Cinema Paradiso Cello Ensemble - MSCZ

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The document appears to contain musical notation for a cello ensemble piece, but it is difficult to discern much meaning from the text alone as it seems to be notation rather than descriptive text.

The musical piece being notated is Cinema Paradiso, a composition by Ennio Morricone.

The musical notation used is specifically for cello (indicated by the abbreviation 'Vc.') and involves rhythmic values and melodic notes.

Cinema

Paradiso (Cello Ensemble)

   44          
Ennio Morricone

 
 = 70

   


Violoncello

   44    


       
Violoncello

   44        

Violoncello

   44  

Violoncello

    
 

3

   
Vc.

   
 
     
Vc.

          

  
Vc.

   
Vc.
 
          24  44
5

    
Vc.

     24     44
   


 24 
Vc.

    44

 42 
Vc.

      44
 

Vc.

   
   44    
8

      
Vc.

   44    
Vc. 

Vc.
   44        

Vc.
   44     

2
        

10

                
Vc.

  
  
  
Vc.


Vc. 

Vc.
        


       
13

  
Vc.

              

     
Vc.

            



Vc.

     



Vc.

 

3
            

15

     
Vc.

      
   

      
Vc.

        

 
Vc.

    
Vc.  

  
            
17


   
Vc.

     
    
       
Vc.

     


Vc.

      
Vc.  

4
               
19


Vc.

          
  

          
Vc.


Vc.  

     
Vc.

               
21


Vc.

     
   
  
Vc.

Vc.
     

   
Vc.
 

5
           

       

23

 
  
    
Vc.

  


Vc.

     
   



  
Vc.

       
      


Vc.

  
        


   
25

  
Vc.


         
 
 
Vc.

          
  
           
Vc.

    
Vc.

6
       
      
27

Vc.

     
Vc.   
    
   
     
Vc.

        
Vc.
  

       
    

29

      
    
   
Vc.

     
  
Vc.

          
Vc.

         
Vc.
  

7
  
      
   
31
6 6

  
Vc.

       
       
   
6

    6  
Vc.

  
Vc.      

    
6
6

Vc.

      
      
32

            
Vc.

  



          
Vc.

    

Vc.

    

Vc.



8
        
  
    
34

       
 
Vc.

          
   
 
         
Vc.

    
Vc.

    
Vc.    

  
           

36

 
Vc.

           

    
Vc.

      

Vc.

   
Vc.   

9
           
    
38

        
Vc.

Vc.
 

       
Vc.   

Vc.
      

 
    
40
  


       
Vc.

 




Vc.

        

          
Vc.

Vc.
   

10
     
 
42

  
  
Vc.

     

 
Vc.

        

   
            
Vc.

Vc.
 

 
          

44

   
Vc.

         

Vc.


      


Vc.

        
Vc.

11
  
     
      
42
47


Vc.

       24 


Vc.

    
     42 
   
Vc.

   24 
Vc.

12

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