Accesorios para Microfonos

MICROPHONE ACCESSORIES
670
ACCE S S O R I ES
Shotgun Accessories—Shockmounts
Audio Technica Audio-Technica Azden
AT8415: Uiversal shockmount, the AT8415
features a rubber membrane suspension for
isolation from motion and cable noise. Height
and angle adjustment knobs are also provided.
◆ Attenuates noise, shock and vibration
transmitted through mic stands, booms and
mounts.
AT8410A SMH-1
AT8415D AT8415
◆ Lightweight, low-profile design is ideal for
“fishpole” booms and video use
◆ Accepts cylindrical and tapered K-Tek
microphones
◆ Constant-tension clutch and 360° rotation
KSM: Ruggedly constructed shockmount with KSMS: Same as the KSM except with ultra soft,
stretchable polymer formulated suspenders stretchable polymer-formulated suspenders.
◆ Compatible with 3/8”-16 and 5/8”-27 and vertical angle adjustment to accomodate (Mfr # KSMS • B&H # KTKSMS) .................................119.95
threaded stand mic diameters from 19 to 25mm. Attaches to
AT8415 (Mfr # AT8415 • B&H# AUAT8415) ..............49.95 any boompole via 3/8” thread. Can be used K-GPS (General Purpose Suspension):
with Rycote & Sennheiser zeppelins with This versatile high tech 4-point suspension
AT8415D: Same as above, except it adds a pair addition K-BWA clamp adapter. system features K-Tek’s unique K-SUS polymer
of K-Tek’s K-SUS Deluxe 4-Point Polymer (Mfr # K-SM • B&H # KTKSM) ...................................119.95 suspenders spaced 3-1/5” apart in a precision -
Suspenders. Designed for shockmounts, K-SUS machined aluminum frame. The result is a
K-SSM: A short version of the KSM. It is
is a rugged replacement accessory pair of lightweigh shock mount that fits a wide range
designed for short shotgun mics like the
polymer microphone suspenders, featuring a of microphones. Swivel mount with 3/8” - 16
Sanken CS-1. (Mfr # K-SSM • B&H # KTKSSM).....119.95
4-point design that provides incredible shock thread permits quick mounting to boompoles.
and motion isolation. (B&H # AUAT8415D) ......64.95 K-CAM-SM: Same as the KSM, except it
(Mfr # K-GPS • B&H # KTKGPS) .................................154.95
features a camera shoe mount fitting, allowing
placement on video cameras. K-GPSS: Short version of the K-GPS otpimized
AT8410: Attenuates noise, shock and vibration
(Mfr # K-CAM-SM • B&H # KTKCAMSM) .....................74.95 to fit mics like the Sanken CS-1. It uses K-SUS
transmitted through mic stands, booms and
mounts. Spring-clip fits most tapered and K-CAM-SSM: Shorter version of above, for polymer suspenders spaced 2” apart in a
cylindrical mics. Permits easy microphone short shotgun mics like the Sanken CS-1. precision machined aluminum frame.
insertion and removal without detaching mic (Mfr # K-CAM-SSM • B&H # KTKCAMSSM) .................74.95 (Mfr # K-GPSS • B&H # KTKGPSS)..............................154.95
cable. Compatible with 5/8”-27 threaded
stands. (Mfr # AT8410A • B&H # AUAT8410A) ..........49.95
Beyerdynamic K-Tek Lightwave Audio

Azden
SMH-1: The SMH-1 is a single piece housing
with flexible bands to hold a shotgun mic
securely and to isolate it from unwanted
vibration and noise.
SMH-1 (Mfr # SMH-1 • B&H # AZSMH1) ..................29.95
K-SM
EA86 K-GPS K-CAM-SSM MM-XL
Beyerdynamic EA86
EA86: A cost effective camera mount, shock
absorbing shotgun mic holder, the EA86
Lightwave
isolates the microphone from moving, MM-XL Minimount MM-USC Minimount
vibration, bumps and motor hum, etc. The A low profile lightweight microphone mount, Mic mount featuring a shoe-mount fitting
EA-86 consists of a one piece plastic “T” shape the MM-XL isolates the mic from incoming which fastens securely to camera accessory
that houses a flexible banded tube mount for zoom, gear or motor noise, lens, and mic shoe. Features rubber shock mounting to
the shotgun, a built-in shoe mount adapter, boom handling noise. Fitted with a 27mm reduce structure born noise. Accommodates
and threaded hole underneath that enables diameter camcorder clamp carriage for use most shotgun, stereo and other boom-pole
mounting on a fish pole or mic stand. with Canon XL-1, XL-2 and Sony camcorders. mounted microphones.
EA86 (Mfr # 407186 • B&H # BEEA86) .....................34.90 (Mfr # MMXL • B&H # LIMMXL) ...............................125.00 (Mfr # MMUSC • B&H # LIMMUSC) ...........................165.00
www.bhphotovideo.com
671
ACC E S S O R I ES
Shotgun Accessories—Shockmounts
PSC Rycote
Softie Multimount V2
Extremely robust, one-piece rubber shock mounts 58 x 56mm (diameter x length) that supports
short to medium length shotgun mics. Mounts to either a camcorder hot-shoe or to a boom pole
USM with a 3/8” Whitworth tip. Available with various hole sizes to accommodates different width mics.
Small Hole to fit 19-20mm diameter mics. (Mfr # 037308 • B&H # RYMMV2S) ............................................... 95.00
Medium Hole to fit 21-22mm diameter mics. (Mfr # 037309 • B&H # RYMMV2M)......................................... 95.00
Large Hole to fit 24-25mm diameter mics. (Mfr # 037310 • B&H # RYMMV2L) ............................................... 95.00
USML
Softie Mount & Camera Clamp Adapter (CCA)

Universal Shock Mounts Same as above except the CCA features a smooth cylindrical shape for securing to on-board mic
Designed to provide stable and noise free clamps. A 3/8˝ threading at the CCA base allows for boom-pole or stand mounting.
handling, these shock mounts are constructed With small hole to accommodate 19-20mm diam. mics. (Mfr # 037305 • B&H # RYSCCAMS) .................119.00
of lightweight aircraft aluminum and have a With medium hole to accommodate 21-22mm diam. mics. (Mfr # 037306 • B&H # RYSCCAMM)............119.00
non-reflective black anodize finish. The two With large hole to accommodate 24-25mm diam. mics. (Mfr # 037307 • B&H # RYSCCAML) ................119.00
suspension bands are custom made to
provide a high degree of isolation from
handling noise. Available with camera or stand Rycote
mounting in two sizes, they accept mics with
diameters up to 1.25” ensuring that nearly any
mic can be used.
Small (3”) with 3/8”-16 Boom Pole Mount
037306
(Mfr # FPSC0035 • B&H # PSUSMS) .............................52.25
Large (6”) with 3/8”-16 Boom Pole Mount Multimount V2

(Mfr # FPSC0035A • B&H # PSUSML)...........................56.05 Softie Mount
CAA Softie Mount
Small (3”) with Camera Shoe and Angle Adj.
Knob. (Mfr # FPSC0035D • B&H # PSUSMCSS) .........56.05
Large (6”) with Camera Shoe and Angle Adj.
Softie Mount & Pistol Grip Handle
Knob. (Mfr # FPSC0035E • B&H # PSUSMCSL) ..........61.75 Same as the other Softie mounts, except these allow handheld operation of shotgun microphones
using the pistol grip, or boom pole mounting with the 3/8" threading at the base of the grip.
With small hole to accommodate 19-20mm diam. mics. (Mfr # 033701 • B&H # RYMPGS) ......................119.00
With medium hole to accommodate 21-22mm diam. mics. (Mfr# 033702 • B&H # RYMPGM) ..............119.00
Sennheiser With large hole to accommodate 24-25mm diam. mics. (Mfr # 033703• B&H # RYMPGL) .....................119.00
RØDE
SM3 (Cold Shoe Adapter): Significantly reduces vibration
MZS-CAM transmission to all shotgun mics. Perfect for the Rode NTG series,
it features a 4-way rubber suspension system with quick release
MZQ-6 MZS-6 tilt mechanism to aid directional positioning and avoid visual
intrusion. Three-way mounting system with 1/4”- 20 and 3/8”- 16
threads for boom pole or tripod mounting and a hot shoe SM-3
MZS-CAM: Camera mountable shockmount adapter for direct camera mounting. (Mfr# SM3 • B&H# ROSM3) ....49.95
with elastic suspensions that accommodate SM-4 (Stand Adapter): Same as above except with 1/4”- 20 and
most short shotgun microphones. 3/8”- 16 internal threads, a 5/8” x 27 and a 3/8” to 5/8” thread
(Mfr # MZSCAM • B&H # SEMZSCAM) .......................37.95 adaptor for tripod, boom pole and mic stand mounting.
MZS-6: Shock mount for K6 series mics. (Mfr # SM4 • B&H # ROSM4Q) ..........................................................................49.95
Mountable on any standard mic stand. SM-5 (Clamp Adapter): Designed to fit video cameras with
(Mfr# MZS6 • B&H# SEMZS6) ......................................64.95
clamp mounts. Features a 4-way rubber suspension with an
SM-5
MZQ-6: Camera mountable shockmount with integral Ø24 mm and Ø27 mm clamp mount adaptor. Two way
shoe fitting for K6 series microphones. mounting system with 1/4”- 20 and 3/8”- 16 threads for tripod and
(Mfr# MZQ6 • B&H# SEMZQ6) ....................................42.50 boom pole mounting. (Mfr # SM5 • B&H # ROSM5)................................49.95
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672
WIN DT E C H
Shotgun Accessories—Windscreens
Windtech’s SG Series SG (Shotgun) Series
(Shotgun windscreens) SG-1: 3/4” Inside Diameter (Mfr # SG-1 • B&H # WISG1) .....................................27.50
prevent unwanted SG-2: 3/4” Inside Diameter (Mfr # SG-2 • B&H # WISG2) ....................................34.95
wind, breath and SG-3: 3/4” Inside Diameter (Mfr # SG-3 • B&H # WISG3) ..................................44.95
SG-60: 1” Inside Diameter (Mfr # SG-60 • B&H # WISG60) ..................................27.50
“pop” noises. Made
SG-70: 1” Inside Diameter (Mfr # SG-70 • B&H # WISG70) ..................................34.95
from acoustical
SG-200 Windscreen: 1” Inside Diam. (Mfr # SG-200 • B&H # WISG200) ........22.95
hypo-alergenic
Sonic Foam, they are BG (Big Gun) Series
washable, long lasting BG-1: 3/4” Inside Diameter (Mfr # BG-1 • B&H # WIBG1) ....................................27.95
BG-2: 3/4” Inside Diameter (Mfr # BG-2 • B&H # WIBG2) ...................................33.50
and keep their original
BG-3: 3/4” Inside Diameter (Mfr # BG-3 • B&H # WIBG3) ...................................54.50
shape. More effective than factory models, they also protect BG-60: 1” Inside Diameter (Mfr # BG-60 • B&H # WIBG60) .................................27.95
from dirt, moisture and impact damage. For high wind BG-70: 1” Inside Diameter (Mfr # BG-70 • B&H # WIBG70) .................................33.50
applications and extra protection for harsh environments, BG-150: 13/16” (Black) (Mfr # BG-150 • B&H # WIBG150) ......................................29.95
Windtech offers the Big Gun (BG) Series. BG-200: 1” (Black) (Mfr # BG-200 • B&H # WIBG200) .............................................29.95
Series Number I.D. MM Shotgun Microphones Models
AKG CK68 Short, C568EB Audio-Technica AT4073, 835ST, 897, ATR55 Neumann KMR81i
SG-1 / BG-1 Shotgun 3/4” 19 Sennheiser ME66, MKH416, MKH418 Shure Any .75” dia. Shotgun to 7.25” long. Sony C74, ECM670 &
678 Audio-Technica AT4071a, 815ST, 815b, 835b, Also fits Panasonic AJ-D210, D215, D400
AKG C568, CK8, 68, 69, 98 Audio-Technica AT4071a, 815ST, 815b, 835b Audix UEM-81S Beyer MC836,
SG-2 / BG-2 Shotgun 3/4” 19 MCE86, 87 Neumann KMR82i Sennheiser ME67, ME80 Shure Any .75” dia. Shotgun to 11.5” long. Also
fits Sanken CS-3. Special Projects SP-5500.
Beyer MC837, MCD837 Neumann KMR816 Sennheiser MKH-816, ME88

SG-3 / BG-3 Shotgun 3/4” 19
Shure Any .75 dia. Shotgun to 20” long.
SG-60 / BG-60 Shotgun 1” 25 Sennheiser MKH-60 Shure Any 1 dia. Shotgun to 6” long. Sony ECM672
SG-70 / BG-70 Shotgun 1” 25 Sennheiser MKH-70 Shure Any 1 dia. Shotgun to 11” long.
Panasonic AJ-D700, MC700P. Sony DVCAM DSR PD-150, DSR PD-170, DSR250, HDV-Z1U,
SG-150 Camera Mic 3/4” 19 ECM-NV1 mic. Rode NTG-1, NTG-2 Schoeps CMIT 5U or any .875" dia.
Shotgun Mic and up to 4.50” long.
Neumann RSM-191 Shotgun. Panasonic DVC-Pro 400. Royer SF12, SF24.

SG-200 Camera Mic 1” 25 Sony BETACAM ‘ENG’ Cameras BVW-200, BVW-300, BVW-400 & BVW-D600 or any Shotgun Mic with a
1” diameter up to 4.75” long.
MZW-66: Gray foam windscreen to reduce wind and popping noise.

Sennheiser For the ME-66. (Mfr# MZW66 • B&H# SEMZW66) ....................................................39.95
MZW-66 PRO: Black velour coated foam windscreens offer even greater
protection for reducing wind and popping noise. For the ME-66
(Mfr# MZW66PRO • B&H# SEMZW66P) .........................................................................68.50
MZW-67 gray foam windscreens reduce wind and popping noise.

