Doll House Analysis

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Analysis

“The Doll’s House” by Katherine Mansfield is an


extended metaphor for social class discrimination
and warfare. The story centers on three wealthy
sisters and two poor sisters and is an analysis and
criticism of upper-class privilege.
The story doesn’t mention any particular reason as
to why the wealthy Burnell sisters receive the
dollhouse or why they deserve it; it is sent as a gift
from a guest who had stayed at their house. The
dollhouse is a privilege that the impoverished
Kelvey sisters—and, likely, most of their middle-
class schoolmates—can’t afford.
The dollhouse itself represents the Burnells’
wealthy lifestyle. It is incredibly detailed and
contains various miniature accessories, and it is
treasured by the wealthy sisters—not simply
because they enjoy it, but because it increases
their social status at school. The Burnells’ attitudes
toward the dollhouse also reflect a sort of
materialism: the girls are not interested in the dolls
themselves, which seem too large for the house,
but in the house’s furnishings and accessories.
When the Burnell girls invite friends over to see the
house, they do not play with it; their guests are
expected to stand and admire the house’s
“beauties” as Isabel points them out.
The Burnell sisters and their circle of friends are
presented as a microcosm of society as a whole. In
the same way that affluent individuals perceive an
actual mansion, the dollhouse becomes a symbol
of wealth, power, and social capital among the
schoolchildren. The impoverished Kelvey sisters
are therefore not allowed to see the dollhouse, just
as middle- and lower-class children from their
school are not allowed to “stay to tea” or see the
Burnells’ actual house. Additionally, both adults
and children of the community are excessively
unsympathetic: just as Aunt Beryl “felt lighter” after
scolding and chasing off the Kelvey sisters, the
girls at school feel more joyful and energetic than
ever after insulting and shaming them.
Mansfield depicts the evils of the arrogant upper
class through the harsh treatment of Lil and Else
Kelvey as they are repeatedly excluded, taunted,
and bullied by their peers. She further highlights
this by causing the reader to empathize with the
downtrodden sisters. Throughout the story,
Mansfield refers to Else as “our Else,” emphasizing
that she wishes the audience to identify with the
sisters, especially the younger one. The Kelvey
girls are portrayed as the epitome of goodness and
humility: Lil brings her teacher a bouquet of flowers
that she presumably picked for her, and Else wears
a long white dress that is perhaps symbolic of
innocence. In the end, when they are chased off by
Kezia’s aunt Beryl, the sisters are presented in a
praiseworthy light: their wonder from their brief
glimpse of the dollhouse reflects a humility and joy
that they other girls in their class don’t exhibit due
to their pride and materialism. While the Burnells
show off their dollhouse as a status symbol and the
rest of their class competes for invitations to see it,
the Kelvey girls, in their humility, feel amazed to
have seen it at all.

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