INDIANA JONES

and
THE SAUCER MEN FROM MARS

by

JEB STUART

STORY
BY

GEORGE LUCAS AND JEB STUART

Based on
Characters Created

By

George Lucas
And
Philip Kaufman

LUCASFILM LTD. REVISED DRAFT

P.O. BOX 2009 February 20, 1995
SAN RAFAEL, CA 94912

THIS MATERIAL IS THE PROPERTY OF LUCASFILM LTD. AND IS INTENDED AND

RESTRICTED SOLELY FOR USE BY LUCASFILM LTD. PERSONNEL DISTRIBUTION OR
DISCLOSURE OF THIS MATERIAL TO UNAUTHORIZED PERSONS IS PROHIBITED.
THE SALE, COPYING, OR REPRODUCTION OF THIS MATERIAL IN ANY FORM IS
STRICTLY PROHIBITED.
From the Paramount mountain WE DISSOLVE to an identical
mountain towering over a subtropical jungle.

Far below, a SMALL STEAMER moves down a dark river.

A LEGEND APPEARS ON SCREEN: BORNEO 1949.

KABUL(V.O.)
Dr. Jones, we're out of coal!

ANGLE THE BOAT

A wild-eyed native man, KABUL, shovels the last dust of coal

into the engine and looks back terrified at

INDIANA JONES

He comes up from below deck and takes the wheel.

INDY
Burn anything you can get your
hands on, Kabul. I'll try to get
her out into the current.

He turns the wheel hard and checks the steam gauge.

INDY
Damnit, I meant to get that gauge
fixed.

He bangs it with his hand.

ALONG THE RIVERBANK

crocodiles, twenty-feet long and six months between meals,

eye the boat.

KABUL

pulls down a pole holding the awning. He breaks it across

his knee but instead of SNAP we hear a BOOM. Indy and Kabul
exchange a look and suddenly a plume of water rises twenty
feet high off the port side of the steamer. Indy looks
downriver at...

A PT BOAT

World War II-vintage, equipped with machine gun and cannon.

It roars around a bend in the river and bears down on the
tiny steamer.

The attacking boat's deck swarms with RIVER PIRATES waving

guns and parangs (machetes). Its front cannon fires another
5mm shell -
 2.

CLOSE ON INDY'S PISTOL

He cracks it open, checks the cylinder -- it's full -- and

tosses the pistol to Kabul.

INDY
Make them count, Kabul.

Kabul nods but doesn't like the odds. Indy takes a .45
automatic from a hidden shelf under the gunwale.

THE P.T. BOAT

pulls up alongside and SIX PIRATES swarm onto the steamer's

deck. At first the tiny steamer seems deserted then suddenly
the WHAAAACK! of Indy's whip wraps around a startled pirate
and hurls him over the gunwales into the river. He snaps the
whip loose and shoots a second pirate as

THE CROCODILES

slide into the water...

KABUL

fires with abandon and in a moment he's out of bullets. He

throws the gun at a pirate as two others overwhelm him and
tie him to the mast.

A well-dressed gentleman, FREDERICK BALDASSARE, appears on

the deck of the PT boat to watch the action.

INDY

ducks around the front of the boat right into the fist of a
HUGE PIRATE.

Indy's gun skitters across the deck and the pirate bends Indy
over the gunwale, pushing his head closer to the water with
one hand and bringing his knife to Indy's throat with the
other --

Indy has to use both hands to keep the blade off his throat.
The pirate laughs and looks up at

BALDASSARE

who wipes his brow with a handkerchief and stares down at

Indy.

BALDASSARE
Where are the maps, Dr. Jones?
 3.

INDY
You're crazy, if you think I'd tell
you, Baldassare.

Just then a pirate emerges from below deck with a trunk and
holds it up to Baldassare.

INDY
suddenly eyes a crocodile moving
silently as a torpedo for his head.

Baldassare grins...

BALDASSARE
Get rid of him.

THE HUGE PIRATE

leans in to finish the job just as

THE CROCODILE

lunges out of the water. Indy jerks his head away and
extends the pirate's knife hand into the croc's gaping maw.
The reptile's jaws clamp shut on the pirate's hand, biting it
cleanly off. The pirate withdraws his stump and runs
screaming back to the PT boat.

Indy picks up his gun and aims at Baldassare when a pirate

hurls a knife, hitting Indy in the back just above his
shoulder blade.

Indy gropes for the handle... just beyond the reach of his
searching fingers - when he sees two pirates charging for
him. Indy pops his shoulder out of socket and pulls the knife
out of his back just as the pirates knock him over the side
into the river with the crocodiles.

KABUL
Dr. Jones!

A rag is jammed into Kabul's mouth as he watches the water

churn, then turn a sickening red.

Baldassare smiles at the sight.

BALDASSARE
Your Dr. Jones has finally met his
fate.

The pirates off-load the boxes of treasure from the tiny

steamer onto the PT Boat.
 4.

When the last of the boxes are on the PT boat a pirate lights
a long fuse on a stick of dynamite and places it onto the
deck where boxes of dynamite are stacked around Kabul's feet.

Baldassare laughs from the PT boat as it pulls away.

Kabul watches the fuse burn quickly across the deck toward
the dynamite. He struggles with his bonds, but he's tied
fast.

Then suddenly he notices something.

INDY'S HAND

grabs the gunwale and a moment later the rest of him rolls
back onto the steamer. His clothes in tatters, he lays
gasping on the deck, trying to catch his breath, unaware of
the burning fuse.

INDY
I'm getting too old for this,
Kabul...

Kabul can't answer. He strains at his bonds to get Indy's

attention, but can't. The fuse goes right under Indy's leg
without him seeing it.

INDY
I've got get out of this grind...

Kabul's eyes bulge... he tries to yell, UMMMMM! UMMM! but

to no use. Indy is oblivious to the danger.

INDY
...Find a place to settle down.

KABUL'S EYES BULGE.

KABUL
UMMMMM!

CLOSE ON THE FUSE --

it runs up the last 5 inches, 4 inches...

INDY
Kabul, are you listening to me?

He rolls over, sees the dynamite, and with one quick motion
hurls it into the jungle. KABOOM!

Kabul's eyes roll back in his head, faints.

 5.

INDY
Well, why didn't you say something?

EXT. RIVER - LATER

The boat, missing sections of its decking and masts, PUTTS on

down the river. Kabul steers as Indy painfully tries to put
on another shirt.

KABUL
All our work, gone...Three months,
no pay. Everything gone. Even
three days late to pick up doctor.

INDY
Not everything.

He pulls out a small golden idol. Kabul laughs.

INDY
All Baldassare got was a load of
crockery. By the time he finds out
we have the idol, we'll be on our
way back to London.

Suddenly it hits Indy.

INDY

WHAT DOCTOR?

KABUL
Dr. McGregor. From Princeton. You
said that you would take her north
to -

INDY
That was before I quit.

KABUL
You must. You promised Markus.

Indy hesitates, thinking about Markus, then stands firm.

INDY
If Markus was still alive he would
understand...I'm through.

Kabul sees that he's serious.

CUT TO:
 6.

EXT. BORNEO RIVER WHARF - DAY

The little steamer threads its way among the tambangs, lorrys
and dugout canoes full of wares and pulls up to a rickety
river dock.

INDY

hops onto the wharf teeming with river people. A large yellow
crocodile is stretched out on its back. Even dead, Indy gives
at a wide berth. Kabul follows.

INDY
Get to the bar and call London,
tell them we've got the idol and to
wire us some cash. Then try to
sell the boat.

KABUL
What're you going to do?

INDY
I'm going to find Dr. McGregor and
tell her to get another guide, then
go to the hotel and have a hot
bath.

Kabul nods and moves away.

Indy continues down the crowded dock and stops CASADA, a

heavily-tatooed pots and pans trader with distended earlobes.

INDY
Casada, have you seen an American
woman looking for me? Probably
going out of her mind right now...

The trader points down the dock at:

ELAINE MCGREGOR.

early thirties, and beautiful. Dressed in a khaki skirt and

t-shirt, she laughs and talks with several native women,
completely comfortable, completely at home.

CASADA (V.O.)
She's been waiting for you, but
she's not worried.
 7.

ON INDY

something strange comes over him. With his good hand he

quickly attempts to button his shirt, run his fingers through
his hair and sneak a look at his ragged appearance in the
shiny bottom of one of Casada's pot...it's hopeless. Before
he can escape a voice stops him.

ELAINE(V.O.)
Dr. Jones? I'm Elaine-McGregor.

Indy is smitten, tongue-tied, shy.

INDY
Dr. McGregor... I ' m sorry I'm
late... We had a little trouble
getting here and -

Suddenly she sees his wound,

ELAINE
(concerned}
You're wounded!!

INDY
Oh. it's nothing... just a-

She suddenly barks orders in the native dialect. Instantly

people on the dock begin to move like the wind, bringing her
supplies. Indy is stunned.

INDY
You speak Iban?

A man selling herbs is brought over, she selects three and

quickly begins making a poultice.

ELAINE
I speak 49 languages and dialects,
Dr. Jones. I'm a linguist, or
didn't Dr. Brody tell you?

INDY
There were obviously a lot of
things Marcus didn't tell me about
you...

She presses the poultice to his back.

ELAINE
How does that feel?
 8.

Whatever she did is incredible. Indy has some movement

again.

INDY
You're an angel.

ELAINE
Not hardly.

She gives him an enigmatic smile that mystifies Indy.

INDY
Look, Dr. McGregor...

ELAINE
Elaine.

INDY
Elaine ... Going upriver in Borneo
to find some temple that no one's
heard about for 800 years sounds
great when you're sitting in an
office in Princeton. But Borneo
isn't for the faint of heart.
Headhunting is still a major
practice of the upland tribes and
the river is full of pirates.

ELAINE
Does that mean you won't be coming
with me, Dr Jones?

INDY
I didn't discourage you?

ELAINE
Not hardly.

She finishes bandaging the wound.

ELAINE
The Iban temple exists. It has
taken me three years to raise the
money for this expedition, and
though I'm touched by your concern
or my well-being, it won't stop
me...Finding the temple means more
to me than anything. Either you
take me, or I'll find a guide who
will.

INDY
Well. I don't want that to happen.
 9.

She looks into his eyes and feels the attraction herself.

ELAINE
I feel compelled to tell you, Dr.
Jones, that I'm engaged to Dr.
Benjamin F. Morganthal...a
wonderful, intelligent man...

INDY
An intelligent man wouldn't let you
come to Borneo alone, Dr. McGregor.

Their look is magnetic and they hold the look a little longer
than comfortable. Just then Kabul appears.

KABUL
Good news, Dr. Jones...I sold the
boat.

INDY
(sotto)
Not now, Kabul.

KABUL
...Good price.

ELAINE
You sold the boat? Your boat?

KABUL
Yes.

INDY
No. There's been some mistake...
he didn't sell our boat...
(to Kabul with extra
emphasis)
I never said sell "the boat"...I
said, sell "the goat".

KABUL
(totally lost)
The goat?

ELAINE
Is there a problem?

INDY
No, no problem. Why don't you get
your things. Kabul is going to get
the boat ready for the trip
upriver.
 10.

Kabul's eyes widen. She moves off. Indy watches her in a

daze.

KABUL
But Indy...When Baldassare finds
out about the maps he will kill
you.

INDY
Trust me, Kabul...He'll never know.

DISSOLVE TO:

EXT. EXCAVATION SITE - SIX WEEKS LATER - DAY

CLOSE ON INDY AND ELAINE

their faces are tantalizingly close to each other, they look

into each other's eyes.

INDY
Elaine?....

She moistens her lips, breathlessly...

ELAINE
Yes?

INDY
These six weeks have been greatest
of my life...

ELAINE
Mine too.

INDY
I've never said this to anybody
before, but... I love you.

ELAINE
Oh, Indy...I love you, too.

MAN'S VOICE
Very romantic, Dr. Jones.

BALDASSARE MOVES NEXT TO THEM

but he's upside down...or they are.

 11.

WE PULL BACK AND SPIN TO REVEAL

Both Indy and Elaine are hanging upside down, tied up over a
mound. Bleached skeletons of jungle animals dot the area
around the mounds.

BALDASSARE
steps up to them, as his river
pirates load the last of some
crates onto rafts behind the PT.
boat.

INDY
Let her go, Baldassare. This is
between you and me.

BALDASSARE
You are so right, Jones, that is
why anything I can do to increase
your suffering makes me that much
happier.

From another tree we see Kabul suspended as well.

Baldassare strikes one of the mounds with a stick and several

large red ants the size of grasshoppers emerge.

BALDASSARE
Army ants, Dr. Jones...These little
soldiers can strip an elephant to
the bone in two hours. I suppose
they'll just consider you a snack.

One of the pirates nods, that they are finished loading and
Baldassare gives the orders for one of the pirates to start a
fire beneath their ropes, which when burned-through, will
drop them into the ants.

INDY
That's all wonderful, Baldassare,
too bad for you its going to be for
nothing without us to translate the
maps.

BALDASSARE
Maps?

ELAINE
Maps?

Indy gives her a conspiratorial look and Elaine's face

suddenly flares.
 12.

ELAINE
Indy! I told you not to say
anything about the maps!

Baldassare pauses on the gangplank, intrigued by their spat.

INDY
(to Elaine)
What good is it going to do us if
we're dead!

BALDASSARE
What maps?

ELAINE
Don't you dare tell him!

INDY
For the other Iban temples. The
maps are on the rafts. Cut us down
and I'll translate them for you.

ELAINE
Indy! You promised!...

BALDASSARE
A wonderful proposition, Dr.
Jones... but we know of Dr.
McGregor's linguistic talents. So
why should I take both of you when
she can provide us with two sources
of enjoyment.
(to pirates)
Cut her down.

The pirates cut Elaine down and take her onto the PT boat as
an ant mound collapses and angry army ants come pouring out.

BALDASSARE
Au revoir, Dr. Jones...I'm going to
enjoy cruising down the river
listening to your screams.

He laughs and steps aboard the P.T. boat as it pulls away

from shore pulling its load of rafts. Elaine is pushed below
deck.

ELAINE
Indy !

CLOSE ON THE FIRE

Flakes lick the taut hemp rope, singeing the braids.

 13.

KABUL
Nice try, Dr. Jones.

INDY
Don't panic, Kabul... I'll think of
something.

KABUL
(eyeing the flames)
Please think quickly...

Indy begins to swing back and forth.

INDY
Kabul, swing to me.

Kabul swings until he and Indy hit each other and grab onto
each others hands behind their backs.

INDY
Hold on.

Kabul holds them together and eyes the ants, they have found
the ropes and begun the march toward the two men.

KABUL
Dr. Jones, the ants are coming!

Indy's hands work quickly, in a moment he has Kabul's knots

untied, then Kabul unties Indy's.

INDY
Climb the rope!

They climb the rope up to the branches. Indy reaches the top
first, just as the fire burns through, Kabul falls and Indy
catches him just above the ants.

CUT TO:

EXT. THE RIVER - DAY

Baldassare's PT boat labors under its heavy load of seven

rafts. It moves around a long bend...

EXT. THE PT BOAT

The pirates tired from their work, snooze on the deck.

Baldassare passes the PILOT.

 14.

BALDASSARE
When the river divides, make sure
to keep to the left. I'm going
below to attend to some business.

The pilot gives him lecherous grin.

INT. BALDASSARE'S CABIN - DAY

He closes the door behind him and we see Elaine guarded by

TWO PIRATES.

ELAINE
You murderer!

BALDASSARE
I'm worse than that, Dr. McGregor,
but let's not discuss me...So you
tell us where the sites are.

ELAINE
I can't translate that. It'll
require months of study.

BALDASSARE
Come now, Dr. McGregor.

He draws a razor sharp parang and deftly flicks away the top
button of Elaine's blouse.

