Architects Datafile ADF - February 2019
Architects Datafile ADF - February 2019
Architects Datafile ADF - February 2019
02.19
CONTENTS 02.19
NEWS, VIEWS
& INSIGHTS PRODUCTS
04 Industry news & events 75 Planning & design
23 View Point: BDP’s Yuli Cadney-Toh 76 Groundworks & drainage
27 Site Lines Future workspace design 80 Structural elements
18 34
39
42
Ask The Architect: Tiago Pereira
Practice Profile: Bilska de Beaupuy
New Arrivals
82
96
100
External envelope
Insulation
Heating, ventilation & services
44 International Focus 103 Interiors
63 CPD Focus 120 Safety & security
64 Appointments & company news 124 Landscaping & external works
71 Futurebuild Show Preview 131 Classified & directory
PROJECT REPORTS
46 On a learning curve
Dundee was in dire need of a new railway station with the right presence.
James Parker describes how the architects steered an evolving project that
produced an unconventional concourse building topped by a hotel.
56 Where past and future meet
Heatherwick Studio’s Coal Drops Yard brings two Victorian roofs together to
form the heart of the King’s Cross regeneration. Roseanne Field reports
FEATURES
80 STRUCTURAL ELEMENTS: CONCRETE
Why concrete remains a rock-solid design choice
Dr Bill Price of Tarmac Cement discusses why concrete is increasingly popular
with architects for its aesthetic as well as practical characteristics
98 INSULATION
Turning the sound down
With one of the most invasive irritations being impact sound, Chris Willett of
Schöck describes an innovative solution for staircases
107 INTERIORS: BATHROOMS & WASHROOMS
56 adf
a
incorporating Building Projects magazine,
architectsdatafile.co.uk and @architectsDF
ADF_02_2019 03-34_ADF Flatplan 11/02/2019 10:02 Page 4
4 NEWS
Managing Editor
FROM
James Parker
[email protected]
Advertisement Manager/
Joint Publisher
Anthony Parker
THE EDITOR
[email protected]
Editorial Co-ordinator
Shelley Collyer
Editorial Assistants
Roseanne Field
Jack Wooler
I recently attended a Westminster Social Policy Forum seminar headed up by Sir Oliver Letwin MP, who has
Editorial Contributor
Sébastien Reed chaired an independent review of housebuilding delivery, a particularly hot topic given the scale of the current
housing crisis. His comments were surprising for a couple of reasons.
Studio Manager
Mikey Pooley
Surprising firstly because the mentions of Brexit were at a bare minimum (although it was of course the ‘elephant
Production Assistants
Georgia Musson in the room’). You do wonder whether he has been briefed to try and avoid saying anything negative about the
Kim Musson current diplomatic crisis, especially given he was one of the leading Tory rebels attempting to ‘take back control’
Sales Executives of the process from an increasingly hopeless-looking Government.
Suzanne Easter
Ian Fletcher
Kim Friend His talk was also surprising however because the key focus was not just the commercial factors around ‘build
Steve Smith
out’ of large sites – the extent and speed of which residential sites are being built on by developers, in light of the
Audience Development dauntingly huge target to build 300,000 homes per year. Yes, he did talk about the problem of ‘absorption rates,’
Manager
Jane Spice (i.e. the rate at which homes will be sold in a new development), as being the main reason that sites are not built
on quickly enough: “The reason why it takes so long is nothing to do with how fast you can do it in technical
Managing Director
Simon Reed construction terms, but whether there are people, who at the prices at which they are being sold, want to buy
more houses in that place at that time or not.”
Advertising &
Administration
t 01435 863500
[email protected]
Letwin gave reasons why it might be a bad idea to reduce prices, in the context of the fact that the market rate is
www.architectsdatafile.co.uk not set by the developers, but by the secondhand market. He advocated realising far greater value from sites for
Press Releases tenures like social housing, so that it isn’t just ‘lottery-winning’ landowners who get all the spoils.
[email protected]
Subscription circulation But he also talked very passionately about design, and what he saw as a severe lack of quality and variation,
enquiries hinting that this may be another reason which homes are not fetching the prices that might make sites viable.
[email protected]
From visiting many ‘open market’ UK housing developments, Letwin said he had reached the view that “almost
netMAGmedia Ltd all of the homes that the very large builders build are astonishingly, and to my mind appallingly predictable.”
Cointronic House
Station Road, Heathfield And this isn’t a maxim of housebuilding in general; he said it was “quite unlike what we saw in various other
East Sussex, TN21 8DF
countries that we visited, where large sites are highly various in many respects.”
net MAG Letwin believed that the solutions lie partly in “addressing untapped demand” for a wider variety of house
media
publishing – ver tical search
design. There was a key need to “vary the product, because there are different kinds of people and different
people have different desires,” he said. He added that while some buyers will accept the homes that are currently
on offer from major housebuilders, that’s simply represents the current level of demand, which is not producing
Annual subscription costs just £48
adequate build-out rates.
for 12 issues, including post and
packing. Phone 01435 863500 for
details. Individual copies of the He said the variations in design seen in many EU housing developments, such as being shown via wide adoption
publication are available at £5 each
inc p & p. All rights reserved of custom build, is one area where we are lagging behind the Continent. Letwin’s key recommendations include
No part of this publication may be
that the planning system is changed so that large sites can’t be built out with ‘lookalike’ open market housing,
reproduced or transmitted in any form
or by any means, electronic,
and local bodies are set up to oversee this – as happens in other European countries. While we stumble around
mechanical, including photocopying, trying to leave the EU, we still have much to learn from our European neighbours.
recording or stored in any information
retrieval system without the express
prior written consent of the publisher.
Although every effort is made to
James Parker
ensure the accuracy and reliability of
material published in Architects
Editor
Datafile, the publisher can accept no
responsibility for the claims or
opinions made by contributors,
02.19
manufacturers or advertisers. ON THE COVER...
Editorial contributors to this journal
may have made a payment towards Heatherwick Studio’s Coal Drops Yard forms the heart
the reproduction costs of material of the King’s Cross regeneration project, combining old
used to illustrate their products.
The manufacturer of the paper and new in a unique composition created from two
used within our publication is a reconstructed Victorian roofs.
Chain-of-Custody certified supplier
operating within environmental
systems certified to both ISO 14001 COAL DROPS YARD, KINGS CROSS, LONDON
Heatherwick Studio transforms and brings together two
For the full report on this project, go to page 56
and EMAS in order to ensure Victorian coal warehouse roofs, for a high-end retail scheme
sustainable production.
DUNDEE RAILWAY STATION
Nicoll Russell Studios’ curved new hybrid concourse and hotel Cover Image © Hufton+Crow
Printed in England
NEWS 5
RESIDENTIAL
A SERVICE
YOU CAN RELY ON
OVER
17,000
PRODUCTS
IN STOCK
AVAIL ABLE
NEXT DAY
0808 168 28 28
ONLINE: Shop 24/7!
IronmongeryDirect.com
ADF_02_2019 03-34_ADF Flatplan 11/02/2019 10:03 Page 7
NEWS 7
CHINA
BOOK
The projects cover a wide range of
sectors with distinctive and specific spatial,
A wayfinding guidebook operational and cultural requirements,
from the Singapore Rail Corridor and two
World Expos, to the Eastland Retail
‘The Spaceagency Guide to Wayfinding’ design and planning, product design, Masterplan in Melbourne, the Qatar
is claimed by the publishers to be the graphic design, information design and Cultural and Sports Hub, and Heathrow
first “comprehensive compendium” behavioural psychology.” They added: Terminal 2.
that answers two questions: what is “Without any higher education The book is broken down into six
wayfinding, and how is a wayfinding programmes dedicated to the field, chapters that guide the reader through the
project executed? wayfinding is often poorly understood structure and sequence of design stages in
Wayfinding and user experience design and poorly executed.” the wayfinding design process. The
consultancy Spaceagency launched This book is claimed to fill a gap in chapters illustrate Spaceagency’s vision and
the publication describing it as a “visual educational resources devoted to the approach, “providing strong insight into
guidebook” detailing the process for field. The guide “offers an innovative spatial and information strategies and how
designing a wayfinding system. “Using methodology for developing a wayfinding these lead to the design,” said the firm.
visual information graphics, this book project that has been successful in It added: “It becomes clear thatthe term
speaks to designers in their native practice.” Six international case studies ‘sign’ is not meant to be a rectangular
language” said Spaceagency. from Spaceagency’s own work “investigate board with a few words on it. Rather the
The authors are Sarah Manning and and illustrate the practical application of identity of a place is expressed by the
Peter Feldmann, directors of Spaceagency. wayfinding theory to real-world solutions graphics, media and form of the end
The firm claimed wayfinding is “a using a step-by-step demonstration of the product.” The book also looks at future
little-known field of design that crosses a relevant techniques required to develop technologies that may provide “new ways
number of disciplines, including urban and realise a wayfinding system.” of thinking about wayfinding.”
10 NEWS
EVENTS
WORKPLACE
EXHIBITIONS
RIBA Stirling Prize 2018 Exhibition
Ends 23 February, Liverpool
www.architecture.com/whats-on
SEMINARS
Cost-Effective Sustainable Design Solutions
21 February, London Architects Pilbrow & Partners have business, having reached capacity at its
www.architecture.com/whats-on submitted a detailed planning application current campus.”
for what the firm says is an innovative Fred Pilbrow, founding partner at
Inclusive Environments workplace building for Tileyard Studios. Pilbrow & Partners said, “The generous
27 February, Nottingham The scheme, whose future is soon to be contemporary industrial space provides a
www.architecture.com/whats-on determined by The London Borough robust framework within which recording
of Islington, will be part of “Europe’s studios, performance spaces and flexible
Fire Safety for Designers Post-Grenfell most significant music and entertainment workspace can be created.” The building,
7 March, Gateshead cluster.” From humble beginnings in which the architects designed in
www.architecture.com/whats-on largely derelict warehouses in Kings Cross collaboration with Patrick Bellew of Atelier
in 2006, Tileyard Studios has grown Ten, will deliver “exemplary sustainability
TRADE SHOWS to now house more than 1000 occupants, performance with a focus on health
Futurebuild including 400 leading creative companies and wellbeing.”
5 - 7 March, London sharing knowledge and expertise. Located 15 minutes’ walk north of
www.futurebuild.co.uk Pilbrow & Partners’ new building Kings Cross Station on York Way, the
provides flexible workspaces, closely new purpose-built building aims to ‘bridge
RCI Show tuned to the particular demands of the the gap’ in workspace provision between
27 - 28 March, Coventry sector, and “will support the development start-up space and the larger floorplates of
www.rcishow.co.uk [Tileyard Studios] needs to grow its office developments like Kings Cross.
ACQUISITION
including managing director Richard
Claxton, will join RSK.
RSK Group acquires Pellings Claxton commented: “The services we
offer are unique within the RSK group and
will release significant synergies between
RSK Group, one of the UK’s leading The acquisition followed RSK securing the two businesses. Our existing client
integrated environmental, engineering and new funding from Ares Capital Europe base, particularly in education, healthcare
technical services business, has announced (Ares) and NatWest. RSK’s founder and and the public sector, will provide useful
that it has acquired design, property and chief executive officer, Dr Alan Ryder introductions for other parts of the RSK
construction consultancy Pellings. commented: “This will be used to finance a group, and RSK will be able to provide
Pellings provides surveying, architecture, strategic doubling in size over the next few several services that we currently
planning and project management and years through the development of new subcontract through its internal supply
facilities management services for housing, businesses and the acquisition of bolt-on chain.” He added: “With the support of
education and healthcare projects. Recent complementary businesses.” RSK’s national and international network,
projects include a new care home and Pellings will become part of RSK’s we will be able to expand our services to a
day centre in Southend on Sea and the geosciences and engineering division. wider range of sectors in a greater
redevelopment of Enfield Civic Centre. The company’s current leadership team, geographical area.”
