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This chapter discusses the two key concepts of the book: discourse and
gender. This is not an easy task, partly because different approaches theo-
rize these concepts, and the relationship between them, differently; partly
because of the rapid development in and increasing sophistication of these
fields. Because I find it difficult to talk about gender without talking about
discourse, I start by looking at discourse and discourse analysis, move on to
gender, then look at these together (‘Gender and discourse/Gendered
discourse/Gendering discourse’). I conclude the chapter by looking briefly
at four other concepts: construction and performance, representation and
indexing. Relevant to the study of gender and discourse, these are used in
and outside this book, and will hopefully be useful analytical concepts for
those embarking on their own analyses of gendered discourses.
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J. Sunderland, Gendered Discourses
© Jane Sunderland 2004
6 Gendered Discourses
We are always conscious that our terms are a little vague (since we
have learned to use them only in practical applications) and we reach
precision not by reducing their penumbra of vagueness, but rather by
keeping well within it, by carefully phrasing our sentences in such a
way that the possible shades of meaning of our terms do not matter.
This is how we avoid quarreling about words. (1966: 19)
Whereas this can, I think, apply to discourse (in the descriptive sense) it
applies less satisfactorily to interpretive discourses.
A useful and provisional starting point in the study of discourse in the
interpretive sense is to see discourses as ways of seeing the world, often
with reference to relations of power and domination (Fairclough, 2003).
Language users however also use discourses, ‘drawing on’, ‘invoking’,
‘producing’, ‘reproducing’ and even ‘inserting themselves’ within dis-
courses (this last from Foucault, 1981). Although in this book I largely