BALDASSARE
...this is no time for
modesty...I'm told you are the
world's foremost ancient language
expert.

ELAINE
There is no map...There are no
other temples.

BALDASSARE
Perhaps we should give you some
time to think about things...

Two pirates smile and pull long knives.

EXT. THE BOAT - DAY

A PIRATE snoozes on one of the rafts when a shadow falls over

his face. He blinks, and looks up at...

THE SILHOUETTE of Indy. In a flash a fist knocks him out.

 15.

ANOTHER PIRATE

armed with a machine gun moves along the rafts. He climbs

over one of the rear rafts and sees Indy's tiny steamer tied
to the last raft. He FIRES his gun into the air to alert the
others.

INT. BALDASSARE'S CABIN - DAY

Elaine looks up.

ELAINE
Indy...

BALDASSARE
Impossible.

Baldassare turns to the two pirates.

BALDASSARE
Find out what's going on!

CUT TO:

EXT. THE RIVER - DAY

The PT boat and its string of rafts approaches a fork in the

river.

EXT. BOAT - DAY

The pilot begins to steer the boat to the left...

EXT. PT BOAT - DAY

Indy moves along the deck. The pirate with the machine gun
opens fire stitching bullets just behind Indy along the deck.
Indy dives behind the bulkhead but the bullets rip through
the wheelhouse...

KILLING THE PILOT

The pilot slumps over the wheel changing the course of the
boat to the right channel.

INT. BALDASSARE'S CABIN - DAY

Baldassare pulls his pistol but Elaine CONKS him and dashes
out

ONTO THE DECK

and into the hands of a BIG TATOOED PIRATE.

 16.

KABUL

slips out of the water and commandeers the heavy machine-gun

on the bow. He lays down cover for Indy who moves toward the
rear and confronts the Big Pirate.

INDY
Indy grabs a knife off the deck.

THE BIG PIRATE

pulls a machete. He laughs then suddenly his smile fades and

he drops to the deck with a knife in his back.

Elaine and Indy look behind him to see Kabul.

Indy throws a pirate over the side.

BALDASSARE

moves along the deck, shouting orders, then notices something

wrong.

BALDASSARE
No...

ELAINE

is trapped by THREE PIRATES, she picks up a machine gun and

pulls the trigger, it jams. For a moment the pirates grin at
their good fortune, then, they suddenly turn and run.

Elaine looks around and sees that all the pirates and
Baldassare are retreating from the PT Boat down the string of
rafts.

ELAINE
Indy, they're running!

Kabul celebrates with Elaine.

THE PIRATES

reach the last raft and climb into Indy's little steamer.
Baldassare cuts the rope He looks back at Indy and grins
devilishly.

INDY

smiles at his good fortune, then suddenly frowns, something's

wrong...
 17.

He looks over the side of the boat -- the water is moving

swiftly, too swiftly.

Elaine notices.

ELAINE
What's wrong?

INDY
Listen...

They stop and listen. There is A DULL ROAR downstream as it

hits him-

INDY
The falls.

He wheels around the side of the engine house and sees his
worst nightmare. A veil of spray four stories rising less
than 100 yards ahead of them.

ANGLE - A GIANT WATERFALL

Half a mile wide and dropping a thousand feet to the chasm

floor.

EXT. THE STEAMER

Baldassare laughs and waves from the stern.

BALDASSARE
Goodbye Dr. Jones.

The steamer PUTT-PUTTS away.

EXT. THE PT BOAT - DAY

Indy runs to the stern shouting orders.

INDY
Kabul, bring it about!

Kabul leaps behind the wheel and begins turning the PT. boat.
The chain of rafts turns but the pull of the current is too
great.

The veil of mist looms closer. The ROAR grows stronger.

KABUL
There's too much drag. We're being
pulled over!
 18.

EXT. THE STEAMER - DAY

The little steamer putting upstream when Baldassare suddenly

notices they are loosing power.

The pirate steering the boat, checks the gauge...something's

wrong.

CUT TO:

EXT. P.T. BOAT - DAY

The last of the rafts is almost to the falls. The engines

strain against the pull of the current.

ELAINE
It's no use. Cut the rafts!

INDY
No, we can save them!

Kabul hesitates, he's never disobeyed Indy, but he knows

she's right.

ELAINE
Indy, listen to me...let them go.

He holds her look, and knows she means it. With one swift
motion Indy cuts the line.

Kabul guns the engines and the PT Boat starts upstream to

safety.

Elaine moves to him and they watches the rafts and all their
work disappear over the falls.

Just then the steamer passes them, caught in the pull of the
current. The pirates on board are screaming, abandoning
ship.

INDY
I knew we should've gotten that
gauge fixed.

Kabul nods as the steamer disappears over the falls.

EXT. PT BOAT - DAY (LATER)

Indy in a change of clothes steps back to the stern of the

boat. Elaine stares off into the jungles.

INDY
All your work...
 19.

ELAINE
It doesn't matter...

INDY
But three years of your life, all
your studies...

ELAINE
I've found something much better--
you.

Indy smiles and pulls her close.

INDY
Dr. McGregor...

ELAINE
Yes, Dr. Jones...

INDY
Will you marry me?

ELAINE
Yes.

She kisses him.

INDY
What will Benny say?

ELAINE
Benny is a wonderful, intelligent
man... he'll think of something.

They kiss as we

CUT TO:

INT. BRIDES CHAMBER - DAY

THREE BEAUTIFUL BRIDESMAIDS primp in front of a mirror:

BRIDESMAID #1
In the jungle...

BRIDESMAID #2
How romantic...

BRIDESMAID #3
Maybe I should go to the jungle...

HELEN MCGREGOR, 50s, a beautiful well-bred woman, arranges

the shoulders of a wedding gown and looks into the mirror at
 20.

ELAINE

radiant in her wedding dress. Calm, beautiful, excited. She

notices her mother crying.

ELAINE
Mom, what's wrong?

HELEN
When we bought this dress, I
thought you were going to marry
Benny...

ELAINE
Oh, mother, when you get to know
Indy, you'll see, I made the right
choice. He can do anything...

CUT TO:

INT. GROOM'S CHAMBERS - DAY

Indy, completely frustrated, struggles with his tie and an

OLDER PAIR OF HANDS takes over...

HENRY JONES, SR.

HENRY JONES
I'd known your mother for three
years before we got married.

INDY
What's your point, Dad?

HENRY JONES
My point is: What do you know about
this girl? Who are her parents?
What schools did they go to?

INDY
I don' t know and it doesn't
matter. I love her.

Henry finishes Indy's tie and looks at him. For a moment he

softens.

HENRY JONES
Your mother would have liked to
have been here, Junior...She would
have told you something, if she
was.
 21.

INDY
What?

HENRY JONES
Don't blow it.

INDY
Thanks, dad...I'll try to remember
that.

Just then the door opens and Elaine pokes her head in the
door.

ELAINE
Knock, knock...may I come in?

Elaine steps inside. Radiant can't begin to describe how

beautiful she looks. Henry Jones is speechless.

INDY
You look...fabulous.

ELAINE
I'm sorry, am I interrupting
something?

INDY
No. Dad was just leaving...

HENRY
(uncomfortable)
Isn't it bad luck for the bride to
be seen by the groom before the
wedding?

ELAINE
I'm not superstitious...are you?

She gives him a wink and a kiss on the cheek completely

enchanting him.

HENRY
Me, superstitious?
(to Indy)
I'll just...meet you in the church.

He leaves. When the door is closed, Indy pulls her close.

ELAINE
I just wanted to tell you...This is
the most wonderful day of my life
and I love you, more than anything.
 22.

INDY
Anything?

ELAINE
Anything.

She kisses him when there is a knock on the door and

Bridesmaid #1 sticks her head in the room.

BRIDESMAID
Elaine...It's time...

INT. CHURCH - DAY

As the organ plays the guest begin to enter. We see WILLIE

and MARION, led to their seats by SHORT ROUND and SALLAH, the
ushers.

MARION
I can't believe he actually found
someone who would say "yes."

WILLIE
I know.

SALLAH
You mean other than yourselves?

Marion and Willie gives him a look.

While the bride's side of the church has a very proper

contingent of guests, Indy's side tells a different story...a
wilder more worldly group of guests from all points of the
globe.

ANGLE FRONT OF CHAPEL

Henry and Indy step out with the MINISTER and look back at
the front as the bridesmaids begin to enter the chapel.
Henry smiles at each of them.

HENRY
(whisper, to Indy)
It's a shame Marcus isn't alive to
be here...he loved beautiful women.

INT. NARTHEX - DAY

As the rear of the chapel we see Elaine putting the finishing

touches on her veil...Her FATHER (FRED MCGREGOR) kisses her,
pats her hand... Everything is perfect.
 23.

EXT. CHAPEL - DAY

Outside the church a dark sedan pulls up and a HANDSOME MAN,

early forties, climbs out.

He hears the strains of the WEDDING MARCH and hurries to the

chapel.

INT. CHAPEL - DAY

As the last of the bridesmaids takes her place, Indy prepares

for Elaine's entrance...

ON ELAINE

she and her father start toward the door when suddenly the
rear door opens and the man enters. Elaine turns her head,
sees him and her smile disappears...

ON INDY AND HENRY

from their viewpoint they can see Elaine and the man.

THE ORGANIST

continues her playing, but Elaine doesn't enter...

ON INDY AND HENRY

watching Elaine and the man.

HENRY
This is unusual. An old friend?

Indy clearly doesn't recognize the man.

INDY
I don't know.

HENRY
See, these are the things a long
engagement would point out.

INDY
Dad, you're getting wound up on
nothing.

They continue to watch. Elaine and the man talk quietly but
with animated gestures.

HENRY
Does that look like nothing to you?
 24.

Elaine clearly appears to be telling him she's about to get

married. The man is very serious.

THE GUESTS

guests begin to shift worriedly.

HENRY
Perhaps you should go find out
what's going on...

INDY
Dad, I'm sure it's okay.

He looks up and Elaine's father is motioning to Indy from the

rear. Elaine is nowhere to be seen.

FRED MCGREGOR
She's gone!

HENRY
I knew you should have found out
more about her.

Indy rushes up the aisle to Elaine's father.

INDY
What do you mean she's gone?

FRED MCGREGOR
He took her!

Indy rushes out the door.

EXT. PRINCETON CHAPEL - DAY

...where the black sedan roars off. Indy looks around, spots
the wedding car with "JUST MARRIED" soaped on the windows and
cans hanging off the back...The DRIVER waits beside the car.

Indy brushes the driver out of the way and climbs in behind
the wheel.

EXT. PRINCETON STREETS - DAY

Indy accelerates through traffic in the sleepy college town,

CANS BANGING after him. He closes-in on the black sedan.

The two cars cut back and forth in and out of traffic. It is
clear that the driver of the black sedan has no intention of
allowing Indy to catch up.
 25.

INT. INDY'S CAR - DAY

Indy pulls out to pass, when a truck suddenly backs out in

front of him.

He slams on the brakes and cuts the wheel, sending the

wedding car...

EXT. CAMPUS - DAY

...roaring across campus. Indy cuts down sidewalks and over

lawns...all the time keeping the black sedan in sight until
he blasts through a hedge onto

FOOTBALL PRACTICE FIELDS

The football team scatters in front of the wedding car.

INDY

cuts hard again to avoid the band and cheerleaders who dive
for cover.

THE WEDDING CAR

roars down an embankment onto a lower field where homecoming

floats are being prepared.

INDY

sees the floats too late and

CRASHES

through the tallest one, taking half the chicken wire and
crepe paper with him through a fence and swerving to avoid
students stacking...

TWO STORIES OF WOOD FOR THE HOMECOMING BONFIRE

The car clips the bottom corner and the entire stack wobbles,
then collapses as students leap to the ground and

INDY'S CAR

bursts through a picket fence and back onto...

CAMPUS STREET

...and coming out just behind the black sedan!

Indy floors it, moving closer...fender to fender.

 26.

The man holds a look with Indy, then veers the black sedan
into Indy's car, causing him to slam on the brakes and crash
into a yard as...

The black sedan disappears...

AROUND THE CORNER

...and runs up a ramp, disappearing inside a tractor trailer

truck.

TWO MEN

dressed as movers, fold up the ramp and close the doors of

the trailer revealing the name: CAMPUS MOVERS.

INDY'S CAR

pulls out of the yard and roars around the corner to find the
sedan gone. His car roars past the truck as the men climb
into the cab and drive off.

ON INDY -

He stops the car. The road ahead is empty. The black sedan
has vanished. He climbs out and looks around but Elaine has
vanished. Behind him the moving van pulls away.

EXT. CHAPEL - LATER

Indy returns to the chapel where the confused guests are

milling about.

Henry consoles Elaine's mother.

Sallah and Short-Round are as confused as everyone else,

though most of the guests have given-up on the wedding.

Indy moves quickly to Elaine's father.

INDY
Was that Benny?

FRED MCGREGOR
No.

HENRY
Benny?

HELEN MCGREGOR
(wails)
No. Benny would never have done
something like that.
 27.

HENRY
Will someone tell me who's Benny?

HELEN MCGREGOR
Our daughter's fiancee.

Henry looks at Indy, stunned.

INDY
Before me, dad.
(to Elaine's father)
Have you ever seen him before?

FRED MCGREGOR
Once. At her office...about a year
ago. This is terrible...

INDY
Have you called the police and
report a kidnapping?

FRED MCGREGOR
No.

INDY
Why not?

FRED MCGREGOR
Because he didn't kidnap her.

INDY AND HENRY

What?

FRED MCGREGOR
She went with him.

This changes everything. Indy looks as if he's been punched

in the stomach. Henry leaves Indy and goes to Fred, wrapping
a sympathetic arm around him.

HENRY
Are you a golfing man, Fred?...I've
always found that in extreme cases
like this, it's best to go play a
round of golf...

The two men move off together leaving Indy with his misery.

Sallah comes to console his friend.

 28.

SALLAH
Indy... It is a terrible thing when
a woman deserts the man who loves
her... If there is anything I can
do...

INDY
Thanks, Sallah...

INT. CHAPEL - DAY

Indy wanders back into the church. He takes off his buttoner
and tosses the flower. A WOMAN'S VOICE behind him brings him
out of his thoughts...

MARION(V.O.)
I've always found that in times
like this, it's always better to go
and have a drink.

Indy sees Marion sitting in a pew.

INDY
No thanks, Marion.

Willie Scott joins her.

WILLIE
Oh, Indy... I'm so sorry. What you
need right now is a little womanly
comfort.

INT. BAR - NIGHT

Indy drowns his sorrows in a drink, surrounded on either side

by Willie and Marion.

INDY
How could this have happened to me?
I mean, I'm the catch of the
century...

WILLIE
Oh, honey, I know. My hear breaks
for you.

MARION
It's her lost, Indy...Though, it's
true, you've never had good timing
with women...

INDY
Good timing?
 29.

MARION
Remember the time in the desert you
left me tied up...

WILLIE
Or the time you left me all alone
in that palace just so you could go
explore some tunnel...

INDY
Well, the least she could've done
is tell me.

WILLIE
(to Marion)
He isn't the easiest person to talk
to, either.

MARION
I know, and when he sleeps he does
this little thing when he
breathes...

WILLIE
(remembering)
...like this!...

They both emulate Indy sleeping and burst into fits of

laughter.

INDY
You are wonderful company.

WILLIE
Oh, Indy, really...When it comes to
women, you are so naive. Did it
ever occur to you that you know
very little about this person?

INDY
That's not true...

MARION
What are her favorite foods?

WILLIE
What is her favorite dress?

MARION
He's probably not seen her in
anything but khakis.
 30.

Indy starts to protest, then realizes they have a point. He

looks lower than ever.

WILLIE
Oh. Indy, don't look so sad, she
probably just got cold feet.