12 NEWS
BRAZIL
NEWS 13
HEALTHCARE
14 NEWS
PUBLIC REALM
16 NEWS
18 NEWS
NETHERLANDS
20 NEWS
MIXED USE
Bringing Taiwan’s
Times Square to life
Images © MVRDV
NEWS 21
The project will “give Taipei the downtown it deserves,” say the architects
VIEWS 23
VIEW POINT
Despite the opposition, BDP’s Yuli Cadney-Toh argues ‘the only way is up’ when it
comes to creating effective mixed-use development that meets the needs of Bristol’s
growing population as well as its economy – and that it needs to learn from other cities
B
ristol residents are regularly reminded and creative opportunities, this is putting a Bristol’s mayor, Marvin Rees, recognises
of the city’s wealth of accolades, and strain on Bristol’s infrastructure, forcing us the challenges that the city’s success brings,
how they make it a great place to live all to recognise that we need a plan to ensure including that of equality. While many areas
and work. Over the last decade we’ve a sustainable future for this West Country of Bristol are amongst the most prosperous
seen Bristol flourish through a promise of success story. in Europe, it contains six areas that are in
work-life balance alongside the rapid These problems are not unique. Indeed, the the top 1 per cent of deprivation in the UK.
development and support of the issue of urbanisation is global. However, each In his drive to address these issues, Rees’
creative industry. city’s answer needs to be bespoke to the office aims to deliver 2000 homes – 800
The success of this creative city is social, economic and environmental factors affordable each year by 2020.
bringing a steady influx of people, with up to they face, along with their ambition in Bristol has shown its creativity in its
80 individuals moving here every week from national and international markets and response to this challenge; the launch of the
London alone. As well as bringing economic community ecosystems. Bristol Festival of Housing explores the
TWO TOWERS
BDP schemes in Store Street, Manchester
24 VIEWS
INSIGHTS 27
SITE LINES
Designing for
future workspace
Architect Nick Ridout of Scott Brownrigg
says with the way we work changing fast,
designers need to answer key questions
such as when to retrofit, and how formal
spaces need to be
T
he office market is shifting; users are becoming more
demanding of their office spaces. Leases are becoming
shorter and more flexible. The way we work has changed
dramatically in the last 15 or so years. Emphasis on wellbeing and
the positive effect this has on productivity and talent retention is
key for businesses seeking to attract and retain the best people.
These changing demands are driving a wider range of offers to the
commercial office market, with an increasing requirement to
provide differentiation.
Advances in IT and mobility have resulted in a significant rise in
start-ups and small companies seeking more affordable office
spaces; happy to compromise on perceived quality of space and set
up in less fashionable areas, often former industrial spaces. This,
coupled with an increasing emphasis on collaboration and
exchange of ideas in lieu of more isolated tasks and cellular,
hierarchical organisation of working environments, has led to the
trend in less formal office design.
Standard 25 year leases on 1990s building stock are coming to
an end, and this is providing redevelopment opportunities.
Back then, a higher level of M&E servicing was the norm, with
associated floor-to-floor heights to accommodate additional air
distribution. Floor loadings were designed to accommodate
significant quantities of heavy paper and servers. Such structural
capacity is no longer needed to carry the modern day office and can
instead be used as a way of creating additional floor space to make
buildings work harder, achieve higher rental values and ultimately
become more attractive to potential tenants.
When to retrofit?
Retrofitting can mean a wide range of intrusion levels, from a
‘lick of paint’ to refresh a building and get it back to market, to
stripping back to frame, remodelling, re-servicing and extending a
building. The level of retrofit will depend on market conditions,
investment models, and what product the developer wants to bring
to market.
Retrofitting an existing building can have significant benefits as
well as some limitations on the final product, so when to retrofit,
and when to demolish and re-build? The reality, or course, is that
there is no ‘one size fits all’ approach, but below are some of the
28 INSIGHTS
key issues we consider when undertaking a feasibility review, as If working on an existing building that would not be approved
well as a brief case study of our project for Aviva Investors at under planning regulations, there may be value in significant
Victoria Gate in Woking (pictured). strengthening and adaptation works to retain this rather than
knocking down and rebuilding a smaller volume.
What is the product?
This will vary upon location, but generally, the expectations on base What is the existing floor-to-floor height?
build offices are shifting. Emphasis on wellbeing, the desire for As above, natural light and an emphasis on volume means that a
natural light and greater flexibility means more is demanded of space, low floor to ceiling/soffit height is likely to have a detrimental
and the amenity built into buildings is more varied and demanding on effect on the value or even the ability to let the space. Generally,
the base build. More volume per user is desirable, so higher ceilings, buildings built from the late 1980s onwards tend to have more
or exposed services with the structural soffit being the perceived contemporary floor-to-floor heights that can accommodate
ceiling rather than a suspended ceiling has been the recent trend. higher ceilings.
As an aside, we have recently been asked to design a scheme
for a new build business park in the Thames Valley with exposed
servicing and structural elements, where design precedents
referenced by the Letting Agents were retrofit schemes. The
qualities of space more usually found in retrofit are now making
their way into new build schemes, and the line between the two
are blurring.
30 INSIGHTS
Environmental factors
There is significant embodied energy within an existing building.
Retaining as much as possible reduces this wastage as well as
reducing the transport involved in carting away the old and
bringing in the new.
1980s structure could bring a more attractive longer-term solution
Case Study: Victoria Gate, Woking for client Aviva Investors.
We originally designed and delivered the original Victoria Gate in By bringing the original outboard external column structure
1986 for Norwich Union. The building’s design was pioneering at inside to extend the floor plates beyond the original envelope,
its time, utilising new techniques in unitised curtain walling and infilling the former courtyard and by adding a new fifth floor, a
slim efficient construction methods. further 25 per cent lettable space has been delivered for the client.
30 years later, Scott Brownrigg revisited the building to bring it In addition, a strategy for a total visual rebrand for the 63,375 ft2
up to 21st Century standards for the competitive commercial building was undertaken to appeal to a speculative tenant. The
market. Originally appointed to undertake a simpler interior building has now been let to McLaren Automotive.
refurbishment commission, it became apparent during the
feasibility stages that exploring options to re-use the existing Nick Ridout is project director at Scott Brownrigg
34 VIEWS
ASK THE
WHY DID YOU BECOME assignments. The work can be very
AN ARCHITECT? demanding, and it is a constant challenge to
That’s a question that I have often asked maintain a balance between achieving the
highest quality output while prioritising
ARCHITECT
myself. When I think back I realise I
have always been moved by drawings. My employee satisfaction.
father was a mechanical engineer and I
remember being seven or eight years old WHAT IS YOUR PROUDEST
and contemplating these large A0 ACHIEVEMENT SO FAR IN PRACTICE
Tiago Pereira, partner at blueprints and technical drawings of silos AND WHY?
and machinery. That appealed to me as One of my proudest achievements was
top five Danish practice something bigger than myself, and it made being nominated for the ‘Chief Happiness
Schmidt Hammer Lassen me realise that I could contribute to the Officer Award’ by our staff. It was a
signal to me that my colleagues
answers ADF’s questions; ‘creation of things.’
recognise and appreciate the daily effort
including on making the WHAT MADE YOU MOVE TO of making sure that everyone feels part of
COPENHAGEN AND JOIN SHL? something bigger.
move to Copenhagen, and It was also an honour to be appointed
When I finished my studies in Portugal, I
balancing a host of tasks in moved to Amsterdam. That was the hippest partner last year. And in terms of projects, it
a busy design office (architectural) place to be in the late 90s. was a major accomplishment to win the
competition to design the new headquarters
After a short time, I relocated to Barcelona,
as the architectural styles as well as the for chemical company Solvay, and to
liveability of the city have always appealed complete the seven-year-long journey of our
greatly to me. There I met my wife, who is Malmö Live project in Sweden.
Danish, and after six years in Barcelona, we
decided to move to Denmark, and try the CAN YOU SUMMARISE YOUR
city of Copenhagen with a fresh take on APPROACH TO WORKING ON
the world’s architecture setting. At that CONCEPTS WITH CLIENTS – ARE YOU
Tiago Pereira, partner at Schmidt Hammer Lassen time Copenhagen was still slightly hidden MORE PROACTIVE THAN REACTIVE?
away from the international spotlight, and It is difficult to summarise, as the core point
only a few studios could cope with the is that we are working with and for people,
demands of recruiting international staff and people are different. So a balance has to
due to the language barrier. be found, and a common ground for the
Schmidt Hammer Lassen was one of the design to thrive is when we listen to a
so-called ‘big five’ firms, and had a client’s wishes and ambitions, and we
remarkable track record of designing process that through our own
cultural buildings and large scale mixed-use understanding of the task ahead.
developments. That to me was quite an I am a very proactive person, but I don’t
interesting mixture of scale and programme. feed my ego by pushing solo ideas forward,
As the firm slowly expanded into hoping to indoctrinate an audience. I do
international markets, they wanted to like to challenge clients with ideas that
diversify their staff with young, ambitious might sound progressive or alternative,
foreigners – an ideal opening for me. mostly to ‘take the temperature’ of their real
ambition behind generic high expectations
WHAT DO YOU ENJOY MOST ABOUT for a ‘great project.’
YOUR JOB?
As leader of the creative department in the DO YOU PARTICULARLY ENJOY
Copenhagen studio, I work with new WORKING ON LARGE-SCALE,
competitions and new assignments. The job COMPLEX PROJECTS, AND WHY?
is dynamic and ever changing, with Yes and no. Large-scale, complex projects
circumstances that evolve frequently. are a challenge in so many ways. The scale
Motivating and mentoring teams of young certainly appeals to me as it brings so many
Motivating and mentoring creatives keeps me sharp and current – their questions forward – everything from a
teams of young creatives new inputs lead to discussions of humanistic perspective, to sheer size, to the
architectural qualities that evolve financial feasibility of the project, the
keeps me sharp and throughout time. complexity of the functional program, and
current – their new inputs the technical challenges.
WHAT IS THE HARDEST PART OF On the other hand, working with
lead to discussions of YOUR JOB? large-scale projects, especially in their
architectural qualities that The diversity of daily tasks. For me these early stages, keeps the detailing and
span from management to creative refinement of the final product as a mirage,
evolve throughout time leadership on multiple on-going in the hope that it will ‘all end well,’ and in
36 VIEWS
GLASS. WE MAKE IT
our products to meet the challenges
of the present and the future.
By identifying emerging social trends,
SOLVE CHALLENGES.
keeping abreast of customer needs and
constantly seeking out new technologies,
we equip ourselves with the knowledge
required to lead the next step-change.
This helps us shape the future and solve
some of tomorrows most pressing issues.
In our drive to constantly question whats
possible and in our determination to offer
the best and broadest range of products,
we ensure that glass is and always will be
the worlds material of choice.
pilkington.co.uk/innovation
ADF_02_2019 35-66_ADF Flatplan 11/02/2019 10:05 Page 39
INSIGHTS 39
PRACTICE PROFILE
Bilska de Beaupuy
James Parker looks at a young practice which combines architecture with nutritional
expertise to produce an intense focus on holistic benefits to clients.
B
ilska de Beaupuy is a coming together of two like minds, but
of different yet complementary specialisms. This young
practice, founded in 2015, combines the talents of two
“long time friends,” architect Monika Bilska (pictured above right)
and Arabella de Beaupuy, a nutritionist (above left).
Monika worked for eight years at Zaha Hadid Architects as a
designer and team leader on projects at a variety of scales, from
private villas to large, multi-functional buildings. Arabella uses
her training in complementary medicine to inform design by
“integrating its holistic approach within her research of building
materials and in how design affects people and the environment.”