MZW-67
MZW-66 for ME-67 (Mfr# MZW67 • B&H# SEMZW67)..............................................................49.95
MZW-67 Pro: Black velour coated foam windscreens offer even greater
MZW-66 PRO protection for reducing wind and popping noise. for ME-67.
(Mfr # MZW67PRO • B&H # SEMZW67P) .....................................................................117.50
673
W I N DT E C H / RYCOTE
Shotgun Accessories—Wind Protection
WindTech Mic-Muff
The Mic-Muff has been tested and used in a variety of applications. Typically, it will provide up to 20db of wind
noise reduction in a 20 MPH wind with virtually no negative effect on frequency response. While the Mic-Muff is
designed to be used over the foam windscreen that comes with your microphone or video camera, some models
are designed to fit over the mic alone and are listed with an * next to the model number. If improved perform-
ance or a replacement foam windscreen is needed, the WindTech SG and BG Series (previous page) offer models
to fit most microphones and video cameras. There are specific Mic-Muff models to fit both the SG and BG Series windscreens.
For Audio-Technica For Panasonic For Windtech

AT-822, AT825 (Mfr # MM18 • B&H # WIMM18) AG-DVC80/AG-DVX100 (Mfr # MM3 • B&H # WIMM3) SG-1 (Mfr # MM101 • B&H # WIMM101)
AT-815ST (Mfr # MM16 • B&H # WIMM16) For Schoeps SG-2 (Mfr # MM102 • B&H # WIMM102)
AT-835ST, AT-897 (Mfr # MM15 • B&H # WIMM15) CMC-4, HK-41 (Mfr # MM22 • B&H # WIMM22) SG-3 (Mfr # MM103 • B&H # WIMM103)
AT-835B (Mfr # MM21 • B&H # WIMM21)
For Sennheiser SG-60 (Mfr # MM160 • B&H # WIMM160)
For Azden ME-66 (Mfr # MM7 • B&H # WIMM7) SG-70 (Mfr # MM170 • B&H # WIMM170)
SGM-2X (Mfr # MM12 • B&H # WIMM12), SGMx, ME-64 (Mfr # MM8 • B&H # WIMM8) SG-150, SG-200 (Mfr # MM200 • B&H # WIMM200)
SGM-1x, SGM-1000 (Mfr # MM4 • B&H # WIMM4) MKE-300 (Mfr # MM11 • B&H # WIMM11) BG-1 (Mfr # MM301 • B&H # WIMM301)
For Beyerdynamics For Sony BG-2, BG-70 (Mfr # MM302 • B&H # WIMM302)
MCE-86N (Mfr # MM20 • B&H # WIMM20) ECM-MS907, 908c and DCR-VX2100 BG-3 (Mfr # MM303 • B&H # WIMM303)
For Canon (Mfr # MM1 • B&H # WIMM1) DSR-250/370/570, BG-60 (Mfr # MM360 • B&H # WIMM360)
GL-1/GL-2 (Mfr # MM1 • B&H # WIMM2) DSR-PD170 (Mfr # MM5 • B&H # WIMM5) BG-150, BG-200 (Mfr # MM250 • B&H # WIMM250)
XL-1/XL-2 (Mfr # MM13 • B&H # WIMM13) HDR-FX1, HVR-Z1U (Mfr # MM23 • B&H # WIMM23)
For JVC GY-DV500 (Mfr # MM10 • B&H # WIMM10) ECM-672 (Mfr # MM24 • B&H # WIMM24) Mic-Muffs (ea.) ................................................39.95
Rycote Mini Windjammer

A simple lined fur cover to fit over the microphone directly or its foam gag. Mini Windjammers are used on and off of
camcorders to provide an inexpensive and effective protection against wind noise. Wind-noise is an inherent problem
with all microphones. You can hear it as a low rumble, a loud fluttering or, if the noise overloads any part of the sound
chain, serious distortion. Some microphone designs are more susceptible than others but it is always essential to use
a wind-noise reduction system – a wind-gag (sock) – whenever there is any amount of wind or air movement.
With a light breeze, a wind-gag doesn’t have a lot to do. The low-frequency wind-noise may be only 2 or 3dBs, so that’s all the wind-noise reduction
any gag can give you. However when the wind is blowing a gale and creating, perhaps, 30dB of noise you will need a device that can give you at least
30dB wind-noise reduction. A simple foam shield which can give 10-20dB reduction will work perfectly well if the leaves are barely moving on the
trees. Above about 10mph, and always when its gusty, since its those moments that cause the worst distortion, you will need a Mini-Windjammer
(which can give 30-40dB). When the branches are whipping about you, the 30mm “long” fur version gives the maximum reduction in wind-noise.
Standard Mini Windjammers (Diameter x Length)

Small - 3cm x 3cm (Mfr # 055301 • B&H # RYMWS) ................................................52.00 Medium - 4cm x 6cm (Mfr # 055304 • B&H # RYMWM) .........................................55.00
Extended Small - 3cm x 5cm (Mfr # 055303 • B&H # RYMWES) ........................52.00 Extended Medium - 4cm x 7.5cm (Mfr # 055305 • B&H # RYMWEM) ..............52.00
Special Small - 4cm x 4cm (Mfr # 055302 • B&H # RYMWSS) .............................52.00 Large 4cm x 10cm (Mfr # 055306 • B&H # RYMWL).................................................58.00
Special Mini Windjammers (Diameter x Length) Special Mini Windjammers for Specific Microphones
Special 60 - 5cm x 6cm (Mfr # 055307 • B&H # RYMWS60) .................................50.00 For Rode NT4 (Mfr # 055320 • B&H # RYMWRNT4) ...................................................60.00
Special 80 - 5cm x 8cm (Mfr # 055308 • B&H # RYMWS80) ..................................49.95 For Shure VP88 (Mfr # 055317 • B&H # RYMWSVP88) ..............................................60.00
Special 90 - 5cm x 9cm(Mfr # 055309 • B&H #RYMWS90) ....................................50.00 For Sony HDR FX-1/ Z1 (Mfr # 055338 • B&H # RYMWSHDRFX1) ..........................60.00
Special 105 - 5cm x 10.5cm (Mfr # 055304 • B&H # RYMWS105) .........................49.95 For Sony ECM HGZ1 (Mfr # 055344 • B&H # RYMWSEHGZ1) .................................59.95
Special 110 Sphere - 5cm x 11cm (Mfr # 055323 • B&H # RYMWS110S) ..............49.95 For Sony ECM 719/ DS70P (Mfr # 055330 • B&H # RYMWSE719).........................59.95
Special 130 - 5cm x 13cm (Mfr # 055312 • B&H # RYMWS130) ............................55.00 For Sony SM58/M58/ MCE82 (Mfr # 055318 • B&H # RYMWSM) ........................49.95
Special 130 x 40 - 4cm x 13cm (Mfr # 055313 • B&H # RYMWS130X40) .............49.95 For Schoeps W5D Sphere (Mfr # 055346 • B&H # RYMWSW) ..............................59.95
Special 155 - 5cm x 15.5cm Length (Mfr # 055314 • B&H # RYMWS155)..............55.00 For Canon DM 50 (Mfr # 055325 • B&H # RYMWCDM)............................................54.95
Special 160 - 5cm x 16cm (Mfr # 055315 • B&H # RYMWS160) .............................55.00 For Senhheiser MZW 66 (Mfr # 055329 • B&H # RYMWSMZW) ...........................59.95
Special 190 - 5cm x 19cm (Mfr # 055316 • B&H # RYMWS190) .............................60.00 For Sony HDV-A1 & HDR-HC1 (Mfr # 055351 • B&H # RYMWSHDVA1) ...............44.95
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674
K-TE K / RYCOT E
K-Tek K-Tek’s Slip-on Fleecy Windscreen is a simple and unobtrusive solution for microphone wind
protection. The windscreen features an exterior of charcoal grey fleece fitted over a body of open
Slip-on Fleecy Windscreen cell foam designed to slip easily and snugly over most popular shotgun microphones.
Tiny (3”) for Audio Technica AT-4051A, Sennheiser MKH-50 (Mfr # KFLCYT • B&H # KTKFLCYT) ..................78.95
Extra Small (3.5”) for SCHOEPS CMC641 (Mfr # KFLCYXS • B&H # KTKFLCYXS) ..................................................78.95
Small (5”) for Audio Technica AT 4073A, Nuemann KMR 81, SANKEN CS1, SCHOEPS CMIT 5U
(Mfr # K-FLCY-S • B&H # KTKFLCYS) .......................................................................................................................................78.95
Medium (6”) for Audio Technica AT 835 ST, AT 897, RODE NTG-2 (Mfr # KFLCYM • B&H # KTKFLCYM)......78.95
Large (7.5”) for AT 835 B, Sennheiser 416, ME 66, ME 80, MKH 60 (Mfr # K-FLCY-L • B&H # KTKFLCYL) ....78.95
Extra Large (10”) for Audio Technica AT 815B (Mfr # KFLCYXL • B&H # KTKFLCYXL) ..........................................78.95
Rycote Smoothie Windshield (Based on the Softie)

Providing windnoise reduction of up to 22dB, Smoothie is a robust and practical two-part foam cavity wind-
shield, constructed of an open acoustic foam base and covered by a thin foam outer skin. Available in 5 colors
(Black/Blackberry, Red/Strawberry, Green/Lime, Yellow/Banana, Blue/Blueberry) the Smoothie comes in three
widths to fit mics from 19mm to 25mm diameter. Also available in a large range of sizes to fit most popular shot-
gun and condenser microphones.
The length of the Smoothie is determined by the distance from the front of the microphone to the end of the
slots - it is essential that all slots are fully covered. The following lengths are available: 5cm; 10cm; 12cm; 14cm;
18cm. The Smoothie sizes are the same as the Softie Windshields. For increased wind protection removable
Smoothie Windjammers (fur covers) are available as an optional extra.
Blackberry Lime Banana Strawberry Blueberry

Smoothie Windshield
Smoothies (Black)) Smoothies (Green) Smoothies (Yellow) Smoothies (Red) Smoothies (Blue) PRICE
Size
Mfr# • B&H # Mfr# • B&H # Mfr# • B&H # Mfr# • B&H # Mfr# • B&H #
5cm Small Hole 039221 • RYS5SB 039241 • RYS5SGR 039211 • RYS5SY 039251 • RYS5SR 039231 • RYS5SBL 75.00
5cm Medium Hole 039222 • RYS5MB 039242 • RYS5MGR 039212 • RYS5MY 039252 • RYS5MR 039232 • RYS5MBL 75.00
5cm Large Hole 039223 • RYS5LB 039243 • RYS5LGR 039213 • RYS5LY 039253 • RYS5LR 039233 • RYS5LBL 75.00
Rycote Smoothie Windjammers for Smoothie Windshield

Designed to supplement the Smoothie 5cm Smoothie Windjammer (Mfr # 021709 • B&H # RYSWJ5) .................70.00
10cm Smoothie Windjammer (Mfr # 021710 • B&H # RYSWJ10) ............70.00
Windshield, the Smoothie Windjammer provides
12cm Smoothie Windjammer (Mfr # 021711 • B&H # RYSWJ12) ............70.00
additional wind diffusion, further minimizing 14cm Smoothie Windjammer (Mfr # 021712 • B&H # RYSWJ14) ............70.00
noise due to wind. 18cm Smoothie Windjammer (Mfr # 021713 • B&H # RYSWJ18) ............70.00
675
L I G H T WAVE
MINISCREEN
High Performance Windscreen
The MiniScreen is slip-on windscreen comprising a hollow shell, fabric mesh and and a unique support-disc
system to hold the microphone in place. Compatible with microphones with a diameter of 19mm to 27mm, the
high performance Miniscreen attenuates wind noise up to 20dB—far superior to the common foam sock—and
offers far higher wind protection, along with a sweetened mid-range (to pull in clear dialogue).
Available in many sizes, it may be boom or fixture mounted, or used hand held, with the Minimount or ohter
mounting hardware. Small profile enables unseen placement in tight places such as cars and other vehicles. The
Miniscreen can be used in severe rain and snow, while keeping the microphone dry. It will also physically dampen
hard knocks and protect the microphone while in transit. Two options for removable covers offering a degree of
versatility. The addition of the Mini Sock cover or Mini Windmaster cover allows for working in gale conditions.
MiniSock Equalizer
The MiniSock is another Miniscreen zipped Lightwave’s Equalizer is a low cost version of
cover made from the original soft surface the Miniscreen. It features the Mini's patented
lamination material that affords high wind hollow shell interior and fabric mesh design.
protection while giving superb sound It also uses the same type of front and rear mic
transparency with minimum roll off in the gripping disk system, made from a newly
high end with no decibel loss over an extended midrange. It is the developed soft polymer that will hold varying diameter mics in the same
same material as is used in the Miniscreen. size tube. However, the Equalizer does not allow for variable addition of
windscreen zippered covers.
Mini Windmaster Equalizer for Canon XL Series Camcorder
The Mini Windmaster is the deep pile Equalizer's outer construction is made with a 25mm length ultra fine
(1” fur) Miniscreen zipped cover. It finds its synthetic fur as is used to make the Miniscreen Windmaster covers. The
use when wind conditions or inclement fur is woven to a tough cotton backing and permanently fitted to a
weather are at their worst. It provides polyethylene grid tube and locked in place with an hard plastic cap at the
maximum wind blocking with a superbly rear of the unit, which contains the permanently bonded soft polymer
soft touch to the wind. insert for gripping microphones in the 19mm to 27mm diameter range.
Equalizer Miniscreen Minisock Mini Windmaster

(EQ), (MS), (MSC), (MWM)
Azden SG(M)-2X (Omni), Audio Technica AT 4051, DPA 4011, Neumann KM 184,
101 101 101 101
Schoeps CMC Series, CMC Series + CUT 1 Sennheiser MKH 20/30/40 /50, ME62 K6, ME64, K6
Canon XL-1/ XL-1S 102 102 102 102
Sony DSR300, DSR-PD150 103 103 103 103
Audio Technica AT 4073, AT897, Sanken CS 1, Sony DSR 200, DSR 250 104 104 104 104
RODE NTG-1 /NTG-2, Sony ECM 672 105 105 105 105
AKG C568EB, Audio Technica AT 835ST, Azden SG (M)-1X, Beyer MCE 87vs/86 N (C) S,
Neumann KMR 81, Sanken CS 3, Sennheiser MKH 416/418, MKH 60, ME66 K6, ME80 K3U, 106 106 106 106
Sony ECM 670
Azden SG(M)-2X (Cardiod), Audio Technica AT 835b 107 107 107 107
Audio Technica AT 815ST, AT 815b, AT 4071a, Neumann KMR 82,
108 108 108 108
Sennheiser MKH 70, ME67 K6
1 Equalizer (EQ) Miniscreen (MS) Minisock (MSC) Mini Windmaster (MWM)

101 (Mfr #EQ101; B&H #LIEQ101) 120.00 (Mfr #MS101; B&H #LIMS101) 140.00 (Mfr #MSC101; B&H #LIMSC101) 40.00 (Mfr #MWM101; B&H #LIMWM101) 90.00
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

676
RYCOT E
Shotgun Accessories–Wind Protection
Softie Windshield
Rycote Softies provide optimum wind diffusion and noise rejection while remaining cost effective.
A robust and practical windshield (70mm in diameter) performing as well as a standard windshield
(without Windjammer), the Softie alone provides a fast, flexible and cost effective solution for ENG
on-camera microphones. The Softie is constructed of an acoustic foam base covered by a specially
designed synthetic fur fabric together with a separate shockmount with its own bracket and either pistol
grip handle or boom adaptor. Its 30mm long fur gives protection up to 25dB wind noise reduction.
Small Hole (19/20mm Diameter) Medium Hole (21/22mm Diameter) Large Hole (24/25mm Diameter)
5cm (Mfr # 033011 • B&H # RYS5S) ..........................99.00 5cm (Mfr # 033012 • B&H # RYS5M) .........................99.00 5cm (Mfr # 033013 • B&H # RYS5L) ..........................99.00
10cm (Mfr # 033021 • B&H # RYS10S) ...................110.00 10cm (Mfr # 033022 • B&H # RYS10M) ..................110.00 10cm (Mfr # 033023 • B&H # RYS10L) ...................110.00
24cm (Mfr # 033071 • B&H # RYS24S) ...................120.00 24cm (Mfr # 033072 • B&H # RYS24M)..................120.00 24cm (Mfr # 033073 • B&H # RYS24L) ...................120.00
Camera Mounted Softie Windshield

Specifically designed for camera-mounted microphones, these short hair Softie’s are constructed of
the same acoustic, open cell, reticulated foam and snug fitting end cap as the full-size Softies.
Closely cropped dark grey synthetic fur, just 10mm high, offers lower profile and a more compact
design without severely altering the efficiency of the Softie. They also avoid unnecessary shadows
when working in camera-mounted conditions. Available for the same range of microphones as all
standard Softies windshields. All camera-mounted Softie sizes are also available in Rycote’s standard
length Softie fur (30mm). For mounting your microphone on the camcorder, the Multimount allows
the Softie Mount to be fitted to the camcorders hot shoe.
Small Hole Medium Hole Large Hole

