists were influenced.
3.1 What had happened at Palenque between the explorations in the 19th century and the first
half of the 20th century?
Stephens’ immensely popular works stimulated the development of two major processes. The first was
the increasing understanding that the long lost cities were not made by Egyptians, Romans, Greeks or
other civilized peoples of the Old World (Stuart and Stuart 2008, 73) but instead build by Native
Americans, ancestors of Maya inhabiting Mexico back then and today. The second was the stream of
fraudulent writers that wanted in on the success Stephens gained with his books. Even today the
sphere of mysteriousness that surrounds the Maya inspires many writers, amongst them Erich Von
Danichen as a prime example, claiming the lid of Pakals tomb portraying the great king as an
astronaut, to publish books or propose theories based highly on interpretation and fantasy, rather than
facts(Stuart and Stuart 2008, 73).
Four years after Maudslay’s departure came yet another important visitor: William Henry
Holmes. Holmes was an anthropologist, archaeologist, artist, geologist, and curator of anthropology at
the Columbian Museum of Chicago. In just four days he gathered very accurate and detailed data on
the construction of the Palace and surrounding buildings. His study is acknowledged as one of the
most valuable ever produced on the architecture of Palenque(Stuart and Stuart 2008, 80-81). Like
Stephens and Catherwood, Holmes produced a time capsule that captured the state the ruins were in at
the time.
39
Just before the turn of the century an expedition was planned by the American Museum of
Natural History of New York. Called the ‘Expedition of Expeditions’ by its organizer Marshall
Saville, its aim was to explore and document Yaxchilan and other sites in the Usumacinta valley.
Because of diplomatic reasons the focus of the expedition soon shifted from Yaxchilan to Palenque,
but because of heavy rains Saville was unable to find labor forces to support him during his stay at the
ruins. After only four short weeks near the site, Saville was forced to leave. His departure marked the
end of the 19th century explorations of the ruins of Palenque(Stuart and Stuart 2008, 82).
Unfortunately, by now the negative results of Palenque’s fame started to come to light. In the
short span of time between Palenque’s ‘discovery’ and the beginning of the 20 th century many artifacts
had been looted from the site (Stuart and Stuart 2008, 80), structures had been destroyed and
vandalized by primitive techniques used during explorations (dynamite, for example) and because of
travelers wanting so eternalize their names on the walls of the Palace (Griffin 1973, 11). Del Rio was
looking for treasure, destroying whatever blocked his way from entering rooms or corridors (Evans
2004, 20). An extreme example of vandalism is the deliberately destroyed ‘beau relief’ by Waldeck
who took it down after capturing it on paper(Stuart and Stuart 2008, 80). Even Stephens added his
share of destructions. In his urge to collect artifacts he would not hesitate to destroy the surrounding
area or the object itself. At times he found it necessary to take down entire structures, although
thankfully this did not occur at Palenque (Evans 2004, 72).
The Tablet of the Cross, the great slab covering the back wall of the Temple of the Cross, also
fell victim to these destructions(Stuart and Stuart 2008, 77). Somewhere between 1807 (Dupaix and
Castaneda witnessed the tablet in its original position and unspoiled) and 1840 (Catherwood made a
drawing of the middle panel when he found it lying on a dirt road somewhere near the ruins) someone
had removed the tablet, discarded the left and middle slab somewhere near the ruins and smashed the
right slab to pieces. (Stuart and Stuart 2008, 77) Thankfully, when word got out of the destroyed slab,
the pieces got collected and shipped to the United States where the slab got reconstructed. In 1909 the
three slabs got reunited in Mexico’s Museo Nacional de Antropología and a cast of the set was placed
in the Temple of the Cross (Stuart and Stuart 2008, 83).
1909 also saw the establishment of the Escuela International de Arqueología y Etnología by
Sierra Méndez. After ten years of intensive research on Palenque’s iconography and art the school
closed, but its functions and activities passed to the Universidad Nacional de México. At the time,
most archaeological research focused on Teotihuacan and other well-known sites in Central America,
but slowly but surely the attention of the main stream of researchers started to turn towards the Maya
area, and with it, towards Palenque (Stuart and Stuart 2008, 86-87).
In the 1920 a young Danish researcher named Frans Blom came to work at the site. His work
included the first wide reaching survey of Palenque and discovering and naming many new
architectural groups whilst expanding Maudslay’s map(Barnhart 2001, 4) (Stuart and Stuart 2008, 89).
He also drew floor plans and hieroglyphic texts and gave advise on which parts of the structures
40
should be consolidated and repaired. It was also Blom’s idea to assign Roman numbers to unnamed
buildings, foreseeing much future research happening at the site (Stuart and Stuart 2008, 89). Blom
also witnessed the negative side of Palenque’s growing fame; when he revisited the site in 1925 he and
his companion Oliver La Farge discovered signs of recent digging in several floors of buildings (Stuart
and Stuart 2008, 89). A short investigation led them to the church of Santo Domingo de Palenque,
where the four missing jambs of the Temple of The Cross, who were stolen from the local museum,
were found in the façade of the church. The priest got arrested and the jambs got returned (s 90) but
this event stressed the need of a centralized institution to guarantee the investigation and consolidation
of Palenque (Stuart and Stuart 2008, 90).
Figure 3. 1 Bloms 1923 map. (Barnhard 2001, 4)
The need for such an institution was solved by the founding of INAH (Instituto Nacional de
Antropolgía e Historia) in 1939 (Stuart and Stuart 2008, 91). The INAH replaced previously founded
government institutions and centralized the exploration of archaeological zones, conservation and
restoration of archaeological and historical monuments and artifacts and the publication of findings.
Director of excavations was Miguel Angel Fernandez who had arrived at Palenque five years earlier.
He focused mainly on the Palace and when excavating the base of the Tower the Tablet of the 96
Glyphs was discovered. In 1940 Heinrich Berlin joined the team, working on consolidating the Tower
41
and later excavating the Templo Olvidado. This temple would become his steppingstone into
epigraphy (Stuart and Stuart 2008, 91,92).
3.2 Who were the two most influential archaeologists working at Palenque in the first half of the
20th century and what did they do?
3.2.1 Alberto Ruz Lhullier
Figure 3. 2 Alberto Ruz Lhuillier