Combined approach
The two came together to create an architecture and interior design © Bilska de Beaupuy
practice which would “push the boundaries of their creativity, but
also have fun along the way,” says de Beaupuy. The “architecture
first and interior design second” firm, which has its office in The two came together to create an
London, fuses the duo’s knowledge of not only design, but also
material science and holistic health to create a new proposition. architecture and interior design practice
Taking a leap, with no projects when they founded the firm, they
secured their first client within two months of setting up.
which would “push the boundaries of
Bilska comments: “Thanks to our different backgrounds, we their creativity, but also have fun along
combine both of our technical and building site experience and
evidence-based knowledge with abstract and conceptual thinking,
the way,” says de Beaupuy
which we find very valuable and complementary.” Perhaps the most
important factor in their partnership is that “they have always Bilska sums up their ethos: “It may start as quite conceptual,
shared sensitivities towards life, nature and aesthetics,” she adds. which allows artistic freedom, but we also provide a lot of practical
The firm has an unusually esoteric approach, its stated goal – and specific material to support the design.” The firm is also keen
and USP – being “to design spaces which connect people to to bring in cultural references, as was demonstrated in a project to
themselves and to the universe.” Bilska de Beaupuy’s colourful create a bird observation tower at a wildlife reserve in Latvia. This
website speaks of “nourishing cultural, physiological, mental, being a country with “strong cultural roots within its folklore,”
emotional and spiritual needs.” What these messages and unusual says Bilka – the tower is inspired by folklore deity Auseklis, “a
mix of specialisms mean in practice however is beginning to be symbol of hope.”
shown in their work. She explains how this aligned with research-based design
The duo have brought their holistic, nature-oriented design pragmatism: “Auseklis is star-shaped, and it so happens that
approach to mainly concept designs but also a couple of completed through our research with an ornithology professor, we discovered
schemes in the high-end residential and leisure sectors, and they’re this shape of platform increased the viewing perimeter for
also branching out into product design. Allied to a “focus on birdwatching.” Other projects by the firm include timber concepts
beauty,” emphasis is put on good quality, natural materials, and for an adaptable wooden post cabin in a French forest (pictured
using evidence ranging from peer reviewed scientific literature to above), and a visitor centre in Sevenoaks, plus a highly flexible
sustainability methodologies such as ‘Cradle to Cradle.’ “folding house” in the US.
40 INSIGHTS
Nutritious architecture our style and ethos, and from there, we adapt. In general, our
The firm brings all of its rich conceptual approach together under clients tend to intuitively understand our ideas and suggestions.”
the umbrella term ‘nutritious architecture.’ While this does not The duo say clients have generally been “open and forward
mean a literal application of de Beaupuy’s nutritionist expertise, it thinking,” and it’s been a case of open dialogue rather than pushing
encompasses a desire to create architecture which is nourishing, an agenda. “It all depends on how far the client wants to push the
because it is “full of nutrients.” brief,” says Bilska; “the final decision always sits with the client.”
Says Bilska: “We see every element of a design within a space – She notes that the practice does input its knowledge on materials
materials, colours, proportions, form, and clients’ design intentions – and their environmental impact in client discussions where
as a nutrient, and will affect how people will feel in that space.” She possible however.
adds: “We believe that every surface has a functionality and a In order to move on from the first commission, Bilska de
relationship with the inhabitant and the environment.” Because of Beaupuy worked hard in competitions, design fairs, and industry
this, the firm tries to use only non-toxic and/or natural building and social networking across all sectors. “As a young business you
materials, towards creating a healthy indoor climate. can lose a lot of time trying to find a client if you don’t understand
They see the holistic design approach they employ as closely first exactly who your client is,” says de Beaupuy. “If you don’t, you
aligned with the body itself. “We use it to nourish and nurture will not find them.”
various systems in the human body,” says de Beaupuy. She In terms of goals, expansion is not the overriding aim, in fact in
identifies two aspects – firstly the simple fact that individuals order to retain the focus on creativity and a quality service, Bilska
each have a unique set of needs. Secondly, that humans are a de Beaupuy believe that “remaining small is key.” The similarly
“web of sophisticated physiological, mental, emotional, cultural small scale of projects they have undertaken is also beneficial, “as it
and spiritual systems,” and these interlinking systems all affect enables direct contact with the client and control over quality and
each other. design.” Bilska adds however that they are “currently at a key
Bilska explains further why a careful, bespoke response is stage” and are considering recruiting a new team member, “which
required, referring to a completed project for a private client’s is exciting.” They say they will be looking to bring on board an
bathroom (pictured, above left): “For one person, a dark, architect who’s “ready to embrace projects that are creative,
warm, cave-like bathroom made of Tadelakt and climbing air challenging and meaningful.”
filtering plants on a three-dimensional golden trellis will trigger Also, although they have been focused on the residential and
physiological responses, hormones and neurotransmitters, and leisure sector thus far, they “welcome all design collaborations
feelings and energy in a very tranquil, calm way. For another that could take us on the journey” in future. They note that they
person, it will trigger responses of anxiety, stress and wanting have found it essential for the client to engage with their vision,
to run away.” rather than, necessarily, the contractor. In terms of working with
contractors, “it is crucial to discuss and agree the requirements of
Small is beautiful the project before any work is started.”
The practice admits that they “operate in an area that is quite Growing organically, as befits the focus on holistic aspects,
niche.” With work thus far having transpired via word of mouth Bilska de Beaupuy is a firm with a slightly different, highly creative
and recommendations, there has been a “filter effect of clients approach to all aspects of design. They also bring a refreshing
who are interested in what we do,” says Bilska. “We got to attitude to their work day, with early starts, regular breaks
understand quite early on that our style and way of designing is not from the screen, and as much model-making, drawing and
for everyone. This was extremely helpful to understand, and saved illustration as possible. The presence of their two dogs in the
us a lot of energy and time.” De Beaupuy says: “It is key for our studio also means that they are required have to be out in the
practice and business to interact with people who are sensitive to nature that inspires them, perhaps more than most!
42
NEW ARRIVALS
Rounding up the latest movers and in-house
appointments across the industry
LIZ GIBNEY
LEE EVANS PARTNERSHIP
Leading south east architectural and planning
practice, Lee Evans Partnership, has appointed
Liz Gibney as partner. Gibney, formerly Head of
Place at Home Group, one of the UK’s largest
housing associations, becomes the practice’s first
partner to be appointed from a client organisation.
She has wide-ranging expertise in residential
design and master planning and her appointment
LK2 CEO Dale Lui & Tracey Francis Launa Cowan & Matthew Turnbull
will help to strengthen the practice’s ability to
deliver large-scale housing projects. Liz said, “I
TRACEY FRANCIS TWO NEW APPOINTMENTS am excited about being part of a practice which
combines a strong design focus with an in-depth
LK2 POD NEWCASTLE understanding of the planning environment and
LK2 has appointed ‘industry heavyweight’ Tracey North east architects Pod Newcastle is gearing up stakeholder consultation so seamlessly.”
Francis as director. Francis, who has more than for continued growth with two new appointments.
20 years’ experience in the sports world, will lead Launa Cowan, 26, joins the Toffee Factory-based
LK2’s development strategy to manage an practice as a newly qualified architect, while
increased demand for strategic project Matthew Turnbull, 25, comes in as a Part II
management in sport, leisure, community and architectural assistant. A graduate of Newcastle
commercial projects. Tracey’s role will include University, Launa brings creative experience in
developing and procuring new projects, as well bespoke residential design and project
as working within the senior team to offer a full management. She will be working closely with the
service to the firm’s sport, leisure and education firm’s strategic urban design team across a diverse
clients. Francis commented, “I am looking forward portfolio of regional projects and clients. Matthew
to hitting the ground running in my new role and re-joins after completing his Part I qualification in
collaborating with like-minded organisations practice with Pod. He impressed them so much
which are passionate about the future of sport that they sponsored him through the second part of
and leisure.” his qualification, which he completed last summer.
44
INTERNATIONAL
FOCUS
Showcasing the latest projects from around the world –
visit www.architectsdatafile.co.uk for full information
© ATCHAIN
VANKE 3D CITY, CHINA
MVRDV
MVRDV have won a competition organised by
Chinese real estate developer Vanke to design
their new headquarters in Shenzhen. The 250
metre Vanke Headquarter Tower – unofficially
named Vanke 3D City by MVRDV comprises of
LYRIC THEATRE COMPLEX, HONG KONG eight interlinked blocks of offices, housing and
culture, rising from four separate bases to a single
UNSTUDIO crowning tower. The eight blocks that make up
UNStudio has designed a world class theatre for dance and theatrical arts in the West Kowloon Cultural Vanke 3D City are designed to “strike a balance
District of Hong Kong. The approx. 41,000 m2 Complex is a mixed-use project housing three theatres between architectural diversity and cohesiveness,”
(the Lyric Theatre, the Medium Theatre and the Studio Theatre), a large rehearsal room which can also be with each displaying a different facade treatment.
used as an additional performing arts venue, a resident company centre and an extensive programme Each block corresponds to a keyword inspired by
allocation for Retail, Dining and Entertainment. The Lyric Theatre “reflects the grandeur and distinction the core values of Vanke: ‘health’, ‘energy’, ‘open’,
of baroque-era theatres” through the use of red and bronze-toned details, said the architects, while a ‘team’, ‘green’, ‘nature’, ‘future’, and ‘creative’.
combination of a cooler grey/brown toned wood helped add a contemporary touch. UNStudio’s Ben van Four of the blocks also have either an indent on
Berkel said: “The constraints of the site presented numerous fascinating challenges for the arrangement one facade, or a hole that punctures the entire
of the various programmes within this very compact building. However, in the end we were able to create depth of the block, creating ‘windows to the
a vibrant building that celebrates the enchanting world of dance and theatre.” world’ that house atriums, parks, and plazas.
45
© Grant Associates
MADRID CASTELLANA NORTE, SPAIN
ROGERS STIRK HARBOUR & PARTNERS AND GRANT ASSOCIATES
A masterplan by the pairing of Rogers Stirk Harbour & Partners and landscape architect Grant Associates
to create a new business and residential district in north Madrid has won outline planning. The proposal
for Madrid Castellana Norte aims to transform a vast, 500-hectare tract of neglected land close to
Chamartín railway station. The new green parks will serve to link the different neighbourhoods of the new
district, as well as providing 15 km of cycle paths. The parks will feature a variety of tree-like, geometric
canopy structures to offer shade, shelter and visual interest. The ‘Fractal Trees’ will complement a series
of water features. The precise design detailing for each park will constitute “a distinct and recognisable
space, mirroring the diverse typography of Madrid and its varied urban fabric,” the team commented.
© Hayes Davidson
MONROE BLOCKS, DETROIT
SCHMIDT HAMMER LASSEN
Monroe Blocks in Detroit, Michigan is Schmidt
Hammer Lassen’s first US project. Monroe Blocks
© Render by VA
46
47
BUILDING
PROJECTS
On a learning curve
With the new V&A museum plus a regenerated
waterfront, Dundee was in dire need of a new station
with the right presence. James Parker describes how the
architects steered an evolving project that produced an
unconventional concourse building topped by a hotel.
A
victim of transport planning What were historic docks had become
riding roughshod over urban an eyesore.
environmental quality in the 1960s, Nicoll Russell Studios’ involvement led
Dundee’s waterfront is now being from their work with engineers Jacobs
reinvented. Dramatically catalysed by throughout the UK, including a bus
the arrival of architect Kengo Kuma’s transport interchange for Dundee City
avant-garde V&A museum which opened Council. It was Jacobs’ work for the
earlier this year, the area is unrecognisable. council looking at how to build a road
What was a series of roundabouts and bridge over the railway line in front of the
sub-standard buildings is becoming a station – as part of reconfiguring the
people-friendly new district that reunites convoluted traffic system – that prompted
the town with the river Tay. the municipal authority to look at creating
The area now has an unconventionally- a new station concourse building, and
shaped new combined train station subsequently the addition of a hotel.
concourse building and 120-room Steel explains: “The existing bridges
‘Sleeperz’ hotel, welcoming swelling visitor were in the wrong place and weren’t
numbers to the city who are particularly strong enough. The council had always
lured by the V&A. Dundee practice Nicoll had its eye on the station as a project, so it
Russell Studios building is essentially a sort of began to grow.” The scope, and thus
series of arches curved on plan and in the design brief for the project evolved
section, and is something of a product of considerably over the years since its
the engineering complexity that often inception, with the architects doing a series
characterises rail sector projects. of studies.