5cm (Mfr # 034311 • B&H # RYS5SS)..............................99.00 5cm (Mfr # 034312 • B&H # RYS5SM) .......................99.00 5cm (Mfr # 034313 • B&H # RYS5SL) .......................99.00
10cm (Mfr # 034321 • B&H # RYS10SS).....................110.00 10cm (Mfr # 034322 • B&H # RYS10SM) ...................110.00 10cm (Mfr # 034323 • B&H # RYS10SL).....................110.00
Softie Windjammers
These Rycote Windjammer are designed to fit the Softie. They provide additional wind diffusion, further
minimizing noise due to wind.
5cm (Mfr# 021701 • B&H# RYSW5)........................................125.00 18cm (Mfr# 021705 • B&H# RYSW18) ...................................125.00
10cm (Mfr# 021702 • B&H# RYSW10) ...................................125.00 24cm (Mfr# 021706 • B&H# RYSW24) ...................................125.00
677
K-T E K
Slip-On Fuzzy Windscreen
The Slip-On Fuzzy is an excellent wind protection system for exterior recording with shotgun
microphones. K-Tek’s unique design combines a traditional faux fur exterior that breaks up the
wind with a tightly woven fabric backing – making the Fuzzy the only slip-on windscreen with a
layer of extra protection. The system’s body of open cell foam slides smoothly over the mic head
and fits snug around the microphone capsule to provide additional support and insulation.
Product and Size For Microphone Inside Length Item # Price

Slip-On Fuzzy-Tiny Audio Technica AT 4051A, Sennheiser MKH 50 3˝ (Mfr # Z-FSO-T • B&H # KTZFSOT) 102.50
Slip-On Fuzzy-X-Small SCHOEPS CMC641 3.5˝ (Mfr # Z-FSO-XS • B&H # KTZFSOXS) 102.50
Audio Technica AT 4073A, Nuemann KMR 81,
Slip-On Fuzzy-Small 5˝ (Mfr # Z-FSO-S • B&H # KTZFSOS) 99.95
SANKEN CS1, SCHOEPS CMIT 5U
Slip-On Fuzzy-Medium Audio Technica AT 835 ST, AT 897, RODE NTG-2 6˝ (Mfr # Z-FSO-M • B&H # KTZFSOM) 99.95
Slip-On Fuzzy-Long AT 835 B, Sennheiser 416, ME 66, ME 80, MKH 60 7˝ (Mfr # Z-FSO-L • B&H # KTZFSOL) 99.95
Slip-On Fuzzy-X-Long Audio Technica AT 815 B 10.5˝ (Mfr # Z-FSO-XL • B&H # KTZFSOXL) 99.95
Combination Shock Mount/Fuzzy Windscreen

K-Tek’s combination shock mount/Fuzzy Windscreen offers the simplest and most convenient
solution for wind noise reduction and microphone protection during exterior recording. The
Shoe Mount windscreen features an outer layer of synthetic fur backed with a lining of tightly -woven fabric
and a body of open cell foam that fits snug around the microphone capsule. The shock mount is
based on K-Tek’s popular K-SM, which employs a holder of specially formulated rubber attached
to arms of lightweight, durable anodized aluminum. Created to be “one size fits most,” the grip
accommodates microphones ranging from 17 to 25mm in diameter. Once the mic is firmly in
place, a swivel adapter with industry-standard 3/8” - 16 thread enables easy mounting of the
complete assembly onto any boom pole, handgrip or other support. The system can also be
Shock Mount
ordered with a shoe adapter instead of a thread for direct mounting onto a camera.
Combo Shock or Shoe Mount/Fuzzy Windscreens

Combo Shock Mount/Fuzzy Size For Microphone Inside Length Item # Price
Shock Mount/Fuzzy-Small Audio Technica AT 4051A, AT 4073A, AT 835 ST, (Mfr # Z-FZ-S • B&H # KTZFZS) 249.95
Nuemann KMR 81, Sanken CS1, Schoeps CMIT 5U, 7.5”
Shoe Mount/Fuzzy-Small CMC64, Sennheiser 416, 816 (Mfr # Z-CAM-FZ-S • B&H # KTZCAMFZS) 185.95
Shock Mount/Fuzzy-Medium Audio Technica AT 835 B, AT 897, RODE NTG-2,

(Mfr # Z-FZ-M • B&H # KTZFZM) 249.95
10”
Shoe Mount/Fuzzy-Medium Sennheiser ME 66, ME 80, MKH 60 (Mfr # Z-CAM-FZ-M • B&H # KTZCAMFZM) 185.95
Shock Mount/Fuzzy-Long Audio Technica AT 4071A, AT 815 B, AT 815 ST,

(Mfr # Z-FZ-L • B&H # KTZFZL) 249.95
12”
Shoe Mount/Fuzzy-Long Sennheiser MKH 70 (Mfr # Z-CAM-FZ-L • B&H # KTZCAMFZL) 185.95
Shock Mount/Fuzzy-Extra Long (Mfr # ZFZXL • B&H # KTZFZXL) 249.95

14”
Shoe Mount/Fuzzy-Extra Long (Mfr # ZCAMFZXLL • B&H # KTZCAMFZXL) 185.95
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

678
RYCOT E
S-Series Suspension & Windshield System
The S-Series is a wholly new design - new suspension concept, new materials, new windshield
construction - and retains all the renowned Rycote features of flexibility, balance and professional
performance. It is lightweight with a minimum of parts, tough enough to withstand the rigours of
ENG and simple to use straight out of the box.
S-Series Suspension Pistol Grip Handle

◆ One-piece web suspension elements - no ◆ Soft feel grips improve the general comfort
rubbers or elastics. of the handle while being handheld.
◆ Patented design gives ideal isolation for all ◆ XLR grip - suitable for all manufacturers of
axial microphones. XLR connectors, including the XX series from
◆ Unaffected by temperature and all-but Neutrik.
unbreakable. ◆ Brass 3/8” female thread attachment for use
on boom poles or mic stands.
S-Series Windshield (windscreen)
◆ Suitable for microphones 19mm (¾”) to
◆ The windshield uses pairs of “Pods” which
25mm (1”) in shaft diameter.
twist-lock to the chassis ring. All pods are
◆ Snap-in webs with six positions for perfect Cable 100mm (4”) diameter but come in three
balance and fit. ◆ Balanced microphone twin with ultra-fine different lengths. Four kit sizes combine the
◆ Matched, high-flexibility microphone cable stranded copper cores and a helical screen Pods to house mics from 8” to a maximum
with twin clamps. ◆ 3mm soft PVC jacket for high flexibility even of 16”. The acoustic fur covering (30mm
◆ Pinch-release fittings for webs and cable at low temperatures. Neutrik NC3 (XLR-style) staple) is integral and gives more than 30dB
clamps for quick and easy repositioning. connectors with gold-finished pins. windnoise suppression (100-500Hz).
Structure
◆ Steel spine for core strength and rigidity, the S-Series 300 Windshield and Suspension Kit - Fits mics 8 - 10” long (Mfr # 010301 • B&H # RYSS300)
central chassis ring secures windshield pods S-Series 330 Windshield and Suspension Kit - Fits mics 10 - 11” long (Mfr # 010302 • B&H # RYSS330)
and allows fast access to the microphone. S-Series 375 Windshield and Suspension Kit - Fits mics 11 - 13” long (Mfr # 010303 • B&H # RYSS375)
Chassis ring can be demounted when only a S-Series 450 Windshield and Suspension Kit - Fits mics 14 - 16” long (Mfr # 010304 • B&H # RYSS450)
suspension is required.
S-series Kit Overall Body Length Front Pod Rear Pod Order Code Price
S-series 300 Kit 305mm (12”) U180 180mm (7”) U125 125mm (5”) Mfr # 010301 • B&H # RYSS300 349.00
Alfa Case Softi-Case

Designed to safely carry your favorite shotgun microphone in a Rycote Softie or other brand of furry windshield. A Softie
microphone boom mount will also fit inside the Softi-Case.
Softi-Case is lightweight, yet rugged enough to withstand the normal abuse of ENG, EFP and filmmaking shoots. Made
from tough ABS plastic, the Softi-Case withstands shock and vibration. Its lid is designed to keep out moisture and dust.
With the optional mounting kit, you can attach the Softi-Case to a Boom Tube boom pole case. Now, you have a light-
weight and very portable storage and carrying system, leaving your hands free. Softi-Case is available in 3 lengths and
four colors: Black, Blue, Yellow and Silver.
Small: For Shotgun Mic with Softie and Shock Medium: For Shotgun Mic with Softie and Large: For Shotgun Mic with Softie and Shock
Mount up to 16” in: Shock Mount up to 20” in: Mount up to 24” in:
Black (Mfr # 30016SCBLK • B&H # AL30016SCBLK), Black (Mfr # 30020SCBLK • B&H # AL30020SCBLK), Black (Mfr # 30024SCBLK • B&H # AL30024SCBLK),
Silver (Mfr # 30016SCSIL • B&H # AL30016SCSIL), Blue Silver (Mfr # 30020SCSIL • B&H # AL30020SCSIL), Blue Silver (Mfr # 30024SCSIL • B&H # AL30024SCSIL), Blue
(Mfr # 30016SCBLU • B&H # AL30016SCBLU), Yellow (Mfr # 30020SCBLU • B&H # AL30020SCBLU),Yellow (Mfr # 30024SCBLU • B&H # AL30024SCBLU), Yellow
(Mfr # 30016SCYEL • B&H # AL30016SCYEL) ..............48.50 (Mfr # 30020SCYEL • B&H # AL30020SCYEL) .............49.95 (Mfr # 30024SCYEL • B&H # AL30024SCYEL) .............58.50
679
K-T E K / P SC
K-Tek Zeppelin Windscreens
Dead air is what K-Tek strives to achieve in windscreen design, and dead air is what
you will find in the Zeppelin. The Zeppelin is a practical, user-friendly method for
getting maximum shielding from wind exposure during location recording. The
Zeppelin system consists of an injection molded polypropylene microphone cage,
2 rubber retaining rings with removable sonic foam end caps, XLR pig tail, and Microphone cage with
a snug-fitting faux fur High-Wind cover. Offered in four standard sizes, the sonic foam end caps
microphone is supported by K-Tek's General Purpose Suspension (K-GPS) or

Short Shock Mount (K-SSM), which can accommodate mics from 19-25mm
in diameter. The modular Zeppelin assembles and dismantles quickly and
effortlessly, for compact storage and travel, and easy replacement of parts.
Once the system is installed, the microphone can be slid out of the cage at any
Faux fur
time for use while still mounted on the K-GPS/K-SSM suspension. Options include a high-wind cover
Zeppelin parts
fleece cover and a hefty hand grip for handheld work away from a boom pole.
Fleece/Microfiber Product and Size For Microphone Length Item # Price

Cover Audio Technica AT 4051A, AT 835 ST,
Mfr # K-ZEPP-S
Zeppelin-Short Nuemann KMR 81, Sanken CS1, Schoeps 11-1/4” 348.95
B&H # KTKZEPPS
CMIT 5U, CMC641, Sennheiser 416, MKH 50
Charcoal Grey Fleece/Microfiber Audio Technica AT 4073A, AT 835 B, AT 897, Mfr # K-ZEPP-M
Zeppelin-Medium 13” B&H # KTKZEPPM
367.50
covers for the Zeppelins, they can RODE NTG-2, Sennheiser MKH 60
be used as a light weather option
cover, and they will actually work Sennheiser ME 66, Mfr # K-ZEPP-L
Zeppelin-Long 16” B&H # KTKZEPPL
394.95
in heavier weather as well. ME 80 K3U Power Supply .74” dia.
Available in Short (B&H # KTKZFCS),
Audio Technica AAT 4071A, AT 815 B, Mfr # K-ZEPP-XL
Medium (B&H # KTKZFCM), or Long Zeppelin-X Long 19” B&H # KTKZEPPXL
418.50
Sennheiser MKH 70
(B&H # KTKZFCL) ..............................78.95
PSC WindBoss
The WindBoss series represent a simple, flexible and accommodating means of proving wind
rumble rejection for your condenser microphones. These microphone windshields provide
the benefits of traditional, hard-shelled windshields without the associated expense and
single application restrictions. The WindBoss series is designed with universal microphone
mounting suspensions that allow the WindBoss to be used with virtually any condenser
microphone. This mounting system does not rely on specialized, single application
mounting clips, adapters or hard to install elastic bands. The WindBoss uses simple, effective silicone rubber o-rings to provide an excellent
shockmount for your microphones. These special bands are custom made and are virtually unaffected by changes in temperature and
humidity. In addition, they provide an easy and quick means of changing microphones without the parts breakage associated with
traditional mounts. The WindBoss windshields are made of lightweight, application specific, open cell foam and a rugged aircraft
aluminum frame. These two elements allow PSC to offer you a reasonably priced alternative to traditional windscreens.
The design of the PSC WindBoss outer foam “shell” is made up of three pieces, a center section and two end caps. These two end caps are
interchangeable and allow access to both ends of the windshield. They are easily removed and replaced thanks to their Velcro fastening
system. The center section and its associated framework are available in 3 sizes providing wind protection for a multitude of microphones.
WINDBOSS Zeppelin Windscreen System for Microphones - Small (Mfr # FPSC0047 • B&H # PSWSWBS) ...............................................................................................294.50
WINDBOSS Zeppelin Windscreen System for Microphones - Medium (Mfr # FPSC0047A • B&H # PSWSWBM) ......................................................................................308.75
Hand Grip with 3/8” Stud (Mfr # FPSC0047H • B&H # PSHG)........................................................................................................................................................................................32.30
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

680
RYCOT E / S E N N H E I S E R
Rycote Full Windshield System
The full windshield system is made up of the following elements:
Modular Suspension (shock mount), Modular Windshield (windscreen,
blimp or zeppelin), and Windjammer (furry cover).
◆ The Modular Suspension combines all the successful elements of the ◆ The Windjammer is
4-point suspension with a high precision modular frame resulting in a designed to fit over the
lightweight effective suspension that fits a wide range of microphones. Windshield to provide the
Completely supporting the microphone in a cradle arrangement, the highest possible protection against
suspension can be used as it comes, with a microphone using a foam extreme wind. Made from specially
gag, or in conjunction with a Windshield & Windjammer. designed and manufactured screening
◆ The Modular Windshield (zeppelin) is slid onto the Modular materials with virtually no adverse
Suspension, and completely surrounds the microphone amp; its effect on sound level or quality, this
connector. It protects the microphone from the effects of wind, while most effective cover
causing the minimal effect to the sound. Manufactured from flexible provides 10-12db
grey plastic netting tube with a screening material attached by special extra protection over
process, providing lightweight strength and durability, it provides a standard Windshield.
significant improvement in exterior wind attenuation (up to 25dB). Fitted with a drawstring
Twist and turn locking end caps provide easy, rattle free and secure and toggle to
fastening. Unique slide-on/slide-off system allows easy removal of the allow snug and Windshield Kit
microphone and suspension. easy fitting.
Windshield Kit 1 - Includes: Small Modular Suspension Mount, Windshield #1 and Windjammer #1 (Mfr # 086004 • B&H # RYWSK1) .........................................CALL
Windshield Kit 2 - Includes: Small Modular Suspension Mount, Windshield #2 and Windjammer #2 (Mfr # 086003 • B&H # RYWSK2) ........................................CALL
Windshield Kit 3 - Includes: Small Modular Suspension Mount, Windshield #3 and Windjammer #3 (Mfr # 086002 • B&H # RYWSK3) ........................................CALL
Windshield Kit 4 - Includes: Medium Modular Suspension Mount, Windshield #4 and Windjammer #4 (Mfr # 086001 • B&H # RYWSK4) ..................................CALL
Windshield Kit 5 - Includes: Medium Modular Suspension Mount, Windshield #4 Windjammer #5 and Extension #1 (Mfr # 086005 • B&H # RYWSK5) ........CALL
Windshield Kit 5L - Includes: M3 Large Modular Suspension Mount, Windshield #4 Windjammer #5 and Exten. #1 (Mfr # 086013 • B&H # RYWSK5L)..........CALL
Windshield Kit 6 - Includes: Medium Modular Suspension Mount, Windshield #4, Windjammer #6 and Extension #2 (Mfr # 086006 • B&H # RYWSK6) ......CALL
Windshield Kit 7 - Includes: Large Modular Suspension Mount, Windshield #4, Windjammer #7 and Extension #3 (Mfr # 086007 • B&H # RYWSK7) ............CALL
Windshield Kit 8 - Includes: Large Modular Suspension Mount, Windshield #4, Windjammer #8 and Extension #4 (Mfr # 086008 • B&H # RYWSK8) ............CALL
Sennheiser Blimp System

