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    Bodies of Work

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    Jyoti Singh
    The document discusses the requirements for using non-literary texts in the Individual Oral for the IB. It states that a non-literary text should be part of a larger "body of work" from a single author or production house in order to connect a part to the whole. It provides examples of using multiple advertisements from the same campaign or multiple comics from the same cartoonist. It also discusses using a collection of related non-fictional texts on a topic like feminism that have a common author or were part of the same movement or event.

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    Bodies of Work

    Uploaded by

    Jyoti Singh
    63 views2 pages
    The document discusses the requirements for using non-literary texts in the Individual Oral for the IB. It states that a non-literary text should be part of a larger "body of work" from a single author or production house in order to connect a part to the whole. It provides examples of using multiple advertisements from the same campaign or multiple comics from the same cartoonist. It also discusses using a collection of related non-fictional texts on a topic like feminism that have a common author or were part of the same movement or event.

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    IB BODIES OF WORK

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    bodies of work

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    The document discusses the requirements for using non-literary texts in the Individual Oral for the IB. It states that a non-literary text should be part of a larger "body of work" from a single author or production house in order to connect a part to the whole. It provides examples of using multiple advertisements from the same campaign or multiple comics from the same cartoonist. It also discusses using a collection of related non-fictional texts on a topic like feminism that have a common author or were part of the same movement or event.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    63 views2 pages

    Bodies of Work

    Uploaded by

    Jyoti Singh
    The document discusses the requirements for using non-literary texts in the Individual Oral for the IB. It states that a non-literary text should be part of a larger "body of work" from a single author or production house in order to connect a part to the whole. It provides examples of using multiple advertisements from the same campaign or multiple comics from the same cartoonist. It also discusses using a collection of related non-fictional texts on a topic like feminism that have a common author or were part of the same movement or event.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    non-literary texts should have a body of work associated with it.

    This means that if you had


    previously taught a one-off advertisement that reinforces gender stereotypes you need to think
    very carefully about how you use that advertisement in your IO.

    And the new Individual Oral requires students to connect a part (an extract) to a whole (the entire
    text).

    If they want to use this in their IO, they will need to connect to a “body of work

    Other advertisements from the same campaign or other ads that stress gender stereotypes. The
    “body” in this case could be (the company) or the advertising campaign producers, or anyone
    linked with it..

    Not the theme link racism or gender bias etc…

    IB says: you should make sure that the chosen non-literary text or texts or literary texts or works
    are rich enough to support a developed, focused, and analytical argument. a collection of short
    stories, poems, song lyrics or any short literary text, candidates may choose to use just one
    literary text from the work as their focus.

    It’s a broad literary investigation, not a narrow stylistic commentary task or writers effect..

    . It may be necessary to use more than one literary text from the work chosen in order to achieve
    this.

    For short non-literary texts, it may be necessary for the candidate to use more than one from the
    same text type by the same authorship, for example the same creative advertising agency,
    cartoonist, photographer or social media user. The teacher will do at least one of them in the
    class.

    For example:

    Irwincardozo Comics
    Instagram photos and videos from irwincardozo (@irwincardozocomics)

    http://www.viral-next.com/these-5-irwin-cardozo-comics-will-make-your-day-guaranteed/

    rwin Donenfeld (March 1, 1926 – November 29, 2004)[3] was an American comic
    book publishing executive for DC Comics. Donenfeld co-owned the firm from 1948 to
    1967,[2] holding the positions of Editorial Director (1952–1957) and Executive Vice
    President(1958 – c. 1968).[4] He was the son of Harry Donenfeld, co-founder of the company.
    the idea was to interlink nonfiction and fictional texts.

    Example 2:

    the entire "body of work" stems from a single author or production house. Nonfiction texts about
    feminism including critical readings, key feminist moments over time (1848 Seneca Falls
    convention, excerpts from A Room of One’s Own and more), gendered advertisements, and the
    #MeToo Movement,

    non-fictional body of work needed to have a common authorship or a common producer

    Virgina Woof: literary non-fiction

    MeToo Creator Tarana Burke And Alyssa Milano: : creators of themSo, a


    single advertisement is not going to work well here or a range of advertisements from
    different companies also doesn’t work as it isn’t a body of work here.

    Seneca Falls: N.Y., a woman's rights convention–the first ever held in the United States–
    convenes with almost 200 women in attendance. The convention was organized by Lucretia
    Mott and Elizabeth Cady Stanton, two abolitionists who met at the 1840 World Anti-Slavery
    Convention in London.

    The American women's rights movement began with a meeting of reformers inSeneca Falls,
    New York, in 1848. Out of that first convention came a historic document, the 'Declaration of
    Sentiments,' which demanded equal social status and legal rights for women, including the
    right to vote.

    A Room of One's Own


    Book by Virginia Woolf
    It’s non-fiction essay

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