Photograph © 2016 Museum of Fine Arts, Boston. William K. Richardson Fund.

RSA 2016 Annual Meeting, Boston, 31 March–2 April

Annual Meeting
The Renaissance Society of America
31 March–2 April 2016
BOSTON

Photograph © 2016 Museum of Fine Arts, Boston. William K. Richardson Fund.

The Renaissance Society
of America

Annual Meeting Program

Boston

31 March–2 April 2016

Front cover: Maria Bockenolle (Wife of Johannes Elison). Rembrandt
Harmensz. van Rijn (Dutch, 1606–69). Oil on canvas,1634.
William K. Richardson Fund. Photograph © 2016 Museum of
Fine Arts, Boston.

Back cover: Reverend Johannes Elison. Rembrandt Harmensz. van Rijn

(Dutch, 1606–69). Oil on canvas, 1634. William K. Richardson Fund.
Photograph © 2016 Museum of Fine Arts, Boston.
 Contents
RSA Executive Board ....................................................................... 5

RSA Staff ........................................................................................ 6

RSA Donors in 2015 ....................................................................... 7

RSA Life Members ........................................................................... 8

RSA Patron Members....................................................................... 9

Sponsors ........................................................................................ 10

Program Committee ....................................................................... 10

Local Arrangements Committee ...................................................... 10

Discipline Representatives, 2015–17 ............................................... 11

Participating Associate Organizations ............................................. 12

Registration and Book Exhibition ................................................... 15

Policy on Recording and Live Broadcasting...................................... 17

Business Meetings........................................................................... 18

Plenaries, Awards, and Special Events ............................................. 19

Program Summary
Thursday................................................................................. 22
Friday ..................................................................................... 32
Saturday ................................................................................. 44

Full Program
Thursday
8:30–10:00....................................................................... 53
10:30–12:00..................................................................... 71
1:30–3:00......................................................................... 87
3:30–5:00....................................................................... 104
5:30–7:00....................................................................... 123
 Friday
8:30–10:00..................................................................... 142
10:30–12:00................................................................... 160
1:30–3:00....................................................................... 180
3:30–5:00....................................................................... 199
5:30–7:00....................................................................... 217
Saturday
8:30–10:00..................................................................... 237
10:30–12:00................................................................... 254
1:30–3:00....................................................................... 272
3:30–5:00....................................................................... 290

Index of Participants .................................................................... 307

Index of Sponsors ......................................................................... 333

Index of Session Titles .................................................................. 336

Room Charts ............................................................................... 355

Maps and Floor Plans .................................................................. 378

Renaissance Society of America
Executive Board
Joseph Connors, President
Pamela H. Smith, Vice President
Edward Muir, Past President
James S. Grubb, Treasurer
Carla Zecher, Executive Director
Mary Quinlan-McGrath, Chair, Associate Organizations and
International Cooperation
Michael Ullyot, Chair, Electronic Media
Susan Forscher Weiss, Chair, Membership
Ingrid A. R. De Smet, Chair, Publications
Christopher Carlsmith, Chair, Research Grants
Nicholas Terpstra, Renaissance Quarterly, Articles Editor
Sarah Covington, Renaissance Quarterly, Book Reviews Editor
Clare Carroll, Counselor
Martin Elsky, Counselor
Debora Shuger, Counselor
Jeffrey Chipps Smith, Counselor
George Labalme Jr., Honorary Member

5
Renaissance Society of America Staff
Carla Zecher, Executive Director
Erika Suffern, Associate Director; Managing Editor, Renaissance
Quarterly
Tracy E. Robey, Assistant Director; Editor, Renaissance News
Evan Carmouche, Administrative Assistant
Colin S. Macdonald, Production Editor, Renaissance Quarterly
Joseph Bowling, Copyeditor, Renaissance Quarterly
Maura Kenny, Book Reviews Manager, Renaissance Quarterly
Stephen Spencer, Editorial Assistant, Renaissance Quarterly

6
Renaissance Society of America
Fund Donors in 2015
Grete Anderson Adelina Modesti
Nicholas S. Baker Michael L. Monheit
Leonard Barkan Tamara Morgenstern
Teodolinda Barolini Edward Muir
Karen-edis Barzman Chandra Mukerji
Douglas Basford Yoko Odawara
Ilona D. Bell Joseph M. Ortiz
Elizabeth Bemis Alejandra B. Osorio
Mirka M. Benes Jessica Otis
JoAnne G. Bernstein Maria Teresa Micaela Prendergast
Mario Carlo Bevilacqua Anne Lake Prescott
Bonnie J. Blackburn Mary Quinlan-McGrath
Patrick J. Bonner Albert Rabil Jr.
C. Jean Campbell Sheila J. Rabin
Mary Baine Campbell Cristiano Ragni
Kathleen M. Comerford Vivian S. Ramalingam
Joseph Connors Joshua Samuel Reid
Angela De Benedictis Tracy E. Robey
Jennifer Mara DeSilva Sarah G. Ross
Isabella di Lenardo Brian Sandberg
William E. Engel Brenda Deen Schildgen
Lowell Gallagher Kathryn Schwarz
Joseph E. Germano Debora Shuger
Jaime L. Goodrich Nancy Siraisi
In honor of Katie Kadue Jeffrey Chipps Smith
Sara Ellen Kay Pamela H. Smith
Timothy Kircher Erika Suffern
George Labalme Jr. Brian D. Steele
Robert G. La France Emily Umberger
Evelyn Lincoln Harry Vredeveld
Carla Lord Mara R. Wade
Bridget Gellert Lyons Peter Weller
Robert Macdonald Bronwen Wilson
Patrick Macey Elizabeth R. Wright
Angelo Mazzocco Gabriela Bruna Zarri
Abraham Melamed Carla Zecher
Leah Middlebrook Qiong Zhang
Margaret Mikesell

7
Renaissance Society of America
Life Members
Lilian Armstrong Judith C. Kohl
Constance T. Blackwell Walter Kreyszig
Melissa M. Bullard George Labalme Jr.
William J. Connell Susanne Lepsius
Chickford Bobbie Darrell Germain Marc’hadour
Luc Deitz G. Mallery Masters
John B. Dillon James F. O’Gorman
William E. Engel Richard H. Peake Jr.
Thelma Greenfield Emil Polak
Paul F. Grendler Cynthia M. Pyle
James Hankins Gary M. Radke
Richard Harrier Paul Rich
Thomas DaCosta Kaufmann Anne Rolet
Ralph Keen Peter L. Rudnytsky
Margaret L. King Carol Warshawsky
Arthur F. Kinney

8
Renaissance Society of America
Patron Members
Maryan W. Ainsworth Sally Anne Hickson
Michael J. B. Allen Jennifer E. Jones
Albert Russell Ascoli Norman L. Jones
Teodolinda Barolini Cristle Collins Judd
Elizabeth Bemis Mark Jurdjevic
Bruce A. Boucher Farah Karim-Cooper
Christopher Celenza Sara Ellen Kay
Tracy E. Cooper William J. Kennedy
Brian P. Copenhaver Gayle Loving
Virginia Cox Tamara Morgenstern
Gabriela Cultrera John Marc Mucciolo
Brian A. Curran Edward Muir
Natalie Zemon Davis Brian W. Ogilvie
Christy Desmet Maria Peitrogiovanna
Olga Anna Duhl Anne Lake Prescott
Helga Luise Duncan Nathalie E. Rivere de Carles
Steven A. Epstein Andrea Aldo Robiglio
Margaret J. M. Ezell Victoriano Roncero López
Maryann Feola James M. Saslow
Peter Fogliano Pamela H. Smith
Mary E. Frank Brian D. Steele
Jesus Garcia Sanchez Catherine Tinsley Tuell
Anthony Grafton Ronald G. Witt
Hanna Holborn Gray

9
Sponsors
Boston College
Brandeis University
Harvard University
Division of Arts and Humanities, Faculty of Arts and Sciences
Department of English
Samuel H. Kress Foundation
Tufts University Graduate School of Arts and Sciences
The Tomasso Family Fund; Professor Vincent Pollina, Curator
Tufts University
The Center for the Humanities at Tufts (CHAT)
Department of Art and Art History
Department of Drama and Dance
Department of English
Department of History
Department of Music
University of Massachusetts Boston
University of Massachusetts Lowell
Wellesley College
Medieval-Renaissance Studies Program

Program Committee
Christy Anderson
Kathryn A. Edwards
Angi L. Elsea Bourgeois
Martin Elsky
Kenneth Gouwens
A. Katie Harris
Elizabeth A. Horodowich
Deborah L. Krohn
Bernd Renner
Roberta V. Ricci
Jeffrey Chipps Smith
Carla Zecher, Chair

Local Arrangements Committee

Christopher Carlsmith, Chair
Danielle Carrabino
10
Joseph Connors
Judith Haber
Frederick A. Ilchman
Stephanie C. Leone
Hope Mayo
Elizabeth M. McCahill
Franco Mormando
Beth Prindle
Valerie Ramseyer
Jonathan W. Unglaub
Hannah Weisman

Discipline Representatives, 2015–17

Alejandra B. Osorio, Americas
Christy Anderson, Art and Architecture
Karen-edis Barzman, Art and Architecture
Tracy E. Cooper, Art and Architecture
Andrew Pettegree, Book History
Kathy Eden, Classical Tradition
Jessica Lynn Wolfe, Comparative Literature
Angela Dressen, Digital Humanities
William E. Engel, Emblems
James A. Knapp, English Literature
Richard C. McCoy, English Literature
Karen Nelson, English Literature
Hugh Roberts, French Literature
Anne-Laure Van Bruaene, Germanic Literature
Dana E. Katz, Hebraica
Susan Byrne, Hispanic Literature
Megan C. Armstrong, History
Eric R. Dursteler, History
Mary R. Laven, History
Emily O’Brien, Humanism
Kaya Sahin, Islamic World
Eleanora Stoppino, Italian Literature
11
Johann Sommerville, Legal and Political Thought
Monica Azzolini, Medicine and Science
Janie Cole, Music
Susanna de Beer, Neo-Latin Literature
Robert Henke, Performing Arts and Theater
David A. Lines, Philosophy
Tamar Herzig, Religion
Elizabeth Skerpan-Wheeler, Rhetoric
Sarah G. Ross, Women and Gender

Participating Associate Organizations

American Boccaccio Association
American Cusanus Society
Andrew Marvell Society
Arizona Center for Medieval and Renaissance Studies (ACMRS)
Association for Textual Scholarship in Art History (ATSAH)
Canadian Society for Renaissance Studies / Société Canadienne
d’études de la Renaissance
Center for Early Modern Studies, University of Wisconsin–Madison
Center for Medieval and Renaissance Studies, Saint Louis University
Center for Medieval and Renaissance Studies, University of
California, Los Angeles
Centre for Early Modern Studies, University of Aberdeen
Centre for Editing Lives and Letters (CELL), University
College London
Centre for Reformation and Renaissance Studies, University of
Toronto (CRRS)
Centre for the Study of the Renaissance, University of Warwick
Centro Cicogna
Cervantes Society of America
Charles Singleton Center for the Study of Premodern Europe
Dante Society of America
Duke University Center for Medieval and Renaissance
Studies (CMRS)
12
Early Modern Image and Text Society (EMIT)
Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Epistémè (Research group on early modern England)
Erasmus of Rotterdam Society
European Architectural History Network (EAHN)
Fédération internationale des sociétés et des instituts pour l’étude de
la Renaissance (FISIER)
Folger Institute
Group for Early Modern Cultural Analysis (GEMCA)
Grupo de estudios sobre la mujer en España y las Américas
(pre-1800) (GEMELA)
Hagiography Society
Herzog August Bibliothek, Wolfenbüttel
Historians of Netherlandish Art
Institute of Medieval and Early Modern Studies (IMEMS),
Durham University
International Association for Thomas More Scholarship
International Margaret Cavendish Society
International Sidney Society
International Spenser Society
Italian Academy for Advanced Studies in America, Columbia University
Italian Art Society
Iter: Gateway to the Middle Ages and Renaissance
John Donne Society
Massachusetts Center for Interdisciplinary Renaissance Studies
Medici Archive Project (MAP)
Medieval and Renaissance Studies Association in Israel
Medieval and Renaissance Studies Program, Purdue University
Medieval-Renaissance Colloquium at Rutgers University
Milton Society of America
New England Renaissance Conference (NERC)
Newberry Library Center for Renaissance Studies
Prato Consortium for Medieval and Renaissance Studies

13
Renaissance and Early Modern Studies, Princeton University
Renaissance Studies Certificate Program, Graduate Center, CUNY
Research Group in Early Modern Religious Dissents and Radicalism
(EMoDiR)
Rocky Mountain Medieval and Renaissance Association
Societas Internationalis Studiis Neolatinis Provehendis /
International Association for Neo-Latin Studies
Société Française d’Etude du Seizième Siècle (SFDES)
Society for Confraternity Studies
Society for Emblem Studies
Society of Fellows (SOF) of the American Academy in Rome (AAR)
Society for Medieval and Renaissance Philosophy (SMRP)
Society for Renaissance and Baroque Hispanic Poetry
Society for the Study of Early Modern Women (EMW)
Southeastern Renaissance Conference
Taiwan Association of Classical, Medieval, and Renaissance
Studies (TACMRS)
Toronto Renaissance Reformation Colloquium (TRRC)
University of North Texas Medieval and Renaissance Colloquium
(MRC)
Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies

14
Registration
Location: Park Plaza, Mezzanine, Grand Ballroom B

Badges and program books may be picked up during the

following times:

Wednesday, 30 March: 3:00 p.m. to 7:00 p.m.

Thursday, 31 March: 7:30 a.m. to 6:00 p.m.
Friday, 1 April: 8:00 a.m. to 5:30 p.m.
Saturday, 2 April: 8:30 a.m. to 12:00 p.m.

Walk-in registration can be paid by Visa, MasterCard, and

American Express: members $260, student members $165,
nonmembers $360.

Book Exhibition
Location: Park Plaza, Mezzanine, Grand Ballroom A

Thursday, 31 March: 9:00 a.m. to 6:00 p.m.

Friday, 1 April: 9:00 a.m. to 6:00 p.m.
Saturday, 2 April: 9:00 a.m. to 1:00 p.m.

Book Exhibitors

Arizona Center for Medieval and Renaissance Studies (ACMRS)

Basileia Books
Brepols/Harvey Miller Publishers
Brill
Cambridge University Press
Centre for Reformation and Renaissance Studies, Victoria
University in the University of Toronto
Getty Publications
Hackett Publishing Company
Harvard University Press
Institute of Jesuit Sources

15
ISD, Distributor of Scholarly Books
Leo Cadogan Rare Books
Medieval Institute Publications/Arc Medieval Press
National Endowment for the Humanities
Northwestern University Press
Officina Libraria
Paul Holberton Publishing
Peeters Publishers
Penn State Press
ProQuest
Routledge
The Scholar’s Choice
Society for European Festivals Research
Truman State University Press
University of Chicago Press
University of Toronto Press
Wiley

16
Policy on Recording and Live
Broadcasting
Audio recording, video recording, and live broadcasting of sessions is
not permitted without the prior express consent of speakers and audi-
ence members, in order to protect the privacy and intellectual property
rights of conference participants. Violators will be asked to leave the
conference, and may be barred from attending future RSA conferences.
In rare circumstances, members of the media may record short pieces
designed to convey the conference atmosphere. Such arrangements must
be made through the Renaissance Society of America and require the
consent of all speakers at a session. When recording is approved, a rep-
resentative of the Renaissance Society of America will accompany the
reporter and crew. The session organizer will announce to the audience
that audio or video recording will take place during a part of the session.
Only background recording is allowed, not the recording of an entire
session.
Members of the media may occasionally record short segments at non-
session events, such as receptions. Such arrangements must be made
through the Renaissance Society of America.
Requests for exceptions must be made in writing to the Renaissance
Society of America and relevant speakers at least thirty (30) days before
the conference.

17
Business Meetings
Thursday, 31 March RSA Executive Board Luncheon
12:00 p.m. and Meeting
Location: Park Plaza, Lower Lobby,
Terrace Room
Executive Board Members

Friday, 1 April RSA Discipline Representatives

12:00 p.m. Luncheon and Meeting
Location: City Table restaurant, in
the Lenox Hotel, 65 Exeter Street
Renaissance Quarterly Editors and
Discipline Representatives

Saturday, 2 April RSA Council Luncheon and

12:00 p.m. Meeting
Location: Park Plaza, Lower Lobby,
Terrace Room
Associate Organization Representatives,
Discipline Representatives, Executive
Board Members

Saturday, 2 April RSA Annual Membership

5:30 p.m. Meeting
Location: Park Plaza, Mezzanine,
Georgian Room
All RSA members are invited

18
 Plenaries, Awards, and Special Events
Thursday, 31 March Roundtable: How to Publish Your First
5:30–7:00 p.m. Book
Sponsor: Renaissance Society of America
Location: Hynes Convention Center, Level
Two, 200

Thursday, 31 March Margaret Mann Phillips Lecture

7:30 p.m.
Sponsor: Erasmus of Rotterdam Society
Organizer: Eric MacPhail, Indiana University
Location: Hynes Convention Center, Level
Three, 302

Mark Vessey, University of British Columbia

A More Radical Renaissance: The Novum Instrumentum (1516) in Its Time
and Ours
Two modern collected editions of Erasmus, the ASD in 1969 and the CWE in
1974, were launched on the quincentenary of the author’s birth, in a spirit of
religious ecumenism and classical-humanist revival. The Erasmus they set forth
was still essentially author of the Adages, Praise of Folly, De Copia, and other
“literary and educational writings” in a fashionable style. Nearing completion
five decades later, these same editions are now deep in the edition and para-
phrases of the New Testament, translations and editions of Church Fathers, and
the sharp controversies in which the author engaged after 1517. How did the
once-congenial Erasmus, for whom three sets of annual lectures were organized
in different places, turn into his troubling and divisive counterpart? As critical
scholarship catches up with a more radical Erasmus, this lecture offers a fresh
look at texts that mark the turn of an era.

19
Friday, 1 April Roundtable: Careers for Humanists
5:30–7:00 p.m.
Sponsor: Renaissance Society of America
Location: Hynes Convention Center, Level
Two, 200

Friday, 1 April Josephine Waters Bennett Lecture

7:30 p.m.
Sponsor: Renaissance Society of America
Location: Hynes Convention Center, Level
Three, 302

Ann M. Blair, Harvard University

Humanism and Printing in the Work of Conrad Gessner
The humanist movement was well underway before the spread of printing in
Europe, but humanists were quick to adopt the new technology for their edi-
tions, translations and writings. I will discuss how printing affected the practice
of scholarship by examining the working methods of Conrad Gessner (1516–65),
a prolific humanist, bibliographer, and natural historian. Gessner used his pub-
lications in innovative ways to advertise and develop his projects through mul-
tiple iterations and to solicit contributions of materials from readers all over
Europe. Gessner also used them as an opportunity to print a surprising range
of manuscripts by ancient or recent authors or of his own composition, creating
miscellanies that expand our understanding of the uses of printing.

20
Saturday, 2 April RSA Annual Membership Meeting
5:30 p.m.
Location: Park Plaza, Mezzanine, Georgian
Room
All RSA members are invited

Saturday, 2 April Awards Ceremony

6:00 p.m.
Location: Park Plaza, Mezzanine, Georgian
Room
RSA Research Grants
RSA-TCP Article Prize in Digital Renaissance
Research
William Nelson Prize
Phyllis Goodhart Gordan Book Prize
Paul Oskar Kristeller Lifetime Achievement Award

Saturday, 2 April Closing Reception

6:30–8:00 p.m.
Sponsor: Renaissance Society of America
Location: Park Plaza, Mezzanine, Grand Ballroom

21
 Program Summary
Thursday, 31 March 2016, 8:30–10:00
10104 Park Plaza, Mezzanine Annotated Books I: New Work in Deciphering
Boylston Room Early Modern Reading Practices
10106 Park Plaza, Mezzanine Libraries Without Walls: New Work on the
Statler Room Bodleian and Library History
10107 Park Plaza, Mezzanine Beyond Florence: The Devotional Culture of the
Hancock Room Marche
10108 Park Plaza, Mezzanine Curiosity and Modernity in Early Modern Spain I
Exeter Room
10109 Park Plaza, Mezzanine Biographical Narratives in Humanist Perspective
Clarendon Room
10110 Park Plaza, Mezzanine (Dis)Order and Popular Politics in Renaissance
Berkeley Room Venice: Actions and Representations I
10111 Park Plaza, Mezzanine Thinking Early Modern Drama through Ancient
Arlington Room Greek Theater
10112 Park Plaza, Mezzanine The Early Modern Material Text I: Reading,
Georgian Room Collecting, Compiling
10113 Park Plaza, Fourth Floor War and Persecution in Dutch Literature
Brookline Room
10114 Park Plaza, Fourth Floor The Interaction of Art and Relics in Early
Cambridge Room Modernity I
10115 Park Plaza, Fourth Floor Of Mongrels and Masterpieces: Hybridity in the
Beacon Hill Room Renaissance I
10116 Park Plaza, Fourth Floor Authorial Translation in Renaissance Europe I
Back Bay Room
10117 Park Plaza, Fourth Floor Identifying Renaissance Philosophy I
Brandeis Room
10118 Park Plaza, Fourth Floor Lost and Found I
Cabot Room
10119 Park Plaza, Fourth Floor Judging Petrarch’s Lyric Poems in Renaissance
Charles River Room Italy I
10120 Park Plaza, Fourth Floor Magic, Madness, and Dangerous Knowledge in
Constitution Room Late Renaissance Spanish and Italian Literature
10121 Park Plaza, Fourth Floor Ethics and Religion in Machiavelli’s Thought
Franklin Room
10123 Park Plaza, Fourth Floor Approaches to the Architecture of the Decameron:
Gloucester Room Function and Meaning of the cornici
10124 Park Plaza, Fourth Floor Greek Rhetoric in the Renaissance
Holmes Room
10125 Park Plaza, Fourth Floor The Court of the Lion I: Performance and
Longfellow Room Classical Scholarship in the Curia of Leo X
10126 Park Plaza, Fourth Floor Early Modern Women and Literary
Newbury Room Collaboration I
10127 Park Plaza, Fourth Floor “Mauvaises herbes”: Literary and Scientific
Stuart Room Representations of the Wild

22
 31 March 2016, 8:30–10:00 (Cont’d)
10128 Park Plaza, Fourth Floor Renaissance Food History I: Cookbooks as Sources
Tremont Room
10129 Park Plaza, Fourth Floor The Renaissance Virgil
White Hill Room
10130 Park Plaza, Fourth Floor Jacques Grévin à la croisée des savoirs
Winthrop Room
10131 Park Plaza, Fourth Floor Rabelais: Etats de la recherche
Whittier Room
10133 Hynes Convention Center Artistic Exchange between Italy and the
Level Two, 200 Netherlands, 1300–1700 I
10134 Hynes Convention Center From Sketch to Drawing: Invention and Practice
Level Two, 201 in Rome, 1500–1650 I
10135 Hynes Convention Center Architectural Know-How I
Level Two, 202
10136 Hynes Convention Center Whose (French) Renaissance?
Level Two, 203
10137 Hynes Convention Center The Vision of Angels in Renaissance Art I
Level Two, 204
10138 Hynes Convention Center Inscribing and Performing Musical Devotions
Level Two, 205
10139 Hynes Convention Center Sacri Monti: Materiality, Topography, Devotion I
Level Two, 206
10140 Hynes Convention Center Affective Bonds on the English Renaissance Stage
Level Two, 207
10141 Hynes Convention Center Dialogues between Poetry, Sculpture, Architecture,
Level Two, 208 and Painting
10142 Hynes Convention Center Artists and Friendship in the Renaissance
Level Two, 210
10143 Hynes Convention Center Business Culture and Domestic Culture in Early
Level Three, 302 Modern English Drama
10144 Hynes Convention Center Political Theologies in Early Modern England I
Level Three, 303
10145 Hynes Convention Center Receptions of Classical Texts on the Early Modern
Level Three, 304 English Stage
10146 Hynes Convention Center Spirit and Body in Milton
Level Three, 305
10147 Hynes Convention Center Failures of Playing and Playgoing in Early Modern
Level Three, 306 England
10148 Hynes Convention Center Mysteria et Sacramenta: On the Representation of
Level Three, 308 Mysteries I
10149 Hynes Convention Center Secrets of Seicento Siena
Level Three, 309
10150 Hynes Convention Center “Mastery” across Early Modern Eurasia I
Level Three, 310
10151 Hynes Convention Center New Technologies and Renaissance Studies I: The
Level Three, 311 Medieval and the Digital

23
 31 March 2016, 8:30–10:00 (Cont’d)
10152 Hynes Convention Center Holding Manhoods Cheap: Masculine Identity on
Level Three, 313 the Early Modern Stage

Thursday, 31 March 2016, 10:30–12:00

10204 Park Plaza, Mezzanine Annotated Books II: Discovering the Reader in
Boylston Room Library Collections
10205 Park Plaza, Mezzanine Paratextual Production and Reception in Jewish
Commonwealth Room Literary Culture
10206 Park Plaza, Mezzanine Archival Dramas: New Research in Literary
Statler Room History
10207 Park Plaza, Mezzanine Translating Sacramentalia
Hancock Room
10208 Park Plaza, Mezzanine Curiosity and Modernity in Early Modern Spain II
Exeter Room
10209 Park Plaza, Mezzanine Readers of the Lost Art: Neo-Latin Poetic
Clarendon Room Descriptions of Lost Renaissance Art
10210 Park Plaza, Mezzanine (Dis)Order and Popular Politics in Renaissance
Berkeley Room Venice: Actions and Representations II
10211 Park Plaza, Mezzanine Joint Labors: Actor-Audience-Playwright
Arlington Room Collaborations in Early Modern English Theater
10212 Park Plaza, Mezzanine The Early Modern Material Text II: Surface,
Georgian Room Image, Point
10213 Park Plaza, Fourth Floor Early Modern Information Networks and
Brookline Room Multimediality
10214 Park Plaza, Fourth Floor The Interaction of Art and Relics in Early
Cambridge Room Modernity II
10215 Park Plaza, Fourth Floor Of Mongrels and Masterpieces: Hybridity in the
Beacon Hill Room Renaissance II
10216 Park Plaza, Fourth Floor Authorial Translation in Renaissance Europe II
Back Bay Room
10217 Park Plaza, Fourth Floor Identifying Renaissance Philosophy II
Brandeis Room
10218 Park Plaza, Fourth Floor Lost and Found II
Cabot Room
10219 Park Plaza, Fourth Floor Judging Petrarch’s Lyric Poems in Renaissance
Charles River Room Italy II
10220 Park Plaza, Fourth Floor From Short Story to Tragedy: Luigi da Porto and
Constitution Room Shakespeare
10221 Park Plaza, Fourth Floor Machiavelli on Florence and Florentine History
Franklin Room
10222 Park Plaza, Fourth Floor 1516: Text, Context, and More’s Utopia
Emerson Room
10223 Park Plaza, Fourth Floor The Decameron and the Genealogie deorum
Gloucester Room gentilium

24
 31 March 2016, 10:30–12:00 (Cont’d)
10224 Park Plaza, Fourth Floor Theory and Practice in Humanist and Tudor
Holmes Room Rhetoric
10225 Park Plaza, Fourth Floor The Court of the Lion II: Performance and
Longfellow Room Classical Scholarship in the Curia of Leo X
10226 Park Plaza, Fourth Floor Early Modern Women and Literary
Newbury Room Collaboration II
10227 Park Plaza, Fourth Floor Ceremonial, Ritual, and the Place of Queens at the
Stuart Room Courts of Henri IV to Louis XIV
10228 Park Plaza, Fourth Floor Renaissance Food History II: Food Cultures in a
Tremont Room Transatlantic Perspective (1500–1700)
10229 Park Plaza, Fourth Floor Listening with Virgil’s Ear: Readings of Pontano’s
White Hill Room and of Sannazaro’s Latin Verse according to
Pontano’s Actius
10230 Park Plaza, Fourth Floor Aspects of Vileness in Early Modern France
Winthrop Room
10231 Park Plaza, Fourth Floor Ludic Rhetoric Revisited: Rabelais, Fischart, Yver
Whittier Room
10233 Hynes Convention Center Artistic Exchange between Italy and the
Level Two, 200 Netherlands, 1300–1700 II
10234 Hynes Convention Center From Sketch to Drawing: Invention and Practice
Level Two, 201 in Rome, 1500–1650 II
10235 Hynes Convention Center Architectural Know-How II
Level Two, 202
10236 Hynes Convention Center The Mobility of Art: Negotiating Knowledge in
Level Two, 203 Early Modern Europe
10237 Hynes Convention Center The Vision of Angels in Renaissance Art II
Level Two, 204
10238 Hynes Convention Center Music, Devotion, and Travel
Level Two, 205
10239 Hynes Convention Center Sacri Monti: Materiality, Topography, Devotion II
Level Two, 206
10240 Hynes Convention Center Allusion, Indirection, Enigma: Flirting with Early
Level Two, 207 Modern Uncertainty
10241 Hynes Convention Center Bernini Sculpture: Attributions New, Disputed,
Level Two, 208 and Reconsidered
10242 Hynes Convention Center Makers: Women Artists in the Early Modern
Level Two, 210 Courts of Europe
10243 Hynes Convention Center Structures and Networks in Early English Drama
Level Three, 302
10244 Hynes Convention Center Political Theologies in Early Modern England II
Level Three, 303
10246 Hynes Convention Center Composing Body and Soul: Herbert, Milton, and
Level Three, 305 Reader’s Compilations
10247 Hynes Convention Center Reading Ethics across Traditions: Shakespeare,
Level Three, 306 Jonson, and Early Modern Syncretism
10248 Hynes Convention Center Mysteria et Sacramenta: On the Representation of
Level Three, 308 Mysteries II

25
 31 March 2016, 10:30–12:00 (Cont’d)
10249 Hynes Convention Center Vivre noblement: Residential Systems of the
Level Three, 309 Nobility in Early Modern Europe (1400–1700)
10250 Hynes Convention Center “Mastery” across Early Modern Eurasia II
Level Three, 310
10251 Hynes Convention Center New Technologies and Renaissance Studies II:
Level Three, 311 Early Modern English Dramatic Materials
10252 Hynes Convention Center “Prentices! Clubs!”: Defining and Containing the
Level Three, 313 Apprentices of Early Modern London

Thursday, 31 March 2016, 1:30–3:00

10304 Park Plaza, Mezzanine Printing and Annotating the Early Modern Book
Boylston Room
10305 Park Plaza, Mezzanine Jewish Spaces
Commonwealth Room
10306 Park Plaza, Mezzanine Rethinking Method: Chance Inspiration and
Statler Room Renaissance Scholarship
10307 Park Plaza, Mezzanine Early Modern Cardinals: Historiography,
Hancock Room Biography, and Power I
10308 Park Plaza, Mezzanine Heroes of Epic Proportions: The Figure of the
Exeter Room Explorer-Discoverer in Early Modern Spanish and
Ibero-American Epic
10309 Park Plaza, Mezzanine Heresy, Superstition, and Observant Reform in the
Clarendon Room Fifteenth Century
10310 Park Plaza, Mezzanine The Circulation of Plant Sources: Manuscripts,
Berkeley Room Prints, Herbaria in Modern Europe, 1400–1700 I
10311 Park Plaza, Mezzanine From the Stage to the Sacred: John Rainolds and
Arlington Room His Opponents
10312 Park Plaza, Mezzanine Early Modern Disability across Genres
Georgian Room
10313 Park Plaza, Fourth Floor Andrew Marvell: Writing and Teaching
Brookline Room
10314 Park Plaza, Fourth Floor The Interaction of Art and Relics in Early
Cambridge Room Modernity III
10315 Park Plaza, Fourth Floor Exploring the “Frontiers” of Mission in a Global
Beacon Hill Room Context I: Spiritual Frontiers
10316 Park Plaza, Fourth Floor Cavendish I: Politics and Subjectivity
Back Bay Room
10317 Park Plaza, Fourth Floor Virtue and Idolatry in Nicholas of Cusa
Brandeis Room
10318 Park Plaza, Fourth Floor Reading Form in European Poetry
Cabot Room
10319 Park Plaza, Fourth Floor Ideals and Practices of Authority in Science and
Charles River Room Art
10320 Park Plaza, Fourth Floor Translating the Italian Renaissance: Agency and
Constitution Room Collaboration

26
 31 March 2016, 1:30–3:00 (Cont’d)
10321 Park Plaza, Fourth Floor Renaissance Commemoration I: Word and Thing
Franklin Room
10322 Park Plaza, Fourth Floor Erasmus and the Renaissance Adage
Emerson Room
10323 Park Plaza, Fourth Floor Boccaccio and the Ethics of Literature
Gloucester Room
10324 Park Plaza, Fourth Floor Time, Timelessness, and the Ephemeral in Lyric
Holmes Room
10325 Park Plaza, Fourth Floor Aristotle in the Vernacular: Rethinking Intellectual
Longfellow Room History in Renaissance Italy I
10326 Park Plaza, Fourth Floor Complaining Women: Female-Voiced Complaints
Newbury Room and Ballads
10327 Park Plaza, Fourth Floor Architectural Barriers in Renaissance Europe I:
Stuart Room Experiencing City Walls
10328 Park Plaza, Fourth Floor Renaissance Food History III: Food Cultures in a
Tremont Room Transatlantic and Transnational Perspective
10329 Park Plaza, Fourth Floor Rire des souverains I
White Hill Room
10330 Park Plaza, Fourth Floor Knowledge, Science, and Rhetoric in Early
Winthrop Room Modern France and England
10331 Park Plaza, Fourth Floor Rabelais and Montaigne in Early Modern England:
Whittier Room Transformations and Appropriations
10332 Park Plaza, Fourth Floor The Force of Art and Ingenuity in the Early
St. James Room Commedia dell’arte (1560–1630)
10333 Hynes Convention Center Late Rembrandt in Review and in Context
Level Two, 200
10334 Hynes Convention Center Drawing the Italian Landscape in the Cinquecento
Level Two, 201 I: Central Italy
10335 Hynes Convention Center Honor, Patronage, and Political Power
Level Two, 202
10336 Hynes Convention Center Collectors and Collections
Level Two, 203
10337 Hynes Convention Center The Patrons’ Input I
Level Two, 204
10338 Hynes Convention Center Uses of Song
Level Two, 205
10339 Hynes Convention Center Bolognese Art in the Archives I: Collecting
Level Two, 206 Bolognese Painting within and outside of Bologna
10340 Hynes Convention Center Ornament and Monstrosity: Visual Paradoxes in
Level Two, 207 Sixteenth-Century Art
10341 Hynes Convention Center Sculptural Practices
Level Two, 208
10342 Hynes Convention Center Encountering the Renaissance, Honoring Gary
Level Two, 210 Radke I: Reexamining Renaissance Sources
10343 Hynes Convention Center Jonson: Every Man and Bartholomew Fair
Level Three, 302

27
 31 March 2016, 1:30–3:00 (Cont’d)
10344 Hynes Convention Center Political Theologies in Early Modern England III
Level Three, 303
10345 Hynes Convention Center Cross-Confessional Royal Matches in the
Level Three, 304 Seventeenth Century
10346 Hynes Convention Center Milton and Epistemology
Level Three, 305
10347 Hynes Convention Center Issues and Aspects of Performance in Early Modern
Level Three, 306 England
10348 Hynes Convention Center Mysteria et Sacramenta: On the Representation of
Level Three, 308 Mysteries III
10349 Hynes Convention Center Studies in Renaissance Art and Culture in Honor
Level Three, 309 of Debra Pincus I
10350 Hynes Convention Center Giovan Paolo Lomazzo I: His Theory and Practice
Level Three, 310
10351 Hynes Convention Center New Technologies and Renaissance Studies III:
Level Three, 311 Creating Digital Archives of Early Modern Writers
10352 Hynes Convention Center Digital Latin Resources and Tools I: Creating and
Level Three, 313 Exploring Text Resources

Thursday, 31 March 2016, 3:30–5:00

10404 Park Plaza, Mezzanine The Printing Press in the Tudor Era, 1485–1603:
Boylston Room Orthodoxy, Heterodoxy, and Satire
10405 Park Plaza, Mezzanine Jewish Venice
Commonwealth Room
10406 Park Plaza, Mezzanine Roundtable in Honor of Lisa Jardine: The Union
Statler Room of Teaching and Scholarship
10407 Park Plaza, Mezzanine Early Modern Cardinals: Historiography,
Hancock Room Biography, and Power II
10408 Park Plaza, Mezzanine Studies on the Early Modern Spanish and Ibero-
Exeter Room American Epic: Re(dis)covering Iberian Epic: A
Trilingual Perspective
10409 Park Plaza, Mezzanine Prosecuting Heresy
Clarendon Room
10410 Park Plaza, Mezzanine The Circulation of Plant Sources: Manuscripts,
Berkeley Room Prints, Herbaria in Modern Europe, 1400–1700 II
10411 Park Plaza, Mezzanine Beyond the Republic of Letters I: Practices of
Arlington Room Correspondence in Seventeenth-Century England
10412 Park Plaza, Mezzanine The Ethical Challenge of Adam and Eve
Georgian Room
10413 Park Plaza, Fourth Floor Roundtable: Andrew Marvell and the Problem of
Brookline Room Historicism
10414 Park Plaza, Fourth Floor Cultural Interchange: Relics, Souvenirs, Sacred
Cambridge Room Objects
10415 Park Plaza, Fourth Floor Exploring the “Frontiers” of Mission in a Global
Beacon Hill Room Context II: Imperial Frontiers

28
 31 March 2016, 3:30–5:00 (Cont’d)
10416 Park Plaza, Fourth Floor Cavendish II: Medicine
Back Bay Room
10417 Park Plaza, Fourth Floor New Debates on Nicholas of Cusa’s Theology
Brandeis Room
10418 Park Plaza, Fourth Floor Renaissance Oxymorons
Cabot Room
10419 Park Plaza, Fourth Floor Early Modern Ingenuity I
Charles River Room
10420 Park Plaza, Fourth Floor Poetics of Translation
Constitution Room
10421 Park Plaza, Fourth Floor Renaissance Commemoration II: Depicting Rulers
Franklin Room
10422 Park Plaza, Fourth Floor 1516–2016: 500 Years of Erasmus’s New
Emerson Room Testament
10423 Park Plaza, Fourth Floor Boccaccio and Questions of Gender
Gloucester Room
10424 Park Plaza, Fourth Floor Roundtable: Le Seuil d’acceptabilité
Holmes Room
10425 Park Plaza, Fourth Floor Aristotle in the Vernacular: Rethinking Intellectual
Longfellow Room History in Renaissance Italy II
10426 Park Plaza, Fourth Floor Editing Early Modern Women
Newbury Room
10427 Park Plaza, Fourth Floor Architectural Barriers in Renaissance Europe II:
Stuart Room The Spatial Politics of City Walls
10428 Park Plaza, Fourth Floor Renaissance Food History IV: Performing Food in
Tremont Room Art
10429 Park Plaza, Fourth Floor Rire des souverains II
White Hill Room
10430 Park Plaza, Fourth Floor Between Science and Fiction: Cosmology and
Winthrop Room Society in the Grand Siècle
10431 Park Plaza, Fourth Floor Violence in Early Modern Italy
Whittier Room
10432 Park Plaza, Fourth Floor Performing the Comedia in US Contexts
St. James Room
10433 Hynes Convention Center Netherlandish Art: Engraving, Ornament, Glass,
Level Two, 200 Costume
10434 Hynes Convention Center Drawing the Italian Landscape in the Cinquecento
Level Two, 201 II: Venice and Rome
10435 Hynes Convention Center Profane and Sacred Patronage
Level Two, 202
10436 Hynes Convention Center The Taste of Virtuosi: Patronage and Collecting in
Level Two, 203 Italy, 1400–1700
10437 Hynes Convention Center The Patrons’ Input II
Level Two, 204
10438 Hynes Convention Center Music Printing, Patrons, and Publics in the
Level Two, 205 Sixteenth Century

29
 31 March 2016, 3:30–5:00 (Cont’d)
10439 Hynes Convention Center Bolognese Art in the Archives II: Defining the
Level Two, 206 Bolognese Artist
10440 Hynes Convention Center Monstrous Things I: Forms and Concepts
Level Two, 207
10441 Hynes Convention Center Impurities: The Status of Surface in Renaissance
Level Two, 208 Sculpture
10442 Hynes Convention Center Encountering the Renaissance, Honoring Gary
Level Two, 210 Radke II: The Primacy of the Object
10443 Hynes Convention Center Jonson Agonistes: Drama, Literature, and
Level Three, 302 Antagonism in Early Modern London
10444 Hynes Convention Center (Im)Morality, Religion, Poverty, and Excess in
Level Three, 303 Early Modern Drama
10445 Hynes Convention Center Political Thought in the Seventeenth Century:
Level Three, 304 Education, Sovereignty, Democracy,
Administration
10446 Hynes Convention Center Milton and the Epic Consequences of Educational
Level Three, 305 Reform
10447 Hynes Convention Center Humor, Comedy, and Ethics in the Renaissance
Level Three, 306
10448 Hynes Convention Center Magnificence in the Seventeenth Century: Artistic
Level Three, 308 Discourse, art de vivre, and Representation
10449 Hynes Convention Center Studies in Renaissance Art and Culture in Honor
Level Three, 309 of Debra Pincus II
10450 Hynes Convention Center Giovan Paolo Lomazzo II: His Influence in Milan
Level Three, 310
10451 Hynes Convention Center New Technologies and Renaissance Studies IV:
Level Three, 311 Space and Text in Early Modern Digital Studies
10452 Hynes Convention Center Digital Latin Resources and Tools II: Linked Open
Level Three, 313 Data and Sustainability

Thursday, 31 March 2016, 5:30–7:00

10504 Park Plaza, Mezzanine Early Modern Broadsheets: The Stepchildren of
Boylston Room Printing
10505 Park Plaza, Mezzanine Between Jericho, Tarshish, and Heidelberg:
Commonwealth Room Devotion and Scholarship in Late Renaissance
Sacred Geography
10506 Park Plaza, Mezzanine Roundtable: Discovering the Archaeology of
Statler Room Reading
10507 Park Plaza, Mezzanine Early Modern Cardinals: Historiography,
Hancock Room Biography, and Power III
10508 Park Plaza, Mezzanine Early Modern Hispanic Poetry and the Material
Exeter Room Turn
10509 Park Plaza, Mezzanine Religious Violence and Its Critics
Clarendon Room
10511 Park Plaza, Mezzanine Beyond the Republic of Letters II: Roundtable:
Arlington Room Scholarship, Politics, and Confessionalization

30
 31 March 2016, 5:30–7:00 (Cont’d)
10512 Park Plaza, Mezzanine Catholic Verse and Subversion
Georgian Room
10513 Park Plaza, Fourth Floor Roundtable: Marvell Studies and the State of
Brookline Room Marvell Studies
10514 Park Plaza, Fourth Floor Souvenirs of the Siege of Vienna,
Cambridge Room 936 AH / 1529 AD
10515 Park Plaza, Fourth Floor Exploring the “Frontiers” of Mission in a Global
Beacon Hill Room Context III: Ideologies of Mission
10516 Park Plaza, Fourth Floor Cavendish III: Literature and Natural Philosophy
Back Bay Room
10517 Park Plaza, Fourth Floor Roundtable: Nicholas of Cusa and Christian
Brandeis Room Pythagoreanism in the Renaissance: Responses to
David Albertson’s Mathematical Theologies
10518 Park Plaza, Fourth Floor Literary Dubia and Spuria
Cabot Room
10519 Park Plaza, Fourth Floor Early Modern Ingenuity II
Charles River Room
10520 Park Plaza, Fourth Floor The Politics of Translation in Renaissance Europe
Constitution Room
10521 Park Plaza, Fourth Floor Renaissance Commemoration III: Spaces of
Franklin Room Memory
10523 Park Plaza, Fourth Floor Lectura Boccaccii
Gloucester Room
10524 Park Plaza, Fourth Floor Roundtable: The Author as Textual Critic:
Holmes Room Intellectual Property in the Renaissance and
Today
10525 Park Plaza, Fourth Floor Aristotle in the Vernacular: Rethinking Intellectual
Longfellow Room History in Renaissance Italy III
10526 Park Plaza, Fourth Floor Renaissance Loves: Courted, Possessed, and
Newbury Room Forsaken in Early Modern England
10527 Park Plaza, Fourth Floor Architectural Barriers in Renaissance Europe III:
Stuart Room Spaces of Healing
10528 Park Plaza, Fourth Floor Roundtable: Teaching Tudor and Stuart Women
Tremont Room Writers, Revisited
10529 Park Plaza, Fourth Floor Rire des souverains III: Roundtable
White Hill Room
10530 Park Plaza, Fourth Floor The Pilgrimage to the Holy Land between the
Winthrop Room Middle Ages and the Renaissance: Sources and
Interpretations
10531 Park Plaza, Fourth Floor The Politics of Passage: Negotiating Safe-Conduct
Whittier Room in Early Modern Europe
10532 Park Plaza, Fourth Floor Roundtable: Theater after the Renaissance
St. James Room
10533 Hynes Convention Center Roundtable: How to Publish Your First Book
Level Two, 200
10534 Hynes Convention Center Drawing the Italian Landscape in the Cinquecento
Level Two, 201 III: Italy Seen from Abroad

31
 31 March 2016, 5:30–7:00 (Cont’d)
10535 Hynes Convention Center Gendered Spaces in Early Modern Urban and
Level Two, 202 Rural Landscapes
10536 Hynes Convention Center The Journey of Seventeenth-Century Architects
Level Two, 203 between Professional Practice and Research:
Scamozzi, Bernini, Carlo Fontana
10537 Hynes Convention Center Borderlines: On the Agency of Streaks, Blots, and
Level Two, 204 Traces
10538 Hynes Convention Center Music Instruction and Publication
Level Two, 205
10539 Hynes Convention Center Bolognese Art in the Archives III: Bolognese Art in
Level Two, 206 Historical Context
10540 Hynes Convention Center Monstrous Things II: Myth and Knowledge
Level Two, 207
10541 Hynes Convention Center Problems in Italian Renaissance Portraiture
Level Two, 208
10542 Hynes Convention Center Encountering the Renaissance, Honoring Gary
Level Two, 210 Radke III: Regulating and Shaping Gender and
Sexuality
10543 Hynes Convention Center Neuroscience, Cognitive Disability, and
Level Three, 302 Embodiment on the Early Modern Stage
10544 Hynes Convention Center Topicality in Early Modern Verse and Drama
Level Three, 303
10545 Hynes Convention Center Multilingualism, Localization, and Translation
Level Three, 304
10546 Hynes Convention Center Milton and the European Epic Revisited
Level Three, 305
10547 Hynes Convention Center Laughter as Medicine: Cures in Early Modern
Level Three, 306 Comedies
10548 Hynes Convention Center Ink, Dyes, and Pigments: The Production of
Level Three, 308 Colors and the Making of Metaphors
10549 Hynes Convention Center Studies in Renaissance Art and Culture in Honor
Level Three, 309 of Debra Pincus III
10550 Hynes Convention Center Giovan Paolo Lomazzo III: His Influence Abroad
Level Three, 310 and on Other Theorists
10552 Hynes Convention Center Digital Latin Resources and Tools III: Stylistic,
Level Three, 313 Semantic, and Metric Analysis

Friday, 1 April 2016, 8:30–10:00

20104 Park Plaza, Mezzanine New Formalisms I: Country House Poetics and
Boylston Room Politics
20105 Park Plaza, Mezzanine Different Faces of Greek: From Greek
Commonwealth Room Composition of Humanist Authors to Translations
from Greek
20106 Park Plaza, Mezzanine Art, Spectacle, and Portraiture
Statler Room

32
 1 April 2016, 8:30–10:00 (Cont’d)
20107 Park Plaza, Mezzanine Europe and the Court of Cosimo III de’ Medici
Hancock Room
20108 Park Plaza, Mezzanine Early Modern Anger: A Reappraisal I
Exeter Room
20109 Park Plaza, Mezzanine Memory, Textual, and Performance History: A
Clarendon Room Comparative and Interdisciplinary Analysis I
20110 Park Plaza, Mezzanine Objects of Science: The Material Culture of
Berkeley Room Renaissance Alchemy, Astrology, and Astronomy
20111 Park Plaza, Mezzanine It Stoops to Conquer: The Reformation in
Arlington Room Sixteenth-Century Italy and Its Educational
Strategies
20112 Park Plaza, Mezzanine Making Meaning at the Margins: Italian Villas and
Georgian Room Gardens, 1500–1800 I
20113 Park Plaza, Fourth Floor Pastors at Work in the Fields of the Lord
Brookline Room
20114 Park Plaza, Fourth Floor Coteries, Circles, or Networking? The Social
Cambridge Room Transmission of Early Modern Poetry in
Manuscript and Print
20115 Park Plaza, Fourth Floor Littérature française du XVIe siècle: Nouvelles
Beacon Hill Room perspectives
20116 Park Plaza, Fourth Floor The Body in the City I
Back Bay Room
20117 Park Plaza, Fourth Floor Recognition in Ficino and Machiavelli
Brandeis Room
20118 Park Plaza, Fourth Floor Sidney I: Sidney and the Seventeenth Century:
Cabot Room From Lyric to Romance, Texts and Intertexts
20119 Park Plaza, Fourth Floor Popes, Venetians, and Ottomans: Recovering
Charles River Room Renaissance Perspectives
20120 Park Plaza, Fourth Floor The Global and the Early Modern Hispanic World
Constitution Room
20121 Park Plaza, Fourth Floor Cultural Identity and Schiavoni/Illyrian Colleges
Franklin Room and Confraternities I: Early Modern Rome
20122 Park Plaza, Fourth Floor Church Reform and Heresy in the Renaissance
Emerson Room
20123 Park Plaza, Fourth Floor Women Healers in the Early Modern Hispanic
Gloucester Room World
20124 Park Plaza, Fourth Floor Translations of Virgil in Early Sixteenth-Century
Holmes Room French Print: Structural Adjustments, Additions,
Revisions, Allegorizations, and Rewritings
20125 Park Plaza, Fourth Floor Communities of Reading and Dante’s Divine
Longfellow Room Comedy
20126 Park Plaza, Fourth Floor Languages of Dissent I: “Inner Voices”
Newbury Room
20127 Park Plaza, Fourth Floor Prophecy, Religion, and Politics in the Seventeenth
Stuart Room Century
20128 Park Plaza, Fourth Floor Humanists Reading the Ancients
Tremont Room

33
 1 April 2016, 8:30–10:00 (Cont’d)
20129 Park Plaza, Fourth Floor Spenser and Donne: Thinking Poets
White Hill Room
20130 Park Plaza, Fourth Floor Iberian Poetry and Its Readers I
Winthrop Room
20131 Park Plaza, Fourth Floor Showing Off: Defenses and Displays of Sumptuous
Whittier Room Dress across Early Modern Europe I
20132 Park Plaza, Fourth Floor New Directions in the Interdisciplinary Study of
St. James Room Masculinity I
20133 Hynes Convention Center Representing the Natural, the Unnatural, and the
Level Two, 200 Instrumentalized in Sixteenth- and Seventeenth-
Century Italy
20134 Hynes Convention Center Sculpture in Print, 1480–1600 I: Antique Statues
Level Two, 201
20135 Hynes Convention Center Representing Ecclesiastical Authority
Level Two, 202
20136 Hynes Convention Center The Home and the City in Early Modern Italy
Level Two, 203
20137 Hynes Convention Center Cutting, Shaping, Showing: Trophies and Art I
Level Two, 204
20138 Hynes Convention Center The Sound of Poetry: A Comparative Approach to
Level Two, 205 Rhetoric, Poetics, and Music I
20139 Hynes Convention Center Art and Experience in Fifteenth-Century Naples:
Level Two, 206 Defining an Artistic Center I
20140 Hynes Convention Center The Interculturality of European Drama
Level Two, 207
20141 Hynes Convention Center Women, Portraits, and Pearls in European Courts
Level Two, 208
20142 Hynes Convention Center Shakespearean Sociality
Level Two, 210
20143 Hynes Convention Center Exploring Early Modern Cities I: The Urban
Level Three, 302 Sensorium
20144 Hynes Convention Center Classical Continuities and Dramatic Change in
Level Three, 303 Shakespeare and His Contemporaries
20145 Hynes Convention Center Sixteenth-Century Antwerp as an International
Level Three, 304 Cultural Hub
20146 Hynes Convention Center Milton and Shakespeare
Level Three, 305
20147 Hynes Convention Center Mannerism and Architecture: The Challenge of
Level Three, 306 Combination
20148 Hynes Convention Center Black Africans in Early Modern Europe: History,
Level Three, 308 Representation, and Materiality I
20149 Hynes Convention Center The Senses of Early English Literary Form
Level Three, 309
20150 Hynes Convention Center Materials of Art in Spain, ca. 1500–1700 I
Level Three, 310
20151 Hynes Convention Center Level New Technologies and Renaissance Studies V:
Three, 311 Digital Tools and Renaissance Epistemologies