(Source: http://mayananswer.over-blog.com 2010)
Alberto Ruz Lhuillier and Palenque are always bracketed together. Born in France on the 27 th of
January 1906 by a French mother and Cuban father, Ruz Lhuillier would move to Mexico in 1936 and
obtain citizenship. Ruz Lhuillier became involved in the immense archaeological project of Palenque
when the former leader of the INAH’s program of excavation and reconstruction at Palenque, Miguel
Angel Fernandez, passed away in 1945 (Stuart and Stuart 2008, 92). Since modern structuralized
archaeological work at the site had only started in 1934 when Fernandez and his team arrived at the
site, a major task was lying ahead.
42
His goals were to establish a complete archaeological chronology both based on dates
recorded in hieroglyphs and on ceramic sequences. Furthermore he aimed at determining the date and
nature of the earliest occupation of Palenque and placing the site in the Mesoamerican archaeological
framework (Stuart and Stuart 2008, 92). For the first time in the archaeological history of the site,
research was being done in a broad context, not focusing on separate parts of data within the site, but
acknowledging Palenque as being part of an era.
Ruz Lhuillier worked at Palenque from 1945 until 1954. His career was marked by various
highlights, of course the discovery of Pakal’s tomb being the most famous. But more happened during
his time at the ruins. He began excavating a great deal of the central part of the site. Whilst excavating
a collapsed wall in the Palace House A-D three large slabs were reviled that formed what is today
known as the ‘Palace Tablet’. Another tablet was found during the construction of the road from the
former train station to the ruins. Workers accidentally came across a formerly unknown platform.
Excavating the structure again reveled three slabs that together form a tablet which was named ‘Tablet
of the Slaves’ (Stuart and Stuart 2008, 92,93).
One of Lhuillier’s objectives was to form a chronology of the site based on ceramics. This
great but immense task was undertaken in 1951 and 1956 by Robert and Barbara Rands who were
working at the site due to a program of cooperation between INAH and the Columbia University of
New York. (Stuart and Stuart 2008, 93) (Rands and Rands 1957, 140). Ruz started his work on the
Pyramid of the Inscriptions in 1949. At first wasn’t so much focused on the temple on top, but mostly
on the building process of the pyramidal structure. His aim was to find sherds in the fill of the platform
that would complement the ceramic chronology. Eventually he concluded that the pyramid was build
in a short construction project, and did not undergo successive modifications over a long period of
time (Stuart and Stuart 2008, 95). At the same time a smaller crew was working inside the temple on
top of the pyramid. When they cleared the floor, Ruz made two important observations. First, it turned
out that the floor was not made up of stucco, like most similar Maya buildings have, but of huge flat
stones. Second, there seemed to be a disturbance in the floor with flagstone edges with drilled holes
filled with carefully carved plugs in them. Ruz took away the stones, cleared away the rubble, and
there it appeared: a hole in the floor with two stone steps leading downward(Stuart and Stuart 2008,
95). Clearing the staircase took almost three years but eventually, in 1952, excavators reached the
bottom of the stairs and with it a vaulted chamber. After breaking down the north wall, a great vaulted
room appeared, decorated with figures in low relief stucco. Inside there was a tomb closed by a great
carved stone lid, and contained the skeleton of a man, covered with jade (Stuart and Stuart 2008, 96,
97). This skeleton later turned out to be that of king K’inich Janab Pakal.
43
Figure 3. 3 Palenque in 1957.
(Source: http://www.diggles.com 2002)
In 1958 the process of excavation and reconstruction of the Temple of Inscriptions and many other
buildings was completed, and when the field season ended, so did Ruz’s term at Palenque. He passed
away on the 25th of august, 1979. As a tribute to all the work he did in Palenque, his final resting place
is at the site, near the Temple of the Inscriptions.
Creating a chronology through ceramics was an important step in Palenque’s archaeological
history because there are no inscribed stelae at the site, in contrast to other Classic Maya sites. Other
than that, its inscriptions are abundant and very complicated (Rands and Rands 1957, 140). The Rands
also aimed at placing Palenque in a more broader framework within the Maya realm. They
accomplished their goal, and, their chronology is of such high quality that is has been used ever since,
with continuing refinements as more information on ceramics of Palenque and other Maya cities
comes to light (Stuart and Stuart 2008, 93) (Rands and Rands 1957, 140).
3.2.1 Primera Mesa Redonda de Palenque
44
The Primera Mesa Redonda de Palenque (Greene Robertson iii) is the product of the vision of several
great archaeological minds at a time when structuralized coherent archaeological research at Palenque
(and of the Maya in general) was still in its infancy. The idea of the conference came about in August
1973 when Gillett Griffin, David Joralemon, Linda Schele and Merle Greene Robertson and her
husband Bob Robertson were sitting on the porch of the Robertson house in Palenque town (Greene
Robertson iii), after exploring the site together and discussing the meaning of hieroglyphs (Griffin
1997, 13). The study of Palenque and especially the study of epigraphy was still very decentralized
and without structure. The aim of the founders of the Mesa Redonda was to share a mutual interest, get
people interested in Maya glyphs and exchange new ideas, and therefore create a collaboration
between researchers and raise the understanding of Palenque to a new level (Greene Robertson iii)
(Griffin 1997, 13).
At the time, all of the people above were involved in Palenque; Griffin as a Maya enthusiast
and art historian, Joralemon was a student of Mayanist Michael Coe, an expert on the Olmecs and
present at Palenque studying Maya gods (Griffin 1997, 12), Linda Schele was working on mapping the
city beyond the excavated center and Merle Greene Robertson made rubbings of the hieroglyphs
(Griffin 1997, 7) (Schele 1997, 5). When the season ended and everybody went back home, Merle
Greene Robertson started sending out hundreds of invitations to everybody she knew who played a
role in the field of Maya studies. The convention took place from 14 to 22 December 1973 addressing
the art, iconography and hieroglyphic inscriptions at the site (Stuart and Stuart 2008, 102, 103). Out of
all the invitees 37 people attended, representing universities from the United States, Canada and
Mexico. Three meetings were held daily, two for scholars and one for other people with interest in the
site like the local guides (Greene Robertson iii).In the morning papers were presented and discussed
and in the afternoon the site was visited to further exemplify what was said (Schele 1997, 10).
What makes the Mesa Redonda special is that not only people from the high end of Maya
studies could attend, but also graduate students and even undergraduates (Schele 1997, 9). Amongst
the attendees were Michael Coe, Elisabeth Benson, Will Andrews, Moises Morales, Peter Mathews,
Floyd Lounsbury, Robbert Rands,Jeff Miller (Schele 1997, 8), all of them people who already were or
on their way to become big names In Maya archaeology. This openness was a very important
characteristic of the first Mesa Redonda and gave young people a chance to be a part of this fast
developing field. Another special aspect of the Mesa Redonda’s was that Merle Greene Robertson
decided to print and publish all the papers presented within the same year (Greene Robertson iii). This
made the information produced at the First Round Table available for everyone and people were able
to prepare for the next session.
The First Mesa Redonda was the start for many new developments. For the first time in
history Maya scholars working on Palenque iconography and epigraphy but also on Maya studies in
general, were united (Schele 1997, 10) and a coherency in the research started to develop.
During the convention two important things happened. At one of the evenings at Merle Greene
45
Robertson’s house, the first real dynastic list of Maya was produced. This list was still a sketch put
together on a big sheet of paper, but it was the first dynastic list of the Maya ever made (Schele 1997,
12). Moises Morales suggested that glyphs of rulers and gods should be given names in Ch ‘ol Maya,
instead of English nicknames in honor of the Ch’ol Maya who were still living in the town of Palenque
and the adjacent area. And it was after making this crucial decision that Lord Shield, whose skeleton
was found in the Temple of the Inscriptions about two decades earlier, received his famous Ch’ol
name ‘Pakal’(Schele 1997, 13, 15).
Figure 3. 4 Temple of the Cross in 1974. Figure 3. 5 Temple of the Sun in 1974.
By Merle Greene Robertson By Merle Greene Robertson
(www.mesoweb.com 2012) (www.mesoweb.com 2012)
46
Figure 3. 6 Temple of the Cross in 1974. By Merle Greene Robertson
(www.mesoweb.com 2012)
47
Figure 3. 7 The Palace in 1974. By Merle Greene Robertson
48
thought?
3.3.1 The Culture-Historical phase (1910-1960) within the institutionalizing period
The antiquarian phase of the 19th century made way for a scientific approach at the beginning of the
20th century. At the dawn of the new century professional archaeology began to take shape in the
United States. This development also led to a new theoretical phase within archaeology; the culture-
historical phase (Trigger 2006, 278).
Characteristics of the culture-historical phase that started to develop in this early stage, are the
recognition of a ‘culture’ as a ‘specific geographical cultural manifestation in the archaeological
record (Trigger 2006, 279)’. Soon, methods to systematically study these cultures came around
(Trigger 280) like making classifications, sequences, seriations and typologies and distribution maps.
Material culture was used to investigate the history of occupation in an area (Greene 2002, 235) A lack
of chronological knowledge within archaeology and the importance of stratigraphy to tackle this
problem were also established (Trigger 2006, 280).The landscape was being approached
systematically through scientific method and theory (Ashmore in C.W. Golden and G. Borgstede
2004, 88). The emphasis of archaeological investigation towards the ruling elite (Sabloff in C.W.
Golden and G. Borgstede 2004, 15) which is shown in the extensive study of elite structures.
The funding of archaeological research saw a change at the start of the 20 th century (Golden
and Borgstede 2004, 5) (Yaeger and Borgstede in Golden and Borgstede 2004, 266). Before, research
had been funded mostly by governments or wealthy individuals (Yaeger and Borgstede in Golden and
Borgstede 2004, 266) but at the end of the 19th century archaeological projects got sponsored more and
more by research institutions. American support funded research in the Maya lowlands, whereas
Mexican institutions focused mainly on Central Mexican sites like Monte Alban and Teotihuacan.
Dominant American institutions were (and still are) the Carnegie Institution of Washington, the
Pennsylvania Museum of Anthropology and Archaeology, Tulane’s Middle American Research
Institute, the School of American Research and the Peabody Museum Harvard University (Golden and
Borgstede 2004, 5) (Yaeger and Borgstede in Golden and Borgstede 2004, 266).
In Mexico, a growing awareness of nationalism was a major impulse of archaeological
research at the first half of the 20th century. Franz Boas established the International School of
Archaeology in Mexico City in 1910 and his pupil Manuel Gamio was the first to link archaeology to
the creation of the nation-state (Villalobos 2011, 21) (Kohl 1998, 227). He was the mind behind the
project that converted the pyramidal zone of the ruined city of Teotihuacan into a symbol of Mexico’s
prehistoric astonishing accomplishments. To make the ruins easily accessible for visitors he published
49
a tourist guide to the city, attracting both national and international tourists. By doing so, Gamio
became a pioneer in Mexico in commercializing national monuments for the growing tourist industry
in the 1920s. Mexico saw the emergence of its state funded industry of reconstructing prehistoric sites
and monuments, legalized by aims of renewing the grandeur of the past and the national income of
mass tourism (Kohl 1998, 5, 6, 7).
Sites were being reconstructed to serve as national sources of income. But when looking at
objects that express nationalism through archaeology, for example coins, stamps (Villalobos 2011,
2)and the Mexican flag, they all represent Aztec imagery. Mexican nationalism seems to be derived
from its Aztec heritage and not at all from its Maya heritage (Villalobos 2011, 175).
3.3.2 New Archaeology (1960-1980)
During the 1950’s and 1960’s, new developments had formed a basis for the processual ‘New
Archaeology’ (Ashmore in Golden and Borgstede 2004, 98). According to Greene (2002:284)
processualism can be characterized as a movement using a scientific approach to archaeological
questions by designing models, suggesting hypotheses and testing them in the hope of establishing
laws governing human behavior. Processualism was the approach used by New Archaeologists, who
aimed to add a scientific component to archaeology, which was still quite a young field at the time.
Maya archaeology in general saw a shift from a focus on the ruling elite towards settlement
pattern studies. Gordon Willey was a great contributor to this trend, mainly because of his pioneering
study of settlement patterns in the Belize River Valley (Sabloff in Golden and Borgstede 2004, 15)
( Ashmore in Golden and Borgstede 2004, 97). Mapping projects were undertaken at many great Maya
centers like Tikal (Pensnsylvania State), Dzibilchaltun, Altar de Sacrificios and Seibal (Willey) and
Chichen Itza, although rural areas still were often neglected Culbert in Golden and Borgstede 2004,
312). At the same time the developments regarding the decipherment of the Maya script added
tremendously to the knowledge of the political complexity of the Classic Maya(Sabloff in Golden and
Borgstede 2004, 16). Other upcoming trends at the beginning of the second half of the 20 th century
were the use of a multidisciplinary approach and the use of archaeological sciences, the placing of the
Maya civilization within the broad framework of Mesoamerica and the relationships between the
Maya and their contemporaries (Sabloff in Golden and Borgstede 2004, 16).
The view on landscape had changed dramatically in comparison to the time of Stephens &
Catherwood. Due to studies like settlement pattern research by Gordon Willey, American
archaeologist had moved away from Romanticism and viewed the landscape through currents of
theory and method relating humans to their ambient environment. Landscape had turned into a
playground which had no meaning of its own but what was inhabited and used by people, and those
people and their actions could be measured and tested (Sabloff in Golden and Borgstede 2004, 98).
50
3.4 Conclusion
Alberto Ruz Lhuillier got assigned the position of leader of the INAH’s program of excavation and
reconstruction at Palenque at the time when the culture-historical phase had developed to be the
dominant theoretical phase in archaeology. The archaeological research of Palenque was still at its
infancy and Ruz Lhuillier (opstarten) a major coherent period of systematic research, long enough to
(stellen) and execute goals that would greatly shape the academic knowledge of the site. Ruz Lhuillier
was of major influence of the reestablishment of the ‘culture’ of Palenque at a time when little was
known from this Classic Maya sites, in comparison to sites like Tenochtitlan and Teotihuacan. In a
way, researchers were still in the process of making sense of the archaeological world of Palenque.
An important aspect of the culture-historical phase is the establishment of chronologies, which
at Palenque got provided by Robert and Barbara Rand. Because little was known of this city,
researched focused on the part of the site that was most visible in the landscape: the ceremonial center.
Typical of the culture-historic phase was an emphasis on the ruling elite. This also occurred in
Palenque, since the ruling elite were the residents of the ceremonial center.
Funding was provided by the Mexican government and partly by the Columbia University of
New York. The rise of the awareness that archaeology could be linked to identity and nationalism and
that it could be exploited as a national source of income stimulated the renovation and reconstruction
of archaeological sites. This would have meant that more funding became available for research since
it had great benefits for the Mexican nation, although Maya archaeology was not included in claims
for nationalism and identity.
At the time of the First Palenque Round Table convention the New Archaeology was the
dominant theoretical phase in archaeology. Huge advances were made in the field of epigraphy which
added to the understanding of Palenque’s hieroglyphs and inscriptions, and for the first time a dynastic
list was produced. Attempts were made to improve Palenque’s maps beyond the ceremonial center and
the general understanding of Palenque improved greatly, however research was still focused on the
elite. It seems that researchers were still mostly concerned in establishing a framework of Palenque,
not so much on what happened inside the city but on the outline of who ruled Palenque and what were
the main (architectural, iconographic, epigraphic) components of the city.
51
Science at Palenque
Although new advances in Maya archaeology are being made at this very moment, this last chapter
aims at providing a coherent structure of the most important and influential research done at Palenque
at the beginning of and during the first decade of the 21th century. The previous chapters both
incorporate the two most outstanding persons or projects, but for this chapter it was chosen to pick but
one major project and furthermore give an overview of several other important projects. This structure
was chosen for two reasons; firstly because only one project really stands out from the rest and
secondly to provide the reader with a complete overview of current research and keep it as up to date
as possible.
4.1 What had happened at Palenque between the first half of the 20th century and the beginning
of the 21th century?
After the productive and successful first Mesa Redonda, successive Mesa Redondas were hosted in
1974, 1978, 1980, 1983, 1986, 1989, 1993, 2002, 2004, 2008. The most recent Round Table took
place from November 27 to December 2, 2011. A shift can be seen from the beginning of the Mesa
Redonda’s towards the successive conventions, where the focus lies not so much on Palenque itself
but on the surrounding Maya area as a whole.
52
Figure 4. 1 The Palace and Temple of Inscriptions in 1983. By Merle Greene Robertson
Figure 4. 2 The Temple of the Inscriptions in 1984. By Merle Greene Robertson