Willie and Marion exchange a look, remembering...

WILLIE AND MARION

(together)
Cold feet!

They burst into laughter again.

EXT. UNIVERSITY CAMPUS - NIGHT

Indy walks across the deserted campus, alone. Head down, hat
cocked low. The clock TOLLS THREE. He stops in front of the
LINGUISTICS building. Thinking.

SIDE OF THE BUILDING

Indy moves around the side of the building and finds a window
cracked.

He lifts the sash...

INT. UNIVERSITY BUILDING HALLWAY - NIGHT

Indy moves down the dimly lit hallway. Passing offices and
bulletin boards filled with old exam grades...He comes to a
door marked:

ELAINE MCGREGOR

INT. ELAINE'S OFFICE - NIGHT

He closes the door behind him and moves into Elaine's

darkened office.

A desk light illuminates a piece of Sanskrit

tablet...Egyptian hieroglyphics on limestone...Photos of her
on field work...A photo of Elaine and Indy...

Indy stops and looks forlornly at the photo. He puts it

photo onto the desk and opens a drawer.

CLOSE ON DRAWER

He rummages through papers then suddenly hits something in

the rear. He pulls the drawer out farther and taps the panel
in the back.
 31.

He removes the panel and finds a hidden compartment stacked

with files and papers. Among the papers he finds a passport.

He opens it to see a photo of Elaine.

He starts to close it and does a double-take.

CLOSE ON PASSPORT PHOTO

The name says: Patricia Elaine Bolander.

INDY
Bolander?

He flips through the papers and finds a marriage certificate.

CLOSE ON A MARRIAGE CERTIFICATE

It says: Patricia Elaine McGregor and Robert Julian

Bolander.

INDY

is stunned and about to close the file when he sees another

file..

INSERT FILE:

Marked: MILITARY INTELLIGENCE...

INDY

opens it to find codified messages and a photo of Elaine and

the man from the wedding. The man is in an army uniform.

Indy takes a magnifying glass from the desk top and examines
the photo...

MAGNIFIED POV: THE PHOTO

...the man's breastplate and the name: Bolander.

Indy shifts the glass down to view something else...on his

lapel we see the insignia -- OSS.

Indy closes the files, considering his next move.

INDY reaches to turn out the light and sees:

A TELEGRAM

It says: "Recent discovery requires your immediate

attention...R.J.B. White Sands"
 32.

EXT. INDY'S HOTEL - NIGHT

A nice white-columned inn. Lights glow in one of the

upstairs rooms as we hear:

HENRY JONES (V.O.)

Married!? I knew' it!

INT. INDY'S HOTEL ROOM - NIGHT

Henry Jones, wearing his bathrobe and holding a glass of warm

milk, looks at the photos and passport Indy is hurriedly
packing.

INDY
It's a front, Dad. You're missing
the point.

HENRY
I know what the point is---You
don't even know who she is.

Indy snatches the documents out of his hands and tosses them
onto the pile in his suitcase.

INDY
I know who she is! She's a spy.
And so is the guy who broke up the
ceremony. His name is Bolander,
he's in New Mexico.

HENRY
Son, quit feeling sorry for
yourself. If anyone should have
our sympathy it should be Elaine's
father, Fred.

Indy stops packing.

INDY
How do you figure that, dad?

HENRY
There's no wedding and yet he has
to pay for everything!

INDY
Thanks dad. That helped put it all
in perspective.

He continues packing.
 33.

HENRY
Did you ever think that there might
be a good reason for Elaine going
off and not telling you why?

Indy turns to his father.

INDY
Look, dad, I'm not interested in
what she's doing there. I'm going
to find her because I love her.

Henry's tone becomes gentler.

HENRY
And if she doesn't love you?

Indy stops packing and looks at his father.

INDY
I want to hear it from her.

Henry puts a firm hand on Indy's arm.

HENRY
That's a very noble quest,
Junior... just don't make a fool
out of yourself.

He takes his milk and retires to bed. Indy watches him go

down the hall as the SOUND of PROPELLERS TURNING washes over
us and

A DC-3 TAKES OFF from New York...

as we follow the

TRAVEL MONTAGE to Chicago...

FLYING HIGH OVER CLOUDS

Then south to St. Louis and then southwest as

A SLEEK PASSENGER TRAIN

roars toward us

and the map montage continues from Albuquerque southward to

White Sands, where we

DISSOLVE TO:
 34.

EXT. NEW MEXICO ROAD - DAY

Indy's '49 Ford appears out of a swirling dust storm in front

of AL'S ATOMIC DINER. Army trucks move up and down the road
in front of the diner.

INT. AL'S ATOMIC DINER - DAY

Indy enters the diner and brushes the dust off his hat. A
COUNTRY WESTERN song plays on the radio and only the
WAITRESS, looks up.

The clientele is made up of TWO COWBOYS, and a FEW ENLISTED

MEN.

Indy rakes a seat at the counter and looks at the menu.

WAITRESS
Breakfast?

CLOSE ON THE MENU

Everything on the menu is prefaced by the word ATOMIC, such

as:

ATOMIC EGGS
ATOMIC WESTERN OMELET
A-BOMB SPECIAL

WAITRESS
Anything "Atomic" has got lots of
chille pepper in it.

INDY
I'll try the Omelet.

WAITRESS
(to Cook)
One Omelet!

The COOK nods. Indy hands her the menu and shows her a photo
of Elaine.

INDY
I'm looking for this woman.

The waitress eyes the photo, shakes her head. The cook
strains for a look. Indy holds it up to him. He shakes his
head. Indy puts the photo down and when he does it reveals
the man in the photo.
 35.

WAITRESS
Never seen her. Looks, like she's
a friend of Bob's.

INDY
Bob?

WAITRESS
Bob Bolander. Fella in the
picture.

ON THE COWBOYS

On the name "Bolander", the YOUNGER COWBOY reacts. The OLDER

ONE turns a weathered, handsome face toward us and we see he
is about Indy's age.

INDY
Come in often?

WAITRESS
Every day.

THE WAITRESS

sets Indy's omelet down in front of him and she and the cook
watch expectantly as Indy takes the first bite. No reaction.
Indy pours Tabasco sauce over the omelet and keeps eating.
The cook is surprised.

WAITRESS
Real nice guy. A girl remembers a
fella like that- Handsome. Polite.
Smart.

Indy's heard enough.

INDY
How would I find him?

COOK
Easy. Just follow them trucks.

Indy looks out the window at the line of trucks. He eyes the
convoy outside and drops a bill on the counter.

INDY
Thanks.

WAITRESS
You know you're the second fella in
here today asking about him.
 36.

Indy stops. The waitress looks around the diner for someone.
The cowboys are missing, money sits on their table.

WAITRESS
Well, was here.

EXT. ROAD - DAY

Indy's '49 Ford follows a caravan of Army trucks up a dirt

road. The trucks turn past an army checkpoint where TWO
SENTRIES wave the trucks in, but stop Indy.

INDY
I'm going to see Robert Bolander,
my name is Colonel Jones.

Sentry One looks him over.

INDY
Retired...OSS.

SENTRY ONE
I'm sorry, sir, we're in the midst
of maneuvers. No one's admitted.

INDY
Don't worry, I'll stay close to the
trucks.

SENTRY ONE
It's too dangerous, sir. We're
shooting live shells.

INDY
That's funny, I haven't heard any
artillery.

Sentry One seems stumped, caught in his lie. Trucks begin to

back up behind Indy's Ford. SENTRY TWO approaches and he is
more no-nonsense than the other.

SENTRY TWO
I'm sorry, sir, you're blocking s
the way. You'll have to leave.

Indy looks at the two men, then turns his car around.

EXT. SIDE OF THE ROAD - DAY

Indy stands by his car, staring through binoculars.

 37.

BINOCULAR POV:

The convoy of trucks rolls along a dusty road from the

checkpoint and disappear below the level of a hill. The
binocular's view continue across the terrain until they stop
on a horse standing behind a fence.

EXT. THE RANGE - DAY

The horse with Indy on bareback, clears the barbed-wire fence

and rides toward the convoy.

Indy comes to the edge of a hill and dismounts. He looks at

the ground. It appears blackened, scarred.

WE PULL BACK TO REVEAL

the black streak extends for over a mile until it disappears

beyond the next hill.

INDY

following the black scar, Indy leads his horse to the edge of
the hill and stops:

INDY'S POV:

There below him we see a huge military operation serviced by

hundreds of troops.

Forklifts load wooden crates into the back of transport

trucks which line the road.

Generator trailers surround the perimeter.

Machine-gun mounted jeeps patrol the hills.

And in the center of everything is a massive tent surrounded

by smaller tents. Men in white coats enter and leave the
tents.

INDY

stares at the operation when:

WHAAAA!

A spotter plane suddenly roars over Indy's head and seconds

later a machine-gun mounted jeep roars up behind him. Indy
swings up onto the horse gallops off...the jeep in pursuit.
 38.

ON INDY

riding full bore, comes to a ravine -- ten feet deep, twelve

feet wide. The horse clears it easily, Indy grins, pats the
horse's neck and looks back at the jeep...

THE JEEP

also clears it ...

INDY

puts more leg into the pony. They come to another, clearly
wider ravine.

The horse jumps...and just makes it.

THE JEEP

does not...plowing grill first into the side of the cut and
sending the soldiers flying.

INDY

smiles then sees...

TWO MORE jeeps fall in behind him...Indy rides toward a third

ravine. Larger than the first two, in fact, much larger. As
he approaches it seems to stretch forever.

Indy winds his hands around the mane and prepares for the
impossible when the horse suddenly pulls up. Indy looks back
at the approaching jeeps.

INDY
C'mon, you can do it.

He circles back to try again, then gives the horse a kick.

The horse charges toward the gap and at the last moment...

Indy pulls her to a stop inches from the chasm...Rocks tumble

from the edge...seventy-five feet to the bottom.

INDY
You were right the first time.

He pats his horse's neck then raises his hands in surrender

as the jeeps surround him.

INDY
Okay, okay...I give up.
 39.

He dismounts as an MP approaches. Indy extends his hands for

handcuffs but the MP hits him instead with a needle in Indy's
neck. Before Indy can react his vision blurs and we fade to
BLACK.

FADE IN ON

BOB BOLANDER

the handsome man from the wedding. He sits across the room
from Indy in

AN INTERROGATION TENT

BOLANDER

You are a very difficult person to get rid of, Dr. Jones.

Indy shakes the cobwebs out of his brain.

INDY
What've you done with her,
Bolander?

BOLANDER
Elaine said you were stubborn.

ANOTHER VOICE
Dr. McGregor is safe. She is
working on a project for the
government.

Army General, RALPH MCINTYRE, late 50's, a tough W.W. II vet,

steps into the light.

GENERAL MCINTYRE
Ralph McIntire, Col. Jones. United
States Army.

INDY
When can I see her?

BOLANDER
The first thing we have to
establish is what you have seen?

INDY
Skid marks, mile, mile and a half
long. If I had to make a guess I'd
say there's been some kind of
aircraft crash...high altitude,
probably Russian.
 40.

GENERAL MCINTYRE
How would you know it was Russian?

INDY
Why else would need a linguist at a
crash site?

Bolander and the General exchange a look.

BOLANDER
Dr. Jones, you've put us in a very
difficult situation.

INDY
I want to see her.

BOLANDER
I'm afraid that's impossible. This
is a top secret operation-

Indy suddenly springs forward and wraps his handcuffs around

Bolander's neck before the two MPs can draw their weapons.
The general stops them.

INDY
I didn't come to listen to you tell
me about your problems, Bolander.
I want to see Elaine.

GENERAL MCINTYRE
I think that's a reasonable
request. First, let him go.

Indy lets go of Bolander and holds out his hands to be

unlocked but instead of keys the MP hits him with a
blackjack.

FADE TO BLACK

ELAINE (V.O.)
Oh. Indy...

FADE IN

On Indy. He is no longer handcuffed. He is stretched out on

a cot in another tent. A woman's hand strokes his head. He
blinks awake to finds Elaine staring at him. She smiles.

INDY
Elaine.

He tries to sit up, but falls back feeling the knot on his
head.
 41.

ELAINE
No, stay down and listen. You
shouldn't have followed me here.

INDY
No? Someone kidnaps you from our
wedding ... did you just expect me
to wait till you got home?

ELAINE
Oh, Indy...There is a lot you don't
know about me.

INDY
It's okay, honey. I know you are a
spy.

ELAINE
I'm not a spy...I'm a specialist
and how did you find out?

INDY
I did some poking around. You
could've told me.

ELAINE
You didn't tell me you were a spy
during the war.

INDY
Well, I...How did you know that?

ELAINE
I had you checked. What kind of
person would marry someone and not
know who they're marrying?

Indy grimaces hearing his father's words.

ELAINE
Indy, I wanted to tell you what was
happening, but I couldn't. There
wasn't time and even if I could...
it was better if I just left.

INDY
A downed Soviet plane is more
important than our wedding?

Elaine looks at him surprised.

ELAINE
Is that what they've told you?...
 42.

INDY
They didn't have to tell me, I saw
the site...

Elaine gets up and goes to the door of the tent and calls an
MP.

ELAINE
Get General McIntyre and Mr.
Bolander immediately.

One of the guards move off quickly.

ELAINE
Indy, you have believe me. I would
not have left my own wedding unless
I felt something so great that it
threatened the lives of everyone I
love.

INDY
Does that mean you won't come back
with me.

ELAINE
I can't...But I have a wonderful
idea...

Bolander and McIntire enter the tent and Elaine looks up.

ELAINE
I need Dr. Jones to remain and work
on the project with me.

Indy and Bolander react in unison.

INDY AND BOLANDER

(together)
What? No!

ELAINE
(to Bolander)
Bob, I need him to help me with the
codes.

BOLANDER
Dr. Jones isn't cleared for this
operation.

INDY
(to Elaine)
I don' t want to help you.
 43.

ELAINE
Indy, will you stay out of this!

BOLANDER
Elaine! May I remind you that you
have taken an oath of secrecy.

ELAINE
So, shoot me. This is a scientific
discovery of epic proportions and
you're treating it like a breach of
national security.

INDY
Since when did a plane crash
qualify as a scientific discovery?

ELAINE
Indy, will you listen to me, this
is not about a plane crash.

Bolander moves to Elaine and takes her hand.

BOLANDER
No, Elaine, I think you should
listen to Dr. Jones. He is
absolutely right. He has no
interest here. He didn't come to
become involved, and he wants to
leave. Isn't that right. Dr.
Jones?

Indy stares at the Bolander and Elaine. He does not like the
proximity of the two.

INDY
No.

BOLANDER
Excuse me?

INDY
No. On the contrary... I think
it's an excellent idea.

Elaine beams. Bolander looks stunned.

BOLANDER
(stammers)
Dr. Jones, that's commendable but
in all honesty with your background
I don't think you would qualify for
top security clearance.
 44.

GENERAL
Bolander, if this man can help us
get to the bottom of this thing,
he's got my approval.
(to Indy)
Colonel Jones, glad to have you
onboard. Let's get you up to
speed.

EXT. INTERROGATION TENT - DAY

Indy leaves with Elaine and the General. Bolander follows.

GENERAL
There is one more piece of
business...the oath.

INDY
The oath?

ELAINE
The loyalty oath, Indy. It's
mandatory.

INDY
Since when did...

GENERAL
Spies, Col. Jones...the Russians
are everywhere.

BOLANDER
Already intelligence sources say
that Soviet operatives are in the
southwest. We've been fortunate up
to now. We can't take chances.

They stops in front of a tent. The General raises his hand.

GENERAL
Repeat after me: "I solemnly swear
that the things to I am about
witness will remain secret, so help
me God."

INDY
I do...

He starts to lower his hand but the General continues.

 45.