As well as the resulting building’s form, Steel describes the council’s rationale for
this is an unusual project in that it’s a rail what would be a public-funded project:
station commissioned by the city council. “The V&A was going to be constructed,
Project architect for Nicoll Russell Studios, but they had this relic of a station which
Graham Steel, explains to ADF how it forms was letting the whole thing down.” The
part of a much wider scheme to improve the plan to add a hotel came later, once the
waterfront: “The council had for years architects were appointed – they were
recognised that it was a barrier between the looking at putting some form of
town centre and the Tay.” He adds: “They accommodation over the site, and in
came up with a plan which was to create a parallel, the council was looking at hotel
grid of streets taking you to the river.” capacity in Dundee. “They identified
When the Tay road bridge was there was a need, and the two things
constructed in 1966, it to some degree fitted together,” says Steel. The added
blighted the area, with a road network revenue from a hotel tenant was an
leading off it constructed on reclaimed land, obvious plus, but also ties in to a clear
plus now-demolished buildings including a precedent from station/hotel hybrids seen
© Paul Zanre
public swimming pool, casino and hotel. across the decades.
Arch rival
Following on from Jacobs’ initial work to
create the road which now sits in front of
the station, the emerging project to replace
the concourse building was initially an
engineering challenge. The new structure
would have to span a main railway line –
which was main practical reason behind its
arch-like form. Graham Steel explains: “We
were spanning two abutment walls, and
coming in at different angles, reconciling
different things, the geometry of the
railway line coming in at an odd angle
relative to the street grid that had been
established by the council.”
There were fixed constraints – the level of
the track, the roads above it, and the vertical
and horizontal clearance needed for the
trains. Steel says: “We were spanning across a
railway cutting effectively with two bridges,
one at concourse floor level, and another
‘bridge’ carrying the hotel floors above; it
basically formed an arch.”
In order to take the diagonal forces into
the ground, the specially designed steel beams
that make up the concourse floor tie the two
ends of the bridge/arch together, dealing with
the sideways ‘thrust’ forces. The depth of the
floor was constrained by the road above and
the clearance required from the trains below.
The building is highly unusual in that it
is articulated on plan, following the train
line – and giving each hotel room above
a slightly different view – however its
structure is also curved in section, with a
triple height arching entrance.
Says Steel: “You wind up with an
interesting concourse space which is very
three-dimensional, but creates the situation
© Paul Zanre
where the building is wanting to lean over
© Paul Zanre
REFERENCING THE PAST towards the west.” With the eccentric load invaluable; I think we would have really
The building’s form, while driven by structural created by the building’s curve, steel sizes struggled without it. The steel fabrication
necessity, also references the grand railway station
arches of the past
needed to be “pretty substantial” says the model slotted into the 3D model and we
project architect. “Buried in the building were constantly able to check the three-
are rigid frames, forming an extra dimensional impact as the design developed.”
The upper stories and end cross-braced frame.”
elevations are clad in a Above the ceiling of the column-free Into context
concourse are a diagonal network of steel The six-storey new building (three stories of
mix of curtain walling and columns and cross bracing. This structure, concourse/cafe plus a three-storey hotel), is
anodised aluminium panels, Steel admits, “is pretty chunky, and
wasn’t designed to be seen,” and has been
the first large-scale building which visitors to
the city encounter, heading in from the west.
which are acid etched in covered by four pieces of stretched white “It effectively bookends the western edge of
tensile fabric, which willingly accepts the the waterfront,” says Graham Steel.
four different shades and building’s curving geometries. “There’s a lot He admits it’s a somewhat unusual urban
randomly distributed of twist to the shape, says Steel, “to try and site, as the building’s overlooked on all
do it with a rigid material would have been sides, the street pattern meaning it cannot
almost impossible.” connect with any buildings. Due to its
The building’s form, while driven by being articulated in a curve, its ends
structural necessity, also references the grand address both the Malmaison Hotel –
railway station arches of the past, such as housed in a historic building to the north,
St Pancras and York. Steel adds: “Very often, and the V&A and Scott’s ship The
they are hidden behind a big facade, in this Discovery to the south east; both can be
case it’s not.” viewed from the station’s cafe.
BIM (Revit) was essential to resolving all In what is something of a ‘classical’ plan,
of the competing variables in the design, the concourse building and hotel terminates a
and it also helped support collaboration new west-east route, Earl Grey Place. This
in the design team. Graham Steel: “The cuts between two new commercial buildings
three-dimensional model was absolutely facing the station and a green space beyond,
which is already used for events, and runs to There is a “conscious difference” between TOP LEFT
the waterside. the more transparent lower floors and the Escalator down to platforms from concourse with
diagrid rooflight above
Steel comments: “In a sense, there’s a more closed, intimate upper hotel floors,
certain classical element to the building,” accentuated by the fact the building is TOP RIGHT
citing its exposed steel columns to front and deeper in plan on the bottom three levels The concourse features a tensile fabric ceiling
rear. The building frames a small, roughly due to these housing a different set of
crescent-shaped plaza to give pedestrians functions. However, to the front, the whole
some refuge from the heavy traffic nearby. curve is clad in terracotta, bar the very
Designed by the council, it features polished bottom which is in granite to resist damage.
concrete ‘pebbles’ which are proving popular The upper stories and end elevations are
as seating. clad in a mix of curtain walling and
Commenting on the newly created public anodised aluminium panels, which are acid
realm, Steel says, “It was important the etched in four different shades and
facade onto the plaza was of true urban randomly distributed.
scale, and avoided the ‘flatness’ that is a Terracotta also clads the bottom three
feature of many modern buildings.” He storeys to the rear of the building,
adds: “The deeply inset bedroom windows, surrounding a glazed arch mirroring its
subdivided by columns, creates a kind of counterpart to the front, and welcoming © Paul Zanre
giant order that feels appropriate to the passengers ascending via escalators (or
status of the building.” These windows also accessible lift) from the platform level
give hotel guests added privacy on the inner below. Steel comments on the choice of
curve of the building, preventing views in material: “We were conscious of a desire to
from other rooms. pick up on some of the better stone in
The building has glazed corners, Dundee, some of the buff colours and
butt-jointed windows to the south lighter colours.”
allowing these hotel rooms fantastic
views across the Tay, some being triple Interiors
glazed to attenuate noise from trains. Internally, the concourse space is
The north and south elevations are typically uncluttered to allow efficient
glazed in part – including the cafe passenger movement, with the cafe
space covering the first three levels to accessed to the left on entering via the
the south and the hotel entrance and main sliding doors, signalled by a piano
stairwell facing the town to the north. At outside for public use, and a retail unit and
night, this provides “a kind of beacon,” ticket office to the right. Passengers then
says Steel. descend to platform level through a newly
ABOVE refurbished circulation, also designed by Running the length of the concourse
The Sleeperz hotel occupies upper levels Nicoll Russell Studios. As well as designing ceiling is a damper consisting of a louvre
a large diagrid rooflight over the escalators grill, which opens automatically when the
and new tiled walls, they also squeezed the air temperature hits a prescribed level. “If
minimum size of escalator kit between the necessary, the main sliding doors will open
two retained Victorian columns which automatically, providing make-up air to
hold the existing metal roof up, as well a encourage the stack effect to take place,”
through-lift alongside. “We were trapped comments Steel. In addition, the
between two existing platform edges, concourse’s single-glazed bolted fin glazing
which could not be adjusted,” says Steel. has a dot pattern screen printed onto it, to
“We had to go for the narrowest lift, further reduce solar gain and glare.
escalators and stair that Network Rail There are also standard ‘Colt’ type
would accept.” louvres within the terracotta cladding to
The cafe has a first floor balcony looking front and rear, providing further natural
into the triple-height space but also an ventilation to the concourse space. To
external south-facing one, allowing avoid a “big box of plant sitting on the
passengers to sit outside overlooking the roof,” the plant serving the hotel and cafe
Tay and the V&A. While it will lift them are hidden in the space between the arch
above the traffic somewhat, it also gives the and the underside of the hotel.
“certain kind of buzz” inherent to such a
busy urban location, says Steel. Conclusion
This is an unusual scheme in many
Passive approach respects, yet its form partly results from
With the architects aware that a large area tackling a set of challenges that are
of south west-facing glazing to a common to many other rail projects.
concourse could create an “unacceptable These include remedying previous and
level of solar gain at certain times of the unsatisfactorily ad hoc solutions, and
year,” a passive ventilation strategy was dealing with complex geometries. The
adopted to offset this. A thermal model result is what the project architect calls an
confirmed this supposition, and Nicoll “organic shape,” which makes a virtue of
Russell suggested that because of the this in addressing its city and the rescued
arched shape of the space, this could be waterfront which it helps provide a link
mitigated by venting the concourse at high to. It is a fitting terminus to both railway
level with a stack effect passive vent that journeys to what is a revitalised Dundee,
ascends through the hotel levels. and a new and exciting urban quarter.
54 PROJECT REPORT: TRANSPORT FACILITIES & PUBLIC REALM; PROJECT REPORT: RETAIL DEVELOPMENTS
BUILDING
PROJECTS
F
ormerly a gritty part of London, the middle level, this was then shovelled
King’s Cross has undergone a total into sacks and loaded onto horses and carts
transformation over the last 20 years. at a lower level.
One of the key final parts of the overall It was only 27 years however before
regeneration has recently completed – a electrification took place and the coal drops
striking high-end retail development nestled were suddenly no longer required. The
down next to Regent’s Canal. buildings were then used for warehousing
The project takes its name from the two and industrial use for around a century,
Victorian ‘coal drops’ (essentially covered before London’s club/rave scene – which
rail viaducts) which were built in 1851 in rapidly colonised disused warehouses
1860, which had a colourful history but across the city in the late 1980s and 90s –
had fallen into disrepair in recent years. made its way into part of the eastern of the
They were the city’s entry point for coal for two coal drops, in the form of the infamous
heating (and lighting, in the form of coal Bagley’s nightclub.
gas) arriving by train from northern mines. The parts of the buildings not repurposed
These would enter the buildings at the to serve the nightlife trade were abandoned,
upper level and drop coals into hoppers on and fell into disrepair. In the 2000s the site
Creating a heart
The original brief provided by Argent was
to somehow link the long, two-storey and
arch-filled brick buildings. They sit at a
slight angle to each other, the western one
being shorter due to the canal bending
northwards alongside it. Green explains the
designers’ thought processes in addressing
the brief: “The original scheme that we
designed effectively had two bridges
connecting the buildings.” However,
the more the studio examined the two
buildings, the more they realised that this
project required a more transformative
response. Thomas Heatherwick, founder of
the studio, commented: “The challenge to
us was to create a heart that would hold
and glue everything together.”
Adding a third level seemed a natural
way to unite the two buildings. However,
the studio were keen not to just “drop a
box on top.” It was thanks to the fact the
roofs needed rebuilding – their state of
disrepair combined with a large section of
the eastern coal drop’s roof having been
The new elevated roof was eventually earmarked to form part of
the mammoth King’s Cross redevelopment, burned out made this a given – that the
“ribbons” are made of 20 and Bagley’s, as well as two further clubs designers’ ideas started to evolve and they
opened in the eastern building, were closed. examined the possibility of “stitching” the
steel sections bolted onto The still-ongoing regeneration is roofs together instead.
trusses at either end and being led by the King’s Cross Central When the proposals were first put
Limited Partnership, formed of property forward to Camden’s planners, there
tied back to the columns developer Argent and investor was, says Green, “an element of surprise.
