A Folk Dance Is Developed by People That Reflect The Life of The People of A Certain Country or Region
A Folk Dance Is Developed by People That Reflect The Life of The People of A Certain Country or Region
A Folk Dance Is Developed by People That Reflect The Life of The People of A Certain Country or Region
region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual
origin are not considered to be folk dances. Ritual dances are usually called "Religious
dances" because of their purpose
Folk dance, generally, a type of dance that is a vernacular, usually recreational, expression
of a past or present culture. The term folk dance was accepted until the mid-20th century.
Then this and other categories of dance were questioned and their distinctions became
subject to debate.
Defining Folk Dance What makes a dance a folk dance? Logically speaking, the adjective
folk should modify the noun dance to indicate a certain kind of dance and dancing and
perhaps the style or some other distinguishing feature of the dance or performance. It
should also imply who the performers are. However, the term folk dance, which has been in
common use since the late 19th century, along with its parent term folklore, which was
coined in 1846, is not as descriptive or uncontroversial as it might seem. Much of the
problem lies in the attitudes and purposes of early scholars and their audience.
Characteristics of Philippine Folk Dances In general, dancers stand apart. There is little, if
anybody contract. Most of the dances are done by pairs or couples. Hand movements play
an important part. Most dances are in long formation. Most dances begin and end with
“saludo”. Dance from low land have more foreign elements than those in upland. War
dances are found in non-Christian tribes. It is traditional. It is an expressive behavior.
Simple basic rhythm dominates the folk dance and establishes the pattern of movement. An
unknown choreographer creates a folk dance. It performs n action in the life of folk.
The Cariñosa
The Cariñosa is a dance made for flirting! Dancers make a number of flirtatious movements
as they hide behind fans or handkerchiefs and peek out at one another. The essence of the
dance is the courtship between two sweethearts.
The Surtido
Surtido literally means "assortment," and this square dance combines influences of French,
Spanish and Mexican dance. Traditionally the Surtido is performed by a head couple
accompanied by two other couples who lead all the dancers through various formations that
resemble an old-fashioned quadrille.
The Singkil
The Singkil is a dance traditionally performed by single women to attract the attention of
potential suitors. Dancers perform a series of graceful movements as they step in and out
from between bamboo poles which are rhythmically clapped together. Fans and scarves are
often used to enhance the dancers' movements.
The Polkabal
The Polkabal shows some European influence in its steps. The dance is composed of nine
different steps which include various movements such as fluttering, stepping heel-to-toe, a
reenactment of a bull fight, and even a leisurely walk.
The Magkasuyo
The Magkasuyo is a variation of the balse - the one-two-three graceful triple meter that
Filipino traditional dance borrowed from the Spanish waltz. It is a formal series of close-
step-close movements with a couple facing each other in a courtship configuration. Balse
incorporates German and Spanish influence, but the Magkasuyo is the specific invention of
Quezon province, a large farming and fishing region southeast of Manila with a rich tradition
of outside influences, including Spanish, Malay, and Muslim. A popular song Magkasuyo
Buong Gabi (Lovers for the Night) expands on the romantic nature of the dance.