GENERAL
"I swear allegiance to the United
States of America and promise to
uphold her values against all
powers who threaten her."

INDY
I do.

He gives Elaine a look as if to say, "Happy?" The general

beams and opens the flap to the next tent.

GENERAL
Prepare yourself, Col. Jones.

Indy steps into

A MASSIVE OPERATIONS TENT

All around them a small army of workers catalogue thousands

of pieces of metal.

Indy moves into the room and picks up a piece. He crumples

it in his hand and it miraculously returns to its original
shape.

BERNARD(V.O.)
Amazing isn't it?

Indy looks up at a DR. AVRIL BERNARD, 40's. Lean and

scholarly. Like all the other scientists working on the
project he wears a long white, lab coat.

GENERAL
Dr. Jones. Dr. Avril Bernard, the
chief scientist in charge of the
project.

INDY
(re: the metal)
What is it?

BERNARD
Part of an alien spacecraft.

Indy looks up like he's in looneyville.

INDY
Oh, really?

Bernard keeps a straight face.

 46.

BERNARD
Two days ago, Dr. Jones, a
spaceship was struck by lightening
and crashed into the desert at this
site. What you are holding is more
than a part of its outer shell, it
is evidence of extraterrestrial
life.

Indy checks out the others to make sure they're all endorsing
this. They are.

INDY
Don't you think you guys are
jumping to conclusions?

GENERAL
What do you see, Dr. Jones?

Indy studies the metal carefully.

INDY
I see...an advanced lightweight
metal used by the Russians for high
altitude flight or even rocketry.

BOLANDER
That's ridiculous! The Russians
are years behind us in research-

INDY
Seems to me that's what you said
before they announced they had the
bomb.

That silences Bolander.

INDY
You guys see a space ship because
that's just what you want to see.
Throughout history, people unable
to explain natural phenomena used
flying saucers and visitors from
other planets.

BERNARD
Do you seem daunted that the top
scientists in the world conclude
this to be an alien space craft.

Indy looks at Elaine.

 47.

INDY
Daunted? No...disappointed, maybe.

Bernard and the General exchange a look.

GENERAL
Follow us, Dr. Jones.

Bernard leads Indy to three coffin-like cylinders. He nods

to a guard who opens one. The fog from the refrigerant
spills down sides. He looks inside...

INSIDE THE CYLINDER

As the fog clears a charred creature, less than four feet

long, with elongated arms and fingers, appears.

BERNARD
They were recovered at the crash
site. Do you still feel we're
dealing with human life?

INDY
No...They're apes. Belango apes.
I've run across them in Madagascar.
Hairless from the fire.

Bolander closes the lid and looks at Elaine.

BOLANDER
I think, Dr. Jones has seen enough.
(to Indy)
Now, if you'll excuse us we have
serious work to do.

INDY
Is that what you call this?
(to Elaine)
I'm sorry, I thought you could tell
the difference between a serious
scientific inquiry and a wild goose
chase.

Indy starts toward the door. Elaine turns angrily to

Bolander.

ELAINE
Damn it. Bob! Show him or I leave
also.

He looks anxiously at the General and Bernard who indicate

they agree with Elaine.
 48.

Indy now curious, hesitates at the door. Bolander relents

and leads the way.

INT. CONTAINMENT ROOM - DAY

Guards line both sides of the room. Several physicists with

goggles and lab coats huddle around the center of the room
where a lead casement--a small coffin-like box dominates.

Indy moves up, intrigued...A TECHNICIAN reaches into the box

and hands Indy a stone cylinder.

CLOSE ON STONE CYLINDER

Fifteen inches long, five inches in diameter. Every inch is

covered with rows and rows of tiny detailed pictographs,
cuneiforms and glyphs...

BERNARD(V.O.)
Do you recognize the markings, Dr.
Jones?

INDY

realizes he's being tested. He studies the stone.

INDY
Egyptian, fourth century... Mayan.
Sanskrit...Chinese pictographs. The
Egyptian markings indicate...power.

Bernard smiles.

BERNARD
Precisely.

Bernard nods to the technicians who bring a radio and a light

bulb next to the device. The radio suddenly bursts into
music, the light bulb--glows--and the cylinder glows the
intensity of the sun.

BERNARD
Go ahead...touch it.

Indy reaches out and touches the stone.

INDY
It's cold.

The radio and light bulb are removed and the glow fades from
the cylinder. Indy lowers the mask, and we see he is a
believer.
 49.

GENERAL
We don't think even the Russians
can take credit for this, Col.
Jones.

BERNARD
We've measured the negative ions
around it. We've done every
radiation test, it shows no signs
of radioactivity...but it appears
it is the alien's fuel supply.

BOLANDER
And now it's the property of the
United States government.

Elaine watches Indy become drawn to the mystery. He runs his

hand over the markings on the outside. Thousands of
pictographs.

ELAINE
The prevailing belief is that the
writings represent instructions for
use.

GENERAL
Sort of an owner's manual.

INDY
And it was found at the crash site?

GENERAL
Actually, one of our spotter-planes
found it over four miles away.

BERNARD
In the hands of one of the
aliens...

BOLANDER
I want this moved to a laboratory
where we can control the security.

GENERAL
And I say no one's moving that
thing until I know precisely what
it is.

BOLANDER
We don't have time, General. Do
you realize how difficult it has
been to keep this discovery quiet?
(MORE)
 50.
BOLANDER (CONT'D)
In four days we have managed to
keep a lid on this thing with the
press as well as clear evidence
over twenty-square miles.

He refers to the map on the wall.

BOLANDER
You've had your chance to study it
here. Tomorrow morning and this
entire area must be evacuated.

GENERAL
Dr. Jones...do you think you can
pinpoint what this thing says?

Indy studies the intricate markings. There are thousands of

them.

INDY
There's no discernible pattern, the
languages are all mixed together.

ELAINE
We're working with a computer to
codify the different languages, but
its been slow going.

GENERAL
How much time, Dr. Jones?

INDY
Your talking about codes that have
never been cracked.

ELAINE
Give us till two days.

GENERAL
You have twelve hours.

INT. WORK TENT - NIGHT

It is a race against the clock. Indy and Elaine technicians

begin the painstaking process of recording data.

Symbols are noted.

Computer cards stamped.

 51.

INT. COMPUTER TRAILER - NIGHT

A TECHNICIAN feeds a stack of cards into a huge primitive

computer. It rapidly counts the signatures on each card and
records the data on spools of computer tape.

INT. WORK TENT - NIGHT

At Elaine's direction the MILITARY PHOTOGRAPHER takes photos

of the inscriptions.

INDY
Numbers. Lots of numbers.

ELAINE
And in pairs. The Assyrian pairs
are grouped here...Mayan here,
Egyptian here-

INDY
And no two the same...It's a lousy
way to write an instruction
manual...

He stops and sees the map.

INDY
Unless...it isn't a manual at all.

EXT. NEW MEXICO DESERT - NIGHT

In the growing light of dawn, two figures on horseback ride

slowly across the high desert plain. They approach a
roadblock guarded by TWO MP's sitting in a jeep and listening
to the radio.

As they approach, the two soldiers climb out of the jeep with
their rifles and flashlights.

MP ONE
Halt. This is a restricted area.

The two figures stop in the light and we recognize them as

the same TWO COWBOYS from the diner. The Younger Cowboy
leans forward in his saddle and expertly spits a stream of
tobacco juice.

YOUNG COWBOY
We just come to see what all the
commotion's about.

MP TWO
Maneuvers.
 52.

The OLDER COWBOY, straightens in his saddle and stares out

across the plain.

OLDER COWBOY
Ain't heard any artillery. You
boys working on a secret weapon or
something?

The two soldiers share a nervous look.

MP ONE
Look, here, fellas. I'm sorry you
came all this way for nothing but
we're going to have to ask you to
turn around and leave.

OLDER COWBOY
Why? Afraid we might be Ruskie
spies or something?

The two cowboys share a laugh, which spreads to the soldiers.

Then suddenly the young cowboy stops laughing and says
something in Russian to the older cowboy. The two soldiers
freeze at the sound of the strange tongue.

MP TWO
What did he say?

The older cowboy draws a silenced pistol and aims at the two
soldiers.

OLDER COWBOY
He said...'you should'.

Before the soldiers can unsling their rifles the older cowboy
shoots them both cleanly in the head, then blows smoke from
the barrel, spins the pistol around his finger and returns it
to his holster movie cowboy style. There is a distinctly
dashing flair to his style. His name is VADIM CHESLAV.

Cheslav dismounts and begins changing into the dead soldiers'

uniform. The younger cowboy, VESKA, rubs his sore ass, glad
to be off his horse.

YOUNGER COWBOY
(in Russian)
I don' t understand how John Wayne
does it.
 53.

EXT. DESERT ENCAMPMENT - NIGHT(PRE-DAWN)

The lights of the main tent burn brightly. Soldiers patrol

the perimeter and in the distance a chorus of COYOTES give an
unsettling tone to the events going on below...

INDY(V.O.)
The wreckage of the saucer was
here...

INT. MAIN TENT - NIGHT

CLOSE ON A USGS MAP of this part of NEW MEXICO.

Indy marks the wreckage site with a pen as he talks...

INDY(V.O.)
The device and the dead alien were
found...

He draws a straight line nearly four miles away...

INDY(V.O.)
...here.

INDY

looks up at Bolander, the General, Dr. Bernard and Elaine,

who listen with varying degrees of interest.

BERNARD
Interesting, Dr. Jones but what
does this have to do with the
calculations--?

INDY
Coordinates, doctor...Not
calculations. They are
geographical coordinates.

He draws another line to a distant mountain, MT. KEEMO.

ELAINE
The numbers correlate to Mt. Keemo.
They are the exact 1ongitude,
latitude...

INDY
The mountain has long been
associated with gods of various
Indian religions. Sacrifices were
once made there.
(MORE)
 54.
INDY (CONT'D)
Even the Spanish, in 1525, noted
strange lights around the summit.

BOLANDER
Ooggie boogie stories, Dr. Jones.

BERNARD
Besides. Dr Jones, this isn't the
only area of supposed contact with
extraterrestrial life...There are
similar purported sites in Peru,
Egypt..China..the fact that the
numbers match is just coincidence.

INDY
Is it?

Indy pulls out another map...

CLOSE ON A WORLD MAP

Sites are marked around the world.

ELAINE
The numbers on the device that we
can translate correspond with the
longitude and latitude. In every
case...it is mountain.

The information is unsettling.

INDY
He was trying to return that thing
to the mountain.

GENERAL
Why?

INDY
We don't know for sure.

BOLANDER
And what happens if you don't
return it to the mountain?

INDY
The writings warn of dark
consequences.

GENERAL
Such as?
 55.

ELAINE
Visits of fire-breathing serpents,
monsters. Dragons with fire coming
from their eyes.

INDY
What we do know is that a
tremendous power is to be unleashed
at that place.

GENERAL
What kind of power? I mean are we
talking about end of the earth
stuff here?

ELAINE
We've entered a lot data into the
computer. It'll take a while to
find out.

INDY
Whoever, whatever developed this,
didn't want humans fooling with it.

BERNARD
Stories to scare a primitive
people.

INDY
With all due respect, Dr. Bernard,
you haven't a clue what you've got.

BERNARD
When the first man found fire, Dr.
Jones did he refuse to use it
because he didn't understand what
he had? We may not understand this
today, but that does not mean we
should give it back.

GENERAL
Give it back to whom? We haven't
had any sightings.

BERNARD
But I agree that the device should
not be moved until we know more.

Suddenly an EXPLOSION outside the tent jolts the group. Indy

opens the flap to see
 56.

EXT. TENT - DAWN

...smoke billows out of the computer trailer. Technicians

leap from of the trailer. Men fan the smoke. A TECHNICIAN
calls back to the scientists.

TECHNICIAN
We've blown a tube in the computer!

Indy, Bolander and the others step outside and watch the work
around the computer.

GENERAL
When will we know more, Colonel?

INDY
It will take us a while with the
computer out.

GENERAL
Soon as possible.

He and Bernard move off.

ELAINE
I'm going back in.

She squeezes his hand and goes back inside the tent. Indy
spots the photographer.

INDY
Finish the photos and get me the
prints as soon as possible.

PHOTOGRAPHER
Yes sir.

The photographer moves off and Indy stares off at the

horizon, suddenly there is an immense glow.

BOLANDER(V.O.)
Testing the bomb.

Indy turns and realizes he is not alone. Bolander stares off

at the horizon. Indy grunts his displeasure.

BOLANDER
I take it you're not a fan of the
bomb, Dr. Jones...

INDY
I'm not.
 57.

BOLANDER
Don't worry, it's over fifty miles
away. If what you said in there is
true, that may be a thing of the
past.

INDY
It's just a race to you, isn't it,
Bolander?

BOLANDER
It's always been a race, Jones. If
anyone should understand that, you
should. As long as there's been
civilization it's been a race for
power. Nothing's changed...

INDY
Except the stakes.

The familiar mushroom has formed and catches the first rays
of the sun. Bolander smiles.

BOLANDER
The atom is our friend, Jones.
Remember that.

Bolander leaves and Indy stares after him. As Indy starts

back inside the tent he notices the photographer moving away
the other side of tent.

Indy watches him for a minute, then re-enters the tent.

INT. TENT - DAWN

Indy stops, something's wrong. Elaine is missing and so is

the device.

INDY
Elaine?

There is no answer.

EXT. CAMP - DAWN

ON THE PHOTOGRAPHER

moves around the side of a tent and we see it is Veska, the

young spy. He dumps the camera, then removes the power
cylinder from his coat, when a shadow falls over him. He
looks up at Indy holding a .45 on the man.
 58.

INDY
I'll take that.

Indy takes the device from the startled spy when he feels the
barrel of another gun pressed against his temple. Cheslav
speaks calmly to Indy.

CHESLAV(V.O.)
As fast as always, Indiana, but
alas, no smarter.

INDY
Cheslav. I should have known.

Cheslav pulls Indy into--

INT. INDY'S TENT - MORNING

--where Elaine is tied up.

CHESLAV
Just like the old days, Indy,
except this time you're on the
wrong side.

INDY
We were always on the wrong side.

Elaine looks from one man to the other.

ELAINE
(to Indy)
You know this person?

INDY
His name is Vadim Cheslav...KGB, or
whatever they're calling it this
week.

ELAINE
You're Russian? But your
dialect...its excellent.

Cheslav gives Elaine a slight bow...He is charming...A

Russian James Bond.

CHESLAV
Thank you. Dr. McGregor, coming
from a linguist of your stature,
that's a great compliment.

He takes the power device from Indy and tosses it to Veska.

 59.

INDY
I'd be careful with that thing,
Cheslav. I wouldn't move it if I
was you.

CHESLAV
Unfortunately, Indy, I have to move
it if I'm to get it to Moscow.

ELAINE
Moscow? You can't possibly think
you're going to be able to walk
right out of here undetected?

CHESLAV
Why not? That was exactly how I
walked in.

Veska presses a button on the lighter and a tiny needle

protrudes from the metal housing.

CHESLAV
The poison take only seconds.

The young spy jabs the poison-tipped lighter but Indy grabs
his arm and they crash across the table. Elaine kicks
Cheslav in the shin and makes a break for the door when a
GUARD enters and sees them. He draws his sidearm.

GUARD
What's going on here?

ELAINE
Stop him! He's a spy!

Veska buries the poison needle into the guard's eye.

Cheslav reaches for his silenced pistol. Indy knocks the gun
from the spy's hand but Cheslav using swift karate moves,
sends Indy crashing into the table.

CHESLAV
Until we meet again, Indy.

He grabs Elaine and ducks out of the tent. Indy grabs the
dead guard's .45 and follows--

EXT. CAMP - DAY

Indy rushes out of the tent and sees Cheslav's car heading
toward the gate. He fires at Cheslav's car--blowing out the
taillight of the car with a shot.
 60.