Sennheiser’s Blimp Systems feature a fleece-covered wind muff combined with
the rugged protective basket windshield to suppress wind noise. The wind muff
MZW-201
and windshield are designed to fit the easy-to-manage MZS 20-1 suspension
MZS20-1
with pistol grip. This system is designed to work together to offer you excellent
wind noise reduction for your outdoor recordings.
MZH20-1 Blimp System 1: Includes MZS20-1 Combo Mount/Grip/Stand, MZW-201 Blimp Windscreen and
MZH20-1 Wind Muff. For ME-62/64 and MKH-20/30/40/50. (Mfr# BS1 • B&H# SEBS1) ............................... 779.95
Blimp System 2: Includes MZS20-1 Combo Mount/Grip/Stand, MZW-601 Blimp Windscreen and
MZH60-1 Wind Muff. ForME 66, MKH-416, MKH-60. (Mfr# BS2 • B&H# SEBS2)...................................................799.95
Blimp System 3: Includes MZS20-1 Combo Mount/Grip/Stand, MZW-701 Blimp Windscreen and
MZH70-1 Wind Muff. For ME-67 and MKH-70. (Mfr# BS3 • B&H# SEBS3) ................................................................749.95
681
RYCOTE
Shotgun Accessories–Microphone Compatibility
Manufacturer Microphone Modular Windshield Kit S-Series Softie
AKG C568EB 4 S330-Kit 18 cm Medium Hole
Audio Technica AT 4071a 6 S450-Kit 29 cm Medium Hole
Audio Technica AT 4073 4 S300-Kit 12 cm Medium Hole
Audio Technica AT 815b 7 32 cm Medium Hole
Audio Technica AT 815ST 6 S450-Kit 29 cm Medium Hole
Audio Technica AT 822 3 S300-Kit N/A
Audio Technica AT 825 3 S300-Kit N/A
Audio Technica AT 835b 6 S450-Kit 24 cm Medium Hole
Audio Technica AT 835ST 4 S330-Kit 14 cm Medium Hole
Audio Technica AT897 4 S375-Kit 14 cm Medium Hole
Azden SG(M)-1X 4 S375-Kit 18 cm Medium Hole
Azden SG(M)-2X (Cardiod) 6 S450-Kit 24 cm Medium Hole
Azden SG(M)-2X (Omni) N/A 5 cm Medium Hole
Beyer M58 4 S330-Kit N/A
Beyer MC 836 4 18 cm Medium Hole
Beyer MC 837 8 N/A
Beyer MCE 86 N (C) S 5 S375-Kit 18 cm Large Hole
Beyer MCE 87vs 4 S300-Kit 18 cm Large Hole
DPA 4017 3 18 xm Small Hole
Neumann KM 184 1 S300-Kit 5 cm Medium Hole
Neumann KMR 81 4 S300-Kit 18 cm Medium Hole
Neumann KMR 82 6 S450-Kit 29 cm Medium Hole
Neumann RSM 191 3 N/A
Rode NT4 4 N/A
Rode NTG1 3 S300-Kit 14 cm Medium Hole
Rode NTG2 3 S300-Kit 14 cm Medium Hole
Sanken CS 1 3 S300-Kit 14cm Small Hole
Sanken CS 3 4 S330-Kit 18 cm Small Hole
Schoeps CMC Series 2 5 cm Small Hole
Schoeps CMC Series (Cut 1) 3 S300-Kit 5 cm Small Hole
Schoeps CMIT5U S300-Kit
Sennheiser ME62 K6 3 S300-Kit 5 cm medium Hole
Sennheiser ME64 K6 3 S300-Kit 5 cm Medium Hole
Sennheiser ME66 K6 5 18 cm Medium Hole
Sennheiser ME67 K6 7 S375-Kit 29 cm Medium Hole
Sennheiser ME80 K3U 5 S375-Kit 18 cm Medium Hole
Sennheiser MKH 20 2 5 cm Large Hole
Sennheiser MKH 416 4 S300-Kit 18 cm Small Hole
Sennheiser MKH 418 4 18 cm Small Hole
Sennheiser MKH 60 4 S330-Kit 18 cm Large Hole
Sennheiser MKH 70 6 S450-Kit 29 cm Large Hole
Shure SM 89 8 N/A
Sony ECM 673 3 12 cm Small Hole
Sony ECM 680S 4 18 cm Small Hole
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

682
GITZO
BOOM POLES
Gitzo booms are designed for performance and reliability that meet
location sound and broadcast audio professionals’ requirements. Carbon
6x crossed layer tube makes carbon fiber booms lighter, faster and
extremely rigid. Anti Leg Rotation system makes boom operation quicker,
adjustment easier and more precise. G-Lock system guarantees faster and
stronger locking and increases system rigidity by 20%. Carbon 6x G-Lock
booms come with a convenient anti-dust bag for storage and packing.
◆ Gitzo booms feature a 1/4”-3/8” reversible mounting screw supported by a high quality
machined aluminum upper end. The microphone cable can be run either outside or
inside the pole. The aluminum upper end is specially outfitted with a machined hole
for inner cables.
◆ With Carbon 6x tubes and G-Lock, Gitzo booms are suprisingly light and extremely
rigid even when fully extended. Boom lengths can be quickly and precisely adjusted
thanks to the Anti Leg Rotation system.
◆ G-Lock is a completely redesigned twist-lock system that’s substantially faster, stronger
and more rigid than its predecessor. Unwanted play between lock parts have been
removed so leg sections lock together as one to give a rock solid structure. G-Lock
stands for Gravity Lock. The unique cone shaped ramp and locking ring creates a
“gravity locking” effect: the higher the load applied vertically to the system, the
stronger the locking effect.
◆ Anti Leg Rotation (ALR) system means the boom can be opened in less than 10
seconds. Simply loosen all the twist locks at the same time, then pull down and tight-
en the locks individually.
Model Material Sec. Max Ht. Min. Ht. Weight Load Order Code Price
GB0530 Carbon Fiber 3 84.3” 33.1” 0.8 lbs. 4.4 lbs. Mfr # GB0530 • B&H # GIGB0530 150.00
G555 Aluminum 2 54.7” 29.9” 0.7 lbs. 4.4 lbs. Mfr # G555 • B&H # GIG555 72.00
G7680 Aluminum 6 150” 32.3” 3.1 lbs. 4.4 lbs. Mfr # G7680 • B&H # GIG7680 197.00
683
L I G H T WAV E AU D I O
G5 • A5
News Boom Poles
The G5 (carbon fiber) and A5 (aluminum) News Boom Poles are designed for use in the demanding world of TV news
broadcasting. They use some of the most advanced engineering design techniques and robust materials available today.
Patented locking system is completely different in design from all other boom poles on the market. To remove weight and
ease the cleaning of the pole, they use no metal components. The locking system can then be stripped down completely
for cleaning as required. Whereas on all existing pole designs fine metal threads are used, the G5 and A5 use a triple-cam
lock system instead. This allows for a minimal twist to lock/unlock and makes the poles far less likely to jam when dirty.
The five-section poles feature a total length of 98” and a retracted length of 26”.
G5 News Boom Pole
G5 News Boom Pole with Cable
◆ Robust & strong pole

◆ Patented locking mechanism – with NO screw threads
◆ Simple 15° twist locking mechanism
◆ Easy to clean
◆ Pole tip - Stainless steel 3/8” BSW (Whitworth) thread
◆ Top grade 1.0 mm (0.038”) thick 100% carbon fiber (G5) or aircraft
grade aluminum (A5) tubes
Boom Pole top collar
Boom Pole Coiled Cable Base
Coiled Cable Option

The poles can be supplied with an internal coiled cable as an option. The coiled
cable and connectors have all been chosen for their high quality. Features bal-
anced microphone twin with ultra-fine stranded copper cores (50/0.05mm) and a
helical screen, sheathed in matt-black soft polyurethane to 3.85mm diameter.
Connector is Neutrik NC3 (XLR-style) with gold-finished pins. The free cable is
Boom Pole Collars 400mm long allowing use with all standard shockmount & windscreens.
Carbon Fiber Boom Poles

G5: Carbon Fiber News Boom Pole- measures 26-98” (Mfr # 185601 • B&H # LIG5) ..........................................................................................................................................299.00
G5: Carbon Fiber News Boom Pole- same as above with Internal Coiled Cable (Mfr # 185602 • B&H # LIG5CC) ...................................................................................385.00
G-5 Coiled Cable: Coiled cable for G-5, Neutrik gold pin XLR connectors (Mfr # G5CCABLE • B&H #LIG5CCABLE) ...................................................................................95.00
Aluminum Boom Poles

A5: Aluminum News Boom Pole- measures 26-98” (Mfr # 185701 • B&H # LIA5N) ............................................................................................................................................150.00
A5: Aluminum News Boom Pole - same as above with Internal Coiled Cable (Mfr # 185702 • B&H # LIA5CCN) .....................................................................................236.00
A-5 Coiled Cable: Coiled cable for A-5, Neutrik gold pin XLR connectors (Mfr # G5CCABLE • B&H # LIG5CCABLE) ...................................................................................95.00
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

684
K-TE K
KLASSIC Boom Poles
The Professional’s Pole - 5-Section Carbon Fiber Boom Poles
Engineered like no other boom pole in the world, the original K-Tek Klassic 5-Section Boom Poles combine thoughtful design, top-of-the-line
materials and precision engineering. Available in six convenient sizes, the shortest telescopes from 16” to 59”. The longest extends from only 55” to
nearly 21’. Available wired with internal cable and bottom or side connector (CC or CCR) or “Flow-through” or “Flow-through Stubby” base (FT or FTS),
or unwired.
Ideal for location, documentary and studio work, Klassic 5-Section Boom Poles are constructed from high-density graphite selected for maximum
strength and minimum weight. Eight layers of dent-proof graphite are precision ground and then burnished to produce a low handling noise.
Pole tops feature two sets of slots to accommodate most types of mic cables. Telescoping sectionc are connected with unique “captive collets” that
require minimum torque. The collets are held captive within a collar studded with directional dimples designed to offer a pleasant touch and good
grip under all conditions, even in extreme temperatures and humidity. The bottom coupling allows boom to attach a variety of accessories.
A Flow-through accessory allows an internal cable to exit without chafing.
◆ Hybrid composite, high density graphite fiber selected for maximum ◆ Unique pole top features cable
strength and minimum weight. retaining slots and a replaceable
◆ Fiber alignment selected for minimum bounce and weight with stainless steel threaded
maximum strength. 8 layers of graphite precision ground to exact mounting stud.
size, then burnished. K-CCR (XLR side exit) ◆ Standard “mushroom” base, cast
◆ Coupling designed for maximum holding power with a minimum of in polyurethane, is engineered
torque applied. Coupling designed to be dust, dirt and sand proof. for maximum shock protection.
“Captive Collett” design makes coupling resistant to jamming. ◆ Accessory attachable base
◆ Non-reflective processing on unique milled surface makes the collar sections for internal wiring,
more durable than knurling or ribbing. It offers controlled gripping internal 48v phantom and 12v “T”
power and is gentle on your hands, even when wet. The surface is power supplies and extension
K-CC (XLR bottom exit)
HARD! (C-70 Rockwell... about the same hardness as an emerald). sections are available.
Model Cabling Max Ht. Min. Ht. Weight Order Code Price
K-56 None 4’ 11” 1’ 4” 0.65 lbs. Mfr # K-56 • B&H # KTK56 344.95
K-56CC Coiled (bottom exit) 4’ 11” 1’ 4” 0.98 lbs. Mfr # K-56CC • B&H # KTK56CC 474.95
K-56CCR Coiled (side exit) 4’ 11” 1’ 7” 1.21 lbs. Mfr # K-56CCR • B&H # KTK56CCR 499.95
K-81 None 6’ 9” 2’ 1.28 lbs. Mfr # K-81 • B&H # KTK81 509.95
K-81CC Coiled (bottom exit) 6’ 9” 2’ 1.49 lbs. Mfr # K-81CC • B&H # KTK81CC 484.95
K-102FTS Straight (Stubby) 8’ 9” 2’ 3” 1.68 lbs. Mfr # K-102FTS • B&H # KTK102FTS 543.95
K-152FTS Straight (Stubby) 12’ 8” 3’ 3” 1.96 lbs.. Mfr # K-152FTS • B&H # KTK152FTS 674.95
K-202CC Coiled (bottom exit) 16’ 10” 3’ 10” 1.83 lbs. Mfr # K-202CC • B&H # KTK202CC 779.95
K-202FTS Straight (Stubby) 16’ 10” 4’ 3” 2.14 lbs. Mfr # K-202FTS • B&H # KTK202FTS 769.95
K-251FT Straight (Stubby) 20’ 11” 5’ 2.4 lbs. Mfr # K-251FT • B&H # KTK251FT 859.95
685
K-T E K
KLASSIC Articulated Boom Poles
6-Section Articulated Boom Poles
The introduction of the K-Tek Klassic revolutionized the way that boom poles were
made. The Articulated Poles are revolutionizing the way that Boom Poles are used!
Expansive Reach
The KA–113 has four telescoping sections before the joint and two more after, providing a reach of nearly 9.5’. Five
positive locking positions provide articulation at 90, 112.5, 135, 157.5 or 180°. This allows the microphone to be placed
at or over the subject, over obstructions or even other poles.
Single-handed Operation
K-Tek’s ingenious articulated design allows the operator to comfortably hold the pole with one hand with the
mushroom base at the belt line, freeing one hand to operate the mixer. The pole goes up …over …and back down
to accurately position the microphone while staying outside of the frame line. Or invert the pole and the articulation
allows you to go under and back up to position the microphone. A simple two-person interview can be done with
the mushroom base on the floor (or operator’s toe) and the articulated section positioned over the talent. Rotating
the pole moves the microphone.
Model Max Ht. Min. Ht. Weight Order Code Price

KA-113 9’ 5” 2’ 2” 1.78 lbs. Mfr # KA-113 • B&H # KTKA113 639.95
KA-113CCR 9’ 5” 2’ 5” 2.30 lbs. Mfr # KA-113CCR • B&H # KTKA113CCR 799.95
CCR = with internal Coiled Cable (Side Exit XLR)
Rigid 4-Section Connect Stage Poles with