34
 1 April 2016, 8:30–10:00 (Cont’d)
20152 Hynes Convention Center Level Digital Humanities for Cultural Heritage I
Three, 313

Friday, 1 April 2016, 10:30–12:00

20204 Park Plaza, Mezzanine New Formalisms II: Genre and Form
Boylston Room
20205 Park Plaza, Mezzanine Translations of Latin and Greek Texts, ca. 1400–
Commonwealth Room 1600
20206 Park Plaza, Mezzanine Ports, Harbors, Shores
Statler Room
20207 Park Plaza, Mezzanine Italian Archives and Renaissance Palaces
Hancock Room
20208 Park Plaza, Mezzanine Early Modern Anger: A Reappraisal II
Exeter Room
20209 Park Plaza, Mezzanine Memory, Textual, and Performance History: A
Clarendon Room Comparative and Interdisciplinary Analysis II
20210 Park Plaza, Mezzanine Political Economy, Science, Medicine, and the
Berkeley Room Market in Seventeenth- and Eighteenth-Century
Europe
20211 Park Plaza, Mezzanine Revisiting the Turn to Religion in Early Modern
Arlington Room English Literary Studies
20212 Park Plaza, Mezzanine Making Meaning at the Margins: Italian Villas and
Georgian Room Gardens, 1500–1800 II
20213 Park Plaza, Fourth Floor The Hohenzollerns and Brandenburg-Prussia
Brookline Room
20214 Park Plaza, Fourth Floor Paper for Printing, Writing, and Erasing
Cambridge Room
20215 Park Plaza, Fourth Floor Roundtable: Toward a Literary History of Medieval
Beacon Hill Room and Renaissance Europe
20216 Park Plaza, Fourth Floor The Body in the City II
Back Bay Room
20217 Park Plaza, Fourth Floor Philosophy and Philology: The Two Picos
Brandeis Room
20218 Park Plaza, Fourth Floor Sidney II: The Sidneys in New Editions, New
Cabot Room Translations, New Media
20219 Park Plaza, Fourth Floor Renaissance Marriage
Charles River Room
20220 Park Plaza, Fourth Floor Portraying the Conquest of La Florida by Pedro
Constitution Room Menéndez de Avilés 450 Years Later
20221 Park Plaza, Fourth Floor Cultural Identity and Schiavoni/Illyrian Colleges
Franklin Room and Confraternities II: Early Modern Bologna and
the Marche
20222 Park Plaza, Fourth Floor Renaissance Aristotelianism(s) Reconsidered
Emerson Room
20223 Park Plaza, Fourth Floor Addressing Women in Early Modern Latin
Gloucester Room America

35
 1 April 2016, 10:30–12:00 (Cont’d)
20224 Park Plaza, Fourth Floor Old Wine in New Bottles: Translation,
Holmes Room Retranslation, and Readaptation (Sixteenth-
Century France and England)
20225 Park Plaza, Fourth Floor Dante and Science
Longfellow Room
20226 Park Plaza, Fourth Floor Languages of Dissent II: Translating, Labelling,
Newbury Room Persecuting Dissent
20227 Park Plaza, Fourth Floor The Many Lives of Popularity in Early Modern
Stuart Room England
20228 Park Plaza, Fourth Floor German Humanism and Its Influences
Tremont Room
20229 Park Plaza, Fourth Floor John Donne I: John Donne and the Bible
White Hill Room
20230 Park Plaza, Fourth Floor Iberian Poetry and Its Readers II
Winthrop Room
20231 Park Plaza, Fourth Floor Showing Off: Defenses and Displays of Sumptuous
Whittier Room Dress across Early Modern Europe II
20232 Park Plaza, Fourth Floor New Directions in the Interdisciplinary Study of
St. James Room Masculinity II
20233 Hynes Convention Center Image Normativity and Religion in Italy and
Level Two, 200 Spain: New Perspectives
20234 Hynes Convention Center Sculpture in Print, 1480–1600 II: Contemporary
Level Two, 201 Sculpture
20235 Hynes Convention Center Aesthetics and Altars
Level Two, 202
20236 Hynes Convention Center Thresholds of Emotion and Early Modern Italian
Level Two, 203 Art
20237 Hynes Convention Center Cutting, Shaping, Showing: Trophies and Art II
Level Two, 204
20238 Hynes Convention Center The Sound of Poetry: A Comparative Approach to
Level Two, 205 Rhetoric, Poetics, and Music II
20239 Hynes Convention Center Art and Experience in Fifteenth-Century Naples:
Level Two, 206 Defining an Artistic Center II
20240 Hynes Convention Center Intra- and Inter-National Encounters in Early
Level Two, 207 Modern English Literature
20241 Hynes Convention Center Dressing and Decorating Male Bodies
Level Two, 208
20242 Hynes Convention Center Shakespeare’s Climatology
Level Two, 210
20243 Hynes Convention Center Exploring Early Modern Cities II: Dynamic
Level Three, 302 Neighborhoods and Networks
20244 Hynes Convention Center Picturing the Classical in the Renaissance
Level Three, 303
20245 Hynes Convention Center Roundtable: A German Renaissance? Periods,
Level Three, 304 Places, and Objects
20246 Hynes Convention Center Milton’s American and Latin-American Legacy
Level Three, 305

36
 1 April 2016, 10:30–12:00 (Cont’d)
20247 Hynes Convention Center Architectural Patronage and the Construction of
Level Three, 306 Identity
20248 Hynes Convention Center Black Africans in Early Modern Europe: History,
Level Three, 308 Representation, and Materiality II
20249 Hynes Convention Center Reading and Writing History in Early Modern
Level Three, 309 England
20250 Hynes Convention Center Materials of Art in Spain, ca. 1500–1700 II
Level Three, 310
20251 Hynes Convention Center New Technologies and Renaissance Studies VI:
Level Three, 311 Roundtable: Large-Scale Early Modern Digital
Humanities
20252 Hynes Convention Center Digital Humanities for Cultural Heritage II
Level Three, 313

Friday, 1 April 2016, 1:30–3:00

20301 Park Plaza, Lower Lobby Aspects of Women’s Lives in Renaissance Venice I
Terrace Room
20304 Park Plaza, Mezzanine The Poetics of Speculation: Renaissance Optics
Boylston Room and English Verse
20305 Park Plaza, Mezzanine Translating Classical Texts in the Renaissance
Commonwealth Room
20306 Park Plaza, Mezzanine The Medici and the Seas I: Mediterranean
Statler Room Identities
20307 Park Plaza, Mezzanine Birgitta of Sweden: Saintly Power Contested and
Hancock Room Performed I
20308 Park Plaza, Mezzanine Shadows and Knowledge in Early Modern Europe
Exeter Room
20309 Park Plaza, Mezzanine Memory, Textual, and Performance History: A
Clarendon Room Comparative and Interdisciplinary Analysis III:
Roundtable
20310 Park Plaza, Mezzanine Alma Poesis: Poetry, Philosophy, and Political
Berkeley Room Dissent from the Middle Ages to the Renaissance
20311 Park Plaza, Mezzanine Converted Jews from Spain to Italy: Economic
Arlington Room Activities and Social Integration (1500–1700)
20312 Park Plaza, Mezzanine The Sight and Sound of Gardens and Feasts
Georgian Room
20313 Park Plaza, Fourth Floor Poland-Lithuania and Europe: Diplomatic and
Brookline Room Religious Networks in the Long Seventeenth
Century
20314 Park Plaza, Fourth Floor The Commerce of Information in Early Modern
Cambridge Room Europe
20315 Park Plaza, Fourth Floor Roundtable: Practical Translation: Strategies for
Beacon Hill Room Verbally Collating and “Retranslating” Multiple
Witnesses for a Lost Source
20316 Park Plaza, Fourth Floor The Body in the City III
Back Bay Room

37
 1 April 2016, 1:30–3:00 (Cont’d)
20317 Park Plaza, Fourth Floor Brujomanía: New Research on the Basque Witch-
Brandeis Room Hunts, 1525–1611
20318 Park Plaza, Fourth Floor Sidney III: Politics and Pedagogy, Theater and
Cabot Room Transformation
20319 Park Plaza, Fourth Floor Noble Identity and Self-Fashioning in Renaissance
Charles River Room Italy
20320 Park Plaza, Fourth Floor Luke Wadding I: His Spanish Education and
Constitution Room Ideology
20321 Park Plaza, Fourth Floor Fashioning the Translator: Liminal Strategies in
Franklin Room Early Modern English Translations
20322 Park Plaza, Fourth Floor Ficino I: Matter and Soul
Emerson Room
20323 Park Plaza, Fourth Floor Spanish Women as Queens and Counselors
Gloucester Room
20324 Park Plaza, Fourth Floor Authorship, Attribution, and Evidence in Early
Holmes Room Modern France
20325 Park Plaza, Fourth Floor Questions of Love, Religion, and Devotion in the
Longfellow Room Writings of Marguerite de Navarre
20326 Park Plaza, Fourth Floor Languages of Dissent III: Heterodox Britain
Newbury Room
20327 Park Plaza, Fourth Floor Political Theology in England: Catholics, Anglican
Stuart Room Conciliarists, and Milton
20328 Park Plaza, Fourth Floor Intoxicants and Early Modernity I: Strange Rituals
Tremont Room
20329 Park Plaza, Fourth Floor John Donne II: Lines of Communication
White Hill Room
20330 Park Plaza, Fourth Floor New Approaches to the Italian Epic
Winthrop Room
20331 Park Plaza, Fourth Floor Spain between Europe and the New World:
Whittier Room Culture, Politics, and Power Projection I
20332 Park Plaza, Fourth Floor Early Modern Women and Transnational
St. James Room Exchanges
20333 Hynes Convention Center Style and Decorum in the Arts of the Burgundian
Level Two, 200 Netherlands (ca. 1430–1550)
20334 Hynes Convention Center Making Copies I
Level Two, 201
20335 Hynes Convention Center Manuscripts in Motion in the Early Modern
Level Two, 202 Mediterranean I
20336 Hynes Convention Center Gian Lorenzo Bernini
Level Two, 203
20337 Hynes Convention Center Italian Caricatura: Material Practice, Collectors,
Level Two, 204 and Art Theory I
20338 Hynes Convention Center The Sound of Poetry: A Comparative Approach to
Level Two, 205 Rhetoric, Poetics, and Music III
20339 Hynes Convention Center Place and Identity in Early Modern Visual Culture
Level Two, 206 I: Constructing Sacred Connections

38
 1 April 2016, 1:30–3:00 (Cont’d)
20340 Hynes Convention Center Vasari on Technique: Matter and Making I
Level Two, 207
20341 Hynes Convention Center The Verdant Earth I: Green Worlds of the
Level Two, 208 Renaissance and Baroque
20342 Hynes Convention Center Shakespearean Persons
Level Two, 210
20343 Hynes Convention Center Bellini 500 I: Reassessments, Local and Global
Level Three, 302
20344 Hynes Convention Center The Art History of the Renaissance Book: Papers
Level Three, 303 in Honor of Lilian Armstrong I
20345 Hynes Convention Center The Languages of Science
Level Three, 304
20346 Hynes Convention Center Reading and Writing in Seventeenth-Century
Level Three, 305 England
20347 Hynes Convention Center Architecture, Urbanism, and the Arts in Honor of
Level Three, 306 Marvin Trachtenberg I: Urban Space, Medieval
Time
20348 Hynes Convention Center Text and Image in Early Modern Spain I:
Level Three, 308 Ekphrasis
20349 Hynes Convention Center Reading Pamphlets in Early Modern England
Level Three, 309
20350 Hynes Convention Center Roundtable: The Visual Culture of Celestina
Level Three, 310
20351 Hynes Convention Center Folger Digital Agendas I: Roundtable: New Model
Level Three, 311 Encoding
20352 Hynes Convention Center Images on the Move: The Weaving of Circulations
Level Three, 313 and Transfers during the Renaissance through
Digital Analysis

Friday, 1 April 2016, 3:30–5:00

20401 Park Plaza, Lower Lobby Aspects of Women’s Lives in Renaissance Venice II
Terrace Room
20404 Park Plaza, Mezzanine Microcosm and Macrocosm
Boylston Room
20405 Park Plaza, Mezzanine Style, Content, and Audience in Early Modern
Commonwealth Room Islamic Poetic Traditions
20406 Park Plaza, Mezzanine The Medici and the Seas II: Maritime Trajectories
Statler Room
20407 Park Plaza, Mezzanine Birgitta of Sweden: Saintly Power Contested and
Hancock Room Performed II
20408 Park Plaza, Mezzanine Imagined Geographies
Exeter Room
20409 Park Plaza, Mezzanine Culture and Court: Women’s Career Opportunities
Clarendon Room and Social Mobility (1500–1700)
20410 Park Plaza, Mezzanine Florence Reconsidered I: Roundtable:
Berkeley Room Historiographical Reflections

39
 1 April 2016, 3:30–5:00 (Cont’d)
20411 Park Plaza, Mezzanine Thinking with Spaces: New Directions in Cultural
Arlington Room History
20412 Park Plaza, Mezzanine Shaping Time and Space in Early Modern Rome:
Georgian Room Gardens, Palaces, and Maps
20413 Park Plaza, Fourth Floor Early Modern Eastern Europe: Pedagogy,
Brookline Room Representation
20414 Park Plaza, Fourth Floor The Circulation of Information in the Atlantic
Cambridge Room World
20415 Park Plaza, Fourth Floor Nicholas Copernicus, the Renaissance Reader
Beacon Hill Room
20416 Park Plaza, Fourth Floor Spanish Letters under the Catholic Monarchs and
Back Bay Room Charles I of Spain
20417 Park Plaza, Fourth Floor Humanist Exchanges in the World of Leon Battista
Brandeis Room Alberti
20418 Park Plaza, Fourth Floor Sidney IV: Mary Wroth: Contexts, Texts, and
Cabot Room Precedents
20419 Park Plaza, Fourth Floor Building the State in the Renaissance: Education,
Charles River Room Qualities, and Duties of the Political Counsellor I
20420 Park Plaza, Fourth Floor Luke Wadding II: Patronage and Politics
Constitution Room
20421 Park Plaza, Fourth Floor Sermonizing in Seventeenth-Century England
Franklin Room
20422 Park Plaza, Fourth Floor Ficino II: East, West, and the Stars
Emerson Room
20423 Park Plaza, Fourth Floor Performing Women’s Lives in Early Modern
Gloucester Room Spanish Drama
20424 Park Plaza, Fourth Floor Rhetorical Strategies in Ronsard’s Discours des
Holmes Room misères de ce temps and the Protestant Response
20425 Park Plaza, Fourth Floor Material Hagiography I
Longfellow Room
20426 Park Plaza, Fourth Floor Languages of Dissent IV: Power, Dissent, Radical
Newbury Room Politics
20427 Park Plaza, Fourth Floor Method, Rhetoric, and Representation in Spinoza,
Stuart Room Mandeville, and Hobbes
20428 Park Plaza, Fourth Floor Intoxicants and Early Modernity II: Concepts and
Tremont Room Conceptual Change
20429 Park Plaza, Fourth Floor John Donne III: Donne in Manuscript
White Hill Room
20430 Park Plaza, Fourth Floor The Domains of English Lyric before Spenser
Winthrop Room
20431 Park Plaza, Fourth Floor Spain between Europe and the New World:
Whittier Room Culture, Politics, and Power Projection II
20432 Park Plaza, Fourth Floor Women in Charge
St. James Room
20433 Hynes Convention Center Crafting a Brussels Artistic Network in Early
Level Two, 200 Modern Europe (ca. 1400–1750)

40
 1 April 2016, 3:30–5:00 (Cont’d)
20434 Hynes Convention Center Making Copies II
Level Two, 201
20435 Hynes Convention Center Manuscripts in Motion in the Early Modern
Level Two, 202 Mediterranean II
20436 Hynes Convention Center Imagery and Ingenuity in the Northern
Level Two, 203 Renaissance I: Artists and Their Contexts
20437 Hynes Convention Center Italian Caricatura: Material Practice, Collectors,
Level Two, 204 and Art Theory II
20438 Hynes Convention Center The Sound of Poetry: A Comparative Approach to
Level Two, 205 Rhetoric, Poetics, and Music IV
20439 Hynes Convention Center Place and Identity in Early Modern Visual Culture
Level Two, 206 II: Constructing Civic Connections
20440 Hynes Convention Center Vasari on Technique: Matter and Making II
Level Two, 207
20441 Hynes Convention Center The Verdant Earth II: Women, Plants, and
Level Two, 208 Children
20442 Hynes Convention Center Shakespearean Cosmopolitanism: Hospitality,
Level Two, 210 Cynicism, Indifference
20443 Hynes Convention Center Bellini 500 II: Materiality, Receptivity, and
Level Three, 302 Innovation
20444 Hynes Convention Center The Art History of the Renaissance Book: Papers
Level Three, 303 in Honor of Lilian Armstrong II
20445 Hynes Convention Center The Jungian Renaissance Revisited
Level Three, 304
20446 Hynes Convention Center Sacraments and the Literary in the English
Level Three, 305 Reformation
20447 Hynes Convention Center Architecture, Urbanism, and the Arts in Honor of
Level Three, 306 Marvin Trachtenberg II: Assessing Roman
Juxtapositions
20448 Hynes Convention Center Text and Image in Early Modern Spain II:
Level Three, 308 Representations of the Other
20449 Hynes Convention Center Political Thought and Diplomacy in Early Modern
Level Three, 309 England
20450 Hynes Convention Center Art and Certainty in Early Modern Spain
Level Three, 310
20451 Hynes Convention Center Folger Digital Agendas II: Roundtable: Scholarly
Level Three, 311 Conversations and Collaborations
20452 Hynes Convention Center Roundtable: Modern Information Systems and the
Level Three, 313 Gendering of Early Modern Textuality

Friday, 1 April 2016, 5:30–7:00

20504 Park Plaza, Mezzanine Motion and Emotion
Boylston Room
20505 Park Plaza, Mezzanine New Approaches to Early Modern Islamic Book
Commonwealth Room Arts

41
 1 April 2016, 5:30–7:00 (Cont’d)
20506 Park Plaza, Mezzanine The Medici and the Seas III: Asian Exchanges
Statler Room
20508 Park Plaza, Mezzanine Renaissance Topographies and Cartographies
Exeter Room
20509 Park Plaza, Mezzanine Early Modern Women: The City, Kinship, the
Clarendon Room State
20510 Park Plaza, Mezzanine Florence Reconsidered II: Cultural Capital and
Berkeley Room Diplomacy
20511 Park Plaza, Mezzanine Literary Transmissions in Early Modern Spain
Arlington Room
20512 Park Plaza, Mezzanine Roundtable: Rioni di Roma: Peopling the City ca.
Georgian Room 1500–1650
20513 Park Plaza, Fourth Floor Vernacular Viewing: Practicing Observation in
Brookline Room Early Modernity
20514 Park Plaza, Fourth Floor Voices and Books
Cambridge Room
20515 Park Plaza, Fourth Floor Roundtable: Interrègnes et inclassables curiosités:
Beacon Hill Room Zoophytes, lithophytes et anthropolithes
20516 Park Plaza, Fourth Floor Life Cycles: Pilgrimage, Shipwrecks, and Books in
Back Bay Room Early Modern Spain
20517 Park Plaza, Fourth Floor Gianfrancesco Pico della Mirandola Reconsidered
Brandeis Room
20518 Park Plaza, Fourth Floor Sidney V: In Honor of Margaret P. Hannay:
Cabot Room Roundtable on Sidney Studies, from Here to
Where?
20519 Park Plaza, Fourth Floor Building the State in the Renaissance: Education,
Charles River Room Qualities, and Duties of the Political Counsellor II
20521 Park Plaza, Fourth Floor Religious Orthodoxy, Dissent, and Devotion in
Franklin Room Reformation England
20522 Park Plaza, Fourth Floor Ficino III: On Love, on Number, and on Public
Emerson Room Life
20523 Park Plaza, Fourth Floor Female Communities of Influence in Early
Gloucester Room Modern Spain and Portugal
20524 Park Plaza, Fourth Floor Clothed with Skin and Flesh: Rethinking
Holmes Room Tolerance in Early Modern French Literature
20525 Park Plaza, Fourth Floor Material Hagiography II
Longfellow Room
20526 Park Plaza, Fourth Floor Languages of Dissent V: Art, Heritage, and
Newbury Room Biography as Dissent
20527 Park Plaza, Fourth Floor Thomas Hobbes: Gender, Political Economy, and
Stuart Room Religious Legislation
20528 Park Plaza, Fourth Floor Intoxicants and Early Modernity III: Intoxicating
Tremont Room Discourses
20529 Park Plaza, Fourth Floor John Donne IV: Donne’s Letters in LR1 (the
White Hill Room Burley Manuscript): Roundtable on Paleographical
and Internal Evidence

42
 1 April 2016, 5:30–7:00 (Cont’d)
20530 Park Plaza, Fourth Floor Figurative, Allegorical, Literal: Rethinking
Winthrop Room Fundamentals
20531 Park Plaza, Fourth Floor Spain between Europe and the New World:
Whittier Room Culture, Politics, and Power Projection III
20532 Park Plaza, Fourth Floor Friendship and Community in Early Modern
St. James Room Works on/by Women
20533 Hynes Convention Center Roundtable: Careers for Humanists
Level Two, 200
20534 Hynes Convention Center Making Copies III
Level Two, 201
20535 Hynes Convention Center Exhibiting Medieval and Renaissance Books: Pages
Level Two, 202 from the Past: Roundtable on Illuminated
Manuscripts in Boston-Area Collections
20536 Hynes Convention Center Imagery and Ingenuity in the Northern
Level Two, 203 Renaissance II: Multivalence in Religious Themes
20537 Hynes Convention Center Comic Themes in Early Modern Portraiture
Level Two, 204
20538 Hynes Convention Center The Sound of Poetry: A Comparative Approach to
Level Two, 205 Rhetoric, Poetics, and Music V
20539 Hynes Convention Center Place and Identity in Early Modern Visual Culture
Level Two, 206 III: Constructing Transnational Connections
20540 Hynes Convention Center Vasarian Crosscurrents
Level Two, 207
20541 Hynes Convention Center The Verdant Earth III: The Sylvan Turn in
Level Two, 208 Landscape Art
20542 Hynes Convention Center Authority and Influence in the Long Seventeenth
Level Two, 210 Century: Shakespeare, Imitation, and Invention
20543 Hynes Convention Center Bellini 500 III: Space and Perception
Level Three, 302
20544 Hynes Convention Center The Art History of the Renaissance Book: Papers
Level Three, 303 in Honor of Lilian Armstrong III
20545 Hynes Convention Center Is the Enlightenment the Renaissance in a Better
Level Three, 304 Wig?
20546 Hynes Convention Center Causality in Renaissance Poetry and Philosophy
Level Three, 305
20547 Hynes Convention Center Architecture, Urbanism, and the Arts in Honor of
Level Three, 306 Marvin Trachtenberg III: Building Time outside
Italy
20548 Hynes Convention Center Text and Image in Early Modern Spain III:
Level Three, 308 Representations of Women
20549 Hynes Convention Center Brutal Ends: Suicide, Execution, and Battle Death
Level Three, 309 in Seventeenth-Century British Literature
20550 Hynes Convention Center An Education in Lines: Creating the First Drawing
Level Three, 310 Books in Europe
20551 Hynes Convention Center Folger Digital Agendas III: Roundtable: Digital
Level Three, 311 Futures

43
 1 April 2016, 5:30–7:00 (Cont’d)
20552 Hynes Convention Center Apprenticeship in Early Modern Venice:
Level Three, 313 Extracting, Representing, and Exploiting Data
from the Accordi Dei Garzoni

Saturday, 2 April 2016, 8:30–10:00

30104 Park Plaza, Mezzanine Representing Iberia in Seventeenth-Century Rome
Boylston Room
30105 Park Plaza, Mezzanine Islamicate Occultism I: Words, Spirits, Substances
Commonwealth Room
30106 Park Plaza, Mezzanine From Venice and to Venice between the Fifteenth
Statler Room and Sixteenth Century: People, Books, Ideas
30107 Park Plaza, Mezzanine Renaissance Collaboration I: Intermedia
Hancock Room Collaboration
30108 Park Plaza, Mezzanine Poetics of Law: Literary Form and Legal
Exeter Room Experience, Feeling, and Knowledge
30109 Park Plaza, Mezzanine Florence Reconsidered III: Florence in Perspective
Clarendon Room
30110 Park Plaza, Mezzanine Redefining Female Sanctity: Clare of Assisi and
Berkeley Room Francesca Romana in Early Modern Italy
30111 Park Plaza, Mezzanine Alchemy and Forgery around Paracelsus I
Arlington Room
30112 Park Plaza, Mezzanine The Public Relations of Poets in Early Modern
Georgian Room England
30113 Park Plaza, Fourth Floor French Renaissance Polygraphy: Belleforest, De
Brookline Room Thou, and Tabourot
30114 Park Plaza, Fourth Floor Exiles, Refugees, and Pan-Nationalism
Cambridge Room
30115 Park Plaza, Fourth Floor Roundtable: The Cambridge Companion to Petrarch
Beacon Hill Room
30116 Park Plaza, Fourth Floor New Perspectives on Renaissance Demonology
Back Bay Room
30117 Park Plaza, Fourth Floor Emblematic Imagery from Alciato to Baciccio
Brandeis Room
30118 Park Plaza, Fourth Floor Poetics of the Sacred in Early Modern Italy I
Cabot Room
30119 Park Plaza, Fourth Floor Renaissance Neoplatonic Voices: Heymericus de
Charles River Room Campo and Cusanus
30120 Park Plaza, Fourth Floor Making Early Modern Studies Irish: Engaging with
Constitution Room the Work of Nicholas Canny I
30121 Park Plaza, Fourth Floor Ladies-in-Waiting in the Early Modern World I:
Franklin Room Female Attendants to English Consorts and
Queens
30122 Park Plaza, Fourth Floor Imprimer le Moyen Âge en français, XVe–XVIe
Emerson Room siècle I
30123 Park Plaza, Fourth Floor Staging Difference in Spain and Italy
Gloucester Room

44
 2 April 2016, 8:30–10:00 (Cont’d)
30124 Park Plaza, Fourth Floor Ariosto, 1516–2016 I: Spaces and Characters of
Holmes Room the Orlando furioso
30125 Park Plaza, Fourth Floor Jesuits and Models of Holiness I
Longfellow Room
30126 Park Plaza, Fourth Floor Early Stuart England and the Dutch
Newbury Room
30127 Park Plaza, Fourth Floor Medieval Drama and Its Early Modern Afterlives
Stuart Room
30128 Park Plaza, Fourth Floor Hybrid Genres of the Spanish Renaissance
Tremont Room
30129 Park Plaza, Fourth Floor Required Reading: Early Modern Women as
White Hill Room Readers and Writers
30130 Park Plaza, Fourth Floor The Orationes Project: Interdisciplinary Approaches
Winthrop Room to Renaissance School Drama
30131 Park Plaza, Fourth Floor Joyful Texts in Context: Functions and Impact of
Whittier Room Parody in Professional and Festive Situations
(1400–1600)
30132 Park Plaza, Fourth Floor The Promises of Gold: Materialized Desires and
St. James Room Social Phantasms in Economy, Art, and Science I
30133 Hynes Convention Center Toward Tintoretto 500 I
Level Two, 200
30134 Hynes Convention Center Crossroads of Creation: Artistic Workshops in
Level Two, 201 Renaissance Italy I: New Patterns of Production
30135 Hynes Convention Center Divinely Human: Representing the Body of
Level Two, 202 Christ I
30136 Hynes Convention Center Representing Saints and Martyrs in Florence
Level Two, 203
30137 Hynes Convention Center Building with Paper: The Materiality of
Level Two, 204 Renaissance Architectural Drawings I
30138 Hynes Convention Center Visual and Festive Culture in the Late Middle Ages
Level Two, 205 and Early Renaissance
30139 Hynes Convention Center Madonna Revisited
Level Two, 206
30140 Hynes Convention Center Nonfigurative disegno in the Italian Renaissance:
Level Two, 207 Construction, Heuristics, and Theory of the
Object
30141 Hynes Convention Center Forms of Awareness in Early Modernity:
Level Two, 208 Consciousness, Sentience, Personhood I
30142 Hynes Convention Center Shakespeare’s Influences and Intertexts
Level Two, 210
30143 Hynes Convention Center Ecological Sympathies in Early Modern Literature
Level Three, 302
30144 Hynes Convention Center Early Modern Europe and Africa I
Level Three, 303
30145 Hynes Convention Center Arendt and Early Modern England
Level Three, 304

45
 2 April 2016, 8:30–10:00 (Cont’d)
30146 Hynes Convention Center The Limits of Frames
Level Three, 305
30147 Hynes Convention Center Architecture, Urbanism, and the Arts in Honor of
Level Three, 306 Marvin Trachtenberg IV: Slow Art History
30148 Hynes Convention Center Seafaring Structures I
Level Three, 308
30149 Hynes Convention Center Broadside Ballads and the Mediated Body
Level Three, 309
30150 Hynes Convention Center Spenserian Emergencies I
Level Three, 310
30152 Hynes Convention Center Converging Paths: Encounters between Art and
Level Three, 313 Science I: The Artist and Science Books

Saturday, 2 April 2016, 10:30–12:00

30204 Park Plaza, Mezzanine Bodies, Flesh, Eugenics
Boylston Room
30205 Park Plaza, Mezzanine Islamicate Occultism II: Ottoman Book Cultures
Commonwealth Room
30206 Park Plaza, Mezzanine Ethnography and the Making of Renaissance
Statler Room Identities
30207 Park Plaza, Mezzanine Renaissance Collaboration II: Collaborative
Hancock Room Networks
30208 Park Plaza, Mezzanine Women on Trial
Exeter Room
30209 Park Plaza, Mezzanine Florence Reconsidered IV: Old Sources, New
Clarendon Room Directions
30210 Park Plaza, Mezzanine Seeing Is Believing: Devotional Materiality from
Berkeley Room Church to Home in Early Modern England and
Italy
30211 Park Plaza, Mezzanine Alchemy and Forgery around Paracelsus II
Arlington Room
30212 Park Plaza, Mezzanine Circulation, Adaptation, Reception, Translation
Georgian Room
30213 Park Plaza, Fourth Floor Language, Cosmography, and Geography in Early
Brookline Room Modern France and Beyond
30214 Park Plaza, Fourth Floor Diplomacy and Literature: Italo-Iberian
Cambridge Room Relationships in the Early Modern World
30215 Park Plaza, Fourth Floor Roundtable: Speech, Orality, and Communication
Beacon Hill Room in Early Modern Europe
30216 Park Plaza, Fourth Floor Renaissance and New Epistemologies
Back Bay Room
30217 Park Plaza, Fourth Floor The Verbal-Visual Structure of Spenser’s
Brandeis Room Shepheardes Calender
30218 Park Plaza, Fourth Floor Poetics of the Sacred in Early Modern Italy II
Cabot Room

46
 2 April 2016, 10:30–12:00 (Cont’d)
30219 Park Plaza, Fourth Floor New Perspectives on Giordano Bruno
Charles River Room
30220 Park Plaza, Fourth Floor Making Early Modern Studies Irish: Engaging with
Constitution Room the Work of Nicholas Canny II
30221 Park Plaza, Fourth Floor Ladies-in-Waiting in the Early Modern World II:
Franklin Room Italian damigelle at Home and Abroad
30222 Park Plaza, Fourth Floor Imprimer le Moyen Âge en français, XVe–XVIe
Emerson Room siècle II
30223 Park Plaza, Fourth Floor Disability in Early Modern Europe and Her
Gloucester Room Colonies
30224 Park Plaza, Fourth Floor Ariosto, 1516–2016 II: Spaces and Characters of
Holmes Room the Orlando furioso
30225 Park Plaza, Fourth Floor Jesuits and Models of Holiness II
Longfellow Room
30226 Park Plaza, Fourth Floor Dynastic Regeneration: Celebrating Male Heirs in
Newbury Room the Late Habsburg and Early Bourbon Spanish
World
30227 Park Plaza, Fourth Floor Roundtable: Renaissance Commentaries
Stuart Room
30228 Park Plaza, Fourth Floor Cervantes and Shakespeare: Works and Lives in
Tremont Room Common?
30229 Park Plaza, Fourth Floor Women and Religious Devotion in Renaissance
White Hill Room Ferrara
30230 Park Plaza, Fourth Floor Neo-Latin between Italy and the Americas
Winthrop Room
30231 Park Plaza, Fourth Floor Judgment in the Heptaméron: Rhetorical, Spatial,
Whittier Room and Specular Approaches
30232 Park Plaza, Fourth Floor The Promises of Gold: Materialized Desires and
St. James Room Social Phantasms in Economy, Art, and Science II
30233 Hynes Convention Center Toward Tintoretto 500 II
Level Two, 200
30234 Hynes Convention Center Crossroads of Creation: Artistic Workshops in
Level Two, 201 Renaissance Italy II: Toward a New Individualism
30235 Hynes Convention Center Divinely Human: Representing the Body of
Level Two, 202 Christ II
30236 Hynes Convention Center Sacred Images: Iconoclasm to Idolatry in the
Level Two, 203 Iberian World
30237 Hynes Convention Center Building with Paper: The Materiality of
Level Two, 204 Renaissance Architectural Drawings II
30238 Hynes Convention Center Music in the Art of Renaissance Italy, ca. 1420–
Level Two, 205 1540
30239 Hynes Convention Center Rethinking the Rhetoric of Images in Renaissance
Level Two, 206 Italy
30240 Hynes Convention Center Art and the Emotions of Italian Renaissance
Level Two, 207 Women
30241 Hynes Convention Center Forms of Awareness in Early Modernity:
Level Two, 208 Consciousness, Sentience, Personhood II

47
 2 April 2016, 10:30–12:00 (Cont’d)
30242 Hynes Convention Center Shakespeare, War, and Ecology
Level Two, 210
30243 Hynes Convention Center Ecologies in Early Modern English Drama
Level Three, 302
30244 Hynes Convention Center Early Modern Europe and Africa II
Level Three, 303
30245 Hynes Convention Center Reading the Early Modern through Auerbach’s
Level Three, 304 “Figura”
30246 Hynes Convention Center Exploring Hybridity in Renaissance Decorative
Level Three, 305 Arts
30247 Hynes Convention Center Architecture, Urbanism, and the Arts in Honor of
Level Three, 306 Marvin Trachtenberg V: Paradigms Reconsidered
30248 Hynes Convention Center Seafaring Structures II
Level Three, 308
30249 Hynes Convention Center Uncertain Sonnets: Sequence and Its Consequences
Level Three, 309 in Sidney and Shakespeare
30250 Hynes Convention Center Spenserian Emergencies II
Level Three, 310
30251 Hynes Convention Center Confronting the Literary, Historical, and Architectural
Level Three, 311 Heritage through the Digital Humanities
30252 Hynes Convention Center Converging Paths: Encounters between Art and
Level Three, 313 Science II: Illustrating Science

Saturday, 2 April 2016, 1:30–3:00

30304 Park Plaza, Mezzanine Spenser: Asceticism, Theology, Authorship
Boylston Room
30305 Park Plaza, Mezzanine Books, Poetry, and Popes in the Fifteenth Century
Commonwealth Room
30306 Park Plaza, Mezzanine Miguel de Cervantes’s Persiles, 1616–2016
Statler Room
30307 Park Plaza, Mezzanine Renaissance Collaboration III: Sacred Texts, Sacred
Hancock Room Responsibilities
30308 Park Plaza, Mezzanine Italian Academies, 1450–1700: Networks,
Exeter Room Knowledge, and Culture I
30309 Park Plaza, Mezzanine Citizenship and Republicanism in Renaissance
Clarendon Room Ferrara, Trieste, Florence
30310 Park Plaza, Mezzanine Ceremony and Ritual before the Death of Louis
Berkeley Room XIV
30311 Park Plaza, Mezzanine Roundtable: Reconsidering the Global Renaissance
Arlington Room
30312 Park Plaza, Mezzanine Reimagining Early Modern Naples and Southern
Georgian Room Italy: A Tribute to John Marino
30313 Park Plaza, Fourth Floor Geography, Space, Place
Brookline Room

48
 2 April 2016, 1:30–3:00 (Cont’d)
30314 Park Plaza, Fourth Floor Remembering and Forgetting in the Renaissance
Cambridge Room
30315 Park Plaza, Fourth Floor Roundtable: Staging History in Early Modern
Beacon Hill Room Spain: Contemporary Approaches
30316 Park Plaza, Fourth Floor Renaissance and the Public
Back Bay Room
30317 Park Plaza, Fourth Floor “Naked Emblems” Revisited
Brandeis Room
30318 Park Plaza, Fourth Floor “Songs from the Spirit”: The Tradition of Spiritual
Cabot Room Verses in Renaissance Italy I
30319 Park Plaza, Fourth Floor Historiography of Renaissance Philosophy: Ernst
Charles River Room Cassirer and Wallace Ferguson
30320 Park Plaza, Fourth Floor Making Early Modern Studies Irish: Engaging with
Constitution Room the Work of Nicholas Canny III
30321 Park Plaza, Fourth Floor Ladies-in-Waiting in the Habsburg Courts I
Franklin Room
30322 Park Plaza, Fourth Floor Renaissance Climate Theories: Science or Rhetoric?
Emerson Room
30323 Park Plaza, Fourth Floor Epic and Lyric Poetics I
Gloucester Room
30324 Park Plaza, Fourth Floor The Spin-Offs of the Orlando furioso
Holmes Room
30325 Park Plaza, Fourth Floor Jesuit Mission and Japan’s Christian Century
Longfellow Room (1549–1650)
30326 Park Plaza, Fourth Floor Renaissance Games I: Kings and Courtiers
Newbury Room
30327 Park Plaza, Fourth Floor Renaissance Encyclopedism I
Stuart Room
30328 Park Plaza, Fourth Floor Prehistory and the Pre-Political in Early Modern
Tremont Room Euro-Colonialism I
30329 Park Plaza, Fourth Floor Writing Women’s Devotions
White Hill Room
30330 Park Plaza, Fourth Floor Iter septentrionale: The Spread and Transformation
Winthrop Room of Renaissance Humanism in Northern Europe
30331 Park Plaza, Fourth Floor Humanism and Religious Discourses: Intersections
Whittier Room
30332 Park Plaza, Fourth Floor Venice and Gender: Metropole, Stato da Mar,
St. James Room Terraferma I
30333 Hynes Convention Center Aromatics: From Substance to Transcendence, a
Level Two, 200 Cross-Cultural, Interdisciplinary Study
30334 Hynes Convention Center Crossroads of Creation: Artistic Workshops in
Level Two, 201 Renaissance Italy III: From Workshops to
Academies
30335 Hynes Convention Center Inverse, Reverse, Inside Out in Renaissance Art I
Level Two, 202
30336 Hynes Convention Center Thinking through Images: Early Modern
Level Two, 203 Depictions of Economic Activity I

49
 2 April 2016, 1:30–3:00 (Cont’d)
30337 Hynes Convention Center Transregional Movements in Early Modern
Level Two, 204 Architecture
30338 Hynes Convention Center Finding the Early Modern Feminine Voice
Level Two, 205
30339 Hynes Convention Center Personal and Collective Devotion in Early Modern
Level Two, 206 Italy
30340 Hynes Convention Center Artists and Their Friends: New Questions and
Level Two, 207 Ideas
30341 Hynes Convention Center Translation, Code-Shifting, and “Englishing” Early
Level Two, 208 Modern Literature
30342 Hynes Convention Center Roundtable: Shakespeare’s Death and Afterlife I
Level Two, 210
30343 Hynes Convention Center Gender and Domestic Performance in England:
Level Three, 302 Music, Dance, Masque
30344 Hynes Convention Center Printed Images in Cinquecento Florence I
Level Three, 303
30345 Hynes Convention Center Roundtable: Princely Poesy: Tudor Royal Writings
Level Three, 304
30346 Hynes Convention Center Ovid’s Metamorphoses in the Art of the Seventeenth
Level Three, 305 Century
30347 Hynes Convention Center Roundtable: Reframing the Renaissance for the
Level Three, 306 Twenty-First Century
30348 Hynes Convention Center Crafting the Orders in the Fifteenth and Early
Level Three, 308 Sixteenth Centuries: Theory and Practice
30349 Hynes Convention Center Constructing the Early Modern Arctic
Level Three, 309
30350 Hynes Convention Center Negotiating Power and Desire in the Early Modern
Level Three, 310 English Court
30351 Hynes Convention Center New Trends in Digital Scholarly Publishing
Level Three, 311
30352 Hynes Convention Center Converging Paths: Encounters between Art and
Level Three, 313 Science III: Science for Investigating Art

Saturday, 2 April 2016, 3:30–5:00

30404 Park Plaza, Mezzanine Spenser’s Afflicted Style
Boylston Room
30405 Park Plaza, Mezzanine Bolognese Matters between Religion and Law
Commonwealth Room
30406 Park Plaza, Mezzanine Cervantes Society of America: Business Meeting
Statler Room and Plenary Lecture
30407 Park Plaza, Mezzanine Renaissance Collaboration IV: Shakespeare to
Hancock Room Dryden
30408 Park Plaza, Mezzanine Italian Academies, 1450–1700: Networks,
Exeter Room Knowledge, and Culture II

50
 2 April 2016, 3:30–5:00 (Cont’d)
30409 Park Plaza, Mezzanine Renaissance Renunciations
Clarendon Room
30410 Park Plaza, Mezzanine L’Europe des Savoirs à la Renaissance / Forms of
Berkeley Room Knowledge in Renaissance Europe
30413 Park Plaza, Fourth Floor Travel: A Journey to Discover the Self and Others
Brookline Room
30414 Park Plaza, Fourth Floor Writing Seventeenth-Century Empire: Spain,
Cambridge Room Japan, Peru
30415 Park Plaza, Fourth Floor Roundtable: What the French Renaissance Can Do
Beacon Hill Room for Ecocriticism
30416 Park Plaza, Fourth Floor A New England Renaissance Conference
Back Bay Room Discussion: Past, Present, and Future
30417 Park Plaza, Fourth Floor Emblematic Negotiations: Redressing the Betrayal
Brandeis Room of Meaning in Late Renaissance Visual Culture
30418 Park Plaza, Fourth Floor “Songs from the Spirit”: The Tradition of Spiritual
Cabot Room Verses in Renaissance Italy II
30419 Park Plaza, Fourth Floor Epigraphy and the Rise of Vernacular Languages:
Charles River Room Italy as a Test Case (1300–1500)
30420 Park Plaza, Fourth Floor Book Culture in Early Modern Dublin: Libraries,
Constitution Room Collectors, and Annotated Books
30421 Park Plaza, Fourth Floor Ladies-in-Waiting in the Habsburg Courts II
Franklin Room
30422 Park Plaza, Fourth Floor Early Modern Women and Their Collaborators
Emerson Room
30423 Park Plaza, Fourth Floor Epic and Lyric Poetics II
Gloucester Room
30424 Park Plaza, Fourth Floor Ariosto, 1516–2016 III: Roundtable on History,
Holmes Room Court, and Society: Extratextual Realities in the
Orlando furioso
30425 Park Plaza, Fourth Floor Topics in Jesuit Studies
Longfellow Room
30426 Park Plaza, Fourth Floor Renaissance Games II: Children and “Other”
Newbury Room
30427 Park Plaza, Fourth Floor Renaissance Encyclopedism II
Stuart Room
30428 Park Plaza, Fourth Floor Prehistory and the Pre-Political in Early Modern
Tremont Room Euro-Colonialism II
30429 Park Plaza, Fourth Floor English Devotional Writing: Authoring Godliness
White Hill Room
30430 Park Plaza, Fourth Floor Neo-Latin in Northern Europe in the Seventeenth
Winthrop Room Century
30431 Park Plaza, Fourth Floor History and Commentary in the Fifteenth and
Whittier Room Sixteenth Centuries
30432 Park Plaza, Fourth Floor Venice and Gender: Metropole, Stato da Mar,
St. James Room Terraferma II
30433 Hynes Convention Center Francesco de Mura (1696–1782) and the Golden
Level Two, 200 Age of Naples

51
 2 April 2016, 3:30–5:00 (Cont’d)
30434 Hynes Convention Center Crossroads of Creation: Artistic Workshops in
Level Two, 201 Renaissance Italy IV: Establishing a New
Professionalism
30435 Hynes Convention Center Inverse, Reverse, Inside Out in Renaissance Art II
Level Two, 202
30436 Hynes Convention Center Thinking through Images: Early Modern
Level Two, 203 Depictions of Economic Activity II
30437 Hynes Convention Center What Goes Inside
Level Two, 204
30438 Hynes Convention Center Reuse and Adaptation in the Early Modern Book
Level Two, 205 Trade
30439 Hynes Convention Center Brahmins and Their Botticellis: Boston and the
Level Two, 206 Italian Renaissance
30440 Hynes Convention Center Artists’ Lives and Rights
Level Two, 207
30441 Hynes Convention Center Therapeutic Measures: Literature as Treatment in
Level Two, 208 Early Modern England
30442 Hynes Convention Center Roundtable: Shakespeare’s Death and Afterlife II
Level Two, 210
30443 Hynes Convention Center The Jacobean Masque: Resource, Realignment, and
Level Three, 302 Realization
30444 Hynes Convention Center Printed Images in Cinquecento Florence II
Level Three, 303
30445 Hynes Convention Center The Book in Early Modern England and Scotland
Level Three, 304
30446 Hynes Convention Center Beyond the Wanderjahr: Microhistories of Artistic
Level Three, 305 Travel in Renaissance Europe
30447 Hynes Convention Center David Rosand in Venice: Honoring a Legacy of
Level Three, 306 Learning
30448 Hynes Convention Center Pedagogy in the Sixteenth and Seventeenth
Level Three, 308 Centuries
30449 Hynes Convention Center Global Water and the Political: Mexico and Paris,
Level Three, 309 1400–1700
30450 Hynes Convention Center The Reformation and Post-Reformation in
Level Three, 310 England: Suppressions and Estrangements
30451 Hynes Convention Center Digital Technologies and Renaissance Music:
Level Three, 311 Critical Editions, History of Style, and Analysis
30452 Hynes Convention Center Converging Paths: Encounters between Art and
Level Three, 313 Science IV: Old and New Natural Worlds

52
 Thursday, 31 March 2016
Thursday, 31 March 2016

8:30–10:00
8:30–10:00

10104 Annotated Books I: New Work in

Park Plaza Deciphering Early Modern Reading
Mezzanine Practices
Boylston Room
Sponsor: Charles Singleton Center for the Study of Premodern Europe
Organizer: Earle A. Havens, Johns Hopkins University
Chair: Johan Oosterman, Radboud University Nijmegen
Respondent: Anthony Grafton, Princeton University
Madeline McMahon, Princeton University
Dating the Past: Matthew Parker and His Old (or Not-So-Old) Manuscripts
Richard Calis, Princeton University
Mining Matters: An Annotated First Edition of Georgius Agricola’s De re
metallica
Hilary Dawn Barker, University of Chicago
Inscriptions on Paper: Contemporary Annotations in Jacopo Mazzocchi’s
Epigrammata antiquae urbis (1521)
Frederic N. Clark, New York University
Meta-Marginalia: Consuming and Annotating Annotated Books in the
Winthrop Family Library
10106 Libraries Without Walls: New Work
Park Plaza on the Bodleian and Library History
Mezzanine
Statler Room
Sponsor: Center for Editing Lives and Letters (CELL), University College London
Organizer and Chair: Matthew Symonds, University College London
Robyn Adams, University College London
Binding Evidence: Early Donations in the Bodleian Library
Louisiane Muguette Ferlier, University College London
John Wallis’s Bodleian
Lucy Elisabeth Gwynn, Queen Mary University of London
Folios, Hedgehogs, Sketches and Pickles: The Traffic of Correspondence
between Sir Thomas and Edward Browne

53
Thursday, 31 March 2016

10107 Beyond Florence: The Devotional

8:30–10:00

Park Plaza Culture of the Marche

Mezzanine
Hancock Room
Sponsor: History, RSA Discipline Group
Organizer: Mary R. Laven, Jesus College, University of Cambridge
Chair: Megan Holmes, University of Michigan
Marco Faini, University of Cambridge
Living Saints, Charlatans and Domestic Devotion in Early Modern Italy: The
Case of the Marche
Bianca Lopez, Washington University in St. Louis
Pro Anima Sua: Family Cult and the Virgin of Loreto in the March of
Ancona
Zuzanna Sarnecka, Gonville and Caius College, University of Cambridge
Devotion through the Glaze: The Della Robbia Production in the Marche
10108 Curiosity and Modernity in Early
Park Plaza Modern Spain I
Mezzanine
Exeter Room
Sponsor: Renaissance and Early Modern Studies, Princeton University
Organizer: Marina S. Brownlee, Princeton University
Chair: Christina H. Lee, Princeton University
Marta Albala Pelegrin, California State Polytechnic University, Pomona
Curiosity and the Renaissance Prince: Cortesi, Machiavelli, and Castiglione
Victor Sierra Matute, University of Pennsylvania
Dissecting Garcilaso: Curiosity and Excess in Fernando de Herrera’s
Commentaries
Susan Byrne, Yale University
Metaphysical Curiosity in Baltasar Gracián’s Criticón
Javier Patino Loira, Princeton University
Learning as Eavesdropping: Historiography in Baltasar Gracián and
Fernando Díez de Aux (1642)

54
 Thursday, 31 March 2016
10109 Biographical Narratives in Humanist

8:30–10:00
Park Plaza Perspective
Mezzanine
Clarendon Room
Sponsors: Neo-Latin Literature, RSA Discipline Group;
Humanism, RSA Discipline Group
Organizers: Patrick Baker, Humboldt-Universität zu Berlin;
Emily O’Brien, Simon Fraser University
Chair: Emily O’Brien, Simon Fraser University
Respondent: Albert Schirrmeister, Humboldt-Universität zu Berlin
Patrick Baker, Humboldt-Universität zu Berlin
Humanist Views on the Difference between Biography and History
Ada Palmer, University of Chicago
Humanist Lives of Pythagoras
Stefan Schlelein, Humboldt-Universität zu Berlin
The Challenge of Flattery, or, Making Bad Kings Look Good
10110 (Dis)Order and Popular Politics in
Park Plaza Renaissance Venice: Actions and
Mezzanine Representations I
Berkeley Room
Organizers: Claire Judde de Larivière, Université de Toulouse-Jean Jaurès;
Rosa Miriam Salzberg, University of Warwick;
Maartje Van Gelder, Universiteit van Amsterdam
Chair: Maartje Van Gelder, Universiteit van Amsterdam
Respondent: Andrea Zannini, Università di Udine
Monique O’Connell, Wake Forest University
Reflecting on Rebellion in Venetian History Writing: Caroldo on the Revolt of
San Tito
Claire Judde de Larivière, Université de Toulouse-Jean Jaurès
The Invisible Popolo: Discourses and Representations of Ordinary People in
Venetian Patrician Writings (Sixteenth Century)