During the 1980’s and 1990’s INAH continued investigating the central precinct of the site. Lead by
site director and archaeologist Arnoldo Gonzalez Cruz, the archaeological team conducted several
53
consolidation project considering the east side of the Palace, Temples XII and XIII, Temple X, the
Ballcourt, and the Ignarado. Besides restoring the buildings were also drawn, measured and
incorporated to the site’s map (Barnhart 2001, 8).
Figure 4. 3 The 1980’s map by Morales. (Barnhart 2001, 5)
Another important period was the field season of 1994. During the 1993 season Arnoldo Gonzalez
Cruz and his team focused on conservation activities at the Palace and the Temple of the Inscriptions.
After completing these activities they turned their attention towards the Temple of the Skull, the
Temple XII-A and Temple XIII during the 1994 season (Tiesler V et al 2004, 2). When work on
temple XIII started, there were no expectations regarding a tomb. The structure had been ignored
during previous periods of investigation because the temple had collapsed and therefore didn’t look
very impressive. Gonzalez Cruz’s aim was to find out the temple’s construction sequence and
architectural connection to the hill in the background (Tiesler V et al 2004, 3, 5).
When the team worked on clearing the stairway, a blocked door was found. They removed the
slab and discovered a corridor that lead to the best preserved gallery ever found in Palenque. Inside the
gallery, several blocked doorways were found in addition to three chambers of which two were empty
and one was blocked by a large slab. The fact that the chamber was blocked caught Gonzalez Cruz’s
attention and after drilling a 15cm by 15 cm hole in the slab, he discovered a sealed sarcophagus
inside the 3.80 by 2.50 meter chamber. After 15 days of excavations, access to the main entrance to
54
the tomb could not be located so the decision was made to enter the tomb by enlarging the
perforation(Tiesler V et al 2004, 5, 6). Inside the chamber stood the sarcophagus, painted red by the
use of cinnabar. Adjacent to the sarcophagus were the skeletons of a young boy and a 30-35 year old
female. Several effigies were also found. After 14 hours of labor, the lid of the sarcophagus could
finally be lifted to reveal the skeleton of a 40-45 year old woman, covered in cinnabar and jade
ornaments (Tiesler V et al 2004, 9). The importance of the discovery of the tomb lies within Palenque,
proving to be an exception to the rule of standard Classic Maya burial practice consisting of people
being buried directly in the ground, in stone cists or in masonry chambers. The tomb of the Red
Queen shows many similarities in its architectural features with Pakal’s tomb in the Temple of the
Inscriptions. Other than that the Red Queen is the only example of a woman being buried in a
sarcophagus within a temple. (Tiesler V et al 2004, 11). Although she could not be identified due to a
lack of inscriptions the ceramics found in the tomb were placed within the Otolum ceramic complex
(AD 600-700) in Rands’ chronology (Tiesler V et al 2004, 11, 12).
Figure 4. 4 The Reina Roja. Figure 4.5 Human sacrifices next to the tomb
(Gonzaléz Cruz 2000, 7) (Gonzaléz Cruz 2000, 8)
The 1997-1998 field season saw the founding of the Proyecto Grupo de las Cruces (The
Palenque Project); a collaboration between the Pre-Colombian Art Research Institute (PARI) and the
INAH. The directors of this project were Merle Greene Robertson and Alfonso Morales Cleveland
and together they aimed at incorporating epigraphy, art history, iconography, architecture and ground
penetrating radar studies in one multidisciplinary project (www.mesoweb.com 2012).
The aim of the project was to use all kinds of different resources to fill in the gaps in the
55
archaeological record, increase knowledge of communal and dynastic histories and the architecture of
Palenque. The focus of the project will be the period of time just before and just after the reign of king
Pakal and his son King K’inich Kan B’ahlam ( www.mesoweb.com 2012).
The Palenque Project was active from 1997 up until 2001. During the 1996 field season a
Ground Penetrating Radar (GPR) survey was carried out to detect any anomalies that could point to
new archaeological information. Amongst the many things they accomplished, these are some of the
highlights. The discovery of a towering sculptured stucco panel in Temple XIX happened in 1998. The
red and black paint was still visible and panel got restored by Mexican restoration experts who
presented their paper on the subject at the Mesa Redonda of 1999.
Later two other major finds occurred in Temple XIX. One of these was the discovery of a
carved stone panel with hundreds of glyphs and relief sculpture. The fine reliefs were in great shape
and yielded a lot of information on Maya history and cosmology. In front of the panel of the temple
the team found a scattered sculptured limestone panel, which was unfortunately broken down in many
large parts. On the outside of the building on the west part other fragments were recovered. The
fragments in front of the temple were covered with carbon deposit: a sign of burning in an apparent
termination ritual.
Temple XX also held a great surprise. During the 1996 GPR survey an anomaly was detected
underneath the superstructure of the temple. But instead of a cache with some ceramic vessels a
frescoed tomb was found. The digging started in 1999 and on the 9th of March the existence of the
tomb was confirmed. The tomb could not yet be entered but digital photographs and video footage was
made for further research. But the photo’s already revealed the presence of painted stucco murals,
ceramic vessels and several concentrations of jade beads. And whilst Merle Greene Robertson added
several rubbings of Temple XIX to her database, David Stuart worked on the decipherment of new
hieroglyphs to get a better understanding of Palenque’s history. Amongst his many accomplishments
he re-named the ruler to whom Temple XX was dedicated K'inich Ahkal Mo' Nahb' III and Temple
XIX’s ruler K'inich K'an Joy Chitam I (www.mesoweb.com 2012).
56
Figure 4.6 The inside of Temple XX Figure 4.7 Offerings inside Temple XX
(www.mesoweb.com 2012) (www.mesoweb.com 2012)
Figure 4.8 Temple XX before excavation and restoration