Drop Through Wiring and Quick Connect
Five sections in a pole provide a good compromise in the extended-length/collapsed-length ratio. But if
collapsed length is not an issue—for example, on a large sound stage, or on location with a production
that uses a two or three man crew—a four-section pole can offer significant advantages. A very long
four-section pole can be extremely stiff, as the diameter of the smallest section is still considerable. The
base section can be very long, providing a large unobstructed handling area. Plus, there is less chance of
movement in the couplings because there are fewer of them.
Each Stage Pole has an integrated “Quick Connect” top section with a stainless steel thread and cable
slots. Furthermore the smallest graphite section has a large enough interior diameter to accept an XLR
connector, so wiring in the field is fast and easy. Switching from a straight cable to a coiled cord is simply a
matter of interchanging the Flow-through Foot and a Coiled Cord Adapter and dropping in the cable.
Model Max Ht. Min. Ht. Weight Order Code Price

KS-124 10’ 11” 3’ 3” 1.19 lbs. Mfr # KS-124 • B&H # KTKS124 439.95
K-124FTS 10’ 11” 3’ 3” 1.45 lbs. Mfr # KS-124FTS • B&H # KTKS124FTS 579.95
KS-162FTS 13’ 6” 4’ 4” 1.70 lbs. Mfr # KS-162FTS • B&H # KTKS162FTS 674.50
K-200FT 16’ 8” 5’ 5” 1.92 lbs. Mfr # KS-200FT • B&H # KTKS200FT 767.50
KS-247 20’ 7” 6’ 2.06 lbs. Mfr # K-247 • B&H # KTK247 NA
Flow-through
with straight cable K-247FT 20’ 7” 6’ 7” 2.33 lbs. Mfr # KS-247FT • B&H # KTKS247 859.95
FTS or FT = with “Stubby Flow Through” Base and straight cable and XLRs
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

686
K-TE K
AVALON Boom Poles
Crafted of the same high density graphite fiber used in the K-Tek Klassic line or in cost-effective aluminum tubing, Avalon
boom poles are designed to meet the needs of ENG and DV Camera crews.
The series offers many of the same benefits of the original Klassic boom poles in an affordable package — eliminating some deluxe features but
without sacrificing any of the K-Tek quality. All poles feature the same high-reliability collars and unique “captive collet” coupling system — telescoping
sections lock in place securely and easily. Factory wired models (CC or CCR) are fitted with a high-quality coiled cord inside the pole and a sturdy male
XLR receptacle conveniently mounted with a bottom exit or a side exit at the base.
The first professional boom pole designed to fit into a standard equipment case, the versatile Avalon traveler (KEG-88 or KE-79) stores quickly for easy
transportation and extends to a maximum reach over 6’ 7”. In addition to standard black, the KE-79 and KE-89 can be specially ordered in striking
anodized red or blue.
Avalon-Graphite
Model Sec. Max Ht. Min. Ht. Weight Order Code Price
KEG-60 5 5’ 1’ 7” 0.69 lbs. Mfr # KEG-60 • B&H # KTKEG60 299.95
KEG-60CC 5 5’ 1’ 7” 0.94 lbs. Mfr # KEG-60CC • B&H # KTKEG60CC 367.50
KEG-88 6 7’ 8” 1’ 11” 0.98 lbs. Mfr # KEG-88 • B&H # KTKEG88 299.95
KEG-88CC 6 7’ 8” 1’ 11” 1.21 lbs. Mfr # KEG-88CC • B&H # KTKEG88CC 369.95
KEG-100 5 8’ 9” 2’ 2” 0.96 lbs. Mfr # KEG-100 • B&H # KTKEG100 309.95
KEG-100CC 5 8’ 9” 2’ 2” 1.26 lbs. Mfr # KEG-100CC • B&H # KTKEG100CC 408.95
KEG-100CCR 5 8’ 9” 2’ 5” 1.33 lbs. Mfr # KEG-100CCR • B&H # KTKEG100CCR 494.95
KEG-150 5 12’ 6” 3’ 1.33 lbs. Mfr # KEG-150 • B&H # KTKEG150 484.95
KEG-150CC 5 12’ 6” 3’ 1.64 lbs. Mfr # KEG-150CC • B&H # KTKEG150CC 579.95
Avalon-Aluminum
Model Sec. Max Ht. Min. Ht. Weight Order Code Price
KE-69 5 5’ 1’ 7” 0.69 lbs. Mfr # KE-69 • B&H # KTKE69 124.95
KE-69CC 5 5’ 1’ 7” 0.94 lbs. Mfr # KE-69CC • B&H # KTKE69CC 149.95
KE-79 6 7’ 8” 1’ 11” 0.98 lbs. Mfr # KE-79 • B&H # KTKE79 174.95
KE-79CC 6 7’ 8” 1’ 11” 1.21 lbs. Mfr # KE-79CC • B&H # KTKE79CC 209.95
KE-89CC 5 8’ 9” 2’ 2” 1.26 lbs. Mfr # KE-89CC • B&H # KTKE89CC 179.95
KE-110CC 5 12’ 6” 3’ 1.33 lbs. Mfr # KE-110CC • B&H # KTKE110CC 229.95
KE-110CCR 5 12’ 6” 3’ 1.64 lbs. Mfr # KE-110CCR • B&H # KTKE110CCR 239.95
Caped end
CC - coiled cord
bottom exit XLR
KE-79CC - Traveler Aluminum Poles
CCR - coiled cord

right angle exit XLR
687
PSC
ELITE SERIES
Carbon Fiber Boom Poles
PSC’s Elite series of boom poles represent a no compromise design.
Each pole is hand crafted in the USA from the finest materials available.
The Elite series utilize a blend of super high modulus carbon fibers that
are precision wound by top carbon fiber specialists. These high tech
tubes provide a delicate balance of strength, stiffness, torsion rigidity
and low handling noise. Hundreds of hours went into the design of these
masterpieces. After winding, each tube is impregnated with the highest
quality resins available and baked under tight, computer controlled
temperature and humidity conditions. Each tube is then painstakingly
ground to the highest aerospace tolerances.
The boom poles utilize a system of fixed threaded mounts, locking collars and locking rings in order
Elite Right Angle XLR to offer unparalleled locking characteristics with a simple half turn of the wrist. Smooth, easy-to-use,
Close-Up
with years of trouble free service, each collar is machined from T6061-T6 billet aircraft aluminum using
state of the art computer-controlled lathes. The fixed threaded mounts and locking collars incorporate
a debris blocking ring to help keep unwanted material out of the locking mechanism. The locking
rings are made from high purity white Delrin for uncompromised performance in any weather
condition. Like the locking collars, the Delrin locking rings are machined to super tight tolerances.
Each Elite series boom pole is equipped with a removable top screw to allow for quick and easy
mounting of various microphones. These removable top screws are machined from aluminum and anodized for lasting good looks. These top screws
also incorporate a clever cable slot for easy and quick screw changes or cable installations. The removable top screws are extensively machined to
reduce weight in non-critical areas. Additional top screws are available separately for mounting to mic shock mounts.
The heel end of the Elite boom poles feature a fixed, lightweight aluminum threaded mount that is compatible with the various end caps available.
These end caps include a XLR-M bottom for use with internal coiled cable assemblies, a right angle XLR bottom for use with internal coiled cables and
plug on transmitters, an end cap that incorporates a robust rubber bumper and an end cap that features an easy-flow cable exit for use with straight
cables. All of these specialized end caps are machined from aluminum and are thus virtually unbreakable. They don’t suffer from pulled and stripped
threads as other brands do.
Model Max Ht. Min. Ht. Order Code Price Coil Cable Kits
Small (Mfr # FBPCCKS • B&H # PSCCKS) .................95.00
EBPS Small 6’ 8” 1’ 7” Mfr # FBPS • B&H # PSSBP 359.95
Medium (Mfr # FBPCCKM • B&H # PSCCKM) .........95.00
FBPSCC Small 6’ 1” 1’ 7” Mfr # FBPSCC • B&H # PSSBPCC 454.58
Large (Mfr # FBPCCKL • B&H # PSCCKL) .................95.00
FBPSCCRA Small 6’ 3” 1’ 9” Mfr # FBPSCCRA • B&H # PSSBPCCRA 474.05
FBPSSC Small 6’ 4” 1’ 10” Mfr # FBPSSC • B&H # PSSBPSC 484.50 Coil Cable Kits w/Right Angle XLR Base
EBPM Medium 8’ 3” 2’ 2” Mfr # FBPM • B&H # PSMBP 403.75 Small (Mfr # FBPCCKSRA)....................................118.95
FBPMCC Medium 8’ 3” 2’ 2” Mfr # FBPMCC • B&H # SMBPCC 498.75 Medium (Mfr # FBPCCKMRA).............................118.95
Large (Mfr # FBPCCKLRA) ...................................118.95
FBPMCCRA Medium 8’ 5” 2’ 4” Mfr # FBPMCCRA • B&H # PSMBPCCRA 522.50
Straight Cable Kits
FBPSSC Medium 8’ 6” 2’ 5” Mfr # FBPMSC • B&H # PSMBPSC 536.75
Small (Mfr # FBPSCKS • B&H # PSSCKS) ...............124.45
EBPL Large 12’ 4” 3’ Mfr # FBPL • B&H # PSLBP 522.50
Medium (Mfr # # FBPSCKM • B&H # PSSCKM) ....127.30
FBPLCC Large 12’ 4” 3’ Mfr # FBPLCC • B&H # PSLBPCC 617.50 Large (Mfr # FBPSCKL • B&H # PSSCKL) ...............130.15
FBPLCCRA Large 12’ 6” 3’ 2” Mfr # FBPLCCRA • B&H # PSLBPCCRA 636.50 X-Large (Mfr # FBPSCKXL • B&H # PSSCKXL).......133.00
FBPLSC Large 12’ 7” 3’ 3” Mfr # FBPLSC • B&H # PSLBPSC 655.50 Tip, threaded 3/8-16 Mic, Shockmount Adapter
for Poles (Mfr # FBPTIP • B&H # PSTT)....................20.43
EBPXL X-Large 17’ 4’ Mfr # FBPXL • B&H # PSXLBP 593.75
End Cap Rubber Bottom (PSTT) ....................24.23
FBPXLCC X-Large 17’ 3” 4’ 3” Mfr # FBPXLSC • B&H # PSXLBPSC 755.25 End Cap Straight Cable Exit (Mfr #FBPECSC • B&H #
CC = with Coiled Cable, CCRA = with Coiled Cable and Right Angle XLR, SC = with Straight Cable PSECSCE) ..................................................................47.03
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

688
C ASE S
Boom Pole Accessories
Impact Boom Tube Carrying Case with Strap
Neoprene Boompole Bag Available in four sizes for boom pole lengths of
16” to 55” (collapsed), the Boom Tube is designed
Made of neoprene for maximum protection, Case with
to withstand the normal, day-to-day working
the boompole bag features an adjustable Black TSA Lock
environment of film, TV and ENG shoots. Whether
shoulder strap. This bag will accommodate a
you work on location or in a studio, the Boom
boompole and complete ENG kits with a
Tube will protect your expensive microphone
shotgun mics, softie, and boompole cable
boom pole during travel or in storage
attachments. (IMBPB10) .......................................39.95
The lid is designed so that it is pulled off and kept
tethered to the Boom Tube rather than with a hinge
Universal Pistol Grip that could be snapped off in the field or during
shipping.The lid is keyed so it mates with the draw
◆ Universal
latch when put back on the tube. Foam cushions
hand grip
protect the ends of the boom pole in the case. Available in grey or lightweight black ABS plastic.
adapts
to any For Boom Pole 16-32” Collapsed
standard
microphone suspension. Black (Mfr # 10032BTLB • B&H # AL10032BTLB) .......74.95 Gray (Mfr # 10032BTLG • B&H # AL10032BTLG) .......59.95
Black with Black TSA Lock (Mfr # 10032BTLBTSB • B&H # AL10032BTLBB) ...........................................................79.95
◆ Foam-padded handle comes with a 3/8”
threaded adapter (boompole standard) and Gray with Black TSA Lock (Mfr # 10032BTLG-TSA-B • B&H # AL10032BTLBG) .......................................................69.95
is also threaded at the base so it can attach Black with Pewter TSA Lock (Mfr # 10032BTLBTSP • B&H # AL10032BTLPB) .......................................................83.95
it to a boompole. Gray with Pewter TSA Lock (Mfr # 10032BTLGTSP • B&H # AL10032BTLPG) .......................................................69.95
◆ Allows you to hand-hold a PSC mount,
AT8415 etc., with increased isolation For Boom Pole 32-36” Collapsed
◆ Made from machined Delrin, stainless steel Black (Mfr # 10036BTLB • B&H # AL10036BTLB) .......74.95 Grey (Mfr # 10036BTLG • B&H # AL10036BTLG) .......59.95
and expanded polyurethane to provide Black with Black TSA Lock (Mfr # 10036BTLBTSB • B&H # AL10036BTLBB) ...........................................................79.95
significant additional shock isolation. Gray with Black TSA Lock (Mfr # 10036BTLGTSB • B&H # AL10036BTLBG) ............................................................74.95
(#IMGRIP) ..................................................................34.95 Black with Pewter TSA Lock (Mfr # 10036BTLBTSP • B&H # AL10036BTLPB) ........................................................79.95
Gray with Pewter TSA Lock (Mfr # 10036BTLGTSP • B&H # AL10036BTLPG) ........................................................69.95
Remote Audio
Ground Adapter Boom Pole Stand For Boom Pole 37-46” Collapsed
An essential piece of equipment Black (Mfr # 10046BTLB • B&H # AL10046BTLB) .......79.95 Gray (Mfr # 10046BTLG • B&H # AL10046BTLG) .......69.95
weighing only 12 lbs., this Black with Black TSA Lock (Mfr # 10046BTLBTSB • B&H # AL10046BTLBB) .........................................................89.95
collapsible ground adapter acts Gray with Black TSA Lock (Mfr # 10046BTLGTSB • B&H # AL10046BTLBG) ............................................................79.95
as a boom-pole mount to avoid Black with Pewter TSA Lock (Mfr # 10046BTLBTSP • B&H # AL10046BTLPB) .......................................................89.95
damaging expensive equipment.
◆ Wide round base provides
more stability than a heavier For Boom Pole 47-55” Collapsed
but smaller base.
Black (Mfr # 10055BTLB • B&H # AL10055BTLB) .......84.95 Grey (Mfr # 10055BTLG • B&H # AL10055BTLG) .......69.95
◆ 4” opening will accept boom poles with Black with Black TSA Lock (Mfr # 10055BTLBTSB • B&H # AL10055BTLBB) .........................................................94.95
side-mounted connectors and poles with
Gray with Black TSA Lock (Mfr # 10055BTLGTSB • B&H # AL10055BTLBG) ...........................................................89.95
right-angle XLR jumpers attached.
Black with Pewter TSA Lock (Mfr # 10055BTLBTSP • B&H # AL10055BTLPB) .......................................................94.95
◆ The underside of the seat is designed with
finger grip for easy carrying.
◆ The base and top are made of a material
that is totally weather proof. The material
will not scratch equipment or floors. ROLLS PM50sOB Personal Monitor
◆ Includes a large, removable heavy-duty The PM50sOB is a perfect device for boompole operators who need to
hook to easily handle big cable bundles. monitor their own signal. It also has a stereo line input that allows you
Up to three more hooks can be added for to monitor the entire mix. It features separate level controls for Line
headphones, packs, or whatever. and Mic, two headphone jacks, belt clip, and operates on a single 9v
(Mfr # GRAD • B&H # REGRAD) ................................249.00 battery. (#ROPM50SOB)........................................................................................64.95
689
ACC E S S O R I ES
Boom Pole Accessories
Boom-Audio Kit Cool ATS-RAM
Boom Support System Boompole Cradle
The KIT COOL is a device that allows a fishpole to be supported by one hand Adjustable Boom Cradle
in virtually any position, reducing arm strain and fatigue, and leaving the The Boompole Cradle attaches to
other hand free to operate the controls of a mixer, recorder, and other field standard light stands with a 5/8”
audio devices. stud and allows hands-free boom
A three-section telescopic support pole, weighing less than 16 oz., extends operation. Position of the boom can be
from 21.65” to 43”. It utilizes an easily adjusted 1/4-turn clutch, that locks adjusted via the double ball joint.
into place in accordance with a series of alignment guide markings. (#ATBPC) ...................................................................74.95
The KIT COOL pole is then supported by both a belt clip, and a neck strap CT40M C-Stand with quick release turtle base,
with a support cushion, and features a cradle made of foam-covered rollers, that connects to its 9.8 ft. (#IMLSCT40M) ...............................................98.95
tip, allowing a fishpole to be positioned and moved in all directions without vibration.
Kit Cool: Includes roller cradle, adjustable tube, belt clip, shoulder strap and 4x foam wheels
(Mfr # KITCOOL • B&H # BOKCS) ....................................................................................................................................509.95
Boompole Holders
REMOTE AUDIO HN7506DBM