INT. CHESLAV'S CAR - MORNING

Veska floors it toward the gate. Elaine struggles to get

free. Cheslav keeps her down in the back, then opens a
knapsack and removes out a switching device. He hits three
switches.

EXT. CRASH SITE - MORNING

Three explosions rock the camp.

INT. CHESLAV'S CAR - MORNING

Cheslav is about to hit the final switch when Elaine knocks

the device from his hands and out the window.

CHESLAV
Very brave, but foolish.

Cheslav slaps her.

EXT. THE CAMP - MORNING

The explosions send the camp into confusion.

GENERAL MCINTYRE and BOLANDER rush out of their tents.

INDY
Russians. They've got Elaine!

BOLANDER
Stop that car!

GENERAL
Don't worry, they can't get away.

A staff car zooms up and the Bolander climbs in,

EXT. CHESLAV'S CAR - MORNING

Roars toward the guard house.

EXT. CHASE CAR - MORNING

Bolander's chase car roars after Cheslav. The driver tries

to close the gap.

INT. GUARDHOUSE - MORNING

The GUARDHOUSE M.P. hangs up the phone and signals a SECOND

M.P. to lower the gate.
 61.

The M.P. blows his whistle to stop the rapidly approaching

staff car.

INT. CHESLAV'S FORD - MORNING

Veska aims right at the gate, ignoring the M.P.'s ahead.

INT. BOLANDER'S CAR - MORNING

Bolander closes ground on the two spies.

INT. CHESLAV'S CAR - MORNING

Cheslav pulls a grenade and tosses it into the road behind

them.

EXT. GATE - MORNING

The M.P.'s dive for cover as Cheslav s car crashes through

the gate and the grenade explodes, leaving a crater in the
center of the road.

Bolander's car plows into the hole and the next three
vehicles crash into each other, blocking the exit from camp.

Bolander climbs out of the crater and tries to direct the

pursuit. A truck smashes down the barbed wire fence
surrounding the camp and four jeeps with mounted machine guns
follow Cheslav's staff car.

EXT. CRASH SITE - MORNING

A Bell bubble helicopter begins warming up.

GENERAL
This way, Jones!

Indy and the General climb aboard and it lifts off.

INT. HELICOPTER - DAY

Indy and the General scan the horizon, then Indy spots
Cheslav's car on the road below--a plume of dust rises behind
it. It easily has a mile lead on the jeeps following it.

INDY
There he is.

The helicopter drops down to road level.

 62.

EXT. ROAD - DAY

The road winds into the mountains. The '49 Ford wheels
around turns but Indy and the General are gaining. Cheslav
fires at the helicopter causing the helicopter to veer away
just as the spies' car disappears into a tunnel in the
mountain.

GENERAL
We'll get him on the other side.

The pilot pulls up and the helicopter lifts over the mountain
to intercept the car on the other end of the tunnel. What
they see makes the General and Indy pause.

GENERAL
Damn...

INDY'S POV: A HUGE ARMY MISSILE TESTING BASE.

At least thirty identical '49 Fords are parked inside the

entrance.

EXT. THE MISSILE TESTING FACILITY - DAY

The helicopter lands inside the gate. Indy climbs out and
begins searching for Cheslav as the General notifies the
guard at the gate and an ALARM is sounded. Gates drop.
Soldiers run from the barracks.

Indy moves from car to car, opening doors, searching...

He passes a car, then returns... checks the taillight--it' s

shattered.

ELAINE(V.O.)
Indy!

He looks up in time to see Cheslav, Elaine and Veska moving

into a security area. Indy rushes after them.

SECURITY AREA

Indy finds a dead end and a concrete bunker. A bullet ZINGS

past his head and Indy looks up in time to see Veska enter
the concrete bunker.
 63.

INT. CONCRETE BUNKER - DAY

Indy enters the bunker. It's empty. The door CLICKS shut
behind him. There are three smooth concrete walls with a
funnel-like opening in the ceiling, like a chimney. The
fourth wall of the bunker is metal and covered with four
large metallic discs. The upper part of the fourth wall is
open and reveals the sky.

Veska is climbing the metal wall and Indy enters and pulls
him to the floor. The gun goes flying.

INDY
Where is she!

Veska gives him an evil smile. Indy knocks the smile off his
face as we

CUT TO:

INT. CONTROL ROOM - DAY

A primitive control room. Two TECHNICIANS finish lunch and

prepare for a test.

TECHNICIAN #1
Okay, Phillips, begin pre-ignition.

INT. CONCRETE BUNKER - DAY

Steam begins to rise from the "discs". Indy suddenly

realizes the fourth "wall" is actually the business end of a
rocket sled.

Veska knocks Indy to the floor and scrambles back up the side
of the wall.

INT. CONTROL ROOM - DAY

Technician #1 puts on his headset and seats himself in front

of the console.

TECHNICIAN #1
Okay, all systems are go. Let's
get this baby down the track. Start
countdown...

TECHNICIAN #2
flips switch...and watching the
sweep second hand of the
clock...begins to counts down:
 64.

TECHNICIAN #2
Ten. Nine. Eight...

INT. CONCRETE BUNKER - DAY

Indy climbs the wall after the spy.

INT. CONTROL ROOM - DAY

Technician two counting...

TECHNICIAN TWO
Four...three...

EXT./ INT. BUNKER/ROCKET SLED - DAY

Veska climbs out of the bunker and starts to scramble across

the top of the rocket sled just as Indy pulls himself to the
top and-

INT. CONTROL ROOM - DAY

Technician #2 finishes his countdown.

TECHNICIAN TWO
One...Ignition.

He hits a switch and...

INT. BUNKER - DAY

The four rockets ignite with a DEAFENING ROAR, filling the

concrete bunker with intense exhaust that blasts out the
chimney top.

EXT. BUNKER - DAY

The rocket sled catapults from the bunker at 100 miles an

hour down the five-mile track. Indy and Veska cling to the
metal chassis.

Indy's face ripples from the G-forces. His grip begins to

slip. He strains for a better hold.

Veska, in a sheltered indention of the metal skeleton, sees

Indy's grip slipping and tries to kick him off. His boot
grinds Indy's fingers against the metal. Indy grimaces but
holds on. Veska tries again. Indy slips back toward the
flaming rockets before regaining a hold.
 65.

Veska sees how close Indy is to the burners and tries one
more time to knock him loose. But this time Indy is ready.
Just as Veska raises his boot Indy yanks a rubber hose from
the engine and sprays hot oil over the spy.

Screaming in pain, Veska looses his grip. His body whips

past Indy through the flaming burners which ignite the oil
and toast him instantly. Veska's crisped remains are left
behind the speeding rocket.

Indy's own grip is slipping. He sees a conduit marked

"OXYGEN INTAKE" and pulls the hose. The engine and the four
burners immediately snuff out just as he loses his hold and
flies off the back.

Rolling away from the track, Indy comes to a stop and lies
motionless. Slowly he raises his head. The desert is a
mirage. Through the waves of heat he sees an ambulance and a
car approaching before he drops exhausted.

The car and ambulance pull up next to Indy.

Two men hurry out of the ambulance and rush to Indy.

Indy tries to open his eyes but the men stand in the blinding
sun. They speak in Russian, but one of the voices s familiar
to Indy.

MAIN SPY
(in Russian)
Put him in the trunk. We will need
him.

DRIVER
(Russian)
How will we get out of here?

MAIN SPY
(Russian)
Go west across the desert. You'll
be met in Harmond in four hours.

Indy tries to raise his head when the driver hits him with a
blackjack...

The two men deposit Indy into the trunk of the car.

EXT. DESERT ROAD - DAY

The car moves across a desert road.

 66.

INT. CAR TRUNK - DAY

Indy slowly regains consciousness and realizes he's in the

dark, hot trunk of a car. Inside the car he hears the VOICES
in Russian and the car's radio station being flipped back and
forth between news and a local Country Western station.

INT. CAR - DAY

SPY #1 drives, sings a Country-Western song with the radio

while SPY #2 studies a map. A dash mounted compass reads due
West.

SPY #1
(singing with the radio)
My heart is broken in two...by you--

The Second Spy mercifully switches the channel.

SPY #2
(in Russian)
How can you listen to that music.

SPY #2
I like it.

Spy #2 is troubled by the map. He keeps consulting the

compass.

SPY #2
Something's wrong...We should be
there by now.

SPY #1
We are going right. See...west.

He points to the compass which clearly shows they are heading

west. Spy #2 looks doubtfully at the instrument then out his
window at the sun.

SPY #2
If we are going west...then why is
sun over here?

Spy #1 leans over to see the sun. He hits the compass and
suddenly the "S" swings around to show true South. It was
stuck. Spy #2 lets fly a string of Russian obscenities.

SPY #2
You idiot. Now you've done it--
we're lost!
 67.

INT. TRUNK - DAY

ON INDY
listening to this conversation.

INDY
(to himself)
Great.

He rolls painfully onto his back and catches a whiff of

something disgusting. Digging in his pocket he finds his
lighter and flicks on and looks around for the source of the
odor. He yanks at a blanket next to him--revealing the
toasted Veska.

INDY
(deadpan)
Great.

He covers Veska up again and starts working to pop the trunk

lock. With a little jiggling the latch pops. Indy holds it
down.

EXT. THE DESERT - (LATER)DAY

The car reaches the top of a hill and looks out on the vista.
Far below them sits a town.

EXT. THE TOWN - DAY

Three rows of newly-built houses. The car pulls into town

passing a carefully hand-lettered sign which says:
BOOMSBURG. Please Drive Carefully. Speed Limit 25.

SPY #2
(reading sign)
Boomsburg.

He consults the map.

SPY #2
I don't see it.

SPY #1
Well, it looks new. Maybe it's not
on the map yet. There's a phone.
 68.

EXT. GAS STATION/ CAR - DAY

The car pulls into a gas station. There is no activity, out

inside the office, an ATTENDANT, his feet up on the desk and
a baseball cap pulled over his eyes, dozes. Spy #2 gives him
a look then heads to the pay phone. He realizes he has no
change and yells to spy #1.

SPY #2
Hey, I need some change!

ANGLE CAR

Inside the trunk. Indy hears the car door shut and feet
CRUNCHING IN THE GRAVEL. Carefully he raises the lid and
makes a break across the street to a row of houses without
being seen.

ON INDY

He ducks behind a single-story house and knocks on the screen

door. No answer.

INDY
Anybody here? It's an emergency, I
need to borrow a phone!

He tries the knob, it turns and he enters the house.

INT. HOUSE - DAY

MUSIC plays from a radio. Indy moves quickly into a modern

kitchen, equipped with the latest and best appliances--a new
electric range, large Westinghouse refrigerator. He picks up
the phone and dials "0", then realizing the line is dead. He
clicks the receiver, nothing. He hangs up and looks around.
The house has an eerie, hollow feeling.

Indy moves toward the dinning room where four figures sit at
the table as if waiting for dinner.

INDY
I'm sorry, I knocked but-

He stops when he realizes that they are all mannequins. Just

then the music on the radio stops and we hear:

RADIO ANNOUNCES (V.0.)

You've been listening to Civil
Defense Radio...
 69.

INDY
I've got a bad feeling about
this...

EXT. GAS STATION - DAY

Spy #2 plugs the phone with change but discovers that it too
is fake.

Spy #1, peering inside the gas station, sees that the
sleeping gas station attendant is also a mannequin. Just
then a CIVIL DEFENSE SIREN starts to wail.

SPY #1
Uh...oh...

Both men bolt for the car.

EXT. HOUSE - DAY

As the SIREN WAILS Indy runs out of the house to the family
car. Like the family it too is only a prop. He runs around
the side of the house in time to see the two spies roaring
out of town in their car. Indy stops, considers his options
then runs back inside.

INT. HOUSE / KITCHEN - DAY

Indy runs into the kitchen and sees a trap door to the
basement.

He throws the door to reveal...

...a two foot crawl space.

INDY
Great...

But the walls of the foundation are concrete. He gets an

idea.

Indy throws open the refrigerator and hurls the contents,

shelves and all, onto the floor as we...

CUT TO:

INT. CAR - DAY

The two spies roar out of town. Driving like bats cut of
hell, they speed across the desert. As the town fades behind
them they begin to relax when they pass a sign which says:
 70.

ENTERING TWO MILE ATOMIC BLAST ZONE.

The two men exchange a look, realizing they went the wrong
way,

SPY#1
Uh, oh...

HIT. THE KITCHEN - DAY

Indy hops into the crawl space and topples the fridge over
the crawlspace like a lead-lined turtle shell. It fits over
him just as the room glows white.

EXT. THE DESERT - DAY

The two spies frantically try to turn their car when the sky
in front of them suddenly flashes white and the fireball of
the atomic blast rises. The heat wave hits them -
immediately igniting the car.

INT. CAR - DAY

The two spies incinerate before our eyes, as-

EXT. DESERT - DAY

a monstrous CLAP OF THUNDER, the shock wave, blows out the

fire, then lifts the charred car like a feather and sends it
flying back toward town.

EXT. THE DESERT/ TOWN - DAY

The shock wave roars across the desert and hits the town...

Cars, gas pumps, signs, mailboxes, roofs, street signs, fuel

tanks everything not bolted down is suddenly propelled across
the desert in front of the blast--

INT. HOUSE - DAY

The impact blows out the walls and rips off the roof of the
house. The howling wind strips the house clean - then we
loose sight of the house in the swirling dust...

EXT. TOWN - DAY

The dust begins to settle...Shapes seem to rise en the

horizon.

THE HOUSE

is gone except for the foundation.

 71.

Indy pushes back the refrigerator and stands shakily. He

stares around him at the devastation and makes out SIX WHITE
FIGURES moving slowly toward him. Their movements are stiff
and non-human and as they get closer we see they make
sweeping movements with what look like long appendages.

Then the wind clears and we see

THEY ARE A DECONTAMINATION TEAM armed with long-handled

Geiger counters. They stop in amazement when they see Indy.

LEADER
Holy cow, we've got a live one.

INT. DECONTAMINATION SHOWER - DAY

Scalding water showers down on Indy. His skin is scrubbed

raw by a decontamination team in white suits and masks.

Finally the LEADER of the decontamination team signals and

the water stops and Indy moves stiffly out of the shower. He
is red from the scrub. The team leader checks Indy with a
hand-held Geiger counter and deems him clean.

DRESSING ROOM

Indy steps into the dressing area where the General and
Bolander sit waiting for him.

INDY
It was Cheslav.

BOLANDER
Impossible. Our people have
Cheslav under surveillance in
Bulgaria right--

INDY
Well, your people are wrong. I
know him from the war. Where is
Elaine?

GENERAL
She's disappeared.

INDY
Disappeared? How could she
disappear at a top security
military base?!

BOLANDER
We were wondering the same thing,
Dr. Jones.
 72.

INDY
And what's that supposed to mean?

Indy finishes toweling off and begins to dress.

BOLANDER
Could it be that your associations
with the Russians are more than
just passing acquaintance? Your
background has always been suspect,
Jones.

Indy moves toward Bolander with such speed that the CIA man
backs away.

INDY
Listen, baby breath, I'm the one
the trunk of the car, remember?
You've got a mole in this
operation, but it isn't me. Cheslav
knew exactly what he was after.
Somebody was helping him.

GENERAL
Did you get a look at him?

INDY
No...But I recognized his
voice...He spoke Russian, but with
a German accent...Hand me that
shirt--

Bolander starts to hand the shirt to Indy, then stops,

showing a genuine reluctance to approach Indy since his brush
with radioactivity.

INDY
The atom is our friend, Bolander,
remember?

Bolander hands him the shirt at arm's length.

GENERAL
A German accent? Great. That only
rules out all but around 200 of the
scientists I got around here.

