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    Reviewer in Mapeh

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    Maila Ang
    The document discusses different types of traditional musical instruments and art forms from Southeast Asian countries. It describes Gamelan orchestras from Indonesia that use various metal instruments struck with mallets. It also explains the different piphat ensembles of Thailand that incorporate wind, percussion, and string instruments and are performed for royal ceremonies and dances. The document additionally outlines batik dyeing techniques from Java and silk weaving traditions in Thailand, Cambodia, and Laos that showcase cultural identities through unique patterns and designs.

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    © All Rights Reserved
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    Reviewer in Mapeh

    Uploaded by

    Maila Ang
    209 views3 pages
    The document discusses different types of traditional musical instruments and art forms from Southeast Asian countries. It describes Gamelan orchestras from Indonesia that use various metal instruments struck with mallets. It also explains the different piphat ensembles of Thailand that incorporate wind, percussion, and string instruments and are performed for royal ceremonies and dances. The document additionally outlines batik dyeing techniques from Java and silk weaving traditions in Thailand, Cambodia, and Laos that showcase cultural identities through unique patterns and designs.

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    REVIEWER IN MAPEH

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    The document discusses different types of traditional musical instruments and art forms from Southeast Asian countries. It describes Gamelan orchestras from Indonesia that use various metal instruments struck with mallets. It also explains the different piphat ensembles of Thailand that incorporate wind, percussion, and string instruments and are performed for royal ceremonies and dances. The document additionally outlines batik dyeing techniques from Java and silk weaving traditions in Thailand, Cambodia, and Laos that showcase cultural identities through unique patterns and designs.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    209 views3 pages

    Reviewer in Mapeh

    Uploaded by

    Maila Ang
    The document discusses different types of traditional musical instruments and art forms from Southeast Asian countries. It describes Gamelan orchestras from Indonesia that use various metal instruments struck with mallets. It also explains the different piphat ensembles of Thailand that incorporate wind, percussion, and string instruments and are performed for royal ceremonies and dances. The document additionally outlines batik dyeing techniques from Java and silk weaving traditions in Thailand, Cambodia, and Laos that showcase cultural identities through unique patterns and designs.

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    © All Rights Reserved
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    REVIEWER IN MAPEH

    MUSIC
    GAMELAN
     indigenous orchestra type of the Java and Bali in Indonesia
     consists of several gongs and various sets of tuned metal instruments that are struck with mallets

    JAVANESE GAMELAN
     OFTEN PERFORMED DURING SACRED RITUALS AND CEREMONIES.
     BEST SUITED FOR TEMPLES AND PALACES BECAUSE OF ITS GENTLE AND REFINED NATURE.

    BALINESE GAMELAN
     A dynamic, loud rhythmic.
     Wood hammers are unpadded and create bright and percussive tones.
    SLENDRO
     System of tuning where an each note is distanced 1.25 tones approximately

    PELOG
     Tuning system that divides an octave into seven unequal intervals

    TRIPARTITE
     Shared by or involving three parties

    THAILAND’S PIPHAT

    PIPHAT
     Derived from two words: PI which means double-reed instrument in the ensemble and PHAT which means to
    play music.
     Mainly composed of striking instruments, wind instruments and time marking instruments
     Usually performed in royal ceremonies, public festivities and accompaniment for KHON (mask dance drama),
    NANG YAI ( grand shadow puppet spectacle), LAKHON ( dance drama), HUN KRABOK (bamboo puppet theater)
    and LI-KE (folk dance drama)
     Also performed in death rituals.

    TYPES OF PIPHAT
    1. PIPHAT MAI KHAENG
     prototype from which all other types are based on.
     Formerly called Phin Phat but renamed by Prince Naritsara Nuwattiwong
     This means hard wooden stick referring to the unpadded sticks used to play the Ranat Ek (thai
    xylophone)
     Performs in royal ceremonies and in commoners rites.
    2. PIPHAT SEPHA
     Adds the Luk Poeng or the Song Na to the Piphat Khrueang Ha *five instrument ensemble)
     The drums serves as the time marker and drives the rhythmic pattern while the ensemble accompanies
    the Sepha singing in the Lakhon Sepha performance.
    3. PIPHAT MAI NUAM
     In this ensemble, the Khlui Phiang O (medium size fipple flute) and the Khlui Lib (small size fipple flute
    are replaced by Pi Nai (soprano oboe) and Pi Nok (sopranino oboe).
     Padded mallets are also used to play the Ranat Ek
     This ensemble accompanies the Khon and Lakhon performances.
     Introduced by Chao Phraya Thewetwongwiwat during hthe reign of King Rama V.
    4. PIPHAT DUEK DAM BAN
     Named after the hall where the new hybrid of Lakhon Nai and western Opera is performed
     Accompaniment for the new form invented by Chao Phraya Thewetwongwiwat
     The ensemble was created by Prince Naritsara Nuwattiwong in 1898
    5. PIPHAT NANG HONG
     Combination of Piphat and Bua Loi ensembles
     Features the Pi Chawa and two Klong Malayu from Bua Loi ensemble
    6. PIPHAT MON
     Performed at the festivals and ceremonies of the Mon Thai people

    ARTS
    BATIK
     Part of the ancient tradition and culture of Javanese people of Indonesia
     The patterns are more like symbols that express their cultural indentities
     Comes from the Javanese word TIK means to dot,
     Also refers to the technique of decorating cloth called wax resist dyeing

    TYPES OF BATIK DESIGNS


    1. GEOMETRIC
    - PARANG MOTIFS
    - BANJI SQUARES
    - Ceplok
    - Kawung
    - Limar motifs
    2. NON GEOMETRIC
    MALAYSIAN BATIK
     Influenced by Javanese batik
     Block printed

    THAI SILK
     Made from cocoons of silk worms
     Hand woven and each design is unique
     It gives the illusion of changing its colors as you hold the fabric

    CAMBODIAN SILK
    1. IKAT OR IKKAT TECHNIQUE
    - Weavers tie and dye the weft portion of the yarn in order to create a pattern
    2. UNEVEN TWILL TECHNIQUE
    - Three threads are woven to produce single or two color fabrics. The finished fabric shows the color of one
    thread on one side

    LAOS WOVEN SINH


    - A traditional skirt worn by women.
    - Each skirt is unique and tells a tale woven into its every strand

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