57
Figure 4.10 Temple XX before excavation and restoration (www.mesoweb.com 2012)
Figure 4.11 Temple XX after excavation and restoration (www.mesoweb.com 2012)
Figure 4.12 Temple XX after excavation and restoration (www.mesoweb.com 2012)
58
5.2 Who were the two most influential archaeologists working at Palenque in the 21 th century
and what did they do?
5.2.1 Ed Barnhart and the Palenque mapping project (PMP)
Figure 5.1 Edwin Barnhart working with a Total Station.

Edwin Lawrence Barnhart was born in New Jersey (United States of America) on October 29 th, 1968.
His family moved to Texas where he attended high school and obtained a Bachelor Degree in
Anthropology and Latin American Studies (dissertation 161).He encountered the Maya in 1990 when
he worked as an archaeological intern at the ruins of Copan, Honduras. He began studying art,
iconography and epigraphy in 1992 at the University of Texas and finished in 1995. In 1994 he was
assigned the position of field school instructor by the University of Texas in the jungles of northwest
Belize, where he discovered the ancient Maya city of Ma’ax Na. Within the next two years, from 1995
to 1997, Barnhart worked on mapping both Ma’ax Na and the island of Caye Coco, whilst obtaining
his Masters degree in 1996. He began teaching Anthropology and Archaeology classes at Southwest
Texas State University in September 1996 until 1998 when he was invited by the INAH to direct the
Palenque Mapping Project (www.mayaexploration.org 2012)
Others proceeded him in mapping Palenque. In chapter 2 Price was discussed and in chapter 3
Merle Greene Robertson. Price’s map, although accurate, covered only the central precinct of the site.
In 1983 Merle Greene Robertson produced a series of works called ‘Sculpture of Palenque’ which
contained a map of roughly the same area as covered by the PMP, but only 329 structures were
identified (Barnhart 2001, 3, 4). But new technologies and techniques made possible the creation of a
map more accurate than ever before. And accuracy was the main goal kept in mind during this
expedition; the margin of error of measurements had to be within twenty centimeters (Barnhart 2001,
3).
59
The fieldwork consisted mainly of surveying and mapping the area using Total Station
equipment. A 100% coverage was achieved by walking in loops and frequently returning to previously
measured points to remove the buildup of errors. A three-dimensional point of each measurement were
processed by special software that created lines and blueprints of buildings that could be seen
immediately and checked and adjusted on the spot (Barnhart 2001, 4). At the end of each season data
were transferred to AutoCAd (computer aided drafting software) and complemented with digital
architecture to create the final map (Barnhart 2001, 5).
The PMP led to many interesting renewing discoveries that changed our knowledge of
Palenque for good. The city turned out to have many more structures than found two decades before
by Robertson in the 1980’s (Barnhart 2005, 1). The total amount of structures was raised from 329 to
1481 and 16 linear kilometers of terracing were discovered(Barnhart 2005, 1). The urban center of the
site had a surface of 2.2 square kilometer and unlike most Classic Maya cities Palenque consisted of
just a core and didn’t follow the general ‘core-periphery’ model (Barnhart 2005, 3, 4). Palenque could
never extend because of its geographical position (Barnhart 2001,l 66). To the north are extensive
plains that turn into swamps half the year. To the south rises a mountain range of 300 meters high and
at the east and west the hilly landscape becomes very karstic and land becomes inhabitable (Barnhart
2005, 3). This also meant that the estimated population density was greatly higher than believed. The
maximum population at its peak would have been 4147-6220 and no more than 7500 people based on
an average of 4-6 people per household (Barnhart 2005, 5).
The city consisted of several major and minor communal focal points. Although it is generally
accepted that the Palace and the plaza belonging to the center of the city, the Picota Plaza may have
been the center in earlier days (Barnhart 2001, 66). During the 2000 season a new group was
discovered and named the Ach’ group. To this group belonged the Maya L building(Barnhart 2001,
67). Barnhart concludes that the existence of the Ach’ Group shows that Palenque had a multiple foci
pattern of city development (Barnhart 2001, 67). The Maya L building also shed light on the
agricultural needs of Palenque. Not much farmable land has been discovered, but the Maya L building
is large and made up of a platform with columns and a 30 meter wide staircase with a 80 by 150 meter
plaza in front. This open but dominant architectural form indicates public access and might have been
used for agricultural activities(Barnhart 2005, 11, 12).
Although the 1998-2000 area survey and mapping project was extensive, Barnhart suggests
ongoing research in the future to get a full understanding of Palenque’s outer regions. The PMP
encountered some setbacks when area’s could be surveyed due to issues on landownership, but the
Palenque National Park announced plans in 1999 to buy all private owned land within the parks
boundaries and make hiking trails for tourists. These plans should have been completed in 2002 so the
research could be completed by then (Barnhart 2001, 68). His further suggestion is in case the research
extends to establish an archaeological chronology for the outer regions of the park by means of a
series of test pits (50-100). Meanwhile a second crew can continue surveying and mapping (Barnhart
60
2001, 68).
When the project ended Barnhart wrote his dissertation based on the PMP named ‘The
Palenque Mapping Project: Settlement Patterns and Urbanism in an ancient Maya city’ and received a
Ph.D. from the University of Texas in 2001. He now teaches classes for College Professors on Maya
astronomy and sacred geometry
5.2.2 Further contemporary research
After the Palenque Project it seems that no other similar extensive and influential field projects have
been undertaken, at least none that show in published literature. Ed Barnhart published several papers
regarding his mapping project several papers on urban at Palenque (2002) and the city’s settlement
pattern & social organization models (2005).
Young researcher Kirk French participated in the mapping project with a survey on Palenque’s
water management ( www.mayaexploration.org 2012). He extended his research in 2005 accompanied
by Dr. Christopher Duffy, who is a professor of hydrology in the Civil Engineering Department at
Pennsylvania State (French 2008). In the following year several publications on his continuing
research followed in ‘Palenque: recent excavations at the Classic Maya Center’ edited by Damien
Marken in 2007, his dissertation ‘The hydroarchaeological approach: understanding the ancient maya
impact on the Palenque watershed’ in 2009, the Journal of Archaeological Science (2010) and
American Antiquity (2012) (www.kirkfrench.com 2012). In 2005 Pakals tomb got definitely closed
for visitors due to increasing deterioration of the stucco within the tomb (www.mayaexploration.org
2012) . The year 2006 saw the emergence of a series of papers on archaeoastronomy by the Maya
Exploration Center, based on recent astronomical observations from the Temple of the Sun during
earlier field seasons. During this time NASA undertook several visits to Palenque to study astronomic
aspects of the site and the connection it has to architecture. These visits were part of a new program
that had come to life as a collaboration between NASA and UC Berkley and aimed at creating
awareness of the scientific and astronomical knowledge of ancient cultures. The convention was
followed by three days of workshops aimed at teaching local primary and second school teachers the
ins and outs of Maya science (www.mayaexploration.org 2012) .
In 2007 Damien Marken published ‘Palenque: recent investigations at the Classic Maya
Center’, a collection of works comprising some of the latest Palenque projects concerning chronology,
settlement, architecture and excavation, religion and ritual space and contemporary concerns &
conclusions (Marken 2007). In 2008 Carl Allaway published his findings on the Palenque House E
Painted Inscription. Due to time and erosion the calligraphies in the house had become barely visible,
but a reconstruction could be made by using photographs taken by Maudslay and Schele
(www.mayaexploration.org 2012). In 2011 the INAH decided to seal the tomb of lord Pakal for good.
The tomb had been closed for tourists in 2009 but some of the bones were still at other locations
61
subject to study. In 2011 INAH replaced the bones and sealed Pakals tomb, hopefully for eternity
(www.mayaexploration.org 2012) .
5.3 What streams and schools were of major influence on these visitors and had shaped their
way of thought?
5.3.1 Postprocessual Archaeology (1985-2000)
In Britain, the mid 1980’s saw a response to the shortcomings of New Archaeology: Post processual
archaeology. This new way of archaeological thinking aimed to break loose from the rigid models and
patterns of processual archaeology and focus more on interpretation and more recent anthropological
approaches such as symbolism and the role of material culture in social relationships (Greene 2002,
285) or interpretations borrowed from anthropology are applied to the material evidence (Greene
2002, 235). Trigger (2004, 452) states that Postprocessual archaeologists generally disapproved of
positivist approaches to the analysis of archaeological data. Data does not have to be testable or
measurable to have meaning and not one theory represents the definite truth. It seems that archaeology
was experiencing a shift from being an exact science towards a social science.
In the United States Postprocessualism had its own origin, but similar to Britain many
American researchers realized that the objective scientific approach of the New Archaeology was not
the only answer to interpret archaeological remains (Trigger 2004, 456). But this was not yet the
moment in time where archaeologist made use of the living heritage and connection between past
culture and present indigenous peoples to interpret archaeological evidence(Trigger 2004, 458).
Modern Maya’s living in traditional ways, although abundant throughout Mesoamerica, did not yet
contribute to the unraveling of their heritage.
5.3.2 Postprocessual archaeology into the new millennium
This paragraph will focus on theoretic developments around the 21th century. According to Joyce
Marcus (2003:71) the last decade Mayanists have been heading in three directions: some followed
traditional anthropological research topics like the nature of political economies, the emergence of
sociopolitical hierarchies, state formations, civilian life and the impact of warfare. Other people had
more interest in exact archaeological sciences like climate change, DNA, human bone studies and
isotopic analysis to reconstruct diet and origins. Finally there was a group of archaeologists that stuck
with popular 1980 postmodernist themes such as agency, practice theory, gender and power.
Despite these different streams it seems that a culture-historical approach is still widely used
within Maya archaeology (Demarest 2009, 254). However, many aspects of archaeology benefited
62
from new techniques; epigraphy and subsistence & material culture studies for example. These new
developments also led to renewed visions on culture-history and political and economic organization
(Demarest 2009, 254). As stated before, huge progress has been made in epigraphy since the
1960/1970, but the results we gain from this field might over-represent the knowledge about the elite
Maya. Next to this archaeologist have to deal with the over and underrepresentation of texts in various
Maya cultural regions (Demarest 2009, 254).
During the years, as archaeology and other sciences (both exact and social) advanced, new
archaeological subdisciplines developed. This has lead to two types of excavation; the traditional
single primary institutional base model and on the other hand fully independent multi-institutional
work. Unfortunately archaeology is feeling the pressure of budget cuts so many useful technologies
are not exploited to the fullest (Demarest 2009, 257). Other implications of decreasing funds are
increased pressure on researchers, who have to accomplish and publish the same amount of work with
less time in the field (Demarest 2009, 261). Researchers try to fill the gaps in their knowledge by
linking data from different centers together, aiming to create a coherency but actually creating a fictive
history and accepting false assumptions. Also, large unexplored areas are not being added in the body
of knowledge, thereby allowing gaps to exist in the complete picture of Maya culture-history
(Demarest 2009, 258).
The last decade has shown an increase in the incorporation of modern Maya’s in their heritage.
The workshops following the NASA program are a great example of this trend (Yaeger and Borgstede
