Camera Composition Presentation
Camera Composition Presentation
Composition
Monday, 17 September, 12
What To Do...
• Check out location(s)
• Decide best spot to set up
• windows, back ground, lighting
• Start interview (rack, say and spell)
• usually standard medium shot
• Cut aways/re-asks/reporter/subject
• Broll, broll, broll
Monday, 17 September, 12
• Rule of Thirds
• Eyes in middle third horizontally
• Head room
• Nose room
• Follow shots
Monday, 17 September, 12
180 Degree Rule
• Axis of Action
• Defines spacial relationships
• Imaginary line from interviewer to
interviewee
• Crossing line is confusing
Monday, 17 September, 12
•Establishing Shot - always
get one
Monday, 17 September, 12
Close Up - CU
• Draws viewer in
• Lets you inside the character or the
moment
Monday, 17 September, 12
Medium Shot - MS
• Waist up
• Two people speaking
• Non committal shot
Monday, 17 September, 12
Wide Shot - WS
• Also called LS or Long shot
• FBS/WS head to toe
• Variations EXW, ELS
• Can be establishing
Monday, 17 September, 12
• Two shot
• Three shot
• Over-the-Shoulder
• Cut aways - reporter/interviewee
Foreground/background
Monday, 17 September, 12
Angles
• High Angle
• Low Angle
• Eye level
Monday, 17 September, 12
Angles
• Bird’s eye
• POV
• Dutch Angle
Monday, 17 September, 12
Camera Moves Use
Sparingly
• Zoom/pull- (a lense shift)
• Pull/push focus (lense shift)
• Pan - left to right - horizonal
• Tilt - up and down - vertical
• 5s-8/10s-5s
• Follow
• Truck/dolly
Monday, 17 September, 12
Final Tips
• Watch your background - objects
growing out of subject’s head
• No profile shots
• Use space - TV is a visual medium
• Don’t shy away from close ups
• Use tripod 99.999999 % of the time
• Don’t forget to rack your focus/set
your depth of field
Monday, 17 September, 12
Final Tips
• Using shots in a sequence can add to
your visual message, add content to
visually dry story
• Match Action Sequences
• xcu/m/w/xcu
• hand on mouse, person typing,
whole desk with computer/eyes
watching screen
Monday, 17 September, 12