55
Thursday, 31 March 2016

10111 Thinking Early Modern Drama

8:30–10:00

Park Plaza through Ancient Greek Theater

Mezzanine
Arlington Room
Sponsor: Performing Arts and Theater, RSA Discipline Group
Organizer: Susanne L. Wofford, New York University, Gallatin School
Chair and Respondent: Tanya Pollard, CUNY, Brooklyn College
Susanne L. Wofford, New York University, Gallatin School
“His young flesh all mangled”: Dismemberment and Bacchic Sparagmos in
Shakespeare’s Roman Tragedies
Christian M. Billing, University of Hull
Resisting Heroic Telos: Aristophanes’s Agathon and Shakespeare’s Falstaff as
Alternative Paradigms of Masculine Identity
Tom Harrison, University of Hull
Jonson, Euripides, and the Epistemological Sparagmos of Bartholomew Fair
10112 The Early Modern Material Text I:
Park Plaza Reading, Collecting, Compiling
Mezzanine
Georgian Room
Organizer: Jason E. Scott-Warren, Gonville and Caius College,
University of Cambridge
Chair: Anne E. B. Coldiron, Florida State University
Jason E. Scott-Warren, Gonville and Caius College, University of Cambridge
Cut-and-Paste Bookmaking: The Private-Public Agency of Robert Nicolson
Harriet Phillips, Queen Mary University of London
The Ballad and the Source: Collecting Ephemera in the Seventeenth Century
Juliet Fleming, New York University
Gleaning
10113 War and Persecution in Dutch
Park Plaza Literature
Fourth Floor
Brookline Room
Sponsor: Germanic Literature, RSA Discipline Group
Organizer: Anne-Laure Van Bruaene, Universiteit Gent
Chair: Geert H. Janssen, Universiteit van Amsterdam
Dick de Boer, Rijksuniversiteit Groningen
Leiden Rhetoricians and the Dutch Revolt
Anne-Laure Van Bruaene, Universiteit Gent
Learning from Exile in the Calvinist Republics
David Roman de Boer, Universität Konstanz and Universiteit Leiden
The Fate of Others: Reflections on Foreign Persecutions in Dutch Pamphlet
Literature

56
 Thursday, 31 March 2016
10114 The Interaction of Art and Relics

8:30–10:00
Park Plaza in Early Modernity I
Fourth Floor
Cambridge Room
Organizers: Andrew R. Casper, Miami University;
Livia Stoenescu, Texas A&M University
Chair: Alexander Nagel, New York University
Carla Benzan, University College London
Making Contact: Images and Acheiropoetoi at the Sacro Monte of Varallo
Andrew R. Casper, Miami University
Artifice and the Experience of Seeing the Shroud of Turin
Bernice Iarocci, University of Toronto
Andrea Del Sarto’s Salvator Mundi and Its Seventeenth-Century Framing
10115 Of Mongrels and Masterpieces:
Park Plaza Hybridity in the Renaissance I
Fourth Floor
Beacon Hill Room
Organizers: Luisanna Sardu, Manhattan College;
Claire Sommers, CUNY, The Graduate Center
Chair: Pascale Rihouet, Rhode Island School of Design
Adriana Grimaldi, University of Toronto, Mississauga
Dialogue and Hybridity in Il principe and La Mandragola
Gemma Pellissa Prades, Harvard University
Translating and Interpreting Ovid’s Minotaur through a Catalan Incunable
Yuri Kondratiev, Brown University
Animal, Human, and Monstrous: Hybrid Forms and Patterns of Thought in
Monstres et Prodiges and Essais
10116 Authorial Translation in Renaissance
Park Plaza Europe I
Fourth Floor
Back Bay Room
Sponsors: Societas Internationalis Studiis Neolatinis Provehendis / International
Association for Neo-Latin Studies; Centre for the Study of the Renaissance,
University of Warwick
Organizers: William Barton, King’s College London;
Craig Kallendorf, Texas A&M University;
Sara Olivia Miglietti, Johns Hopkins University
Chair: Jeanine G. De Landtsheer, Katholieke Universiteit Leuven
Respondent: Marie Alice Belle, Université de Montréal
William Barton, King’s College London
Latin and Vernacular Translation in Early Modern Verona: Two Visits to Monte Baldo
Antonella Amatuzzi, Università degli Studi di Torino
La merveilleuse et joyeuse vie de Esope de Glaude Luyhon
Catherine Emerson, National University of Ireland, Galway
Translator-Editor-Compiler-Author? The Case of Denis Sauvage

57
Thursday, 31 March 2016

10117 Identifying Renaissance Philosophy I

8:30–10:00

Park Plaza
Fourth Floor
Brandeis Room
Sponsor: Philosophy, RSA Discipline Group
Organizer: David A. Lines, Warwick University
Chair: James Hankins, Harvard University
Lodi Nauta, Rijksuniversiteit Groningen
Renaissance Humanism and the History of Philosophy
David A. Lines, Warwick University
Kristeller’s Humanism and the Strange Absence of Philosophy
Teresa Rodríguez, Universidad Nacional Autónoma de México
Ernesto Priani Saisó, Universidad Nacional Autónoma de México
Renaissance Philosophy: Toward a New Historiographical Pluralism
10118 Lost and Found I
Park Plaza
Fourth Floor
Cabot Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizers: Vera A. Keller, University of Oregon, Clark Honors College;
Aaron C. Shapiro, Boston University;
Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Debora Shuger, University of California, Los Angeles
Vera A. Keller, University of Oregon, Clark Honors College
Things Lost and Things Found in Kynaston’s Chaucer
Micha D. S. Lazarus, Trinity College, University of Cambridge
“Gran tempo abbandonata & negletta”: The Rediscoveries of Aristotle’s
Poetics
Claire Preston, Queen Mary University of London
Thomas Browne’s Musaeum Clausum and Rhetorical Reclamation
10119 Judging Petrarch’s Lyric Poems in
Park Plaza Renaissance Italy I
Fourth Floor
Charles River Room
Organizer and Respondent: Maiko Favaro, Freie Universität Berlin
Chair: Ian F. Moulton, Arizona State University
Antonello Fabio Caterino, Università della Calabria and Université de Lausanne
Il Canzoniere esposto da Trifone Gabriel: Un commento mai scritto
Simona Oberto, Friedrich-Alexander-Universität Erlangen-Nürnberg
Anthological Discorsi as Means of “Doctrinization” of Petrarch in the Rime degli
Academici Occulti (1568)
Lorenzo Sacchini, University of Mary Washington
A New Episode in Petrarch’s Reception: Gregorio Anastagi’s (1539–1601)
Academic Lectures

58
 Thursday, 31 March 2016
10120 Magic, Madness, and Dangerous

8:30–10:00
Park Plaza Knowledge in Late Renaissance
Fourth Floor Spanish and Italian Literature
Constitution Room
Organizer: Renaissance Society of America
Chair: Susanne Kathrin Beiweis, Universität Wien
Armando Maggi, University of Chicago
Magic, Reality, and Trauma in Basile’s The Tale of Tales
Or Hasson, Harvard University
On the Place of Clinical Narratives in Medical Writing: Huarte and His
Readers
Alice Brooke, University of Oxford
Sor Juana’s Dangerous Knowledge: The Critique of the New Philosophy in
Carta de sor Filotea
10121 Ethics and Religion in Machiavelli’s
Park Plaza Thought
Fourth Floor
Franklin Room
Sponsor: Center for Medieval and Renaissance Studies, University of California,
Los Angeles
Organizer: Andrea Moudarres, University of California, Los Angeles
Chair: Arielle Saiber, Bowdoin College
Andrea Moudarres, University of California, Los Angeles
Machiavelli and the Ethics of Fratricide
Peter Stacey, University of California, Los Angeles
On Benefits in Machiavelli
Maurizio Viroli, University of Texas at Austin
Machiavelli and Prophecy
10123 Approaches to the Architecture of the
Park Plaza Decameron: Function and Meaning of
Fourth Floor the cornici
Gloucester Room
Sponsor: American Boccaccio Association
Organizer: Susanna Barsella, Fordham University
Chair: Timothy Kircher, Guilford College
Susanna Barsella, Fordham University
Excessus Amoris: Passion, Compassion, and Boccaccio’s Philosophy of
Love in the Proemium of the Decameron
Simone Marchesi, Princeton University
If One Could Make Paradise on Earth: The Garden Frame of Decameron
Days 3–6
Marco Veglia, Università degli Studi di Bologna
Vita e morte della cornice del Decameron

59
Thursday, 31 March 2016

10124 Greek Rhetoric in the Renaissance

8:30–10:00

Park Plaza
Fourth Floor
Holmes Room
Sponsor: Rhetoric, RSA Discipline Group
Organizer and Chair: Elizabeth Skerpan-Wheeler, Texas State University
Manfred E. Kraus, Eberhard Karls Universität Tübingen
Naturalizing Aphthonius: Renaissance Vernacular Translations of
Progymnasmata Textbooks
Lawrence Green, University of Southern California
Homogenizing Rhetorical Theory
10125 The Court of the Lion I: Performance
Park Plaza and Classical Scholarship in the Curia
Fourth Floor of Leo X
Longfellow Room
Sponsor: Society of Fellows (SOF) of the American Academy in Rome (AAR)
Organizer: Elizabeth M. McCahill, University of Massachusetts Boston
Chair: Kenneth Gouwens, University of Connecticut
Susanna de Beer, Universiteit Leiden
Negotiating Literary Patronage in the Age of Leo X
Frances Muecke, University of Sydney
Valeriano, Leo X, and the Significance of Lightning Strikes
Elizabeth M. McCahill, University of Massachusetts Boston
Performing Hierarchy: Papal Ceremonial and Pietro Galatino’s De republica
christiana
10126 Early Modern Women and Literary
Park Plaza Collaboration I
Fourth Floor
Newbury Room
Sponsor: Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Organizer: Patricia J. Pender, University of Newcastle
Chair: Leah Marcus, Vanderbilt University
Patricia J. Pender, University of Newcastle
“A veray patronesse”: Margaret Beaufort and the Early English Printers
Micheline White, Carleton University
Henry VIII, Katherine Parr, and Literary Collaboration
Alexandra Day, University of Newcastle, NSW
Collaboration and the Lumley/Fitzalan Family Manuscripts

60
 Thursday, 31 March 2016
10127 “Mauvaises herbes”: Literary and

8:30–10:00
Park Plaza Scientific Representations of the Wild
Fourth Floor
Stuart Room
Organizers: Pauline Goul, Cornell University;
Jeremie Charles Korta, Harvard University
Chair: Tom Conley, Harvard University
Jeremie Charles Korta, Harvard University
Botanical Practice and Imagination: The Curious Case of Rhubarb in Sixteenth-
Century France
Katie Kadue, University of California, Berkeley
Maintaining the Garden of Letters in Du Bellay’s Défense
Myriam Marrache-Gouraud, Université de Bretagne Occidentale
Le sens des épines: Considérations sur une nature “poignante”
Pauline Goul, Cornell University
A Wild New World: Sauvage Fertility and the Issue of Labor
10128 Renaissance Food History I:
Park Plaza Cookbooks as Sources
Fourth Floor
Tremont Room
Organizer and Respondent: Allen J. Grieco, Villa I Tatti, The Harvard University Center for
Italian Renaissance Studies
Chair: Mark Jurdjevic, York University, Glendon College
Wanessa Asfora Nadler, Universidade Estadual de Campinas, IFCH
Collecting and Interpreting Apicius in Fifteenth-Century Italy: Manuscript
Tradition and Circulation of Culinary Knowledge
Deborah L. Krohn, Bard Graduate Center
Giegher and Härsdorffer: Carving and Folding Between Italy and Germany
10129 The Renaissance Virgil
Park Plaza
Fourth Floor
White Hill Room
Organizer: Joseph M. Ortiz, University of Texas at El Paso
Chair: Marian Rothstein, Carthage College
Stephen Dan Mills, Kennesaw State University
Translating the Text, Translating the Author: James Harrington’s Aeneid
Joseph M. Ortiz, University of Texas at El Paso
Mapping Virgil in the New World: Villagrá and the New Mexican Aeneid
Phillip John Usher, New York University
Virgil’s “New France”: On Marc Lescarbot

61
Thursday, 31 March 2016

10130 Jacques Grévin à la croisée des savoirs

8:30–10:00

Park Plaza
Fourth Floor
Winthrop Room
Sponsor: Fédération internationale des sociétés et des instituts pour l’étude de la
Renaissance (FISIER)
Organizer: Rosanna Gorris Camos, Università degli Studi di Verona
Chair: Michael Meere, Wesleyan University
Rosanna Gorris Camos, Università degli Studi di Verona
“Une Muse perfette”: Poésie et science dans les recueils poétiques de Jacques
Grévin
Daniele Speziari, Università degli Studi di Verona
Jacques Grévin et le savoir zoologique dans les recueils d’emblèmes et dans les
Livres des venins
Riccardo Benedettini, Università degli Studi di Verona
Quelques réflexions sur Jacques Grévin médecin et traducteur du De Præstigiis
Dæmonum de Jean Wier
10131 Rabelais: Etats de la recherche
Park Plaza
Fourth Floor
Whittier Room
Organizers: Claude La Charité, Université du Québec à Rimouski;
Bernd Renner, CUNY, Brooklyn College and The Graduate Center
Chair: Mireille Huchon, Université Paris-Sorbonne
Claude La Charité, Université du Québec à Rimouski
Rabelais scénariste des mondes imaginaires de Pline l’Ancien dans Pantagruel,
Gargantua, et le Tiers livre
Romain Menini, Université Paris-Est Marne-la-Vallée
Un livre de médecine annoté par Rabelais: Les Errata recentiorum medicorum LX
de Leonhart Fuchs
Bernd Renner, CUNY, Brooklyn College and The Graduate Center
Tragique farce ou tragique comédie? L’exemple du Quart Livre
Anne-Pascale Pouey-Mounou, Université Paris-Sorbonne
Mouches et escarmouches: De quelques jeux de langage rabelaisiens

62
 Thursday, 31 March 2016
10133 Artistic Exchange between Italy and the

8:30–10:00
Hynes Convention Center Netherlands, 1300–1700 I
Level Two
200
Sponsors: Historians of Netherlandish Art; Italian Art Society
Organizers: Amy Golahny, Lycoming College;
Sheryl E. Reiss, Italian Art Society
Chair: Amy Golahny, Lycoming College
Till-Holger Borchert, Flemish Research Center for the Arts of the Burgundian
Netherlands and the Groeningemuseum
Jan van Eyck, Italy, and the Italians
Jürgen Müller, Technische Universität Dresden
Fortune and Modernity: Urs Graf, Raphael, and the Invention of Parody
Anna Marazuela Kim, Courtauld Institute of Art
Reformations of the Idol in Maerten van Heemskerck’s St. Luke and the Virgin
(ca. 1550s)
Natasha Seaman, Rhode Island College
“Sell me first thy birthright”: Jacopo Bassano, Hendrick ter Brugghen, and
Competition around Candlelight in Utrecht
10134 From Sketch to Drawing: Invention
Hynes Convention Center and Practice in Rome, 1500–1650 I
Level Two
201
Sponsor: Italian Academy for Advanced Studies in America, Columbia University
Organizer: Ginette Vagenheim, Université de Rouen
Chair: Diane Bodart, Columbia University
Linda Wolk-Simon, Fairfield University
The Pitfalls of Drawing in the Practice of Raphael, Giulio Romano, and Perino
del Vaga
Alessandra Pattanaro, Università degli Studi di Padova
Girolamo da Carpi: Problems of Authography and Attribution
Ginette Vagenheim, Université de Rouen
Pirro Ligorio’s “Preparatory Drawings” for Some Iconographic Programs

63
Thursday, 31 March 2016

10135 Architectural Know-How I

8:30–10:00

Hynes Convention Center

Level Two
202
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: Christy Anderson, University of Toronto
Chair: Mirka M. Benes, University of Texas at Austin
Elizabeth J. Petcu, Ludwig-Maximilians-Universität München
Timber and Techne: The Genius of the Woodworker in Northern Europe
Johanna Heinrichs, Dominican University
Time Management: How Palladio Built for the Future
Hermann Schlimme, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
The Creation of the Western Buildings in the Yuanmingyuan: A Specific
Epistemic and Cross-Cultural Case
10136 Whose (French) Renaissance?
Hynes Convention Center
Level Two
203
Organizers: Lisa Andersen, University of British Columbia;
Ivana Vranic, University of British Columbia
Chair: Camille Weiss, Suffolk University
Nicholas Herman, Université de Montréal
“Autres nouvelles choses de par delà”: Dynamic Responses to Italian Art in
France ca. 1500
Charles Howard, New York University, Institute of Fine Arts
Lombard Sculpture at the Château de Gaillon
Jamie Kwan, Princeton University
A Taste for Genre: Etienne Delaune’s Months of the Year
10137 The Vision of Angels in
Hynes Convention Center Renaissance Art I
Level Two
204
Organizer: Louise Marshall, University of Sydney
Chair: Judith Steinhoff, University of Houston
Meredith J. Gill, University of Maryland, College Park
Sex and the Spirit: Angels and Gender
Louise Marshall, University of Sydney
Helping the Helper: Saint Roch and the Angel in Renaissance Art
Randi Klebanoff, Carleton University
Angelic Visions

64
 Thursday, 31 March 2016
10138 Inscribing and Performing Musical

8:30–10:00
Hynes Convention Center Devotions
Level Two
205
Organizer: Renaissance Society of America
Chair: Christopher Crosbie, North Carolina State University
Graeme M. Boone, The Ohio State University
From Ink to Ideology: Scriptive Transformations on the Cusp of Musical
Modernity
Alanna Ropchock, Case Western Reserve University
The Ronneburg Masses: Music and Iconography from a Sixteenth-Century
Lutheran Castle
Murray Steib, Ball State University
Missa De tous biens plaine and Editing
10139 Sacri Monti: Materiality, Topography,
Hynes Convention Center Devotion I
Level Two
206
Organizers: Isabella Augart, Universität Hamburg;
Claudius A. Weykonath, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
Chair: Geoffrey Symcox, University of California, Los Angeles
Yamit Rachman-Schrire, Hebrew University of Jerusalem
Vestigia Christi sequi: Christ’s Imprints on the Stones of Jerusalem
Isabella Augart, Universität Hamburg
Stones and Bones: Representing Sacred Topography in Early Modern Italy
Alessandro Scafi, Warburg Institute, University of London
Recreating Eden in Piedmont: Shifting Views on the Fall in Early Modern Italy
10140 Affective Bonds on the English
Hynes Convention Center Renaissance Stage
Level Two
207

Organizer: Renaissance Society of America

Chair: Teresa Grant, University of Warwick
Sae Kitamura, Musashi University
Staging Dangerously Seductive Men in the English Renaissance
Karoline Johanna Baumann, Freie Universität Berlin
“Star-crossed lovers”: Troilus and Cressida’s Hector and Achilles as Figurations of
Self and Other
Erin Ashworth-King, Angelo State University
“A sympathy of woe”: Titus Andronicus, Stoicism, and Familial Affinity

65
Thursday, 31 March 2016

10141 Dialogues between Poetry, Sculpture,

8:30–10:00

Hynes Convention Center Architecture, and Painting

Level Two
208
Organizer: Renaissance Society of America
Chair: Leonard Barkan, Princeton University
Respondent: Michael W. Cole, Columbia University
Fernando Loffredo, CASVA
Statues Revealed by Verses: Dialogues between Sculpture and Poetry in
Renaissance Italy and Spain
Margaret M. D’Evelyn, Principia College
Albrecht Dürer in Daniele Barbaro’s Commentaries on Vitruvius
Mari Yoko Hara, Rhode Island School of Design
Between Poetry and Philology: The Notion of Invention in Renaissance
Architecture
Tracy Cosgriff, University of Virginia
Raphael’s Dante and the Poetics of Painting
10142 Artists and Friendship in the
Hynes Convention Center Renaissance
Level Two
210
Organizers: Meryl Bailey, Mills College;
Elizabeth Carroll Consavari, San Jose State University
Chair: Tracy E. Cooper, Temple University
Michelle DiMarzo, Temple University
Titian, Giovanni della Casa, and the Circulation of Portraits in the gioco delle
palle
Sophia Quach McCabe, University of California, Santa Barbara
Hans Rottenhammer: Friend, Collaborator, Strategist
Colin A. Murray, University of Toronto
Disegno and Academic Sodality at the End of the Venetian Renaissance
Kjell Wangensteen, Princeton University
Drawing on Kinship: Friendship and Drawing Pedagogy in the Mid-Seventeenth
Century

66
 Thursday, 31 March 2016
10143 Business Culture and Domestic

8:30–10:00
Hynes Convention Center Culture in Early Modern English
Level Three Drama
302
Sponsor: University of North Texas Medieval and Renaissance Colloquium (MRC)
Organizer: Ann Christensen, University of Houston
Chair: Coppélia Kahn, Brown University
Ariane M. Balizet, Texas Christian University
The Businesses of Being Born: Economies of Birth and Infant Care in
Renaissance Drama
Ann Christensen, University of Houston
Shoes: Sexy since 1599; Or, Consuming Women in Renaissance Drama
Jessica Slights, Acadia University
“The Business of the State”: Political Security and Domestic Threat in
Shakespeare’s Othello
10144 Political Theologies in Early Modern
Hynes Convention Center England I
Level Three
303
Sponsor: Medieval-Renaissance Colloquium at Rutgers University
Organizer: Stephanie Hunt, Rutgers University
Chair: Richard C. McCoy, CUNY, Queens College and The Graduate Center
William Junker, University of St. Thomas
Doomsday, Bale, and Blumenberg
Beatrice Laura Ruth Groves, Trinity College, University of Oxford
Inwardness and Community: Psalms and Sonnets in Sixteenth-Century English
Literature
Brian Christopher Lockey, St. John’s University
“Obaying natures first beheast”: Natural Law, Rebellion, and the Christian
Commonwealth in Spenser’s Mutability Cantos
10145 Receptions of Classical Texts on the
Hynes Convention Center Early Modern English Stage
Level Three
304
Organizer and Chair: Benjamin V. Beier, Washburn University
Respondent: Mary Nyquist, University of Toronto
Katherine Heavey, University of Glasgow
Staging Myth in the Plays of Thomas Heywood
James Macdonald, Sewanee, The University of the South
Biblical Matter and Classical Style in George Buchanan and Martin Bucer
Andrew D. McCarthy, University of Tennessee, Chattanooga
Grief, Masculinity, and the Return to Rome in Dido, Queen of Carthage and Hamlet

67
Thursday, 31 March 2016

10146 Spirit and Body in Milton

8:30–10:00

Hynes Convention Center

Level Three
305
Sponsor: Milton Society of America
Organizers: Ann Baynes Coiro, Rutgers University, New Brunswick;
Stephen M. Fallon, University of Notre Dame
Chair: Ann Baynes Coiro, Rutgers University, New Brunswick
George Pasquale Moore, University of Connecticut
“His uncontrollable intent”: Failed Iconoclasm and Material Agencies in Samson
Agonistes
Seth Lobis, Claremont McKenna College
Occult Sensation and Mortal Knowledge in Paradise Lost
Brendan M. Prawdzik, Christian Brothers University
Areopagitica and Hawthorne’s Young Goodman Brown: Sin, Allegory, and “the
Field of this World”
10147 Failures of Playing and Playgoing in
Hynes Convention Center Early Modern England
Level Three
306
Sponsor: Massachusetts Center for Interdisciplinary Renaissance Studies
Organizer: Michael West, Columbia University
Chair: Carla J. Mazzio, SUNY, University at Buffalo
Respondent: Adam Zucker, University of Massachusetts Amherst
Alice Leonard, Université de Neuchâtel
Metaphor: Failure or Poetry in A Midsummer Night’s Dream?
Matteo Pangallo, University of Massachusetts Amherst
The Butcher’s Good Batoone: Property Failures on the Early Modern Stage
Michael West, Columbia University
Foreign Languages, The Spanish Tragedy, and Enigmatic Theater

68
 Thursday, 31 March 2016
10148 Mysteria et Sacramenta: On the

8:30–10:00
Hynes Convention Center Representation of Mysteries I
Level Three
308
Sponsor: Group for Early Modern Cultural Analysis (GEMCA)
Organizers: James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell
Blaffer Foundation;
Agnès Guiderdoni, Université Catholique de Louvain;
Walter Melion, Emory University
Chair: Walter Melion, Emory University
Elliott Wise, Emory University
Brides of Christ and Temples of Living Stones in Robert Campin’s Marriage of
the Virgin
Barbara Haeger, The Ohio State University
Contemplation, Emulation, and the Mystery of the Incarnation in a Unique
Drawing by Konrad Witz
10149 Secrets of Seicento Siena
Hynes Convention Center
Level Three
309
Organizer: Machtelt Brüggen Israëls, Universiteit van Amsterdam
Chair: Carl B. Strehlke, Philadephia Museum of Art
Joseph Connors, Harvard University
Bernini and Borromini for Alexander VII and Other Sienese Patrons
Machtelt Brüggen Israëls, Universiteit van Amsterdam
The Siren Song of the Past in Seicento Siena
Jane C. Tylus, New York University
The Thingness of Language: Siena’s Rootedness to Place
10150 “Mastery” across Early Modern
Hynes Convention Center Eurasia I
Level Three
310
Organizer: Christiane Hille, Ludwig-Maximilians-Universität München
Chair: Sussan Babaie, Courtauld Institute of Art
Christiane Hille, Ludwig-Maximilians-Universität München
Artistic Mastery: Towards a Cross-Cultural Perspective
Shane McCausland, SOAS, University of London
“Mastery” in Early Seventeenth-Century China
Bilal Badat, The Prince’s School of Traditional Arts
“The Prophet of Penmanship”: The Concept of Mastery in Ottoman Calligraphy
Sylvia Houghteling, Bryn Mawr College
The Masterly Dyeing of the Ustad Rangrez in Seventeenth-Century South Asia

69
Thursday, 31 March 2016

10151 New Technologies and Renaissance

8:30–10:00

Hynes Convention Center Studies I: The Medieval and

Level Three the Digital
311
Sponsor: Iter: Gateway to the Middle Ages and Renaissance
Organizers: William Bowen, University of Toronto, Scarborough;
Raymond G. Siemens, University of Victoria
Chair: William Bowen, University of Toronto, Scarborough
Lisa Tagliaferri, CUNY, The Graduate Center
Analyzing Renaissance Social Networks
Chris Nighman, Wilfrid Laurier University
Digital Approaches to Assessing the Reception of Thomas of Ireland’s
Manipulus florum
Matthew Evan Davis, North Carolina State University
Visualization, Big Data, and the Erasure of Text and Paratext in the
Digital Humanities
10152 Holding Manhoods Cheap:
Hynes Convention Center Masculine Identity on the Early
Level Three Modern Stage
313
Sponsor: Rocky Mountain Medieval and Renaissance Association
Organizer: Kristin M. S. Bezio, University of Richmond
Chair: Emily Gruber Keck, Boston University
Matthew Stokes, Boston University
Anti-Rapier Rhetoric and Genre in Shakespeare
Daniel Salerno, Bergen Community College
The Roughest Berry on the Rudest Hedge: Shakespeare, Asceticism, and
Masculine Identity
Liam Meyer, Boston University
“A Spirit of his Erection”: Social Advancement in George Chapman’s The Widow’s Tears

70
 Thursday, 31 March 2016
Thursday, 31 March 2016

10:30–12:00
10:30–12:00

10204 Annotated Books II: Discovering the

Park Plaza Reader in Library Collections
Mezzanine
Boylston Room
Sponsor: Charles Singleton Center for the Study of Premodern Europe
Organizer and Chair: Earle A. Havens, Johns Hopkins University
Respondent: Johan Oosterman, Radboud University Nijmegen
Jessica Otis, Carnegie Mellon University
From Provenance to Scratchwork: Marginalia in Early Modern Arithmetic Textbooks
Laura Aydelotte, University of Pennsylvania
The People in the Margins: Book Owners Known and Unknown in the
Provenance Online Project
Philip S. Palmer, University of Massachusetts Amherst
Digitizing Manuscript Marginalia
10205 Paratextual Production and Reception
Park Plaza in Jewish Literary Culture
Mezzanine
Commonwealth Room
Sponsor: Hebraica, RSA Discipline Group
Organizer: Dana E. Katz, Reed College
Chair: Federica Francesconi, College of Idaho
Adam Shear, University of Pittsburgh
The Examination of the World from Manuscript to Print
Michela Andreatta, University of Rochester
Leon Modena’s Poems for Books and the Paratextual Production of Authority in
Early Modern Venice
10206 Archival Dramas: New Research in
Park Plaza Literary History
Mezzanine
Statler Room
Sponsor: Center for Editing Lives and Letters (CELL), University College London
Organizer and Chair: Matthew Symonds, University College London
Amy Bowles, University of Cambridge
“Dressing the Text”: Ralph Crane’s Scribal Publication of Drama
Helena Catherine Kaznowska, University of Oxford
Stories Between Storeys: Familial Control and Community Feuds on Early
Modern Domestic Stairs
Will Tosh, Shakespeare’s Globe
Good As New: Theater History, Performance Studies, and Practice as Research at
the Sam Wanamaker Playhouse

71
Thursday, 31 March 2016

10207 Translating Sacramentalia

10:30–12:00

Park Plaza
Mezzanine
Hancock Room
Sponsor: History, RSA Discipline Group
Organizer: Mary R. Laven, Jesus College, University of Cambridge
Chair and Respondent: Simon Ditchfield, University of York, Vanbrugh College
Suzanna Ivanic, Gonville and Caius College, University of Cambridge
Domesticating Devotional Objects during the Recatholicization of Prague
Tara Alberts, University of York
Translating the Healing Power of Sacramentalia between Asia and Europe in the
Sixteenth and Seventeenth Centuries
Karen Melvin, Bates College
Importing Sacramentalia: The Commercial Lives of Devotional Objects
10208 Curiosity and Modernity in Early
Park Plaza Modern Spain II
Mezzanine
Exeter Room
Sponsor: Renaissance and Early Modern Studies, Princeton University
Organizer: Marina S. Brownlee, Princeton University
Chair: Ronald Surtz, Princeton University
Sonia Velazquez, Indiana University
Cervantes’s Curious Comedia: El rufián dichoso as a Drama of Care
Steve Vásquez Dolph, University of Pennsylvania
Care, Curiosity, and the Problematic Modernity of Pastoral Otium
Marina S. Brownlee, Princeton University
Curiosity and Modernity in Mexía’s “Silva de varia lección”
Josiah Blackmore, Harvard University
The Curious Seafarer: Amphibious Narratives of Early Modern Portuguese Expansion
10209 Readers of the Lost Art:
Park Plaza Neo-Latin Poetic Descriptions
Mezzanine of Lost Renaissance Art
Clarendon Room
Sponsors: Neo-Latin Literature, RSA Discipline Group;
Art and Architecture, RSA Discipline Group
Organizer: Bernhard Schirg, Freie Universität Berlin
Chair: Susanna de Beer, Universiteit Leiden
Bernhard Schirg, Freie Universität Berlin
Art and Magnificence in Giovambattista Cantalicio’s Poems to the Rebellious
Cardinal Bernardino de Carvajal (1511)
Paul Gareth Gwynne, American University of Rome
A Program for the Decoration of the Villa Medici by Francesco Sperulo (1519)
Kathleen Christian, Open University
Artworks in the Poetry of Antonio Biaxander, “Il Flaminio”

72
 Thursday, 31 March 2016
10210 (Dis)Order and Popular Politics in

10:30–12:00
Park Plaza Renaissance Venice: Actions and
Mezzanine Representations II
Berkeley Room
Organizers: Claire Judde de Larivière, Université de Toulouse-Jean Jaurès;
Rosa Miriam Salzberg, University of Warwick;
Maartje Van Gelder, Universiteit van Amsterdam
Chair: Claire Judde de Larivière, Université de Toulouse-Jean Jaurès
Respondent: Joanne M. Ferraro, San Diego State University
Maartje Van Gelder, Universiteit van Amsterdam
Subversion in the Serenissima: Popular Political Dissent in Early Modern Venice
Andrea Vianello, St. Joseph’s College of Maine
“We don’t want him!”: Popular Rebellion, Aristocratic Politics, and Welfare
Reform in Seventeenth-Century Venice
Andrea Zannini, Università di Udine
Inside the Populo: The Language of Conflicts in the World of Venetian Guilds,
Sixteenth through Eighteenth Centuries
10211 Joint Labors: Actor-Audience-
Park Plaza Playwright Collaborations in Early
Mezzanine Modern English Theater
Arlington Room
Organizer: Nancy Selleck, University of Massachusetts Lowell
Chair: Allison Deutermann, CUNY, Baruch College
Tanya Pollard, CUNY, Brooklyn College
Celebrity Players and Regendering English Tragic Roles
Penelope Woods, University of Western Australia
An Ecstasy of Pity: The Pietá on the Early Modern Stage
Nancy Selleck, University of Massachusetts Lowell
Questioning Soliloquies: Acting Practice and Audience Response
10212 The Early Modern Material Text II:
Park Plaza Surface, Image, Point
Mezzanine
Georgian Room
Organizer and Chair: Jason E. Scott-Warren, Gonville and Caius College,
University of Cambridge
Lucy Razzall, Queen Mary University of London
“Like to a title-leaf ”: Textual Surfaces in Early Modern England
Sarah Howe, Harvard University, Radcliffe Institute
“Disjunctive” Prints: Reading Illustrated Books in Early Modern England
Andrew Zurcher, Queens’ College, University of Cambridge
Shakespeare’s Paronomastic Pointing

73
Thursday, 31 March 2016

10213 Early Modern Information Networks

10:30–12:00

Park Plaza and Multimediality

Fourth Floor
Brookline Room
Sponsor: Germanic Literature, RSA Discipline Group
Organizer and Chair: Anne-Laure Van Bruaene, Universiteit Gent
Rosanne Baars, Universiteit van Amsterdam
News about the French Wars of Religion: The Interplay between Oral and
Printed Reports
Louise Vermeersch, Universiteit Gent
Urban Context and Multimedia Practices: The Migration of Content between
Printed, Oral, and Scripted Media
Elizabeth Williamson, Folger Shakespeare Library
Multimedia and the Presentation of Early Modern Political Intelligence
10214 The Interaction of Art and Relics in
Park Plaza Early Modernity II
Fourth Floor
Cambridge Room
Organizers: Andrew R. Casper, Miami University;
Livia Stoenescu, Texas A&M University
Chair: Alexander Nagel, New York University
Livia Stoenescu, Texas A&M University
Loca Sancta, Medieval Combinations, and the Catholic Reform
Ashley Elston, Berea College
Francesco di Valdambrino’s Reliquary Statues and the Possibilities of Material
Accretion
Kristina Maria Keogh, Indiana University
The Narrative Presentation of the Holy Relic Body
10215 Of Mongrels and Masterpieces:
Park Plaza Hybridity in the Renaissance II
Fourth Floor
Beacon Hill Room
Sponsor: Renaissance Studies Certificate Program, Graduate Center, CUNY
Organizer: Clare Carroll, CUNY, Queens College
Chair: Sarah Covington, CUNY, Queens College
Philip D. Collington, Niagara University
Tara Collington, University of Waterloo
Proteus and Generic Hybridity in The Two Gentlemen of Verona
Claire Sommers, CUNY, The Graduate Center
Privileged Patchworks: Genre and Hybridity in Sidney’s Arcadia and the Ancient
Novel
Daniel Bender, Pace University
Richard Mulcaster, Schoolmaster: Naturalizing Ancient Imperialism in Tudor
England

74
 Thursday, 31 March 2016
10216 Authorial Translation in Renaissance

10:30–12:00
Park Plaza Europe II
Fourth Floor
Back Bay Room
Sponsor: Centre for the Study of the Renaissance, University of Warwick
Organizers: William Barton, King’s College London;
Sara Olivia Miglietti, Johns Hopkins University
Chair: Bryan Brazeau, University of Warwick
Respondent: Eugenio Refini, Johns Hopkins University
Joshua Samuel Reid, East Tennessee State University
The Figure of the Poet-Translator in the Italian Romance Epic
Matteo Favaretto, City Lit
Matteo Maria Boiardo as Translator of Apuleius
Giacomo Comiati, University of Warwick
“[I]l vulgare commento del latino et il latino commento del vulgare”: Ippolito
Capilupi as Self-Translator
10217 Identifying Renaissance
Park Plaza Philosophy II
Fourth Floor
Brandeis Room
Sponsor: Philosophy, RSA Discipline Group
Organizer: David A. Lines, Warwick University
Chair: Lodi Nauta, Rijksuniversiteit Groningen
Alex Russell, University of Warwick
Physics in the Fifteenth Century: New Trends or Scholastic Continuity?
Cecilia Muratori, Warwick University
The Philosopher in the Cage: Animals and the Definition of Philosophy in
Alberti’s Momus
Kaarlo Havu, European University Institute
Juan Luis Vives on Philosophy and Rhetoric
10218 Lost and Found II
Park Plaza
Fourth Floor
Cabot Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizers: Vera A. Keller, University of Oregon, Clark Honors College;
Aaron C. Shapiro, Boston University;
Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Kristine Louise Haugen, California Institute of Technology
Respondent: Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Brian Pietras, Rutgers University
A Canon Without a Corpus?: Humanists and the “Lost” Women Writers of Antiquity
Aaron C. Shapiro, Boston University
Bibliotaphs and Pyroplagiarists in the Early Republic of Letters

75
Thursday, 31 March 2016

10219 Judging Petrarch’s Lyric Poems in

10:30–12:00

Park Plaza Renaissance Italy II

Fourth Floor
Charles River Room
Organizer and Respondent: Maiko Favaro, Freie Universität Berlin
Chair: Fabio Finotti, University of Pennsylvania
Andrea Lazzarini, Scuola Normale Superiore di Pisa
Deconstructing Petrarch: Alessandro Tassoni’s Considerazioni sul Petrarca and
Their Textual History
Laura Benedetti, Georgetown University
Travelling With Petrarch: The Debate on Alessandro Tassoni’s Considerazioni
sopra le Rime del Petrarca
Francesca Bravi, Christian-Albrechts-Universität zu Kiel
Petrarch’s Echoes in Arcadia: Reading the Canzoniere and Renaissance Rime
around 1700
10220 From Short Story to Tragedy:
Park Plaza Luigi da Porto and Shakespeare
Fourth Floor
Constitution Room
Sponsor: Center for Medieval and Renaissance Studies, University of California, Los Angeles
Organizer: Roberto Fedi, Università per Stranieri di Perugia
Chair: Massimo Ciavolella, University of California, Los Angeles
Andrea Fedi, SUNY, Stony Brook University
“Un fatto interessante e famoso per le straordinarie particolarità”: Cesare della
Valle’s Giulietta e Romeo
Roberto Fedi, Università per Stranieri di Perugia
Brief History of the Morte Vivante
Serena Cozzucoli, Università per Stranieri di Perugia
The “Moralized” Giulietta of Matteo Bandello and the Sensual Adriana by Luigi Groto
Antonella Tropeano, Università per Stranieri di Perugia
Classical and Vernacular Sources of the Tale of Romeo and Juliet from Ovid to
Boccaccio
10221 Machiavelli on Florence and
Park Plaza Florentine History
Fourth Floor
Franklin Room
Organizer: Mark Jurdjevic, York University, Glendon College
Chair: Simone Testa, European University Institute
John P. McCormick, University of Chicago
Faulty Foundings and Failed Reformers in Machiavelli’s Florence
Mauricio Suchowlansky, Arizona State University
From Inequality to “Wonderful Equality”: Society and Civil Discord in
Machiavelli’s Florentine Histories
Mark Jurdjevic, York University, Glendon College
Machiavelli and Guicciardini

76
 Thursday, 31 March 2016
10222 1516: Text, Context, and More’s

10:30–12:00
Park Plaza Utopia
Fourth Floor
Emerson Room
Sponsor: International Association for Thomas More Scholarship
Organizer and Chair: Donald Gilman, Ball State University
Marie-Rose Logan, Soka University of America
From the Utopia to the Field of the Golden Cloth: Thomas More’s Zest for Life
Emily A. Ransom, University of Notre Dame
Affective Devotion and Utopia’s Passionate Piety
Gregory Dodds, Walla Walla University
“Idoliz’d Model of a Commonwealth”: Politics and Thomas More’s Utopia in
Restoration England
10223 The Decameron and the Genealogie
Park Plaza deorum gentilium
Fourth Floor
Gloucester Room
Sponsor: American Boccaccio Association
Organizers: Kenneth P. Clarke, University of York;
Sebastiana Nobili, Università degli Studi di Bologna
Chair: Kenneth P. Clarke, University of York
Tobias Foster Gittes, Concordia University
Abling Cain: Boccaccio’s Redemption of the Social Outcast in the Decameron
and the Genealogie
Martin Eisner, Duke University
Boccaccio’s Defense of Poetry and the Plea for Diversity in the Decameron and
Genealogie
Sebastiana Nobili, Università degli Studi di Bologna
Cornici: Tra Decameron e Genealogia
10224 Theory and Practice in Humanist and
Park Plaza Tudor Rhetoric
Fourth Floor
Holmes Room
Sponsor: Rhetoric, RSA Discipline Group
Organizer and Chair: Elizabeth Skerpan-Wheeler, Texas State University
Respondent: Lawrence Green, University of Southern California
Drew J. Scheler, St. Norbert College
Rhetorical Intimacy in Erasmian Epistolary Theory
Ted Armstrong, Valparaiso University
“Unrestricted Rhetoric”: Revisiting Rainolde’s Lectures

77
Thursday, 31 March 2016

10225 The Court of the Lion II: Performance

10:30–12:00

Park Plaza and Classical Scholarship in the Curia

Fourth Floor of Leo X
Longfellow Room
Sponsor: Society of Fellows (SOF) of the American Academy in Rome (AAR)
Organizer: Elizabeth M. McCahill, University of Massachusetts Boston
Chair: Jennifer Mara DeSilva, Ball State University
Anthony M. Cummings, Lafayette College
Alexander Dean, A-R Editions, Inc.
From Frottola to Madrigal: Leonine Musical Tastes and Don Michele Pesenti da
Verona’s Compositional Development
Margaret Meserve, University of Notre Dame
Print and Propaganda in the Rome of Leo X
10226 Early Modern Women and Literary
Park Plaza Collaboration II
Fourth Floor
Newbury Room
Sponsor: Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Organizer and Chair: Patricia J. Pender, University of Newcastle
Louise Elizabeth Horton, Birkbeck, University of London
The Clerics and the Learned Lady: Reforming the Religious Texts of Lady Jane
Grey
Rosalind L. Smith, University of Newcastle
Early Modern Women’s Marginalia as Collaborative Textual Practice
Julie Crawford, Columbia University
Is Literary Patronage a Form of Literary Collaboration?
10227 Ceremonial, Ritual, and the Place of
Park Plaza Queens at the Courts of Henri IV to
Fourth Floor Louis XIV
Stuart Room
Sponsor: Performing Arts and Theater, RSA Discipline Group
Organizers: Nicola Courtright, Amherst College;
Melinda Gough, McMaster University
Chair: Sheila ffolliott, George Mason University
Respondent: Katherine Crawford, Vanderbilt University
Melinda Gough, McMaster University
Queen’s Ballet as Royal Ceremonial at the Courts of Henri IV and Louis XIII
Nicola Courtright, Amherst College
Expressions of Political Authority in the Fontainebleau Gardens of Henri IV and
Marie de Médicis
Abby Zanger, Independent Scholar
Printing the Afterbirth: Bourbon Childbirth and the Queen’s Performance of
Political Power

78
 Thursday, 31 March 2016
10228 Renaissance Food History II: Food

10:30–12:00
Park Plaza Cultures in a Transatlantic Perspective
Fourth Floor (1500–1700)
Tremont Room
Organizers: Allen J. Grieco, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies;
Gregorio Saldarriaga, Universidad de Antioquia
Chair: Diane Yvonne Ghirardo, University of Southern California
Respondent: Phil Withington, University of Sheffield
Allen J. Grieco, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
Ordering the Edible World in Renaissance Italy: Fifteenth- and Sixteenth-
Century Dietary Treatises
Gregorio Saldarriaga, Universidad de Antioquia
Analogical Classifications of Ibero-American Foodstuffs in the Fifteenth and
Sixteenth Centuries
Rebecca Earle, University of Warwick
The Early Modern Potato
10229 Listening with Virgil’s Ear: Readings
Park Plaza of Pontano’s and of Sannazaro’s Latin
Fourth Floor Verse according to Pontano’s Actius
White Hill Room
Organizer: Marc Deramaix, Université de Rouen
Chair: John Monfasani, SUNY, University at Albany
Marc Deramaix, Université de Rouen
Non uiribus aequis? Sannazaro’s Art of Versification between Virgil and Pontano’s Actius
Georges Tilly, Université de Rouen
Garden as a Monumentum: Pontano’s Practice of the Virgilian Verse in De hortis
Hesperidum
Gaëtan Lecoindre, University of Rouen
Reading Sannazaro’s Latin Verse According to Pontano’s Dialogue Actius: The
Example of the Eclogae Piscatoriae
10230 Aspects of Vileness in Early Modern
Park Plaza France
Fourth Floor
Winthrop Room
Organizer: Jonathan H. C. Patterson, St. Hugh’s College, University of Oxford
Chair: Hugh Roberts, University of Exeter
Jennifer Helen Oliver, University of Oxford
Common Sense, Vile Knowledge, and Practices of Subtlety in Sixteenth-Century
France
Jonathan H. C. Patterson, St. Hugh’s College, University of Oxford
“Vilain, scandaleux et meschant”: Pierre de L’Estoile’s Mémoires-journaux; Or, a
Repository of Vileness
Emilia Wilton-Godberfforde, Open University
Ruling over One’s Own Death: The Vile Body and Suicide in Early Modern Tragedy

79
Thursday, 31 March 2016

10231 Ludic Rhetoric Revisited: Rabelais,

10:30–12:00

Park Plaza Fischart, Yver

Fourth Floor
Whittier Room
Organizer: Renaissance Society of America
Chair: Bernd Renner, CUNY, Brooklyn College and The Graduate Center
Florence Brunner, Eberhard Karls Universität Tübingen
Fischart: A Lutheran Reformer or an Erasmian Humanist?
Philippe Baillargeon, University of Massachusetts Amherst
La Rhétorique ludique dans Le Printemps de Jacques Yver
Margaret Harp, University of Nevada, Las Vegas
La Très Mirifique Épopée Rabelais: A Twenty-First-Century Interpretation of
Rabelais’s oeuvre
10233 Artistic Exchange between Italy and
Hynes Convention Center the Netherlands, 1300–1700 II
Level Two
200
Sponsors: Italian Art Society; Historians of Netherlandish Art
Organizers: Amy Golahny, Lycoming College;
Sheryl E. Reiss, Italian Art Society
Chair: Sheryl E. Reiss, Italian Art Society
Kristin deGhetaldi, University of Delaware
Tracing the Evolution of Oil Painting in Renaissance Italy: Previous Assumptions
and New Approaches
Barbara G. Lane, CUNY, Queens College and The Graduate Center
The Portinari Annunciation
Gilbert Jones, Italian Art Society
Where the North meets the South: Leandro Bassano’s Presentation of the Virgin in
the Temple
10234 From Sketch to Drawing: Invention
Hynes Convention Center and Practice in Rome, 1500–1650 II
Level Two
201
Sponsor: Italian Academy for Advanced Studies in America, Columbia University
Organizer: Ginette Vagenheim, Université de Rouen
Chair: Furio Rinaldi, The Metropolitan Museum of Art
Respondent: Ann Sutherland Harris, University of Pittsburgh
Lorenzo Pericolo, University of Warwick
What is Drawing? Guido Reni’s Non-Finito
Caterina Volpi, “Sapienza,” Università di Roma
A Work Diary: Salvator Rosa and Drawing
Louise Rice, New York University
Peeling Back the Layers: New Ways of Looking at Bernini’s Presentation Drawings

80
 Thursday, 31 March 2016
10235 Architectural Know-How II

10:30–12:00
Hynes Convention Center
Level Two
202
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: Christy Anderson, University of Toronto
Chair: Francesco Benelli, Columbia University
David Karmon, Holy Cross
Sensory Solace and Architectural Know-How
Anthony Gerbino, University of Manchester
Scaled, Topographic Drawings in Sixteenth-Century France
Rebecca Shields, Rutgers University, New Brunswick
Building without Theory: Inigo Jones and the Tuscan Order
10236 The Mobility of Art: Negotiating
Hynes Convention Center Knowledge in Early Modern Europe
Level Two
203
Organizers: Charlotte Colding Smith, University of Mannheim;
Mara R. Wade, University of Illinois at Urbana-Champaign;
Michael Wenzel, Herzog August Bibliothek Wolfenbüttel
Chair: Dominic Olariu, Max-Planck-Institut für Wissenschaftsgeschichte
Christina M. Anderson, University of Oxford
Emeralds for the Sultan: When Art and Diplomacy Fail to Mix
Charlotte Colding Smith, University of Mannheim
Near Eastern Hand-Painted Images Reimagined in Early Modern Print and
Book Illustrations
Constanze Keilholz, Westfälische Wilhelms-Universität Münster
Frontispieces in Art Literature in the late Sixteenth and Seventeenth Century
10237 The Vision of Angels in Renaissance
Hynes Convention Center Art II
Level Two
204
Organizer and Chair: Louise Marshall, University of Sydney
Kim Butler Wingfield, American University
Body and Soul: Raphael’s Angels
Kelly Whitford, Brown University
Angels in the City: Materializing Angelic Bodies on the Ponte Sant’Angelo in
Rome
Alexandra Letvin, Johns Hopkins University
Angelic Witnesses: Francisco de Zurbarán, Juan de Valdés Leal, and the
Flagellation of St. Jerome

81
Thursday, 31 March 2016

10238 Music, Devotion, and Travel

10:30–12:00

Hynes Convention Center

Level Two
205
Organizer: Renaissance Society of America
Chair: David Kidger, Oakland University
Michael Alan Anderson, University of Rochester, Eastman School of Music
Giving Voice to Prayer
Joseph M. Sargent, University of Montevallo
Francisco Guerrero and the Shadow of Jerusalem
Christine S. Getz, University of Iowa
Travel through Morigia’s Milan in the Music Prints of Filippo Lomazzo
10239 Sacri Monti: Materiality, Topography,
Hynes Convention Center Devotion II
Level Two
206
Organizers: Isabella Augart, Universität Hamburg ;
Claudius A. Weykonath, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
Chair: Geoffrey Symcox, University of California, Los Angeles
Rebecca Gill, University of Birmingham
Mobili e Immobili: Sacred Furnishings at the Sacro Monte di Varallo
Claudius A. Weykonath, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
Petrifying Dramatic Events: Dramatically Reviving Dead Material; Galeazzo
Alessi’s Concept for Varallo’s Sacro Monte
10240 Allusion, Indirection, Enigma: Flirting
Hynes Convention Center with Early Modern Uncertainty
Level Two
207
Organizer and Chair: Bret L. Rothstein, Indiana University
Sarah Outterson-Murphy, CUNY, The Graduate Center
Staging Ambiguous Deadness in Romeo and Juliet, King Lear, and The Winter’s
Tale
Kristel Smentek, Massachusetts Institute of Technology
Petrified Wood, Porcelain, and the Play of Resemblance in Early Modern France
Constance Furey, Indiana University
A Fool’s Errand: Errancy and Solidarity in More and Erasmus

82
 Thursday, 31 March 2016
10241 Bernini Sculpture: Attributions New,

10:30–12:00
Hynes Convention Center Disputed, and Reconsidered
Level Two
208
Organizer and Chair: Franco Mormando, Boston College
Steven F. Ostrow, University of Minnesota
A New Portrait Bust by Gian Lorenzo Bernini?
Charles Scribner, Independent Scholar
Imago Christi: Bernini Saviors, Lost and Found?
10242 Makers: Women Artists in the Early
Hynes Convention Center Modern Courts of Europe
Level Two
210
Organizer and Chair: Tanja L. Jones, University of Alabama
Beatrice Mezzogori, Fondazione di Venezia
“Talented amateurs”: Embroideresses in Fifteenth-Century North-Italian
Courts
Jennifer Courts, University of Southern Mississippi
Caterina van Hemessen and Painting as Means to an End
Sophie Marinez, CUNY, Borough of Manhattan Community College
Constructing Dreams: Mademoiselle de Montpensier’s Making of Buildings in
Early Modern France
10243 Structures and Networks in Early
Hynes Convention Center English Drama
Level Three
302
Organizer: James J. Marino, Cleveland State University
Chair: Musa Gurnis, Washington University in St. Louis
Meghan C. Andrews, Lycoming College
Shakespeare’s Printing Patrons
James J. Marino, Cleveland State University
Hamlet’s Part
Brett Gamboa, Dartmouth College
Shakespeare’s Cues for Distributing Parts

83
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10244 Political Theologies in Early Modern