BOLANDER
Something else, Jones... those
calculations Elaine was working on
when the computer went down came
back.
 73.

He hands the computer printout to Indy. As Indy reads it his

look tightens.

GENERAL
What is it?

INDY
She was right...the numbers
represent a descending scale...

GENERAL
A descending scale?

INDY
A countdown.

GENERAL
You mean it's...a bomb? We've got
to find it.

INDY
Find Elaine and we'll find it.

He starts to the door and TWO MPs block his path.

BOLANDER
We'll take it from here, Dr.
Jones...

INDY
What?

BOLANDER
You are under arrest...

INDY
For what?

BOLANDER
Conspiracy of espionage. You are
to be sent back to Washington under
a military escort.

INDY
Are you out of your mind?

GENERAL
I'm sorry, Jones...we can't risk a
leak at this stage.

BOLANDER
(to the MPs)
Take Dr. Jones to the brig.
 74.

The two guards handcuff Indy and lead him out.

INT. BASE HALLWAY - DAY

Indy is led down a hallway toward the hangers where crates of

the space ship are being loaded onto planes.

MP ONE
Wait here.

The first MP moves of to find transport. Indy stands with

the SECOND MP when he hears THE VOICE of the Russian. He is
speaking in English but his German accent is the same as we
heard on the desert.

Indy moves to the doorway.

INT. AIRPLANE HANGER - DAY

INDY'S POV:

Crates being loaded onto planes for shipment. Then we see

"The Voice" it is Dr. Bernard.

Bernard supervises the loading a large crate onto the back of

truck. The crate is marked: HAZARDOUS MATERIAL. The crate
starts to fall.

DR. BERNARD
Be careful you fool!

ON INDY

As if on impulse he starts to move through the doorway after

Bernard, when MP Two grabs him.

MP TWO
Where do you think you're going?

Indy suddenly appears to wrench his ankle.

INDY
Owww!

He bends down to rub it and when the MP bends over too, Indy
gives him a two fisted undercut and catches the unconscious
guard in his arm.

He slips the handcuff key out of his pocket.

CUT TO:
 75.

INT. AIRPLANE HANGER - DAY

Bernard signals the two drivers, then climbs in a jeep and

the mini-convoy pulls away.

ON THE THIRD DRIVER

he shifts into gear and the fuel truck falls in line with the
other two vehicles.

EXT. AIR BASE GATE - DAY

The GUARD looks over Bernard's papers and motions the three
vehicles out of the base.

As the fuel truck pulls through the gate we pull up to see

Indy holding onto the railing on the roof of the truck.

EXT. DESERT - DAY

The three vehicles roar along the desert road.

EXT. JEEP - DAY

ON BERNARD

He stares at his watch, and looks to the sky. He motions to

the driver to take a dirt ranch road and the jeep turns onto
it.

EXT. GAS STATION - DAY

The mini-convoy pulls into a decrepit gas station off the old
dirt road. The wind blows through screenless windows. A
pair of ancient gas pumps guard the front. There is no sign
of life.

The convoy stops. Bernard brushes the dust from his coat.

EXT. FUEL TRUCK ROOF - DAY

Indy, still clinging to the roof, is completely coated in

dust. He spits it out of his mouth and then stops. He hears
something --

INDY'S POV:

A car approaches. It stops by the gas station and Cheslav

climbs out. A moment later we see Elaine pulled from the
back.
 76.

INDY

fights the urge to stop them

ANGLE ELAINE AND BERNARD

Elaine faces scientist.

ELAINE
What did you do with Indy?

BERNARD
Alas, Dr. Jones was in an accident,
All I can tell you was that it was
over quickly.

ELAINE
Indy's dead?

BERNARD
Yes. Very.

ELAINE
Right this minute, every soldier in
the state is out looking for that
device.

CHESLAV
That may be so, Doctor, but they
aren't looking here.

He steps and listens, then smiles.

CHESLAV
It's coming.

Elaine listens but doesn't hear anything.

ELAINE
What?

For a moment all we hear is the desert wind, and then, louder
we hear the distant sound of...A PLANE.

CHESLAV

motions the guards in the truck. One runs inside the gas
station. He reappears with an orange wind sock.
 77.

INT. FUEL TRUCK - DAY

Indy looks up at the sky and sees a TUPOLEV TU-4 flying

fortress bank over a distant mountain range and swing toward
the area.

EXT. GAS STATION - DAY

The guard climbs to the roof and raises the wind sock from
the top of the gas station.

The transport drops its landing gear and floats down to the
roadway making a perfect landing.

ELAINE
Where are we going?

BERNARD
You'll love Moscow this time of
year.

Bernard smiles and waves to the fuel truck.

THE FUEL DRIVER starts the motor and eases the truck up to
the taxiing aircraft.

ANGLE PLANE

The freight door opens.

TWO RUSSIAN CREW MEMBERS with machine guns climb down and
guard the loading of the plane.

ELAINE
You won't get away with this,
Cheslav.

CHESLAV
On the contrary, my dear...you are
the one getting away.

He motions for the guard to put her on the plane. The other
guard begins unloading the crates to be put on the plane.

ANGLE AIRCRAFT

The fuel truck driver drags the hose to the wing and begins
refueling.

ANGLE FUEL TRUCK DRIVER

he suddenly notices that the fuel has stopped.

 78.

FUEL TRUCK DRIVER

(to the Russian guard)
Hey, check the line!

The Russian Guard moves to the hose and follows it to the

rear of the truck.

There he finds a belt tied around the fuel line.

RUSSIAN GUARD
What the...

He look up just as Indy's fist hits him square in the jaw.

ANGLE FUEL TRUCK DRIVER

He is about to check on the fuel line himself, when suddenly

the fuel begins flowing once again.

FUEL TRUCK DRIVER

That's good.

ANGLE FUEL TRUCK

From behind the truck we see

INDY

emerge wearing the Russian Guard's jacket, cap and parachute

and carrying his machine gun. He moves to the rear door of
the aircraft and slips inside.

THE PROPELLERS

begin to turn.

INT. RUSSIAN PLANE/ STORAGE COMPARTMENT - DAY

Indy moves among the boxes, sees that they are U.S. Army
weapons. The SECOND RUSSIAN guard yells to him to close the
door.

Indy goes to the door and tries to close it but is having a

hard time. The guard yells again.

INDY
(under his breath)
Yeah, yeah, I'm getting it.

The Second Guard impatiently comes back to help, then notices

that Indy isn't his comrade. Before he can shout a warning,
Indy gives him an elbow and knocks him out the door. Then
closes the door.
 79.

INDY
I told you I'd get it.

EXT. PLANE ON CHESLAV - DAY

he watches the plane taxi away when suddenly he sees

something. The Second Guard laying on the runway. He looks
up at the plane...

ON REAR WINDOW

...and sees Indy's smiling face. Indy gives him a wave.

Cheslav is stunned but is too late to stop the plane.

THE PLANE

roars into the sky.

INT. PLANE/ MAIN COMPARTMENT - DAY

ON THE DEVICE

Bernard lifts the device out of its case. WE SEE TWO of the
rings have changed color, the countdown has begun.

BERNARD
Every millennium something comes
along to propel one civilization
light years ahead of the rest.
This is it.

ELAINE
You have no idea what you're
holding.

BERNARD
No, but we Russians will unlock
it's secrets and when we do, we
rule the earth for centuries.

ELAINE
All this time I trusted you.

BERNARD
You Americans are so foolish. You
look for the enemy in all the wrong
places. Poets, artists...Take
heart that the device is going to a
place where such research is given
its place of highest scientific
regard.
 80.

ELAINE
You don't know what that is.

ON INDY

He moves through the cargo hold looking for the device when
he sees Russian Soldiers THREE and FOUR examining the
American weapons, taking them from their crates.

THE THIRD RUSSIAN

picks up a bazooka. He puts it on his shoulder, tests its

weight and peers down the barrel. The FOURTH RUSSIAN waits
until the third one stares down the barrel and yells: BOOM!
The third one recoils in fright and the fourth laughs. Then
he sees Indy and calls to him.

FOURTH RUSSIAN
(to Indy, in Russian)
Hey, Yuri, come see the American
weapons.

When Indy doesn't respond, both men become suspicious.

THIRD RUSSIAN
You're not Yuri.

Indy wheels and aims his machine gun on them.

INDY
(in Russian)
Stay right where you are.

Immediately both soldiers throw their hands up, then they

laugh and start toward him. Indy pulls the trigger, nothing
happens.

FIRST RUSSIAN
It is a problem with Russian
weapons...

The second Russian holds up the machine-gun's magazine and

smiles.

FOURTH RUSSIAN
...they only work with bullets.

CUT TO:

INT. FORWARD COMPARTMENT - DAY

The door bangs open and Indy is shoved into the forward
compartment by the Fourth Russian soldier.
 81.

ELAINE
Indy!

They embrace.

BERNARD
Dr. Jones, what a surprise...

INDY
I bet. If you're heading to
Moscow, Bernard, I'd think twice
about it. This thing won't make
it.

ELAINE
What?

BERNARD
Oh, is it a time bomb now, Jones?

INDY
Take a look at it.

They notice that two of the concentrate rings are lit.

BERNARD
We have mountains back in Russia,
Dr. Jones. What a shame you can't
stay for the trip...something about
a weight problem.

He motions to the Fourth Russian who strips the parachute off

of Indy.

CUT TO:

CLOSE ON

A SET OF BOMB BAY DOORS

opening.

INDY

is held by the two Russian guards.

INDY
You're making a big mistake.
Bernard. I hold a grudge.

He signals the two Russians to toss him. Indy struggles to

keep from being thrown out when the plane suddenly rocks.
Bernard grabs the radio.
 82.

BERNARD
(to radio)
What is going on?

INTERCUT WITH

INT. COCKPIT - DAY

THE PILOT and CO-PILOT watch something flash passed the

windshield of the plane and disappears into the clouds.

PILOT
(to radio)
Comrade...something is following
us.

BERNARD
Is it the Americans?

PILOT
We don't know.

BERNARD
Lose it!

He motions the guards to move Indy away from the opening.

BERNARD
A temporary reprieve, I assure you.
Dr. Jones.

EXT. NORAD TRACKING FACILITY - COLORADO - DAY

A ground based radar tracking facility. It's radar dish

sweeps slowly around.

INT. NORAD - DAY

A fresh-scrubbed RADAR OPERATOR stares at the tiny radar

screen. Suddenly a blip move rapidly across his screen.

RADAR OPERATOR
Sir. I've got a blip over Tri-Wing
south southeast.

His SHIFT COMMANDER looks over his shoulder.

COMMANDER
Do we have aircraft in that
quadrant?

RADAR OPERATOR
Negative.
 83.

COMMANDER
Scramble intercept.

EXT. DESERT FIGHTER BASE - DAY

Two U.S. Sabre Jets roar off the runway into the sky.

INT. RUSSIAN AIRPLANE COCKPIT - DAY

The pilot and co-pilot crane their necks looking for the
flash when, suddenly the clouds ahead of them part and coming
straight at them at frightening speed is...

A FLYING SAUCER

It stops less than a hundred feet ahead of the plane and

hovers at the same speed as the plane, staying just in front
of it.

ON INDY, ELAINE AND BERNARD

Suddenly the plane is rocked. The windows glow with light.

The Russian Soldiers are panicked.

ELAINE
It's them.

BERNARD
Who?

ELAINE
The aliens...they want it back.

Bernard grabs the radio and calls the pilot.

BERNARD
Get away from them!

PILOT(V.O.)
I can't...

INTERCUT WITH COCKPIT

A beam of energy emanating from the space ship envelopes the

cockpit.

PILOT
They are flying the plane!

EXT. SKY - DAY

The two Sabre jets roar across the sky.

 84.

SABER ONE(V.O.)
(radio)
This is the United States Air
Force...You are in violation of
American airspace...

INT. SABRE JET COCKPIT ONE - DAY

SABRE ONE PILOT looks down and sees the space ship and the
Russian plane.

SABRE PILOT
(radio)
...What the?
(to Sabre Two)
Do you see that?

SABRE TWO(V.O.)
I see...I don't believe it.

SABRE ONE
(to the UFO)
Repeat, respond or we will
engage...

There is no answer.

SABRE PILOT
(radio, to Sabre Two)
Sabre Two, this Jigsaw
Daddy...Engaging.

SABRE TWO(V.O.)
Roger, that...

EXT. SKY - DAY

The two jets drop down on the craft. Running in classic

dogfight style, the two jets, mortars firing, take a pass at
the spaceship.

The spaceship wobbles from the hits but we see no damage.

THE TWO JETS

bank and come back for more. This time they fire missiles.
The missiles strike the ship and it releases its tractor beam
from the Russian plane.

INT. RUSSIAN COCKPIT - DAY

The pilots regain control.

 85.

EXT. SKY - DAY

The two jets come at spaceship from opposite directions for

one final pass, this time...

INT. COCKPIT SABRE JETS - DAY

INTERCUTTING BETWEEN THE TWO SABRE COCKPITS:

SABRE TWO'S POV

There is no spaceship...

SABRE TWO
What the?...Where'd it go?

SABRE ONE'S POV:

The saucer appears in front of him.

SABRE ONE
I've got it! In pursuit.

EXT. SKY

SABRE TWO(V.O.)
On your wing.

EXT. SKY - DAY

The two sabre jets roar one after the other out of the clouds
and after the flying saucer.

INT. SABRE ONE'S COCKPIT POV - DAY

Right behind the fleeing spaceship, staying with its every

move.

The pilot's finger moving to fire...The saucer dipping and

dodging almost instinctively just before the pilot can pull
the trigger.

SABRE ONE
Almost-one more second...

The pilot's thumb presses down to fire when suddenly the

Clouds clear, to reveal mountain directly ahead!

EXT. MOUNTAIN/ SKY - DAY

The saucer pulls up at an impossible angle. The Sabre,

unable to follow, rams into the face and explodes.
 86.

Sabre Two pulls up in time, just missing the top of the

mountain.

INT. SABRE TWO COCKPIT - DAY

The pilot stares back at the explosion.

SABRE TWO
Where'd you go, you cowardly
sonofabitch?

Suddenly the saucer appears in front of him over a mile away.

SABRE TWO
Try a taste of this.

He hits both his missiles.

THE MISSILES

race toward the saucer and explode, seemingly destroying the

saucer.

PILOT'S POV:

He sees the explosion and thinks he's scored a direct hit,

when suddenly through the cloud the saucer appears-clearly
unhurt.

SABRE TWO
What the...?

EXT. SKY - DAY

The Saucer fires an orange beam which surrounds the Sabre -

melts it.

INT. RUSSIAN PLANE

Indy and the others have watch as the plane disappears before
their eyes.

BERNARD
They're going to kill us!

INDY
No, they're not. If they wanted to
they would've already. They want
it back.

BERNARD
Never!
 87.

Bernard turns to the Russian soldiers.

BERNARD
Shoot it down!

The soldiers rush into the back.

ELAINE
Are you out of your mind? If the
jets can't stop them what can you
do?

BERNARD
We can not let them have it.

The fourth soldier appears with the bazooka.

ELAINE
You can't do that!

Indy pushes away from the third Russian and grabs the fourth
soldier and they begin struggling with the bazooka...

INT. COCKPIT - DAY

The saucer returns in front of the plane and again locks on

with its tractor beam.

INT. MAIN COMPARTMENT - DAY

Indy and the soldier struggle for control of the bazooka when
suddenly the weapon goes off! The shell rips through the
compartment, hits the Third Russian soldier and blows through
the door to the cockpit, knocking out the cockpit, nose of
the plane and hitting the saucer.

EXT. SKY - DAY

The saucer, definitely wounded, cuts the tractor beam and

wobbles off. But now...