GBBPH BOBPH
High Noise Dynamic Boom Headset
A high noise headset with a broadcast-quality miniature dynamic
Boompole holders attach to Avenger/Mathews
boom mic installed. Designed for monitoring use by location sound
grip heads and conveniently mount boompoles
recordists working in extremely noisy environments, the large, oil-filled
to lighting or C-stands. This allows hands-free
cup design reduces pressure and fatigue, and provides superior
use of boompoles, which are particularly
isolation with over 40dB of attenuation. The custom design of the
useful in a single-man operation or where
HN-7506 earpieces features a set of the 40mm Neodymium drivers
microphone placement will remain stationary.
found in Sony’s MDR-7506 headphones, ensconced in a pair of
(#GBBPH) ................29.95 (#BOBPH) ...............64.95
specially baffled, lightly damped, elliptical shells, providing an
astonishing 40 dB of attenuation in the voice range, combined with Grip Head (#MAHWH2.5) ...................................29.95
the clarity and frequency response necessary for critical monitoring.
HN7506DBM: With 1/4” stereo and 1/8” mini connections (Mfr # HN7506M • B&H # REHN7506M) .....400.00
HN-7506PA/100G: Replacement pads (pair) (B&H # REHN7506PA10) .........................................................19.95 Right Angle XLR Cables
◆ High-grade professional
XLR cables with Neutrik
connectors.
PSC DV Promix 1 ◆ Male to 90º right-angle
Straight Cable
Mic Preamp with Headphone Monitoring female connectors

designed for professional
The DV PROMIX 1 is a flexible mic preamp/monitoring system
boompoles or on-camera
designed for location sound professionals. It features switchable Coiled Cable
microphones.
12T/48v phantom power, and switchable limiters on preamps
and line inputs. Can be operated by optional boompole remote Power options include two 9v Straight Cables
batteries or external 7-16v DC. 18” (#AUAT83141.5R) ...............................................17.48
DV Promix 1 (#PSDVPM1) ..................................40395 Boompole Remote (#PSBRCFDV1) ..................68.95 20’ (#AUAT831420R) ................................................21.95
Coiled Cables
4”-18” (#RECAXJCOIL2) ...........................................35.00
PSC Mixer Duplex Cable 3”-15” with K-TEK

Right Angle Connector (#KTK4NK)..................45.00
Boom Operator’s Monitoring Cable 1.5’-9’ with K-TEK
The Mixer Duplex Cable is a 50’ Canare star quad cable wired with an Right Angle Connector (#KTK18NK) ..............49.95
XLR male and 1/4” male phone plug to a belt-clipped box equipped 3’-18’ with K-TEK
with an XLR female and a 1/4” headphone jack. (#PSDBC50)...........232.95 Right Angle Connector (#KTK36NK) ..............64.95
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

690
C A B L E T E C H N IQUES/REMOTE AUDIO
Cable Techniques Remote Audio BDS v2
Battery Bud Battery Distribution System
Battery Distribution Box An effective device for distributing power to field recording
Battery Bud is a tiny, devices, cameras, mixers, and monitoring devices via a single
lightweight DC source such as an Anton Bauer “Brick” or NP-1 battery, the
distribution box that BDS v2 features one power input, 5 switchable outputs and
routes power to as one non-switchable output for a total of 6 outputs. All
many as five pieces connections lock securely in place and a recessed master
of equipment from
switch and power LED indicator are located on the side.
three Hirose 4-pin outputs, receiving 12-18v DC
input from common rechargeable batteries Internal 6-amp auto-resetting circuit breaker prevents
such as an NP-1. Designed for mobile location overload and possible damage to connected devices. Various power cables are available
work, the unit is ruggedly built and features
for complete compatibility with various field devices. An attached belt clip and small
RF-minimizing filters on the outputs, bottom-
exiting connectors, and a detachable belt-clip
rugged enclosure make it durable and convenient when using in studios or on location.
for maximized portability. Measures 2.4 x 2 x BDS v2: Battery Distribution System (Mfr # BDS1/6 • B&H # REBDS) ............................................................170.00
1.25” (HxWxD) with belt clip and weighs 3.7 oz.
INBAUER: Power input cable from Anton Bauer power tap
(Mfr# BB001 • B&H# CABB001) .................................250.00
(Mfr# BDSINBAUER • B&H# REBDSINBAUER) ...................................................................................................................60.00
INVL: Power input cable from V-Lock adapter.

Output Cables
NPADW: NP-1 Adapter with 24” cable and TA4F connector for BDS input.
16” Hirose to single right angle cable for (Mfr# BDSNPADW • B&H# REBDSNPADW).......................................................................................................................60.00
connecting Lectrosonics receivers.
(Mfr # BBBAG161 • B&H # CABBBAG161) ......................48.00 IN: 4” power input adapter with 4-pin XLR-M (Mfr# BDSIN • B&H# REBDSIN) ..............................................18.50
16” Hirose to dual right angle cable for INANPAG: Power input cable from Anton Bauer “brick” battery.
(Mfr # BDSINANPAG • B&H # REBDSINANPAG) ..............................................................................................................101.00
(Mfr # BBBAG162 • B&H # CABBBAG162).....................52.00 CC33: Power output cable with locking molded right-angle plug. For use with Lectrosonic
Battery Eliminator, and 185-195D, 201/211/411 wireless receivers, Shure FP-33/32A mixers and
16” Hirose to three right angle cable for
Tascam HDP2. (Mfr # BDSCL33 • B&H # REBDSCL33) .................................................................................................32.00
(Mfr # BBBAG163 • B&H # CABBBAG163).....................59.00 CL33Y: Power output “Y” cable for Lectrosonic 185-195D, 201, 205, 210, 211, 411 wireless receiver,
Battery eliminator and Shure FP-33/32A mixers. (Mfr # BDSCL33Y • B&H # REBDSCL33Y) ..........................58.00
12” straight cable for connecting the Sound
Devices MixPre, 442v2 744T, 722, 302, SQN, the CM4: Single-pin output cable for PSC M4 series, Wendt X4, Wendt X2, and Shure FP-31 and 32
PSC M4MK2, M3 & AlphaMix, and the Wendt X5 mixers. (Mfr # BDSCM4 • B&H # REBDSCM4) ................................................................................................................32.00
field mixers. CSD: Power output cable with locking molded right-angle plug for Sound Devices HX-3, MM-1,
(Mfr # BBSDMX12 • B&H # CABBSDMX12) ...................60.00 MP-2, and early versions of MixPre and 442. (Mfr # BDSCSD • B&H # REBDSCSD) .......................................32.00
Hirose 4-Pin to Right Angle Power Connector CSQN: Power output cable with locking molded right-angle plug for the Wendt X5, PSC M4 MkII,
for Wendt X4. (Mfr # BBX4 • B&H # CABBX4).........51.00 Sennheiser 3041U, Sound Devices 744T, 722, 702, 702T, 442 Version 2, and the latest version of
Hirose 4-Pin to Right Angle Power Connector the Sound Devices MixPre. (Mfr# BDSCSQN • B&H# REBDSCSQN) ......................................................................46.50
for Wendt X4. (Mfr # BBX4 • B&H # CABBX4).........51.00 CC104: Power output cable with 4-pin XLR-F (Mfr# BDSCC104 • B&H# REBDSCC104) .................................32.00
12” Hirose 4-pin to Right Angle Mixer Cable for
Shure FP32A/FP33.
(Mfr # BBFPMX12 • B&H # CABBFPMX12) ....................51.00
Comprehensive Audio Adapter Kit
12” Hirose 4-pin to Straight Coaxial Mixer Cable
for Sound Devices Ver. 1 MixPre, & 442, MP-2, This audio adapter kit provides 23 pairs of virtually
HX-3, Shure FP24 & Lectrosonics Venue. every audio adapter in current use. The kit includes a
(Mfr # BBSD1FP12 • B&H # CABBSD1FP12) ...................49.00 sturdy plastic storage case with 10 compartments
created by a set of adjustable dividers. Adapters include
RCA to XLR, Phone to RCA, Stereo Mini to Stereo Phone,
Input Cables Mini to Mini, Mini to Phone, Mini to RCA and many
NP-1 Cap to Hirose 4 adaptor with a 15” input more. (Mfr # AAKBH1 • B&H # COAAK) ....................................149.95
cable. (Mfr # BBNP • B&H # CABBNP) .......................68.00
691
ACC E S S O R I ES
ROLLS BEACHTEK
CT-1 Cable Tester
Any sound person
DXA-4 Dual XLR Adapter for DV/HDV Camcorders
knows how difficult it The DXA-4 offers an easy, reliable way to hook up
is to maintain cables. professional microphones to your DV or HDV camcorder —
The CT-1 provides an and with it, all the benefits of using balanced audio for
efficient way to detect superb sound. Record from two sources at the same time.
shorted or open Each input is recorded on a separate audio track, making it
cables. The unit tests 1/4” TS, 1/4” TRS, RCA, possible for you to mix both channels during editing. You
XLR and MIDI cables. Plus - it will test can even feed a time code signal into one input and audio
combinations of the above. An easy-to-read into the other. Easy to use, rugged construction ensures years of use and its compact size fits
LED indicates the status of the cable. neatly under the camcorder—can also be mounted to any standard tripod. Available for the
(Mfr # CT1 • B&H # ROCT1) .........................................53.95 Sony DCR-VX2100, HDR-FX1, HDR-FX7 and Canon GL-2.
◆ Two channels let you record two sources on ◆ Securely mounts underneath
WHIRLWIND separate tracks for post audio mixing. Both channels
have their own mic/line level switch and trim
camcorder, eliminating cable strain.
◆ Has a threaded hole for mounting
Audio Cable Tester potentiometers for complete flexibility and control. on a tripod plate
Has two balanced XLR inputs, auxiliary mini-jack ◆ Rugged all metal case provides
Whirlwind’s Audio
Cable Tester is a input, mono/stereo switch for single input recording. complete shielding from noise.
compact, one-touch DXA-4: For Sony DCR-VX2100, HDR-FX1/FX7, Canon GL-2 (Mfr # DXA4 • B&H # BEDXA4) ...................179.95
device used for
continuity, pin
assignment, and
phase reverse DXA-6A Dual XLR Adapter
testing of XLR, TRS
1/4”, and RCA connectors. It features a sturdy,
with Phantom Power
low-profile enclosure, and a convenient belt Stepping up, the DXA-6A has as all the features of the DXA-4
clip for regular use in the field. with the addition of 48v phantom power on both channels.
(Mfr # TESTER • B&H # WHT) ......................................76.50 This allows you to power two professional, balanced
condense mics. Runs on one 9v battery and shows status via LED battery power indicator.
DXA-6A: For Sony DCR-VX2100, HDR-FX1/FX7 (Mfr # DXA6A • B&H # BEDXA6A) ....................................309.00
QBox Mic/Line Tester
An all-in-one audio line
tester ideal for live sound,
maintenance, installation
DXA-6Avu
work - anywhere audio runs Adapter with Phantom Power and Level Meters
down a cable. The Qbox Stepping up, the DXA-6Avu has built-in level meters that show audio levels at a glance for
includes a microphone, perfect recording everytime. Eliminate guesswork forever, with the bright, 7-seven segment LED
speaker, test tone generator, level meters. Also features ultra slick trim controls and ground lift switch.
outputs for headphones, a
DXA-6Avu: For Sony DCR-VX2100, HDR-FX1/FX7, Canon GL-2 (Mfr # DXA6VU • B&H # BEDXA6VU) ..359.95
1/4” jack for line-in or a 2k Ohm
(telephone) earpiece out, plus voltage
presence LEDs for confirming phantom or
intercom power. Attaches to your belt or DXA-6HD
equipment rack.
◆ Monitor a standard 3-wire intercom feed or
Adapter with Preamplifiers and Phantom Power
talkback from the main audio console. Ideal front end for the Sony HDR-FX1, the DXA-6HD
features two-balanced XLR inputs, 48v phantom power,
◆ Can quick-check dynamic mics and cables
trim controls, and ultra low noise preamplifiers.
without firing up the entire system. Connects to the camcorder in Line-In mode to bypass
◆ Provides a handy mic or line-level tone for the camcorder’s internal preamps for exceptional audio
activating a signal path or identifying a performance. Also features mic/line input switches and
specific cable in a pile of cable ends. mono/stereo output switch. Runs on a single 9v battery.
(Mfr# QBOX • B&H# WHQB) ....................................189.95 DXA-6Avu: For Sony HDR-FX1 (Mfr # BEDXA6HD • B&H # BEDXA6HD) ..........................................................449.00
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

HEADPHONES
692
SONY
HEADPHONES
Sony’s range of professional headphones are engineered for a combination of strength, comfort and practicality and are
used daily in broadcast and recording studios worldwide. Designed to accurately monitor the wide dynamic range and
extended frequencies delivered by modern digital audio equipment, the MDR-7500 series is precision manufactured using
the highest grade materials. All Sony professional headphones feature gold connectors, an oxygen-free cord, and a
UniMatch cable compatible with 1/4” and 1/8” equipment. All except MDR-7502 come with a soft case, and each includes
a service manual detailing spare parts available through Sony’s professional service centers.
MDR-7502: The lightweight, closed-ear design of the MDR-7502 allows long term use without
listening fatigue. The neodymium magnet (used in all Sony professional headphones) is almost five
times more powerful than standard ferrite magnets, delivering dynamic sound, high sensitivity and
deep bass response. The MDR-7502 features frequency response of 60Hz to 18kHz and a 30mm driver
unit that provides clear, high quality sound reproduction at an affordable price.
MDR-7505: Thanks to an acoustic design that positions the sound field very close to the ears, the
closed-ear MDR-7505 makes detailed listening possible, even in noisy environments. An Auto-Swivel
earpiece enables single sided monitoring. The 40mm PET driver and neodymium magnet provide
excellent sound quality and extended frequency response. An adjustable, padded headband offers
durability and comfort. Features frequency response of 16Hz to 22kHz.
MDR-7506: An extremely high quality, unobtrusive reference headphone, the large diaphragm
foldable MDR-7506 is designed for professional studio and live/broadcast applications. Lightweight
and rugged, the MDR-7506 is engineered to be comfortable to wear for extended periods. A 40mm
PET diaphragm and neodymium magnet provide performance exceeding the requirements of digital
sources such as CD, MD and DAT. Features a frequency response of 10Hz to 20kHz.
MDR-7509HD: Designed for critical listening applications, the MDR-7509HD features HD Driver
units that deliver ultra-wide dynamic range and incredible power handling capabilities. With 3000 mW
power handling capacity and 80kHz ultra high frequency reproduction, the MDR-7509HD precisely
reproduces every nuance recorded using the latest generation of high-quality audio formats such as
DSD or high sampling linear PCM. The 50mm HD Driver units utilize 360kJ/m3 high power neodymium
magnets to reproduce clear midrange. Equally important to sound quality is wearing comfort. The
MDR-7509HD features an Auranomic circumaural design – where the driver units have been designed
in accordance with the angle of the ear, thereby helping to eliminate pressure on the ear and to
reproduce a natural, wide soundscape. Frequency response is 10Hz to 20kHz.
MDR-7502 MDR-7505 MDR-7506 MDR-7509HD