AustralianSuper. The project includes a We were very much deviating from
total of 36 architecture practices, each what we had outline planning for.”
working on a different element. However, this was contrasted by the
The 67 acres was previously “underused project team’s excitement at the prospect of
industrial wasteland.” Once completed, the doing something more and “being bold,”
site will hold 50 new buildings, 2,000 new Green explains.
homes, 20 new streets, 10 new public As well as the planners, meetings were
squares, 3.4 million ft2 of workspace, also attended by Historic England, who
500,000 ft2 of retail space and 26 acres of officiated on heritage matters. Workshop
public space. upon workshop took place with ideas
Coal Drops Yard sits at the centre of this discussed and sketched out, the studio
development, adjacent to another reinvention “very much making them a part of the
of Victorian structures, Wilkinson Eyre’s process of coming up with the idea,” Green
residential Gasholders scheme. explains. Although these discussions were
This eye-catching new retail project has characterised by lots of questioning from
been designed by Heatherwick Studio; the the two groups, ultimately, according to
practice also responsible (with BIG) for Thomas Heatherwick, it “made the project
Google’s new HQ, under construction on better.” In particular, he said he found it
the other side the canal within the King’s “thrilling” how ambitious Historic
Cross scheme. The newly-conjoined former England were. “Britain has so many
industrial buildings now housing high-end historic buildings and we can’t just have
retail are a key part of the new district. single formulas for how we handle them,”
The project is significant for both he added.
Heatherwick Studio and Argent, but Heatherwick Studio group leader Lisa
especially so for the architects. The studio’s Finlay credits the planners’ cooperation to
office is just down the road, which made it the dilapidated state of the buildings. “They
special to them. “It will become part of our were in really bad repair, so anybody who’s
neighbourhood,” says project leader prepared to invest in them, obviously the
Tamsin Green. planners want to work with them,” she says.
The first designs had just one of the Naturally with a part-heritage project TRANSFORMATIVE
roofs “peeling” out to meet the other, such as this, the studio were conscious to do Replacing the roofs with twisting, curving but still
which left a hole in the middle. But this as little alternation as possible to these slate-covered structures also created striking interior
spaces for retail tenants
idea was challenged, on the basis that historic structures – especially given the
while the aim was to connect them, the eastern one is Grade II listed. For the most
buildings also needed to retain their own part, the original brickwork remains
identity. The next iteration, therefore, was intact, complete with soot stains and old
to bring both roofs out and up so that the paintwork. “We’ve tried to keep the slight
buildings met in the middle, simultaneously moodiness,” Finlay summarises. However,
creating a third level. This also raised the various uses and alterations over time
height of the building, which sits in a low- meant floor levels were all over the place,
lying part of the King’s Cross site and, as and so adjusting those became the biggest
Finlay says, “announced it” to the public. change at lower levels. “We had to be able
“It was totally off people’s radar, because to get the inside level to meet with the
it’s sunken.” outside,” Green explains.
As well as the floor level, in some places
Victorian industrial to the sills had to be dropped. Every bay was
21st century retail closely examined by the heritage consult-
One of the biggest challenges presented by ants, not only to assess the structural
the coal drops was making them suitable integrity, but also to see where it would or
for high-end retail, says Green: “They were wouldn’t be appropriate to alter it. “There
never envisaged to be that, so there’s a lot was a lot of going back and forward,”
that goes into how to get those kind of Finlay says. At the end of each building is a
buildings to work.” For example, the large “anchor” unit, where much of the
architects were very conscious that the original structure could be left intact, the
width across a typical shopping retail tenants installing stairs and lifts
environment would usually be 10 to 13 where necessary.
metres – a distance based on how people
will interact with the environment and Meeting the challenge
at what distance they’re likely to be With various teams and consultants
drawn into shops. The distance between working on the project, 3D BIM modelling
the coal drops ranges from 26 metres at formed a key part of the design process.
the northern end to 39 metres at the The basis for these models was formed
southern end. from a point cloud scan of the building,
This was a contributing factor to the which was conducted early on. However,
studio’s notion that the development needed with a conscious desire “not to stay in the
a heart, and that making bridges between digital environment”, the studio also
the two wasn’t going to cut it. The brief’s produced many physical models to “check
aim to create a ‘destination’, was key to scale and materiality”.
their thinking. “We thought if you just Adding an additional level to the
refurbish these buildings and put bridges in, buildings presented myriad challenges.
you’re not going to get what you want,” Green says that a key aim was the “illusion
explains Finlay. of the roof being peeled out, and that there
MEETING IN THE MIDDLE wouldn’t be any columns underneath.” you could look through, up into it and out
The ‘concertina’ glazing evolved as a budget-conscious She adds however: “The structural of it, and it all felt connected together,”
alternative to curved glass, but the designers also felt
it echoed how the buildings were broken up by arches
gymnastics of achieving that were adds Green.
All photos © Hufton+Crow incredibly complicated.” The coal drops Specifying the glass wasn’t a simple task.
themselves couldn’t support the new level, There was a fixed budget that didn’t allow
so they had to find a way to “stitch it for curved glass, which is how the
through the existing structure onto concertina shape evolved. The designers see
new foundations.” this design as a contemporary way of
In total, 52 pairs of steel columns – echoing how the buildings below are
which sit on either side of the walls broken up into sections by the arches.
separating each bay – have been As well as the overall design, the thermal
“threaded” through the existing buildings. properties, and ensuring the views in and
This in itself presented a headache for the out worked for retail clients, also had to be
studio, as Finlay explains. They couldn’t considered. “There was a lot of testing on
get a standard piling rig in the space samples of glass to make sure it would
so they used mini piles for each pair of work,” Finlay says.
columns. “You just couldn’t do things in a Originally, a third viaduct ran through
conventional way.” the middle of the coal drops, and the
The new roof “ribbons” themselves are design of the cobbles follow its footprint, by
made up of 20 steel sections bolted onto way of recognition of this vanished edifice.
trusses at either end and tied back to the Despite the removal of this substantial
columns. The structure is also shored structure, the site was still incredibly tight.
up by concrete walls and cores, and the “When the four sections of steel came, they
new floor is hung via a series of high were lying in the yard taking up all of the
tension cables tucked in the corners operational space,” explains Finlay. Many of
created by the concertina-style glass. the utilities for the surrounding area also
Although this steel and glass contrasts run through the site: “Underneath the yard
with the historic buildings below, it was every inch is taken up,” she says. “We were
part of Argent’s brief that the additional coordinating facilities at the same time as
level should be “as transparent as possible,” coming up with our very early concept
says Finlay. “There was this feeling that design,” adds Green.
PROJECT FACTFILE
Client: Argent
Developer: KCCLP / Argent
Lead architect: Heatherwick Studio
Heritage consultant: Giles Quarme
& Associates
Structural/facade engineer: Arup
M+E/sustainability: Hoare Lea
Lighting designers: Speirs and Major
Cost consultant: Gardiner and
Theobald
Delivery architect: BAM Design
Slate supplier: Welsh Slate
With this being one of the final projects The finished product
to complete in this smartly regenerated The retail units are now home to a mix of
area, a certain amount of inspiration was established higher-end brands as well as
drawn from new buildings emerging in the new entrants, some of whom have opened
development. “Our job was stitching all this their first shop here. Samsung has taken the
together,” says Green. “We took some entire unusually-shaped space which
details from the wider scheme but also occupies the new third level created under
needed to make it a distinct place.” Timber the ‘kissing’ roof. The dramatically glazed
infills have been used throughout to bring and timber finished interior is sure to prov
warmth – and can also be seen on the a dramatic location for its promised
restored granary building next door, now “digital playground.”
the new home of Central Saint Martins. The central cobbled space is to
“Things like that were inspired by the tones host events, enabled by the copious amount
and colours the original railway company of space between the buildings. The
used,” explains Finlay. The reuse of existing area has also allowed for seating which will
cobbles can also be seen elsewhere across not impede passers by. “It’s a place where
King’s Cross. people will gather and spend time,” Green
Some of the original roof trusses explains. Despite some initial concerns
have also been retained where possible. over this larger-than-usual gap between
In the sections that were burnt out, trusses buildings, in the end, says Finlay, it “works
were relocated from the middle of the really well.”
building where the new structure sits. Having handed the majority of the
The new roof has been clad in over 80,000 King’s Cross redevelopment over to
slates – some individually hand-cut to fit various tenants and agencies, Argent
the curve – and they come from the will be retaining and managing Coal
same Welsh quarry as the originals. This Drops Yard themselves. As this massive
traditional craftsmanship paired with the overall transformation of an area
use of 3D modelling embodies how the approaches the end of its 20 year tenure,
project brings together two worlds, says this particular project is a very important
Finlay, “pulling out this modern space from architectural centrepiece – “it’s a bit like its
within these existing buildings.” gem,” says Heatherwick’s Finlay.
63
CPD FOCUS The latest CPD courses, seminars and documents for architects
DAYLIGHT AND THE HUMAN TWO NEW RIBA ASSESSED CPD NEW CPD: 10 MINUTES OF SPECIFYING HARDWOOD TIMBER
RESPONSE RIBA-APPROVED CPD SEMINARS FROM COMAR RESIN BOUND EXTERNAL DOORSETS
SPECIFYING POCKET DOORS WETROOM DESIGN & FREE FIRE AND SMOKE CURTAIN CPD SIMONSWERK SPECIFICATION OF
SPECIFICATION CPD SEMINARS FROM COOPERS FIRE HINGES CPD
The essential architect’s guide Rhodes & Partners report a record year
The 2019 edition of Kick-Start’s The Specifier’s Guide A leading structural and civil engineering
to Ceramic Tile & Calibrated Natural Stone, which consultancy has reported that 2018 was a
explores all the latest ceramic tile design trends and record year for the company, in which it
advanced installation techniques, is now available in surpassed all previous records for the volume of
print and online at www.specifiersguide.co.uk. The work which it had handled. Rhodes & Partners,
guide will be officially unveiled at The Surface Design which has a number of business award wins to its credit, offers a wide
Show (5th to 7th February). Now in its fifth edition, range of professional services for both small domestic and large
this annual industry bible is an essential specification commercial projects. “Over the past 26 years we have worked on well
tool for architects and designers. Content includes informed analysis over 22,500 jobs,” says Managing Director Nick Ribbeck. “In the
of global tile trends, along with reports on the latest technology, and process, we’ve developed a very wide range of specialist skills. That
sustainability; as well as some truly inspirational case studies. enables us to handle a very wide variety of different project types.”
01892 752 400 www.specifiersguide.co.uk 0161 427 8388 www.rhodesandpartners.co.uk
The Tiling Show – It’s where the tiling industry does business!
The Tiling Show, organised by The Tile Association, takes place ahead of the TTA Awards at The Hilton
Birmingham Metropole, from 10am on Friday 12 April. Intceram are the main sponsor. The Show is open for
all to visit and visitors will have the opportunity to see leading brands from the tiling industry. It promises
once again to be a unique event, hosted by the tiling industry for the tiling industry. The exhibitors so far
confirmed include Aquacut, ARDEX, BAL, Banks & Lloyd, Jackon, Lithofin, Mapei, Norcros Adhesives, Palace
Chemicals/Laticrete, Parkside, Saint-Gobain Weber, Scarfato Ceramiche, Shackerley, STS Ltd, Trimline Group,
TTA, UltraTileFix. Last year over 30 companies exhibited and it is expected that the number of exhibitors
will be in excess of that this year. In addition to guaranteed networking opportunities and the chance to see
the latest products, the Show will provide the opportunity to clinch some good business deals, since all
exhibitors, as last year, are requested to have a special Show offer running on the day. With its central location,
the Tiling Show is simple to visit, whether travelling by road, train or air.
0300 365 8453 www.thetilingshow.org.uk
connect with us
Real projects.
Real energy savings.
Case study: CitySuites
!