2004, 278). And why not, Maya people are getting more organized and have the right to demand a
share of their past. Today, archaeology and Mexico are tightly woven together, archaeology being an
important economic resource (Villalobos 2001, 258). Like at the beginning of the 20 th century it is still
being used to justify Mexican identity and as a main pull factor for tourism (Villalobos 2001, 72).
However it seems that Maya archaeology still comes second or third to Aztec archaeology because
national identity is not sought with the Maya’s. According to (Villalobos 2001, 72) during the last
century nationalism and tourism have determined the model through which archaeology has been
managed and archaeology has been used in a systematic way for the purposes of politics and
propaganda. It is, however, unclear what policies are (sprake van) for archaeologists, since no
publications are available.
5.4 Conclusion
Palenque keeps on amazing its archaeologist. When no major discoveries are being expected
archaeologist stumble upon a previously unknown internal gallery and within it the tomb of a woman
they would later call the Red Queen, inside of temple XIII. Several years later another tomb was
discovered in temple XX. The first Mesa Redonda’s were mainly concerned with development in
63
Maya research from a Palenquean perspective, but as time went on its focus saw a shift towards other
themes of Maya research and not just on Palenque itself. This may that the academic world has
developed an awareness of Palenque being part of an extensive network of Maya city-states and of
Mesoamerica in general. But the end of this chapter it becomes clear that although much research has
been done at Palenque it mainly focused on the central precinct without even being aware of the full
scale of the ancient city. It was only at the turn of the century that Ed Barnhart would undertake a
large scale mapping project that would put Palenque into a geographical perspective.
The successive ‘Creating water through space’ project by Kirk French seems to be of the same
type of project, focused on determining the most crucial aspects of the city; its water supply. Although
archeological theory had proceeded into the Post-Processual phase it seems that work at Palenque is
still occupied with on making sense of the past, of the royal dynasties, boundaries and aspects of the
city and the preservation of the ceremonial center. Only from 2006 and upwards, with the series of
papers on archaeoastronomy by the Maya Exploration Center and with the 2007 ‘Recent investigations
at a Classic Maya Center’ Maya archaeology seems to be incorporating some post-processual
approaches into its research.
It is unclear what investigations are taking place at this moment. During the authors visit at
Palenque in June 2011 she came across a closed section of Palenque’s city center, right next to the
Cross Group. She asked a group of Maya ladies who worked at maintaining the Cross Group why the
area could not be entered, and they replied with: ‘Because the temple has not been cleaned yet’.
Research at Palenque seems to be quite Processual, even though Post Processualism has been a
dominant theoretical stream for the last two decades. The last years there seems to be a shift towards
more post processual approaches but it not possible to say how this trend is developing since no other
literature, reports or even news feeds have been published or are not accessible.
It is however possible to make an observation on who has been funding the Palenque projects
the last decades. Much work has been done by the INAH, they seem to focus mostly on projects that
focus on the excavation, consolidation, reconstruction and renovation of temples. The ‘Palenque
Project’ was a collaboration between INAH and FAMSI (Foundation for the Advancement of
Mesoamerican Studies Inc.). Most epigraphic work is done by North Americans, of which David
Stuart is the leading expert. Ed Barnhart lead the PMP but he was invited by the Mexicans. In
comparison to the early years of Palenque explorations, especially since the founding of the INAH,
Palenque research is mainly in the hands of the INAH, but occasionally they collaborate with North
American institutions.
64
Discussion
Chapter three, four and five aim at providing a compilation of scientific publications about Palenque’s
archaeological history. Chapter six, the discussion, consists of the authors observations regarding the
components of the research question as discussed in the introduction. These observations are based on
the literature gathered for chapter three, four and five, and on the authors visit to Palenque in June
2011.
The development of archaeological research
At the start of this investigation I was under the assumption that the development of archaeological
research was mainly driven by dominant theoretical archaeological and anthropological streams and
literary movements. But whilst working on chapter three it soon became clear that theoretical and
literary streams may have influenced the personal interpretation of the researcher, there is another
component which is equally as important: the funder and his agenda.
This agenda influences everything, because the funder always has a (financial) motif. For
example, Stephens and Catherwood were sponsored by their publisher who’s aim was to publish a
bestseller that would appeal to the general reading public. By using a romanticized style of writing and
incorporating popular romantic themes and images ‘Incidents of Travel’ spoke greatly to the
imagination of the reader. And besides the publisher’s agenda Stephens and Catherwood were subject
to the political agenda of the United States. Only twenty years prior Mexico had gained independence
and with the recently established ‘Manifest Destiny’ the United States saw an opportunity to expand
their territory. By writing ‘Incidents of Travel’ Stephens had the perfect cover whilst surveying
Mesoamerica for its riches.
The founding of the Instituto Nacional de Antropolgía y Historia in 1939 marked a change in
who controlled Palenque. During the proceeding century most explorations and early research were
undertaken by North Americans, but when the INAH got jurisdiction of Mexico’s archaeological and
historical sites this marked a shift towards a Mexican monopoly on their archaeological heritage. And
as inbound tourism grew, so did the exploitation of archaeological sites as commercial products. This
explains, to my opinion, why the INAH puts so much emphasis on excavating, reconstructing and
renovating ancient structures instead of working on seemingly less important aspects of the site that
would not appeal the eye of the tourist as much.
Palenque
The ancient city of Palenque today is part of Mexico’s system of commercial heritage. It serves as a
national source of income, archaeology coming second place. But this commercializing of the past
makes investing in archaeology profitable and therefore provides the opportunity to continue
archaeological research. Tourism is dependent of Mexico’s archaeological heritage and the
archaeological heritage is dependent on tourism.
But Palenque also highlight the social inequality of different ethnic groups within Mexico, and
their recognition of indigenous peoples in Mexico’s history. Mexico’s national flag, coins and stamps
are decorated with Aztec symbols (Villalobos 2001). Maya’s do not seem to be associated with
nationalism. Instead, they seem to be associated with tourism, mainly in the Yucatan peninsula and
Chiapas. But, this statement is an observation and for a scientific argument more research would be
necessary. Due to the time span of this thesis I will not go further into this argument but I will make it
a recommendation for future research (see recommendations).
65
From the 19th century upwards
I cannot say that little has been published about the archaeological research of Palenque. However, I
can say that there is little coherency in the literature. These exists no database with holds all Palenque
documents, and although there are good books (for example: Stuart, D. and G. Stuart, 2008. Palenque.
Eternal city of the Maya. London: Thames & Hudson Ltd.) there seems to be no coherence in
worldwide Palenque research.
Next to that, it can be observed that there exist great over and under representation of certain
subjects (subjects being the researchers discussed in this thesis). Stephens and Catherwood are highly
represented, but very little is written about Maudslay or Ruz Lhuillier. The latter is very famous for
the discovery of the tomb of Pakal, but Ruz Lhuillier was responsible for many other things, although
overshadowed by his discovery.
The current appearance of the site
One of the main objectives of this thesis was to single out the process of renovation and reconstruction
of Palenque. This turned out to be nearly impossible since no literature was published on the policy of
INAH and why they make their choices. Only in the Tercera Mesa Redonda de Palenque an article
was published that discussed the process of renovation and reconstruction at the site. Although I think
I now know why the INAH puts so much emphasis on the reconstruction of the exterior of ancient
buildings (see paragraph 6.1), it is still unclear on what rules and regulations the INAH bases the
reconstructions.
To highlight the fact that there were only three articles about reconstruction available, I have decided
to summarize it in this discussion.
Consolidation
An interesting article was published in the Mesa Redonda of 1978 (the third Mesa Redonda) by
Augusto Molina Montes, in which he discusses the state the ruins were in at the time. He gives a good
overview of some of the consolidation work that has been executed at the site starting with the first act
of consolidation in 1909 when the Tablet of The Cross was restored. Before that moment, he states,
most building work at the site is to prevent vandalism and looting (montes 3). The first official
proposal for consolidation was (ingedient) door Frans Blom in 1921 when he requests for the removal
and burning of all the vegetation that is covering the plazas and terraces and for the planting of grass
which prevents plants from growing back. Only when this was completed he found it useful to proceed
to the next step of consolidating the roof comb of the Temple of The Cross and The Sun, several
Palace walls and almost all of the temple platforms. He also speaks of rubble that has been left by
previous explorers and the excavation holes they made and suggests the construction of houses for
guardians, a museum and a laboratory (montes 3).
The year of 1933 saw the independent arrival of two visitors, Escalona Ramos and Rosado Vega, who
both made notice of the terrible state the ruins were in. Thankfully, in 1934 Miguel Angel Fernandez
who worked as an archaeologist for the Oficina de Monumentos Prehíspanicos took note of their pleas
and began a full scale renovation project of the archaeological zone (montes 5). Like all of his
predecessors he began by delegating the removal of trees and shrubs and took upon him the task of
restoring the Temple of The Sun. This temple was in better shape than most structures but Fernandez
feared it would soon deteriorate. The temple’s lintels were missing so he made wooden ones, cleaned
and consolidated the frieze and roof comb and made a reconstruction drawing, although unfortunately
by the time Molina Montes came looking for it it was lost (montes 6).
Fernandez worked at the ruins until 1945 but the difficult working condition made progress slow.
After he passed away in 1945 he was (opgevolgd) by Alberto Ruz Lhuillier who worked at the ruins
66
from 1949 until 1958 and who is world-famous for his discovery of Pakal’s tomb (montes 8). But
Molina Morales states, and I agree with him on this point since I also made this observation, that the
discovery of the tomb has wildly overshadowed Ruz Lhuillier’s other work done at the site. According
to Molina Morales Palenque looks like it does today thanks to Ruz Lhuillier’s effort to restore and
reconstruct the site (montes 8-9). I can only agree with him on that part as well, since no other projects
of such greatness would later be executed in the central precinct of the site.
But if Ruz Lhuillier has made such influential contributions to Palenque’s appearance, how
come it is nearly impossible to find his fieldwork preposition, his field reports, or his final conclusive
works? In 1973 he published ‘El Templo de las Inscriptions: Palenque’ which covers the work he did
at the temple, but it seems that this book has not been published in English, therefore constricting itself
to a Spanish audience. The article written by Molina Morals is the most useful piece of literature and
so far it has been the only one that sheds some light on the reconstructive process of the city. But it
still doesn’t tell us what Fernandez used as an example when he reconstructed the roofcomb of the
Temple of The Sun, or on what Ruz Lhuillier based his restoration of the pyramids.
What INAH says

