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Camera Composition Presentation

The document provides guidance on videography and composition techniques for interviews. It discusses selecting locations, setting up shots, types of shots like close ups, medium shots, and wide shots. It also covers angles, following the 180 degree rule, using establishing shots, and final tips on focusing, using a tripod, and sequencing shots to tell a visual story.

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levis
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0% found this document useful (0 votes)
95 views14 pages

Camera Composition Presentation

The document provides guidance on videography and composition techniques for interviews. It discusses selecting locations, setting up shots, types of shots like close ups, medium shots, and wide shots. It also covers angles, following the 180 degree rule, using establishing shots, and final tips on focusing, using a tripod, and sequencing shots to tell a visual story.

Uploaded by

levis
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Videography and

Composition

Monday, 17 September, 12
What To Do...
• Check out location(s)
• Decide best spot to set up
• windows, back ground, lighting
• Start interview (rack, say and spell)
• usually standard medium shot
• Cut aways/re-asks/reporter/subject
• Broll, broll, broll
Monday, 17 September, 12
• Rule of Thirds
• Eyes in middle third horizontally
• Head room
• Nose room
• Follow shots

Monday, 17 September, 12
180 Degree Rule
• Axis of Action
• Defines spacial relationships
• Imaginary line from interviewer to
interviewee
• Crossing line is confusing

Monday, 17 September, 12
•Establishing Shot - always
get one

• Lets audience know where story is


happening

Monday, 17 September, 12
Close Up - CU

• Draws viewer in
• Lets you inside the character or the
moment

• Medium CU and XCU

Monday, 17 September, 12
Medium Shot - MS
• Waist up
• Two people speaking
• Non committal shot

Monday, 17 September, 12
Wide Shot - WS
• Also called LS or Long shot
• FBS/WS head to toe
• Variations EXW, ELS
• Can be establishing

Monday, 17 September, 12
• Two shot
• Three shot
• Over-the-Shoulder
• Cut aways - reporter/interviewee

Foreground/background

Monday, 17 September, 12
Angles
• High Angle

• Low Angle

• Eye level

Monday, 17 September, 12
Angles
• Bird’s eye

• POV

• Dutch Angle

Monday, 17 September, 12
Camera Moves Use
Sparingly
• Zoom/pull- (a lense shift)
• Pull/push focus (lense shift)
• Pan - left to right - horizonal
• Tilt - up and down - vertical
• 5s-8/10s-5s
• Follow
• Truck/dolly

Monday, 17 September, 12
Final Tips
• Watch your background - objects
growing out of subject’s head
• No profile shots
• Use space - TV is a visual medium
• Don’t shy away from close ups
• Use tripod 99.999999 % of the time
• Don’t forget to rack your focus/set
your depth of field

Monday, 17 September, 12
Final Tips
• Using shots in a sequence can add to
your visual message, add content to
visually dry story
• Match Action Sequences
• xcu/m/w/xcu
• hand on mouse, person typing,
whole desk with computer/eyes
watching screen

Monday, 17 September, 12

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