10:30–12:00

Hynes Convention Center England II

Level Three
303
Sponsor: Medieval-Renaissance Colloquium at Rutgers University
Organizer: Stephanie Hunt, Rutgers University
Chair: Debora Shuger, University of California, Los Angeles
Thomas Fulton, Rutgers University
Shakespeare’s Readings of Romans 13
Eric B. Song, Swarthmore College
Jealousy against Substitution: The Political Theology of Marriage in Othello
10246 Composing Body and Soul: Herbert,
Hynes Convention Center Milton, and Reader’s Compilations
Level Three
305
Sponsor: Canadian Society for Renaissance Studies / Société Canadienne d’études
de la Renaissance
Organizer: John A. Nassichuk, University of Western Ontario
Chair: Joseph Black, University of Massachusetts Amherst
Victoria E. Burke, University of Ottawa
Hearts, Ears, and Eyes: Late Seventeenth-Century Women Compiling Herbert,
Milton, and Other Religious Poets
Paul Henry Dyck, Canadian Mennonite University
Herbert’s Book of Remedies: Commonplaces for Afflictions of Body and Spirit
Jason Peters, University of Toronto
Communing with Books in Milton’s Areopagitica
10247 Reading Ethics across Traditions:
Hynes Convention Center Shakespeare, Jonson, and Early Modern
Level Three Syncretism
306
Sponsor: Southeastern Renaissance Conference
Organizer: Christopher Crosbie, North Carolina State University
Chair: Sarah van der Laan, Indiana University
Joshua Keith Scodel, University of Chicago
Freedom, Free Speech, and Virtue: Shakespearean and Jonsonian Examples
Sara Coodin, University of Oklahoma
Scriptural Ethics and the Problem of Action: Jessica as Rachel in The Merchant of
Venice
Christopher Crosbie, North Carolina State University
“His act did not o’ertake his bad intent”: The Ethics of Intention in Measure for Measure

84
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10248 Mysteria et Sacramenta: On the

10:30–12:00
Hynes Convention Center Representation of Mysteries II
Level Three
308
Sponsor: Group for Early Modern Cultural Analysis (GEMCA)
Organizers: James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell
Blaffer Foundation;
Agnès Guiderdoni, Université Catholique de Louvain;
Walter Melion, Emory University
Chair: Agnès Guiderdoni, Université Catholique de Louvain
Anna Dlabačová, Université Catholique de Louvain
An Empty Grave and Two Feet: Presence by Absence in Middle Dutch Lives of
Christ
Cristina Cruz González, Oklahoma State University
Monasticism for Everyone: Women and the Body of Christ in Spain and Spanish
America
James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell Blaffer Foundation
Sacred Footprints: Myth, Relic, Image
10249 Vivre noblement: Residential Systems
Hynes Convention Center of the Nobility in Early Modern
Level Three Europe (1400–1700)
309
Organizers: Krista V. De Jonge, Katholieke Universiteit Leuven;
Stephan Hoppe, Ludwig-Maximilians-Universität München
Chair: Krista V. De Jonge, Katholieke Universiteit Leuven
Respondent: Fabian Persson, Linnéuniversitetet
Sanne Maekelberg, Katholieke Universiteit Leuven
Residential Systems in the Habsburg Low Countries: Suburban Villas and Urban
Palaces in Brussels
Christa Syrer, Ludwig-Maximilians-Universität München
Outposts of the Dynasty: The Palaces of the Dowager Electresses in Early
Modern Saxony
Martin Krummholz, Czech Academy of Sciences, Institute of Art History
“Form Follows Function”: The Transformation of Sixteenth- and
Seventeenth-Century Aristocratic Seats in Central Europe

85
Thursday, 31 March 2016

10250 “Mastery” across Early Modern

10:30–12:00

Hynes Convention Center Eurasia II

Level Three
310
Organizer: Sussan Babaie, Courtauld Institute of Art
Chair: Christiane Hille, Ludwig-Maximilians-Universität München
Respondent: Avinoam Shalem, Columbia University
Katie Scott, Courtauld Institute of Art
Chef-d’oeuvre
Mika Natif, The George Washington University
The Great Masters in Mughal India: Abu’l Hasan and Dürer
Sussan Babaie, Courtauld Institute of Art
Of Mastery in Architecture: “Ayvan-e ustad” in the Friday Mosque of Isfahan
10251 New Technologies and Renaissance
Hynes Convention Center Studies II: Early Modern English
Level Three Dramatic Materials
311
Sponsor: Iter: Gateway to the Middle Ages and Renaissance
Organizers: William Bowen, University of Toronto, Scarborough;
Raymond G. Siemens, University of Victoria
Chair: Chris Nighman, Wilfrid Laurier University
Scott J. Schofield, University of Western Ontario, Huron University College
Experiencing Shakespeare: From Page to Stage, From Screen to Stream
Maria Chappell, University of Georgia
Encoding Fanny Kemble’s Shakespeare Marginalia
Maura Giles-Watson, University of San Diego
The Tudor Plays Project: New Findings on the Disputed Authorship of
Gentylnes and Nobylyte
10252 “Prentices! Clubs!”: Defining and
Hynes Convention Center Containing the Apprentices of Early
Level Three Modern London
313
Organizer: Donald Andrew Heverin, University of Kentucky
Chair: Paul Rosa, SUNY, Nassau Community College
Donald Andrew Heverin, University of Kentucky
The Apprentices’ Carnival Mirror: Heywood’s Civic Pageants and the Reshaping
of Early Modern London
Vimala C. Pasupathi, Hofstra University
“For Brittaines honour, and my Masters trade”: Apprentices in Arms on the
Early Modern Stage
Eric Meyer Dunnum, Winona State University
Antitheatrical Apprentices: Riots, Theater Closures, and the Dramaturgy of
Self-Preservation

86
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Thursday, 31 March 2016

1:30–3:00
1:30–3:00

10304 Printing and Annotating the Early

Park Plaza Modern Book
Mezzanine
Boylston Room
Organizer: Renaissance Society of America
Chair: Carol Chiodo, Yale University
Rebecca Olson, Oregon State University
Of Manicules and Marmosets: Narrative Marginalia in Thomas More’s Utopia
Erika Mary Boeckeler, Northeastern University
Rebuses and the Early Modern Printer’s Device
Phebe Jensen, Utah State University
Reckoning Time in the Early English Almanac: Print to Manuscript
10305 Jewish Spaces
Park Plaza
Mezzanine
Commonwealth Room
Sponsor: Hebraica, RSA Discipline Group
Organizer: Dana E. Katz, Reed College
Chair: Mark Jurdjevic, York University, Glendon College
Respondent: Rachel L. Greenblatt, Wesleyan University
Federica Francesconi, College of Idaho
“Imagining” Jewish Women: Rabbinical Attitudes, Spaces of Representation,
and Real Places in Early Modern Modena
Flora Cassen, University of North Carolina at Chapel Hill
Solitary Jews or Micro-Communities? Rethinking Jewish Life in
Renaissance Italy
10306 Rethinking Method: Chance
Park Plaza Inspiration and Renaissance
Mezzanine Scholarship
Statler Room
Sponsor: Center for Editing Lives and Letters (CELL), University College London
Organizer and Chair: Matthew Symonds, University College London
Brooke Sylvia Palmieri, University College London
Pestilential Clouds: The Pamphlet and the Plague in Seventeenth-Century
England
Marissa Nicosia, Pennsylvania State University, Abington
Bad Prophecy: Brecht’s Epic Theater and the Seventeenth-Century History Play
Whitney Trettien, University of North Carolina at Chapel Hill
Edward Benlowes’s Book Art

87
Thursday, 31 March 2016

10307 Early Modern Cardinals:

1:30–3:00

Park Plaza Historiography, Biography, and

Mezzanine Power I
Hancock Room
Organizer: Miles A. F. Pattenden, University of Oxford
Chair: Arnold Witte, Royal Netherlands Institute in Rome
Pamela M. Jones, University of Massachusetts Boston
Life-Writing and the Saintly Cardinal, 1586–1712: The Cardinalatial Image
Under Revision
Miles A. F. Pattenden, University of Oxford
Cardinals’ Lives: A Historiographical Appraisal
Jennifer Mara DeSilva, Ball State University
The Early Modern Cardinal: Creation Ceremonies and Abdications
10308 Heroes of Epic Proportions: The
Park Plaza Figure of the Explorer-Discoverer
Mezzanine in Early Modern Spanish and
Exeter Room Ibero-American Epic
Sponsor: Society for Renaissance and Baroque Hispanic Poetry
Organizers: Elizabeth B. Davis, The Ohio State University;
Maya Caterina Feile Tomes, University of Cambridge
Chair: Elizabeth B. Davis, The Ohio State University
Jason McCloskey, Bucknell University
Orphans of Adam: Columbus and Francis Drake in Juan de Castellanos’s Elegías
de varones ilustres
Imogen Choi, University of Cambridge
Heroism at the Extremes: Exploration and Desire in Juan de Miramontes’s Armas
antárticas (ca. 1608–09)
Emiro Martinez-Osorio, York University
Heroic Women in Spanish Imperial Epics: Juan de Castellanos’s Doña Inés de
Atienza (Elegía 14)
10309 Heresy, Superstition, and Observant
Park Plaza Reform in the Fifteenth Century
Mezzanine
Clarendon Room
Sponsor: Religion, RSA Discipline Group
Organizer: Tamar Herzig, Tel Aviv University
Chair and Respondent: Renate Blumenfeld-Kosinski, University of Pittsburgh
Michael D. Bailey, Iowa State University
Reformist Concepts of False Religion
Matthew S. Champion, St. Catharine’s College, University of Cambridge
Vulnerable Within and Without: Dominican Reform and Heresy in the
Fifteenth-Century Low Countries
Fabrizio Conti, John Cabot University, Rome
Observant Reformers between the Inquisition and Pastoral Care

88
 Thursday, 31 March 2016
10310 The Circulation of Plant Sources:
Park Plaza Manuscripts, Prints, Herbaria in

1:30–3:00
Mezzanine Modern Europe, 1400–1700 I
Berkeley Room
Organizers: Raffaella Bruzzone, University of Nottingham;
Dominic Olariu, Max-Planck-Institut für Wissenschaftsgeschichte
Chair: Leopoldine Prosperetti, Independent Scholar
Nichola Harris, SUNY, Ulster
Popular Medical Advice and Herbal Remedies in Early Modern England
Brian Brege, Stanford University
Medici Tuscany and the Plants of Empire
Maura C. Flannery, St. John’s University
The Eye and the Mind . . . and the Hand: Making Sense of Plants

10311 From the Stage to the Sacred:

Park Plaza John Rainolds and His Opponents
Mezzanine
Arlington Room
Organizer: Daniel Blank, Princeton University
Chair: Anthony Grafton, Princeton University
Daniel Blank, Princeton University
Rhetoric and Spectacle: The Academic Context of John Rainolds’s
Antitheatricalism
Kirsten Macfarlane, University of Oxford
Huguenot Chronologers and Elizabethan Divines: Hugh Broughton,
John Rainolds, and the Reception of Joseph Scaliger
Mordechai Feingold, California Institute of Technology
An Elizabethan Polemicist: John Rainolds in Context
10312 Early Modern Disability across Genres
Park Plaza
Mezzanine
Georgian Room
Sponsor: Massachusetts Center for Interdisciplinary Renaissance Studies
Organizer: Katey E. Roden, Gonzaga University
Chair: Sara van den Berg, St. Louis University
Respondent: Susannah B. Mintz, Skidmore College
Allison Hobgood, Willamette University
Shakespearean Drama’s Early Modern Ideologies of Ability
Elizabeth Bearden, University of Wisconsin–Madison
Locating Deafness and Disability in European Travel Accounts of the Early
Seventeenth-Century Ottoman Courts
Katey E. Roden, Gonzaga University
Prosthesis of the Soul: Disability and Desire in An Collins’s Divine Songs and
Meditacions (1653)

89
Thursday, 31 March 2016

10313 Andrew Marvell: Writing and Teaching

Park Plaza
1:30–3:00

Fourth Floor
Brookline Room
Sponsor: Andrew Marvell Society
Organizer: Martin Dzelzainis, University of Leicester
Chair: Nigel Smith, Princeton University
Nicholas von Maltzahn, University of Ottawa
Andrew Marvell’s Italic Hand
Martin Dzelzainis, University of Leicester
What Did Marvell’s Poetry Look Like in Manuscript?
Stephanie Coster, University of Leicester
Andrew Marvell and Tutoring in the Restoration
10314 The Interaction of Art and Relics in
Park Plaza Early Modernity III
Fourth Floor
Cambridge Room
Organizers: Andrew R. Casper, Miami University;
Livia Stoenescu, Texas A&M University
Chair: Alexander Nagel, New York University
Jérémie Koering, Centre national de la recherche scientifique and Centre André Chastel
Michelangelo’s Relics: Some Aspects of Artistic Devotion in Cinquecento Italy
Christina S. Neilson, Oberlin College
Incarnating Flesh: Polychromy as Sacred Charter
Alison C. Fleming, Winston-Salem State University
Art and Relics of St. Francis Xavier in Dialogue
10315 Exploring the “Frontiers” of Mission in
Park Plaza a Global Context I: Spiritual Frontiers
Fourth Floor
Beacon Hill Room
Sponsor: History, RSA Discipline Group
Organizer: Megan C. Armstrong, McMaster University
Chair: Alison Forrestal, National University of Ireland, Galway
Andrew Drenas, University of Massachusetts Lowell
“Spiritual Reinforcements”: Lorenzo da Brindisi (1559–1619) and Capuchin
Expansion into Early Modern Bohemia
Megan C. Armstrong, McMaster University
Rituals of Possession and Catholic Jurisdiction: Franciscan and the Greek
Orthodox Disputes in the Holy Places
Azeta Kola, Northwestern University
The Propaganda Fide and the Struggle for the Restoration of Ecclesiastical
Authority on the Albanian Frontier

90
 Thursday, 31 March 2016
10316 Cavendish I: Politics and Subjectivity
Park Plaza

1:30–3:00
Fourth Floor
Back Bay Room
Sponsor: International Margaret Cavendish Society
Organizers: James B. Fitzmaurice, Northern Arizona University;
Lisa Walters, Liverpool Hope University
Chair: Stephen Dan Mills, Kennesaw State University
Respondent: Lara A. Dodds, Mississippi State University
Penelope Anderson, Indiana University
The Perils of Equality: Just-War Doctrine in Margaret Cavendish’s Assaulted
and Pursued Chastity
James B. Fitzmaurice, Northern Arizona University
Lady Jantil as a Widow and English Garden Architecture
Gulshan Rai Taneja, University of Delhi
The Utopian Other in Cavendish’s The Blazing World

10317 Virtue and Idolatry in Nicholas of Cusa

Park Plaza
Fourth Floor
Brandeis Room
Sponsor: American Cusanus Society
Organizer: David C. Albertson, University of Southern California
Chair: Donald F. Duclow, Gwynedd Mercy University
Simon Burton, Uniwersytet Warszawski
Grace, Salvation, and Trinitarian Metaphysics: Nicholas of Cusa on the
Theological Virtues
Paula Pico Estrada, Universidad Nacional de San Martín
From Affectus to Caritas: Love of Neighbor and the Mind’s Goal in Nicholas of
Cusa
Iris Wikstrom, Åbo Akademi University
Nicholas of Cusa on Idolatry

91
Thursday, 31 March 2016

10318 Reading Form in European Poetry

Park Plaza
1:30–3:00

Fourth Floor
Cabot Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizer: Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Arielle Saiber, Bowdoin College
Douglas Basford, SUNY Buffalo
“Stuffing Fog into Barrels”: Form, Absurdity, and the Social in Burchiellesque
Caudate Sonnets
Gabriella Scarlatta Eschrich, University of Michigan-Dearborn
Reading the Italian Disperata
Christopher Ross McKeen, Columbia University
Historicizing the Sonnet in 1599: Michael Drayton, Philip Sidney, and the
Earl of Surrey
Rebecca M. Rush, Yale University
“Seeds of Ancient Liberty”: The Late Elizabethan Couplet Revival
10319 Ideals and Practices of Authority in
Park Plaza Science and Art
Fourth Floor
Charles River Room
Sponsor: Medicine and Science, RSA Discipline Group
Organizers: Monica Azzolini, University of Edinburgh;
Eileen A. Reeves, Princeton University
Chair: Alexander Marr, University of Cambridge
Sachiko Kusukawa, Trinity College, University of Cambridge
Pictorial Authority in Sixteenth-Century Scientific Books
Renee Raphael, University of California, Irvine
Mining (on) the Printed Page
Evelyn Lincoln, Brown University
Typis Mascardi and Roman Illustrated Books
10320 Translating the Italian Renaissance:
Park Plaza Agency and Collaboration
Fourth Floor
Constitution Room
Organizer: Andrea Rizzi, University of Melbourne
Chair: Elena M. Calvillo, University of Richmond
Andrea Rizzi, University of Melbourne
“God Help Me”: Collaborative Translation in the Italian Renaissance
Pier Mattia Tommasino, Columbia University
Practices of Translation: Conversation, Conversion, and Inversion in
Seventeenth-Century Florence
Michael W. Wyatt, Independent Scholar
News from Parnassus: The Representation of Spain in Boccalini’s Italy, Translated
out of Stuart England

92
 Thursday, 31 March 2016
10321 Renaissance Commemoration I: Word
Park Plaza and Thing

1:30–3:00
Fourth Floor
Franklin Room
Sponsor: Toronto Renaissance Reformation Colloquium (TRRC)
Organizer: David B. Goldstein, York University
Chair: Konrad Eisenbichler, University of Toronto, Victoria College
Charlotte F. Nichols, Seton Hall University
Vigeant tumuli: Giovanni Pontano’s Funerary Chapel in Naples,
Commemoration, and the Word
Tamara Smithers, Austin Peay State University
The Artistic Apotheosis of Raphael
Douglas Clark, University of Strathclyde
The Commemorative Poetics of Early Modern Testamentary Verse
Zoe Gibbons, Princeton University
To Extend Our Memory: Thomas Browne’s Ambivalent Antiquarianism
10322 Erasmus and the Renaissance Adage
Park Plaza
Fourth Floor
Emerson Room
Sponsor: Erasmus of Rotterdam Society
Organizer and Chair: Eric MacPhail, Indiana University
Andrew Y. Hui, Yale University
The Infinite Fragment: On Erasmus’s Adages and Bacon’s Aphorisms
Robert M. Kilpatrick, University of West Georgia
Elephantum ex musca facis: Commentary as Declamation in the Adagia
10323 Boccaccio and the Ethics of Literature
Park Plaza
Fourth Floor
Gloucester Room
Sponsor: American Boccaccio Association
Organizer: Gur Zak, Hebrew University of Jerusalem
Chair: Timothy Kircher, Guilford College
James Kriesel, Villanova University
Boccaccio’s Corbaccio and the Ethics of Reading
Gur Zak, Hebrew University of Jerusalem
Boccaccio and the Consolation of Tragedy
David Lummus, Stanford University
Boccaccio, Petrarch, and the Ethics of Engagement

93
Thursday, 31 March 2016

10324 Time, Timelessness, and the

Park Plaza Ephemeral in Lyric
1:30–3:00

Fourth Floor
Holmes Room
Sponsor: Center for Early Modern Studies, University of Wisconsin–Madison
Organizer: Ullrich Langer, University of Wisconsin–Madison
Chair: Virginia Krause, Brown University
Alison Lovell, Tulane University
“Qui tousjours vit”: Time and Movement in Scève’s Délie
Brenton Kirk Hobart, American University of Paris
Michel de Nostredame, Nostradamus: Reader, Practitioner, Prophet, and Writer
of Plagues, and of Wars
Ullrich Langer, University of Wisconsin–Madison
The Ephemeral as Hope: Petrarch (RS 267) and Ronsard (“Mignonne . . . ”)
10325 Aristotle in the Vernacular: Rethinking
Park Plaza Intellectual History in Renaissance
Fourth Floor Italy I
Longfellow Room
Organizer: Marco Sgarbi, Università Ca’ Foscari di Venezia
Chair: Anna Laura Puliafito Bleuel, University of Warwick
Alessio Cotugno, University of Warwick
Sperone Speroni’s Discorsi and Dialogi: Forms of Philosophical Discourse in
Renaissance Italy
Laura Refe, Università Ca’ Foscari di Venezia
Aristotelian Translations between the Fifteenth and Sixteenth Centuries:
Purposes, Methodology, and Cultural Strategies
Vera Ribaudo, Università Ca’ Foscari di Venezia
Lodovico Castelvetro’s Spositione to Inferno: Aristotle in the Sixteenth-Century
Dante Commentary Tradition
10326 Complaining Women: Female-Voiced
Park Plaza Complaints and Ballads
Fourth Floor
Newbury Room
Sponsor: Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Organizer: Michelle O’Callaghan, University of Reading
Chair: Rosalind L. Smith, University of Newcastle
Michelle O’Callaghan, University of Reading
“Good Ladies be Working”: Scenes of Speaking in Female-Voiced Ballads
Sarah C. E. Ross, Victoria University of Wellington
“Woe is me”? Female Complaint and the Woman Poet, 1640–60
Kate Lilley, University of Sydney
Complaining Women

94
 Thursday, 31 March 2016
10327 Architectural Barriers in Renaissance
Park Plaza Europe I: Experiencing City Walls

1:30–3:00
Fourth Floor
Stuart Room
Organizers: Margaret Bell, University of California, Santa Barbara;
Morgan Ng, Harvard University;
Joel Luthor Penning, Northwestern University
Chair: Yair Mintzker, Princeton University
Nele De Raedt, Universiteit Gent
Changing Perceptions of Gates and Doors: Popular Revolt in
Fifteenth-Century Italy
Daria Rose Foner, Columbia University
Refortifying Sixteenth-Century Rome: Antonio da Sangallo il Giovane’s Designs
for Porta Santo Spirito
Barbara Alicja Kaminska, Independent Scholar
Camouflaging Corruption, Constructing Praise: Discourse of Antwerp’s
Fortifications in the Mid-Sixteenth Century
10328 Renaissance Food History III: Food
Park Plaza Cultures in a Transatlantic and
Fourth Floor Transnational Perspective
Tremont Room
Organizer and Chair: Allen J. Grieco, Villa I Tatti, The Harvard University Center
for Italian Renaissance Studies
Carmen Soares, Universidade de Coimbra
New World Accounts of Three Sixteenth-Century Portuguese Colonists in Brazil
and the Classical Heritage
Annamaria Valent, University of York
Anglo-Iberian Reception of Food Knowledge from the New World: Stubbe’s
The Indian Nectar
Giovanni Pozzetti, University of Leeds
European Trends Between Cuisine and Medicine: Mutton and Lemon in France,
England, and Italy
10329 Rire des souverains I
Park Plaza
Fourth Floor
White Hill Room
Organizer and Chair: Dominique Bertrand, Université Blaise Pascal, Clermont-Ferrand 2
Louise Amazan, Université Paris-Sorbonne
Mots de rois et rois des mots; La parole des grands: Facecies et motz subtilz
Guy Poirier, University of Waterloo
Le rire d’Henri III de France
Sophie Astier, Aix-Marseille Université
Claude Chappuys et l’empereur ridicule

95
Thursday, 31 March 2016

10330 Knowledge, Science, and Rhetoric in

Park Plaza Early Modern France and England
1:30–3:00

Fourth Floor
Winthrop Room
Organizer: Renaissance Society of America
Chair: Pauline Reid, University of Denver
Nicoletta Gini, Scuola Normale Superiore di Pisa
From Rhetorical Mind to the Modern Method of Science
Roger M. Jackson, Angelo State University
Retracing Francis Bacon’s Atoms
Dorothea Heitsch, University of North Carolina at Chapel Hill
Alchemy and the Rise of the Early Modern Novel: Béroalde de Verville
Maria Avxentevskaya, Freie Universität Berlin
Dialectical Rhetoric in the Argumentative Style of John Wilkins of the
Royal Society
10331 Rabelais and Montaigne in Early
Park Plaza Modern England: Transformations
Fourth Floor and Appropriations
Whittier Room
Organizer: Sophie Butler, Exeter College, University of Oxford
Chair: Warren Boutcher, Queen Mary University of London
Nicholas McDowell, University of Exeter
Rabelais in the Restoration Coffeehouse
Hugh Roberts, University of Exeter
English “Hibber-Gibber” and the “Jargon of France”: Rabelaisian Nonsense in
Translation
Sophie Butler, Exeter College, University of Oxford
“For profitable recreation”: Reading Montaigne in the Margins of Early
Modern England
10332 The Force of Art and Ingenuity in the
Park Plaza Early Commedia dell’arte (1560–1630)
Fourth Floor
St. James Room
Sponsor: Performing Arts and Theater, RSA Discipline Group
Organizer: Kyna Hamill, Boston University
Chair: Robert Henke, Washington University in St. Louis
Erith Jaffe-Berg, University of California, Riverside
Jewish Women and Performance in Early Modern Mantua
Rosalind Kerr, University of Alberta
The Early Actresses as Commedia dell’arte Artists
Kyna Hamill, Boston University
Inventing the Commedia dell’arte in Print Culture: Jacques Callot’s Balli di
Sfessania (1616/21)

96
 Thursday, 31 March 2016
10333 Late Rembrandt in Review and in
Hynes Convention Center Context

1:30–3:00
Level Two
200
Sponsor: Historians of Netherlandish Art
Organizer: Stephanie S. Dickey, Queen’s University
Chairs: Paul Crenshaw, Providence College;
Michael Zell, Boston University
James Wehn, Case Western Reserve University
Art of the Erotic: A Market for Rembrandt’s Late Etchings of Female Nudes
Joanna Sheers Seidenstein, New York University, Institute of Fine Arts and The Frick
Collection
Androgyny in Rembrandt’s Late Work
Stephanie S. Dickey, Queen’s University
Alterstil and Rembrandt as Teacher
10334 Drawing the Italian Landscape in the
Hynes Convention Center Cinquecento I: Central Italy
Level Two
201
Sponsor: Italian Academy for Advanced Studies in America, Columbia University
Organizers: Christophe Brouard, Institut d’Etudes Supérieures des Arts;
Furio Rinaldi, The Metropolitan Museum of Art;
Patrizia Tosini, Università degli Studi di Cassino e del Lazio Meridionale
Chair: Michael W. Cole, Columbia University
Furio Rinaldi, The Metropolitan Museum of Art
Perugino, Raphael, and Timoteo Viti: The Birth of Functional Landscape
Drawing in Central Italy (1489–1504)
Alison Manges Nogueira, The Metropolitan Museum of Art
Leaves from Sketchbooks: Sixteenth-Century Tuscan Landscape Drawings
Alessandra Giannotti, Università per Stranieri di Siena
Gherardo Cibo and the Landscape Tradition at the Della Rovere Court in the
Sixteenth Century
10335 Honor, Patronage, and Political Power
Hynes Convention Center
Level Two
202
Sponsor: Association for Textual Scholarship in Art History (ATSAH)
Organizer and Chair: Liana De Girolami Cheney, Università degli Studi di Bari Aldo Moro
Emilie Passignat, Independent Scholar
Observations on the Use of Inscriptions in the Decorative Cycles of the Sixteenth
Century
Lindsay Alberts, Boston University
A Museum Fit for a Prince: Francesco I and the Galleria degli Uffizi
Lynette M. F. Bosch, SUNY, Geneseo
Honor and Madness in Benvenuto Cellini’s Autobiography

97
Thursday, 31 March 2016

10336 Collectors and Collections

Hynes Convention Center
1:30–3:00

Level Two
203
Organizer: Renaissance Society of America
Chair: Anne Ruderman, Yale University
Susan Maxwell, University of Wisconsin–Oshkosh
The Munich Kunstkammer: A “museum non solum rarum, sed unicum in
tota Europa”
Anne Markham Schulz, Brown University
Simone Bianco, the Grimani Collection of Antiquites, and Other Findings
Filine Wagner, Universität Zürich
Displaying the Sacred, Memorizing the Local

10337 The Patrons’ Input I

Hynes Convention Center
Level Two
204
Organizer and Chair: Andrea M. Gáldy, Seminar on Collecting and Display
Adriana Turpin, IESA
Buontalenti and Francesco and Ferdinando de’ Medici
Susan Nalezyty, Catholic University of America
Writing and Buying: Pietro Bembo as Patron and Collector
Gregory A. Grämiger, ETH Zurich
The Patrons’ Joys and Struggles in Three University Collections
10338 Uses of Song
Hynes Convention Center
Level Two
205
Organizer: Renaissance Society of America
Chair: Shawn Marie Keener, Newberry Library Center for Renaissance Studies
Jonas Roelens, Universiteit Gent
Songs of Sodom: Singing About the Unmentionable Vice in the Early Modern
Low Countries
Jamie Apgar, University of California, Berkeley
Early Modern Histories of Singing in Alternation

98
 Thursday, 31 March 2016
10339 Bolognese Art in the Archives I:
Hynes Convention Center Collecting Bolognese Painting within

1:30–3:00
Level Two and outside of Bologna
206
Organizers: Babette Bohn, Texas Christian University;
Raffaella Morselli, Università degli Studi di Teramo
Chair: Raffaella Morselli, Università degli Studi di Teramo
Joyce de Vries, Auburn University
Collezionismo in Bologna: The Fantuzzi’s Acquisition and Display of Drawings
and Paintings by Local Masters
Barbara Ghelfi, Università degli Studi di Bologna
Bolognese Painters in Private Collections in Romagna: The Albicini Marchis
Collection in Forlì
Roberta Piccinelli, Università degli Studi di Macerata
Bolognese Artists and Paintings in Mantua during the Gonzaga Nevers Period
10340 Ornament and Monstrosity: Visual
Hynes Convention Center Paradoxes in Sixteenth-Century Art
Level Two
207
Organizers: Chris Askholt Hammeken, Aarhus Universitet;
Maria Fabricius Hansen, Københavns Universitet
Chair: Frances Connelly, University of Missouri, Kansas City
Tianna Uchacz, University of Toronto
Outside-In: The Monstrous Intrusion of Ornament into Sacred Narrative
Barnaby R. Nygren, Loyola University Maryland
The Monumental Grotesque in the Frescoes of San Miguel Arcángel in
Ixmiquilpan (Hidalgo)
Chris Askholt Hammeken, Aarhus Universitet
The Whale in the Loggia: An Ornamental Sea Monster Exposed
10341 Sculptural Practices
Hynes Convention Center
Level Two
208
Organizer: Renaissance Society of America
Chair: Joris van Gastel, Universität Hamburg
Ivana Vranic, University of British Columbia
Bologna’s “Marble”: Terracottas by Niccolò dell’Arca and Alfonso Lombardi
Jeffrey M. Fontana, Austin College
Casts and Sculptural Models in Federico Barocci’s Workshop Practice
Martha L. Dunkelman, Canisius College
Augustus Saint-Gaudens and Donatello: Formulating the Imagery of American
Exceptionalism

99
Thursday, 31 March 2016

10342 Encountering the Renaissance,

Hynes Convention Center Honoring Gary Radke I: Reexamining
1:30–3:00

Level Two Renaissance Sources

210
Organizer and Chair: Sally J. Cornelison, Syracuse University
Matthew A. Cohen, Washington State University
Provocative Similarities: Roriczer’s Gothic Pinnacle as a “Riposte” to Vitruvius
and Alberti’s Corinthian Columns?
Theresa L. Flanigan, The College of Saint Rose
“We Cry with Those Who Are Crying”: Art and Sympathetic Response From
Giotto to Alberti
A. Victor Coonin, Rhodes College
A Culturomic Study of Michelangelo: First Results
10343 Jonson: Every Man and
Hynes Convention Center Bartholomew Fair
Level Three
302
Organizer: Renaissance Society of America
Chair: Elliott M. Simon, University of Haifa
Leon Grek, Princeton University
Vetus Comoedia and the Elizabethan polis in Ben Jonson’s Every Man Out of His
Humour
Christine Maffuccio, University of Maryland
The Linguistic Classicism of Bartholomew Fair
Claire M. Busse, La Salle University
“Yes, and bring the actors along”: Metatheater and the Dismantling of Authority
in Bartholomew Fair
10344 Political Theologies in Early Modern
Hynes Convention Center England III
Level Three
303
Sponsor: Medieval-Renaissance Colloquium at Rutgers University
Organizer: Stephanie Hunt, Rutgers University
Chair: David Loewenstein, Pennsylvania State University
Stephanie Hunt, Rutgers University
“I did conceit a most delicious feast”: Eucharistic Hospitality in Herbert’s The Temple
Anthony Oliveira, University of Toronto
“A Simple and Unlikely Hand”: Anna Trapnel and the Demolished State
Jason A. Kerr, Brigham Young University
Justification, Consent, and Citizenship: Richard Baxter’s Political Theology

100
 Thursday, 31 March 2016
10345 Cross-Confessional Royal Matches in
Hynes Convention Center the Seventeenth Century

1:30–3:00
Level Three
304
Organizer: Renaissance Society of America
Chair: Luc L. D. Duerloo, Universiteit Antwerpen
Emma Christina Turnbull, Balliol College, University of Oxford
Commending the Spanish Match: Antipopery and Political Geography in
England, 1618–24
George Vahamikos, Boston University
The Secretary’s Disgrace: George Calvert, the Spanish Match, and Catholic Conversion
Peter Hinds, University of Plymouth
Charles II and Catherine of Braganza: New Perspectives on the Royal Marriage
of 1662
10346 Milton and Epistemology
Hynes Convention Center
Level Three
305
Sponsor: Milton Society of America
Organizers: Ann Baynes Coiro, Rutgers University, New Brunswick;
Stephen M. Fallon, University of Notre Dame
Chair: Stephen M. Fallon, University of Notre Dame
David Currell, American University of Beirut
“Necessity and Chance Approach Not Me”?: Milton, Modality, Multiverse
Yanxiang Wu, University of Western Ontario
“To save appearances”: Astronomy and Skepticism in Paradise Lost
Karen L. Edwards, University of Exeter
After Diffusion, Brevity: Milton’s Paradise Regained
10347 Issues and Aspects of Performance in
Hynes Convention Center Early Modern England
Level Three
306
Sponsor: Medieval and Renaissance Studies Association in Israel
Organizers: Chanita R. Goodblatt, Ben-Gurion University of the Negev;
Zur Shalev, University of Haifa
Chair: Chanita R. Goodblatt, Ben-Gurion University of the Negev
Reut Barzilai, Hebrew University of Jerusalem
True Performing: Representing Theater in A Midsummer Night’s Dream and Early
Modern English Theater Controversies
Noam Reisner, Tel Aviv University
“Mark this Show”: The Metatheatrical Ethics of Revenge
Avraham Oz, University of Haifa and Academy of Performing Arts, Tel Aviv
Performing Shakespeare Poetry: “Venus and Adonis” on Stage

101
Thursday, 31 March 2016

10348 Mysteria et Sacramenta: On the

Hynes Convention Center Representation of Mysteries III
1:30–3:00

Level Three
308
Sponsor: Group for Early Modern Cultural Analysis (GEMCA)
Organizers: James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell
Blaffer Foundation;
Agnès Guiderdoni, Université Catholique de Louvain;
Walter Melion, Emory University
Chair: James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell
Blaffer Foundation
Walter Melion, Emory University
Eyes Enlivened, Heart Softened: The Visual Rhetoric of Mystery in
Gebedenboek Ruusbroecgenootschap HS 452
Agnès Guiderdoni, Université Catholique de Louvain
To Hide Is to Reveal: The Ambivalence of Symbolical Theology
Ralph Dekoninck, Université Catholique de Louvain
To Think and to Paint with Mystical Figures: Louis Richeome and Nicolas Poussin
10349 Studies in Renaissance Art and Culture
Hynes Convention Center in Honor of Debra Pincus I
Level Three
309
Organizers: Sarah Blake McHam, Rutgers University;
Dennis Romano, Syracuse University
Chair: Claudia Kryza-Gersch, Independent Scholar
Alison Luchs, National Gallery of Art, Washington, DC
Titian, Friendship, and the Vienna Ecce Homo for Giovanni d’Anna
Susannah Rutherglen, National Gallery of Art, Washington, DC
“Resplendent Brushes”: Giovanni Bellini’s Resurrection Altarpiece for
San Michele di Murano, Venice
JoAnne G. Bernstein, Mills College
Medea Colleoni: A Renaissance Tomb of Her Own by Giovanni Antonio Amadeo
10350 Giovan Paolo Lomazzo I: His Theory
Hynes Convention Center and Practice
Level Three
310
Organizers: Rebecca Norris, Indianapolis Museum of Art;
Lucia Tantardini, University of Cambridge
Chair: Rebecca Norris, Indianapolis Museum of Art
Respondent: Maria Cristina Terzaghi, Università degli Studi Roma Tre
Mauro Pavesi, Università Cattolica del Sacro Cuore
New Insights on Giovan Paolo Lomazzo’s Artistic Career
Barbara Tramelli, Max-Planck-Institut für Wissenschaftsgeschichte
Acutissima è la Prospettiva: Giovanni Paolo Lomazzo’s Theoretical and Practical
Suggestions on Perspective

102
 Thursday, 31 March 2016
10351 New Technologies and Renaissance
Hynes Convention Center Studies III: Creating Digital Archives

1:30–3:00
Level Three of Early Modern Writers
311
Sponsor: Iter: Gateway to the Middle Ages and Renaissance
Organizers: William Bowen, University of Toronto, Scarborough;
Raymond G. Siemens, University of Victoria
Chair: Laura Mandell, Texas A&M University
Jeffrey S. Ravel, Massachusetts Institute of Technology
The Comédie-Française Registers Project: Audience, Authors, Repertory (1680–1793)
Romuald Ian Lakowski, MacEwan University
Digital Thomas More: Archive and Edition
Anne Marie James, University of Regina, Luther College
Jeanne Shami, University of Regina
Facilitating Access and Collaboration in Early Modern Sermon Scholarship: An
Introduction to the GEMMS Project
10352 Digital Latin Resources and Tools I:
Hynes Convention Center Creating and Exploring Text Resources
Level Three
313
Sponsors: Neo-Latin Literature, RSA Discipline Group;
Digital Humanities, RSA Discipline Group
Organizer: Susanna de Beer, Universiteit Leiden
Chair: Johann Ramminger, Bayerische Akademie der Wissenschaften
Jeffrey C. Witt, Loyola University Maryland
The Digital Latin Library and the Future of Latin Critical Editions
Gregory Crane, Tufts University
Post-Classical Latin at Scale(s): Breadth and Depth
Paolo Mastandrea, Università Ca’ Foscari di Venezia
Open Frontiers: Digital Philology and Neo-Latin

103
Thursday, 31 March 2016

Thursday, 31 March 2016

3:30–5:00

3:30–5:00

10404 The Printing Press in the Tudor Era,

Park Plaza 1485–1603: Orthodoxy, Heterodoxy,
Mezzanine and Satire
Boylston Room
Sponsor: Book History, RSA Discipline Group
Organizer: Mark Rankin, James Madison University
Chair: Andrew Pettegree, University of St. Andrews
Joel Michael Dodson, Southern Connecticut State University
“That they bear their belief . . . always about them”: Tudor Confessions of Faith
in Print, 1534–1603
Mark Rankin, James Madison University
Competing English Translations of Sebastian Brant’s Shyp of Folys at the
Accession of Henry VIII
J. Christopher Warner, Le Moyne College
Assessing the Falseness of the False Imprint: The Case of Books from William
Carter’s Secret Press
10405 Jewish Venice
Park Plaza
Mezzanine
Commonwealth Room
Sponsor: Hebraica, RSA Discipline Group
Organizer: Dana E. Katz, Reed College
Chair: Adam Shear, University of Pittsburgh
Respondent: Bernard Cooperman, University of Maryland, College Park
Dana E. Katz, Reed College
Enclosure and the Jewish Ghetto of Venice
Piergabriele Mancuso, Medici Archive Project
Traders, Middleman, Informants, Spies: Venice and the Theory of the Jewish
Conspiracy
Lynn Westwater, The George Washington University
“Sospendete la vostra penna”: The Unraveling of the Copia Sulam-Cebà
Correspondence

104
 Thursday, 31 March 2016
10406 Roundtable in Honor of Lisa
Park Plaza Jardine: The Union of Teaching

3:30–5:00
Mezzanine and Scholarship
Statler Room
Sponsor: Center for Editing Lives and Letters (CELL), University College London
Organizer and Chair: Matthew Symonds, University College London
Discussants: Anthony Grafton, Princeton University;
Brooke Sylvia Palmieri, University College London;
Peter Stallybrass, University of Pennsylvania
Alan Stewart, Columbia University
Lisa Jardine’s scholarship was about the Renaissance and of the Renaissance. She
excelled in math and science as well as literary criticism, she was capable of handling
cultural history from a multilingual perspective, and like the protagonist of Erasmus,
Man of Letters, she was a beloved teacher whose influence lives on in the scholars
she nurtured. This roundtable will link Jardine’s scholarship with her teaching
practice — the real cornerstone of her legacy. While her scholarship provides an
immersive experience of the worlds she studied, it is through her teaching that she
truly revived Renaissance ideals. Fittingly for the twenty-fifth anniversary of From
Humanism to the Humanities with Anthony Grafton, Jardine herself kept alive a
tradition of impassioned research that relied on trust, generosity, and collaboration.
In that spirit, the panelists will link highlights of Jardine’s scholarship with personal
tributes to her work as a teacher and colleague.

10407 Early Modern Cardinals:

Park Plaza Historiography, Biography, and
Mezzanine Power II
Hancock Room
Organizers: Miles A. F. Pattenden, University of Oxford;
Arnold Witte, Royal Netherlands Institute in Rome
Chair: Alexander Koller, Deutsches Historisches Institut in Rom
Bernward Schmidt, RWTH Aachen, Institut für Katholische Theologie
Cardinals, Bishops, and Councils: A Question of Power and Precedence
Birgit Emich, Friedrich-Alexander-Universität Erlangen-Nürnberg
The Cardinal-Nephew: Formalized Nepotism and Informal Rule at the Roman
Curia
Arnold Witte, Royal Netherlands Institute in Rome
The Cardinal-Protector around 1600: A Contested Position

105
Thursday, 31 March 2016

10408 Studies on the Early Modern Spanish

Park Plaza and Ibero-American Epic:
3:30–5:00

Mezzanine Re(dis)covering Iberian Epic:

Exeter Room A Trilingual Perspective
Sponsors: Society for Renaissance and Baroque Hispanic Poetry;
Hispanic Literature, RSA Discipline Group
Organizers: Elizabeth B. Davis, The Ohio State University;
Maya Caterina Feile Tomes, University of Cambridge
Chair: Elizabeth B. Davis, The Ohio State University
Maya Caterina Feile Tomes, University of Cambridge
Metapoetics at the Isthmus of Panama: A Study in Early Modern Spanish and
Neo-Latin Epic Interaction
Miguel Martinez, University of Chicago
The Mute Muse: Iberian Epic Lost and Found
Maxim Rigaux, Universiteit Gent
Historia and Fábula in Lepanto Epic Poetry: The Naval Battle in Latin, Catalan,
and Spanish Perspective
10409 Prosecuting Heresy
Park Plaza
Mezzanine
Clarendon Room
Organizer: Renaissance Society of America
Chair: Geert H. Janssen, Universiteit van Amsterdam
Yanay Israeli, University of Michigan
Fama and Symbolic Struggle in a Pre-Inquisitorial Pesquisa about Judaizers
Tayra M. C. Lanuza-Navarro, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Debates on Expertise in Inquisitorial Trials: Natural Philosophers, Astrologers
and Theologians on Authority in Astrology
Edith J. Benkov, San Diego State University
Gender and the Prosecution of Heresy in the French Courts

106
 Thursday, 31 March 2016
10410 The Circulation of Plant Sources:
Park Plaza Manuscripts, Prints, Herbaria in

3:30–5:00
Mezzanine Modern Europe, 1400–1700 II
Berkeley Room
Organizers: Raffaella Bruzzone, University of Nottingham;
Dominic Olariu, Max-Planck-Institut für Wissenschaftsgeschichte
Chair and Respondent: Iolanda Ventura, Centre national de la recherche scientifique
and Université d’Orléans
Alain Touwaide, Institute for the Preservation of Medical Traditions
Microconnections, macroconsequences: Leoniceno, Poliziano, and Medical
Botany
Dominic Olariu, Max-Planck-Institut für Wissenschaftsgeschichte
Plant Nature-Printing in Florence of the 1520s: Response to High Demand of
Herbal Knowledge
10411 Beyond the Republic of Letters I:
Park Plaza Practices of Correspondence in
Mezzanine Seventeenth-Century England
Arlington Room
Organizers: Nicholas Hardy, Trinity College, University of Cambridge;
Thomas Roebuck, University of East Anglia
Chair: William J. Bulman, Lehigh University
Nicholas Hardy, Trinity College, University of Cambridge
Literae, amici, nugae: The Deceptions of Learned Correspondence in
Seventeenth-Century Europe
Scott Mandelbrote, Peterhouse, University of Cambridge
Hiob Ludolf and the Republic of Letters
Thomas Roebuck, University of East Anglia
Thomas Smith (1638–1710) and the Construction of the Republic of Letters
10412 The Ethical Challenge of Adam
Park Plaza and Eve
Mezzanine
Georgian Room
Organizer: Stephen J. Greenblatt, Harvard University
Chair: Ramie Targoff, Brandeis University
Stephen J. Greenblatt, Harvard University
The Rise and Fall of Adam and Eve
Joseph Leo Koerner, Harvard University
The Moment of the Fall: Some Unreasonable Solutions
Elaine Pagels, Princeton University
The Invention of Original Sin

107
Thursday, 31 March 2016

10413 Roundtable: Andrew Marvell and the

Park Plaza Problem of Historicism
3:30–5:00

Fourth Floor
Brookline Room
Sponsor: Andrew Marvell Society
Organizer: Martin Dzelzainis, University of Leicester
Chair: Nigel Smith, Princeton University
Discussants: Matthew Augustine, University of St. Andrews;
Derek Hirst, Washington University in St. Louis;
James Loxley, University of Edinburgh;
Julianne Werlin, Duke University;
Steven N. Zwicker, Washington University in St. Louis
Recent work, and not so recent work, on the poetry of Andrew Marvell has embedded
his lyrics and his Restoration satires deeply in the fabric of occasions, preoccupations,
and events contemporary with the poet’s life in Yorkshire and London. The aim of this
roundtable is to consider the benefits but as well the costs of historicizing procedures.
It is clear that the varieties of historicism have taught us a good deal about Marvell’s
responsiveness to the texts and events and persons of his own time; we should as well
consider what has been unlearned by the procedures of historicism.
10414 Cultural Interchange: Relics, Souvenirs,
Park Plaza Sacred Objects
Fourth Floor
Cambridge Room
Organizer: Renaissance Society of America
Chair: Barbara J. Johnston, Columbus State University
Jennifer Welsh, Lindenwood University-Belleville
Sacred Souvenirs: Pilgrims, Piety, and Material Culture in Late Medieval Germany
Jasmine Cloud, University of Central Missouri
Translating Pagan into Christian: Martyrs and their Processions in the Early
Modern Roman Forum
Michael Young, University of Connecticut
Jewish-Christian Interchange in Early Modern Visual Culture
10415 Exploring the “Frontiers” of Mission in
Park Plaza a Global Context II: Imperial Frontiers
Fourth Floor
Beacon Hill Room
Sponsor: History, RSA Discipline Group
Organizer and Chair: Megan C. Armstrong, McMaster University
Andrew McCormick, INALCO, Centre de recherche Europes-Eurasie
The Cross and the Fleur-de-Lis: The French Missionary Conquest of the Early
Modern Aegean
Manuel Jesús Del Alto, University of California, Irvine
Jesuits on the Frontier: José de Acosta and New Epistemologies from Colonial
Latin America
Thomas W. Worcester, College of the Holy Cross
Jesuit Mission between Monarchy and Modernity

108
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10416 Cavendish II: Medicine
Park Plaza

3:30–5:00
Fourth Floor
Back Bay Room
Sponsor: International Margaret Cavendish Society
Organizers: James B. Fitzmaurice, Northern Arizona University;
Lisa Walters, Liverpool Hope University
Chair: Marina Leslie, Northeastern University
Laura L. Knoppers, University of Notre Dame
“By her owne directions”: Margaret Cavendish, Medicine, and Writing the
Humoral Body
Amy E. Scott-Douglass, Marymount University
Contagion in Shakespeare and Cavendish
10417 New Debates on Nicholas of Cusa’s
Park Plaza Theology
Fourth Floor
Brandeis Room
Sponsor: American Cusanus Society
Organizer and Chair: David C. Albertson, University of Southern California
Il Kim, Pratt Institute
Cusanus’s Path toward His Final Vision of God: Seeing God in Positive Theology
Joshua Hollmann, McGill University
Christ and Cosmos: The Theology of Providence in Nicholas of Cusa
Eugen Russo, Università degli Studi di Salerno
Nicholas of Cusa’s Paradoxes and Nonclassical Logic: Reconstructing the
Philosophical Method of De docta ignorantia
10418 Renaissance Oxymorons
Park Plaza
Fourth Floor
Cabot Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizer: Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Russ Leo, Princeton University
Caroline G. Stark, Howard University
Productive Leisure in Justus Lipsius’s De Constantia (1584)
Sarah Elizabeth Parker, Jacksonville University
Oxymoron and Medical Paradox in Early Modern Popular Errors Treatises
Andrew Miller, Princeton University
Long-Lung’d Seneca: Tragic Style in Tudor Translation
Evan Gurney, University of North Carolina at Asheville
Bad Nourishment: John Milton and Prophetic Indigestion

109
Thursday, 31 March 2016

10419 Early Modern Ingenuity I

Park Plaza
3:30–5:00

Fourth Floor
Charles River Room
Sponsor: Medicine and Science, RSA Discipline Group
Organizers: Monica Azzolini, University of Edinburgh;
Alexander Marr, University of Cambridge
Chair: Alexander Marr, University of Cambridge
Raphaele Garrod, CRASSH, University of Cambridge
The Logic of Invention: Mathematics, Emblematics, and Sharpening One’s Wit
in Seventeenth-Century France (1610s–20s)
Timothy Chesters, Clare College, University of Cambridge
Étienne Tabourot, Les Apophthegmes du Sr Gaulard (1586): Catachresis and
Ingenuity
Richard J. Oosterhoff, University of Cambridge
The Wits of Idiots: Lay Knowledge of Nature in the Northern Renaissance
10420 Poetics of Translation
Park Plaza
Fourth Floor
Constitution Room
Organizer: Andrew Mattison, University of Toledo
Chair: Jennifer Waldron, University of Pittsburgh
Kathryn Vomero Santos, Texas A&M University, Corpus Christi
The French Lily and the English Rose: Comparative Poetics and the Translation
of Du Bartas
Andrew Mattison, University of Toledo
Prosody and Genre in Translation
David M. Posner, Loyola University Chicago
Das Unbehagen in der Übersetzung: The Limits of Translation in the Renaissance
10421 Renaissance Commemoration II:
Park Plaza Depicting Rulers
Fourth Floor
Franklin Room
Sponsor: Toronto Renaissance Reformation Colloquium (TRRC)
Organizer: David B. Goldstein, York University
Chair: Charlotte F. Nichols, Seton Hall University
Alexander Noelle, Courtauld Institute of Art
Two Sides of the Same Coin: Bertoldo di Giovanni’s Medal Commemorating
Giuliano and Lorenzo de’ Medici
Konrad Eisenbichler, University of Toronto, Victoria College
Commemoration and Propaganda: Nicolaus Hogenberg’s Engravings of the
Post-Coronation Cavalcade of Charles V in Bologna
Sara Trevisan, University of Wisconsin–Madison
“Mirth in Mourning”: Genealogical Continuity and Royal Commemoration

110
 Thursday, 31 March 2016
10422 1516–2016: 500 Years of Erasmus’s
Park Plaza New Testament

3:30–5:00
Fourth Floor
Emerson Room
Sponsor: Erasmus of Rotterdam Society
Organizer: Valentina Sebastiani, Universität Basel
Chair: Ann M. Blair, Harvard University
Respondent: Silvana Seidel Menchi, Università degli Studi di Pisa
Valentina Sebastiani, Universität Basel
How to Produce a Bestseller: Editions of Erasmus’s New Testament Published by
the Froben Press
Arnoud S. Q. Visser, Universiteit Utrecht
Reading Erasmus through Luther’s Eyes
Mark Crane, Nipissing University
From Critical Apparatus to Theological Vision: The Metamorphosis of Erasmus’s
Annotations on the New Testament
10423 Boccaccio and Questions of Gender
Park Plaza
Fourth Floor
Gloucester Room
Sponsor: American Boccaccio Association
Organizer and Chair: Kristina M. Olson, George Mason University
Kristen R. Swann, Columbia University
“Donne che non generano”: Motherhood, Renaissance Natalism, and the
Material Culture of Reproduction in the Decameron
Sara Elena Diaz, Fairfield University
Sodomy and Misogamy in Boccaccio’s “Esposizioni”
Grace Delmolino, Columbia University
Love and Laws of Obligation in Boccaccio’s Fiammetta and Corbaccio: Or, How
to Contract Lovesickness
Sarah Luehrman Axelrod, Harvard University
“Nobili donne,” “vaghe donne”: Giovanni Boccaccio’s Guide to Critical Reading
for Women