The year 1939 saw the founding of the INAH, short for ‘Instituto Nacional de Antropología e historia’.
This Mexican governmental institution has a monopoly on archaeological remains since the founding
of the 1972 ‘Ley federal sobre monumentos y zonas arqueológicos, artísticos e históricos’ (Muriel 16).
Within their archaeological projects the emphasis lies mainly on reconstruction and conservation due
to the demanding environmental factors many sites are subdued to (Muriel 17/18).
In 2007 the society for American Archaeology published a very interesting volume of their magazine
‘The SAA Archaeological Record’ specially dedicated to Mexican archaeology, containing articles
written by Mexican archaeologists. This volume is aimed at explaining the structure and
(regelwetgeving) of archaeology in Mexico and comes closest to explaining aspects of archaeology
from the Mexican point of view.
Nelly M. Robles García, director of archaeological zone Monte Alban has contributed to this
volume with an article called ‘Management and conservation of archaeological sites’. In het article she
speaks of a ‘reconstruction period’ and its opposite the ‘non-reconstructive purism’ movement (Robles
García 29). She also speaks of basic restoration techniques and the importance for international
institutions to accept and follow Mexican regulations regarding restoration and the mandatory
presence of a Mexican restoration specialist during excavations (Robles Garcia 30,31). However,
Robles García does not specify on what those restoration techniques are.
Another author, Peter Jimenez Betts, further (bevestigen) the obligation foreign archaeologist
have in following Mexican policy: all archaeological architectural elements are required to be
stabilized, conserved and protected during the excavation progress(Betts 33). He refers to the’ INAH
Rules and Dispositions for Archaeological Research in Mexico’ (Betts 32), but a search on the internet
does not bring the content of these rules to light. Interestingly Jimenez Betts also refers to the INAH
Technical Archive which is a database containing most of Mexico’s archaeological data from the 20 th
century (betts 32,33). But it seems that the archives can only be (geraadpleegd) by visiting it what
explains the lack of scientific archaeological information online: it hasn’t been published!
What other sources says
In chapter four I discussed Damien Marken’s book ‘Palenque: recent investigations at the Classic
Maya site’. C. Rudy Larios Villalta has contributed to this volume by writing the chapter ‘Why restore
architecture at Palenque?’. He begins his (betoog) with the statement that restoration of sites has
never gotten the appropriate attention in the literature that it deserves. He then goes into the reasons
67
why to restore and uses the Proyecto Grupo de las Cruces as a case study (LV 265), and then asks
himself questions regarding the restoration of pre-Hispanic ruins: why should we restore and how
much, and what will be the function of restored ruins? (LV 266). He makes a statement contradicting
INAH by saying that the restoration of structures has never been guided by regalements but most often
by the leading director of an excavation (LV 266).
There are international guidelines regarding the restoration of monuments, (samengesteld) in
Quito, Equador at the 1967 ‘Meeting for the preservation and utilization of monuments an sites of
artistic and historical value’, but these can be very loosely interpreted by archaeologists (LV 266).
Restoration is mainly done to improve the social function of a site, but the question arises of how
much we should restore. Are buildings better of when they can die a ‘natural death’ or can they serve a
social purpose?
Larios Villalta asks important questions. How far can we go with renovating structures, and
why would we do it? In my opinion, the INAH does not provide answers to these questions. But to
stay within the limits of this thesis this subject will not be further elaborated, but the ethical aspect of
reconstruction and renovation is very interesting and well worth being investigated in future research.
Critique
Although I believe that this thesis has put forth some coherency on the subject, some questions remain
unanswered and may very well provide a basis for future research. My main critique lies with the
incoherent data that was available for this literature study. My arguments and conclusions are based on
the literature I was able to retrieve, but at times it was difficult to gain access to Mexican excavation
reports and Mexican literature in general. They are often not published online, and if it is published its
often not translated into English. This is an important observation an sich, and it is very much
worthwhile to investigate this in the future. But it should also be kept in mind that the results in this
thesis are based on sometimes incoherent literature, and that field research in Mexico could yield even
more detailed results.
Recommendations
This discussion has yield some very interesting recommendations for future research. First I would
like to further investigate the connection between archaeology and tourism in Mexico. Tourism is a
major source of national income and must be of great influence to the decision making in archaeology.
It also (overlappen) with my other recommendation, which is a deeper analysis into the role Maya’s
and Maya archaeology play in Mexican nationalism. Indigenous struggle is a very actual topic in
Mesoamerica.
68
Conclusion
Palenque captures the minds of all its visitors, whether back in the 19 th century when the city lay in
ruins and heavily overgrown by lush jungle vegetation, or at present day when in constant state of
reconstruction and maintenance. This thesis has put forth a coherent overview of the development of
archaeological research at Palenque, from the 19th century and upwards, and has led to the following
conclusion of how this process has lead to the current appearance of the site.
In the 19th century, after the independence of Mexico, the United States established the ‘Manifest
Destiny’ to legalize their expansion drift into these new territories. They send Stephens, who only
recently got assigned the position of U.S. representative to the Central American Federations, to
undertake a survey of Mesoamerica and to prevent European nations from obtaining ownership of
possible valuable resources. For Stephens himself this journey also yielded a great financial benefit.
He would write his bestsellers ‘Incidents of Travel’ series, books that were enormous bestsellers
thanks to their low prices and popular romantic themes and images.
About a decade later Palenque is again subject to the prospect of financial benefits. After the
commercial success of Teotihuacan and the (oprichting) of the INAH, sites were being reconstructed
to serve as a national source of income. This was the start of a fine balance between in income gained
by tourism and the funds available for the development of archaeological research. The discovery of
the tomb of lord K’inich Janab Pakal in 1952 by Albert Ruz Lhuillier contributed greatly to the fame
of the site, and of course to the amount of visitors.
The INAH holds a monopoly on Mexican archaeology, but at times they collaborate with North
American initiatives and universities. The Mesa Redonda’s de Palenque were set up in 1974 by North
American archaeologist and epigraphist like Merle Greene Robertson and Linda Schele and caused a
great international (although mainly North American) awareness of the site, both in the fields of
archaeology and epigraphy.
In the years that followed research continued, but mainly on the ceremonial center of the site. When
archaeological theory proceeded from the processual into the Postprocessual phase, it seems that
Palenque got left behind a bit, as research continuously focused on making sense of Palenque as a site
and establishing its boundaries. The Palenque Project is a great example of this processualism, and it
seems strange that only after more than a century of research we are finally aware of the scale of the
city.
Today, Palenque is part of Mexico’s system of commercial archaeology and a major tourist attraction.
Most excavations take place in the central ritual precinct of the site and are generally followed by
reconstructing and renovating the structures. The question remains though, in what way are the
reconstructions of temples based on an esthetic or scientific aspect? Although this attitude towards
archaeology can be criticized, it is also a main reason why there exists so much attention towards
archaeology in Mexico. Archaeology enables tourism, and tourism enables the development of
archaeology. And after all, Palenque in its time has been a busy, highly populated city. Why not keep
this great city alive, not only with the indigenous Maya, but with inhabitants from all over the world?
69
Summary
How has the development of archaeological research at Palenque from the 19 th century upwards lead
to the current appearance of the site?
70
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Griffin, G. 24 March 2005. Author unknown
Websites (in order of appearance)
http://www.mesoweb.com/palenque/dig/background/palenque_project.html (01-05-2012)
http://www.mesoweb.com/palenque/dig/report/report_01.html (01-05-2012)
http://www.mayaexploration.org/staff_barnhart.php (04-05-2012)
http://www.mayaexploration.org/research_pmp.php (04-05-2012)
http://www.mayaexploration.org/research_pmp.php (04-05-2012) (05-05-2012)
http://www.kirkdfrench.com/pdf/kdfrench_cv.pfd (04-05-2012) (05-05-2012)
http://www.mayaexploration.org/pdf/mec_newsletter_fall2005.pdf (04-05-2012) (05-05-2012)
http://www.mayaexploration.org/pdf/mec_newsletter_fall2006.pdf (04-05-2012) (05-05-2012)
http://www.mayaexploration.org/pdf/mec_newsletter_summer2008.pdf (04-05-2012) (05-05-2012)
73
http://www.mayaexploration.org/pdf/mec_newsletter_winter2011.pdf (04-05-2012) (05-05-2012)
74
List of figures
Cover page. The Palace Tower and the Temple of the Inscriptions before and after renovation (30-05-
2012).
http://mayantrip.com/palenque-mayan-ruins-home-of-k%E2%80%99inich-janaab%E2%80%99-pakal
Figure 1.1 Palenque’s location in Mesoamerica .