INT. RUSSIAN PLANE - DAY

...nobody is flying it. Wind rushes through the hole in the

empty cockpit. For a moment it appears to be flying fine.

Indy and Bernard exchange looks, then...

THE PLANE

starts to dive.
 88.

MAIN COMPARTMENT

The wind ROARS through the compartment and sucks the Fourth
Russian out the opening...

INDY

grabs Elaine to keep her from going out. He reaches for the
parachute that was taken off of him.

BERNARD

lets go of the device. It rolls away, lodging behind another

seat.

ELAINE

sees it and reaches for it.

ELAINE
I can get it.

She stretches for the device...

Indy pulls his arm through a parachute, then sees her.

INDY
Elaine! No!

ELAINE
I can't reach it!

BERNARD

clutches his seat, for a moment he seems safe then the seal
rips free and it and Bernard flies out of the plane,
screaming.

ELAINE'S

fingers grasp the device, she's got it. but her hold on the
seat is slipping...she can't hold on.

INDY
Take my hand!

She tries but can't reach him without releasing the device in
her other hand.

INDY
Let it go!
 89.

ELAINE
No.

Indy reaches for her and just as he's about to grab her, her
grip slips from the seat and she is sucked out the opening,
still holding the device.

ELAINE
Indyyyyyy!

Indy releases his grip and follows her out the hole.

EXT. SKY - ELAINE FALLING - DAY

ELAINE'S POV:

The ground far below, spinning up at her.

ELAINE IS TERRIFIED

THE SOUND OF THE WIND roaring by at 180 feet a second. Then

suddenly a hand grabs her, then another...

Indy's got her.

INDY
Hold on!

WHAAAOOOOP! And they are shot skyward as he releases the

parachute.

ANGLE ON THE PLANE

It plummets to earth and explodes in a fireball. The saucer

clearly damaged from the Sabre attacks returns to the burning
wreckage. It hovers and green lights scan the wreckage,
checking for the device.

Then the lights go out and the saucer rises slowly and moves
away.

EXT. DESERT - LATE DAY

As the parachute blows across the ground, Indy and Elaine a

trudge up a steep hill. She clutches are the device, two more
rings are marked.

ELAINE
If they wanted it that badly,
they'll keep hunting for it.
 90.

INDY
No they won't. They'll think it
was destroyed. We've got to find a
phone and call the base, before we
run out of time.

They reach the top of the hill and a see below a cluster of
shops and a two lane blacktop.

EXT. TRINKET SHOP - DUSK

A decrepit trinket shop. A flickering neon light in the

window advertises authentic Indian moccasins. Indy and
Elaine climb the steps of the porch, and go inside.

INDY
Hello? Anyone here?

No answer. They look around. A coffee cup, stands on the

desk, still steaming. Music plays from an old radio. There
is an eerie feel to the place. Indy looks behind the desk
for a phone.

ELAINE
Indy...I don't like the feel of it.
Too deserted.

INDY
Got to be someone here, coffee's
still hot.

Just then they hear a noise in the back of the store.

INDY
Hello?

No answer.

ELAINE
(a little worried)
Hello? Indy, maybe we should
leave?

Suddenly a little dog trots out of the back to greet them.

Elaine lets out a huge sigh of relief.

ELAINE
(to dog)
Hello there...You're a cutie.

The dog wags his tail. Indy continues to search for a phone.
 91.

INDY
Ask him if he's got a phone.

The dog barks as if he understands, then trots into back

room. Indy gives Elaine a look and follows the dog.

INDY
(to Elaine)
Stay here, in case anyone comes
back.

Indy follows the dog into the back room. Elaine continues to
look around.

EXT. TRINKET SHOP - DUSK

Indy follows the dog around the front.

INDY
(to dog)
You know where you're going?

The dog pauses and gives Indy a bark, then keeps going. They
move toward another building across the street.

INT. GARAGE - DUSK

Indy steps inside, in the gloom we see it is a garage. He

hunts for a phone, but not finding one, he spots something
else... an old pickup truck.

INT. TRINKET SHOP - DUSK

Elaine moves around the shop, still clutching the device, and
for the first time begins to relax. She doesn't notice that
outside the window...

EXT. TRINKET SHOP - DUSK

A little wind picks up, rattling the wind chimes on the

porch.

INT. TRINKET SHOP - DUSK

THE BUZZING NEON SIGN blinks, then suddenly goes out.

THE COFFEE MUG

The rising steam suddenly disappears.

CLOSE ON THE RADIO

The MUSIC suddenly CRACKLES and goes dead.

 92.

ELAINE

notices the silence and doesn't like it one bit...

ELAINE
Indy?

No answer, then a DEEP HUMMING. So deep that the items on

the shelves begin to dance and rattle like an earthquake...

EXT. TRINKET SHOP - DUSK

The HUMMING grows LOUDER as a trolling shadow slowly passes

over the shop. Suddenly the familiar fingers of green probe
lights strike the roof of the shop...

INT. TRINKET SHOP - DUSK

In the gloom of the shop Elaine clutches the device and

stares at the ceiling where the old roof GROANS and CREAKS as
if someone is walking over it. Dust filters down and the
light fixtures swing...

ELAINE
(worried)
Innn...dyyy...forget the
phone...let's just leave...

Just then the HUMMING STOPS. In the silence Elaine catches

her breath and hears the sound of the back screen door CREAK
open. And the dog begins GROWLING.

ELAINE
Indy? Are you back there?...I said,
let's leave.

She moves slowly toward the back.

ELAINE'S POV:

as she turns the corner we see the dog. It is BARKING at

something in the back behind some shelves.

ELAINE

clutching the device to her chest enters the room.

ELAINE
Indy...is that you...I said-
 93.

Suddenly the dog YIPS and the THING behind the shelves
extends itself, standing up to reveal an enormous spidery
creature, with seven-foot long arms and bony fingers. Its
pale wet "skin" seems translucent.

The SPIDERY ALIEN turns a long sinister face towards her.

Elaine SCREAMS.

The alien slowly reaches toward her with its long arms...
coming closer

ELAINE

bolts back into the shop and see

ANOTHER SPIDERY ALIEN

across the room. It turns toward Elaine knocking over

shelves. Moccasins and carved wooden souvenirs go flying.

ELAINE

screams and bumps into the door frame with the device. The
creatures recoil like snakes. The First Alien's jaws move
and emit a guttural sound.

SPIDERY ALIEN
Mookaarahhh...

The dog valiantly ducks between the legs of the first

creature and charges the second, nipping at its leg.

The alien skitters like a crab backward and aiming a long

finger freezes the dog in mid-bark.

The disruption is all Elaine needs. Before the creature can

react, she rushes back through the store and --

EXT. TRINKET SHOP

...out the door as Indy pulls up in the old pickup just as

she runs out.

INDY
There's nobody here, but-

ELAINE
Drive! Just drive!

INDY
What?
 94.

ELAINE
Don't talk. Drive!

Indy floors it. The truck roars out onto the road.

INT. TRUCK - DUSK

Elaine catches her breath and looks out the back window as if
expecting to see the aliens behind them at any moment.

INDY
What is wrong?

ELAINE
Two of them...Big...Long
arms...Poor dog.

INDY
He killed the dog?

ELAINE
Yes! No...I mean---I don't know.
He froze it.

Elaine's nearly hysterical.

ELAINE
I don't know! I don't know! They
followed us!

Indy slams on the breaks and they slide to a stop next to a

corrugated fence.

INDY
Elaine...are you sure you saw
something? They think we died in
the crash.

ELAINE
I'm not imagining things!

Suddenly they look up and see:

A GIANT LOUSE

looms above them. Elaine screams, before realizing they're

outside a drive-in movie theatre.

The giant louse is part of a movie preview that's showing.

Elaine gets a hold of herself.

 95.

ELAINE
They weren't small like the others.
Like soldiers, Indy, they know
we're alive, and they know we have
this.

She looks at the device and they see it is now half changed.

ELAINE
Oh, my god...it's changing faster.

INDY
Come on... We'll find a phone
inside.

EXT. DRIVE-IN THEATRE - NIGHT

Indy and Elaine pay at the ticket booth and pull into the
back row of the theatre. Next to a cinder block concession
stand we see a pay phone.

INDY
There's the phone. I'll call the
base. You stay here.

ELAINE
That's what you said the last time.

INDY
Trust me.

Indy gets out of the car. Elaine watches him go then looks
up at the screen.

ELAINE'S POV: THE FILM

An alien armada covers the sky. On earth the humans run for
cover.

Elaine watches...clearly she's not a sci-fi aficionado, but

she's intrigued.

TEENAGE BOYS VOICE(V.O.)

This is so cheezy.

Elaine looks over in the next car, a convertible where a

TEENAGE BOY AND HIS DATE watch the movie. The movie's SOUND
TRACK comes from their small speaker hung on the window.

TEENAGE BOY
They don't have rays like that!
 96.

GIRL
How do you know?

ELAINE
(to the girl)
He's right, the rays are
invisible...and the ships are much
bigger.

The couple gives her a look. Elaine reaches out and puts her
speaker on the window to hear.

ON INDY

on the phone.

INDY
Get me General McIntyre...

ON SCREEN

The alien in a bubble helmet is trying to communicate with

the earthlings.

ON ELAINE

watching...transfixed.

ON SCREEN

The FEMALE LEAD (MISS ROBERTS) talks to DR. DOOM, in the

presence of the alien.

MISS ROBERTS (V.O.)

They're trying to talk to us,
doctor, what're they saying?

ON SCREEN ALIEN(V.O.)
Do not be afraid, earthling...

ELAINE reacts so loud that she gets the attention of all the
couples around.

ELAINE
No, that's not what they say at
all!

ANGLE BOY AND GIRL next to her.

watching Elaine...
 97.

ELAINE
If they talked at all it would be
so much easier...

ON SCREEN

The alien moves in rigged jerky robotic-like movements.

ELAINE
Wrong! Totally wrong! And they
sound like...
(making the alien's
guttural sound)
Moo-kaa-ra...Ma-kah-ra...

Suddenly the sound, seems familiar, but not quite...

ELAINE
(to herself)
Moo-kaa-rahh.

ON GIRL AND BOY

the girl moves away from the boy, concerned about where
they're parked.

GIRL
(to boyfriend)
I told you only weirdos park on the
back row.

The boy nods in agreement. He starts their car and they move
to a new parking spot.

ON INDY

talking on the phone.

INDY
(to phone)
We'll stay right here.

He hangs up and moves back to the truck. As he walks he

realizes that every couple in every car is necking.

INT. PICKUP - NIGHT

Elaine jumps as he opens the door. The tinny speaker in the

window plays the sound track to the movie.

DOCTOR DOOM(V.O.)
Miss Roberts, there isn't time!
 98.

INDY
They know where we are. We're
going to stay here till the army
arrives.

MISS ROBERTS(V.O.)
Please, Doctor...

ELAINE
Here? Do you think it's safe here?

INDY
I don't know...

He looks into her eyes and pulls her across the bench seat,
closer to him.

INDY
...I think it's safer over here.

ELAINE

snuggles a little closer.

ON SCREEN

Miss Roberts is almost hysterical.

MISS ROBERTS(V.O.)
My God, Doctor! Do something!

ELAINE

smiles at Indy.

ELAINE
My God, Doctor...do something...

Indy kisses her. She kisses him and they slide down in the
seat. She reaches up and turns off the movie sound.

EXT. SKY - NIGHT

A full moon illuminates the desert. Suddenly a shadow crosses

over the moon.

EXT. DRIVE IN/ THE MOVIE - NIGHT

ON SCREEN

The armada of flying saucers hover over the city. Frightened

pedestrians run for cover...
 99.

EXT. WIDE OF DESERT/ DRIVE IN - NIGHT

The drive in below. The movie flickers in the stillness,

then the saucer, a black disk, floats like a shadow over the
cars.

EXT. SAUCER'S POV: - NIGHT

Moving slowly over the cars. As it passes over the roofs we

see each car x-rayed. Inside we see kissing couples, then it
moves to the next one -- another x-ray. The couples below
completely oblivious to the action overhead.

Suddenly the ship stops over Indy and Elaine's truck. It's x-
ray shows Indy and Elaine making-out like everyone else. The
device rests between them.

EXT. SAUCER - NIGHT

It's tractor beam fixes itself to Indy's truck...

ON SCREEN

A space ship emits a glowing tractor beam which attaches to

an ocean liner and lifts it out of the water...Water drips
from the boat hull...

EXT. INDY'S TRUCK - NIGHT

THE TIRES

are lifted slowly off the ground...dirt falls from the

treads..

THE SPEAKER WIRE

tightens. WE SEE the sign on the speaker stand: DON'T

FORGET YOUR SPEAKER just as the taut wire snaps.

INT. TRUCK - NIGHT

Indy and Elaine kissing, oblivious to what's happening...

ELAINE
I never knew drive-in movies were
so interesting...

She kisses him again.

 100.

EXT. DRIVE-IN THEATRE - NIGHT

The truck rises in the air, lifted by the invisible tractor

beam, over the rear fence. Then it moves off beneath the
space ship over the desert.

INT. TRUCK - NIGHT

THROUGH THE WINDSHIELD

we see all the stars of the heaven. A romantic moon overhead

is full and shining...They are obviously well off the
ground...WE PULL BACK to find Indy and Elaine kissing...then
finally.

ELAINE
Oh, Indy...can you ever forgive me
for running out like that!

INDY
I'll think of something...

He moves in to kiss her again, then stops, something's net

right. He sits up. Elaine looks up dreamily, then she too
sees, something's not right.

ELAINE
Oh, my God!...You said it was safe!

They look up and see the saucer above them.

ELAINE
Where are they taking us?

EXT. DESERT SKY - NIGHT

The saucer with the truck beneath it moves across the quiet
desert.

INDY (V.O.)
Out to the desert.

EXT. DESERT - NIGHT

The space ship lowers the truck and drops it gently onto the
ground. It moves a little ways away and also land.

INT. TRUCK - NIGHT

Indy watches fascinated, but Elaine locks both doors.

INDY
Don't panic.
 101.

ELAINE
That's easy for you to say, you
didn't see that one in the shop...

Suddenly the locks pop up. She rolls up the windows. They
shatters blowing the glass OUTWARD.

ON THE SAUCER

The door slides open. A ramp is lowered and a moment

later...

A BUG-LIKE CREATURE

appears in the light of the ramp. It is small, the size of a

dog, not at all like the tall spidery creature from the shop.

ON ELAINE AND INDY

watching from the truck.

ELAINE
That's not like the ones I saw.

INDY
Well, it's coming toward us.

ANGLE THE RAMP

and it is, moving into the headlights of the truck. The

thing moves up in front of the truck.

INDY
I'm going to try and decoy it.
When I do, get behind the wheel and
drive.

Indy grabs the device and climbs out of the truck.

INDY
Hey, you...over here!

The thing turns its head in Indy's direction.

INDY
You want it?! You want it?

The thing doesn't move, it seems paralyzed.

INDY
Move away from the truck or I'll
destroy it!
 102.

He raises it above his head, threateningly. Immediately, the

thing springs off the truck.

ELAINE
Indy! Look!

On the ramp appears WE SEE a SMALL ALIEN, like the ones

killed in the crash. For a moment the Alien looks out at
Indy, then mutters a desperate sound.

ALIEN
Mukara. Mukara!

The same sound that the tall Alien said to Elaine.

ON ELAINE

recognizing the sound.

ELAINE
"Mukarah?"..."Mukarah"...Oh, my
God...

She throws open the door to the truck and rushes toward Indy.

ELAINE
Indy!

INDY
Elaine, get back in the truck!

ELAINE
Indy! No! He's telling us
something...

Indy lifts the device again. In the doorway the small alien
shrinks with fear, the bug-like creature stops.

ELAINE
They're scared of it. Or rather
they're scared of what we'll do
with it.

SMALL ALIEN
Mukara.