111
Thursday, 31 March 2016

10424 Roundtable: Le Seuil d’acceptabilité

Park Plaza
3:30–5:00

Fourth Floor
Holmes Room
Sponsor: Société Française d’Etude du Seizième Siècle (SFDES)
Organizer: Patricia Lojkine, Université du Maine and Société Française
d’Etude du Seizième Siècle
Chair: Hervé Thomas Campangne, University of Maryland, College Park
Discussants: Patricia Lojkine, Université du Maine and Société Française
d’Etude du Seizième Siècle;
Laura Rescia, Università degli Studi di Torino;
Hugh Roberts, University of Exeter;
Gregor Wierciochin, Université du Maine
Pour J.-P. Cavaillé, la notion d’acceptabilité est une notion heuristique qui a
montré sa validité pour l’étude de textes possédant une dimension dissidente. La
notion doit sa fécondité à sa double pertinence linguistique et sociale. C’est par
un processus de négociation, d’arbitrage très dépendant de l’environnement social
que des expressions, des énoncés, mais aussi des textes et des représentations
sont sanctionnés comme acceptables dans certaines circonstances (“acceptabilité
restreinte”). Cette question du seuil d’acceptabilité sera sujet à débat à partir de trois
groupes d’exemples: des textes de la mouvance réformée s’écartant de l’orthodoxie
calvinienne (Postel, Joris, Castellion); des contes merveilleux aux auxiliaires
magiques très particuliers (Straparola, Basile); des productions françaises des années
1620 (Bruscambille, Sorel).
10425 Aristotle in the Vernacular: Rethinking
Park Plaza Intellectual History in Renaissance
Fourth Floor Italy II
Longfellow Room
Organizer: Marco Sgarbi, Università Ca’ Foscari di Venezia
Chair: Teodoro Katinis, Johns Hopkins University
Stefano Gulizia, Independent Scholar
Bernardino Baldi and the Pseudo-Aristotelian Tradition
Dario Tessicini, University of Durham
Aristotle’s Meteorology and Its Sixteenth-Century Reception

112
 Thursday, 31 March 2016
10426 Editing Early Modern Women
Park Plaza

3:30–5:00
Fourth Floor
Newbury Room
Sponsor: Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Organizer and Chair: Sarah C. E. Ross, Victoria University of Wellington
Ramona Wray, Queen’s University Belfast
Editing the Feminist Agenda: The Power of the Textual Critic and The Tragedy
of Mariam
Suzanne L. Trill, University of Edinburgh
Critical Categories: Toward an Archeology of Anne, Lady Halkett’s Archive
Leah Marcus, Vanderbilt University
Queen Elizabeth I and the Origins of English Senecan Style
Paul Salzman, La Trobe University
Possession, Access, and Online Editing
10427 Architectural Barriers in Renaissance
Park Plaza Europe II: The Spatial Politics of
Fourth Floor City Walls
Stuart Room
Organizers: Margaret Bell, University of California, Santa Barbara;
Morgan Ng, Harvard University;
Joel Luthor Penning, Northwestern University
Chair: William Caferro, Vanderbilt University
Panos Leventis, Drury University
Fortuna Famagustae: Fortification Lines, Regions, and Territories in Famagusta,
Cyprus, 1308–1571
Joel Luthor Penning, Northwestern University
Holy Builders: Miracles and the Walls of Lucca
Ellen Wurtzel, Oberlin College
New Walls and Old Rivalries

113
Thursday, 31 March 2016

10428 Renaissance Food History IV:

Park Plaza Performing Food in Art
3:30–5:00

Fourth Floor
Tremont Room
Organizers: Valérie Boudier, Université Charles-de-Gaulle - Lille 3;
Allen J. Grieco, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
Chair: Valerie Taylor, Pasadena City College
Respondent: Allen J. Grieco, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Valérie Boudier, Université Charles-de-Gaulle - Lille 3
Performative Images: Five Paintings by Vincenzo Campi Decorating a Dining Room
Claudia Goldstein, William Paterson University
Kitchen Scenes and Performance at the Antwerp Dinner Party
Lisa Boutin Vitela, Cerritos College
Earthly Delights: Illusory Pottery and Renaissance Dining
10429 Rire des souverains II
Park Plaza
Fourth Floor
White Hill Room
Organizer: Dominique Bertrand, Université Blaise Pascal, Clermont-Ferrand 2
Chair: Bernd Renner, CUNY, Brooklyn College and The Graduate Center
Paola Ciffarelli, Università degli Studi di Torino
Le portrait d’un roi facétieux dans le roman Jehan de Paris
Marie-Claire Thomine-Bichard, Université Paris-Sorbonne
Portrait de François Ier en roi facétieux chez quelques auteurs de récits brefs et
devis
Irene Salas, University of Oxford
Rois rieurs et rois ridicules chez Rabelais
10430 Between Science and Fiction:
Park Plaza Cosmology and Society in the
Fourth Floor Grand Siècle
Winthrop Room
Sponsor: French Literature, RSA Discipline Group
Organizer: Katherine Dauge-Roth, Bowdoin College
Chair: Arielle Saiber, Bowdoin College
Rose A. Pruiksma, University of New Hampshire
Embodying Cosmological Order and Motion: Celestial Bodies, Royalty,
and Mythology in French Court Ballets
Katherine Dauge-Roth, Bowdoin College
The Ephemerides of Love: Cosmographical Satire of Gender Relations in
Seventeenth-Century France
Claire Beth Goldstein, University of California, Davis
Astronomical Authority: A French Galileo in the Periodical Press

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10431 Violence in Early Modern Italy
Park Plaza

3:30–5:00
Fourth Floor
Whittier Room
Sponsor: Centre for the Study of the Renaissance, University of Warwick
Organizer: Jonathan Davies, University of Warwick
Chair: Stuart Carroll, York University
Amanda G. Madden, Georgia Institute of Technology
Vendetta, Peace Agreements, and State Formation in Sixteenth-Century Modena
Jonathan Davies, University of Warwick
Violence, Peacemaking, and State Formation in Early Modern Tuscany
Stephen Cummins, Max-Planck-Institut für Bildungsforschung
Enmity and Jealousy: Explanations of Violence in Italy, ca. 1600–1800
10432 Performing the Comedia in US
Park Plaza Contexts
Fourth Floor
St. James Room
Sponsor: Performing Arts and Theater, RSA Discipline Group
Organizer: Barbara Fuchs, University of California, Los Angeles
Chair: Robert Henke, Washington University in St. Louis
Esther Fernández, Rice University
Bordering Performances: Staging the Comedia at the Chamizal National
Memorial (El Paso)
Barbara Fuchs, University of California, Los Angeles
Diversifying the Classics: Bringing the Comedia to LA Audiences
Payton Phillips Quintanilla, University of California, Los Angeles
Gender in the Classroom: Breaking Habits with the Comedia
10433 Netherlandish Art: Engraving,
Hynes Convention Center Ornament, Glass, Costume
Level Two
200
Organizer: Renaissance Society of America
Chair: Martha Hollander, Hofstra University
Katherine Bond, University of Cambridge
Charles V’s Universal Empire: Fresh Perspectives on a Costume Project, ca. 1547
Olenka Horbatsch, University of Toronto
Framing Ornament in Sixteenth-Century Netherlandish Engraving
Ellen Konowitz, SUNY, New Paltz
Series and Glass: The Design and Use of Netherlandish Glass Roundel Cycles

115
Thursday, 31 March 2016

10434 Drawing the Italian Landscape in the

Hynes Convention Center Cinquecento II: Venice and Rome
3:30–5:00

Level Two
201
Sponsor: Italian Academy for Advanced Studies in America, Columbia University
Organizers: Christophe Brouard, Institut d’Etudes Supérieures des Arts;
Furio Rinaldi, The Metropolitan Museum of Art;
Patrizia Tosini, Università degli Studi di Cassino e del Lazio Meridionale
Chair: Carmen Bambach, The Metropolitan Museum of Art
Christophe Brouard, Institut d’Etudes Supérieures des Arts
The Revival of Hunting and Pastoral Scenes in Domenico Campagnola’s
Drawings
Patrizia Tosini, Università degli Studi di Cassino e del Lazio Meridionale
Girolamo Muziano: Drawing the Landscape between Venice and Rome
Marco Simone Bolzoni, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
A Dialogue with Nature: Federico Zuccaro’s Landscape Drawings
10435 Profane and Sacred Patronage
Hynes Convention Center
Level Two
202
Sponsor: Association for Textual Scholarship in Art History (ATSAH)
Organizer: Liana De Girolami Cheney, Università degli Studi di Bari Aldo Moro
Chair: Ellen Louise Longsworth, Merrimack College
Martine Clouzot, Université de Bourgogne
The Dancing Fool in Illuminated Manuscripts (Fourteenth–Fifteenth
Centuries): An Image of the Mundus Inversus
Brian D. Steele, Texas Tech University
Giovanni Bellini’s Madonna of the Meadow: Types, Concepts, Meditations
Debra Murphy, University of North Florida
The Portrait of Il Gran Cardinale Alessandro Farnese in the Palazzo dei
Conservatori Scipio Frieze
Sarah Lippert, University of Michigan-Flint
The Power of Beauty and Abundance in French Renaissance Portrayals of Diana
and the Stag

116
 Thursday, 31 March 2016
10436 The Taste of Virtuosi: Patronage and
Hynes Convention Center Collecting in Italy, 1400–1700

3:30–5:00
Level Two
203
Organizer: Andrea Leonardi, Università degli Studi di Bari Aldo Moro
Chair: Loredana Olivato, Università degli Studi di Verona
Respondent: Laura Facchin, Università degli Studi di Verona
Massimiliano Caldera, Soprintendenza Beni Artistici e Storici del Piemonte
Del Carretto of Finale Ligure: Renaissance Patronage and One Note on
Tapestries by Giulio Romano
Cecilia Cavalca, Università degli Studi di Bari Aldo Moro
Inside and Outside the Palaces: Interiors and Public Patronage in Renaissance Bologna
Antonella Chiodo, Independent Scholar
The Paleologos of Monferrato: Artistic and Dynastic Strategies of a Renaissance
Court in Northern Italy
10437 The Patrons’ Input II
Hynes Convention Center
Level Two
204
Organizer: Andrea M. Gáldy, Seminar on Collecting and Display
Chair: Susan Bracken, Victoria and Albert Museum
Nathan Flis, Yale Center for British Art
The Paston Treasure
Alessandra Becucci, Independent Scholar
Ho visto la prontezza del pittore: Seventeenth-Century Military Nobility’s Art Purchases
Tomasz Grusiecki, McGill University
Connoisseurship as a Dialogic Process: The Kunstkammer of Sigismund III Vasa
10438 Music Printing, Patrons, and Publics
Hynes Convention Center in the Sixteenth Century
Level Two
205
Organizer: Patrick Macey, University of Rochester, Eastman School of Music
Chair: Michael Alan Anderson, University of Rochester, Eastman School of Music
Patrick Macey, University of Rochester, Eastman School of Music
Music, Printing, and Patronage in Antwerp: Susato and the Financiers
Richard Freedman, Haverford College
Cycles and Citations: The Chanson-Response Tradition in the Music Books of
Nicolas du Chemin
Peter Urquhart, University of New Hampshire
An Interpretation of Antico’s 1520 Print of Double Canons

117
Thursday, 31 March 2016

10439 Bolognese Art in the Archives II:

Hynes Convention Center Defining the Bolognese Artist
3:30–5:00

Level Two
206
Organizers: Babette Bohn, Texas Christian University;
Raffaella Morselli, Università degli Studi di Teramo
Chair: Lorenzo Pericolo, University of Warwick
Raffaella Morselli, Università degli Studi di Teramo
Roman Nostalgia: Francesco Albani’s Mid-Seventeenth-Century Letters to
Francesco Bonini and Domenico Maria Canuti
Babette Bohn, Texas Christian University
Collecting Women’s Art in Early Modern Bologna: Myth and Reality
Huub van der Linden, University College Roosevelt
Civic Sculpture in Seventeenth-Century Bologna: Statues, Plaques, and
Memorials at the Palazzo Pubblico
10440 Monstrous Things I: Forms and
Hynes Convention Center Concepts
Level Two
207
Organizer: Maria Maurer, University of Tulsa
Chair: Catherine Walsh, University of Montevallo
Respondent: Luke Morgan, Monash University
John Garton, Clark University
The Monstrous in the Sacred Wood of Bomarzo
Maria-Anna Aristova, University of York
“Promiscuous and untutored”: Monstrous Bodies in the Architectural Ornament
of Early Modern Britain
Natasha M. Roule, Harvard University
Comic Transvestite or Tragic Woman? Representing Medusa in Lully’s
Persée (1682)

118
 Thursday, 31 March 2016
10441 Impurities: The Status of Surface in
Hynes Convention Center Renaissance Sculpture

3:30–5:00
Level Two
208
Organizers: Frank Fehrenbach, Universität Hamburg;
Daniel Zolli, Harvard University
Chair: Michael W. Cole, Columbia University
Frank Fehrenbach, Universität Hamburg
Turning Marble into Flesh: The Colors of Monochrome Marble Sculpture
Catherine Lee Kupiec, Rutgers University
Surface Finish and Questions of Legibility in Luca della Robbia’s Work
Daniel Zolli, Harvard University
Figures in Ground: Marble Sculpture and Geomancy
Laura Goldenbaum, Kunsthistorisches Institut in Florenz
Glass, Enamel, Silver, and Varnish: Methods of Animation in Bronze Sculpture
from the Early Renaissance
10442 Encountering the Renaissance,
Hynes Convention Center Honoring Gary Radke II: The Primacy
Level Two of the Object
210
Organizer: Sally J. Cornelison, Syracuse University
Chair: John Paoletti, Wesleyan University
Eric Frank, Occidental College
Rolling up the Heavens: Fresco Technique as Metaphor in Giotto’s Scrovegni
Chapel Last Judgment
William E. Wallace, Washington University in St. Louis
Encountering Leonardo’s Adoration of the Magi
Sally J. Cornelison, Syracuse University
A Close Encounter with Vasari’s Buonarroti Altarpiece
10443 Jonson Agonistes: Drama, Literature,
Hynes Convention Center and Antagonism in Early Modern
Level Three London
302
Sponsor: Center for Early Modern Studies, University of Wisconsin–Madison
Organizer: Ullrich Langer, University of Wisconsin–Madison
Chair: Marshelle Woodward, College of Saint Rose
Eric Vivier, Mississippi State University
Judging Jonson: Jonson’s Satirical Self-Defense in Poetaster
William Kerwin, University of Missouri, Columbia
Jonson’s Epigrams: Poetic Combat, Poetic Community
Victor Lenthe, University of Wisconsin–Madison
Letters from a Hostile Place: Ben Jonson’s Prefatory Epistles, Catholic Apology,
and Literary Drama
Joseph Mansky, University of California, Berkeley
“Look no more”: Rhetoric and Violence in Jonson’s Catiline

119
Thursday, 31 March 2016

10444 (Im)Morality, Religion, Poverty,

Hynes Convention Center and Excess in Early Modern Drama
3:30–5:00

Level Three
303
Sponsor: Rocky Mountain Medieval and Renaissance Association
Organizer: Kristin M. S. Bezio, University of Richmond
Chair: Liam Meyer, Boston University
Rachel Dunleavy Morgan, University of Great Falls
Doting Fathers, Despairing Sons: Family, Typology, and Faith in Nathaniel
Woodes’s Conflict of Conscience
Emily Gruber Keck, Boston University
Staging Unsettling Hungers in English Didactic Drama
Kristin M. S. Bezio, University of Richmond
Faustus’s Shadow: Socinianism, Atheism, and the Dogma of Marlowe’s Doctor
Faustus
10445 Political Thought in the Seventeenth
Hynes Convention Center Century: Education, Sovereignty,
Level Three Democracy, Administration
304
Organizer: Renaissance Society of America
Chair: Katherine M. Robiadek, University of Wisconsin–Madison
Atsuko Fukuoka, University of Tokyo
Biblical Defences for Sovereignty and Spinoza’s Theologico-Political Treatise
Rachel Helen Foxley, University of Reading
Defining Democracy in Restoration England: Henry Neville and Algernon
Sidney
Vittorio Tigrino, Università degli Studi del Piemonte Orientale “Amedeo Avogadro”
Contests and Contexts: A Micro-Historical Approach to the History of
Commons in the Ancien Régime
10446 Milton and the Epic Consequences of
Hynes Convention Center Educational Reform
Level Three
305
Sponsor: Rhetoric, RSA Discipline Group
Organizer: Elizabeth Skerpan-Wheeler, Texas State University
Chair: Lawrence Green, University of Southern California
Elizabeth Skerpan-Wheeler, Texas State University
Milton the Modern
Emma Annette Wilson, University of Western Ontario
The Ramist Logic of Milton’s God
Russell Hugh McConnell, University of Western Ontario
“Past, present, future he beholds”: God’s Grammar in Paradise Lost

120
 Thursday, 31 March 2016
10447 Humor, Comedy, and Ethics in the
Hynes Convention Center Renaissance

3:30–5:00
Level Three
306
Sponsor: Institute of Medieval and Early Modern Studies (IMEMS), Durham University
Organizer: Daniel Derrin, Durham University
Chair: Robert S. Miola, Loyola University Maryland
Daniel Derrin, Durham University
Ethics and Superiority in Early Modern Comedy
Jane Elizabeth Kingsley-Smith, University of Roehampton
Irony and Ethics in Shakespeare’s Comic Sonnets
Indira Ghose, Université de Fribourg Suisse
Rhetoric, Humor, and Ethics in Early Modern Courtesy Literature
10448 Magnificence in the Seventeenth
Hynes Convention Center Century: Artistic Discourse, art de
Level Three vivre, and Representation
308
Sponsor: Group for Early Modern Cultural Analysis (GEMCA)
Organizers: Caroline Heering, Université Catholique de Louvain;
Anne-Françoise Morel, Universiteit Gent
Chair: Ralph Dekoninck, Université Catholique de Louvain
Alessandro Metlica, Université Catholique de Louvain
A Style of Magnificence: Propaganda and Representation of Power in Early
Seventeenth-Century Literature
Caroline Heering, Université Catholique de Louvain
From Splendor to Piety: Magnificence in Baroque Jesuit Spectacle
Anne-Françoise Morel, Universiteit Gent
Building for God in Seventeenth-Century France and England: Decent,
Beautiful, or Magnificent Architecture?
10449 Studies in Renaissance Art and Culture
Hynes Convention Center in Honor of Debra Pincus II
Level Three
309
Organizers: Sarah Blake McHam, Rutgers University;
Dennis Romano, Syracuse University
Chair: Sarah Blake McHam, Rutgers University
Jack Freiberg, Florida State University
Fra Bramante, Christian Architect
Claudia Kryza-Gersch, Independent Scholar
Sculptor and Caster in Renaissance Italy: A Difficult Relationship
Emily Pegues, National Gallery of Art, Washington, DC
Meanwhile in the North . . . Jan Borreman’s Wooden Models for Bronze
Sculpture

121
Thursday, 31 March 2016

10450 Giovan Paolo Lomazzo II: His

Hynes Convention Center Influence in Milan
3:30–5:00

Level Three
310
Organizers: Rebecca Norris, Indianapolis Museum of Art;
Lucia Tantardini, University of Cambridge
Chair: Robert Randolf Coleman, University of Notre Dame
Silvia Mausoli, Independent Scholar
Caterina Cantoni and the Accademia della Val di Blenio: Experimental Milan in
the Late Sixteenth Century
Paolo Sanvito, “Sapienza,” Università di Roma
Lomazzo’s Influence on Decorative Patterns of Sculptural Workshops before and
after 1600
Lucia Tantardini, University of Cambridge
Lomazzo vs. Luini: Comparative Aesthetics
10451 New Technologies and Renaissance
Hynes Convention Center Studies IV: Space and Text in Early
Level Three Modern Digital Studies
311
Sponsor: Iter: Gateway to the Middle Ages and Renaissance
Organizers: William Bowen, University of Toronto, Scarborough;
Raymond G. Siemens, University of Victoria
Chair: Jeanne Shami, University of Regina
John N. Wall, North Carolina State University
Gazing into Imaginary Spaces: Digital Modeling and the Representation of Reality
Elisabetta Tonello, Università degli Studi di Ferrara
Dante Lab: A New Digital Tool to Be Used with Extra-Large Textual Traditions
Crystal J. Hall, Bowdoin College
Computing Galileo
10452 Digital Latin Resources and Tools II:
Hynes Convention Center Linked Open Data and Sustainability
Level Three
313
Sponsors: Neo-Latin Literature, RSA Discipline Group;
Digital Humanities, RSA Discipline Group
Organizer: Susanna de Beer, Universiteit Leiden
Chair: Gregory Crane, Tufts University
Thomas Köntges, Universität Leipzig
The Open Philology Manuscript Catalogue: Democratizing the Research of Text
and Textual Transmission
Marie-Claire Beaulieu, Tufts University
Editing and Cataloging Digital Editions of Neo-Latin Manuscripts: The Tisch
Library Miscellany
Alexander May, Tufts University
Ensuring Long-Term Preservation of the Online Scholarly Record

122
 Thursday, 31 March 2016
Thursday, 31 March 2016

5:30–7:00
5:30–7:00

10504 Early Modern Broadsheets: The

Park Plaza Stepchildren of Printing
Mezzanine
Boylston Room
Sponsor: Book History, RSA Discipline Group
Organizer: Flavia Bruni, “Sapienza,” Università di Roma
Chair: Peter Stallybrass, University of Pennsylvania
Jan Alessandrini, University of St. Andrews
Not Just Ballads: Broadsheets of the German-Speaking Lands in the First
Centuries of European Printing
Saskia Limbach, University of St. Andrews
Governing the German Duchy: The Functions of Official Broadsheets in
Sixteenth-Century Württemberg
Flavia Bruni, “Sapienza,” Università di Roma
Governance, Public Order, and Theocracy in the Broadsheets of the Stamperia
Camerale of Rome

10505 Between Jericho, Tarshish, and

Park Plaza Heidelberg: Devotion and Scholarship
Mezzanine in Late Renaissance Sacred Geography
Commonwealth Room
Sponsor: Medieval and Renaissance Studies Association in Israel
Organizers: Adam G. Beaver, Princeton University;
Zur Shalev, University of Haifa
Chair: Theodor W. Dunkelgrün, University of Cambridge
Adam G. Beaver, Princeton University
Sacred Geography in Spain: One of the Oys of History?
Daniel Stein Kokin, Ernst-Moritz-Arndt-Universität Greifswald
Symbolic Entry? The Jericho Labyrinth and Early Modern Holy Land Pilgrimage
Zur Shalev, University of Haifa
Sacred Geography in Translation: The Cippi Hebraici of J. H. Hottinger (1659)

123
Thursday, 31 March 2016

10506 Roundtable: Discovering the

5:30–7:00

Park Plaza Archaeology of Reading

Mezzanine
Statler Room
Sponsor: Center for Editing Lives and Letters (CELL), University College London
Organizer: Matthew Symonds, University College London
Chair: Ann M. Blair, Harvard University
Discussants: Christopher Geekie, Johns Hopkins University;
Jaap Geraerts, University College London;
Anthony Grafton, Princeton University;
Earle A. Havens, Johns Hopkins University;
Matthew Symonds, University College London
Launching their groundbreaking new digital resource for the study of early modern
books, the research principals behind the Andrew W. Mellon–funded project The
Archaeology of Reading in Early Modern Europe discuss the impact of the project on
their own research and offer some pathways through the materials presented online.
Key to the success of The Archaeology of Reading has been the close integration of
technical development and humanistic scholarship: the project delivers significant
outcomes for both scholars working on intellectual histories of the early modern
period and software engineers concerned with building open source infrastructures
that can be shared and repurposed across libraries, archives and museums. The
roundtable will also introduce plans for phase two of The Archaeology of Reading.

10507 Early Modern Cardinals:

Park Plaza Historiography, Biography, and
Mezzanine Power III
Hancock Room
Organizer: Arnold Witte, Royal Netherlands Institute in Rome
Chair: Miles A. F. Pattenden, University of Oxford
Bertrand Marceau, Université Paris-Sorbonne
Cardinal Protectors of France through the Prism of the State-Building and
Nation-Building
Alexander Koller, Deutsches Historisches Institut in Rom
Cardinal Legates and Nuncios: The Pope’s International Network
Glenn Richardson, St. Mary’s University, Twickenham
Cardinals as Politicians: Issues of Allegiance

124
 Thursday, 31 March 2016
10508 Early Modern Hispanic Poetry and

5:30–7:00
Park Plaza the Material Turn
Mezzanine
Exeter Room
Sponsor: Society for Renaissance and Baroque Hispanic Poetry
Organizers: Elizabeth B. Davis, The Ohio State University;
Miguel Martinez, University of Chicago
Chair: Miguel Martinez, University of Chicago
Mary E. Barnard, Pennsylvania State University
Quevedo’s Rome: Of Ruins and Artifacts
Aude Plagnard, Université Paris-Sorbonne and Casa de Velázquez
Difusión manuscrita e ilustrada de la épica: Las obras de Jerónimo Corte-Real,
entre Lisboa y Madrid
Jaime Galbarro García, Queen’s University Belfast and Grupo PASO
Nuevos asedios para el estudio de la recepción de Luis de Góngora en el siglo
XVII

10509 Religious Violence and Its Critics

Park Plaza
Mezzanine
Clarendon Room
Sponsor: Religion, RSA Discipline Group
Organizer: Tamar Herzig, Tel Aviv University
Chair and Respondent: Michael D. Bailey, Iowa State University
Miriam Eliav-Feldon, Tel Aviv University
Pope Clement VII and Religious Toleration
Colin S. Rose, University of Toronto
Holy Men Spilling Unholy Blood: Clerical Violence in Seventeenth-Century
Bologna
Celeste I. McNamara, Warwick University
Suppressing Scandals to Save Souls

125
Thursday, 31 March 2016

10511 Beyond the Republic of Letters II:

5:30–7:00

Park Plaza Roundtable: Scholarship, Politics,

Mezzanine and Confessionalization
Arlington Room
Organizers: Nicholas Hardy, Trinity College, University of Cambridge;
Thomas Roebuck, University of East Anglia
Chair: Mordechai Feingold, California Institute of Technology
Discussants: William J. Bulman, Lehigh University;
Jan Machielsen, Cardiff University;
Jeffrey Alan Miller, Montclair State University;
Caroline R. Sherman, Catholic University of America;
Daniel Stolzenberg, University of California, Davis
Scholars over the last twenty years have shown that the “republic of letters” afforded
early modern scholars the opportunity to correspond with one another in a
community governed by shared values of free intellectual exchange, interconfessional
toleration, political neutrality, and liberal approaches to censorship. This roundtable
gives participants and the audience the opportunity to discuss questions that are now
problematizing or challenging this conception of the republic of letters. How might
scholarly correspondence have served to shore up confessional identities rather than
to neutralize them? What happened to scholars on the margins of the republic of
letters? What role did those who were not scholars play in the republic of letters?
How might our search for scholarly networks occlude the multiple ways in which
scholars used letters? And how might the accidental loss or deliberate exclusion of
letters from scholars’ archives have shaped our understanding of the republic of
letters today?

10512 Catholic Verse and Subversion

Park Plaza
Mezzanine
Georgian Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Alison Shell, University College London
Chair: Arthur F. Marotti, Wayne State University
Robert S. Miola, Loyola University Maryland
Alternative Histories: Recovering Catholic Poetic Dissent
Alison Shell, University College London
“I write of tears, and blud”: Henry Constable on Mary Stuart
Susannah Brietz Monta, University of Notre Dame
Controversy and Devotion in Catholic Manuscript Culture

126
 Thursday, 31 March 2016
10513 Roundtable: Marvell Studies and the

5:30–7:00
Park Plaza State of Marvell Studies
Fourth Floor
Brookline Room
Sponsor: Andrew Marvell Society
Organizer: Martin Dzelzainis, University of Leicester
Chair: Steven N. Zwicker, Washington University in St. Louis
Discussants: Martin Dzelzainis, University of Leicester;
Alessandro C. Garganigo, Austin College;
Nicholas McDowell, University of Exeter;
Nigel Smith, Princeton University
In recent decades, Andrew Marvell’s status as just one of the metaphysical poets
anthologized by Helen Gardner has advanced to that of, arguably, someone of
literary and political significance second only to John Milton. By way of marking
the launch of Marvell Studies (founding editor Matt Augustine, University of St.
Andrews), the roundtable will seek to assess the current state and future directions
of Marvell studies.

10514 Souvenirs of the Siege of Vienna,

Park Plaza 936 AH / 1529 AD
Fourth Floor
Cambridge Room
Organizers: Jennifer Nelson, Michigan Society of Fellows;
Allison Stielau, Yale University
Chair: Jennifer Nelson, Michigan Society of Fellows
Suzanne Karr Schmidt, The Art Institute of Chicago
Anno Obsidionis: Georg Hartmann’s “Turkish” Sundials
Allison Stielau, Yale University
Tvrck Belegert Wien: Numismatic Souvenirs of the Siege of Vienna, 1529
William J. Walsh, University of Chicago
Matrakçı Nasuh and the Siege of Vienna

10515 Exploring the “Frontiers” of Mission

Park Plaza in a Global Context III: Ideologies
Fourth Floor of Mission
Beacon Hill Room
Sponsor: History, RSA Discipline Group
Organizer: Megan C. Armstrong, McMaster University
Chair: Andrew McCormick, INALCO, Centre de recherche Europes-Eurasie
Alison Forrestal, National University of Ireland, Galway
“Nothing or little of it will remain”: Vincent de Paul Defines Mission amidst
Upheaval
Ian W. S. Campbell, Queen’s University Belfast
Mission and Force in Scotist Theology: The Case of John Punch

127
Thursday, 31 March 2016

10516 Cavendish III: Literature and

5:30–7:00

Park Plaza Natural Philosophy

Fourth Floor
Back Bay Room
Sponsor: International Margaret Cavendish Society
Organizers: James B. Fitzmaurice, Northern Arizona University;
Lisa Walters, Liverpool Hope University
Chair: Mary Baine Campbell, Brandeis University
Respondent: Lisa Walters, Liverpool Hope University
Tien-yi Chao, National Taiwan Normal University
Envisioning of Globes in the Philosophical Writings by Margaret Cavendish and
Jane Lead
Marie E. Hause, Florida State University
The Plurality of Worlds and Vitalist Materialism in Cavendish’s Atom Poems

10517 Roundtable: Nicholas of Cusa and

Park Plaza Christian Pythagoreanism in the
Fourth Floor Renaissance: Responses to David
Brandeis Room Albertson’s Mathematical Theologies
Sponsor: American Cusanus Society
Organizer: Jason Aleksander, Saint Xavier University
Chair: John Monfasani, SUNY, University at Albany
Discussants: David C. Albertson, University of Southern California;
Stephen Gersh, University of Notre Dame;
Thomas Leinkauf, University of Munster;
Denis J. J. Robichaud, University of Notre Dame;
Maria Cecilia Rusconi, Consejo Nacional de Investigaciones Científicas y Técnicas
In his 2014 book Mathematical Theologies: Nicholas of Cusa and the Legacy of
Thierry of Chartres, David Albertson uncovers a lost history of encounters between
Pythagorean and Christian thought up through the Renaissance. Albertson shows
that the writings of Thierry of Chartres (d. 1157) and Nicholas of Cusa (d. 1464)
represent a robust Christian Neopythagoreanism. They reconceived Trinity and
Incarnation within the framework of Greek number theory: God is the consummate
mathematician, the Trinity is the fount of number, and Christ is an eternal Angle. Yet
as Nicholas sought to apply Thierry’s ideas three centuries later, he created as many
problems as he solved. Albertson’s revisionist narrative makes several controversial
claims, regarding the nature of Thierry’s achievement, the transmission of his ideas
to Nicholas, the coherence of Nicholas’s adaptations, the development of Cusan
thought, and the significance of “mathematical theologies” for religion and science
in modernity.

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10518 Literary Dubia and Spuria

5:30–7:00
Park Plaza
Fourth Floor
Cabot Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizer: Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Ada Palmer, University of Chicago
Marian Rothstein, Carthage College
Letting Go of Annius
Andrea Comboni, Università degli Studi di Trento
Forgeries and Literary Polemics: The Petrarchan Counterfeits of Niccolo Franco
Adam Foley, University of Notre Dame
Pier Candido Decembrio and the “Homeric Question”
David Weil Baker, Rutgers University, Newark
The Altar of Odysseus: Early Modern British Antiquarianism and the Greeks

10519 Early Modern Ingenuity II

Park Plaza
Fourth Floor
Charles River Room
Sponsor: Medicine and Science, RSA Discipline Group
Organizers: Monica Azzolini, University of Edinburgh;
Alexander Marr, University of Cambridge
Chair: Richard J. Oosterhoff, University of Cambridge
Eileen A. Reeves, Princeton University
Galileo and the Art of the Ingenious Insult
David Zagoury, University of Cambridge
“Fantasticherie d’acutissimo ingegno”: Problems of Visual Imagination in
Cinquecento Italy
Jose Ramon Marcaida, University of Cambridge
Visual Ingenuity in the Age of Velázquez

10520 The Politics of Translation in

Park Plaza Renaissance Europe
Fourth Floor
Constitution Room
Organizer: Darcy Kern, Southern Connecticut State University
Chair: Harald E. Braun, University of Liverpool
Darcy Kern, Southern Connecticut State University
Platonic Words: Paolo Sarpi and Roberto Bellarmino as Translators in the
Venetian Interdict Crisis
Gregory Murry, Mount Saint Mary’s University
The Divine Right of Kings and Translation of Jus Divinum into English,
1500–1648
Xavier Tubau, Hamilton College
Conciliarism and Ghibellinism in Alfonso Álvarez Guerrero’s “Tractatus” on the
General Council

129
Thursday, 31 March 2016

10521 Renaissance Commemoration III:

5:30–7:00

Park Plaza Spaces of Memory

Fourth Floor
Franklin Room
Sponsor: Toronto Renaissance Reformation Colloquium (TRRC)
Organizer: David B. Goldstein, York University
Chair: Tamara Smithers, Austin Peay State University
Samantha Jane Caroline Hughes-Johnson, Birmingham Institute of Art and Design
A Lasting Tribute to an Honorable Life: Obsequies and the Poveri Vergognosi in
Quattrocento Florence
Rebecca Marie Howard, The Ohio State University
Traversing the Memory House: Commemorating through Space in Early
Modern Italian Portraits
Madeline J. Bassnett, University of Western Ontario
Commemorating Lady Anne Clifford’s Hospitality: Bishop Rainbowe’s 1676
Funeral Sermon
Dana Lawrence, University of South Carolina Lancaster
Verona’s Shakespeare: Romeo and Juliet, Tourism, and Commemoration

10523 Lectura Boccaccii

Park Plaza
Fourth Floor
Gloucester Room
Sponsor: American Boccaccio Association
Organizer: Jason Houston, University of Oklahoma
Chair: Kristina M. Olson, George Mason University
Pina Palma, Southern Connecticut State University
The Journey toward Modernity: Decameron 5.1
Stefano Selenu, Syracuse University
Mediterranean Counterpoints between East and West: Love, Language, and
(Mis)Adventures in Decameron 5.2 and 2.7
Kenneth P. Clarke, University of York
Making It Go Further: Money, Sex and Love in Decameron 8.1
Olivia Holmes, Binghamton University
Tit for Tat: Decameron 8.8

130
 Thursday, 31 March 2016
10524 Roundtable: The Author as Textual

5:30–7:00
Park Plaza Critic: Intellectual Property in the
Fourth Floor Renaissance and Today
Holmes Room
Sponsor: Société Française d’Etude du Seizième Siècle (SFDES)
Organizers: Nathalie Dauvois, Université Sorbonne Nouvelle - Paris 3;
Olga Anna Duhl, Lafayette College
Chair: Nathalie Dauvois, Université Sorbonne Nouvelle - Paris 3
Discussants: Cynthia J. Brown, University of California, Santa Barbara;
David Cowling, Durham University;
Olga Anna Duhl, Lafayette College;
Paul White, University of Leeds
Text production in Renaissance France was a multifaceted editorial task that became
increasingly an issue of intellectual property in the course of the sixteenth century, as
exemplified by famous literary disputes, such as the one that developed between D.
Lambin and M. A. Muret following the printing of Horace’s Opera omnia in 1561.
The proposed roundtable discussion aims at examining the notion of intellectual
property and the different ways in which it was appropriated by authors, editors,
and printers throughout the Renaissance, as well as our own experiences as textual
critics. This will lead to a reexamination of the boundaries of the contemporary
notion of intellectual property, including the criteria on which it is based in light of
the shift in editorial practices that characterizes current text production.

10525 Aristotle in the Vernacular:

Park Plaza Rethinking Intellectual History in
Fourth Floor Renaissance Italy III
Long fellow Room
Organizer: Marco Sgarbi, Università Ca’ Foscari di Venezia
Chair: Valentina Lepri, Uniwersytet Warszawski
Nicolas Stone Villani, St. Hugh’s College, University of Oxford
Aristotle’s Politics in the Italian Vernacular
Teodoro Katinis, Johns Hopkins University
The Sophistic Italian Renaissance: An Overview for a Research Project
Marco Sgarbi, Università Ca’ Foscari di Venezia
Nicolò Vito di Gozze’s Aristotelian Liberalism

131
Thursday, 31 March 2016

10526 Renaissance Loves: Courted,

5:30–7:00

Park Plaza Possessed, and Forsaken in Early

Fourth Floor Modern England
Newbury Room
Sponsor: Early Modern Women Research Network, University of Newcastle,
Australia (EMWRN)
Organizer: Susan J. Wiseman, Birkbeck, University of London
Chair: Kate Lilley, University of Sydney
Susan J. Wiseman, Birkbeck, University of London
Labour’s Loves? Whitney and Wheatcroft
Ian F. Moulton, Arizona State University
“His stones, his daughter and his ducats”: The Rhetoric of Love and Possession
in Shakespeare and Montaigne
Judith Hudson, Birkbeck, University of London
“I think we finde no Bigamy in the Turtle”: Early Modern Women and Bigamy

10527 Architectural Barriers in Renaissance

Park Plaza Europe III: Spaces of Healing
Fourth Floor
Stuart Room
Organizers: Margaret Bell, University of California, Santa Barbara;
Morgan Ng, Harvard University;
Joel Luthor Penning, Northwestern University
Chair: Panos Leventis, Drury University
Joana Balsa de Pinho, Centre for Lusophone and European Literatures and Cultures
The Houses of Mercy: A Welfare Presence in Early Modern Portuguese Cities
Britta Hilka Hentschel, ETH Zurich
The Architectural Typologies of Poverty in the Fifteenth Century
Margaret Bell, University of California, Santa Barbara
Painting Institutional Boundaries: City and Hospital in the Pellegrinaio Frescoes
of Santa Maria della Scala

132
 Thursday, 31 March 2016
10528 Roundtable: Teaching Tudor and

5:30–7:00
Park Plaza Stuart Women Writers, Revisited
Fourth Floor
Tremont Room
Organizers: Clare Costley King’oo, University of Connecticut;
Chanita R. Goodblatt, Ben-Gurion University of the Negev
Chair: Clare Costley King’oo, University of Connecticut
Discussants: Susan M. Felch, Calvin College;
Genelle Gertz, Washington and Lee University;
Anne Lake Prescott, Barnard College;
Sarah C. E. Ross, Victoria University of Wellington;
Susanne Woods, University of Miami
In Teaching Tudor and Stuart Women Writers (2000), Susanne Woods and Margaret
P. Hannay argued that scholars who wished to see a greater emphasis on women’s
writing in the curriculum would need to challenge two assumptions: that the
surviving writing by early modern women could not be defined as “literary”; and
that even the kind of writing by women that might be considered “literary” (given
the right circumstances) would turn out to be inferior to analogous writing by men
when examined from an aesthetic perspective. They concluded that it would take
time for instructors and students to develop sophisticated enough reading practices
to be able to wrestle with women’s writing in the classroom. This roundtable will
aim to ascertain how much progress we have made to date, as well as how we have
made it, and what steps we should be looking to take in the coming years.

10529 Rire des souverains III: Roundtable

Park Plaza
Fourth Floor
White Hill Room
Organizer: Dominique Bertrand, Université Blaise Pascal, Clermont-Ferrand 2
Chair: Marie-Claire Thomine-Bichard, Université Paris-Sorbonne
Discussants: Sophie Astier, Aix-Marseille Université;
Dominique Bertrand, Université Blaise Pascal, Clermont-Ferrand 2;
Tom Conley, Harvard University;
Pascale Dubus, Université Paris 1 Panthéon-Sorbonne;
Jelle Koopmans, Universiteit van Amsterdam;
Bernd Renner, CUNY, Brooklyn College and The Graduate Center;
Ruxandra Vulcan, Université Paris-Sorbonne
Dans cette table ronde, nous prolongerons les réflexions des sessions sur “Rire des
souverains” en orientant le questionnement sur l’articulation du pouvoir politique
et du théologique, à partir de quelques études prenant en compte la spécificité de la
satire des princes de l’Eglise.

133
Thursday, 31 March 2016

10530 The Pilgrimage to the Holy Land

5:30–7:00

Park Plaza between the Middle Ages and

Fourth Floor the Renaissance: Sources and
Winthrop Room Interpretations
Sponsor: Centro Cicogna
Organizer and Chair: Matteo Soranzo, McGill University
Matteo Casini, Suffolk University
Sacred Eyes: Pilgrims’ Watching Ceremonies in Renaissance Venice
Zuane Fabbris, Centro Cicogna
Late Medieval Pilgrim Travel Accounts: A Precursor to Modern Travel Guides?
Miyako Sugiyama, Universiteit Gent
Image and Mental Pilgrimage to Rome: A Case Study of Christ Crucified in
Rumbeke

10531 The Politics of Passage:

Park Plaza Negotiating Safe-Conduct in Early
Fourth Floor Modern Europe
Whittier Room
Organizer: Megan K. Williams, Rijksuniversiteit Groningen
Chair: Francesca Trivellato, Yale University
Megan K. Williams, Rijksuniversiteit Groningen
Paper Presents: Diplomatic Safe-Conducts as Political Gifts
Luca Scholz, European University Institute
Rights of Passage: Safe-Conduct and the Enclosure of Movement in the Old
Reich
Magnus Ingvard Ressel, Goethe-Universität Frankfurt am Main
Safe-Conducts in the Eighteenth Century on the Main Terrestrial and Maritime
Trading Routes

134
 Thursday, 31 March 2016
10532 Roundtable: Theater after the

5:30–7:00
Park Plaza Renaissance
Fourth Floor
St. James Room
Sponsor: Performing Arts and Theater, RSA Discipline Group
Organizer: Lisa M. Sampson, University of Reading
Chair: Jane C. Tylus, New York University
Discussants: Richard Andrews, University of Leeds;
Jessica Goethals, University of New Hampshire;
Robert Henke, Washington University in St. Louis;
Sarah G. Ross, Boston College;
Lisa M. Sampson, University of Reading
Our session aims to redress the long-standing historiographical emphasis on secular,
“erudite” theater, as opposed to the religious, popular, and professional theater
that emerged in late Renaissance Italy. Discussants will explore connections and
influence among these traditions in order to focus on new works and dramatists
such as Maddalena Campiglia, Margherita Costa, and Giovan Battista Andreini.
Our panel will consider late sixteenth- and seventeenth-century theater’s relation
to courts, secular and lay religious civic organizations, and print media. While
our focus will be primarily Italian theater, given the itinerant nature of actors and
theatrical texts, we will also be examining French and English contexts. Considering
theater’s involvement in musical and artistic media, our panelists will also address
the fruitful convergence of more traditional theatrical genres with the rise of opera
and ballet. In short, as other national traditions were becoming firmly established
elsewhere in Europe, what could Italian innovations offer?

10533 Roundtable: How to Publish Your

Hynes Convention Center First Book
Level Two
200
Organizer: Renaissance Society of America
Chair: William E. Engel, Sewanee, The University of the South
Discussants: Suzanne Rancourt, University of Toronto Press;
Jennifer Snodgrass, Museum of Fine Arts Boston;
Arjan van Dijk, Brill
In this roundtable editors will provide insights and answer questions about how
to publish first scholarly books. William E. Engel is Nick B. Williams Professor of
English at Sewanee, The University of the South. Arjan van Dijk is Acquisitions
Editor for Early Modern History, Book History, and Cartographic History at Brill
Publishers. Suzanne Rancourt is Executive Editor for acquiring in Classics, Medieval
Studies, Renaissance Studies, and Erasmus Studies at the University of Toronto
Press. Jennifer Snodgrass is Senior Editor at the Museum of Fine Arts Boston.