OFC Litz Cable ✓ ✓ ✓ ✓
1 x 3m coiled cable – ✓ ✓ ✓
Gold-plated UniMatch Plug ✓ ✓ ✓ ✓
Folding Design – ✓ ✓ ✓
Auto Swivel Housing – ✓ – ✓
Amorphous Diamond Diaphragm – – – ✓
PET Diaphragm ✓ ✓ ✓ –
Neodymium Magnet ✓ ✓ ✓ ✓
Power (mW) 3000 1000 1000 500
Impedance (Ohm) 24 40 63 24
Frequency Response 60Hz to 16kHz 10Hz to 20kHz 10Hz to 20kHz 5Hz - to 80kHz
Driver Diameter 30 40 40 50
Weight (excluding cable) 5.2 oz. 7.9 oz. 8.1 oz. 10.5 oz.
Carry Case – ✓ ✓ ✓
SKU SOMDR7502 $46.50 SOMDR7505 $78.50 SOMDR7506 $99.00 SOMDR7509HD CALL
HEADPHONES
693
OTTO ENGINEERING REMOTE AUDIO HN7506

The V1-10437 from
Otto Engineering is an
Noise Reduction Headset Monitor
IFB and personal The HN-7506 headphones are designed for monitoring by location
monitoring earphone sound recordists working in environments with extreme noise
that features a 48” straight cable and an 1/8” levels. The custom design of the HN-7506 earpieces features a set
Mono miniplug connector. An attached clip of the 40mm drivers found in Sony's popular MDR 7506 head-
secures the base to a shirt or jacket. phones, ensconced in a pair of specially baffled, lightly damped,
(Mfr # V110437 • B&H # OTV110437) ...........................44.95 elliptical shells, providing an astonishing 40 dB of attenuation in
the voice range, combined with the clarity and frequency response
necessary for critical monitoring. The result of the HN-7506 design
GARFIELD is not only a vastly improved monitoring and mixing perspective,
Headphone Softies but also diminished listening fatigue and long term ear damage.
Ruggedly built custom design, durable and comfortable.
Garfield’s headphone softies are soft rayon
(Mfr # HN7506 • B&H # REHN7506) .................................................................285.00
chenille fabric covers designed to slip over
existing headphone earpieces to increase
comfort level and eliminate the problem of
cold earpieces in the winter and perspiration
in the summer. Boom operators and location SENNHEISER HD280 Pro
sound professionals who are required to wear
headphones for hours on end will truly appre- Closed-Back Professional Monitor Headphones
ciate this product. Available in five colors for The HD280 Pro is a closed, circumaural headphone designed to
easy staff identification and color-coding. exceed the demands of the professional environment. It boasts
In Gold (GAHSGLD), Green (GAHSG), Red (GAHSRED), extremely robust construction combined with extensive
Blue (GAHSBLU) or Black (GAHSBK) .........................15.95 features that meet the requirements of today's most demanding
applications. The unique collapsible design combined with
swiveling ear cups, offers maximum flexibility in any application.
REMOTE ◆ Space saving design features collapsible, rotating earcups.
AUDIO ◆ Up to 32 dB of ambient noise attenuation.

◆ Neodymium magnets for high maximum SPL.
SpeakEasy ◆ Single-sided, coiled cable with 3.5mm mini jack with locking
These easily-hidden, 1/4” adapter.
powered 2-way Mfr # HD280PRO ◆ Very comfortable, even if used for long periods of time.
monitors are ideal for B&H # SEHD280P
◆ Rugged construction with user-replaceable parts.
on-location applications. Running on a single
9v battery, it features three inputs, including
an optional mic, and a front master volume.
The drivers are magnetically shielded so they
can be set up next to a video monitor and not ULTRASONE PROline 750
worry about creating any video distortion.
(Mfr# SPKEZV2WMP • B&H# RESEV2) ......................229.00
Closed-Back Studio Headphones
The PROline 750 are closed-back studio headphones
designed for professional use. It features a wide frequency
SOUND DEVICES MM-1 range, folding design and padded headband and earcups.
The PROline 750 achieves a high degree of audio direction
The MM-1 combines two essential production
and dimensionality without extra equipment by using S-Logic
functions — microphone preamplification and
Natural Surround Sound technology. This technology also
headphone monitoring — in one compact
allows an up to 40% lower dB output (3-4 dB) for the same
product. The MM-1 is a no-compromise,
loudness sensation, which may reduce the risk of hearing Mfr # PROLINE750 • B&H # ULPL750
studio-quality mic preamplifier with phantom
damage or loss— a must for those who spend a good deal of
power, high-pass filter, and built-in limiter.
time wearing headphones. Further protection is offered with the MU Metal Shielding, which
With its monitoring function providing
reduces radiation emissions by up to 98% compared to other headphones.
fold-back of preamp audio and external
◆ Designed for comfort and portability, the circumaural design and velvet ear pads help reduce
monitor audio, the MM-1 is at home in the
most complex broadcast remotes, theatrical external noise.
productions, and intercom setups. ◆ Titanium-plated drivers offer exact sound reproduction.
(Mfr # MM1 • B&H # SOMM1)..........................................349.00 ◆ Includes 2 detachable cables (1 straight, 1 coiled) and a spare pair of speed-switch earpads.
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

AUDIO FOR VIDEO
694
AMBI E NT
TIMECODE
Lockit Box
Timecode / Trilevel Sync Generator (Mfr # ACL202CT • B&H # AMACL202CT)
Lockit Box is a small, highly accurate, portable timecode and color videosync and wordclock generator. Pro
audio and video machines can be genlocked to the Lockit box, thus giving a very low drift between equipment
working together. Typically, the drift will be less than 1 frame per day, without connecting cables or radio links.
The Lockit can be jamsynced with external timecode, or set with Aaton ASCII code. The Lockit is especially
useful in multicamera Betacam shoots, where a Lockit on each camera and one on the audio recorder will
reduce drift between machines to under one frame a day. An optional zero level AES EBU generator board is
available for syncing digital recorders and preamplifiers.................................................................................................899.95
Ambient Clockit Controller Master Clock (Mfr # ACC101 • B&H # AMACC101)
The Ambient Clockit Controller is an extremely accurate portable master clock and timecode generator/
reader. It can can be used to jam, read, identify, and compare all timecodes. All frame rates are supported,
and the frame rate can be changed without losing time of day, enabling a camera running at 24 frames,
and a recorder running at 25 or 30 frames to be jamsynced. The Controller can also be used to check and
calibrate the crystal oscillators of the Ambient range of time code products in the studio or field, giving
unsurpassed accuracy. Its internal crystal oscillator can be calibrated from four different external sources:
external timecode, another Ambient unit, GPS satellite, or DCF radio clock. Once the calibrated, the con-
troller becomes a portable timecode master clock with an accuracy of 0.2 ppm. The controller can also load,
read, and compare timecode using the Aaton ASCII format making it an ideal and flexible alternative to the
Aaton Origin C. Userbit format options allow easy entering of data in the form required. The controller has
many users in the film and broadcast industry. With the added facility of internal Xtal calibration, it can be used as a master clock to calibrate timecode
recorders and film cameras during manufacturing, as well as in the field.....................................................................................................................................................CALL
Master Slate Timecode Reader/Writer/Clapper (Mfr #ACD301 • B&H # AMACD301)
Four different display modes: Generator, Generator with a time of day start up taken from an internal realtime
clock, Reader/Generator, in which the external code is displayed when the slate is open, and the internal
generator code is displayed on closing and pure reader mode. Userbits from external or internal timecode can
be displayed by push button. The timecode frame at which the slate closed can be displayed for 2 minutes after
closing, for logging by the continuity person/production assistent. A flash (full display brightness for 3 frames) at
the moment the slate closes, can be switched in to aid syncing with Telecine machines. The Slate can identify
the framerate of an externally connected code, and display errors of up to 2 Frames in 0.2 Frame steps, thus
making it an error checker for all recorders and cameras. Errors can be checked without jamming. Additionally
camera speeds can be checked with strobe bars. A larger slip on writing sleeve which can be removed when
doing close ups is available for feature film work.............................................................................................................1459.95
Master Radio Slate

Timecode Reader/Writer/Clapper (Mfr #ACD301RF • B&H # AMACD301RF)
The Master Radio Slate is designed for record run timecode when recording sound on audio recorders
and you need to display this code in front of the camera. It adds a built-in UHF telemetry receiver and a
miniature transmitter that transmits the time code at 915 MHz to the Master Slate. Wireless range is
about 150’. This device features a large writing surface, flashing LEDs on close, battery volts readout, and
reflective surface for night shooting........................................................................................................................1695.00
AUDIO FOR VIDEO
695
D EN E C KE
TIME CODE SLATES
TS-C Time Code Slate
A compact and lightweight full featured smart slate, the TS-C reads, generates and
displays SMPTE/EBU time code. Ideal for documentary work, insert shots or any-
where a big slate is too cumbersome, the TS-C jams to all standard frame rates,
including 23.976 for HD. It reads and displays off speed time code used in special
situations such as music video playback. The TS-C also supports Aaton serial
communication. A high precision TCXO is combined with a 16-bit microprocessor to
ensure both extremely low drift and high accuracy. The EL backlit face plate is very
helpful in low light situations. Choice of black and white or color clapper sticks.
◆ Aaton serial communication via 5-pin Lemo ◆ Sync error warning of different frame rates. ◆ Auto set mode automatically jams to the
plug. ◆ EL backlight display illuminates scene, take
same frame rate as the incoming time code.
◆ Compact and lightweight, it is 1/3 smaller and production section of the face plate. In manual set mode, frame rates can be
than the TS-3 and weighs under 2 lbs. crossed jammed.
◆ Blinking LED jam indicator. Re-jam without
with batteries. powering down. ◆ User bits are set automatically when
◆ Display intensity is variable in 12 steps. jammed to an external time code.

◆ Battery voltage and low battery warning
Each step is precisely equal to 1/2-stop in readout. ◆ High stability TCXO (temperature compen-
exposure. sated crystal oscillator) ensures low drift.
◆ In TC reader mode, both ascending and
◆ Sliding access door to controls and quick
descending time code are read. Can also be TS-C (5 x 8.25 x 1.2”) with color
load battery pack. Runs on 6 AA batteries. configured as a “+1 frame reader” to display (Mfr # TSC • B&H # DETSC) or B&W clapper sticks
◆ Able to auto set to incoming frame rates. the time code in real time. (Mfr # TSCBW • B&H # DETSCBW).........................1149.00
TS-3/TS-3EL Time Code Slates

The TS-3 and TS-3EL read and display SMPTE/EBU Time Code. Internally mounted
SB-2 Syncbox Time Code Generator. Jams to all standard frame rates, including
30 df. User bits jam automatically when the time is set. High stability TCXO
(temperature compensated crystal oscillator) crystal ensures low drift. Otherwise
the same, the TS-3EL has an Electro-Luminescent (EL) backlit display, which is
particularly useful during night shoots and on dimly lit stages. Choice of black and
white or color clapper sticks.
◆ Lightweight - fits in a frontbox. ◆ Battery voltage readout at turn on. ◆ TS-3EL (only) has an Electro-Luminescent
◆ Flat back with a removable plate for (EL) backlight display which illuminates
◆ Quick change battery pack using 6 AA
camera logs. scene, take and production section of the
batteries. Settable “time out” mode for open
face plate—ideal when using on night
◆ Auto set to incoming frame rates. sticks to conserve batteries.
shoots or dim stages.
◆ Sync error warning of different frame rates. ◆ Low and dead battery warning.
TS-3 (5 x 8.25 x 1.2”) with color
◆ Blinking LED jam indicator. ◆ Scroll back of the last 16 time code claps (Mfr # TS3 • B&H # DETS3) or B&W clapper sticks
for logging. (Mfr # TS3BW • B&H # DETS3BW) .........................1195.00
◆ High stability TCXO (temperature compen-
sated crystal oscillator) ensures low drift. ◆ Feed alert reminds you when to jam.
TS-3EL (5 x 8.25 x 1.2”) with color
◆ Flash frame changes intensity to ensure ◆ Jam lock inhibits running time code (Mfr # TS3EL • B&H # DETS3EL) or B&W clapper sticks
exposure. without jamming. (Mfr # TS3ELBW • B&H # DETS3ELBW) ..................1359.95
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

AUDIO FOR VIDEO
696
D ENE C K E
TIMECODE GENERATORS
GR-1 Master Clock Generator
The GR-1 is a precision time code generator/reader designed for production sound recording. It
can be used as a stand-alone master time code source in most recording environments. Low power
consumption with back lighting assures users of long battery life in a small reliable package.
◆ Reads SMPTE/EBU time code at normal ◆ Generates time code in the start/stop mode.
operating speeds. The code is normally stopped until pin #2 of
◆ Displays time code/user bits and mode on a the remote connector is pulled low. The ◆ A serial printer can be connected to make
low power LCD backlit display. hold memory is updated with every code time code logs, read breaks in input code
start point. and print stored memory points.
◆ Displays the incoming time code speed,
mode and drop frame status. ◆ Generates time code at 23.976 (for use with ◆ Jam syncs to external code and can cross
HD cameras), 24, 25, 29.97, 30 fps drop and jam different code rates. Any break in code
◆ Generates time code locked to an external non drop. User bits can be left free or set as will jam to a new value (continuous jam).
field or frame reference. date in the month/day or day/month for-
◆ Indicates low battery as well as status of the
◆ Saves hold points in memory. Previous time mat.
internal memory battery.
code/user bit points are shown along with ◆ Printer out, hold start/stop and TC in/out are
their memory location. accessible in the 9 pin “D” connector. GR-1 (Mfr # GR1; B&H # DEGR1) ............................979.95
SB-2(A) Syncbox Time Code Generator

The Dcode Syncbox Time Code Generator is designed to work with the Dcode Time Code Slate allow-
ing complete freedom from cables. The Syncbox generates all common time code formats. It can be
jam set from an external time code source or internally set and used as a stand-alone generator.
◆ Generates time code at: 23.976 (for use with ◆ The generator is jam set at power on. Both ◆ The local mode starts code at (00:58:30:00)
HD cameras) , 24, 25, 29.97 and 30 fps; 29.97, time code and user bits are set from the allowing time to set hours before the rollover
30 drop frame. external source. to the next hour.
◆ Generates Sync Pulse at:50, 59.94, and 60 Hz ◆ In Jam mode the LED strobes once per ◆ The user bit hour position automatically
squarewave; optional 48 Hz squarewave. second on the second at turn on. increments on the 24th hour. Example:
◆ Minutes can be set only in the local mode. ◆ User bits displayed in the local mode are (01:00:00:30) shows on rollover.
Pushing the button increments the minutes. (00:00:00:XX) where XX indicates the internal ◆ The internal LED strobes at the selected
Holding the button increments the minutes frame rate setting. Example: (00:00:00:30) frame rate for 10 minutes after turn on. The
at a fast rate, useful for setting UB hours. shows the generator is running at 30fps. LED strobes once per second after that to
Minute set is inhibited after 10 minutes. conserve battery life.
SB-2(A) (Mfr # SB2A; B&H # DESB2A) .................................................................................................................................................................................................................................379.95
SB-T Time Code + Video Sync Generator

