Tibetan Architecture:: The Structure, Aesthetics and Symbolism of Wood
Tibetan Architecture:: The Structure, Aesthetics and Symbolism of Wood
Tibetan Architecture:: The Structure, Aesthetics and Symbolism of Wood
TIBETAN ARCHITECTURE:
THE STRUCTURE, AESTHETICS AND SYMBOLISM OF WOOD
Bill Semple, BES, MED, MRAIC
The symbolic significance of the
The architecture of Tibet is typical building components is demon-
of the buildings of central Asia. Ti- strated both in the important
betan buildings, particularly the status that the traditional builders
monasteries, are monolithic by na- had in the society and in the
ture and often sited to command many rituals and ceremonies
dramatic views over the surround- which are part of the building
ing countryside. While the exterior process. These ceremonies are
walls are constructed of rammed performed by local monks when
earth, mud block or stone with few different parts of the building are
openings and topped by flat roofs, completed and when special
the interior structure is made up of components are erected. For ex-
a rectilinear system of wood col- ample, when the first column is
umns, capitals and beams. This erected, a special ceremony to
framing methodology in turn car- "observe a good omen" is per-
ries a stratified flooring system of formed.
smaller wooden members and com-
pacted mud, creating an intricately The symbolic importance of the
layered interior structure. Each timber frame structure is rein- Entrance to the main Prayer Hall,
layer is important both structurally forced by the use of numerol- Lingshed Monastery, Kham.
and symbolically, with the number ogy, which is prevalent in Ti-
of layers also reflective of the im- betan Buddhist teachings, in the
portance of the place. design of the structure. Particularly three wooden members, with the
significant is the number three, column supporting a capital made
Wood has been used in a number which represents the three levels of up of two pieces, of which the first
of ways in the traditional buildings existence, according to Tibetan piece, called the shu-chung, sup-
of many cultures throughout the Buddhist philosophy, as well as the ports the second and top piece,
world. Its value as a material often triad of the Buddhist religious or- called the shu-chen.
goes beyond structural and aes- der: the teacher (the Buddha), the
thetic attributes to include impor- teachings (the Dharma) and the re- In both the Tibetan temple and
tant symbolic qualities. In the high, ligious community (the Sangha). dwelling, these framing members
dry countryside of the Tibetan pla- This proportional hierarchy appears are also richly decorated with
teau where wood is a limited re- in the construction of the columns carved and painted motifs, giving
source, its use plays an important and capitals which support the them a special status within the ico-
role in the structure, aesthetics and heavy timber floor beams and in nography of Tibetan architecture.
religious symbolism of traditional the three levels of the temple. The In the temple, the column is often
Tibetan buildings. column and capital are made up of carved in plan view in the shape of
(Continued from page 1) kashing, as in the numerology of the column and capital,
a mandala, which to the Buddhists represents an energy is supported by a series of three cantilevered wooden
field, and the capital is usually painted red, representing members. This use of numerology is combined with the
control. The first piece of the capital is painted green to use of colour, so that each framing member builds upon
represent action, and is intricately carved with an orna- itself both structurally and symbolically.
ment called Norbu Gakyl, which symbolizes the balance While the Buddhist scriptures contain teachings which
of wisdom and action. On top of this, the second piece is detail the spiritual significance of the temples and their
painted red and heavily carved with various Tibetan mo- construction, historically there were no books explaining
tifs such as lotus flowers and clouds. the Tibetan building tradition. The training of future
builders was an oral one, passed through the generations
The use of numerology and symbolism also appears in from father to son. In a climate where wood is a scarce
the wooden trim details around windows and in the commodity, it was the skills of the carpenters themselves
framing members which support the canopies over win- which led to the development of a structural system util-
dows. For example, the cubular wooden carving detail izing a series of smaller pieces of wood. Their carving
found on the window trim, called a cho-tsek, represents skills also enhanced the link between structural logic, ar-
the layers of the dharma texts (the teachings of the Bud- chitectural decoration and religious symbolism, in the ar-
dha). The structural support for the canopy, known as a chitecture of both the dwellings and the great monaster-
ies of the region.
Message from your Executive Hart Jansson, Vice-President - for the OFT Executive
We are very excited about developments this year. The Spirit of Tibet event that we co-sponsored with the Palyul
Namdroling Foundation at the National Library on March 10th was very successful. Over 100 people attended this
video presentation and celebration of Tibetan culture. Net funds raised by Ottawa Friends of Tibet (OFT) were over
$2000. Our upcoming Tibetan Spaces – an Architectural Journey (June 13th at the Ottawa Public Library) will be
our 2nd event and of course we will hold our 7th annual dinner in the fall. This will be the first time that Ottawa
Friends of Tibet has held three major events in one year.
On the project front, the orphanage near Lhasa continues to thrive with over 20 children. The Maitreya Foundation
(Continued on page 3)
2003, Issue 2 Ottawa Friends of Tibet Page 3
has 10 children at their home near Delhi. Our President, I will be moving to Oakville in the summer. It has been a
Jurme Wangda, will travel to Dharamsala, Kalimpong and pleasure for me to work with the dedicated volunteers who
Sikkim in June to progress the Kalimpong Seniors Home pro- make OFT vibrant and useful. I will continue to contribute
ject. Our volunteer architect, Bill Semple, is scheduled to go from afar, but it just won’t be the same. Do yourself a favour
to Kalimpong to work on architectural design for the Seniors and discover a fascinating perspective on the Tibetan people
Home in the fall. The endorsement letter from the Office of at the Tibetan Spaces event and please also mark your calen-
His Holiness the Dalai Lama (on page four of this newsletter) dars for the 7th Annual Dinner on November 8th – we will
shows the support we are receiving for this project to benefit have the Gaden Jangtse monks performing, this will be a very
destitute seniors. rare and fascinating treat.