Graham 2003, 5
Figure 1.2 A closer view of Palenque and its neighbors (30-05-2012).

http://www.latinamericanstudies.org/maya-map.jpg
Figure 1.3 Palenque in a broader context (30-05-2012).

http://www.latinamericanstudies.org/maya-map.jpg
Figure 2.1 A drawing by Ignacio Armendáriz

http://www.google.nl/imgres?
um=1&hl=nl&biw=1366&bih=704&tbm=isch&tbnid=X8nyZtzJYgQSYM:&imgrefurl=http://deciphe
rment.wordpress.com/2011/02/11/notes-on-a-painted-text-from-
palenque/&docid=JExeudKW2VVwNM&imgurl=http://decipherment.files.wordpress.com/2011/02/0
024q.jpg&w=758&h=498&ei=NVPjT821OsWu8QOFvPjUDg&zoom=1&iact=hc&vpx=325&vpy=35
3&dur=641&hovh=150&hovw=228&tx=136&ty=95&sig=114230383359159251684&page=1&tbnh=
147&tbnw=223&start=0&ndsp=19&ved=1t:429,r:7,s:0,i:91
The Temple of the Inscriptions by Castañada

um=1&hl=nl&biw=1366&bih=704&tbm=isch&tbnid=0pVjx1dMzukp9M:&imgrefurl=http://www.mes
oweb.com/palenque/features/griffin/re/07_castaneda.html&docid=Uc3R-
ddWKb5_3M&imgurl=http://www.mesoweb.com/palenque/features/griffin/re/media/07_castaneda
.gif&w=291&h=240&ei=yFTjT938FMna8APrwozWDg&zoom=1&iact=hc&vpx=191&vpy=354&dur=232
9&hovh=192&hovw=232&tx=108&ty=112&sig=114230383359159251684&page=1&tbnh=150&tbnw
=174&start=0&ndsp=18&ved=1t:429,r:7,s:0,i:91
Graffiti by presumably Charnay
http://laurateaton.blogspot.nl/2011/12/2011-december-5-6-palenque-on-my-own.html
Vandalism is of all times
um=1&hl=nl&sa=N&biw=1366&bih=704&tbm=isch&tbnid=B4kOyQph3OjeyM:&imgrefurl=http://ww
w.svsereia.com/photos/2006/October/ph_bribing.htm&docid=7JrDOY_1UJ3xyM&imgurl=http://ww
75
w.svsereia.com/photos/2006/October/photos/pa11.jpg&w=352&h=264&ei=JVnjT9K5C5K98gP5_IjW
Dg&zoom=1&iact=hc&vpx=1066&vpy=333&dur=2634&hovh=194&hovw=259&tx=87&ty=130&sig=1
14230383359159251684&page=1&tbnh=163&tbnw=227&start=0&ndsp=16&ved=1t:429,r:10,s:0,i:1
02
John Lloyd Stephens (30-05-2012).

q=john+lloyd+stephens&um=1&hl=nl&sa=N&biw=1366&bih=704&tbm=isch&tbnid=Aw6h8I2OUR
d_ZM:&imgrefurl=http://www.latinamericanstudies.org/john-stephens.htm&docid=ykVExhZWpy0--
M&imgurl=http://www.latinamericanstudies.org/maya/stephens.jpg&w=355&h=580&ei=EePiT6fJFs
mj8gPey9HVDg&zoom=1&iact=hc&vpx=720&vpy=120&dur=1&hovh=287&hovw=176&tx=107&t
y=168&sig=114230383359159251684&page=1&tbnh=168&tbnw=103&start=0&ndsp=20&ved=1t:4
29,r:4,s:0,i:83
Figure 2.2 The Temple of the High Hill (Temple of Inscriptions) by Frederick Catherwood (30-05-
2012).
http://www.google.nl/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CFUQFjAA&url=http
%3A%2F%2Fwww.mesoweb.com%2Fpalenque%2Ffeatures%2Fgriffin%2Fre
%2Fvol4_pl2_Cath.html&ei=AE_ST5R_icmEB5HUmMwD&usg=AFQj
Figure 2.3 Casa no. 1 (Temple of the Inscriptions) by Frederick Catherwood (30-05-2012).
um=1&hl=nl&authuser=0&biw=1366&bih=704&tbm=isch&tbnid=ulsbBqAyUC9QQM:&imgrefurl=
http://mesoamerica.narod.ru/frederick_catherwood_palenque.html&docid=g2gukG2wZmSnLM&img
url=http://mesoamerica.narod.ru/Images/Cities/Palenque/cat
Figure 2.4 Casa de Piedra no. 2 by Frederick Catherwood (30-05-2012).

url=http://mesoamerica.narod.ru/Images/Cities/
Figure 2.5 Principle Court of the Palace at Palenque by Frederick Catherwood (30-05-2012).
http://www.google.com/imgres?
q=catherwood+Palenque&hl=nl&biw=1366&bih=704&gbv=2&tbm=isch&tbnid=qLnncEw6ngac9M:
&imgrefurl=http://www.superstock.com/stock-photos-images/1095-
439&docid=XcFwMGr8BElCRM&imgurl=http://wwwdelivery.superstock.com/WI/223/1095/Previe
76
wComp/SuperStock_1095-439.jpg&w=350&h=231&ei=t-XiT-
XAHcW38QPynOXWDg&zoom=1&iact=rc&dur=396&sig=104111657953587294798&page=1&tbn
h=155&tbnw=211&start=0&ndsp=15&ved=1t:429,r:2,s:0,i:77&tx=84&ty=71
Figure 2.6 The Palace by Frederick Catherwood (30-05-2012)

url=http://mesoamerica.narod.ru/Images/Cities/Palen
Figure 2.7 Maudslay at work in Chichen Itza (30-05-2012) http://www.google.nl/imgres?

um=1&hl=nl&authuser=0&biw=1366&bih=704&tbm=isch&tbnid=w6tBVakoJtcMAM:&imgrefurl=h
ttp://oncetv-
ipn.net/sacbe/mundo/los_primeros_exploradores/&docid=TcwCFJXYKgPxAM&imgurl=http://oncetv
-ipn.net/sacbe/
Figure 2.8 View of the Temple of The Inscriptions and the south end of the Palace Mound, looking
west (30-05-2012). http://www.mesoweb.com/photo/view.asp?
act=viewfull&i=358&s=1889%2D1902&ext=n&sit=1&incnot=n&id=358&
Figure 2.9 The Temple of Inscriptions and the west side of the Palace, looking South. (30-05-2012).
http://www.mesoweb.com/photo/view.asp?
act=viewfull&i=358&s=1889%2D1902&ext=n&sit=1&incnot=n&id=358&pem=n&pip=n
Figure 2.10 from the east side of the Palace Mound. (30-05-2012).
act=viewdata&i=360&s=1889%2D1902&ext=n&sit=1&incnot=n&id=367&pem=n&pip=n&vid=n&e
xpert=y&sAND=&sANDNOT=
Figure 2.11 Temple of the Cross, south face. (30-05-2012).

xpert=y&sAND=&sANDNOT
Figure 2.12 Price's map.

