OLD

TIME SAILORS
- Tunes & Songs -

1st PART

     
1. GARRY OWEN

 
                       

     
                
        
1. 2.

          
                

            2.
                   
1.

2. SHADY GROVE

    
                 

    
3. WAXIES DARGLES

  VERSE     
        


   
           
   CHORUS       
        

      
            

      
    
          
VERSE in A

     
         

            
    
CHORUS

          
         

4. REELS

      
THE MASON'S APRON


                   
  

             
                 

                             
       

                      
        
THE WIND THAT SHAKES THE BARLEY

          
                   
   

       
                 
     

                          
   

                            
 

MISS MACLEOD'S

 
                              

                
             

                     
         

                      
         
4. 10000 MILES AWAY

      
                      

INTRO & SOLO

     
                   

                
5. TENNESSEE WALTZ

         
       

   
                 
1.

 
            
 
 
2.

        
      


   
                 

               
        
  

   
    
      

6. NOBODY'S BUSINESS

 
                      


7. RACHEL

                   


      
       
    

              
     

                

      
7. STREAMS OF WHISKEY

  INTRO & SOLO

   
                         



                              
MEDLEY (LULLABIES)


                            
       
8. WHAT DID THE DEEP SEA SAY

         
     
POLKA INTRO

          
      



  VERSE & CHORUS
            
   

                
   


  SOLO            
           

            
               


9. POLKAS

THE RAKES OF MALLOW

         
              

           
        

              
  
              
      

JOHN RYAN'S

    
                  


               
   

                  
 

              
   

THE KNOCKNABOUL POLKA

   
                  


          
     

         
           

           
       
                 
 

            
        

 
10. CAN'T YE DANCE THE POLKA

 
               
       

          
              
 2nd PART

1. JOHNNIE I HARDLY KNEW YA

       
           
    

      
              

      
                 


     
               


2. THE FROST IS ALL OVER

   
                      

    1. 
                       
 
2.

                     
     

       
         
      
3. JIGS

  
   
THE BLARNEY PILGRIM

                    


 
                      

          
                

     
                   

 
                         


                       

               
TAR ROAD TO SLIGO

               

             
          

                
           

                    
   
                   


THE TONGS BY THE FIRE

   
                       


         
              

                       
     

              
         

4. THE BATTLE CRY OF FREEDOM

  VERSE  
               

 
        
    

   
           

    
      
 
  CHORUS   
     

   
 

      
       
 

  
           


 
      
    

6. CARRICKFERGUS

   VERSE  
            


           


 CHORUS        
    

          
  

     
        

   
            
3
7. SOUTH AUSTRALIA

 
              

           
          
       

THE CROPPIES MARCH

         
            


       
   
     

               
     

               
 

                
   

        
       

5. KEEP ON DANCING

   INTRO 
                      


     
                            
   
1. 2.

 VERSE (FIDDLE & WHISTLE)


                     
 


6. TIPPERARY

    
         
INTRO (FIDDLE)

         
       
CHORUS

            
  


            
  


              


7. POLKAS

BALLYBOURNEY POLKA

  
                  

     
    
           
1. 2.

      
            

           2. 
        
1.

 
AMIENS POLKA

          
     

               
       
1. 2.

  
   

     

          
  

  
  

    
            
1. 2.

      
    

   
          
      

           
 
1.

          
         

        
   

   
             
2.

         

          
 3rd PART

 
1. THE ROCKY ROAD TO DUBLIN

   = 140    
                             
  

                    
                
  

   = 160
2. I'M SHIPPING UP TO BOSTON

        
               

        
 
             

      
                  

         
              

      
3. POUTINE


                        
 = 160


INTRO

   
         
          
  
FIDDLE & WHISTLE

    
       

                            

INTERLUDE 1

  
                          
3

 
INTERLUDE 2

                           
3

 
3

4. BACK HOME IN BRISTOL

  INTRO & SOLO 1

                         
       
SOLO 2

                           

5. POLKAS

POLKA MACEDONIA

    
            
 = 150 to 160
        
          

1. 2.

       
     
 

  
        

 


PRELUDE

        
            

         

          
1. 2.

       
             

      
             

THE BALLYDESMOND POLKA 2

           
        

        
         
                   
 

         
         

6. DEVIL'S DANCE FLOOR

                 
      
 = 160 INTRO & VERSE

 
                      
CHORUS

 
            
5

           

                            
 
(INTERLUDE IN B)

                       
5

 

7. HOW I WILL EVER FORGET

 
                                
INTRO


                   

    

                    

CHORUS

 
                     
 

    

 
                
  


                   
    
 
VERSE 1

                     
    



           



    

             
               
VERSE 2

              
            
 
 


           

            

 

               
            
 
 
INTERLUDE

  
       
              
   
                   

    
(AFTER REPEAT TO INTRO+END)

            
END

8. IN THE DRINK

      
                 
 = 150

    
             

9. TREASURE THE SEA

 
              

   
         


10. POLKAS

      
THE NEW ROUNDABOUT

         
   

              
 
                
    

            
    

DIN TARRANT'S POLKA

          
           

            
    

                
 

            
    

    
THE MAIDS OF ARDAGH

        
       

               
 

        
          
 
        
         


11. SAILING ON

 
                       

      
          

    
12. SING FARE YOU WELL

             
   

           
        