CitySuites is now one of the most desirable places to stay and live in
the city. The building is nestled between Manchesters famous shopping
boutiques and the major business centres.
microwave presence detectors
ADF_02_2019 67-98_ADF Flatplan 11/02/2019 10:15 Page 68
F
uturebuild 2019 (formerly Ecobuild) the most pressing challenges through
will focus on exploring and tackling insights from leading experts and
More than 500 market-
the biggest challenges impacting the knowledge sharing. With an overarching leading brands and
industry, and will be a unique destination theme of ‘Time For Action,’ the conference
for visitors to gain unrivalled insight and sessions will be “collaborative forums”
organisations from across
hands-on experience around the latest where visitors will develop plans for the globe will be
innovations, products and materials in implementing change and proposing action
order to address these challenges. for a more sustainable future.
showcasing the latest
Developed in conjunction with industry- A total of 13 key challenges will be innovations and
leading partners, Futurebuild will provide tackled through this programme, including
over 500 hours of structured learning how to put health and wellbeing at the
contributing to the
across an inspiring conference programme heart of design, how to achieve a truly extensive knowledge
and 11 seminar streams – all completely circular economy, and how the industry can
free and CPD accredited. overcome the housing crisis. programme
Meeting challenges & making Future trends, future products &
commitments future materials
Central to Futurebuild is the conference More than 500 market-leading brands and
stream which retains the ‘Ecobuild’ name, organisations from across the globe – a
which will inspire visitors to take action on snapshot includes RIBA, Bauder, Glavloc,
UNIQUE FEATURES Internorm, Nudura and Smart Systems – companies BEIS and Innovative UK has
Each of six curated Hubs at Futurebuild 2019 will will be showcasing their latest innovations provided funding for; and a ‘Business Bar’
include unique features and also host new and and contributing to the extensive in collaboration with the Knowledge
expanded pavilions and attractions
knowledge programme. To ensure visitors Transfer Network – providing one to one
gain a truly immersive and in-depth advice and support on accessing funding.
experience across all areas of the industry, New for 2019 is the Knowledge Forum
these exhibitors will be hosted across six – a dedicated area where industry-leading
curated Hubs: Buildings, Urban partners, academia and professional bodies
Infrastructure, Materials, Interiors, Energy will offer a comprehensive look at the
and Offsite. biggest issues facing the built environment.
Each Hub will include unique features Hosting CPD workshops, the Knowledge
and concentrated education programmes Forum will provide useful solutions
hosted by a relevant sector-specific and guidance for visitors to take back to
authority, and will also host a variety of the office.
new and expanded pavilions and The Waste Zone will return with new
attractions, including: The City Walk, Made and expanded features. Curated by
In Britain, the Association of Decentralised architect, academic and author Duncan
Energy (ADE) pavilion, the Home of the Baker-Brown, the area will showcase how
Future by Tufeco, the RIBA stand designed waste can be a valuable resource for
by Gundry + Ducker, and many more. industry. Central to the experience will be
the new Circular Economy Hub, which
New & exclusive features will take a unique ‘beach hut’ format and
Futurebuild will be bolstered by a range of feature a collection of hand-picked brands
new and exclusive partnerships and at the forefront of making the circular
features. As an official UK Government economy a reality.
Innovation Partner, Futurebuild will be Futurebuild is also partnering with the
hosting the Innovation Zone with the architect-oriented exhibition and
Department for Business, Energy & conference Vision, to provide a London-
Industrial Strategy (BEIS) and Innovate UK. focused seminar programme alongside
At the Zone, BEIS will be showcasing the an unrivalled networking opportunity
work of the Energy Innovation Programme for architects. The programme will be
and demonstrating how it is delivering the curated by Vision and hosted in the
Clean Growth Strategy. Focusing on “true Vision Seminar theatre, surrounded by an
innovation,” it will provide a platform for exhibition of brands looking to improve
investment and knowledge exchange across the built environment and public spaces
three areas: a dedicated three-day seminar through new technologies, products
series; an exhibition featuring innovative and services.
A celebration of
sustainability excellence
Previewing the annual BREEAM Awards, an international celebration of excellence in
sustainable buildings, which will take place on 4 March in London
T
he project teams, clients and • Van Oers United BV facility
buildings shortlisted for the annual Sustainable features include re-use of
BREEAM Awards represent cold and heat from the cooling system for
significant achievement in sustainable climate control in offices, and rainwater
building design, development and recycling.
management. Over 2.2 million buildings are
registered under BREEAM and there are Commercial Projects –
more than half a million projects with Post-Construction
BREEAM certificates globally. The initial • 1-9 Seymour Street, London
shortlists are created by taking the highest The Portman Estate maintained high
scoring projects certified under BREEAM sustainability standards throughout.
each year. • Bloomberg London
The building in the City of London is CollectieCentrum will house some of the leading
already a multi-award winner. art collections in the Netherlands
• Building R7, London
A project in London’s King’s Cross that
continues leading developer Argent’s • Forum Mersin
commitment to achieving the highest BREEAM New Construction and
levels of environmental certification. BREEAM In-Use have helped Forum
• Deloitte’s 1 New Street Square Mersin in Turkey to improve its
Environmental and wellbeing were key processes, and manage cooperation
priorities for the fit-out of Deloitte’s new between landlord, tenants and staff.
Universal Music’s new London HQ office in London.
• EUIPO Edificio AA3 Public Projects – Design
The latest addition to the European • Barry Building
Commercial Projects – Design Union Intellectual Property Office Part of the Royal College of Surgeons’
• New Logic III – The Tube, Tilburg (EUIPO) campus in Alicante. (RCS) historic campus in central London,
This distribution centre is developer • Scherpenhuizen this project retains and enhances its
Dokvast’s fifth BREEAM Outstanding The fruit and vegetable supplier Grade II listed element while replacing a
building. targeted BREEAM Very Good for 1950s section.
• New Logic V, Tilburg this distribution centre in Eindhoven, • CollectieCentrum Nederland
This design by DENC includes airtight evolved to Excellent, and by the Art and heritage collections of the
construction, triple glazing, an 8,250 building’s concept phase was Rijksmuseum, the Holland Open Air
square metre photovoltaic installation, targeting Outstanding. Museum, Paleis Het Loo and the Cultural
and rainwater recycling for toilet Heritage Agency of the Netherlands are
flushing. Commercial Projects – In-Use being brought together in this shared
• Unilever Global Foods Innovation Centre • BINARIUM Business Center sustainable storage centre.
The centre’s design focuses on the themes The regeneration of this old industrial • Ny Horten VGS
of health, flexibility, energy usage, and building in Romania has taken a circular This secondary school is the first public
material efficiency and “circularity.” approach, with the existing structure building in Norway to achieve BREEAM
• Universal Music Group HQ, London combined with Cradle-to-Cradle certified Outstanding design-stage certification.
Universal Studios wanted to equal the products, FSC certified wood, and • The Marshall Building
standard of its nearby HQ building. durable materials. Exemplary standards of sustainable
• Van Gelder Groente & Fruit facility • Edificio Beatriz design are incorporated into the design of
Fruit and vegetable company Van Gelder One of Madrid’s most significant late the London School of Economics and
is developing a state-of-the-art complex 20th century buildings – now a Political Science’s (LSE) Marshall
in Ridderkerk, Netherlands. multi-tenanted office block. Building.
INDUSTRIAL REVOLUTION
80 STRUCTURAL ELEMENTS
A
n ever-popular material for The countertop doesn’t need to appear cold
construction, concrete is seeing a or industrial; concrete can complement
new wave of usage and innovation, almost any style of room. The key is to add
thanks to both its aesthetic values and its other warmer, natural textures like fabric or
inherent qualities of strength, durability wood to keep it from feeling too austere.
and affordability. In fact, a 2018 repor Adding inserts or inlays is a great way to
by WGSN highlighted that concrete is personalise a concrete countertop in a
trending across the latest trade shows and kitchen, bathroom, or even outside.
particularly with emerging designers. Whether it’s small stones, pieces of glass or
Innovations in moulding and setting other materials that are mixed throughout
techniques have boosted its versatility, with the concrete, these can all contribute to a
many using the material in unexpected stylish countertop.
and unusual ways. From sophisticated However, as concrete countertops are
board-marked and polished concrete, to generally long, slender, thin beams, it’s
furniture and feature walls – the material critical to use a concrete from a reputable
can make contributions to projects in ways manufacturer with adequate strength and
As the creative glass and steel can’t. quality to prevent cracking, chipping and
shrinkage. Countertops are often the
possibilities of concrete Concrete as a design element centrepiece of the room, and also need
expand, from rough to Commonplace in the 1960s as a key to take a lot of wear. This, plus concrete’s
element of the now notorious Brutalist natural capacity for cooling and
smooth and solid to fluid, architecture movement, modern absorbing heat, makes it the perfect
designers are trying new developments often focus on concrete’s material in this setting.
hard and industrial surface used as a
techniques to achieve contemporary design element, often Board-marked concrete
fresh visual elements contrasted with soft furnishes and
tactile textures. Exposed concrete has
There are a wide range of exterior building
materials used to protect homes from the
moved on from being just an architectural elements. Using poured high strength
industrial material to a source of concrete for exterior walls can be one of
inspiration for interior finishes, entering the most enduring, fire-resistant, thermally
homes via the walls, furniture, floors and retentive and maintenance-free solutions. A
home accessories. concrete wall can last without decay for
Hard-wearing, and with the option of a many years.
rough-hewn texture or even a refined Concrete takes on the shape and texture
look, concrete is becoming a cornerstone of the forms into which it is poured, making
of minimal design. In particular, high it possible to enrich the surface character by
strength concrete (40N) is being used using textured forms. Often, timber is used
increasingly for a range of applications, in combination with concrete walls to add
such as statement kitchen worktops, warmth to the overall composition. For
modern board-formed concrete walls, example, if the concrete has been formed
curved open gutters, and luxury stone with horizontal, rough-board shuttering, the
terrazzo floors. concrete’s surface is imprinted with the
wood’s texture and the two materials work
Concrete countertops together to produce the aesthetic.
Installing concrete countertops is a sure At some point in a cold winter or a hot
way to infuse a stylish aesthetic into your summer, the concrete wall will need
client’s home or commercial application. thermal resistance augmentation, thus
STRUCTURAL ELEMENTS 81
EXTERNAL ENVELOPE 85
86 EXTERNAL ENVELOPE
The spring assisted design, combined with pressure sensitivity built into the operator which recognises when
there is an obstruction in the doors path, means this door is one of the most advanced and reliable available
on the UK market. Plus, they are electrically operated as standard, so homeowners have the convenience of
opening their garage door with a hand transmitter.
These are the ideal solution for garages which want to retain access to a loft or ceiling space, as the door rolls
up into a box at the head of the garage door opening. Available in a choice of 13 colours and timber effect
finishes, you are sure to find a colour to perfectly suit your build project.
01935 443709 www.garador.co.uk
EXTERNAL ENVELOPE 89
90 EXTERNAL ENVELOPE
S
PSenvirowall, a UK leading supplier low-performance cementitious renders. applied to any wall structure, lightweight steel
of external wall insulation, render RendaClad is a full facade system made up frame or masonry construction.
and facades, has secured BOPAS of many carefully selected components which SPSenvirowall is delighted that RendaClad
(Buildoffsite Property Assurance Scheme) have been rigorously tested and as an entire is the first and currently only proprietary
accreditation for its innovative, rain screen system makes up one of a very few BBA solution which has undergone the rigorous
cladding, RendaClad for the new build and approved systems of its type which provides BOPAS accreditation process designed to give
offsite construction industry. the reassurance that it will perform over the lenders and surveyors the assurance of
RendaClad was developed for applying a long term. the building materials utilised within a
non-structural and seamless rendered rain The system ensures a fully ventilated and development. This has provided confidence to
screen system to a timber-framed substrate. drained cavity is maintained within the wall the market that the innovative concept has a
It replaces the need to build a structural structure, meeting the requirements of the minimum life expectancy of 60-years.
masonry outer leaf that is finished with NHBC and TRADA. The system can be This accreditation will allow SPSenvirowall
to deliver its RendaClad system to offsite and
modular developments, enabling the supply
of a greater range of projects while providing
the assurance required to satisfy mortgage
lenders and their surveyors, meaning that the
RendaClad system will last for a minimum of
two mortgage cycles
With the challenges brought by the
government to build 250,000 homes per year,
the demand for innovative or non-traditional
methods of construction to replace poor
quality and conventionally constructed
homes has never been greater.