Barnhart 2001, 3
Figure 2.13 The Palace. View of the western Court and Tower, looking south (30-05-2012).
77
xpert
Figure 2.14 The Palace house D (30-05-2012). http://www.mesoweb.com/photo/view.asp?

act=viewfull&i=339&s=1889%2D1902&ext=n&sit=1&incnot=n&id=339&pem=n&pip=n&vid=n&e
Figure 2.15 View of the Palace, from the Temple of the Inscriptions (30-05-2012).
xpert=y&sAND=&sA
Figure 2.16 View of the Palace looking north west (30-05-2012).

Figure 3.1 Bloms 1923 map

Barnhart 2001, 4
Figure 3.2 Alberto Ruz Lhuillier (30-05-2012). http://www.google.nl/imgres?

um=1&hl=nl&authuser=0&biw=1366&bih=704&tbm=isch&tbnid=AMF1a90oLNqFWM:&imgrefurl
=http://mayananswer.over-blog.com/categorie-
11293052.html&docid=0p_2aVJ1XPYrdM&imgurl=http://ruz56.laneta.apc.org/Fotobiografia/A04retr
ato.
Figure 3.3 Palenque in 1957 (30-05-2012). http://www.google.nl/imgres?

start=108&um=1&hl=nl&authuser=0&biw=1366&bih=704&tbm=isch&tbnid=O-h-
D1U7yWzYsM:&imgrefurl=http://www.diggles.com/ec/1999/EC99-
03.html&docid=EWK9PgU71FN8NM&imgurl=http://www.diggles.com/ec/1999
Figure 3.4 Temple of the Cross in 1974 (30-05-2012). http://www.mesoweb.com/photo/view.asp?

act=viewdata&i=18&s=palenque&ext=n&sit=1&incnot=n&id=18&pem=n&pip=n&vid=n&expert=y
&sAND=&sANDNOT=maudslay+1983+glyph
Figure 3.5 Temple of the Sun in 1974 (30-05-2012). http://www.mesoweb.com/photo/view.asp?

act=viewfull&i=22&s=palenque&ext=n&sit=1&incnot=n&id=22&pem=n&pip=n&vid=n&expert=y
78
Figure 3.6 Temple of the Cross in 1974 (30-05-2012). http://www.mesoweb.com/photo/view.asp?
Figure 3.7 The Palace in 1974 (30-05-2012). http://www.mesoweb.com/photo/view.asp?

Figure 4.1 The Palace and Temple of Inscriptions in 1984 (30-05-2012).

act=viewdata&i=0&s=palenque&ext=n&sit=1&incnot=n&id=0&pem=n&pip=n&vid=n&expert=y&s
AND=1983&sANDNOT=
Figure 4.2 The Temple of the Inscriptions in 1984 (30-05-2012).

act=viewfull&i=3&s=palenque&ext=n&sit=1&incnot=n&id=3&pem=n&pip=n&vid=n&expert=y&s
AND=1983&sANDNOT
Figure 4.3 The 1980’s map by Morales.

Barnhart 2001, 5
Figure 4.4 The Reina Roja.

Gonzaléz Cruz 2000, 7
Figure 4.5 Human sacrifices next to the tomb.

Gonzaléz Cruz 2000, 8
Figure 4.6 The inside of Temple XX (10-06-2012).

http://www.mesoweb.com/palenque/dig/report/archive/pix/XX/Mar101_29.html
Figure 4.7 Offerings inside Temple XX (10-06-2012).

http://www.mesoweb.com/palenque/dig/report/archive/pix/XX/Mar101_40.html
Figure 4.8 Temple XX before excavation and restoration (10-06-2012).

http://www.mesoweb.com/palenque/dig/update/update_all_01.html


79
Figure 4.11 Temple XX after excavation and restoration (10-06-2012).
Figure 4.12 XX after excavation and restoration (10-06-2012).

Figure 5.1 Edwin Barnhart working with a Total Station (21-06-2012).

um=1&hl=nl&sa=N&biw=1366&bih=704&tbm=isch&tbnid=b4ZpdqsW4GlMjM:&imgrefurl=http://
www.mesoweb.com/palenque/dig/report/mapping/sub/edsurvey.html&docid=OxkbCACNrcKMXM&
imgurl=http://www.mesoweb.com/palenque/dig/report/mapping/sub/media/edsurvey.jpg&w=314&h=
235&ei=yALjT8nxO4qJ8gPTpYjVDg&zoom=1&iact=hc&vpx=730&vpy=171&dur=354&hovh=156
&hovw=208&tx=64&ty=64&sig=114230383359159251684&page=1&tbnh=156&tbnw=208&start=0
&ndsp=18&ved=1t:429,r:3,s:0,i:80
80
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Keeping up appearances

An overview of the archaeological history of Palenque, Chiapas, Mexico,

Author: Evelien Deelen

Student ID: S0947407

Specialization: Archaeology of Native American Cultures

Supervisor: Dr. Rojas Martínez

Leiden University, Faculty of Archaeology

Chapter One. Palenque. 4

Chapter Two. Romanticism at Palenque 4

2.2.1 John Lloyd Stephens 6

2.2.2 Alfred Percival Maudslay 6

2.3.1 Colonial and Antiquarian period (1500-1890)6

2.3.2 Classificatory-Descriptive period within the Antiquarian period (1840-1910) 6

2.3.3 The Institutionalization of Americanist Archaeology (1890-1910) 6

Chapter Three. Archaeology at Palenque . 4

3.2.2 Primera Mesa Redonda de Palenque 6

2.3.1 The Culture-Historical phase (1910-1960) within the institutionalizing period 6

2.3.2 New Archaeology (1960-1980) 6

Chapter Four. Science at Palenque 4

4.2.1 Edwin Barnhart and the Palenque Mapping Project 6

4.2.2 Further contemporary research 6

4.3.1 Postprocessual Archaeology (1985-2000) 6

4.3.2 Postprocessual archaeology into the new millennium 6

 The development of archaeological research

Figure 1. 1 Palenque’s location in Mesoamerica (Graham 2003, 5)

Figure 2. 1 A drawing by Ignacio Armendáriz.

Figure 2. 3 Graffiti presumably by Charnay.

2.2.1 John Lloyd Stephens & Frederick Catherwood

Firuge 2.6 The Palace by Frederick Catherwood

Figure 2.7 Maudslay at work in Chichen. By Alfred Maudslay

Figure 2.12 Price's map

2.3.1 Colonial and Antiquarian period (1500-1890)

2.3.2 Classificatory-Descriptive period within the Antiquarian period (1840-1910)

2.3.3 The Institutionalization of Americanist Archaeology (1890-1910)

Figure 3. 1 Bloms 1923 map. (Barnhard 2001, 4)

3.2.1 Alberto Ruz Lhullier

Figure 3. 2 Alberto Ruz Lhuillier

3.2.1 Primera Mesa Redonda de Palenque

3.3.1 The Culture-Historical phase (1910-1960) within the institutionalizing period

3.3.2 New Archaeology (1960-1980)

Figure 4. 2 The Temple of the Inscriptions in 1984. By Merle Greene Robertson

Figure 4. 3 The 1980’s map by Morales. (Barnhart 2001, 5)

Figure 4.8 Temple XX before excavation and restoration

Figure 4.11 Temple XX after excavation and restoration (www.mesoweb.com 2012)

Figure 4.12 Temple XX after excavation and restoration (www.mesoweb.com 2012)

5.2.1 Ed Barnhart and the Palenque mapping project (PMP)

Figure 5.1 Edwin Barnhart working with a Total Station.

5.2.2 Further contemporary research

5.3.1 Postprocessual Archaeology (1985-2000)

5.3.2 Postprocessual archaeology into the new millennium

The development of archaeological research

The current appearance of the site

What INAH says

What other sources says

C, J. C., 1931. Dr. Alfred P. Maudslay. Nature 127(3201), 345-346.

Greene, K. , 2002. Archaeology, an introduction. London: Taylor & Francis Ltd.

Schele, L. 20-22 September 1997. By Michael Coe and David Lebrun

Griffin, G. 24 March 2005. Author unknown

Websites (in order of appearance)