135
Thursday, 31 March 2016

10534 Drawing the Italian Landscape in

5:30–7:00

Hynes Convention Center the Cinquecento III: Italy Seen from

Level Two Abroad
201
Organizers: Christophe Brouard, Institut d’Etudes Supérieures des Arts;
Furio Rinaldi, The Metropolitan Museum of Art;
Patrizia Tosini, Università degli Studi di Cassino e del Lazio Meridionale
Chair: Louisa W. Ruby, The Frick Collection
Stijn Alsteens, The Metropolitan Museum of Art
Pieter Vlerick, Hendrik Gijsmans, and the Early Netherlandish Tradition of
Views of Italy
Arthur J. Di Furia, Savannah College of Art and Design
The Timeless Space of Maerten van Heemskerck’s Panoramas
Emmanuel Lurin, Université Paris-Sorbonne
The Description of Ruins in Sixteenth-Century Rome: An Itinerary through
Prints and Drawings
10535 Gendered Spaces in Early Modern
Hynes Convention Center Urban and Rural Landscapes
Level Two
202
Organizer: Allison Graham, University of Toronto
Chair: Elizabeth S. Cohen, York University
Allison Graham, University of Toronto
Institutionalizing Gender, Ordering Urban Space: Orphanages in Seventeenth-
Century Spanish Manila
Alexandra Logue, University of Toronto
London’s “Little Commonwealths”: Masculinity and Domestic Property in
Seventeenth-Century England
Steven Bednarski, St. Jerome’s University, University of Waterloo
Rebecca MacAlpine, University of Waterloo
From Urban to Rural: Space, Sexuality, and Gender in the Life of Lady Anne Lennard
10536 The Journey of Seventeenth-Century
Hynes Convention Center Architects between Professional
Level Two Practice and Research: Scamozzi,
203 Bernini, Carlo Fontana
Organizer: Giuseppe Bonaccorso, Università di Camerino
Chair: Jasenka Gudelj, University of Zagreb
Giuseppe Bonaccorso, Università di Camerino
Professional Travels of Scamozzi, Bernini, Carlo Fontana
Jessica Gritti, Politecnico di Milano
Carlo Fontana and the New Choir for the Incoronata in Lodi
Sergio Monferrini, Archivio Dal Pozzo d’Annone
Carlo Fontana’s Journey in Lombardy

136
 Thursday, 31 March 2016
10537 Borderlines: On the Agency of Streaks,

5:30–7:00
Hynes Convention Center Blots, and Traces
Level Two
204
Organizers: Diane Bodart, Columbia University;
Nicola Suthor, Yale University
Chair: Philip Sohm, University of Toronto
Francesca Alberti, Université Paris 1 Panthéon-Sorbonne
Beyond Drawing: Loose Traces and Lines
Diane Bodart, Columbia University
From macchia to borrón: The Vocabulary of Failure in Early Modern Painting
Guillaume Cassegrain, Université Pierre Mendès France
Paint or Stain: Notes about the Functions of Dripping in Renaissance Painting
Nicola Suthor, Yale University
Breakout: On Rembrandt’s Revision of His Three Crosses

10538 Music Instruction and Publication

Hynes Convention Center
Level Two
205
Organizer: Renaissance Society of America
Chair: Joseph M. Ortiz, University of Texas at El Paso
Izabela Bogdan, University of Poznan
Found in Translation: On the Power of Words of Early Modern Lutheran Music
Instruction Books
Janet Pollack, Luther College
Alchemical References and Allusions in Early Modern English Music
Thomas K. Ward, United States Naval Academy
Humphrey Moseley, Music Publication, and the Invention of English Literature

10539 Bolognese Art in the Archives III:

Hynes Convention Center Bolognese Art in Historical Context
Level Two
206
Organizers: Babette Bohn, Texas Christian University;
Raffaella Morselli, Università degli Studi di Teramo
Chair: Babette Bohn, Texas Christian University
Respondent: Raffaella Morselli, Università degli Studi di Teramo
Clare E. Robertson, University of Reading
Revisiting the Arti di Bologna
Daniel M. Unger, Ben-Gurion University of the Negev
Benedetto Giustiniani, Lorenzo Garbieri, and the Borromeo Chapel in Bologna

137
Thursday, 31 March 2016

10540 Monstrous Things II: Myth and

5:30–7:00

Hynes Convention Center Knowledge

Level Two
207
Organizer: Catherine Walsh, University of Montevallo
Chair: Maria Maurer, University of Tulsa
Respondent: Luke Morgan, Monash University
Heather Coffey, OCAD University
A Floating Tomb and Perfidious Vision in Noël de Fribois’s Mirouer historial
abregié de France
Allison Levy, Independent Scholar
“Each and every one with two heads”: Teratology and Animal Portraiture at the
Villa Ambrogiana

10541 Problems in Italian Renaissance

Hynes Convention Center Portraiture
Level Two
208
Organizer: Maria DePrano, University of California, Merced
Chair: Jodi Cranston, Boston University
Maria DePrano, University of California, Merced
Group Portraiture in the Tornabuoni Chapel Frescoes in Santa Maria Novella,
Florence
James Fishburne, University of California, Los Angeles
Change of Face: Physiognomy and the Portraits of Pope Julius II
Joanna Woods-Marsden, University of California, Los Angeles
The Posthumous Portraits of Empress Isabel of Portugal, Consort of Charles V

10542 Encountering the Renaissance,

Hynes Convention Center Honoring Gary Radke III: Regulating
Level Two and Shaping Gender and Sexuality
210
Organizer: Sally J. Cornelison, Syracuse University
Chair: Molly Bourne, Syracuse University in Florence
Saundra L. Weddle, Drury University
More on Nuns and Their Art: How Convent Architecture Shaped Nuns’
Experience of Art
Sara F. Matthews-Grieco, Syracuse University
Engraving Anteros: The Printed Picture as an Agent of Change in Counter-
Reformation Italy
Victoria Bartels, University of Cambridge
Men of Steel: Armor and Civilians in Cinquecento Italy

138
 Thursday, 31 March 2016
10543 Neuroscience, Cognitive Disability,

5:30–7:00
Hynes Convention Center and Embodiment on the Early
Level Three Modern Stage
302
Sponsor: Southeastern Renaissance Conference
Organizer: Sonya Freeman Loftis, Morehouse College
Chair: Maria Chappell, University of Georgia
Nicholas Ryan Helms, University of Alabama
Abdicating the Norm: King Lear and Cognitive Science
Sonya Freeman Loftis, Morehouse College
Lycanthropy and Lunacy: Cognitive Disability in The Duchess of Malfi
Allison K. Lenhardt, Wingate University
Performing Race and Madness: Shakespeare’s Othello, Promptbooks, and
Audience Perceptions
John Benjamin Fuqua, University of Georgia
Feed in Quiet: Appetite and Social Mobility in The Duchess of Malfi

10544 Topicality in Early Modern Verse and

Hynes Convention Center Drama
Level Three
303
Sponsor: Arizona Center for Medieval and Renaissance Studies (ACMRS)
Organizer: Jean R. Brink, Huntington Library
Chair: Steven W. May, Emory University
Respondent: Leah Marcus, Vanderbilt University
Cyndia Susan Clegg, Pepperdine University
The Problematic Topicality of Rebellion in Elizabethan Literature
Jean R. Brink, Huntington Library
Revisiting Topical Allusions in Spenser’s Shepeardes Calendar: Bishop John
Aylmer as Spenser’s Morrel in Julye
Frederick Kiefer, University of Arizona
The Drama Adapts to a New Political World

10545 Multilingualism, Localization, and

Hynes Convention Center Translation
Level Three
304
Organizer: Renaissance Society of America
Chair: Peggy Escher, CUNY, John Jay College of Criminal Justice
Ojārs Lāms, University of Latvia
Martins Laizans, University of Latvia
Expansion and Localization of “Nobilitas Literaria”: Salomon Frenzel’s Poetry in
the Context of Genre Tradition
Filippo Naitana, Quinnipiac University
Ethics and Aesthetics of Love in Nicolò Vito di Gozze

139
Thursday, 31 March 2016

10546 Milton and the European

5:30–7:00

Hynes Convention Center Epic Revisited

Level Three
305
Organizer and Chair: Timothy John Duffy, New York University
Sarah van der Laan, Indiana University
Being and Seeming: Perception and Moral Disorder in Milton and Homer
Catherine Gimelli Martin, University of Memphis
Milton’s Dante: Free Will, Self-Created Fate, and Dancing Angels
James Nohrnberg, University of Virginia
Milton’s Eve: Woman with a History

10547 Laughter as Medicine: Cures in Early

Hynes Convention Center Modern Comedies
Level Three
306
Sponsor: Centre for Early Modern Studies, University of Aberdeen
Organizer: Andrew Gordon, University of Aberdeen, King’s College
Chair: James Loxley, University of Edinburgh
Julia Kotzur, University of Aberdeen, King’s College
Ben Jonson’s “Spices of Idolatry”: Galenic Healthcare and the Eucharist in
Bartholomew Fair
Annette H. Tomarken, University of Kent at Canterbury
“Monsieur le Medecin” on Stage: Bruscambille Plays the Doctor
Rebecca Hasler, University of St. Andrews
Can Laughter Cure the Plague? Thomas Dekker’s Plague Pamphlets and Early
Modern Comedy

10548 Ink, Dyes, and Pigments: The

Hynes Convention Center Production of Colors and the Making
Level Three of Metaphors
308
Sponsor: Epistémè (Research group on early modern England)
Organizer and Chair: Anne-Valérie Dulac, Université Paris 13
Respondent: Anne-Marie Miller-Blaise, Université Sorbonne Nouvelle - Paris 3
Chantal Schütz, École Polytechnique
The Smell of the Ink-Horn
Kristen Olson, Pennsylvania State University
Pigment, Palette, Poiesis: The Iconography of Color in The Faerie Queene
Mickaël Popelard, Université de Caen Basse-Normandie
The Production of Colors and the Interpretation of Nature in Bacon’s New
Atlantis and Novum Organum
Anne-Marie Costantini-Cornède, Université Paris 5 René Descartes
To dye or to lie? Dyeing, Making, or Mixing Colors and the Making of Metaphors

140
 Thursday, 31 March 2016
10549 Studies in Renaissance Art and Culture

5:30–7:00
Hynes Convention Center in Honor of Debra Pincus III
Level Three
309
Organizers: Sarah Blake McHam, Rutgers University;
Dennis Romano, Syracuse University
Chair: Dennis Romano, Syracuse University
Shelley E. Zuraw, University of Georgia
Florence-Rome-Venice: An Axis for Tomb Design in Late Quattrocento Italy
Patricia Fortini Brown, Princeton University
Vain Legislation against vana ostentazione: Sumptuary Laws in the Venetian
Dominion
Bronwen Wilson, University of California, Los Angeles
On the Edge: Epigraphy and Mediterranean Travel Imagery

10550 Giovan Paolo Lomazzo III:

Hynes Convention Center His Influence Abroad and on
Level Three Other Theorists
310
Organizers: Rebecca Norris, Indianapolis Museum of Art;
Lucia Tantardini, University of Cambridge
Chair: Andrea Jane Bayer, The Metropolitan Museum of Art
Macarena Moralejo Ortega, Universidad Autónoma de Madrid
Angels and Archangels: The Vettori Chapel by Zuccari and the Foppa Chapel by
Lomazzo
Stephanie Trouve, Université Paul-Valéry Montpellier 3, Projet ERC LexArt (AdG 323761)
Lomazzo and France: Hilaire Pader’s Translation; Theoretical and Artistic Issues

10552 Digital Latin Resources and Tools III:

Hynes Convention Center Stylistic, Semantic, and Metric Analysis
Level Three
313
Sponsor: Neo-Latin Literature, RSA Discipline Group
Organizer: Susanna de Beer, Universiteit Leiden
Chair: Paolo Mastandrea, Università Ca’ Foscari di Venezia
Maciej Eder, Polish Academy of Sciences
Authorial Freedom of Choice vs. Stylistic Constraints: A Computer-Assisted
Analysis of Latin Style(s)
Johann Ramminger, Bayerische Akademie der Wissenschaften
Constructing a Dictionary of Early Modern Latin Dialects
Neven Jovanovic, University of Zagreb
De fine versus: A Renaissance Version

141
Friday, 1 April 2016

Friday, 1 April 2016

8:30–10:00

8:30–10:00

20104 New Formalisms I: Country House

Park Plaza Poetics and Politics
Mezzanine
Boylston Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Karen Nelson, University of Maryland, College Park
Chair: Melissa Sanchez, University of Pennsylvania
Anna Beskin, Fordham University
“[W]ild Creatures, called Men”: Gender and Ecology in Andrew Marvell’s
“Upon Appleton House”
Andrea Crow, Columbia University
The Function of the Country House Poem in Early Modern Food Networks
Jennifer Higginbotham, The Ohio State University
Putting the House in the Country House Poem: Marie Burghope’s Architectural
Poetics
20105 Different Faces of Greek: From Greek
Park Plaza Composition of Humanist Authors to
Mezzanine Translations from Greek
Commonwealth Room
Organizer: Janika Päll, University of Tartu Library
Chair: Luigi-Alberto Sanchi, Centre national de la recherche scientifique
Martin Steinrueck, Université de Fribourg Suisse
The Acrostics in Filelfo’s Greek Poems
Janika Päll, University of Tartu Library
Bilingual (Greek-Latin) Poem Pairs from Late Renaissance Italy to the Coasts of
the Baltic Sea
Johanna Akujärvi, Lunds Universitet
Hercules at the Crossroads: Uses of Greek Language and Myth in the Baltic Sea
Region

142
 Friday, 1 April 2016
20106 Art, Spectacle, and Portraiture

8:30–10:00
Park Plaza
Mezzanine
Statler Room
Organizer: The Renaissance Society of America
Chair: Barbara Wisch, SUNY, Cortland
Esthy Kravitz-Lurie, Ben-Gurion University of the Negev
Reevaluating Cupid and Pan
Leila Zammar, Warwick University
New Evidence on the Staging of a Performance at Palazzo Farnese (Rome,
Carnival 1656)
Natasha T. Mao, Rice University
Italian Courtesans in Early Modern Interactive Art
Diane Wolfthal, Rice University
Portraits of Male Servants without Masters: From the Medici Courts to the
Antwerp Painters’ Guild
20107 Europe and the Court of Cosimo
Park Plaza III de’ Medici
Mezzanine
Hancock Room
Sponsor: Medici Archive Project (MAP)
Organizer and Chair: Alessio Assonitis, Medici Archive Project
Miguel Taín Guzmán, University of Santiago de Compostela
Art, Books, and Devotional Objects Acquired by Cosimo III during his Spanish
Sojourn (1668–69)
Alessandro Vettori, Rutgers University
French Culture at the Court of Grand Duke Cosimo III de’ Medici
Ashley Buchanan, University of South Florida
The “Empire of Things”: Cosimo III de’ Medici as Collector, Patron, and Naturalist
Lisa Goldenberg Stoppato, Independent Scholar
Flemish Tapestries and Porcelain for the Dowager Grand Duchess Vittoria della
Rovere
20108 Early Modern Anger: A Reappraisal I
Park Plaza
Mezzanine
Exeter Room
Organizers: Jorge Ledo, Universität Basel;
Anna Laura Puliafito Bleuel, University of Warwick
Chair: Anna Laura Puliafito Bleuel, University of Warwick
Cecilia Asso, Independent Scholar
From Deadly Sin to Self-Control: Erasmus and Anger
Karine Durin, Université de Nantes
Divine Anger in Early Modern Spanish Thought
Jorge Ledo, Universität Basel
Truth and Anger: Notes for a (Rhetorical) History of the Rise of Reformation

143
Friday, 1 April 2016

20109 Memory, Textual, and Performance

8:30–10:00

Park Plaza History: A Comparative and

Mezzanine Interdisciplinary Analysis I
Clarendon Room
Organizers: Francesca Bortoletti, University of Leeds;
Alexandra Coller, CUNY, Lehman College
Chair: Rosalind Kerr, University of Alberta
Alexandra Coller, CUNY, Lehman College
A Woman Writer’s Reinvention of Another Woman’s Genius: The Case of
Isabetta Coreglia and Isabella Andreini
Janet L. Smarr, University of California, San Diego
Fletcher’s Plays and the Decameron
Eric Nicholson, Syracuse University in Florence
Isabella and the Philosopher: A New Way to Ride Aristotle in Late Renaissance
Theater
20110 Objects of Science: The Material
Park Plaza Culture of Renaissance Alchemy,
Mezzanine Astrology, and Astronomy
Berkeley Room
Sponsor: Medicine and Science, RSA Discipline Group
Organizers: Monica Azzolini, University of Edinburgh;
Alisha Rankin, Tufts University
Chair: Sachiko Kusukawa, Trinity College, University of Cambridge
Alisha Rankin, Tufts University
“Dubious Earth”: Terra Sigillata and the Problem of Authenticity in Early
Modern Medicine
Monica Azzolini, University of Edinburgh
Celestial Power: Use and Function of Astrological Objects in the Italian
Renaissance
20111 It Stoops to Conquer: The Reformation
Park Plaza in Sixteenth-Century Italy and Its
Mezzanine Educational Strategies
Arlington Room
Organizer: Cristiano Casalini, Boston College
Chair: Francesco Mattei, Università degli Studi Roma Tre
Cristiano Casalini, Boston College
Shaping a Reformed Mindset: Early Reformed Catechisms in Italy
Luana Salvarani, Università degli Studi di Parma
For Literacy and Beyond: Language and Rhetoric in Italian Reformed Vernacular
Texts
Laura Madella, Università degli Studi Roma Tre
A Religious Education in Mantua: Juan de Valdes’s Alphabeto Christiano and
Giulia Gonzaga

144
 Friday, 1 April 2016
20112 Making Meaning at the Margins:

8:30–10:00
Park Plaza Italian Villas and Gardens,
Mezzanine 1500–1800 I
Georgian Room
Organizer and Chair: Tracy Ehrlich, Cooper Hewitt, Smithsonian Design Museum
Respondent: Denis Ribouillault, Université de Montréal
Anatole Tchikine, Dumbarton Oaks
Social Intrusions: Public Use and Abuse of Gardens in Sixteenth- through
Eighteenth-Century Florence
Katherine M. Bentz, Saint Anselm College
Transgressors in the Garden: Courtesans and Clients in Counter-Reformation
Rome
Mirka M. Benes, University of Texas at Austin
Mapping the Marginal in the Vigne and Gardens of Papal Rome
20113 Pastors at Work in the Fields of
Park Plaza the Lord
Fourth Floor
Brookline Room
Sponsor: Herzog August Bibliothek, Wolfenbüttel
Organizers: William David Myers, Fordham University;
Mara R. Wade, University of Illinois at Urbana-Champaign
Chair: Sara Smart, University of Exeter
Ken Kurihara, Union Theological Seminary
Following the Cry of David: Lutheran Sermons on Climatic Disasters in Early
Modern Germany
Tricia Ross, Duke University
Christ the Cure: Religion and Medicine in Early Modern Lutheranism
William David Myers, Fordham University
Pastors, Penance, and Punishment in Early Modern Germany
20114 Coteries, Circles, or Networking? The
Park Plaza Social Transmission of Early Modern
Fourth Floor Poetry in Manuscript and Print
Cambridge Room
Sponsor: Book History, RSA Discipline Group
Organizer: Cedric Clive Brown, University of Reading
Chair: Joshua Eckhardt, Virginia Commonwealth University
Arthur F. Marotti, Wayne State University
The Manuscript Circulation of Verse in the Inns of Court in the Early
Seventeenth Century
Cedric Clive Brown, University of Reading
The More or Less Exclusive Katherine Philips
Gillian Wright, University of Birmingham
Coteries, Commerce, and Courtesy: The Poetic Reinvention of Aphra Behn

145
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20115 Littérature française du XVIe siècle:

8:30–10:00

Park Plaza Nouvelles perspectives

Fourth Floor
Beacon Hill Room
Sponsor: Société Française d’Etude du Seizième Siècle (SFDES)
Organizer and Chair: Hugh Roberts, University of Exeter
Martine Sauret, Macalester College
Champ Fleury: Cartographie d’un regard
Joo Kyoung Sohn, Korea University
La souffrance de la mort et le plaisir d’écrire chez Ronsard amoureux
Ruxandra Vulcan, Université Paris-Sorbonne
L’homme microcosme: Une étude du motif allégorique du Moyen Age à la
Renaissance
20116 The Body in the City I
Park Plaza
Fourth Floor
Back Bay Room
Sponsor: Prato Consortium for Medieval and Renaissance Studies
Organizer: Peter F. Howard, Monash University
Chair: Nicholas Terpstra, University of Toronto
Diana Bullen Presciutti, University of Essex
Vendetta in the Piazza: Masculinity, Urban Space, and a Miracle of San
Bernardino
Katherine L. Jansen, Catholic University of America
The Body, Gesture, and Ritual: The Kiss of Peace in the Italian Communes
James A. Palmer, Florida State University
Furta Profana: Pilgrims’ Bodies in Late Medieval Rome
20117 Recognition in Ficino and Machiavelli
Park Plaza
Fourth Floor
Brandeis Room
Sponsor: Society for Medieval and Renaissance Philosophy (SMRP)
Organizers: Donald F. Duclow, Gwynedd Mercy University;
Risto Saarinen, University of Helsinki
Chair: Valery Rees, School of Economic Science, London
Respondent: Christopher Celenza, Johns Hopkins University
Risto Saarinen, University of Helsinki
Ficino on Recognizing Oneself
Andrea Aldo Robiglio, Katholieke Universiteit Leuven
Recognition in Machiavelli

146
 Friday, 1 April 2016
20118 Sidney I: Sidney and the Seventeenth

8:30–10:00
Park Plaza Century: From Lyric to Romance,
Fourth Floor Texts and Intertexts
Cabot Room
Sponsor: International Sidney Society
Organizer: Robert E. Stillman, University of Tennessee
Chair: Charles S. Ross, Purdue University
Yael Nezer Lavender-Smith, CUNY, The Graduate Center
Intertextual Transformation and Dissimulation in Sidney’s New Arcadia
Deanna Malvesti Danforth, Boston College
Disguised in Words and Apparel: The Transformation of Pyrocles/Zelmane from
Prose Romance to Drama
Christian Gerard, University of Arkansas, Fort Smith
The Syntax of Romance and the Lyric “I” from Philip Sidney to Aphra Behn
20119 Popes, Venetians, and Ottomans:
Park Plaza Recovering Renaissance Perspectives
Fourth Floor
Charles River Room
Sponsor: Arizona Center for Medieval and Renaissance Studies (ACMRS)
Organizers: Nancy Bisaha, Vassar College;
Stefan Stantchev, Arizona State University
Chair: Eric R. Dursteler, Brigham Young University
Nancy Bisaha, Vassar College
The Papacy and Crusade in the Fifteenth Century
Palmira Brummett, Brown University
The End of the Renaissance: Ambrosio Bembo and the Limits of Ottoman Space
Stefan Stantchev, Arizona State University
Beyond Trade and Crusade: Venice and the Ottomans (ca. 1380–1453)
20120 The Global and the Early Modern
Park Plaza Hispanic World
Fourth Floor
Constitution Room
Sponsor: Early Modern Image and Text Society (EMIT)
Organizer: Juan Pablo Gil-Osle, Arizona State University
Chair: Kimberly Borchard, Randolph-Macon College
Mark Evan Davis, Ohio University
Bullfights as Images of Global Spanish Unity in Three Early Modern Festival
Narratives
Juan Pablo Gil-Osle, Arizona State University
Cabeza de Vaca’s Primahaitu Pidgin (O’odham Nation, and euskaldunak)
Christina H. Lee, Princeton University
Cultural Appropriation in the Philippines: The Santo Niño de Cebú
Antonio Río Torres-Murciano, Universidad Nacional Autónoma de México
Americanizing European History in the Epics of the Conquest of Mexico

147
Friday, 1 April 2016

20121 Cultural Identity and Schiavoni/Illyrian

8:30–10:00

Park Plaza Colleges and Confraternities I: Early

Fourth Floor Modern Rome
Franklin Room
Sponsor: Society for Confraternity Studies
Organizer: Jasenka Gudelj, University of Zagreb
Chair: Meghan Callahan, Cornell-Brown-Penn UK Centre
Luka Spoljaric, Villa I Tatti, The Harvard University Center for Italian Renaissance
Studies
For Queen and Country: Politics and Propaganda of the Bosnian Court in Exile
Jasenka Gudelj, University of Zagreb
The Illyrian Confraternity in Rome and Gentrification of the Ripetta Area
20122 Church Reform and Heresy in
Park Plaza the Renaissance
Fourth Floor
Emerson Room
Sponsor: American Cusanus Society
Organizer: David C. Albertson, University of Southern California
Chair: Thomas M. Izbicki, Rutgers University
Respondent: Ian Levy, Providence College
Richard Serina, Concordia Seminary
Conforming to the Image: Clerical Reform in Thomas à Kempis and Nicholas of
Cusa’s Sermons
Alberto Clerici, Università degli Studi Niccolò Cusano
Breaking Faith with Heretics? A Late Sixteenth-Century Discussion on the Safe
Conduct of Hussites
20123 Women Healers in the Early Modern
Park Plaza Hispanic World
Fourth Floor
Gloucester Room
Sponsor: Grupo de estudios sobre la mujer en España y las Américas (pre-1800) (GEMELA)
Organizer: Margaret E. Boyle, Bowdoin College
Chair: Rocío Quispe-Agnoli, Michigan State University
Ana María Díaz Burgos, Oberlin College
Marital Pains, Unorthodox Cures: Alternative Economies of Healing in
Cartagena de Indias
Margaret E. Boyle, Bowdoin College
Women, Herbs, and Healing in Early Modern Spain
Nicholas Jones, Bucknell University
Healer, Prophet, Visionary: The Inquisition Record of Catalina Muñoz

148
 Friday, 1 April 2016
20124 Translations of Virgil in Early

8:30–10:00
Park Plaza Sixteenth-Century French Print:
Fourth Floor Structural Adjustments, Additions,
Holmes Room Revisions, Allegorizations, and
Rewritings
Sponsor: French Literature, RSA Discipline Group
Organizer: Nathalie Dauvois, Université Sorbonne Nouvelle - Paris 3
Chair: Marie Alice Belle, Université de Montréal
Susanna Braund, University of British Columbia
Weighing Part versus Whole: Virgil Translations in Sixteenth-Century France
Sheldon Brammall, University of Oxford
Guillaume Michel, Joachim Du Bellay, and the Appendix Vergiliana
Natalia Bercea-Bocskai, Université Sorbonne Nouvelle - Paris 3
Reception and Rewriting of Virgilian Epic: Hélisenne de Crenne’s Quatre
premiers livres des Eneydes (1541)
20125 Communities of Reading and Dante’s
Park Plaza Divine Comedy
Fourth Floor
Long fellow Room
Sponsor: Dante Society of America
Organizer: Deborah Parker, University of Virginia
Chair: Kristina M. Olson, George Mason University
Laurence Hooper, Dartmouth College
Hope in Exile: Poetic Authorship and Augustinian Citizenship in Dante’s
Comedy
Filippa Modesto, CUNY, Brooklyn College and The Graduate Center
Dante: Friendship and Poetry
Christian Yves Dupont, Boston College
Women Readers of Dante: A New England Renaissance

149
Friday, 1 April 2016

20126 Languages of Dissent I: “Inner Voices”

8:30–10:00

Park Plaza
Fourth Floor
Newbury Room
Sponsor: Research Group in Early Modern Religious Dissents and Radicalism (EMoDiR)
Organizers: Federico Barbierato, Università degli Studi di Verona;
Stefano Villani, University of Maryland, College Park;
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Chair: Stefano Villani, University of Maryland, College Park
Marion Deschamp, Université Lumière Lyon 2
The Sound of Silence: Refusing to Speak as an Expression of Dissent in
Sixteenth-Century German Anabaptism
Carmen Font Paz, Universitat Autònoma de Barcelona
Prophecy and the Language of Isolation in Lady Eleanor Davies’s Tracts
Alessandro Arcangeli, Università degli Studi di Verona
Early Puritanism and the Vocabulary of Affections
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Ways of Communication and the Construction of Religious Dissent: The Case
of Madeleine Vigneron
20127 Prophecy, Religion, and Politics in the
Park Plaza Seventeenth Century
Fourth Floor
Stuart Room
Sponsor: Legal and Political Thought, RSA Discipline Group
Organizer: Johann Sommerville, University of Wisconsin–Madison
Chair: Peter Stacey, University of California, Los Angeles
Johann Sommerville, University of Wisconsin–Madison
Prophecy and Miracles in Seventeenth-Century Debates on Papal and Political
Power
Kinch Hoekstra, University of California, Berkeley
The Politics of the Future in Leviathan
Stefania Tutino, University of California, Los Angeles
Dubious Saints and High-Ranking Jurists: Jurisdictional, Political, and
Theological Conflicts in Seventeenth-Century Italy

150
 Friday, 1 April 2016
20128 Humanists Reading the Ancients

8:30–10:00
Park Plaza
Fourth Floor
Tremont Room
Sponsor: Humanism, RSA Discipline Group
Organizer: Anthony Francis D’Elia, Queen’s University
Chair: David R. Marsh, Rutgers University
Anthony Francis D’Elia, Queen’s University
Petrarch and the Gladiators
Emily O’Brien, Simon Fraser University
Reading and Rewriting Cicero: Aeneas Sylvius Piccolomini and Cicero’s De
Officiis
Luke Roman, Memorial University of Newfoundland
Reading the Ancients: Literary History in Poliziano’s Nutricia
M. Elisabeth Schwab, Georg-August-Universität Göttingen
Pagan Popes and Christian Caesars: Humanist Descriptions of the Eternal City
and Aeneid, 8.306–69
20129 Spenser and Donne: Thinking Poets
Park Plaza
Fourth Floor
White Hill Room
Organizer: Yulia Ryzhik, University of New Mexico
Chair: Anne Lake Prescott, Barnard College
Elizabeth D. Harvey, University of Toronto
Writing Strange Characters: Spenser and Donne
Ramie Targoff, Brandeis University
Marriage and Sacrifice: The Poetics of the Epithalamia
Yulia Ryzhik, University of New Mexico
Spenser and Donne: Narrative Figures
20130 Iberian Poetry and Its Readers I
Park Plaza
Fourth Floor
Winthrop Room
Organizers: Catarina Fouto, King’s College London;
Simon Grant Park, University of Oxford
Chair: Sharonah Esther Frederick, Arizona State University (ACMRS)
Alexandra Nowosiad, King’s College London
Between the Renaissance Reader and the Medieval Auctor: Luis de Aranda and
the Sixteenth-Century Printed Gloss
Simon Grant Park, University of Oxford
Reconstructing the Early Reception of an Early Modern Poet: A Case Study of
Diogo Bernardes
Vincent Barletta, Stanford University
Rhythm and Poetics in Sixteenth-Century Iberia

151
Friday, 1 April 2016

20131 Showing Off: Defenses and Displays of

8:30–10:00

Park Plaza Sumptuous Dress across Early Modern

Fourth Floor Europe I
Whittier Room
Organizer and Chair: Ann Rosalind Jones, Smith College
Paola De Santo, University of Georgia
“Con la detta vesta indosso me ne’andai”: Clothing the Ambassador in Venetian
Viaggi
Cristelle L. Baskins, Tufts University
Best Dressed in Barbary: Muley Hassan of Tunis
Jessica Tooker, Indiana University
“Off With That Bauble” or Showing Up as We Are in The Taming of the Shrew
20132 New Directions in the Interdisciplinary
Park Plaza Study of Masculinity I
Fourth Floor
St. James Room
Sponsor: Women and Gender, RSA Discipline Group
Organizer and Chair: Brendan Kane, University of Connecticut
Respondent: Valerie McGowan-Doyle, Lorain County Community College
Jodi Bilinkoff, University of North Carolina at Greensboro
Walking with John of the Cross: Memory and Discipleship among His Friars
Ann Laura Hughes, Keele University
Radical Manhood in the English Revolution
Michael Meere, Wesleyan University
Intersectional Masculinities in Early Modern French Studies
20133 Representing the Natural, the
Hynes Convention Center Unnatural, and the Instrumentalized
Level Two in Sixteenth- and Seventeenth-Century
200 Italy
Organizer: Renaissance Society of America
Chair: Brian Jeffrey Maxson, East Tennessee State University
Victoria Ehrlich, Cornell University
Of Monsters and Heroes: Visualizing the Liminal in Fifteenth-Century Florence
Sarah G. Duncan, Independent Scholar
The Centaur and the Humanization of the Horse in Renaissance Italy
Sanam Nader-Esfahani, Harvard University
The Case of the “Occhiale”: Lenses, Readers, and Critics in the Polemics around
Marino’s Adone

152
 Friday, 1 April 2016
20134 Sculpture in Print, 1480–1600 I:

8:30–10:00
Hynes Convention Center Antique Statues
Level Two
201
Organizers: Anne Bloemacher, Westfälische Wilhelms-Universität Münster;
Mandy Richter, Kunsthistorisches Institut in Florenz
Chair: Marzia Faietti, Gabinetto Disegni e Stampe degli Uffizi
Respondent: Norberto Gramaccini, Universität Bern
Madeleine C. Viljoen, New York Public Library
The Sculptural Analogy
Mandy Richter, Kunsthistorisches Institut in Florenz
Marcantonio Raimondi and Fragmentary Ancient Statues: Hypotheses on His
Working Method and Aesthetics
Gudrun Knaus, Bildarchiv Foto Marburg
Transferring Ancient Sculptures into Prints: Marcantonio Raimondi’s Quos Ego:
Its Archetypes and Afterimages
20135 Representing Ecclesiastical Authority
Hynes Convention Center
Level Two
202
Organizer: Renaissance Society of America
Chair: Elizabeth A. Lisot, University of Texas at Tyler
Wolfgang Loseries, Kunsthistorisches Institut in Florenz
An Unknown Portrait of Bishop Antonio Casini and His Clerics in Siena
Cathedral
Lydia Hansell, Courtauld Institute of Art
Impressions of Identity in Wax and Pigment: Cardinal Jean Rolin (1408–83)
Marsha Libina, Johns Hopkins University
“False Prophecies”: Scripture and the Crisis of Mediation in Early Modern Rome
20136 The Home and the City in Early
Hynes Convention Center Modern Italy
Level Two
203
Organizer and Chair: Erin J. Campbell, University of Victoria
Respondent: Maria DePrano, University of California, Merced
Chriscinda C. Henry, McGill University
Painted Amusements: Boredom and Relief in Carpaccio’s Studiolo Door
Michele Nicole Robinson, University of Sussex
From the Piazza to the Palazzo: Arms, Armor, and Masculinity in
Sixteenth-Century Bologna
Allyson Burgess Williams, San Diego State University
Inside Out: Courtly Bodies and the City of Ferrara

153
Friday, 1 April 2016

20137 Cutting, Shaping, Showing: Trophies

8:30–10:00

Hynes Convention Center and Art I

Level Two
204
Organizer: Jasmin Mersmann, Humboldt-Universität zu Berlin
Chair: Maurice Sass, Universität Hamburg
Marisa Mandabach, Harvard University
The Head of Medusa as Trophy in Early Modern Images
Margot Thun-Rauch, Independent Scholar
The Antler in the Tree: Hunting Mirabilia in Ambras Castle
Jasmin Mersmann, Humboldt-Universität zu Berlin
Rare Prey: Monstrous Antlers in Courtly Collections
20138 The Sound of Poetry: A Comparative
Hynes Convention Center Approach to Rhetoric, Poetics, and
Level Two Music I
205
Sponsor: Music, RSA Discipline Group
Organizers: Janie Cole, University of Cape Town;
Eugenio Refini, Johns Hopkins University;
Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Chair: Eugenio Refini, Johns Hopkins University
Don Michael Randel, University of Chicago
The Sound of Poetry and the Sound of Music in the Late Fifteenth Century
Cathy A. Elias, DePaul University
Reexamining a Cultural Construct: Poesia Per Musica or Simply Poesia
Evan Angus MacCarthy, West Virginia University
Leon Battista Alberti and the Critique of Poetic Performance
Irvin Raschel, Centre d’Études Supérieures de la Renaissance
“Allegiés moy, doulce plaisant’ brunette”: When Poetry Remembers It Used to Sing

154
 Friday, 1 April 2016
20139 Art and Experience in

8:30–10:00
Hynes Convention Center Fifteenth-Century Naples:
Level Two Defining an Artistic Center I
206
Organizers: Adrian Bremenkamp, Freie Universität Berlin;
Nicole Joy Riesenberger, University of Maryland, College Park
Chair: Tanja Michalsky, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
Adrian Bremenkamp, Freie Universität Berlin
Describing Fifteenth-Century Naples on Contemporary Terms
Elizabeth Nogan Ranieri, The Edith O’Donnell Institute of Art History at The University
of Texas at Dallas
The Case for an Ibero-Neapolitan Identity: The Aragonese Patronage of San
Domenico Maggiore
Gerardo de Simone, Accademia di Belle Arti di Carrara
Chasing a “Chimera”: On Francesco Pagano, An Elusive Master of Neapolitan
Quattrocento Painting
20140 The Interculturality of European
Hynes Convention Center Drama
Level Two
207
Organizer: Jan Bloemendal, Huygens Institute for the History of the Netherlands
Chair: Russ Leo, Princeton University
Nigel Smith, Princeton University
Political Theory and Political Drama in Early Modern Europe
James A. Parente, University of Minnesota
Latin and the Transmission of the Vernacular: Multilingualism and
Interculturality in the Dramas of Jacob Zevecotius
Jan Bloemendal, Huygens Institute for the History of the Netherlands
Mary Stuart on Stage
20141 Women, Portraits, and Pearls in
Hynes Convention Center European Courts
Level Two
208
Sponsor: Society for the Study of Early Modern Women (EMW)
Organizers: Consuelo Lollobrigida, University of Arkansas, Rome Center;
Amparo Serrano de Haro, Universidad Nacional de Educación a Distancia
Chair: Agnès Guiderdoni, Université Catholique de Louvain
Immaculada Rodríguez Moya, Universitat Jaume I de Castelló
Pearls in the Iconography of European Courts
Amparo Serrano de Haro, Universidad Nacional de Educación a Distancia
The Language of Pearls in the Portraits of Sofonisba Anguissola

155
Friday, 1 April 2016

20142 Shakespearean Sociality

8:30–10:00

Hynes Convention Center

Level Two
210
Organizer: Renaissance Society of America
Chair: Eileen Sperry, SUNY, Stony Brook University
Russell M. Hillier, Providence College
“The Whoreson Must Be Acknowledged”: Nature, the Natural, and the Ins
and Outs of King Lear
Hassan Melehy, University of North Carolina at Chapel Hill
Political Theater: Shakespeare’s Reply to Montaigne and Lipsius
Katherine R. Kellett, Framingham State University
Stealing Grace: Social Networking in Two Gentlemen of Verona
Benjamin V. Beier, Washburn University
Poetic Craft and the Artisan’s Knowledge on Shakespeare’s Stage
20143 Exploring Early Modern Cities I: The
Hynes Convention Center Urban Sensorium
Level Three
302
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Karen-edis Barzman, SUNY, Binghamton University;
Lisa Pon, Southern Methodist University
Chair: Karen-edis Barzman, SUNY, Binghamton University
Barbara E. Mundy, Fordham University
The Smellscape of Sixteenth-Century Mexico City
Lisa Pon, Southern Methodist University
Raphael’s Virtual Rome
Amy Buono, Universidade do Estado do Rio de Janeiro
The King’s Fountain: Social Confluence and Conflict in Sixteenth-Century
Lisbon
20144 Classical Continuities and Dramatic
Hynes Convention Center Change in Shakespeare and His
Level Three Contemporaries
303
Sponsor: Classical Tradition, RSA Discipline Group
Organizer and Chair: Kathy Eden, Columbia University
Leah Whittington, Harvard University
Grammatical Theater: Latinity and Anti-Latinity on the Shakespearean Stage
Rhodri Lewis, University of Oxford
What’s Roscius to Him? Hamlet, Histrionics, and the History of Rhetoric
Bernadette Meyler, Stanford University
Echoes of Greek Law

156
 Friday, 1 April 2016
20145 Sixteenth-Century Antwerp as an

8:30–10:00
Hynes Convention Center International Cultural Hub
Level Three
304
Organizer: Hans Cools, Fryske Akademy, Royal Netherlands Academy of Arts and Sciences
Chair: Harald Hendrix, Royal Netherlands Institute in Rome
Cara Janssen, Katholieke Universiteit Leuven
Lost in Translation: The “Histoires Prodigieuses” in the Context of the Dutch
Revolt, 1594–1670
Christophe Schellekens, European University Institute
The Florentine Participation in the Triumphal Entry of Charles V and Philip II
in Antwerp (1549)
Hans Cools, Fryske Akademy, Royal Netherlands Academy of Arts and Sciences
The Political Work of Hans Vredeman de Vries (1527–1609)
20146 Milton and Shakespeare
Hynes Convention Center
Level Three
305
Sponsor: Milton Society of America
Organizer: Maggie Kilgour, McGill University
Chair and Respondent: Paul Anthony Stevens, University of Toronto
Maggie Kilgour, McGill University
Milton Reading Shakespeare
David K. Anderson, University of Oklahoma
Authors of Themselves: Satan, Coriolanus, and Ontological Autonomy
Ann Baynes Coiro, Rutgers University, New Brunswick
Rivalry and Collaboration across the Seventeenth Century: Shakespeare, Milton,
and Dryden
20147 Mannerism and Architecture: The
Hynes Convention Center Challenge of Combination
Level Three
306
Sponsor: Association for Textual Scholarship in Art History (ATSAH)
Organizer: Lynette M. F. Bosch, SUNY, Geneseo
Chair: Maureen Pelta, Moore College of Art and Design
Liana De Girolami Cheney, Università degli Studi di Bari Aldo Moro
Giorgio Vasari and Mannerist Architecture
Charles Burroughs, SUNY, Geneseo
The Art of Inscribing: Serlio and Montage
Andrzej Piotrowski, University of Minnesota
Architectural Mannerism and the Complexities of Early Modern History

157
Friday, 1 April 2016

20148 Black Africans in Early Modern

8:30–10:00

Hynes Convention Center Europe: History, Representation,

Level Three and Materiality I
308
Organizers: Paul H. D. Kaplan, SUNY, Purchase College;
Anna C. Knaap, Emmanuel College;
Joost Vander Auwera, Royal Museums of Fine Arts of Belgium
Chair: Thomas DaCosta Kaufmann, Princeton University
Kate J. P. Lowe, Queen Mary University of London
Giorgio Vasari and Black Africans
Paul H. D. Kaplan, SUNY, Purchase College
The African Courtier in Guillem van Deynen’s Portrait of Doge Agostino Doria
and His Family
Julie Berger Hochstrasser, University of Iowa
A South African Mystery: Remarkable Studies of the Khoikhoi
20149 The Senses of Early English Literary
Hynes Convention Center Form
Level Three
309
Organizers: Noor Desai, Bard College;
Adin Esther Lears, SUNY, Oswego
Chair: Allison Deutermann, CUNY, Baruch College
Adin Esther Lears, SUNY, Oswego
Nonsense and Stuff: Noise, Alliteration, and Material Culture in Fifteenth-
Century East Anglia
Noor Desai, Bard College
Visual Echoes: James VI and the Substance of Verse
Colleen E. Kennedy, Shippensburg University
Robert Herrick’s Poetics of Perfume and the Ordering of Hesperides
20150 Materials of Art in Spain,
Hynes Convention Center ca. 1500–1700 I
Level Three
310
Organizer and Chair: Kelley Helmstutler-Di Dio, University of Vermont
Jessica Weiss, Metropolitan State University of Denver
The Significance and Symbolism of Tapestry at the Spanish-Hapsburg Court
Carrie Anderson, Middlebury College
Materiality and Mobility: Geographic and Temporal Dislocation in Maíno’s
Recapture of Bahía
Francesco Mariani, Independent Scholar
After Titian: Imitating and Copying Titian’s Late Painting Technique in
Habsburg Spain

158
 Friday, 1 April 2016
20151 New Technologies and Renaissance

8:30–10:00
Hynes Convention Center Studies V: Digital Tools and
Level Three Renaissance Epistemologies
311
Sponsor: Iter: Gateway to the Middle Ages and Renaissance
Organizers: William Bowen, University of Toronto, Scarborough;
Raymond G. Siemens, University of Victoria
Chair: Crystal J. Hall, Bowdoin College
Andie Silva, CUNY, York College
Remixing the Canon: Building Digital Editions in the Undergraduate Classroom
Andrew Hankinson, McGill University
Web-Based Optical Music Recognition for Renaissance Printed Music with
Aruspix and Rodan
Raymond G. Siemens, University of Victoria
Building and Sustaining “Social” Digital Scholarship: Iter Community
20152 Digital Humanities for Cultural
Hynes Convention Center Heritage I
Level Three
313
Organizers: Cristina Guarnieri, Università degli Studi di Padova;
Elena Svalduz, Università degli Studi di Padova
Chair: Zuleika Murat, Università degli Studi di Padova
Cristina Guarnieri, Università degli Studi di Padova
The Church of Eremitani in Padua: Visual Itineraries
Nicola Orio, Università degli Studi di Padova
Representing the Facets of History
Michael Walsh, Nanyang Technological University
Heritage, Technology, Education, and Neutrality in an Unrecognized State: The
Armenian Church, Famagusta, Cyprus
Giovanna Valenzano, Università degli Studi di Padova
The Cathedral of Padua: From Michelangelo’s Drawing to 3D Reconstructions

159
Friday, 1 April 2016

Friday, 1 April 2016

10:30–12:00

10:30–12:00

20204 New Formalisms II: Genre and Form

Park Plaza
Mezzanine
Boylston Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Karen Nelson, University of Maryland, College Park
Chair: Heather Dubrow, Fordham University
Katherine Bootle Attie, Towson University
Regendering the Sublime and the Beautiful: Shakespeare’s Cleopatra and
Feminist New Formalism
Lara A. Dodds, Mississippi State University
Hatred and Elegiac Form in Lucy Hutchinson’s Elegies
Judith Haber, Tufts University
Cavendish, Jonson, and the Form of Patrilineal Inheritance

20205 Translations of Latin and Greek Texts,

Park Plaza ca. 1400–1600
Mezzanine
Commonwealth Room
Organizer: Giacomo Comiati, University of Warwick
Chair: Sara Olivia Miglietti, Johns Hopkins University
Sandra Lorenza Clerc, University of Fribourg
Between Translation and Remake: Classical Texts in Renaissance Italian Tragedy
Margherita Centenari, Istituto Italiano per gli Studi Storici
Giovanni Della Casa, Translator of Thucydides

20206 Ports, Harbors, Shores

Park Plaza
Mezzanine
Statler Room
Organizers: Jodi Cranston, Boston University;
Lauren A. Jacobi, Massachusetts Institute of Technology
Chair: Jodi Cranston, Boston University
Kim S. Sexton, University of Arkansas
An Urbanized Port: The Ripa Maris in Genoa’s Social Imaginary
Tamara Morgenstern, Independent Scholar
Maritime Physiognomy: Aquatic Urbanism in Naples, Messina, and Palermo
Adam Rzepka, Montclair State University
“Within a foot / Of the extreme verge”: Littorals of Audience Imagination in
Shakespeare

160
 Friday, 1 April 2016
20207 Italian Archives and Renaissance

10:30–12:00
Park Plaza Palaces
Mezzanine
Hancock Room
Sponsor: Medici Archive Project (MAP)
Organizer: Alessio Assonitis, Medici Archive Project
Chair: Francesco Benelli, Columbia University
Lorenzo Vigotti, Columbia University
Palazzo Busini-Bardi (1420–27): An Early Renaissance Palace by Brunelleschi?
Julia Vicioso, Medici Archive Project
“Portò Firenze al Nuovo Mondo”: The Palace of Viceroy Diego Columbus in
Santo Domingo (1511–12)
Carla D’Arista, Columbia University
Between the Real and the Ideal: Antonio da Sangallo the Younger in Orvieto
(1528–30)
Francesco Marcorin, Università IUAV di Venezia
Palazzo Bevilacqua in Verona and Its “Presence” in the Family Archive
(1550–1600)

20208 Early Modern Anger: A Reappraisal II

Park Plaza
Mezzanine
Exeter Room
Organizers: Jorge Ledo, Universität Basel;
Anna Laura Puliafito Bleuel, University of Warwick
Chair: Jorge Ledo, Universität Basel
Florence d’Artois, Université Paris-Sorbonne
Ira, furor, and furia d’amore: Tragic Plays in the Early Modern Era; Exploring
and Healing Passions
Carmela V. Mattza, Louisiana State University
“Ira, Cólera y Rabia” or “Sentimientos Trocados”: Postscripts to Calderón’s
“Laurel de Apolo”

20209 Memory, Textual, and Performance

Park Plaza History: A Comparative and
Mezzanine Interdisciplinary Analysis II
Clarendon Room
Organizer: Francesca Bortoletti, University of Leeds
Chair: Jane C. Tylus, New York University
Stefano Tomassini, University of Lugano
Staging Ariosto, Crossing the Code
Claudio Longhi, Università degli Studi di Bologna
Ariosto, Bruno and the (Counter-) Renaissance Literature in Luca Ronconi’s
Theater
Annalisa Sacchi, “Sapienza,” Università di Roma
Bruno’s Ars Memorandi in the Societas Raffaello Sanzio’s Theater

161
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20210 Political Economy, Science, Medicine,

10:30–12:00

Park Plaza and the Market in Seventeenth- and

Mezzanine Eighteenth-Century Europe
Berkeley Room
Sponsor: Medicine and Science, RSA Discipline Group
Organizers: Monica Azzolini, University of Edinburgh;
Claudia Stein, University of Warwick
Chair: Sachiko Kusukawa, Trinity College, University of Cambridge
Alix Cooper, SUNY, Stony Brook University
Plants on Paper: Charts, Lists, and Herbaria as Methods of Territorial Inventory
at Seventeenth-Century German Courts
Lisa M. S. Skogh, Victoria and Albert Museum
Lapland: The New West Indies
Claudia Stein, University of Warwick
The Birth of Biopolitics: Food, Agriculture, Population and Political Economy in
Eighteenth-Century Bavaria

20211 Revisiting the Turn to Religion in Early

Park Plaza Modern English Literary Studies
Mezzanine
Arlington Room
Organizer: Paul A. Cefalu, Lafayette College
Chair: Greg Kneidel, University of Connecticut
Reid Barbour, University of North Carolina at Chapel Hill
William Harvey’s Turn to Religion
Achsah Guibbory, Barnard College
Religion and Donne Studies
Paul A. Cefalu, Lafayette College
The Johannine Renaissance in Early Modern English Literature and Religion

20212 Making Meaning at the Margins:

Park Plaza Italian Villas and Gardens,
Mezzanine 1500–1800 II
Georgian Room
Organizer and Chair: Tracy Ehrlich, Cooper Hewitt, Smithsonian Design Museum
Respondent: Denis Ribouillault, Université de Montréal
Luke Morgan, Monash University
Morgante at Large: Giants, Dwarves, and Hybrids in the Early Modern Garden
Raffaella Fabiani Giannetto, University of Pennsylvania
The Landscape of the Venetian Mainland through the Lens of the Grand Tour
Nadja Aksamija, Wesleyan University
Ulisse Aldrovandi and the Bolognese Villa Landscape between Science and
Devotion

162
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20213 The Hohenzollerns and

10:30–12:00
Park Plaza Brandenburg-Prussia
Fourth Floor
Brookline Room
Sponsor: Herzog August Bibliothek, Wolfenbüttel
Organizers: Sara Smart, University of Exeter;
Mara R. Wade, University of Illinois at Urbana-Champaign
Chair: William David Myers, Fordham University
Kristoffer Neville, University of California, Riverside
The Synthesis of a Royal City: Prints, Drawings, and the Remaking of Berlin
around 1700
Molly G. Taylor-Poleskey, Stanford University
The Great Elector and the Baker: A Microhistory of Statebuilding in
Seventeenth-Century Brandenburg-Prussia
Arne Spohr, Bowling Green State University
English Musicians at the Electoral Court in Berlin, 1587–1671
Sara Smart, University of Exeter
Die Durchläuchtigste Fürstin und Frau: Tradition and Innovation in the Portrayal
of Hohenzollern Wives 1647–1713

20214 Paper for Printing, Writing, and

Park Plaza Erasing
Fourth Floor
Cambridge Room
Sponsor: Book History, RSA Discipline Group
Organizer: Peter Stallybrass, University of Pennsylvania
Chair: Heather Ruth Wolfe, Folger Shakespeare Library
Timothy Barrett, University of Iowa Center for the Book
Decoding the Properties of Fifteenth-Century Paper
Joshua Calhoun, University of Wisconsin–Madison
Annotation, Animal Husbandry, and the Archives
Peter Stallybrass, University of Pennsylvania
Erasable Paper

163
Friday, 1 April 2016

20215 Roundtable: Toward a Literary History

10:30–12:00

Park Plaza of Medieval and Renaissance Europe

Fourth Floor
Beacon Hill Room
Sponsor: Comparative Literature, RSA Discipline Group
Organizer: Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Chair: Warren Boutcher, Queen Mary University of London
Discussants: Anne E. B. Coldiron, Florida State University;
Roland Greene, Stanford University;
Cristina Neagu, Christ Church College, University of Oxford;
David J. Wallace, University of Pennsylvania
The first pan-European history of literature in Anglophone medieval/Renaissance
scholarship since the nineteenth century has recently been published: Europe: A
Literary History, 1348–1418, ed. David Wallace (Oxford University Press). This
roundtable will ask how and why we should attempt to assemble such histories in
the twenty-first century. How should they be organized, if not divided by national
territories or united by idealistic concepts such as Latin Christendom? Why seek to
recover the European dimension of literary history at this particular moment? Are
distinctions between medieval and Renaissance literary cultures still defensible or
useful? Wallace assembled a global team of eight-three scholars to plot itineraries
linking various cities across borders and seas, from Cairo to Turku, from Muscovy to
Lisbon. After his introduction, the discussants will review the work and ask whether
the same or different approaches could be used for later periods in medieval and
Renaissance European literary history.