BOPAS accreditation assures lenders,
funders, valuers and purchasers that homes
built from non-traditional means will be
durable and deliver the quality required by
the industry.
92 EXTERNAL ENVELOPE
adf
ENJOY READING ADF BUT FIND IT’S NOT ALWAYS CONVENIENT TO HAVE THE PRINTED
MAGAZINE? OR HAS YOUR WORKPLACE TURNED PAPER-FREE?
The Digital Issue offers you the same content, delivered straight to your inbox and accessible via smartphone,
tablet and desktop computers. Be among the first to read all the latest features, comment, interviews, and more,
GET YOUR FREE DIGITAL SUBSCRIPTION
WWW.ARCHITECTSDATAFILE.CO.UK ÍARCHITECTSDF [email protected]
07.18
before the print issue has even been delivered! Back issues of the magazine can also be viewed online.
Cover
WAPPING WHARF, BRISTOL ENERGY ACADEMY EUROPE BLOOMBERG LONDON, CITY OF LONDON
Bosjes Chapel,
Western Cape, South
ADF reports on the lively independent food
quarter created in Bristol’s transformed docks
Cover
Wasl Tower,
Dutch academics collaborate towards a low-
carbon future, in a carbon-neutral building
How the world’s most sustainable office building was designed by
Foster + Partners to be both a good neighbour and a box of surprises THAMES LIDO, READING
Africa Dubai How an architectural practice dived into the restoration challenge of
Steyn Studio’s sculpture in concrete
echoes the surrounding mountains AECOM HEADQUARTERS, LONDON UNStudio designs the world’s tallest
LA FUCINA RESTAURANT, LONDON BANG BANG ORIENTAL, COLINDALE
page 18 The workplace leader puts its own ideas to work
ceramic facade
See page 18 Eating under bulging bricks in Marylebone A new London food hall offered a range of tantalising design challenges modernising a riverside lido while retaining its character
ARCHITECTSDATAFILE.CO.UK /ADF-DIGI The creation of the UK’s first purpose-built centre for music therapy –
a rural retreat in the Lakes
94 EXTERNAL ENVELOPE
Holdsworth Windows, Darlingscote Road, Shipson-on-Stour, Warwickshire, CV34 4PR 01544 387 384 www.kingspaninsulation.co.uk
HEMSE
The Kingspan OPTIM-R Flooring System
and Kingspan Thermaroof TR27
LPC/FM have been installed in floor and
roof constructions as part of The Piece
Hall in Halifax. The system comprises
OPTIM-R vacuum insulation panels,
with an exceptionally low thermal conductivity of just 0.007 W/m.K,
and OPTIM-R flex infill strips of the same thickness, which can be
cut to fill any gaps within the insulation layer. The low thermal
conductivity of the OPTIM-R VIPs allowed the desired thermal
performance to be met with a system thickness of just 43 mm.
01544 387 384 www.kingspaninsulation.co.uk/optim-r
EXTERNAL ENVELOPE 97
adf
architectsdatafile.co.uk
98 INSULATION
I
t will come as little surprise that social centre growing by 163 per cent, as well as
surveys across several European Leeds – by 150 per cent, Manchester – 149
countries indicate that noise from per cent and Leicester – 145 per cent. In
neighbours in residential complexes causes terms of sheer numbers, the fastest growing
annoyance to varying degrees. The type of city centre was London, but due to overall
noise can take various forms of course, but population density this amounted to a
a particularly invasive irritation is impact relatively low 22 per cent increase.
sound. Footsteps on common stairs and
stairwells is a typical example, transmitting Soundproofing standards
sound through solid structures and cavities under scrutiny
in the building. This level of urban migration is resulting
This can become more than just an in a marked increase in the density of
annoyance however, and a number of residential living and, in the interests
health studies have looked into the of noise health protection, existing
different effects of ‘community noise’ on manadatory soundproofing standards (of
individuals. The findings are wide-ranging, which common stairs and impact sound is
but suggest that regular noise interference an important feature) are coming under
can result in symptoms such as sleep ever-increasing scrutiny. Currently, Part E of
loss, headaches, anxiety and loss of the Building Regulations recommend
concentration, and in some cases raised performance standards for “separating
blood pressure and even an increase in the walls, separating floors and stairs that have
potential for aggressive behaviour. So with a separate function” as being less than or
the inevitable move towards higher density equivalent to 62 dB. The European average
living in many European towns and cities, for staircases is around 53 dB, in some
appropriate acoustic performance standards individual cases even stricter. This is
are becoming more important than ever significant when you consider that for
for residents. human hearing, a 10 dB difference is
FOOTSTEPS equivalent to twice the amount of noise
Impact sound is a particularly invasive irritation Urban living on the rise disturbance. The first ever standard in
There is, however, considerable disparity Europe to specify a test procedure for
between UK mandatory acoustic standards impact sound insulation elements was
and those in many parts of Europe. This is published in Germany in 2016. (DIN
possibly a result of the historical differences 7396). This was a standardised laboratory
in dwelling types. In the UK only 14 per test procedure for acoustically measuring
cent of the population have traditionally isolation systems for solid staircases.
lived in apartments, one of the lowest
European percentages, whereas the average A basis for verifying
for apartment living across Europe is 48 per acoustic insulation
cent and in many cases higher. In Germany, DIN 7396 specifies a test with realistic
for example, it’s over 60 per cent. configurations and typical building loads
However things are changing in the on staircases. The weighted normalised
UK, where urban and therefore primarily impact sound pressure level (L‘n,w) as
apartment living, is dramatically on the rise. defined in DIN 7396 can be used as a
According to the Office of National basis for verifying acoustic insulation in
Statistics, between 2002 and 2015 buildings. This is fine in principle, but in
Liverpool was the fastest growing city reality, during the construction process
centre, with a population increasing by 181 soundproofing solutions are often used
per cent. Other cities are close behind, that do not comply with longer term
examples being Birmingham, with a city requirements. Individual elastomer supports
INSULATION 99
For an informal
chat call Andrew
or visit our website.
07908 971657
www.castironradiatorrenovation.co.uk
104 INTERIORS
INTERIORS 105
INTERIORS 107
O
ne of our greatest societal
challenges is how we meet the
needs of an ageing population.
We all welcome the opportunity to live
longer, yet with improved longevity comes
the pressure to provide appropriate and
accessible living space for older people.
From care home beds to specialist social
housing, adapting existing homes to
building granny flats, we are struggling to
deliver enough bespoke accommodation
to meet the requirements of the
older generation. How might offsite
construction and modular pods help
speed up delivery, while offering better
quality and more accessible spaces for our
ageing demographic?
Our population is definitely ageing.
According to the Office for National
Statistics, by 2066 there will be an
additional 8.6 million people aged 65
years and over – a population roughly the
size of London. In 2016, people over 85
accounted for just 2 per cent of the
population, but fast forward 50 years and
The construction sector will struggle
that is forecast to rocket to 7 per cent.
As we live longer, our health needs to meet the challenge given the skills
A Construction Industry
become more complex and the places we shortages and low productivity. To provide Board white paper
live must adapt to our changing demands. an adequate supply of care home places in
In the UK we are already struggling to the midst of a housing crisis, it will require
revealed that 42 per cent
provide appropriate accommodation for some radical changes. of construction firms
our existing population. As it continues to One solution is to exploit offsite
grow as well as age, how do we respond to construction. The manufacture and
employing over 100 staff
the challenges that presents? pre-assembly of construction components believe they will be using
Many argue that Britain faces a social within a controlled factory setting can
care crisis. Research published by revolutionise the provision of accessible
offsite methods in five
Newcastle University in the Lancet medical accommodation for our ageing population. years’ time
journal last year found there will be an It speeds up delivery, reduces costs,
additional 353,000 older people with minimises waste and ensures greater
complex needs by 2025, requiring 71,000 quality control. The Government has
extra care home beds. recognised the value of this new approach,
Yet this need to ramp up delivery of care whilst a Construction Industry Training
home provision comes at a time when the Board (CITB) white paper revealed
construction industry is already under that 42 per cent of construction firms
enormous pressure. A research paper by employing over 100 staff believe they
Heriot-Watt University on behalf of the will be using offsite methods in five
National Housing Federation indicates years’ time.
that England faces a shortfall of four When providing accessible residential
million homes and needs to build an care for older people, features such
additional 340,000 a year until 2031. as modular pod wet rooms can bring
108 INTERIORS
110 INTERIORS
magrini baby
changing units
Magrini baby changing units
provide a hygienic and safe place
for changing your smallest customers.
The contemporary style incorporates
extra-deep sides providing an intrinsic
safety barrier and the units have a unique
hinge system preventing small fingers
from being trapped.
Magrini baby changing units are
available in a choice of colours to suit
modern commercial washrooms.
112 INTERIORS
114 INTERIORS
INTERIORS 115
Howe Green provides innovative access solution for NHS’s newest hospital
Howe Green Ltd has supplied nearly 70 covers to the newest and most digitally advanced hospital in the NHS
estate. The £200 million redeveloped Chase Farm Hospital, in Enfield, became fully operational last autumn.
Howe Green’s Visedge Series Flexible Floor Access Covers and 7500 Series Medium-Duty Aluminium Floor Access
Covers were installed throughout the 20,000 square metres of internal flooring. The Visedge covers were infilled
with vinyl flooring. The floor finish for the 7500 Series varied depending upon the location of the cover. The
Howe Green access covers enable safe and easy access to building services concealed under the flooring of the
hospital. The Visedge Series provide a durable, lightweight, non-rusting access solution for flexible sheet flooring
systems in environments with pedestrian footfall, wheeled trolleys and sack trucks. Double sealed, the Visedge
covers are ideal for a busy hospital where the highest standards of hygiene and security are required. 7500 Series
Medium-Duty Floor Access Covers are used for all types of hard floor finish, including ceramic tiles, terrazzo
and wood. They offer a five tonne pneumatic tyre wheel load suitable for cars and light delivery vehicles.
01920 463230 www.bilcouk.co.uk
Flotex offers Ashley Hicks design freedom Beaulieu Fibres launches UltraBond
Interior designer, Ashley Hicks, has had his unique Beaulieu Fibres International unveils a unique
design ‘Specimen Marble’ digitally printed onto Forbo opportunity for carpet manufacturers to
Flooring Systems’ Flotex flocked floor covering, for his create fully recyclable needlepunch carpets,
new studio in Oxfordshire. Ashley Hicks is known for and benefit from production and resource
his intricate patterns and eclectic designs. He therefore savings, without influencing performance.
required his studio to have a neutral aesthetic to act as UltraBond is a patented polyolefin bonding
a suitable background for his projects; and wanted a staple fibre that eliminates the need for latex or other chemical binders
flooring that his own design could be printed on. Forbo’s Flotex is a to bind nonwovens. It opens up a new path for creating 100 per cent
completely unique product, which offers the hard-wearing durability polypropylene needlepunch carpets which meet the same performance
of a resilient floor covering, while delivering the comfort of a textile requirements as traditional latex-bonded carpets while reducing the
finish – all the while boasting exceptional printing abilities. end-of-life environmental impact.
