JanMohamed + Lloyd - Minority Discourse - What Is To Be Done - 1987 PDF
JanMohamed + Lloyd - Minority Discourse - What Is To Be Done - 1987 PDF
JanMohamed + Lloyd - Minority Discourse - What Is To Be Done - 1987 PDF
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Introduction:
- What is to Be Done?
Minority Discourse
In his article in this issue, Henry Louis Gates, Jr. provides a fasci-
nating example of a minority intellectual, Alexander Crummell,
who accepted Euro-Americanhegemony so thoroughly that, after hav-
ing learnt Greek in order to prove that he was civilized, he was willing
to dismiss all African languages as "the speech of rude barbarians,"as
being "marked by brutal and vindictive sentiments, and those princi-
ples which show a predominance of the animal propensities." To the
extent that we minority intellectuals still communicate professionally
in Europeanlanguagesratherthan in our own languages,we are heirs of
Crummell. Every time we speak or write in English, French, German,
or one of the more marginalized European languages we pay homage
to Western intellectual and political hegemony. Despite this, it would
seem, Western humanism still considers us barbarians beyond the
pale of civilization; we are forever consigned to play the role of the
ontological, political, economic, and cultural Other according to the
schema of a manichean allegory that seems to be the central trope not
only of colonialist discourse but also of western humanism. The hege-
5
6 and DavidLloyd
AbdulR.JanMohamed
modes of struggle as all the more necessary, even within the frame-
work of a Marxist analysis of such struggles. Hence the importance of
Allogan Slagle's successful struggle, described in his article, in using
Tolowa oral narrativesto obtain the United States Government's legal
recognition of the Tolowa "tribe."For many minorities, culture is not a
mere superstructure;all too often, in an ironic twist of a Sartreanphe-
nomenology, the physical survival of minority groups depends on the
recognition of its culture as viable.
These remarks, however, are not intended to justify a purely cultural
approach to minority discourse. On the contrary, the very recognition
of the value of minority cultural forms entails the examination of the
economic and political differences which determine their differences
from those of majority culture. The study-and the production-of
minority discourse requires, as an inevitable consequence of its mode
of existence, the transgression of the very disciplinary boundaries by
which culture appears as a sublimated form with universal validity.
This makes it virtuallytheprivileged domain of cultural critique. Taken
in this sense, minority discourse becomes capable of transcending its
relegation to and recuperation as ideological compensation, precisely
insofar as within it theoretical reflection and transformative practice
become, at least at the level of institutional formations, one and the
same.
Deleuze and Guattari'sobservation, in the articlewhich formed one
of the startingpoints for "The Conference on the Nature and Context
of Minority Discourse," that minor literature is necessarily collective,
here gains its validity. Out of the damage inflicted upon minority cul-
tures, which, as Fanon so clearly recognized, prevents their "develop-
ment" according to the Western model of individual and racial identi-
ty, emerges the possibility of a collective subjectivityformed in practice
rather than contemplation. For the collective nature of minority dis-
course is due not to the scarcity of talent, as Deleuze and Guattari
claim, but to other cultural and political factors. In those societies
caught in the transition form oral, mythic, collective cultures to the lit-
erate, "rational", individualistic values and characteristicsof Western
cultures, the writer more often than not manifests the collective nature
of social structuration in forms such as the novel, thus transforming
what were once efficacious vehicles for the representation of individ-
ually, atomistically oriented experiences. However, more importantly,
10 AbdulR.JanMohamed
andDavidLloyd
the collective nature of all minority discourse also derives from the fact
that minority individuals are always treated and forced to experience
themselves generically. Coerced into a negative, generic subject posi-
tion, the oppressed individual responds by transforming that position
into a positive, collective one. And therein, precisely, lies the basis of a
broad minority coalition: in spite of the enormous differences between
various minority cultures, which must be preserved, all of them occu-
py the same oppressed and "inferior" cultural, political, economic,
and material subject position in relation to the Western hegemony.
Just as it is vitally important to avoid the homogenization of cultural
differences, so it is equally important to recognize the common political
basis of a minority struggle, the efficacy of formations like the "Rain-
bow Coalition." The minority's attempt to negate the prior hegemonic
negation of itself is one of its most fundamental forms of affirmation.
As in the previous issue of CulturalCritique,a number of the articles
collected here indicate the strategicnature of minority preoccupation
with identityand non-identity.Hannan Hever examines the labyrinthine
complexity of the politics of minority identity in Anton Shammas'sAra-
besque.Hever examines how this novel, writtenin Hebrew by a Christian
Arab-"a minority within a minority within a minority"-refigures the
Israeli dilemma-the transformationof Israelfrom a nation of a perse-
cuted minority struggling for its existence to a majority nation per-
ceived by some as an oppressor of minorities. In a similar vein but in
an entirely different context, Arlene Teraoka demonstrates that the
identity constructed by the category of "Gastarbeiterliteratur," is itself a
site of ideological contestation and that all claims made on its behalf
are strategicand political. While both these articlesexamine minorities
who are obliged to write in the alien, dominant language, Ronald
Judy's essay, "The Modern Arab Novel: The Production of the Mar-
gin," (to be published in a later issue of CulturalCritique)analyzes the
birth of the moder Arab novel and its struggle to attain an adequate
polyvocality in the context of powerful if very different monological
imperatives-the Koranicand the Western imperialisticmonopolies of
truth. In spite of the diversity of these articles, all of them treat literary
forms not as autonomous products of a discrete aesthetic domain but
as cultural interventions in a field which is overdetermined by political,
economic, technological, religious, and even "biological" forces as
well as by those of culture itself.
Introduction 11
and ethics are transformed into questions of practice, the only mean-
ingful response to the question "Whatis or ought to be?" has to be the
question: "What is to be done?"
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