20216 The Body in the City II

Park Plaza
Fourth Floor
Back Bay Room
Sponsor: Prato Consortium for Medieval and Renaissance Studies
Organizer: Peter F. Howard, Monash University
Chair: John S. Henderson, Birkbeck, University of London
Luigi Lazzerini, Independent Scholar
Uses of the Dead Body in Medieval and Early Modern Pisa
Paolo Savoia, Harvard University
Surgeons in the City: The Case of Early Modern Bologna
Sarah Loose, St. Jerome’s University, University of Waterloo
Charity and the Regulation of Rural Bodies in Siena’s Countryside in the Early
Sixteenth Century
Peter F. Howard, Monash University
Preaching the Body in Fifteenth-Century Florence

164
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20217 Philosophy and Philology:

10:30–12:00
Park Plaza The Two Picos
Fourth Floor
Brandeis Room
Sponsor: Charles Singleton Center for the Study of Premodern Europe
Organizer: Earle A. Havens, Johns Hopkins University
Chair: Christopher Celenza, Johns Hopkins University
Respondent: Walter Stephens, Johns Hopkins University
Denis J. J. Robichaud, University of Notre Dame
Identity and Difference: The Two Picos on One and Being
Francesco Borghesi, University of Sydney
The Two Picos

20218 Sidney II: The Sidneys in New

Park Plaza Editions, New Translations, New
Fourth Floor Media
Cabot Room
Sponsor: International Sidney Society
Organizer: Robert E. Stillman, University of Tennessee
Chair: Christian Gerard, University of Arkansas, Fort Smith
Charles S. Ross, Purdue University
Editing Sidney’s Arcadia
Joel B. Davis, Stetson University
Restoring Sidney’s Arcadia
Edward Plough, SUNY, Farmingdale State College
Adapting Arcadia’s Poems to Music

20219 Renaissance Marriage

Park Plaza
Fourth Floor
Charles River Room
Organizers: Elena Brizio, Georgetown University, Fiesole Campus;
Brandon Essary, Elon University
Chair: Elena Brizio, Georgetown University, Fiesole Campus
Brandon Essary, Elon University
“La dottrina è tarda”: The Good of Marriage in Decameron 7.4
Ann M. Crabb, James Madison University
A Domestic Partnership: The Marriage of Margherita and Francesco Datini,
1376–1410
Thomas J. Kuehn, Clemson University
Property of Spouses in Law in Renaissance Florence

165
Friday, 1 April 2016

20220 Portraying the Conquest of La Florida

10:30–12:00

Park Plaza by Pedro Menéndez de Avilés 450

Fourth Floor Years Later
Constitution Room
Sponsor: Early Modern Image and Text Society (EMIT)
Organizers: Jorge Abril-Sanchez, University of New Hampshire;
Juan Pablo Gil-Osle, Arizona State University
Chair: Juan Pablo Gil-Osle, Arizona State University
Kimberly Borchard, Randolph-Macon College
The Appalachian Center of the Spanish Empire in Pedro Menéndez de Avilés
Jorge Abril-Sanchez, University of New Hampshire
Pedro Menéndez de Avilés and the Self-Fashioning of a Renaissance Identity

20221 Cultural Identity and Schiavoni/Illyrian

Park Plaza Colleges and Confraternities II: Early
Fourth Floor Modern Bologna and the Marche
Franklin Room
Sponsor: Society for Confraternity Studies
Organizer: Jasenka Gudelj, University of Zagreb
Chair: Christopher Carlsmith, University of Massachusetts Lowell
Giuseppe Capriotti, Università degli Studi di Macerata
Cult and Iconography in the Confraternities of Albanians and Schiavoni in the
Marche Region
Francesca Coltrinari, Università degli Studi di Macerata
Loreto, “Illyrian” Shrine: Artistic Heritage of the Illyrian Confraternities and
College in Loreto and Recanati

20222 Renaissance Aristotelianism(s)

Park Plaza Reconsidered
Fourth Floor
Emerson Room
Sponsor: Philosophy, RSA Discipline Group
Organizers: Donald F. Duclow, Gwynedd Mercy University;
David A. Lines, Warwick University
Chair: David A. Lines, Warwick University
Amos Edelheit, National University of Ireland, Maynooth
Nicoletto Vernia and the Division of Philosophy: Continuation and Innovation
Brian Garcia, Katholieke Universiteit Leuven
Ethical Psychology and the Aristotelian Paradigm: Gianfrancesco Pico della
Mirandola’s De Imaginatione
Per Landgren, University of Oxford
Historia as Factual Knowledge for All Disciplines Except One

166
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20223 Addressing Women in Early Modern

10:30–12:00
Park Plaza Latin America
Fourth Floor
Gloucester Room
Sponsor: Grupo de estudios sobre la mujer en España y las Américas (pre-1800) (GEMELA)
Organizer: Clara Herrera, University of Illinois at Chicago
Chair: Montserrat Pérez-Toribio, Wheaton College
Rosa Perelmuter, University of North Carolina at Chapel Hill
Women Readers’ First Encounters with Sor Juana
Rocío Quispe-Agnoli, Michigan State University
“Inca y Española”: Self-Fashioning of an Inca Noblewoman in Colonial Mexico
Clara Herrera, University of Illinois at Chicago
The Presence of Women in the Papel Periódico of Santafé de Bogotá (1791–97)

20224 Old Wine in New Bottles: Translation,

Park Plaza Retranslation, and Readaptation
Fourth Floor (Sixteenth-Century France and
Holmes Room England)
Sponsor: Fédération internationale des sociétés et des instituts pour l’étude de la
Renaissance (FISIER)
Organizer: Florence Bistagne, Université d’Avignon
Chair: Rosanna Gorris Camos, Università degli Studi di Verona
Florence Bistagne, Université d’Avignon
Translating Virgil in Sixteenth-Century France: From Marot to Bellay
Raphaële Mouren, Warburg Institute, University of London
Is the Humanist the Author? Translating and Commenting Ancient Greek Texts
in the Sixteenth Century
Susan Baddeley, Université de Versailles St-Quentin-en-Yvelines
Competing Translations in Sixteenth-Century England
Gabriela Cultrera, Università degli Studi di Pavia
Écriture et réécriture du tragique: Roland Brisset une “fontaine feconde” pour
l’instruction du public

167
Friday, 1 April 2016

20225 Dante and Science

10:30–12:00

Park Plaza
Fourth Floor
Long fellow Room
Sponsor: Dante Society of America
Organizer: Arielle Saiber, Bowdoin College
Chair: Kristin Phillips-Court, University of Wisconsin–Madison
Christiana Purdy Moudarres, Yale University
The Two-Headed Monster at the Base of Dante’s Hell: Anatomizing Temporal
and Spiritual Power
Corey Flack, University of Illinois at Urbana-Champaign
“Colui che volse il sesto”: Dante and Geometry
Arielle Saiber, Bowdoin College
Altro dove: New Ways of Visualizing Dante’s Cosmos

20226 Languages of Dissent II: Translating,

Park Plaza Labelling, Persecuting Dissent
Fourth Floor
Newbury Room
Sponsor: Research Group in Early Modern Religious Dissents and Radicalism (EMoDiR)
Organizers: Federico Barbierato, Università degli Studi di Verona;
Stefano Villani, University of Maryland, College Park;
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Chair: Alessandro Arcangeli, Università degli Studi di Verona
Alessandra Celati, Università degli Studi di Pisa
Irenism, Nicodemism, and Philosophy in Girolamo Donzellini’s Remedium
Ferendarum Iniuriarum sive de Compescenda Ira (1586)
Eva Del Soldato, University of Pennsylvania
A Reluctant Heretic? Antonio Brucioli, the Bible, and His Trials
Bernard Cooperman, University of Maryland, College Park
Available Labels for Jewish Deviance
Stefano Villani, University of Maryland, College Park
Defining the Church of England in Early Modern Italy

168
 Friday, 1 April 2016
20227 The Many Lives of Popularity in Early

10:30–12:00
Park Plaza Modern England
Fourth Floor
Stuart Room
Sponsor: Legal and Political Thought, RSA Discipline Group
Organizer and Chair: Johann Sommerville, University of Wisconsin–Madison
Cesare Cuttica, Université de Vincennes à Saint-Denis
Popularity in Seventeenth-Century England: Looking Again at Thing and
Concept
Edward Vallance, University of Roehampton
Status and Popularity in the Language of Loyal Addresses, 1658–1710
John West, University of Exeter
“To sound the depths, and fathom where it went”: Monarchy and the People’s
Hearts

20228 German Humanism and Its Influences

Park Plaza
Fourth Floor
Tremont Room
Sponsor: Rocky Mountain Medieval and Renaissance Association
Organizer: Thomas Renna, Saginaw Valley State University
Chair: Kristin M. S. Bezio, University of Richmond
Stefano G. Casu, University of California, Florence Study Center
The Reception of Ciriaco d’Ancona in the German Renaissance
Jacob M. Baum, Texas Tech University
Marsilio Ficino’s Influence on Theories of the Human Soul in Renaissance
Leipzig, ca. 1490–1520
Thomas Renna, Saginaw Valley State University
Tacitus’ Germania and Holy Roman Emperor Maximillian I, 1493–1519

20229 John Donne I: John Donne and

Park Plaza the Bible
Fourth Floor
White Hill Room
Sponsor: John Donne Society
Organizer: Chanita R. Goodblatt, Ben-Gurion University of the Negev
Chair: Kirsten Anne Stirling, Université de Lausanne
Caroline Carpenter, Claremont Graduate University
The Bible, Biathanatos, and the Sermons
Yaakov Akiva Mascetti, Bar-Ilan University
A “Last, and lastingst peece”: The Performative Biblical Poetics in Anatomy of
the World
Chanita R. Goodblatt, Ben-Gurion University of the Negev
Blood and Light: Biblical Intertextuality in Donne’s Sermons at Court

169
Friday, 1 April 2016

20230 Iberian Poetry and Its Readers II

10:30–12:00

Park Plaza
Fourth Floor
Winthrop Room
Organizers: Catarina Fouto, King’s College London;
Simon Grant Park, University of Oxford
Chair: Josiah Blackmore, Harvard University
Antonio J. Arraiza-Rivera, Harvard University
Francisco Manuel de Melo’s As Segundas Três Musas do Melodino: Towards a
Poetics of Writing
Luis Castellvi Laukamp, Library of Congress, the John W. Kluge Center
Ignatius of Loyola’s Rapture in Camargo’s San Ignacio (1666)

20231 Showing Off: Defenses and Displays of

Park Plaza Sumptuous Dress across Early Modern
Fourth Floor Europe II
Whittier Room
Organizer and Chair: Margaret F. Rosenthal, University of Southern California
Gretchen Hirschauer, National Gallery of Art, Washington, DC
Clothes Make the (Wo)man: Luini’s Lady in Black
Tatiana Sizonenko, University of California, San Diego
Power and Display in Isabella d’Este’s Courtly Dress
Francesca Canadé Sautman, CUNY, Hunter College and The Graduate Center
Costly Splendor: Catherine de Bourbon and the Conflictual Accounts of a
Huguenot Princess

20232 New Directions in the Interdisciplinary

Park Plaza Study of Masculinity II
Fourth Floor
St. James Room
Sponsor: Women and Gender, RSA Discipline Group
Organizer and Chair: Brendan Kane, University of Connecticut
Respondent: Laurie Nussdorfer, Wesleyan University
Jennifer Feather, University of North Carolina at Greensboro
Reading Cruelty: Masculine Affect and English Identity
Rachel L. Greenblatt, Wesleyan University
“If the Jews are so smart”: Ideal Attributes of a Traditional Jewish Man
John Smolenski, University of California, Davis
New Directions in the Study of Masculinity in Colonial Atlantic History

170
 Friday, 1 April 2016
20233 Image Normativity and Religion in

10:30–12:00
Hynes Convention Center Italy and Spain: New Perspectives
Level Two
200
Sponsor: Italian Academy for Advanced Studies in America, Columbia University
Organizer: Chiara Franceschini, Italian Academy for Advanced Studies in America,
Columbia University
Chair: Felipe Pereda, Johns Hopkins University
Respondent: Diane Bodart, Columbia University
Maria Cruz de Carlos Verona, Museo Nacional del Prado
The Image of Santo Domingo Soriano on Trial
Chiara Petrolini, University of Verona
“Multiplying Christ”: Images Leading to Conversion
Chiara Franceschini, Italian Academy for Advanced Studies in America, Columbia
University
“Too many wounds”: Hyperrealism, Replication, and Normativity

20234 Sculpture in Print, 1480–1600 II:

Hynes Convention Center Contemporary Sculpture
Level Two
201
Organizers: Anne Bloemacher, Westf älische Wilhelms-Universität Münster;
Mandy Richter, Kunsthistorisches Institut in Florenz
Chair: Norberto Gramaccini, Universität Bern
Respondent: Marzia Faietti, Gabinetto Disegni e Stampe degli Uffizi
Anne Bloemacher, Westf älische Wilhelms-Universität Münster
Translating Giambologna into Print: The Reproduction of Sculpture as Sculpture
in the Sixteenth Century
Bernadine A. Barnes, Wake Forest University
Considering the Viewer in Prints of Michelangelo’s Sculpture
Claudia Echinger-Maurach, Westf älische Wilhelms-Universität Münster
The Genesis of Antonio Tempesta’s Print of King Henry II on Horseback

171
Friday, 1 April 2016

20235 Aesthetics and Altars

10:30–12:00

Hynes Convention Center

Level Two
202
Organizer: Renaissance Society of America
Chair: Diane Cole Ahl, Lafayette College
Douglas N. Dow, Kansas State University
Improper Iconography: The Company of Sant’Agnese’s Late Sixteenth-Century
Altarpieces at Santa Maria del Carmine
Sandra Richards, Department of Canadian Heritage
The Aestheticization of Altarpieces in Early Modern Italy
Eliane Roux, Independent Scholar
Simon Vouet and Genoa: The Raggi Chapel Commission
Ewa Rybalt, Maria Curie-Skłodowska University
Tintoretto among Angelic Women

20236 Thresholds of Emotion and Early

Hynes Convention Center Modern Italian Art
Level Two
203
Organizers: Isabelle Frank, Fordham University;
Megan Holmes, University of Michigan
Chair: Bernice Iarocci, University of Toronto
Megan Holmes, University of Michigan
The Violent Beholder: Retaliatory Acts against Renaissance Painting
Isabelle Frank, Fordham University
Compianti and Empathetic Suffering in Late Quattrocento Italy
Jennifer E. Gear, University of Michigan
From Contagion to Salvation: Commemorating the Plague in Seicento Venice

172
 Friday, 1 April 2016
20237 Cutting, Shaping, Showing: Trophies

10:30–12:00
Hynes Convention Center and Art II
Level Two
204
Organizer: Maurice Sass, Universität Hamburg
Chair: Jasmin Mersmann, Humboldt-Universität zu Berlin
Dagmar Preising, Suermondt-Ludwig-Museum
Hunting Trophies and Sculpture: The Antler Chandelier
Claudia Swan, Northwestern University
Volatile, Legless Wonders: Birds of Paradise in Early Modern Wunderkammern
Maurice Sass, Universität Hamburg
Light and Life: The Artist’s Trophy
Alexander Linke, Ruhr-Universität Bochum
“To fish deeply”: Strategies of Reusing Renaissance Art in Eighteenth-Century
Venice

20238 The Sound of Poetry: A Comparative

Hynes Convention Center Approach to Rhetoric, Poetics,
Level Two and Music II
205
Sponsor: Music, RSA Discipline Group
Organizers: Janie Cole, University of Cape Town;
Eugenio Refini, Johns Hopkins University;
Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Chair: Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Davide Daolmi, Università degli Studi di Milano
“Del canto delle stanzie”: Exploring Gian Giorgio Trissino’s Translation of
Dante’s De vulgari eloquentia (1529)
Christopher Geekie, Johns Hopkins University
The Weight of Epic on the Lyre: Torquato Tasso and the Sounds of Poetry
Giuseppe Gerbino, Columbia University
Music of Words and Words in Music
Emiliano Ricciardi, University of Massachusetts Amherst
Poesia per musica? On the Status of the Madrigale Libero in the Late Sixteenth
Century

173
Friday, 1 April 2016

20239 Art and Experience in Fifteenth-

10:30–12:00

Hynes Convention Center Century Naples: Defining an Artistic

Level Two Center II
206
Organizers: Adrian Bremenkamp, Freie Universität Berlin;
Nicole Joy Riesenberger, University of Maryland, College Park
Chair: Nicolas Bock, Université de Lausanne
Sarah K. Kozlowski, The Edith O’Donnell Institute of Art History at The University of
Texas at Dallas
Jan van Eyck’s Saint George and the Dragon from Bruges to Naples
Teresa D’Urso, Seconda Università degli Studi di Napoli
Adopting/Adapting Foreign Models: Painted Manuscripts for Courtier Patrons
in Fifteenth-Century Naples
Nicole Joy Riesenberger, University of Maryland, College Park
Fashioning Kingship in Early Modern Italy: Ferrante I and Neapolitan Networks
of Artistic Exchange

20240 Intra- and Inter-National Encounters in

Hynes Convention Center Early Modern English Literature
Level Two
207
Organizer: Renaissance Society of America
Chair: Robert Dulgarian, Emerson College
Johanna Luggin, Ludwig Boltzmann Institute for Neo-Latin Studies
Horatian Journeys through Early Modern England
Laurie Ellinghausen, University of Missouri, Kansas City
“Lend us your Lament”: Pirate Executions in Early Modern English Print

20241 Dressing and Decorating Male Bodies

Hynes Convention Center
Level Two
208
Sponsor: Society for the Study of Early Modern Women (EMW)
Organizer: Patricia Simons, University of Michigan
Chair: Deborah L. Krohn, Bard Graduate Center
Timothy D. McCall, Villanova University
Men in Tights: The Material Culture of Calze in Fifteenth-Century Italy
Patricia Simons, University of Michigan
Chinny Chin Chins: Facial Hair in Renaissance Imagery
Elizabeth Semmelhack, The Bata Shoe Museum
Stacked in Their Favor: Heels and Masculinity in the Baroque Period

174
 Friday, 1 April 2016
20242 Shakespeare’s Climatology

10:30–12:00
Hynes Convention Center
Level Two
210
Sponsor: Massachusetts Center for Interdisciplinary Renaissance Studies
Organizer: Allison Deutermann, CUNY, Baruch College
Chair: Mary Thomas Crane, Boston College
Piers Brown, Kenyon College
The Political Climate in Shakespeare’s Julius Caesar
Jane Hwang Degenhardt, University of Massachusetts Amherst
Hamlet and the Cosmic and Generic Ecologies of Land and Sea
Allison Deutermann, CUNY, Baruch College
Breathing Room: Listening for the Dramatic Pause in 3 Henry VI

20243 Exploring Early Modern Cities II:

Hynes Convention Center Dynamic Neighborhoods and Networks
Level Three
302
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Karen-edis Barzman, SUNY, Binghamton University;
Lisa Pon, Southern Methodist University
Chair: Lisa Pon, Southern Methodist University
Derek Scott Burdette, Swarthmore College
Religious Processions and the Devotional Topography of Colonial Mexico City
Karen-edis Barzman, SUNY, Binghamton University
Being in Border Towns: Views from Venetian Dalmatia
Michael J. Schreffler, Virginia Commonwealth University
Social Space and Social Networks in Sixteenth-Century Spanish America:
Foundation Plans and Urban Ideals

20244 Picturing the Classical in the

Hynes Convention Center Renaissance
Level Three
303
Sponsor: Classical Tradition, RSA Discipline Group
Organizer and Chair: Kathy Eden, Columbia University
Leonard Barkan, Princeton University
Roman Banquets and Their Afterlives
Michelle Zerba, Louisiana State University
Homer’s Odyssey, Humanist Learning, and Renaissance Painting: Rethinking
Reception

175
Friday, 1 April 2016

20245 Roundtable: A German Renaissance?

10:30–12:00

Hynes Convention Center Periods, Places, and Objects

Level Three
304
Organizer: Jane O. Newman, University of California, Irvine
Chair: Jeffrey Chipps Smith, University of Texas at Austin
Discussants: Jane O. Newman, University of California, Irvine;
James A. Parente, University of Minnesota;
Helmut Puff, University of Michigan;
Ashley D. West, Temple University
This roundtable is designed to promote awareness of and stimulate contributions to
a project being sponsored by Brill Publishers under the auspices of the Renaissance
Society of America to produce a Brill Companion to Renaissance Germany (to be
published 2017). Issues of periodization and geography will loom large as we seek
to assess how the case of a central European and German-language “Renaissance”
culture and phenomena may complement, challenge, and complicate what we think
we understand by that term. Questions may include: What is the historiography
of the assumption that “Germany” had the Reformation instead of a Renaissance?
Does the German case require asking different questions or assuming different
chronologies than other European “Renaissances”? What about the lively Neo-Latin
culture of Central Europe that lasted well into the later centuries? How might we use
the German example to reconfigure where we look for the “Renaissance” elsewhere
in Europe?

20246 Milton’s American and Latin-American

Hynes Convention Center Legacy
Level Three
305
Sponsor: Milton Society of America
Organizers: Angelica Duran, Purdue University;
Elizabeth M. Sauer, Brock University
Chair: Elizabeth M. Sauer, Brock University
Gregory M. Colón-Semenza, University of Connecticut
Milton in America, America in Milton: Peter Ackroyd’s Revisionist Fantasy
Mario Murgia, Universidad Nacional Autónoma de México
Revisiting Milton in Revolutionary Latin America: How a Puritan’s Political
Views Translate into Ibero-American Spanish
Angelica Duran, Purdue University
Two Twentieth-Century American Miltons

176
 Friday, 1 April 2016
20247 Architectural Patronage and the

10:30–12:00
Hynes Convention Center Construction of Identity
Level Three
306
Organizer: Renaissance Society of America
Chair: Mari Yoko Hara, Rhode Island School of Design
José Manuel Fernandes Arq, Universidade Técnica de Lisboa
From Manueline Style to Renaissance: Three Architectural Works in
Mozambique and India, Sixteenth Century
Max Grossman, University of Texas at El Paso
The Castle of Bracciano and the Advent of Artillery: Francesco di Giorgio
Martini in Latium
Wouter Wagemakers, Universiteit van Amsterdam
“Verona fidelis”: The Ruling Elite of Verona and the Search for Identity after
Cambrai
Giulia Torello-Hill, Villa I Tatti, The Harvard University Center for Italian Renaissance
Studies
Vitruvius in Medicean Florence: A Reassessment of Poliziano’s Exegesis of De
architectura

20248 Black Africans in Early Modern

Hynes Convention Center Europe: History, Representation,
Level Three and Materiality II
308
Organizers: Paul H. D. Kaplan, SUNY, Purchase College;
Anna C. Knaap, Emmanuel College;
Joost Vander Auwera, Royal Museums of Fine Arts of Belgium
Chair: Julie Berger Hochstrasser, University of Iowa
David Bindman, University College London
The African and Africa in the Paston Treasure Painting in Norwich
Anna C. Knaap, Emmanuel College
A Black Moor and a White Venus in Anthony Van Dyck’s Portrait of George Gage
Joost Vander Auwera, Royal Museums of Fine Arts of Belgium
Black Africans in the Work of Jordaens

177
Friday, 1 April 2016

20249 Reading and Writing History in Early

10:30–12:00

Hynes Convention Center Modern England

Level Three
309
Organizer: Renaissance Society of America
Chair: Katharine Ann De Rycker, Newcastle University
Daniel Breen, Ithaca College
The Chronicles of Nowhere: Historians in Utopia
Blaire Zeiders, Georgia Regents University
Arthurian Romance and the Middle-Class Reader: Redefining the English
Nation According to Consumer Demand
Joseph Bowling, CUNY, The Graduate Center
Thomas Fenne’s Hecuba’s mishaps (1590) and the Reinvention of England’s
Trojan Legends

20250 Materials of Art in Spain,

Hynes Convention Center ca. 1500–1700 II
Level Three
310
Organizer and Chair: Kelley Helmstutler-Di Dio, University of Vermont
Brendan C. McMahon, University of Southern California
“Mirar por una y otra parte”: Iridescence and Immateriality in
Seventeenth-Century Spain
Johannes Röll, Bibliotheca Hertziana, Max-Planck-Institut für Kunstgeschichte
Material Choices in Spanish Sculpture
Wendy Sepponen, University of Michigan
Material Efficacy in the Retablo Mayor (1579–90) at El Escorial

178
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20251 New Technologies and Renaissance

10:30–12:00
Hynes Convention Center Studies VI: Roundtable: Large-Scale
Level Three Early Modern Digital Humanities
311
Sponsor: Arizona Center for Medieval and Renaissance Studies (ACMRS)
Organizers: Raymond G. Siemens, University of Victoria;
Timothy Stinson, North Carolina State University
Chair: William Bowen, University of Toronto, Scarborough
Discussants: Matthew Evan Davis, North Carolina State University;
Laura Mandell, Texas A&M University;
Daniel Powell, University of Victoria;
Jacqueline Wernimont, Brown University;
Colin Wilder, University of South Carolina
Using major research infrastructure projects like the Renaissance Knowledge
Network, Iter, and the Advanced Research Consortium as a framework, this
roundtable will discuss the community- and connectivity-building aspects of such
efforts. It draws on perspectives from other large infrastructure projects, academics
working in the content area, and relevant specialist advisers. The roundtable is open
to feedback on how innovative digital tools best serve literary scholars working in
Renaissance areas, and also for traditional scholars to critique and question the
current contours of the project.

20252 Digital Humanities for Cultural

Hynes Convention Center Heritage II
Level Three
313
Organizers: Cristina Guarnieri, Università degli Studi di Padova;
Elena Svalduz, Università degli Studi di Padova
Chair: Caroline Bruzelius, Duke University
Andrea Giordano, Università degli Studi di Padova
Visualizing Cities: Venice and Padua
Elena Svalduz, Università degli Studi di Padova
Visualizing Cities: Carpi and Baldassare Peruzzi
Paolo Borin, Università IUAV di Venezia
Visualizing Relationship, or the Importance of H in Historic Building
Information Modeling
Regis Kopper, Duke University
Interactive Exploration of Cultural Heritage Sites through Immersive Virtual
Reality

179
Friday, 1 April 2016

Friday, 1 April 2016

1:30–3:00

1:30–3:00
20301 Aspects of Women’s Lives in
Park Plaza Renaissance Venice I
Lower Lobby
Terrace Room
Organizer: Dennis Romano, Syracuse University
Chair: Stanley Chojnacki, University of North Carolina at Chapel Hill
Dennis Romano, Syracuse University
Women and the Council of Ten, ca. 1310–1410
Paula Clarke, McGill University
Women in Family Commerce in Renaissance Venice
Francesca Medioli, Independent Scholar
Social Life from a Cloistered Perspective: Nuns, Monks, and Friars in
Seventeenth-Century Venice
20304 The Poetics of Speculation: Renaissance
Park Plaza Optics and English Verse
Mezzanine
Boylston Room
Organizer: Andrew Fleck, University of Texas at El Paso
Chair: Maria Avxentevskaya, Freie Universität Berlin
Kyle Pivetti, Norwich University
“Ne Ought in Secret”: Surveillance, Optics, and Allegory in The Faerie Queene
Andrew Fleck, University of Texas at El Paso
“Then shall I think my Glasse a glorious Skie”: The Optics of Astronomy
in Lanyer
John S. Garrison, Carroll University
Optics, Isolation, and Poetic Authority in Marvell
20305 Translating Classical Texts in the
Park Plaza Renaissance
Mezzanine
Commonwealth Room
Organizer: Renaissance Society of America
Chair: Rachael B. Goldman, The College of New Jersey
Natasha Constantinidou, University of Cyprus
Reconsidering the Popularity of the Greek Classics, ca. 1450–1600
Sirkku Inkeri Ruokkeinen, University of Turku
Evaluation or Cultural Appropriation? An Appraisal Analysis of Three
Renaissance Translators of Seneca
Petra Šoštarić, University of Zagreb
Latin Translations of the Batrachomyomachia

180
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20306 The Medici and the Seas I:
Park Plaza Mediterranean Identities

1:30–3:00
Mezzanine
Statler Room
Organizers: Francesco Freddolini, Luther College, University of Regina;
Marco Musillo, Kunsthistorisches Institut in Florenz
Chair: Marco Musillo, Kunsthistorisches Institut in Florenz
Joseph M. Silva, Providence College
Art and Conflict: Islamic Spoils, Christian Triumphalism, and the Order of Saint
Stephen in Pisa
Sean Nelson, University of Southern California
Between Mediterranean and Global Knowledge in the Medici Armory
Mahnaz Yousefzadeh, New York University
The Medici’s Perseus and Persia’s Medusa
20307 Birgitta of Sweden: Saintly Power
Park Plaza Contested and Performed I
Mezzanine
Hancock Room
Organizers: Unn Falkeid, Stockholm University;
Maria Husabö Oen, Stockholm University
Chair: Nirit Ben-Aryeh Debby, Ben-Gurion University of the Negev
Respondent: Jane C. Tylus, New York University
Maria Husabö Oen, Stockholm University
The Locus of Truth: The Authenticity of St. Birgitta’s Visions from the
Holy Land
Unn Falkeid, Stockholm University
The Burden of Nothingness: Birgitta of Sweden’s Jerusalem Visions
20308 Shadows and Knowledge in Early
Park Plaza Modern Europe
Mezzanine
Exeter Room
Sponsor: Medieval and Renaissance Studies Association in Israel
Organizers: Raz D. Chen-Morris, Hebrew University of Jerusalem;
Zur Shalev, University of Haifa
Chair: Zur Shalev, University of Haifa
Raz D. Chen-Morris, Hebrew University of Jerusalem
Midsummer’s Shadows and Kepler’s Dream of Celestial Knowledge
Itay Sapir, Université du Québec à Montréal
Shadowy Realism: Negative Knowledge in Seventeenth-Century
Neapolitan Painting
Daniel Stolzenberg, University of California, Davis
Copernicanism between Light and Darkness: The Celestial Atlas of Andreas
Cellarius in Seventeenth-Century Rome

181
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20309 Memory, Textual, and Performance

Park Plaza History: A Comparative and
1:30–3:00

Mezzanine Interdisciplinary Analysis III:

Clarendon Room Roundtable
Organizers: Francesca Bortoletti, University of Leeds;
Alexandra Coller, CUNY, Lehman College
Chair: Jennifer Richards, University of Newcastle
Discussants: Francesca Bortoletti, University of Leeds;
Alexandra Coller, CUNY, Lehman College;
Rosalind Kerr, University of Alberta;
Claudio Longhi, Università degli Studi di Bologna;
Enrico Messina, Independent Scholar;
Raashi Rastogi, Northwestern University;
Janet L. Smarr, University of California, San Diego;
Simone Testa, European University Institute
In the Renaissance invenctio passes through the imitatio of antiquity, culminating in
the adaptation and reactualization of ancient models of literature, poetry, and drama
in early modern masterpieces. In turn, Renaissance culture becomes an extraordinary
model for today’s performing art practices. Artists and poets embrace ancient and
Renaissance works creating multimedia events that significantly contributed to civic
and cultural life. The object of this roundtable will be twofold; on the one hand, it
will probe the ancient, Renaissance, and contemporary stage via the revival of the
classical models and Renaissance masterpieces; on the other hand, it will probe the
benefits and limits of early modern writers’ use of both ancient and Renaissance
masterpieces in order to produce new works. The roundtable is open to a variety of
genres and proposes a comparative analysis and discussion through text, visual, and
performance culture.
20310 Alma Poesis: Poetry, Philosophy, and
Park Plaza Political Dissent from the Middle Ages
Mezzanine to the Renaissance
Berkeley Room
Sponsor: Center for Medieval and Renaissance Studies, University of California,
Los Angeles
Organizer and Chair: Marco Veglia, Università degli Studi di Bologna
Michael Papio, University of Massachusetts Amherst
Pagan Philosophy and Christian Neoplatonism in Boccaccio’s Theological Poetics
Jelena Todorovic, University of Wisconsin–Madison
Bartolomeo Panciatichi Between Love, Heresy, and Censorship
Edoardo Ripari, Università di Bologna
Il pericolo della letteratura: Scrittori e opere nell’Italia del XVII secolo: Boccalini,
Malvezzi, Accetto

182
 Friday, 1 April 2016
20311 Converted Jews from Spain to Italy:
Park Plaza Economic Activities and Social

1:30–3:00
Mezzanine Integration (1500–1700)
Arlington Room
Organizer: Fabrizio D’Avenia, Università degli Studi di Palermo
Chair: Gaetano Sabatini, Università degli Studi Roma Tre
Rafael M. Girón-Pascual, Universidad de Granada
Converted Jews in Spain, Nobles in Italy: Castilian Merchants in Medicean
Florence (1550–1650)
Fabrizio D’Avenia, Università degli Studi di Palermo
From Aragon to Sicily after the Expulsion: “Former Jews,” Merchants between
Economic Network and Aristocratic Elite
20312 The Sight and Sound of Gardens and
Park Plaza Feasts
Mezzanine
Georgian Room
Organizer: Renaissance Society of America
Chair: Kelly D. Cook, University of Maryland, College Park
Allison N. Fisher, Independent Scholar
Celebrating Earth’s Bounty: Fruit in Renaissance Images of Ancient Feasts
Claudia Maria Bucelli, Independent Scholar
Maria Maddalena de’ Pazzi and the Renaissance Garden in Counter-Reformist
Florence
Daniel Walden, Harvard University
Music, Nature, and Power in the Gardens of the Villa d’Este
20313 Poland-Lithuania and Europe:
Park Plaza Diplomatic and Religious Networks in
Fourth Floor the Long Seventeenth Century
Brookline Room
Sponsor: Herzog August Bibliothek, Wolfenbüttel
Organizers: Karin Friedrich, University of Aberdeen, King’s College;
Mara R. Wade, University of Illinois at Urbana-Champaign
Chair and Respondent: Maria Ivanova, University of Virginia
Hanna Mazheika, University of Aberdeen
Networks of Textual Exchange between England and the Grand Duchy of
Lithuania in the early 1600s
Karin Friedrich, University of Aberdeen, King’s College
Law and Toleration: The European Context of Seventeenth-Century
Protestantism in the Grand Duchy of Lithuania
Mindaugas Sapoka, Institute of Historical Research
Stuart Candidacy for the Polish Throne and Implications for the Jacobite Cause
(1655–1737)

183
Friday, 1 April 2016

20314 The Commerce of Information in Early

Park Plaza Modern Europe
1:30–3:00

Fourth Floor
Cambridge Room
Sponsor: Book History, RSA Discipline Group
Organizer: Andrew Pettegree, University of St. Andrews
Chair: Michiel Van Groesen, Universiteit Leiden
Nina Lamal, University of St. Andrews
Competition and Reliability in Seventeenth-Century Italian Newspaper Ventures
Arthur Timothy der Weduwen, University of St. Andrews
The Birth of Advertising and the Creation of a National Press: Amsterdam,
1618–54
Helmer Helmers, Universiteit van Amsterdam
Dutch Media in the Thirty Years’ War
20315 Roundtable: Practical Translation:
Park Plaza Strategies for Verbally Collating and
Fourth Floor “Retranslating” Multiple Witnesses for
Beacon Hill Room a Lost Source
Organizer: Troy Tower, Johns Hopkins University
Chair: Elizabeth Patton, Johns Hopkins University
Discussants: Lorenzo Filippo Bacchini, Johns Hopkins University;
Gabrielle Ponce, Johns Hopkins University;
Troy Tower, Johns Hopkins University
Although Dorothy Arundell’s original work remained in manuscript and is now lost,
her English-language Life of the Jesuit John Cornelius, executed for treason under
Elizabethan law in 1594, is being reconstructed from six or more contemporary
Latin and Romance translations, both manuscript and print. Only recently
identified and suggestive of scribal publication, these multiple witnesses together
indicate redactions by English historiographers and confirm instances of Arundell’s
gripping imagery, command of local toponymy, and syntactic idiosyncrasies. This
roundtable aims to share and gather methods of translation analysis, particularly
those employed by contemporary proponents of “retranslation,” “appropriative
translation,” and” invisible translation.” We also apply traditional philological
methodologies—such as the elaboration of stemmata from loci communes—to
digital platforms. Scholars with related experience or ongoing projects are especially
welcome to evaluate the literary, linguistic, and historical practices most useful in
reconstructing sources similarly “found” in translation.

184
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20316 The Body in the City III
Park Plaza

1:30–3:00
Fourth Floor
Back Bay Room
Sponsor: Prato Consortium for Medieval and Renaissance Studies
Organizer and Chair: Peter F. Howard, Monash University
Danijela Zutic, McGill University
For the Conservation of Health
Jack Hartnell, Columbia University
Opening the Body in the Streets of Paris
Michelle Laughran, St. Joseph’s College of Maine
La “Salient-issma”: Mortality Salience and the Vulnerable Body Politic of Late
Renaissance Venice
20317 Brujomanía: New Research on the
Park Plaza Basque Witch-Hunts, 1525–1611
Fourth Floor
Brandeis Room
Organizer: Amanda Lynn Scott, Washington University in St. Louis
Chair: Michael D. Bailey, Iowa State University
Lu Ann Homza, College of William & Mary
The Child Witches of Olague: Insights from a New Manuscript
Amanda Lynn Scott, Washington University in St. Louis
The Devil’s “Particular Favorite”: Witchcraft Accusations and the Basque Seroras
20318 Sidney III: Politics and Pedagogy,
Park Plaza Theater and Transformation
Fourth Floor
Cabot Room
Sponsor: International Sidney Society
Organizer: Robert E. Stillman, University of Tennessee
Chair: Joel B. Davis, Stetson University
Sarah E. Case, Princeton University
Imagination and Practice: Philip Sidney’s Eclogues and the Uncertain Succession
Aileen Liu, University of California, Berkeley
Sidney’s Trick: The Arcadia as Antitheater
Laura M. Schechter, University of Alberta
A Pedagogical Experiment: Close Reading Mary Sidney’s Psalm 71 in the
Undergraduate Classroom

185
Friday, 1 April 2016

20319 Noble Identity and Self-Fashioning in

Park Plaza Renaissance Italy
1:30–3:00

Fourth Floor
Charles River Room
Organizer: Renaissance Society of America
Chair: Claudia Lazzaro, Cornell University
Ekaterina Domnina, Lomonosov Moscow State University
A Diplomat’s Legacy: Tommaso Spinelli’s Self-Representation in His Testament
(1522)
Peter W. Sposato, Indiana University, Kokomo
Crafting Noble Identity in Early Renaissance Italy: The Case of Buonaccorso
Pitti
Andrea Baldi, Rutgers University
The Metamorphoses of Giovanni delle Bande Nere
20320 Luke Wadding I: His Spanish
Park Plaza Education and Ideology
Fourth Floor
Constitution Room
Sponsor: Renaissance Studies Certificate Program, Graduate Center, CUNY
Organizer: Clare Carroll, CUNY, Queens College
Chair: Matteo Binasco, Cushwa Center for the Study of American Catholicism
Respondent: Simon Ditchfield, University of York, Vanbrugh College
Paolo Broggio, Università degli Studi Roma Tre
Luke Wadding between Theology and Sacred History: The Presbeia sive Legatio
Philippi III (1624)
Igor Pérez Tostado, Universidad Pablo de Olavide
Luke Wadding and the Irish Community in Spain
20321 Fashioning the Translator: Liminal
Park Plaza Strategies in Early Modern English
Fourth Floor Translations
Franklin Room
Organizers: Marie Alice Belle, Université de Montréal;
Brenda M. Hosington, Université de Montréal and University of Warwick
Chair: Jaime L. Goodrich, Wayne State University
Patricia Demers, University of Alberta
Anne Cooke Bacon: Translator and Apologist Extraordinaire
Brenda M. Hosington, Université de Montréal and University of Warwick
Liminal Space and Gender Representation in Some Translations by Early
Modern Englishwomen
Marie Alice Belle, Université de Montréal
Rhetorical Ethos and the Translator’s Self in Early Modern England

186
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20322 Ficino I: Matter and Soul
Park Plaza

1:30–3:00
Fourth Floor
Emerson Room
Organizer: Valery Rees, School of Economic Science, London
Chair: Christopher Celenza, Johns Hopkins University
James George Snyder, Marist College
Marsilio Ficino and Henry More Against the Materialists
Stephen Gersh, University of Notre Dame
Ficino and the “Idea” of Soul
Valery Rees, School of Economic Science, London
How the Soul Returns: Dionysian Directions and Pauline Prospects
20323 Spanish Women as Queens and
Park Plaza Counselors
Fourth Floor
Gloucester Room
Sponsor: Grupo de estudios sobre la mujer en España y las Américas (pre-1800) (GEMELA)
Organizer: Bárbara Mujica, Georgetown University
Chair: Melinda Gough, McMaster University
Elizabeth Marie Cruz Petersen, Florida Atlantic University
Countess María de Guevera: Advocate and Activist
Bárbara Mujica, Georgetown University
Archduchess Isabel Clara Eugenia and the Carmelite Reform in the Low
Countries
Susan L. Fischer, Bucknell University
Catherine of Aragon Refashioned: Strength and Defiance on the Madrid Stage
20324 Authorship, Attribution, and Evidence
Park Plaza in Early Modern France
Fourth Floor
Holmes Room
Sponsor: Rocky Mountain Medieval and Renaissance Association
Organizer: Michael Call, Brigham Young University
Chair: Kristin M. S. Bezio, University of Richmond
Brian J. Reilly, Fordham University
Trop molle et trop dure: Arguments for and against Louise Labé’s Authorship
Brooke Donaldson Di Lauro, University of Mary Washington
Who is the Author of the 1545 Rymes?
Michael Call, Brigham Young University
Two Plays in Search of an Author: Molière’s Dom Garcie de Navarre and Le
Misanthrope

187
Friday, 1 April 2016

20325 Questions of Love, Religion, and

Park Plaza Devotion in the Writings of Marguerite
1:30–3:00

Fourth Floor de Navarre

Longfellow Room
Sponsor: French Literature, RSA Discipline Group
Organizer: Leanna Bridge Rezvani, Massachusetts Institute of Technology
Chair: Kathleen Loysen, Montclair State University
Judy K. Kem, Wake Forest University
Feigned Lovesickness in Marguerite de Navarre’s Quatre Dames et Quatre
Gentizhommes
Carrie F. Klaus, DePauw University
Marguerite de Navarre’s Heptaméron: A Bible for All Times?
Leanna Bridge Rezvani, Massachusetts Institute of Technology
Saint Sebastian and the Mule-driver’s Wife: Marguerite de Navarre’s Renaissance
Martyr
Brigitte M. Roussel, Wichita State University
Marguerite de Navarre’s La Navire: Mourning and Writing as Ambiguation
20326 Languages of Dissent III: Heterodox
Park Plaza Britain
Fourth Floor
Newbury Room
Sponsor: Research Group in Early Modern Religious Dissents and Radicalism (EMoDiR)
Organizers: Federico Barbierato, Università degli Studi di Verona;
Stefano Villani, University of Maryland, College Park;
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Chair: Federico Barbierato, Università degli Studi di Verona
Paul C. H. Lim, Vanderbilt University
Naked Gospel or Cloaked Christianity? The Quest for Primitive Faith in Early
Enlightenment England
Ariel Hessayon, Goldsmiths, University of London
The Most “Dangerous and Infectious of All Heresies”: Allegations of Anti-
Trinitarianism during the English Revolution
Catie Gill, Loughborough University
Judith Roads, University of Birmingham
Early Quaker Prose (1650–95) and the Primacy of Inward Learning

188
 Friday, 1 April 2016
20327 Political Theology in England:
Park Plaza Catholics, Anglican Conciliarists, and

1:30–3:00
Fourth Floor Milton
Stuart Room
Sponsor: Legal and Political Thought, RSA Discipline Group
Organizer and Chair: Johann Sommerville, University of Wisconsin–Madison
David Loewenstein, Pennsylvania State University
Rethinking Political Theology in Milton
Debora Shuger, University of California, Los Angeles
Political Theology, Conciliarism, and Anglicanism
Peter G. Lake, Vanderbilt University
Religion and Politics in the “Political Theology” of Elizabethan Catholics
20328 Intoxicants and Early Modernity I:
Park Plaza Strange Rituals
Fourth Floor
Tremont Room
Organizers: Angela J. McShane, Victoria and Albert Museum;
Phil Withington, University of Sheffield
Chair: Edward Muir, Northwestern University
John Gallagher, University of Cambridge
Barstool Babels: Multilingual Drinking in Early Modern Europe
Angela J. McShane, Victoria and Albert Museum
Rituals, Routines, and Materiality: Drinking Too Much and Just Enough in
Early Modern England
Maia Newley, Independent Scholar
Early Modern Witch Ointments and Intoxication
James Brown, University of Sheffield
Detecting Drunkenness in Early Modern England
20329 John Donne II: Lines of
Park Plaza Communication
Fourth Floor
White Hill Room
Sponsor: John Donne Society
Organizer: Kirsten Anne Stirling, Université de Lausanne
Chair: Greg Kneidel, University of Connecticut
Daniel Starza Smith, Lincoln College, University of Oxford
Donne and the Drurys, Revisited
Anne-Marie Miller-Blaise, Université Sorbonne Nouvelle - Paris 3
Portraits of a Hidden God: Conversations between John Donne and Edward
Herbert
Kirsten Anne Stirling, Université de Lausanne
Angela Benza, Université de Genève
“Like pictures, or like books”: John Donne, Nicholas Hilliard, and the Politics of
Representation

189
Friday, 1 April 2016

20330 New Approaches to the Italian Epic

Park Plaza
1:30–3:00

Fourth Floor
Winthrop Room
Organizer and Chair: Armando Maggi, University of Chicago
Massimo Scalabrini, Indiana University
Ariosto’s Provisional Ethics
Corrado Confalonieri, Harvard University
Epic to the Test of Tasso’s Liberata: Awaiting Genre at the “Limits of Text”
Filippo Petricca, University of Chicago
The Fall of Epic Virtue: A Journey Through the Orlando furioso
20331 Spain between Europe and the New
Park Plaza World: Culture, Politics, and Power
Fourth Floor Projection I
Whittier Room
Sponsor: Americas, RSA Discipline Group
Organizers: Salvatore Bottari, Università degli Studi di Messina;
Linda Curcio-Nagy, University of Nevada, Reno;
Gabriel Guarino, University of Ulster
Chair: Salvatore Bottari, Università degli Studi di Messina
Mirella Vera Mafrici, Università degli Studi di Salerno
Charles V’s Spain and His Mediterranean Policy against Turks and Barbary
Pirates
Francesca Russo, Università degli Studi Suor Orsola Benincasa
The Dispute of Valladolid: Bartolomé de Las Casas versus Juan Ginés de
Sepulveda
Italia Maria Cannataro, Università degli Studi di Messina
The Philosophy of Francisco Suárez: A European Scene in an American Contest
20332 Early Modern Women and
Park Plaza Transnational Exchanges
Fourth Floor
St. James Room
Sponsor: Women and Gender, RSA Discipline Group
Organizer: Anne R. Larsen, Hope College
Chair: Patricia Phillippy, Kingston University London
Ashley M. Williard, University of South Carolina
Sacred Encounters: Transatlantic Journeys of Seventeenth-Century Women
Religious
Stefania Porcelli, CUNY, The Graduate Center
Vigor and Softness: Aphra Behn amongst the Libertines
Julie A. Eckerle, University of Minnesota Morris
Early Modern Women’s Epistolary Communications across the Irish Sea

190
 Friday, 1 April 2016
20333 Style and Decorum in the Arts of the
Hynes Convention Center Burgundian Netherlands

1:30–3:00
Level Two (ca. 1430–1550)
200
Sponsor: Historians of Netherlandish Art
Organizer: Stephanie S. Dickey, Queen’s University
Chairs: Till-Holger Borchert, Flemish Research Center for the Arts of the Burgundian
Netherlands and the Groeningemuseum;
Koenraad J. A. Jonckheere, Universiteit Gent
Ethan Matt Kavaler, University of Toronto
The Style of Empire: The Tomb of Charles the Bold
Lieve De Kesel, Universiteit Gent
Sparse with Colors, Modest in Scenery: Perfect Decorum for an Exceptional
Illumination by Simon Bening
Krista V. De Jonge, Katholieke Universiteit Leuven
Si meschant ouvraige: Decorum, Crafting, Order, Space in Court Architecture of
the Burgundian Low Countries
20334 Making Copies I
Hynes Convention Center
Level Two
201
Organizers: Maddalena Bellavitis, University of Pennsylvania;
Francesca Cappelletti, Università degli Studi di Ferrara
Chair: Francesca Cappelletti, Università degli Studi di Ferrara
Respondent: Richard E. Spear, University of Maryland, College Park
Maddalena Bellavitis, University of Pennsylvania
Spreading Bosch: The Impact of Hieronymus Bosch’s diableries and Their
Reproduction in the Sixteenth Century
Maria Pietrogiovanna, Università degli Studi di Padova
Not Only Copies: Variations, Suggestions, Interpretations, Joos van Cleve, and
the Lost Leonardo Cherries Madonna
Sarah Ferrari, Università degli Studi di Padova
Copies and Derivations of Giorgionesque Inventions across Europe

191
Friday, 1 April 2016

20335 Manuscripts in Motion in the Early

Hynes Convention Center Modern Mediterranean I
1:30–3:00

Level Two
202
Organizers: Alexander Bevilacqua, Harvard University;
Helen Pfeifer, Princeton University
Chair: Adam G. Beaver, Princeton University
Alexander Bevilacqua, Harvard University
The Most Accomplished Treasury of the Entire Universe: Islamic Books in
Seventeenth-Century Paris
Nir Shafir, University of California, Los Angeles
Pamphleteering in a Manuscript Culture: Cheap Books in Motion in the
Seventeenth-Century Ottoman Empire
Mercedes García-Arenal, Consejo Superior de Investigaciones Científicas
Fernando Rodríguez Mediano, Consejo Superior de Investigaciones Científicas
Arabic Manuscripts and Converted Muslims: Between Spain and Rome
20336 Gian Lorenzo Bernini
Hynes Convention Center
Level Two
203
Organizer: Franco Mormando, Boston College
Chair: Thomas W. Worcester, College of the Holy Cross
Karen J. Lloyd, Chapman University
The Pope in the Nephew’s Gallery: Bernini’s Clement X in Cardinal Paluzzo
Altieri’s Collection
Matthew Knox Averett, Creighton University
“Glorioso e celebre al mondo”: Bernini, Fame, and Numismatics
Franco Mormando, Boston College
Did Bernini’s Ecstasy of St. Teresa Cross a Seventeenth-Century Line of Decorum?
20337 Italian Caricatura: Material Practice,
Hynes Convention Center Collectors, and Art Theory I
Level Two
204
Sponsor: Association for Textual Scholarship in Art History (ATSAH)
Organizers: Sandra Cheng, CUNY, New York City College of Technology;
Kasia Murawska-Muthesius, Birkbeck, University of London
Chair: Tina Waldeier Bizzarro, Rosemont College
Roger J. Crum, University of Dayton
Michelangelo’s Self-Portrait Caricature as Complaint (and Much More) from the
Sistine Chapel
Sandra Cheng, CUNY, New York City College of Technology
The Ugly Line: Early Modern Writers on Caricature
Veronica Maria White, Princeton University Art Museum
From Loaded Portraits to Loaded Gazes: Caricatures and Capricci by Guercino
Adriano Amendola, Università degli Studi di Salerno
“Of what it is to caricature, and the art”: Paolo Giordano II Orsini and the Caricature

192
 Friday, 1 April 2016
20338 The Sound of Poetry: A Comparative
Hynes Convention Center Approach to Rhetoric, Poetics, and

1:30–3:00
Level Two Music III
205
Sponsor: Music, RSA Discipline Group
Organizers: Janie Cole, University of Cape Town;
Eugenio Refini, Johns Hopkins University;
Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Chair: Janie Cole, University of Cape Town
Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Words and Music in Dionysius of Halicarnassus’s De compositione verborum:
A Renaissance Reading
Elizabeth Weckhurst, Harvard University
Singing with David: Wyatt’s Sonic Pentimenti in the Context of Renaissance
Theories of Poetic Language
Eugenio Refini, Johns Hopkins University
The Harmony of Words: Rhetoric and Music in the Reception of Longinus’s On
the Sublime
Brenda Lopez Saiz, Universidad de Chile
Poetics and Rhetoric, Katharsis and Enárgeia at the Basis of Humanist Musical
Ideas and Practice
20339 Place and Identity in Early Modern
Hynes Convention Center Visual Culture I: Constructing Sacred
Level Two Connections
206
Organizers: Ashley Elston, Berea College;
Madeline Rislow, Missouri Western State University
Chair: Ashley Elston, Berea College
Madeline Rislow, Missouri Western State University
Protecting a Place and Its People: Genoa’s Renaissance Reliquary for St. John the
Baptist
Kristine Hess Larison, University of Texas at Dallas, Edith O’Donnell Institute of Art
History
Topographical Images of Mount Sinai and the Monastery of St. Catherine: Icons
of Place
Jeff Fraiman, Rutgers University, New Brunswick
Martyr in the Well: Bilivert’s Martyrdom of San Callisto and Site-Specific
Altarpieces in Post-Tridentine Rome

193
Friday, 1 April 2016

20340 Vasari on Technique: Matter and

Hynes Convention Center Making I
1:30–3:00

Level Two
207
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: David Young Kim, University of Pennsylvania
Chair: Christina S. Neilson, Oberlin College
Matteo Burioni, Ludwig-Maximilians-Universität München
Vasari’s Disegno: The Invention of Allography
Christopher Lakey, Johns Hopkins University
Ornament or Representation? Gold Ground in Its Historical Matrix
Emanuele Lugli, University of York
Vasari’s Modo dello Operare: For an Epistemology of the Proemio to the Vite
(1550)
20341 The Verdant Earth I: Green Worlds of
Hynes Convention Center the Renaissance and Baroque
Level Two
208
Organizer: Leopoldine Prosperetti, Independent Scholar
Chair: Walter Melion, Emory University
Rebekah Tipping Compton, College of Charleston
Viridity as Paradise: Fra Filippo Lippi and Sandro Botticelli’s Green Spaces
Jill M. Pederson, Arcadia University
The Sala delle Asse as Locus amoenus: Revisiting Leonardo’s Arboreal Imagery in
Milan’s Castello Sforzesco
Natsumi Nonaka, Montana State University, Bozeman
The Tripartite Cognition of Landscape: Toeput’s Pleasure Garden with Maze
20342 Shakespearean Persons
Hynes Convention Center
Level Two
210
Sponsor: University of North Texas Medieval and Renaissance Colloquium (MRC)
Organizer: Colleen Ruth Rosenfeld, Pomona College
Chair: Kevin Curran, Université de Lausanne
J. K. Barret, University of Texas at Austin
Illyria’s Impersons: Character, Counterfeit, and Prosopoeia in Twelfth Night
Colleen Ruth Rosenfeld, Pomona College
The Time of Grief in William Shakespeare’s Richard II
Paul J. Hecht, Purdue University North Central
“Being the thing I am”: Converted Persons in As You Like It

194
 Friday, 1 April 2016
20343 Bellini 500 I: Reassessments, Local
Hynes Convention Center and Global

1:30–3:00
Level Three
302
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Daniel Wallace Maze, Independent Scholar;
Carolyn C. Wilson, Independent Scholar
Chair: Daniel Wallace Maze, Independent Scholar
Jaynie Lousie Anderson, University of Melbourne
Revisiting Tito Barberi’s Interpretation of Giovanni Bellini’s Feast of the Gods
Charlene Vella, University of Malta
Antonello’s Nephew in Bellini’s bottega
Karolina Zgraja, University of Zurich
Giovanni Bellini’s and Jacopo Bellini’s Books of Drawings
20344 The Art History of the Renaissance
Hynes Convention Center Book: Papers in Honor of Lilian
Level Three Armstrong I
303
Organizers: Renzo Baldasso, Arizona State University;
Helena Szépe, University of South Florida
Chair: Jonathan J. G. Alexander, New York University
Federica Toniolo, Università degli Studi di Padova
Renaissance Ferrara: Hercules between Myth and the Present
Silvia Fumian, Università degli Studi di Padova
A Follower of the Pico Master in Pietro Barozzi’s Library and His Paduan
Activity
20345 The Languages of Science
Hynes Convention Center
Level Three
304
Organizer: Renaissance Society of America
Chair: Sheila J. Rabin, Saint Peter’s University
Barbara Di Gennaro, Yale University
Rhetorical Strategies for Mediterranean Crosscultural Natural Knowledge
Tristan Major, Qatar University
European Incunabula in Qatar
Christine Turk, University of California, Santa Cruz
From Inscription to Description: Geometry and Textuality in Johannes Kepler’s
Mysterium Cosmographicum

195
Friday, 1 April 2016

20346 Reading and Writing in Seventeenth-

Hynes Convention Center Century England
1:30–3:00

Level Three
305
Organizer: Renaissance Society of America
Chair: Paul A. Marquis, St. Francis Xavier University
Igor Djordjevic, York University, Glendon College
Unsettling “Solomon” and the “Princes in the Tower”: Jacobean Historiography
and Ford’s Perkin Warbeck
Jacob Tootalian, University of South Florida
“[A]s far as the likeness holds”: Milton and the Limits of Figuration
Noam Flinker, University of Haifa
Seventeenth-Century Bible Reading: The Suppressed Biblical Contexts of John
Bunyan’s Citations in The Pilgrim’s Progress
20347 Architecture, Urbanism, and the Arts
Hynes Convention Center in Honor of Marvin Trachtenberg I:
Level Three Urban Space, Medieval Time
306
Organizer and Chair: Areli Marina, University of Illinois at Urbana-Champaign
Lauren A. Jacobi, Massachusetts Institute of Technology
Florentine Coins in an Expanded Field
David Friedman, Massachusetts Institute of Technology
New Towns in Time
Caroline Bruzelius, Duke University
God’s Time, Marvin’s Time, and Medieval Church Building
20348 Text and Image in Early Modern
Hynes Convention Center Spain I: Ekphrasis
Level Three
308
Organizers: Kelley Helmstutler-Di Dio, University of Vermont;
Almudena Vidorreta, CUNY, The Graduate Center
Chair: Kelley Helmstutler-Di Dio, University of Vermont
Adam Jasienski, Harvard University
Demonic Commissions: Art as Evidence in Baroque Madrid
Yannis Hadjinicolaou, Humboldt-Universität zu Berlin
El Greco’s Artistic Practice and Theory: “The Eyes of Reason”
Almudena Vidorreta, CUNY, The Graduate Center
Daring Paintbrushes: Ekphrasis in Aragonese Poetry during the Second Half of
the Seventeenth Century
Sarissa Carneiro, Pontificia Universidad Católica de Chile
Portraits of Women in the New World: Ekphrastic Representations of Beauty

196
 Friday, 1 April 2016
20349 Reading Pamphlets in Early Modern
Hynes Convention Center England

1:30–3:00
Level Three
309
Organizer: Renaissance Society of America
Chair: Cathy Corder, University of Texas at Arlington
Marina Leslie, Northeastern University
Doxies and Proxies: Cony Catching Pamphlets and the Crimninalization of
Female Labor
Chantelle Thauvette, Siena College
Picturing the Author: How Readers Sorted Spurious Pamphlets from Serious
Ones in the 1650s
Christopher J. Kendrick, Loyola University Chicago
Apocalyptic Play in the English Revolution
20350 Roundtable: The Visual Culture of
Hynes Convention Center Celestina
Level Three
310
Organizer: Enrique Fernandez, University of Manitoba
Chair: Sonia Velazquez, Indiana University
Discussants: Ted L. L. Bergman, University of St. Andrews;
Yolanda Iglesias, University of Toronto;
Christina H. Lee, Princeton University;
Rachel Schmidt, University of Calgary
The history of the Spanish literary masterpiece Celestina has been shaped by the
inclusion of images from the very first edition (1499). The following five centuries
were punctuated by many illustrated editions, imaginary portraits of the eponymous
procuress Celestina by painters such as Murillo, Goya, and Picasso, and, recently,
cinema adaptations. Considered second only to Don Quixote, Celestina is the
landmark separating the medieval and the Renaissance periods of Spanish literature.
It connects directly with the comedia humanistica and with Terence’s legacy. The
graphic treatment of Celestina in the first illustrated editions (woodcuts), their
connection to the manuscript tradition of Terence’s comedies, the treatment in
the fine arts (paintings, statues) and in the arts of the camera (cinema adaptations,
pictures of the dramatic performances, advertising posters, etc.), as well as in many
other media (postal stamps and lottery tickets with Celestina images) will be analyzed
in this roundtable.