01773 744 121 www.forbo-flooring.co.uk/artofflocking +32 56 66 81 91 www.beaulieufibres.com
116 INTERIORS
Polyflor launches new flooring collection Polyflor Sport 67 scores at new centre
Polyflor is delighted to announce the Polyflor’s Sport 67 in Maple was the flooring of
launch of the new Polysafe QuickLay PUR choice for GT3 Architects when completing the
Collection. Polysafe QuickLay is a new £7m Brinnington Park Leisure Complex in
loose lay safety flooring designed for Stockport. Facilities in the new centre include a
adhesive-free installation and is the gym, aerobics studio, community room, boxing
perfect solution for busy commercial gym and four court sports hall where a number
environments in need of a quick of Polyflor products were fitted including
turnaround and where sustainable slip resistance is a priority. Polysafe Polysafe Hydro, Polysafe Standard PUR, Polysafe Wood FX Acoustic
QuickLay is a temporary or permanent floor covering which achieves in Silver Oak and 690m2 of Sports 67 in Maple. Sports 67 in Maple
the same performance and durability as other Polysafe flooring is perfect for the classic gymnasium style and is designed to perform
collections but with the added benefits of adhesive-free installation. safely and effectively in ‘multi-purpose’ indoor sports venues.
0161 767 1111 www.polyflor.com 0161 767 1111 www.polyflor.com
118 INTERIORS
Bowater by Birtley launches fire door New additions to the Vecta Range
Bowater by Birtley has introduced an exclusive new Vecta from Monitor Audio is an architectural
FireShield FD30S fire door after successfully securing BS weather resistant range of speakers that offers
EN 1634 certification. The door is manufactured using incredible versatility and simple installation
a sustainable agrifiber core, a material recognised as a in places where other speaker choices would
green product that can contribute to Leadership in prove impractical. The new V240-LV speaker
Energy and Environmental Design (LEED) credits. A adds further versatility in commercial
solid timber frame and durable GRP facing completes the construction applications with 70/100V line level. An integrated transformer allows
of the door, making it one of only a handful on the market to offer a the system designer to consider multiple speakers in a system without
FD30S certified door to this standard. The Bowater FireShield FD30S worrying about impedance matching or losses where long cable runs
has been proven to maintain its integrity beyond the required minimum are required. This particularly benefits larger commercial applications,
30 minutes, preventing the passage of flames and hot gases. but can also be beneficial in larger, more complex domestic designs.
0845 121 8977 www.bowaterbybirtley.co.uk [email protected]
S
till thinking in terms of keys and locks hard wiring – and are already in
when it comes to security for your widespread use in commercial markets such
residential clients’ designs? Well, just as hotels, universities, airports, serviced
like the commercial sector where smartcard offices, etc.
technology is widely used and mobile is
now gaining traction, the home market too Technology over traditional
is now changing. For residential projects of a more
Everything from serviced apartments to commercial nature such as serviced
individual homes is now starting to adopt apartments and the like, more powerful
the convenience of using smart phones to cloud-based solutions are a common choice.
control access. This is a quick update to Cloud access control provides a simple and
equip architects with the knowledge they secure solution to manage keys, users and
need for incorporating mobile security into doors across multiple locations – typically
their projects. using a combination of smart phone app
Already there are smart meters to track and smart RFID tag.
energy usage, smart thermostats to control No software installation is required; all
heating systems, smart doorbells, and that’s needed is an online device with an
With smart security, the cameras for home security as well as smart Internet connection. An online account is
home assistance devices such as Amazon’s created and this is used to create access
technology is already here Alexa and Google’s Home Mini. Today, the groups, manage users and view entries to
to deliver tomorrow’s smart ‘smart, connected home’ is the exception. In the property from a smart phone, tablet or
a decade or less it will be the norm. other device.
home today Residential smart lock technology allows A hub unit fitted inside the building uses
the user to go above and beyond what a 2G, 3G or 4Gcellular connectivity to
standard door lock can offer. The smart communicate with the wireless lock
lock provides multiple features accessed equipped doors. Users simply present their
through an app on a smart phone, giving a RFID tag to the lock, which instantly
greater picture of home security. engages so residents, visitors etc can enter
Undoubtedly a driver for this is that more easily and according to their access rights.
people now want everything to be accessed
through their personal device. The individual home
With a smart home lock there is no need For the domestic home there are a number
to carry keys, which eliminates the chance of options on the market, and most make
of them being lost or stolen, and it also use of the smart phone to take the place of
allows users to cancel keys on the go if the key.
they need to restrict access. And because Some take the form of a traditional
such technology works with most existing handle set and have a prominent reader
euro cylinders or multipoint locks unit at the top. Users can configure, control
(depending on different manufacturers’ and unlock their smart door lock from their
models), it still complies with current home smart phone via a secure Bluetooth app.
insurance standards. They can give family and friends access by
Such locks are battery operated and wire sending a virtual key to their smart phone
free, wireless, cloud or mobile based – so no and keep track of who comes and goes via
need for the expense and inconvenience of the app.
Latest news, views and more Safe and Sound with Resiblock
If you like to be kept informed of all Part of Network Rails £6bn Thameslink
the latest news, views, and promotions Programme, the redevelopment of London
for the architectural community, the Bridge Station started in 2013. With new paving
ADF email newsletters can offer you installed it was anticipated that cleaning regimes
regular updates straight to your inbox. would serve to remove the jointing sand leading
The weekly Editor’s Choice newsletter to de-stabilisation of the paving and causing
includes top news stories curated by hazards such as tripping accidents. The success of Resiblock Resiecco
the ADF editorial team, while the at The O2 Arena, where similar problems occured, played a key role
monthly CPD Focus and fortnightly ADF Newsletter offer updates in the selection process. Resiblock Technicians attended and advised
on products, services, events, and learning opportunities available on application and spread rate of Resiblock Resiecco and the one coat
from a wide variety of manufacturers and suppliers. application allowed the station to remain open during installation.
www.subscribepage.com/adf [email protected]
Maximising Land Value through SuDS DIY resin bound driveways made simple
GreenBlue Urban are extremely conscious of the SUDwell™ the Resin Bonded Slab Company
tight constraints that house builders work under and were one of the first to offer resin bound
have designed a modular storm water management surfacing solutions in the UK, and have
system that is installed below mandatory hard unrivalled experience in the industry. Now
surfaces. GreenBlue Urban Arborflow systems are SUDwell™ are using their vast experience to
uniquely placed to enable all of these criteria to be met without offer Resin Bound DIY kits to both home and
encroaching on valuable land, maintaining the amenity values, holding trade customers. Their DIY Resin Bound Gravel
up property values and creating a pleasant place to live work and play. is easy to install with online video assistance. SUDwell™ All-Weather
By specifying GreenBlue Urban ArborFlow systems, a long-term Resin offers user a high strength resin that is UV Stable, and moisture
solution is available to make every development sustainable for the long tolerant. In addition to this, their All-Weather resin has a double the
term resident, and profitable for the developer. working time of other resins, making it ideal for the inexperienced.
[email protected] 01424 830 494 www.theresinbondedslabcompany.co.uk
W
eighing only 1 per cent of the
weight of traditional fill,
expanded polystyrene (EPS) is
continuing to prove itself as a modern
and innovative civil engineering and
construction material for landscaping
projects as well as road construction,
embankments, ‘noise bund’ and retaining
wall applications. This versatile material’s
popularity has grown due to the increased
drive to find more sustainable fill options
for landscaping while also taking into
consideration the varied and unstable
ground common throughout the UK.
EPS is 98 per cent air, accounting for its
light weight, but is also extremely strong
under compression, with the manufacturing
process having a significant impact on its
inherent characteristics. Raw beads are
firstly heated with steam causing them to
expand. Following storage for maturation,
the beads are then fed into a block mould
with more steam, causing the bead to
expand further and fuse together, forming
the rigid block.
EPS does not add any significant weight underground carpark. The landscaping
to the existing ground, even if there is extra requirements for this project were quite
load from any structure above. One exact and stringent in that the architects
hundred times less dense than traditional required creating a contoured area of grass
materials, due to its closed cell formation, and trees for an area between the new-build
EPS reduces settlement caused by soil section and the existing Infirmary buildings.
compaction, also meaning that it can be This area was on top of the underground
used on weaker sub-soil structures than car park and traditional fill would have
traditional material. This high strength-to- been too heavy to create the mounds and
weight ratio of EPS and its lightweight amount of contouring required.
nature makes it ideal for both hard and EPS can be used in urban environments
soft landscaping, ensuring that pressures where hard landscaping may be required
are reduced on underlying structures over structures or service tunnels. Different
and services. grades can be combined to create the
Manufactured in a wide range of densities most economic design for the individual
from 15 kg/m3 up to 43 kg/m3 and a range specification, with the knowledge that
of compressive strengths from 70 kPa to minimal load will be transferred to the
350 kPa, the versatility of EPS ensures the structure below, yet with the assurance of a
material’s suitability for a wide range of firm foundation that will accept any hard
landscaping specifications and applications, landscaping finish.
according to client requirements. EPS can also be used in conjunction with
A great example of soft landscaping was green roof applications, where the EPS is
at the prestigious Quarter Mile development not providing the thermal insulation but is
in central Edinburgh, where EPS was allowing for landscaping on the roof
used to avoid the transfer of load onto an structure, without severe loading
implications of traditional fill materials. individual applications, EPS has proven its
This could be ideal for a structure where use as an innovative and ideal landscaping
the roof needs to blend in with the material for several years. Manufacturers
surrounding countryside. work with architects and landscape
Due to the lightweight nature of EPS, designers to ensure the correct grade of EPS
significantly more blocks can be transported is used with layer by layer drawings
compared to traditional fill material, provided to detail contouring and build-up.
ensuring lower carbon emissions and less The material’s versatility is undeniable,
pollution due to the reduced number of and the environmental qualities of EPS
loads. Approximately 80 m3 of EPS blocks make it a sustainable choice. The ability of
can be loaded onto one single vehicle EPS to create stable ground conditions
compared to only 16 m3 of traditional over an extensive timeframe will decrease
landfill, reducing the need for excessive the need for potentially costly remedial
transportation. EPS does not require works caused by settlement, resulting
heaving lifting equipment on site and is in a more stable fill material, but with
The ability of EPS to create easy to handle and cut; safety measures such none of the associated issues experienced
as protective clothing, masks or goggles are with alternatives.
stable ground conditions not required. Extruded polystyrene (XPS) can also be
over an extensive EPS will maintain its performance used as a fill material, and has recently been
characteristics over its expected life cycle, used at the major redevelopment of
timeframe will decrease with this longevity increased due to its Battersea Power Station. Installed to provide
the need for potentially durable nature and immunity to insect, temporary parking for delivery trucks
bacterial and fungal attack. It is rot proof supplying this huge scheme, XPS was
costly remedial works making it ideal for direct contact with specified for the project due its load-bearing
caused by settlement earth and it does not require indoor
storage, nor will it become friable
characteristics yet lightweight nature
ensuring undue stress would not be
(crumblable) or saturated. transferred to the existing slab.
Manufactured in a range of compressive
strengths and sizes designed specifically for Adrian Walker is sales manager at Sundolitt
MACS AUTOMATED
BOLLARD SYSTEMS
Macs Automated Bollard Systems Ltd specialise in the nationwide supply of
security bollards and vehicle restriction solutions. Commonly used to help to
secure private driveways and prevent unauthorised use of private parking
spaces, telescopic security bollards serve as both a visual deterrent, helping
to prevent attempted theft of vehicles and property, and offer a physical
security barrier between the road and the protected area. With customer
satisfaction our number one goal, our team will thoroughly discuss and
assess your specific needs, and work to deliver a solution to fit.
Aquatan FirePro
Fire-X
DELIVERING HIGH
QUALITY TIMBER
SOLUTIONS FOR
DECADES
131
adf
of past and present products and news is designed to provide you with the same content as the print issue with
items for the architect or specifier. latest products and services, direct to the added advantage of being instantly
www.architectsdatafile.co.uk is a your inbox. You can quickly gather a available whenever and wherever you
one-stop source for all the latest press snapshot of information from up to have access to the internet. In addition
releases providing any visitor with 12 carefully selected companies and to its ease of access, the ADF digital
access to information about products easily follow links through to further issue gives direct links to advertisers,
and services that they may require for information on the website or go allowing you to visit a potential
their project as well as news relevant directly to the company’s website. Go supplier’s website with the click of a
architectsdatafile.co.uk to architectural developments. to the ADF website to subscribe. mouse. Subscribe on the ADF website.