The SB-T reads, generates and jams to all the standard frame rates including 23.976 for High
Definition Video. The outputs include Time Code and Video Sync in PAL and NTSC, as well as
Trilevel for HD shoots. The temperature compensated crystal oscillator ensures low drift. High
stability and ease of use makes it a welcome addition to any Hi Def or Standard Def shoot!
◆ Generates Trilevel Sync in all 1920 x 1080 & ◆ Continuously jams to new code so there is no
1280 x 720 formats, composite PAL and NTSC, need to power down the unit to re-jam. ◆ Optional 5-pin Lemo socket instead of 4 pin
as well as all standard Time Code rates. ◆ Run on 3 AA batteries or power externally Hirose
◆ Jam from an external source or set it internal- through a 4 pin Hirose plug and use the AA ◆ Low and Dead Battery warning.
ly and use as a stand alone generator. batteries as a backup when the camera is
◆ Cross jam regardless of incoming frame rates. powered down. SB-T (Mfr # SBT; B&H # DESBT) ...............................929.95
AUDIO FOR VIDEO
697
D EN E C KE
TIMECODE READERS
TC-1 Time Code Reader
The TC-1 opens the world of time code to film editing at a fraction of the cost of other
systems. Using time coded film dailies, editors working directly with film can use the
TC-1 to assist them in syncing, making high speed searches, logging, and keeping
accurate time-date records of the actual production. The TC-1 reads SMPTE and EBU time
code from VCRs, film editing machines, and film synchronizers from 1/50 to 50 times
speed in both forward and reverse. For transferring 1/4” tape to mag film it cleans up (reshapes) time code while generating 60Hz sync
pulse from either 24 or 30fps time code. Perfect for film and television production companies, transfer houses, and music studios.
◆ Reads SMPTE/EBU time code. ◆ Freeze the display instantly by pressing the ◆ Reshaped code for copying is accessible
◆ Displays time code in hours, minutes,

HOLD button. through the rear output connector.
seconds, and frames. ◆ Signal Status display. ◆ Film resolving 60Hz from both 24 and 30fps.
TC-JR Time Code Reader/Logger

The TC-JR is a self contained, battery operated Time Code Reader. It is designed to keep track of take numbers with
the built in take counter, and can be used with an optional printer to create accurate time code logs. Stand alone
operation is achieved when the TC-JR is jam set from external code. The incoming frame rate is displayed so you
always know what code you are using. The compact, flat package makes it perfect for script logging.
◆ READS SMPTE/EBU time code and user bits. ◆ JAM SYNCS to external code or the Trimble ◆ BACK LIT LCD display.
◆ DISPLAYS time code speed and drop frame

Scoutmaster. ◆ EXTERNAL REMOTE POWER and TC Loop
status. ◆ PRINTER I/O for logging with take numbers through.
◆ HOLD shows current take number.
or for a computer serial interface. TC-JR (Mfr # TCJR; B&H # DETCJR) ........................289.95
TC-Maxi Studio Time Code Reader

The TC Maxi Studio Time Code Readers display SMPTE/EBU time code with large
4” LEDs. Units feature well-formed numbers and will read longitudinal time code
from 1/20 to 50 times speed.
TC-Maxi / 4 (Mfr # TCMAXI4; B&H # DETCMAXI4): Variable intensity 4” 4-digit reader .................944.95
ST-1 Time Code Sync Stripper

The Dcode ST-1 is a small, battery operated time code sync stripper and re-shaper. Low level
code can be re-shaped and brought up to a 3v peak-to-peak level useful for driving most
professional equipment. The high output drive can feed sync or time code over long lines,
great for concert recording. The ST-1 features long battery life and a LED indicator which
strobes at the sync rate.
◆ Low level zero crossing detector ◆ Strips: 60 Hz and 50 Hz from 30 fps; ◆ Low battery drain
◆ Low output impedance 60 Hz from 24 fps; 50 Hz from 25 fps;
◆ LED blinks at the selected sync rate 59.94 Hz from 29.97 fps ST-1 (Mfr # ST1; B&H # DEST1) .............................249.95
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

AUDIO FOR VIDEO
698
HOR I TA
MINIATURE PORTABLE TIME CODE EQUIPMENT
PTG Mini Portable Time Code Generator with LCD PTR Mini Portable Time Code Reader with LCD
Designed for use in the field (runs 24 The PTR reads SMPTE/EBU time
hours on a single 9V battery), the code and displays the time code
palm-sized PTG features a large and/or user bit data on a 2-line
2-line LCD readout for time code, LCD display. “Store” and “Recall”
user bits, and setup information. Easy functions allow quick, easy capture
to setup, it is ideal for use in multi- and review of up to 50 time code
camera shoots for games, concerts, events. Stored time codes can be
weddings, etc.—where each tape has to have the same time code for sent as RS-232 serial data to a PC
precise time and image matching during post production. For these running the supplied PTR-LOG program.
applications the PTGs are jammed (automatically preset) to the same ◆ Reads and displays time and user bit data at 23.976, 24 (film), 25
time code source. User bits are set to the date and also include a unique (PAL), 29.97 (drop or non-drop frame) or 30 fps
ID number for each individual PTG. Each tape will then have the same
time/date but a different ID number so there will never be a mixup. ◆ Reads at speeds from 1/10th play speed up to 3x play speed, in for-
ward or reverse directions
◆ Operates synchronized to video or free runes at frame rates of 23.976,
24 (film), 25 (PAL), 29.97 (drop or non-drop frame), or 30 FPS. ◆ Displays frame rate and drop/ non- drop frame status
◆ Can also jam to an RS-232 serial data input from a GPS receiver for ◆ Auto shutdown to extend battery life
generation of precise time of day and date time code. ◆ Includes “PTR-LOG” software program to download stored time
◆ Programmable “ID” in user bits to positively identify camera, location, codes from PTR, add comments, and then save as text or comma
operator, etc. delimited files.
PTG: Mini Portable Time Code Generator (Mfr # PTG • B&H # HOPTG) .....409.95 PTR: Mini Portable Time Code Reader (Mfr # PTR • B&H # HOPTR) ........339.95
PG-2100 Mini Portable Time Code Generator

A palm-sized time code generator, the PG-2100 runs over 24 hours from a single 9v battery. Intended for field use in
multi-camera situations when each tape has to have the exact same time code for precise image matching during post
production, the PG-2100 can be operated manually or jammed (automatically preset) from any SMPTE time code source.
Ideal field companion to the GPS-MTG GPS-based time/date time code generator. When jammed from a GPS-MTG, all tapes
recorded using PG-2100s have identically matching frame-by-frame time of day and date time code. However, each tape
has its own individual PG-2100 generator ID number contained in the “user bits” making it a breeze to keep track of tapes
and shots during post production.
◆ Operates genlocked to video or free runs at ◆ Jam to time code, or to an RS-232 time and ◆ Settings are stored in
24, 25, 29.97 or 30 fps. date input from a GPS Receiver (NMEA GPS non-volatile memory
◆ Time, Date, Frame Rate, and ID number can
data formats) PG2100
be monitored and manually changed ◆ LED indicator for monitoring status (Mfr # PG2100 • B&H # HOPG2100) .........................259.95
PWG Mini Portable Time Code Window Inserter PR-232

Palm sized time code window burner powered Field Logging Mini Time Code Reader
from a single 9v battery, the PWG has all the with Software
features you need for fast, easy use in the field.
The PR-232 is a palm-sized time code reader that can
◆ Displays time code or user bits be powered from the serial port of a laptop computer
◆ Indicates drop/non-Drop frame time code (no batteries ), and includes TC-Toolkit software.
◆ Selectable character mask/size/position ◆ Reads LTC time code at search speeds and outputs
RS-232 data to PC RS-232 serial port. Includes serial
◆ “+1-frame” (On Time) updating
cable.
◆ LED shows power ON/Valid TC/Low battery
◆ Ideal for portable logging in the field using a laptop,
◆ Operates for over 4 hours from 9v battery the PR-232 can also run off a 9v battery.
PWG (Mfr # PWG • B&H # HOPWG) ..................................................................239.95 PTG (Mfr # PR232 • B&H # HOPR232) .........................................................................199.95
AUDIO FOR VIDEO
699
H O R I TA
TIME CODE & TAPE/FIELD LOGGING
Script Kit PA Logging Clipboard with Software
The “Script Kit” combines the PTR portable LCD time code reader and a WTS100M wireless time code
system into a powerful, easy to use field logging system. The units are enclosed in a sturdy anodized
aluminum case mounted on a clipboard that holds pre- printed Script Kit Log sheets plus your script
and other documents inside. Use the bundled windows- based PTR-LOG software to download
stored time code/user bit data to your PC, add notes or comments, and then save as text, EDL, or
comma-delimited file.
◆ PTR stores up to 50 numbered time code values that can be recalled Script Kit (Mfr # SCRIPTKIT • B&H # HOSK)
for display or downloaded to a PC. Includes PTR time code reader, Wireless Time Code system, aluminum
◆ Entries can be quickly referenced by the 2-digit sequential number, case, pre-printed Script Kit Log sheets, software for downloading PTR
rather than the time code value files, and RS-232 cable......................................................................................449.95
WTS100M Wireless Timecode System

The WTS100M system features wireless transmitters and receivers from Azden, allowing you to reliably transmit time code to/from Horita Time Code
products up to 300 feet. System includes clip and velcro mounting hardware and mic/line adapters. Allows you to:
◆ Transmit time code from a camcorder to the PR-232 portable reader ◆ Transmit time code from the PG-2100 or any other Horita time code to
with logging software and log your shoots on an inexpensive laptop several camcorders taping sports action out in the field. When you
without any wires or cables. bring the tapes back, they’ll all have matching time code — much
◆ Transmit time code from your camcorder to the PWG battery-operated easier to find out who caught that pass!
portable window generator to make remote window dubs using only a WTS-100M
single coax cable for the video feed. (Mfr # WTS100M • B&H # HOWTS100M) .......................................................................199.95
Pocket PA Pocket PC-Based Wireless Logging System

The Pocket PA (“Production Assistant”) consists of an off-the-shelf Pocket PC with built-in Bluetooth wireless technology, Horita LTC-Bluetooth wire-
less transmitter (transmits the time code from the source, such as a TV camera or house TC generator, to the Pocket PC), and Horita’s PDA-LOG logging
software. Ideal in a film or video shoot when the production assistant or script supervisor needs to capture a time code number and then jot down a
quick note or comment associated with that time. A single touch of the Pocket PC stylus captures the time code and allows users to enter comments.
An optical character recognition (OCR) program deciphers handwritten notes and inserts them into data fields or the user can enter predefined
“canned” notes such as “Mark IN”, “Mark OUT”, “Action”, etc. Save logs in Horita’s PC-LOG text format, as an EDL, or as a comma- or tab- delimited file for
use with other applications. Export logs to a laptop or desktop PC when the Pocket PC is placed in its cradle and the two PC’s are synchronized.
Pocket PA (Mfr # POCKETPA • B&H # HOPOCKETPA) .........................................................................................................................................................................................................399.95
K ATA M O U N T SCRIPTLINC
A practical solution for time code logging, the Scriptlinc is a high-tech clipboard with an integrated wireless receiver
and time code reader, created with both script and production notes in mind. Large LCD numbers and easily
accessible buttons make this key task easy to perform accurately without disturbing the rest of the crew. Time
code is sent to the clipboard via the transmitter, where it can be frozen by two HOLD buttons so that the time
code information may be recorded in the script log. Scriptlinc can also be used hard wired via a 3.5mm connector
mounted on the right hand side of the display. A BNC to 3.5mm cable is required.
◆ Automatic frame rate selection ◆ 19mm (3/4”) high LCD display for ◆ “Hold” buttons freeze the time
◆ 3.5mm (1/8”) input connector for excellent visibility code display for accurate logging
optional hardwired use ◆ Runs on 4 AAA batteries for 36 ◆ Symmetrical design allows for
hours right or left-handed use
SCRIPTLINC 418 (Mfr # SCRIPTLINC BL 418 • B&H # KASL418) SCRIPTLINC 433 (Mfr # SCRIPTLINC BL433 • B&H # KASL433)
Operates at 418MHz frequency .................................................................1150.00 Operates at 433MHz frequency.................................................................1150.00
(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

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MICROPHONE ACCESSORIES

Beyerdynamic K-Tek Lightwave Audio

Softie Mount & Camera Clamp Adapter (CCA)

Large (6”) with 3/8”-16 Boom Pole Mount Multimount V2

(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

Series Number I.D. MM Shotgun Microphones Models

Beyer MC837, MCD837 Neumann KMR816 Sennheiser MKH-816, ME88

Neumann RSM-191 Shotgun. Panasonic DVC-Pro 400. Royer SF12, SF24.

MZW-66: Gray foam windscreen to reduce wind and popping noise.

MZW-67 gray foam windscreens reduce wind and popping noise.

For Audio-Technica For Panasonic For Windtech

Rycote Mini Windjammer

Standard Mini Windjammers (Diameter x Length)

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Rycote Smoothie Windshield (Based on the Softie)

Blackberry Lime Banana Strawberry Blueberry

Rycote Smoothie Windjammers for Smoothie Windshield

Equalizer Miniscreen Minisock Mini Windmaster

1 Equalizer (EQ) Miniscreen (MS) Minisock (MSC) Mini Windmaster (MWM)

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Camera Mounted Softie Windshield

Small Hole Medium Hole Large Hole

Product and Size For Microphone Inside Length Item # Price

Combination Shock Mount/Fuzzy Windscreen

Combo Shock or Shoe Mount/Fuzzy Windscreens

Shock Mount/Fuzzy-Medium Audio Technica AT 835 B, AT 897, RODE NTG-2,

Shock Mount/Fuzzy-Long Audio Technica AT 4071A, AT 815 B, AT 815 ST,

Shock Mount/Fuzzy-Extra Long (Mfr # ZFZXL • B&H # KTZFZXL) 249.95

(212) 444-6601 • 1-800-947-9901 • Quick Dial 91

S-Series Suspension Pistol Grip Handle

Alfa Case Softi-Case

microphone is supported by K-Tek's General Purpose Suspension (K-GPS) or

Fleece/Microfiber Product and Size For Microphone Length Item # Price

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Sennheiser Blimp System

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G5 News Boom Pole

G5 News Boom Pole with Cable

◆ Robust & strong pole

Boom Pole top collar

Boom Pole Coiled Cable Base

Coiled Cable Option

Carbon Fiber Boom Poles

Aluminum Boom Poles

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Model Max Ht. Min. Ht. Weight Order Code Price

Rigid 4-Section Connect Stage Poles with

Model Max Ht. Min. Ht. Weight Order Code Price

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KE-79CC - Traveler Aluminum Poles

CCR - coiled cord

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REMOTE AUDIO HN7506DBM

Mic Preamp with Headphone Monitoring female connectors

PSC Mixer Duplex Cable 3”-15” with K-TEK

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INVL: Power input cable from V-Lock adapter.

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