ELAINE
Mukara. "Dengerous"...It's
Sanskrit...
(to the alien)
Salluh, karcroom. Sallee.

For a moment the small alien stares at them.

 103.

INDY
What did you say?

ELAINE
I asked him to explain.

Suddenly the alien begins talking quickly, loudly. When he

stops, Indy looks at Elaine.

INDY
What did he say?

ELAINE
I don't know.

INDY
What do you mean you don't know!?

ELAINE
I mean, this is not exactly an
everyday language with me.

INDY
Tell him we won't hurt them.

ELAINE
(to small alien)
Mallee. Chasu. Cripto.

The Small alien nods.

INDY
Tell them, I'm going to give it
back.

Elaine translates.

INDY

takes a step toward the saucer and the reaction is immediate.

THE ALIEN

begins talking quickly and shrinks back inside the ship.

INDY
What is it? What's he saying?

ELAINE
They don't want it...

INDY
What?
 104.

THE SMALL ALIEN

suddenly cocks his head, alerted to a sound. Before he can

move.

EXPLOSIONS

rock the area.

INDY AND ELAINE

look up to see the hills surrounding the space craft are

ringed with military vehicles.

FLOOD LIGHTS ILLUMINATE THE AREA

A TANK

opens fire, hitting the saucer before it can close its door.

ELAINE

watches in horror.

ELAINE
No!

But she can do nothing to stop the onslaught.

INDY

grabs her and pulls beneath the truck for cover.

The spidery alien is ripped apart by machine gun fire...WE

SEE it is a robot.

THE SAUCER

tries to take off but the artillery is too much.

A TRUCK with NUKE MISSILES

fires at the saucer.

The vulnerable craft it doesn't even try to return fire. The

missiles send it into the side of the mountain.

Another missile scores a direct hit and the saucer explodes

in a huge fireball above the area.

FIERY CHUNKS OF METAL

cascade down the mountain.

 105.

INDY AND ELAINE.

stare helplessly as the Army moves down to them.

BOLANDER

is driven down by jeep to the pickup truck.

BOLANDER
(to soldiers)
Arrest them!

Indy and Elaine are handcuffed by the soldiers.

ELAINE
You never gave them a chance!

BOLANDER
They're hostile, Elaine...They took
out two of our jets. They were a
threat to the United States.

ELAINE
They were telling us what to do
with it.

BOLANDER
So now you've talked to them?

ELAINE
Yes!

BOLANDER
And what did they say? Give it back
to them?

He laughs.

INDY
Listen to her, Bolander. It might
save your life. That wasn't one of
their fighter ships...

The General is concerned.

GENERAL
(to Indy)
What do you mean?

INDY
You destroyed an unarmed ship.
That's not like the one that took
out the jets. We saw it.
 106.

BOLANDER
Yes, while you were trying to get
away on the Russian plane. We know
about that Dr. Jones.

ELAINE
Don't believe us then, just look at
the device.

Bolander and the General stare at the cylinder. More than

half the rings are lit.

INDY
We're running out of time.

BOLANDER
Save your breath, Jones...You'll
need it at your trial.
(to a Sergeant)
Take them back to the base.

The SERGEANT, his back to us, salutes.

SERGEANT
Yes sir!

Bolander moves to his jeep and the Sergeant barks orders to

TWO YOUNG SOLDIERS who move Indy and Elaine off.

SERGEANT
You hear 'em, get these two outta
here.

As they are taken away the sergeant's head turns and we see
it is

CHESLAV

He watches

BOLANDER

climbs into his jeep with the General.

INDY AND ELAINE

are loaded into the back of a troop truck. They take a seat
in the rear, and as the tailgate closes and the truck moves
away, Indy looks out and sees Cheslav.

The Russian spy gives Indy the same smile, Indy gave him from
the plane.
 107.

ON INDY

INDY
Cheslav. He's here.

ELAINE
We've got to stop them.

EXT. DESERT ROAD - NIGHT

The Army convoy of missile trucks, troop trucks, and jeeps,

follows the road into the mountains.

BOLANDER

looks at his prize almost lovingly.

HIS DRIVER

notices something...

OVERHEAD

the clouds begin to boil. Lightning flashes in the distance.

The wind picks up.

TROOP TRUCK

The canvas ripples in the wind, then is ripped off the top
exposing the troops inside.

GENERAL

noticing the weather...

GENERAL
What is going on?

Bolander looks up at the clouds, then at the device...another

ring is lit.

GENERAL
Maybe we should stop?

BOLANDER
No, keep going!

INT. TROOP TRUCK - NIGHT

The soldiers look up at the sky scared. Elaine is scared

too.
 108.

ELAINE
Indy...

INDY
I know.

CLOSE ON HIS HANDS

He's working the knots against the sharp edged railing of the
truck, he's cut about half way through.

EXT. THE CONVOY / MOUNTAIN ROAD - NIGHT

Suddenly a streak of light flashes over the convoy.

Another flashes by in the opposite direction...

BOLANDER AND THE GENERAL

watch it, concerned.

THE FLASH

returns and moves with the convoy exposing itself as a

saucer, before disappearing over the next rise.

BOLANDER
I thought you said you got them
all!

GENERAL
Don't worry. We'll take care of
it.

He gets on his radio.

GENERAL
Follow it!

The convoy moves into the valley following the saucer.

TROOP TRUCK

CLOSE ON INDY'S HANDS

He cuts through the ropes, looks up at

THE TWO GUARDS

they are distracted by the disturbances in the sky.

Elaine's face flares.

 109.

ELAINE
Makoo, Churoo. Keesna!

The guards look at her, frightened.

GUARD
(to Indy)
Hey, make her shut up!

INDY
I can't. She's possessed. They're
speaking through her.

The guard comes over.

GUARD
What did she say?

Indy whips his arms in front, and take his gun. He points it
at the two young soldiers.

INDY
She said, get out before they kill
you.

Both men jump off the moving truck.

ELAINE
Now what're we going to do?

INDY
Get this truck.

ELAINE
How're you going to do that?

INDY
Climb over to the cab.

ELAINE
But Indy!

INDY
Don't worry--I've done this before.

ANGLE THE TRUCK

Indy holds the railing and swings out but unlike before, he
slips...His grabs the railing and holds on, but his feet drag
the ground. He tries to pull himself up.
 110.

THE DRIVER

looks in his rear-view mirror and sees Indy. He tries to

swing the truck around to shake him off, but Indy hangs on.

INDY
Elaine!

She hangs over the side seeing his predicament.

ELAINE
I thought you said you'd done this
before!

INDY
Do something!

Elaine grabs the soldier's gun and taps on the window behind
the cab.

ELAINE
(to the driver)
Please, stop the truck. Now.

The driver looks through the window, sees the gun pointed at
his head and --

THE TRUCK

pulls over.

INDY

yanks the driver out from behind the wheel and climbs in.
Elaine climbs in the passenger side.

INDY
Don't say it.

He puts the truck into gear and starts after Bolander and the
convoy.

THE CONVOY

moves toward the saucer about the size of a small car. It

appears to sit on the crest of a ridge.

GENERAL
Okay, let's finish this job.

The troops spread out

ROCKETS are prepared.

 111.

TANK TURRETS

swing into position.

SHELLS

are loaded into barrels...

SOLDIERS

wait for the command.

GENERAL
We've got 'em. Fire!

Missiles and tank shells open fire on the space craft. For a
moment the sky is lit up with artillery. When the smoke
clears the space ship is clearly damaged. Its lights are
weaker.

GENERAL
I think we just about have it.

Then suddenly the craft begins to rise.

And we see that the small saucer --

--is really the top piece of a much larger saucer...

It continues to rise above the ridge the higher and higher...

THE FACES

of the soldiers are illuminated by its lights until the

entire valley shines like day.

THE SAUCER

towers above them majestically.

GENERAL
Now, I know how Custer felt.

For a moment the huge saucer does nothing and then --

A WIND

Begins to sweep across the valley floor in the direction of

the army.

As it blows it creates small cyclones and picks up more and

more speed.
 112.

BOLANDER

seizing the moment, climbs behind the wheel of the jeep and
makes a run for it.

THE GENERAL

stands his ground.

GENERAL
All fire!

But this time...it is too late...

TANK BARRELS
are clogged with sand.

MISSILE TRUCK COMMANDERS

are blinded.

SOLDIERS

suddenly drop their guns and run.

But the wind catches them.

JEEPS

are flipped, their occupants go flying.

TANKS

spin crazily away, like plastic toys.

MEN

are buried in the sand.

THE GENERAL

watches in disbelief and then is also buried in the burning

sand.

EXT. DESERT JUNCTION - NIGHT

Indy and Elaine roar up to the intersection. The valley lays

to the right.

ELAINE
Indy look!

Far up the valley the swirling destruction can be seen.

 113.

ELAINE
It's too late.

INDY
No we're not.

He looks down the other road, where we see...

BOLANDER'S JEEP

driving alone up into the mountains. Indy turns the truck to

follow.

ON BOLANDER

he is driving like a man, who's seen the devil himself.

Suddenly bright lights hit his mirrors. For a moment he

thinks it is the saucers, then he sees it is a troop truck.

ON INDY AND ELAINE

in the troop truck as they pull even with Bolander's jeep.

ELAINE
Indy, be careful...Don't hurt him.

Indy yells out the window.

INDY
Pull over, Bolander!

But Bolander aims a pistol at them and fires three shots.

INDY AND ELAINE

duck as the bullets ZING over their heads and Elaine changes
her tune.

ELAINE
Run him off the road!

She grabs the wheel and tries to turn it into Bolander's

jeep.

INDY
No. Take the wheel.

They shift places and Indy climbs out of the moving truck.
Bolander senses what he's going to do and begins swerving but
Indy leaps onto the back of the jeep.

Bolander leans over the seat and fires

 114.

INDY

drops and for a minute Bolander thinks he's shot him. He

stops firing and the minute he does Indy reappears and slugs
him.

The two men fight in the weaving, swerving jeep. Indy hits
Bolander and the jeep suddenly veers dangerously into toward
railing in the left lane.

ELAINE

seeing the jeep going for the edge accelerates --

THE TRUCK

moves between the jeep and the railing, but the jeep keeps
coming almost forcing the truck over the edge of the cliff.

ELAINE

pulls the wheel hard to keep control.

ON INDY AND BOLANDER

Indy finally punches Bolander out and takes the wheel. He

signals Elaine to follow him.

EXT. MOUNT KEEMO - DAWN

Indy and Elaine stands on the deserted summit with the

device.

ELAINE
What if this isn't the place?

Indy stares out at the broad rocky terrain. A cairn of

stones marks the summit.

INDY
It's the place. Stay here.

He moves across the summit toward the cairn and looks around.
The sun is almost up. There is a strange light in the sky.

THE LIGHT

grows stronger coming up the sides of the mountain.

ON BOLANDER

in the jeep. The injured spy seems roused by the lights.

 115.

ELAINE

watches amazed. Filled with wonder.

INDY

stands almost paralyzed as THREE SAUCERS come up on each

side.

They continue to climb higher until they are overhead. Then

brilliant GREEN lights from each ship focus on the rock
cairn.

INDY

moves slowly toward the cairn and starts to place the device
on it when a VOICE from behind, stops him.

CHESLAV(V.O.)
Stop, Indiana!

INDY

turns to see:

CHESLAV and ELAINE

He holds her with a gun to her neck.

CHESLAV
That's right Jones...don't put it
down.

He cocks the gun.

INDY's face is grim.

INDY
Elaine...

CHESLAV
If you want to see her alive, step
away from the alter...Now.

ELAINE
Don't do it, Indy...

But Indy steps away.

INDY
Let her go, Cheslav.
 116.

CHESLAV
First, toss me the device.

Indy looks from Elaine to the device.

INDY
You want it Bolander...Go get it.

He tosses it onto the pile of stones. Immediately the stones

begin to glow.

CHESLAV

releases Elaine and rushes for the device.

BOLANDER

seeing it so close rushes toward it also.

INDY

runs to Elaine.

ELAINE
What's happening?

Bolander knocks Cheslav away. He grabs the device and holds

it up, over his head like a sword. Suddenly the ground
around him begins to glow. His body becomes radiant, bathed
in a strong golden light...He feels stronger, smiles
confidently

BOLANDER
(feeling the power)
Bow down...bow down rulers of the
universe...for I now have the
power!

THE SAUCERS

energy seems to fade, as if Bolander is sapping their

energy...As he glows brighter the ships lights seem to grow
dimmer...and then...suddenly white light erupts from the end
of the device and stabs skyward...

BOLANDER
I have the power!

He swings the light and aims it at Cheslav who feels it's

heat.

CHESLAV
No!
 117.

He tries to move but the heat is searing in and instant the

man's body melts before our eyes.

INDY AND ELAINE

shield their eyes from the blinding light but also from
something else...

THE SUN

breaks the horizon...sending its first red beam of light to

summit and hitting the device...

Instantly

THE SAUCERS

also grow brighter...as if they are tapping into Bolander's

power source.

Bolander feels the drain.

He brings the device around and aims it at the saucers, but

it has no effect.

BOLANDER
No!

Instead the ground around him begins to steam, rocks GLOW...

And suddenly a beam erupts from the other end, hitting

Bolander on the forehead and splitting him in two as cleanly
as a axe...

He crumples in a melting mass. The device remains suspended.

As the ground glows whiter and whiter.

INDY AND ELAINE

bathed in the light...

THE SAUCERS

glow brighter, HUMMING LOUDER until in one incredible

THUNDERCLAP, they roar off, splitting through the atmosphere
like bullets...In their wake the entire mountain is whipped
by furious winds and then...everything is left silent.

INDY

holds Elaine. Around them there is no trace of the device,

Bolander, Cheslav or the Saucers.
 118.

They are alone.

EXT. CHURCH - DAY

A bright day. The church bell rings furiously.

INT. CHURCH - DAY

CLOSE ON HENRY JONES' HANDS

as he tries tying Indy's tie again.

HENRY
The last time I heard a story like
this, was when you were trying to
get out of your Greek lessons...We
were on the Carpathian off the Bay
of Bengal and you told you tutor,
you had just seen a sea serpent.

The minister motions them out to the chapel...

THE SANCTUARY

is filled to overflowing. Indy and Henry move into their

positions still discussing arguing...

INDY
I did see a sea serpent...

Henry's skepticism is heavy.

HENRY
Flying saucers...Doesn't this world
hold enough mysteries that you
don't have to go out and make up
new ones?

Indy is about to say something when..

The WEDDING MARCH begins and both Indy and Henry gaze back
at...

ELAINE

She smiles and her beauty seems to freeze them both. For a
moment both father and son are struck by her radiance.

HENRY
She's beautiful, Junior...

INDY
Yes, she is.
 119.

Elaine moves down the aisle.

HENRY
(sotto)
Hopefully, she'll put some sense in
you.

INDY
(sotto)
She spoke to them.

HENRY
(sarcastically)
In Greek, I supposed.

Elaine smiles at Henry.

ELAINE
(sotto)
No...Sanskrit.

Off Henry's reaction Indy steps out and takes Elaine's hand
from her father's as we

CUT TO:

EXT. CHURCH - DAY

Sallah, Marion, Willie and others throw rice on the couple as

they leave the church for the car.

ELAINE

pauses to through the bouquet and it is caught by Willie...

She and Indy climb into the car...

INT. CAR - DAY

And the driver turns around...it's Short-Round.

SHORT ROUND
Where to Dr. Jones?

INDY
The airport, Shorty and step on it.

SHORT ROUND
No problem...

Elaine wraps her arms around Indy's neck.

 120.

ELAINE
I love you, Dr. Jones...

INDY
I love you, Dr. Jones...

They kiss as we

CUT TO:

THE WEDDING CAR

roaring off down the road. Cans banging behind it.

THE END