MAPEH Reviewer
MAPEH Reviewer
MAPEH Reviewer
MUSIC
1. INDIGENOUS MUSIC
It is largely functional before the colonial era
Can be instrumentally, vocally, or combination of both
expressed.
Deeply related with natives’ activity
used for all occasions, for every phase of life, and from birth to
death.
ETHNIC INSTRUMENT
1. MUSLIM’s KULINTANG
Ensemble composed of 8 gongs
2. GANGSA
Played according to the traditions of different tribes (Kalinga, Ifugao,
Bontoc) of the Cordillera
Smooth surfaced gong with a narrow rim.
INSTRUMENT DESCRIPTION IMAGE
Includes gundingan ( a
set of suspended
Kulintang
gongs)
HISPANIC INSTRUMENT
1. RONDALLA
Originated in Spain yet most famous in the Philippines folk music
Was introduced during 19th century
2. SARSWELA
Combination of melodrama, songs, and dances
Was also introduced back on 19th century
INSTRUMENT DECRIPTION IMAGE
The guitar is one of the
most widely played
instruments in the
Guitar world. It is incredibly
versatile and is used in
many different genres
of music.
The laud is a Spanish
folk cittern. It has a flat
soundboard and a flat
Laud
back and has the basic
shape of a teardrop. It
is has 12 metal strings.
The octavina or
Philippine octavina is a
guitar-shaped Filipino
instrument with a tuning
similar to the laúd.
Octavina Originally a Spanish
instrument, the octavina
was soon incorporated
into other cultures,
notably including
Filipino culture.
Piccolo, (Italian: “small
flute”) in full flauto
piccolo, highest-pitched
Piccolo
woodwind instrument of
orchestras and military
bands.
Banjo, stringed musical
instrument of African origin,
popularized in the United
States by slaves in the 19th
Banjo de Unas century, then exported to
Europe. Several African
stringed instruments have
similar names—
e.g., bania, banju.
FILIPINO MUSICAL INSTRUMENTS
1. KUNDIMAN
Art song that is about love of man for woman.
Usually gives the listener a light and happy mood at the end of the
song.
2. BALITAO
Old Visayan folk song and dance where a man and woman engage in
debate.
The lyrics are usually humorous and spontaneously performed.
Decorated bamboo
tube; closed by a
Serongagandi node at both ends (
Central-West
Mindanao)
Brass instrument
Afiiw horizontally in front of
the open mouth
FILM MAKING
Technical Complexity
Artists
Writers
Taking Charge of Cameras
Production
Lighting Equiptment
Sets
Props
Costumes
1. FILM DIRECTING
- The director
- The one who envisions the final effect of the film, on its
viewers, visually, mentally, and emotionally.
2. ACTING
- Actors had to learn to express themselves without
exaggerated facial expressions.
- They need to deliver their lines naturally and believably.
3. CINEMATOGRAPHY
- The art of film camera work.
- Captures the director’s vision in each scene with proper
camera placement and movement, lighting, and other special
techniques.
4. EDITING
- The art of selecting the precise selections of film.
- Sequencing and joining selection in accordance to the desire of the
director.
- Sound editing was also developed as films begin to include more
ambitious effects
5. PRODUCTION/SET DESIGN
- The Mental Image
- Location, scenery, sets, lighting, costume, props.
1. LAURICE GUILLEN
January 31 1947 (72 yrs old)
Butuan City, Agusan del Norte
St. Theresa’s College, Cebu City ( AB English Degree)
MA in Communication at ADMU
Television production course under Nestor Torre in 1967
Actress, director, college professor
MMFF (Best Screenplay: Tanging Yaman, 2000)
9th Gawad Tanglaw Awards ( Best Director: Sa’yo Lamang)
HIPHOP DANCE
- Very energetic
- Dancers move freely and add their own personality to the dance
- An aerobic exercise that can lower the risk of obesity, type 2
diabetes, heart diseases by improving blood pressure and cholesterol
levels.
- Can help in developing stronger bones and muscles.
HIPHOP ELEMENTS
1. GRAFFITI- aka “graf”or writing
2. Break Dancing
3. DJ-ing or “turn tabling”
4. Rapping- aka “mcing” or “rhyming”
ORIGIN OF HIPHOP
1970
New York
African-American
Latin-American
a) Pop-lock Dance
1. Stand straight with arms on the side
2. Pop your rib cage by thrusting it forward while bumping the chest
with someone in front of you. Left, right, in-front.
3. Swing your left arm out to the right side of your body.
4. Bring your arms up and out in front while raising your knee as you
do this.
b) Crip Walk
1. Stand with your feet wide apart. Place your left foot of the ground.
Your left heel and the tip of your toe should form a line.
2. Pick the ball of your left foot of the ground. Move your left foot out
to the left and back to the front. Keeping your left heel touching the
ground.
3. Step your right leg behind your left leg at the same time you move
your left foot out, and move your right feet
c) Walk it out
1. Twist your legs left and right, but pick your heels off the floor.
2. Move arms in different directions.
3. Improvise new arm movements. There’s no need to worry about
choreography.
d) Kick-ball change
1. Stand upright with your feet together and toes pointing forward.
2. Kick your right in front of you and then bring it back toward your
body.
3. Step out to your right, placing your weight on your right foot.
4. Pick up your left foot and step out to your left, moving your weight
on your left foot.
e) Moon Walk
1. Position your feet closer than shoulder width apart.
2. Pace your right foot in line at the center point of your left foot.
3. Raise or lift your right heel, place your weight on your right foot.
f) Harlem Shake
1. Have your shoulders kind of pivot out and at the same time, bring
your other shoulder out.
2. While you are doing that, you can move it from….DI KO NA ALAM
YUNG SUSUNOD !
3. Just shake and shake from your shoulder.
4. Put your shirt over your hood and improvise steps.
HEALTH
8 MDGs