197
Friday, 1 April 2016

20351 Folger Digital Agendas I: Roundtable:

Hynes Convention Center New Model Encoding
1:30–3:00

Level Three
311
Sponsor: Folger Institute
Organizer and Chair: Kathleen A. Lynch, Folger Institute
Discussants: Meaghan J. Brown, Folger Shakespeare Library;
Paul Dingman, Folger Shakespeare Library;
Michael Poston, Folger Shakespeare Library;
Heather Ruth Wolfe, Folger Shakespeare Library
The Folger Shakespeare Library has three large-scale digital projects underway:
Folger Digital Texts, Early Modern Manuscripts Online, and A Digital Anthology
of Early Modern English Drama. This roundtable will highlight questions raised by
the engagement with and reinvention of digital texts across these multiple projects.
What does a philology for the digital age look like? What is the role of an independent
research library in presenting these texts and their digital environment? What does it
mean to open such projects to undergraduates, to citizen humanists, and to experts
in a variety of disciplines? How do editorial policies shape answers to technical
problems of encoding transcription, collaborative editing, and version control?
How do disparate projects share resources, encourage productive collaborations,
and engage diverse audiences? Most of all, how will such digital projects shift our
understanding of the early modern age?
20352 Images on the Move: The Weaving of
Hynes Convention Center Circulations and Transfers during the
Level Three Renaissance through Digital Analysis
313
Organizers: Isabella di Lenardo, École polytechnique fédérale de Lausanne;
Frederic Kaplan, École polytechnique fédérale de Lausanne
Chair: Bernard Aikema, Università degli Studi di Verona
Isabella di Lenardo, École polytechnique fédérale de Lausanne
Mapping the Flow of Paintings in the Renaissance
Benoit Seguin, École polytechnique fédérale de Lausanne
Finding Visual Similarities in Renaissance Paintings

198
 Friday, 1 April 2016
Friday, 1 April 2016

3:30–5:00
3:30–5:00

20401 Aspects of Women’s Lives in

Park Plaza Renaissance Venice II
Lower Lobby
Terrace Room
Organizer and Chair: Dennis Romano, Syracuse University
Stanley Chojnacki, University of North Carolina at Chapel Hill
Loyal Guests: The Family Ties of Patrician Wives
Paola Lanaro, Università Ca’ Foscari di Venezia
Dowries versus Entails: Women and Family Inheritance in Venice from the
Fifteenth to the Eighteenth Century
Anna Bellavitis, Université de Rouen
Transmission of Goods, Skills, and Responsibilities in Early Modern Venice:
When Gender Matters
20404 Microcosm and Macrocosm
Park Plaza
Mezzanine
Boylston Room
Sponsor: English Literature, RSA Discipline Group
Organizer: James A. Knapp, Loyola University Chicago
Chair: Gerard Passannante, University of Maryland, College Park
Jessica Lynn Wolfe, University of North Carolina at Chapel Hill
Thomas Browne and the Disorientation of Man
James A. Knapp, Loyola University Chicago
Unstable Temporalities and the Microcosmic Conceit in Donne and Herbert
Carla J. Mazzio, SUNY, University at Buffalo
Big Numbers, Little Worlds
20405 Style, Content, and Audience in Early
Park Plaza Modern Islamic Poetic Traditions
Mezzanine
Commonwealth Room
Sponsor: Islamic World, RSA Discipline Group
Organizer: Kaya Sahin, Indiana University
Chair: Cornell H. Fleischer, University of Chicago
Zeynep Altok, Istanbul Bilgi University
The Role of Orality in Sixteenth-Century Ghazal Poetry: Notes on Circulation,
Composition, and Style
Sooyong Kim, Koç University
An Ottoman Lexicon of Literacy: Șahidi’s Sixteenth-Century “Gift”
Ferenc Peter Csirkes, University of Chicago
From Orality to Vernacular Anxiety: Turkic Literary Practices in Safavid Persia

199
Friday, 1 April 2016

20406 The Medici and the Seas II: Maritime

Park Plaza Trajectories
3:30–5:00

Mezzanine
Statler Room
Organizers: Francesco Freddolini, Luther College, University of Regina;
Marco Musillo, Kunsthistorisches Institut in Florenz
Chair: Francesco Freddolini, Luther College, University of Regina
Corey Tazzara, Scripps College
Commerce, Competition, and the Free Port of 1676
Federica Gigante, Warburg Institute, University of London
Ferdinando Cospi: A Medici Diplomat and Art Agent
Tiziana Iannello, eCampus University
Livorno and the British: Maritime Networks and Coral Trade from the
Mediterranean to East Asia
20407 Birgitta of Sweden: Saintly Power
Park Plaza Contested and Performed II
Mezzanine
Hancock Room
Organizers: Unn Falkeid, Stockholm University;
Maria Husabö Oen, Stockholm University
Chair: Unn Falkeid, Stockholm University
Respondent: Renate Blumenfeld-Kosinski, University of Pittsburgh
Päivi Salmesvuori, University of Helsinki
Birgitta’s Stop in Milan in 1349: Surprisingly Tough toward Archbishop
Visconti?
F. Thomas Luongo, Tulane University
Alfonso of Jaén, the Discernment of Spirits, and the Case for Birgitta’s Sanctity
Anette Creutzburg, Kunsthistorisches Institut in Florenz
Birgitta of Sweden: The Making of a Female Saint in Fourteenth-Century
Neapolitan Manuscript Illumination
20408 Imagined Geographies
Park Plaza
Mezzanine
Exeter Room
Organizer: Renaissance Society of America
Chair: Fernando Loffredo, CASVA
Lane Michelle Eagles, University of Washington, Seattle
Antonio Santucci and the Medician Cosmos
Marie Tanner, Independent Scholar
The Bull with the Fiery Eye: Titian’s Europa for Philip II and Statecraft (Gardner
Museum)
Maryanne Cline Horowitz, Occidental College
Geographical Imagination of the Amsterdam Town Hall

200
 Friday, 1 April 2016
20409 Culture and Court: Women’s Career
Park Plaza Opportunities and Social Mobility

3:30–5:00
Mezzanine (1500–1700)
Clarendon Room
Sponsor: Society for the Study of Early Modern Women (EMW)
Organizer: Riccardo Lattuada, Seconda Università degli Studi di Napoli
Chair: Judith Walker Mann, Saint Louis Art Museum
Riccardo Lattuada, Seconda Università degli Studi di Napoli
Sofonisba, Lavinia, Elisabetta, and Their Female Friends: The Social Status of
Early Modern Female Painters
Ineke Huysman, Huygens Institute for the History of the Netherlands
Béatrix de Cusance, Duchess of Lorraine (1614–63) and her Role in Cultural
and Political Networks
20410 Florence Reconsidered I: Roundtable:
Park Plaza Historiographical Reflections
Mezzanine
Berkeley Room
Organizers: Nicholas S. Baker, Macquarie University;
Brian Jeffrey Maxson, East Tennessee State University
Chair: Brian Jeffrey Maxson, East Tennessee State University
Discussants: Alessio Assonitis, Medici Archive Project;
Melissa M. Bullard, University of North Carolina at Chapel Hill;
Guido Ruggiero, University of Miami;
Nicholas Terpstra, University of Toronto
For over a century the city of Florence was a keystone in both Renaissance
historiography and the grand narrative of Western civilization. The significant
changes that have reshaped the discipline of history since the 1960s, while deepening
understanding of the city, have also demonstrated that Florence was as much a
typical early modern urban society as it was an exceptional precursor to modernity.
More recently, the profound suspicion of metanarratives that accompanied the rise
of postmodern and poststructural thought, as well as the rejection of Eurocentrism
articulated by postcolonial scholarship, has only increased the problematization of
Florence’s place in Renaissance historiography. Simultaneously, recent scholarship
has increasingly focused on other cities on the peninsula whose histories seem to
fit the concerns of twenty-first-century historiography and new narratives of the
Renaissance better than Florence. This roundtable will consider where Florence sits
in the historiographical concerns of the early twenty-first century.

201
Friday, 1 April 2016

20411 Thinking with Spaces: New Directions

Park Plaza in Cultural History
3:30–5:00

Mezzanine
Arlington Room
Sponsor: History, RSA Discipline Group
Organizers: Megan C. Armstrong, McMaster University;
Surekha Davies, Western Connecticut State University
Chair: Joyce Chaplin, Harvard University
Respondent: Anthony Grafton, Princeton University
David Gary Shaw, Wesleyan University
Place, Space, Travel, and Time in England, ca. 1500
Ricardo Padrón, University of Virginia
The Spanish Pacific: Mapping and Miniaturizing
Surekha Davies, Western Connecticut State University
Space, Race, and Monsters: Charting the Limits of the Human ca. 1500–1700
20412 Shaping Time and Space in Early
Park Plaza Modern Rome: Gardens, Palaces,
Mezzanine and Maps
Georgian Room
Organizers: Simon Ditchfield, University of York, Vanbrugh College;
Pamela M. Jones, University of Massachusetts Boston;
Barbara Wisch, SUNY, Cortland
Chair: Evelyn Lincoln, Brown University
Denis Ribouillault, Université de Montréal
Gardens of the Heavens: Sundials in Sixteenth-Century Roman Villas
Stephanie C. Leone, Boston College
Borromini, Bernini, and Ludovico Bossi: Palace Building under Innocent X
(1644–55)
Jessica E. Maier, Mount Holyoke College
“Very useful for travelers”: The Touristic Turn in Seventeenth-Century Maps
of Rome
20413 Early Modern Eastern Europe:
Park Plaza Pedagogy, Representation
Fourth Floor
Brookline Room
Organizer: Renaissance Society of America
Chair: Elena Kazakova, Dartmouth College
Farkas Gabor Kiss, ELTE Bölcsészettudományi Kar
Early Sixteenth-Century School Commentaries in East Central Europe: Leonard
Cox on Castellesi’s Venatio (1524)
Maria Ivanova, University of Virginia
“Sub pallio latens”: The Art of Dissimulation in Early Modern Eastern Europe
Malgorzata Ewa Trzeciak, Università degli Studi di Torino
Dialogue of Cultures: Poland in Italian Travel Journals (1650–1700)

202
 Friday, 1 April 2016
20414 The Circulation of Information in the
Park Plaza Atlantic World

3:30–5:00
Fourth Floor
Cambridge Room
Sponsor: Book History, RSA Discipline Group
Organizer: Michiel Van Groesen, Universiteit Leiden
Chair: Andrew Pettegree, University of St. Andrews
Martin Nesvig, University of Miami
Vernacular Information Circulation: Sicilian, Venetian, and Castilian Devotional
Literatures, 1450–1600
Michiel Van Groesen, Universiteit Leiden
The Printed Book in the Dutch Atlantic World: Toward a Transoceanic History
of Communication
Nicole Greenspan, Hampden-Sydney College
“Bloody Contention for the Peoples Liberty”: Barbados, Jamaica, and the
Development of Atlantic News
20415 Nicholas Copernicus, the Renaissance
Park Plaza Reader
Fourth Floor
Beacon Hill Room
Organizers: Clarinda Espino Calma, Tischner European University in Krakow;
Maciej Eder, Polish Academy of Sciences
Chair: Earle A. Havens, Johns Hopkins University
Respondent: Pietro Daniel Omodeo, Max-Planck-Institut für Wissenschaftsgeschichte
Dilwyn Knox, University College London
Copernicus and Pliny
Andre Goddu, Stonehill College
Nicholas Copernicus’s Lost Notes Recovered
Clarinda Espino Calma, Tischner European University in Krakow
Nicholas Copernicus’s Annotations in Fredericus Petrucius’s Disputationes,
quaestiones et consilia and Antonius de Butrio’s Consilia
20416 Spanish Letters under the Catholic
Park Plaza Monarchs and Charles I of Spain
Fourth Floor
Back Bay Room
Sponsor: Hispanic Literature, RSA Discipline Group
Organizers: David A. Boruchoff, Independent Scholar;
Susan Byrne, Yale University
Chair: Marta Albala Pelegrin, California State Polytechnic University, Pomona
Paul Carranza, Dartmouth College
Gonzalo Fernández de Oviedo between Medieval Modes of Memory and
Renaissance Antiquarianism
Ricardo Huamán, University of North Carolina at Chapel Hill
Francisco de Castilla, Boethius, and the Search for True Happiness
Carmen Hsu, University of North Carolina at Chapel Hill
Representing Babylon: Peter Martyr of Anghiera’s Embassy to Egypt, 1501–02

203
Friday, 1 April 2016

20417 Humanist Exchanges in the World of

Park Plaza Leon Battista Alberti
3:30–5:00

Fourth Floor
Brandeis Room
Sponsor: Humanism, RSA Discipline Group
Organizer: Timothy Kircher, Guilford College
Chair: Virginia Cox, New York University
Martin McLaughlin, Magdalen College, University of Oxford
Exchanging Medieval for Humanistic: Leon Battista Alberti and Walter Map
Christopher Celenza, Johns Hopkins University
Leon Battista Alberti and the Sites of Cultural Exchange among Renaissance
Thinkers
Timothy Kircher, Guilford College
“Better a witty fool than a foolish wit”: Humanist Word Games and Other Sports
20418 Sidney IV: Mary Wroth: Contexts,
Park Plaza Texts, and Precedents
Fourth Floor
Cabot Room
Sponsor: International Sidney Society
Organizer: Robert E. Stillman, University of Tennessee
Chair: Jean R. Brink, Huntington Library
Mary Ellen Lamb, Southern Illinois University
Classical Precedents for Author Figures in Wroth’s Urania: Pamphilia, Sappho,
and Ovid
Ilona D. Bell, Williams College
On Editing the Manuscript and Printed Texts of Wroth’s Pamphilia to
Amphilanthus
Steven W. May, Emory University
Poetic Influences on Wroth’s Pamphilia to Amphilanthus
20419 Building the State in the Renaissance:
Park Plaza Education, Qualities, and Duties of the
Fourth Floor Political Counsellor I
Charles River Room
Organizers: Danilo Facca, Polska Akademia Nauk;
Valentina Lepri, Uniwersytet Warszawski
Chair: Alessandro Polcri, Fordham University
Respondent: Charles Keenan, Boston College, Institute for Advanced Jesuit Studies
Matthias Roick, Georg-August-Universität Göttingen
Giovanni Pontano’s Treatises on Prudentia and Fortuna: An Education for the
Political Counsellor
Valentina Lepri, Uniwersytet Warszawski
Theorems of Political Thought: Francesco Sansovino and His Model of Precepts
in the Sixteenth Century

204
 Friday, 1 April 2016
20420 Luke Wadding II: Patronage and
Park Plaza Politics

3:30–5:00
Fourth Floor
Constitution Room
Sponsor: Renaissance Studies Certificate Program, Graduate Center, CUNY
Organizer: Clare Carroll, CUNY, Queens College
Chair: Igor Pérez Tostado, Universidad Pablo de Olavide
Matteo Binasco, Cushwa Center for the Study of American Catholicism
A Powerful “Hibernese”: Luke Wadding and His Roman Entourage in
Seventeenth-Century Rome
Tadhg Ó hAnnracháin, University College Dublin
Luke Wadding and the Confederate Catholics of Ireland
Clare Carroll, CUNY, Queens College
Francis Harold’s “Life of Wadding”
20421 Sermonizing in Seventeenth-Century
Park Plaza England
Fourth Floor
Franklin Room
Organizer: Renaissance Society of America
Chair: Noam Flinker, University of Haifa
Marshelle Woodward, College of Saint Rose
John Donne’s Double Word: Speaking Mystery in the Trinity Sunday Sermons
Pavneet Singh Aulakh, Vanderbilt University
“Seeing through a glasse darkly”: Seeing and Hearing God in Donne’s Sermons
Kaye McLelland, University College London
Wrestling the Angel in Early Modern Sermons
20422 Ficino II: East, West, and the Stars
Park Plaza
Fourth Floor
Emerson Room
Organizer: Valery Rees, School of Economic Science, London
Chair: Denis J. J. Robichaud, University of Notre Dame
Jozef Matula, Palacký University
Marsilio Ficino and Byzantine Philosophical Tradition
Maria Sorokina, Université Paris-Est Créteil Val-de-Marne
An Unknown Medieval Essential Source of Marsilio Ficino’s Disputatio contra
iudicium astrologorum
Ovanes Akopyan, University of Warwick
The Light of Astrology: Marsilio Ficino and Giovanni Pico della Mirandola on
Celestial Influence

205
Friday, 1 April 2016

20423 Performing Women’s Lives in Early

Park Plaza Modern Spanish Drama
3:30–5:00

Fourth Floor
Gloucester Room
Sponsor: Grupo de estudios sobre la mujer en España y las Américas
(pre-1800) (GEMELA)
Organizer: Montserrat Pérez-Toribio, Wheaton College
Chair: Clara Herrera, University of Illinois at Chicago
Rosilie Hernández, University of Illinois at Chicago
Performing the Immaculate Conception: The Virgin as a Character in the
Spanish Comedia
Montserrat Pérez-Toribio, Wheaton College
Performing Women’s Governments in Early Modern Spain: From the Archives to
the Theater
Jelena Sánchez, North Central College
Who’s Holding All the Cards?: High-Stakes Marriage in Lope de Vega’s
Mujeres y criados
20424 Rhetorical Strategies in Ronsard’s
Park Plaza Discours des misères de ce temps and
Fourth Floor the Protestant Response
Holmes Room
Sponsor: French Literature, RSA Discipline Group
Organizer: Bruce Hayes, University of Kansas
Chair: Jeff Kendrick, Virginia Military Institute
Cathy Yandell, Carleton College
Ronsard’s “Discours à la Royne”: Anatomy of a Political Pamphlet
Bruce Hayes, University of Kansas
“Jadis poëte, et maintenant Prebstre”: Protestant Response to Ronsard’s Discours
des misères de ce temps
Charles-Louis Morand-Metivier, University of Vermont
Discourse vs. Response, Narrative vs. Narrative: Are Ronsard and His Opponents
Really Antagonists?
20425 Material Hagiography I
Park Plaza
Fourth Floor
Longfellow Room
Sponsor: Hagiography Society
Organizer and Chair: Ruth S. Noyes, Oklahoma State University
Austin Thomas Powell, Catholic University of America
Dominican Epistolary and Saints’ Cult in Late Medieval Italy
Steven F. H. Stowell, Concordia University
The Materiality of Prayer in Early Italian Marian Miracles

206
 Friday, 1 April 2016
20426 Languages of Dissent IV: Power,
Park Plaza Dissent, Radical Politics

3:30–5:00
Fourth Floor
Newbury Room
Sponsor: Research Group in Early Modern Religious Dissents and
Radicalism (EMoDiR)
Organizers: Federico Barbierato, Università degli Studi di Verona;
Stefano Villani, University of Maryland, College Park;
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Chair: Bernard Cooperman, University of Maryland, College Park
Angela De Benedictis, Università degli Studi di Bologna
For the Glory of God: The Sacred Example of Libna’s Resistance in Bèze
and Althusius
Federico Barbierato, Università degli Studi di Verona
The Theory and Practice of the Repression of Blasphemy in Early Modern
Venice
Francesco Ronco, Scuola Normale Superiore di Pisa
Redefining the Language of Prophecy and Satire during the Venetian Interdetto
Holly Brewer, University of Maryland, College Park
Sedition, Treason, Censorship, and Slavery in England and Its Empire
20427 Method, Rhetoric, and Representation
Park Plaza in Spinoza, Mandeville, and Hobbes
Fourth Floor
Stuart Room
Sponsor: Legal and Political Thought, RSA Discipline Group
Organizer: Johann Sommerville, University of Wisconsin–Madison
Chair: Kristin Phillips-Court, University of Wisconsin–Madison
Torin Doppelt, Queen’s University
Geometry and Philosophical Method from Zabarella to Spinoza
Daniel Kapust, University of Wisconsin–Madison
Brandon Turner, Clemson University
Rhetoric in Mandeville’s Moral Education
Katherine M. Robiadek, University of Wisconsin–Madison
A Reappraisal of Hobbes and Representation

207
Friday, 1 April 2016

20428 Intoxicants and Early Modernity II:

Park Plaza Concepts and Conceptual Change
3:30–5:00

Fourth Floor
Tremont Room
Organizers: Angela J. McShane, Victoria and Albert Museum;
Phil Withington, University of Sheffield
Chair: B. Ann Tlusty, Bucknell University
J. David Clemis, Mount Royal University
Medicine, Law, and the Early Modern Drunkard: Psychosomatic Interaction and
the Problem of Moral Agency
Jose Cree, University of Sheffield
The Invention of Addiction in Early Modern England
Kate Davison, University of Sheffield
The Renaissance Provenance of Enlightenment Wit
20429 John Donne III: Donne in Manuscript
Park Plaza
Fourth Floor
White Hill Room
Sponsor: John Donne Society
Organizer: Greg Kneidel, University of Connecticut
Chair: Robert W. Reeder, Providence College
Greg Kneidel, University of Connecticut
The Cook, The Judge, His Wife, Their Satirists
Dianne M. Mitchell, University of Pennsylvania
John Donne and the Materiality of Friendship
Joshua Eckhardt, Virginia Commonwealth University
Bridgewater Litanies
20430 The Domains of English Lyric before
Park Plaza Spenser
Fourth Floor
Winthrop Room
Organizers: Taylor Cowdery, Harvard University;
William Mcleod Rhodes, University of Virginia
Chair: Leah Whittington, Harvard University
Helen Cushman, Harvard University
The Grave as Aesthetic Space in Late Medieval Lyric
Melanie Mohn, Princeton University
Homely Lines: The Poetics of Childhood in Early Tudor Lyric
Frederick Bengtsson, University of Kentucky
“With tender heart, lo, thus to God he sings”: The Lyric “I” in Wyatt’s
Penitential Psalms
Scott K. Oldenburg, Tulane University
Thomas Tusser and the Poetics of the Plow

208
 Friday, 1 April 2016
20431 Spain between Europe and the New
Park Plaza World: Culture, Politics, and Power

3:30–5:00
Fourth Floor Projection II
Whittier Room
Sponsor: Americas, RSA Discipline Group
Organizers: Salvatore Bottari, Università degli Studi di Messina;
Linda Curcio-Nagy, University of Nevada, Reno;
Gabriel Guarino, University of Ulster
Chair: Francesca Russo, Università degli Studi Suor Orsola Benincasa
Alejandro Cañeque, University of Maryland, College Park
Flying across the Atlantic: Martyrdom, Imperial Power, and Gender in the
Spanish Empire
Linda Curcio-Nagy, University of Nevada, Reno
The Alameda Central: Imperial Designs and Ethnic Hierarchy
Joana Fraga, Università degli Studi di Torino
Portuguese Governors in Brazil during the Dynastic Union (1580–1640)
20432 Women in Charge
Park Plaza
Fourth Floor
St. James Room
Sponsor: Women and Gender, RSA Discipline Group
Organizer: Diana Robin, University of New Mexico
Chair: Lisa M. Sampson, University of Reading
Meredith K. Ray, University of Delaware
Natural Philosophy, Transnational Female Networks, and the Letters of Camilla
Erculiani
Jessica Goethals, University of New Hampshire
Audaciously “Bizarre”: The Theater, Literature, and Public Persona of
Margherita Costa
Diana Robin, University of New Mexico
Two Italian Women in Charge, the Best of Friends: Rosalba Carriera and Luisa
Bergalli

209
Friday, 1 April 2016

20433 Crafting a Brussels Artistic Network in

Hynes Convention Center Early Modern Europe (ca. 1400–1750)
3:30–5:00

Level Two
200
Sponsor: Historians of Netherlandish Art
Organizer: Stephanie S. Dickey, Queen’s University
Chair: Koenraad Brosens, Katholieke Universiteit Leuven
Lara Yeager-Crasselt, Sterling and Francine Clark Art Institute
Negotiating Court, City, and Classicism: A Brussels Artistic Tradition in the
Seventeenth Century
Priscilla Valkeneers, Centrum Rubenianum
Tempting Tapestries: Stylistic Tendencies in Justus van Egmont’s Tapestry
Designs against a Pan-European Background
Kristen Adams, The Ohio State University
Illusionism in and of Tapestry: Brussels’s Tapestry Network and Modes of
Representation in “Woven Frescoes”
20434 Making Copies II
Hynes Convention Center
Level Two
201
Organizers: Maddalena Bellavitis, University of Pennsylvania;
Francesca Cappelletti, Università degli Studi di Ferrara
Chair: Peter M. Lukehart, CASVA
Respondent: Richard E. Spear, University of Maryland, College Park
David García Cueto, Universidad de Granada
Pictorial Copies in Spain: A Case Study and a New Project
Maria Cristina Terzaghi, Università degli Studi Roma Tre
Copying Caravaggio in Naples
Carla Mazzarelli, Università della Svizzera italiana
Copyists at Work in the Galleria Farnese: Artistic Practices of an Ideal Comparison
20435 Manuscripts in Motion in the Early
Hynes Convention Center Modern Mediterranean II
Level Two
202
Organizers: Alexander Bevilacqua, Harvard University;
Helen Pfeifer, Princeton University
Chair: Alexander Bevilacqua, Harvard University
Helen Pfeifer, Princeton University
Manuscripts on Demand in Sixteenth-Century Ottoman Lands
Theodor W. Dunkelgrün, University of Cambridge
Venice-Istanbul-Antwerp: Polyglot Bibles and the Transmission of Oriental
Learning in the Sixteenth Century
Simon Antony Mills, University of Kent
Arabic Universal Histories Between Europe and the Ottoman Levant
Peter N. Miller, Bard Graduate Center
Peiresc’s Mediterranean World

210
 Friday, 1 April 2016
20436 Imagery and Ingenuity in the Northern
Hynes Convention Center Renaissance I: Artists and Their

3:30–5:00
Level Two Contexts
203
Organizer and Chair: Catharine Ingersoll, Virginia Military Institute
Respondent: Jeffrey Chipps Smith, University of Texas at Austin
Shira Brisman, University of Wisconsin–Madison
Bad Boys
Alison G. Stewart, University of Nebraska, Lincoln
The Augsburg Printer Niclas vom Sand and Sebald Beham: Two New
Documents from Frankfurt
Annette LeZotte, Bethel College, Kauffman Museum
Vision and Iconography in Marriage Portraits by Joos van Cleve
20437 Italian Caricatura: Material Practice,
Hynes Convention Center Collectors, and Art Theory II
Level Two
204
Sponsor: Association for Textual Scholarship in Art History (ATSAH)
Organizers: Sandra Cheng, CUNY, New York City College of Technology;
Kasia Murawska-Muthesius, Birkbeck, University of London
Chair: Sandra Cheng, CUNY, New York City College of Technology
Sheila McTighe, The Courtauld Institute of Art
Callot’s Gobbi between Florence and Nancy, 1622: What Happens When
Caricature Enters the Realm of Print Culture
Kasia Murawska-Muthesius, Birkbeck, University of London
Caricature as Artists’ Art: A Companion of Painters Watching a Mountebank
Show
Joris van Gastel, Universität Hamburg
When the Curtain Falls: Social Satire in Bernini’s Caricatures and Comedies
20438 The Sound of Poetry: A Comparative
Hynes Convention Center Approach to Rhetoric, Poetics,
Level Two and Music IV
205
Sponsor: Music, RSA Discipline Group
Organizers: Janie Cole, University of Cape Town;
Eugenio Refini, Johns Hopkins University;
Susan Forscher Weiss, Peabody Institute of Johns Hopkins University
Chair: Giuseppe Gerbino, Columbia University
Wendy B. Heller, Princeton University
Ovidio Travestito: Viewing Seicento Opera through Anguillara’s Lens
Joel Schwindt, Boston Conservatory
Conflicts between Noble Culture and the Rise of the Artisan-Virtuoso in
Monteverdi’s Orfeo (1607)
Roseen H. Giles, University of Toronto
The Rhetoric of Contrasts in the Seicento Madrigal: Monteverdi’s Terza Pratica?

211
Friday, 1 April 2016

20439 Place and Identity in Early Modern

Hynes Convention Center Visual Culture II: Constructing
3:30–5:00

Level Two Civic Connections

206
Organizers: Ashley Elston, Berea College;
Madeline Rislow, Missouri Western State University
Chair: Ashley Elston, Berea College
Emma Capron, Courtauld Institute of Art
Exile, Image, and Dislocated Identity in the Peruzzi Adoration of the Cross
Denise Giannino, University of Kansas
Panoramas and Progeny: Intersections of Virtue and Civic Pride in
Seventeenth-Century Dutch Family Portraits
Michelle Moseley-Christian, Virginia Polytechnic Institute and State University
Visual Representations of Outsiders in Seventeenth-Century Dutch Urban
Spaces
20440 Vasari on Technique: Matter and
Hynes Convention Center Making II
Level Two
207
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: David Young Kim, University of Pennsylvania
Chair: Nicola Suthor, Yale University
David Young Kim, University of Pennsylvania
Vasari’s Terrestrial Imagination: Abundance, Fragility, and Durability
Edward H. Wouk, University of Manchester
Printing Against Time: Vasari’s Technical Treatise and His Life of Marcantonio
Bolognese
Alina A. Payne, Harvard University
Vasari on Technique: Book, Time, and Theory
20441 The Verdant Earth II: Women, Plants,
Hynes Convention Center and Children
Level Two
208
Sponsor: Society for the Study of Early Modern Women (EMW)
Organizer: Shannon Kelley, Fairfield University
Chair: April Oettinger, Goucher College
Leah Knight, Brock University
Reading Trees in Lanyer’s “Description of Cooke-ham”
Rachel King, National Museums of Scotland
Sisterly Devotion Solidified: Owning the Tears of the Heliade’s in Renaissance
Europe
Shannon Kelley, Fairfield University
Son of a Tree: Adonis and his Mother, Myrrha

212
 Friday, 1 April 2016
20442 Shakespearean Cosmopolitanism:
Hynes Convention Center Hospitality, Cynicism, Indifference

3:30–5:00
Level Two
210
Sponsor: University of North Texas Medieval and Renaissance Colloquium (MRC)
Organizer: Kevin Curran, Université de Lausanne
Chair: Ayesha Ramachandran, Yale University
Kevin Curran, Université de Lausanne
Cosmopolitan Hospitality in The Merchant of Venice
James Kearney, University of California, Santa Barbara
Cosmopolitan Dogs: Foucault’s Indifference and Shakespeare’s Cynical
Divestments
20443 Bellini 500 II: Materiality, Receptivity,
Hynes Convention Center and Innovation
Level Three
302
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Daniel Wallace Maze, Independent Scholar;
Carolyn C. Wilson, Independent Scholar
Chair: Jaynie Lousie Anderson, University of Melbourne
Colin Eisler, New York University
Learning and Teaching Perspective: The Bellini and Donatello’s Forzori Altar
Lana Sloutsky, Boston University
Giovanni Bellini and a Byzantine Icon in Venice
Janna Israel, Massachusetts Institute of Technology
Alliances Made Sacred: Patronage at the Church of San Giobbe
20444 The Art History of the Renaissance
Hynes Convention Center Book: Papers in Honor of Lilian
Level Three Armstrong II
303
Organizers: Renzo Baldasso, Arizona State University;
Helena Szépe, University of South Florida
Chair: Giordana Mariani Canova, Università degli Studi di Padova
Christine Beier, Universität Wien
Gutenberg’s Models
Renzo Baldasso, Arizona State University
Printers and Book Aesthetics in Italy, 1465–78: Graphic Marks and
Historiographic Remarks
Anne Marie Eze, Isabella Stewart Gardner Museum
The Hypnerotomachia Poliphili and Fenway Court

213
Friday, 1 April 2016

20445 The Jungian Renaissance Revisited

Hynes Convention Center
3:30–5:00

Level Three
304
Organizers: Jacomien W. Prins, University of Warwick;
Robert S. Westman, University of California, San Diego
Chair: Donna Bilak, Columbia University
Jacomien W. Prins, University of Warwick
Jung’s Interpretation of Cardano’s Theories of Dreams and World Harmony
Jennifer Rampling, Princeton University
Analyzing Alchemical Images in Early Modern England
Robert S. Westman, University of California, San Diego
Carl Gustav Jung, Wolfgang Pauli, and the Kepler-Fludd Controversy: Where
Has the Conversation Moved?
20446 Sacraments and the Literary in the
Hynes Convention Center English Reformation
Level Three
305
Organizer and Chair: Kyle Sebastian Vitale, University of Delaware
Jay Zysk, University of South Florida
The Eucharist, The Alchemist, and Deceptive Representations
Katharine Cleland, Virginia Polytechnic Institute and State University
Clandestine Marriage and the Sacramental in Shakespeare’s Venetian Plays
Kimberly Johnson, Brigham Young University
Crossings: Sacramental Signs across Donne and Herbert
20447 Architecture, Urbanism, and the Arts
Hynes Convention Center in Honor of Marvin Trachtenberg II:
Level Three Assessing Roman Juxtapositions
306
Organizer: Areli Marina, University of Illinois at Urbana-Champaign
Chairs: Joseph Connors, Harvard University;
Emanuele Lugli, University of York
Dale Kinney, Bryn Mawr College
Nineteenth-Century Revisionings of the Roman Church Basilica
Hubertus Günther, Universität Zürich
The SS. Trinità dei Monti in Rome as a Monument of the French Manner
Guendalina Ajello Mahler, UCLA Center for Medieval and Renaissance Studies
Grafted Modernity: The Renewal of Medieval Fortifications in Early
Modern Italy

214
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20448 Text and Image in Early Modern
Hynes Convention Center Spain II: Representations of the Other

3:30–5:00
Level Three
308
Organizers: Kelley Helmstutler-Di Dio, University of Vermont;
Almudena Vidorreta, CUNY, The Graduate Center
Chair: Almudena Vidorreta, CUNY, The Graduate Center
Borja Franco, Universidad Nacional de Educación a Distancia
Before Orientalism: The Muslim Other in Iberia in the Early Modern Period
Rebecca Quinn Teresi, Meadows Museum
The Maculate Other: Purity and Impurity in the Spanish Baroque
Diana Galarreta-Aima, University of Virginia
Conversion, Identity, and Literary Genre in Three Berber Chronicles
Pablo García Piñar, Colby College
The Boxer Codex: A Mestizo Portrait of the Artist as the Other
20449 Political Thought and Diplomacy in
Hynes Convention Center Early Modern England
Level Three
309
Organizer: Renaissance Society of America
Chair: Carmen Font Paz, Universitat Autònoma de Barcelona
Gül Kurtuluș, Bilkent University
Women and Diplomacy: The Official Correspondence of Safiye Sultan and
Queen Elizabeth
Jenny Smith, University of Melbourne
Distorting Mirrors: A School of Abuse?
Ernesto Eduardo Oyarbide, University of Oxford
A Most Venerable Provisional Ambassador: Friar Diego de la Fuente’s Diplomatic
Mission in Jacobean London
Jamie Trace, University of Cambridge
Translating Empire in Early Seventeenth-Century England: Giovanni Botero and
English Political Thought
20450 Art and Certainty in Early Modern
Hynes Convention Center Spain
Level Three
310
Organizer: Maria Lumbreras, Johns Hopkins University
Chair: Felipe Pereda, Johns Hopkins University
Respondent: Jose Ramon Marcaida, University of Cambridge
José Riello, Universidad Autónoma de Madrid
Beyond Life: The Portrait of Cardinal Juan Pardo de Tavera by El Greco
Hannah Joy Friedman, Johns Hopkins University
Discernment and Prudence in Jusepe de Ribera’s Isaac Blessing Jacob
Maria Lumbreras, Johns Hopkins University
Painting, Experience, and Francisco Pacheco’s Notion of Acabado

215
Friday, 1 April 2016

20451 Folger Digital Agendas II: Roundtable:

Hynes Convention Center Scholarly Conversations and
3:30–5:00

Level Three Collaborations

311
Sponsor: Folger Institute
Organizer: Kathleen A. Lynch, Folger Institute
Chair: Owen Williams, Folger Institute
Discussants: Douglas Ernest Duhaime, University of Notre Dame;
Mitchell Fraas, University of Pennsylvania;
Brett D. Hirsch, University of Western Australia;
Alex Humphreys, JSTOR;
Hillary M. Nunn, The University of Akron
This roundtable will showcase the collaborations and conversations that are part of
the ecosystem of the Folger Library’s recent digital initiatives. It will afford those
who have built upon, leveraged, and informed Folger digital initiatives a chance
to present their ongoing and innovative work. Drawing on both commercial and
noncommercial partnerships and perspectives, the session panelists will describe
how Folger digital resources have advanced subfields, gathered communities, and
explored new approaches to digital scholarship. As importantly, panelists will
discuss how the conversations that emerge around early modern digital work foster
advanced research goals and shape the kinds of questions that are asked. Issues to
be discussed include shared infrastructure and its development, sustainability, and
coordinated funding. Representatives from JSTOR/Ithaka, Digital Renaissance
Editions, the Early Modern Recipes Online Collective, and others will present.
20452 Roundtable: Modern Information
Hynes Convention Center Systems and the Gendering of Early
Level Three Modern Textuality
313
Organizer: Marina Leslie, Northeastern University
Chair: Sarah Connell, Northeastern University
Discussants: Marie-Louise Coolahan, National University of Ireland, Galway;
Julia Flanders, Northeastern University Digital Scholarship Group;
Isobel Grundy, University of Alberta;
Diane Katherine Jakacki, Bucknell University;
Laura Mandell, Texas A&M University
This roundtable will bring together several projects that publish early modern
materials in digital formats, addressing recent developments and best practices for
working with early modern textuality in digital contexts, with a special focus on
issues of gender. Discussants will address questions including: How do modern
and early modern theories of gender manifest in our systems for working with
early texts? What are some of the challenges of working with and representing the
gendering of early modern language in digital contexts? How can digital projects
represent the topicality—the “aboutness”—of early modern texts through both
data representation and interfaces? Projects will share their modes of search,
contextualization, and representation that permit innovative forms of engagement
and readership. This roundtable will explore the complex and unpredictable ways
that modern information systems interact with early modern textuality, paying
particular attention to gender as a framework for engaging with texts.

216
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Friday, 1 April 2016

5:30–7:00
5:30–7:00
20504 Motion and Emotion
Park Plaza
Mezzanine
Boylston Room
Sponsor: English Literature, RSA Discipline Group
Organizer: James A. Knapp, Loyola University Chicago
Chair: Kevin Curran, Université de Lausanne
Emily King, Louisiana State University
“Miserable Riddle”: Vermiculation, Terror, and Affect Contagion in
John Donne’s “Deaths Duell”
Gillian Knoll, Western Kentucky University
“I see you are moved”: Erotic Metaphors in Shakespeare’s Plays
Christopher D’Addario, Gettysburg College
Thomas Nashe and the Aesthetics of Estrangement
20505 New Approaches to Early Modern
Park Plaza Islamic Book Arts
Mezzanine
Commonwealth Room
Sponsor: Islamic World, RSA Discipline Group
Organizer and Chair: Emine Fetvaci, Boston University
Sinem Arcak Casale, University of Minnesota
“Blessings of the king were lavished on the universe”: Feasting Foreigners at the
Ottoman Court
Yael R. Rice, Amherst College
Mughal Talismans and the Specter of European Art
Kishwar Rizvi, Yale University
Image of Man, Vision of the Divine: Illustrated Assembly of Lovers Manuscripts
in Sixteenth-Century Iran

217
Friday, 1 April 2016

20506 The Medici and the Seas III:

Park Plaza Asian Exchanges
5:30–7:00

Mezzanine
Statler Room
Organizers: Francesco Freddolini, Luther College, University of Regina;
Marco Musillo, Kunsthistorisches Institut in Florenz
Chair: Gail Feigenbaum, Getty Research Institute
Erin Benay, Case Western Reserve University
Of Rhinos, Peppercorns, and Saints: (Re)presenting India in
Medici Florence
Francesco Freddolini, Luther College, University of Regina
Francesco Paolsanti Indiano: Exchanging Things between Goa and the Medici
Court, 1608–40
Marco Musillo, Kunsthistorisches Institut in Florenz
From Modena to Florence via Beijing: Cosimo III, Giovanni Gherardini, and Kangxi
20508 Renaissance Topographies and
Park Plaza Cartographies
Mezzanine
Exeter Room
Organizer: Renaissance Society of America
Chair: Maryanne Cline Horowitz, Occidental College
Chet Van Duzer, The Lazarus Project
Multispectral Imaging of Henricus Martellus’s World Map at Yale (ca. 1491)
Francesco Ceccarelli, Università degli Studi di Bologna
An Anamorphic City Portrait: The Map of Ferrara in the Vatican Belvedere
Shannon Jane Garner-Balandrin, Northeastern University
Curls to Curled Waves: The Poly-Olbion and Michael Drayton’s Female Rivers
20509 Early Modern Women: The City,
Park Plaza Kinship, the State
Mezzanine
Clarendon Room
Organizer: Renaissance Society of America
Chair: Giovanna Benadusi, University of South Florida
Carol C. Baxter, Trinity College, Dublin
Making the Invisible Visible: The Impact of Female Religious Communities on
Paris’s Seventeenth-Century Urban Landscape
Daphna Oren-Magidor, Hebrew University of Jerusalem
Adult Sisters and Kinship Networks in Early Modern England
Regine Maritz, Christ’s College, University of Cambridge
The Case of Magdalena Möringer: Gender, Power, and State-Building in a
Narrative of Princely Succession, 1608–18
Paola Avallone, Italian National Council of Research
Raffaella Salvemini, Italian National Council of Research
The Economic Power of Women in the Kingdom of Naples (ca. Sixteenth–
Eighteenth Centuries)

218
 Friday, 1 April 2016
20510 Florence Reconsidered II: Cultural
Park Plaza Capital and Diplomacy

5:30–7:00
Mezzanine
Berkeley Room
Organizers: Nicholas S. Baker, Macquarie University;
Brian Jeffrey Maxson, East Tennessee State University
Chair: Gregory Murry, Mount Saint Mary’s University
Clémence Revest, Centre national de la recherche scientifique
The Florentine “Brain Drain” toward the Papal Curia and the Fashioning of the
Humanist Movement
Brian Jeffrey Maxson, East Tennessee State University
Renaissance Florence in the Late Medieval World
Luciano Piffanelli, “Sapienza,” Università di Roma
Rethinking Early Quattrocento Florence: New Perspectives on the League against
Filippo Maria Visconti (1423–33)
20511 Literary Transmissions in Early
Park Plaza Modern Spain
Mezzanine
Arlington Room
Organizer: Renaissance Society of America
Chair: Katrina B. Olds, University of San Francisco
Kira von Ostenfeld, Columbia University
The Antiquarian Polyglot, the Archive and a “Method for Practice”: Juan Páez de
Castro (1512–70)
Noel Blanco Mourelle, Columbia University
A Vernacular Art: Ramon Llull in El Escorial
Ana Garriga Espino, Universidad Autónoma de Madrid
Textual Authority and Orthodoxy in Teresa of Avila’s Letters
Patricia W. Manning, University of Kansas
Reprinting Tirso de Molina in Changing Times: Authorship and Religious
Authority in Two Spanish Texts

219
Friday, 1 April 2016

20512 Roundtable: Rioni di Roma: Peopling

Park Plaza the City ca. 1500–1650
5:30–7:00

Mezzanine
Georgian Room
Organizers: Pamela M. Jones, University of Massachusetts Boston;
Barbara Wisch, SUNY, Cortland
Chair: Simon Ditchfield, University of York, Vanbrugh College
Discussants: Christopher Carlsmith, University of Massachusetts Lowell;
Elizabeth S. Cohen, York University;
Thomas V. Cohen, York University;
John M. Hunt, Utah Valley University;
Carla Keyvanian, Auburn University;
Laurie Nussdorfer, Wesleyan University
Montaigne famously observed that “Rome is the most universal city in the world . . .
everyone is as if at home.” Recent research has offered a much better appreciation
of the role played by the various “nations” who proudly built their churches in the
Eternal City, and scholars are now recovering the presence of significant numbers of
non-Catholics within the walls and the challenges they posed to those who would
convert them. Nonetheless, much work remains to be done on the constituent
parts of this most peculiar of cities, in which unmarried males enjoyed such a
disproportionate demographical dominance. This roundtable will consider the
broad social spectrum of Rome from a wide range of “topographical” perspectives—
from classroom to courtroom, curial chambers to city offices, palaces to prisons,
hospitals to “hang-outs”. So, too, the streets themselves, especially during the sede
vacante, became theaters of violence.
20513 Vernacular Viewing: Practicing
Park Plaza Observation in Early Modernity
Fourth Floor
Brookline Room
Sponsor: Herzog August Bibliothek, Wolfenbüttel
Organizers: Stephanie Leitch, Florida State University;
Mara R. Wade, University of Illinois at Urbana-Champaign
Chair: Sachiko Kusukawa, Trinity College, University of Cambridge
Susan Dackerman, Getty Research Institute
Dürer, Observation, and Knowledge of the Turks
Robert Felfe, Universität Hamburg
Observable Facts, Printed Images, and Their More-or-Less Legitimate Offspring
Stephanie Leitch, Florida State University
A Miscellany of Printed Observations: From Ancient Texts to Do-it-Yourself

220
 Friday, 1 April 2016
20514 Voices and Books
Park Plaza

5:30–7:00
Fourth Floor
Cambridge Room
Sponsor: Book History, RSA Discipline Group
Organizers: Jennifer Richards, University of Newcastle;
Kate van Orden, Harvard University
Chair: Michael W. Wyatt, Independent Scholar
Jennifer Richards, University of Newcastle
Learning to Read Aloud in the Age of Print
Kate van Orden, Harvard University
The Music Book as Scriptive Thing
Arnold Hunt, University of Cambridge
Voice and Gesture in Early Modern Preaching
20515 Roundtable: Interrègnes et inclassables
Park Plaza curiosités: Zoophytes, lithophytes et
Fourth Floor anthropolithes
Beacon Hill Room
Organizers: Dominique Brancher, Universität Basel;
Myriam Marrache-Gouraud, Université de Bretagne Occidentale
Chair: Bernd Renner, CUNY, Brooklyn College and The Graduate Center
Discussants: Dominique Brancher, Universität Basel;
Myriam Marrache-Gouraud, Université de Bretagne Occidentale;
Laurent-Henri Vignaud, Université de Bourgogne
A mi-chemin entre minéral, végétal, animal, et humain, certains êtres intermédiaires
suscitent le trouble dans les tentatives d’organisation du vivant, mettant au défi les
visions reçues de la nature. La chaîne des êtres (scala naturae) répartit les créatures en
les séparant par une différence infime qui établit à la fois leur continuité progressive
et leur inégalité constitutive. Cependant, cette hiérarchie linéaire héritée d’Aristote
se voit bouleversée au profit de connivences transversales entre les règnes. Au XVIe
siècle, début de l’âge d’or scientifique des curiosités et des merveilles naturelles
ressortissant au règne du praeter naturam, ces mirabilia intéressent récits, gravures et
collections. Le goût néo-platonicien pour les créatures fabuleuses et insolites célèbre
la prodigalité de Nature plutôt que son agencement ordonné. La table ronde, conçue
comme un cabinet de curiosités, réfléchira aux conflictualités marquant l’Europe
pré-moderne entre le principe d’un étagement des règnes et une conception plus
poreuse des frontières du vivant.

221
Friday, 1 April 2016

20516 Life Cycles: Pilgrimage, Shipwrecks,

Park Plaza and Books in Early Modern Spain
5:30–7:00

Fourth Floor
Back Bay Room
Sponsors: Hispanic Literature, RSA Discipline Group; Cervantes Society of America
Organizers: David A. Boruchoff, Independent Scholar;
Susan Byrne, Yale University
Chair: Marsha S. Collins, University of North Carolina at Chapel Hill
Seth Kimmel, Columbia University
Shipwrecked Books and other Trials of Mediterranean Bibliophilia
Keith David Howard, Florida State University
Spanish Nationalist Discourse in Fernández de Navarrete’s 1825 edition of
Columbus’s Diario del primer viaje
Ignacio Navarrete, University of California, Berkeley
The Meaning of peregrino in Lope de Vega’s El peregrino en su patria
20517 Gianfrancesco Pico della Mirandola
Park Plaza Reconsidered
Fourth Floor
Brandeis Room
Sponsor: Religion, RSA Discipline Group
Organizers: Tamar Herzig, Tel Aviv University;
Marco Piana, McGill University
Chair and Respondent: Matteo Soranzo, McGill University
Gabriella Bruna Zarri, Università degli Studi di Firenze
The Compendio delle cose mirabili di Caterina da Racconigi between a Treatise and
a Hagiography
Walter Stephens, Johns Hopkins University
“Understanded of the People”: Gianfrancesco Pico della Mirandola,
Leandro Alberti, and the Language of Witchcraft
Marco Piana, McGill University
Crosses in the Sky: Sacred and Demonic Prophecy in Gianfrancesco Pico’s
Staurostichon

222
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20518 Sidney V: In Honor of Margaret
Park Plaza P. Hannay: Roundtable on Sidney

5:30–7:00
Fourth Floor Studies, from Here to Where?
Cabot Room
Sponsor: International Sidney Society
Organizers: Robert Shephard, Elmira College;
Robert E. Stillman, University of Tennessee
Chair: Anne Lake Prescott, Barnard College
Discussants: Elaine Beilin, Framingham State University;
Joseph Black, University of Massachusetts Amherst;
Lisa Celovsky, Suffolk University;
Joel B. Davis, Stetson University;
Arthur F. Kinney, University of Massachusetts Amherst;
Roger J. P. Kuin, York University;
Mary Ellen Lamb, Southern Illinois University
This year brings the publication of the Ashgate Research Companion to the
Sidneys (1500–1700), and an especially apt moment both to honor the scholarly
contributions of one of its principal editors, Margaret P. Hannay, and to assess
the past and future of Sidney studies. Eight contributors to the ARC will discuss
scholarly research pointing to new directions in Sidney scholarship with a focus on
issues about biographies, geographies, the arts, texts, manuscripts, and genre.
20519 Building the State in the Renaissance:
Park Plaza Education, Qualities, and Duties of the
Fourth Floor Political Counsellor II
Charles River Room
Organizers: Danilo Facca, Polska Akademia Nauk;
Valentina Lepri, Uniwersytet Warszawski
Chair: Andrea Aldo Robiglio, Katholieke Universiteit Leuven
Respondent: Charles Keenan, Boston College, Institute for Advanced Jesuit Studies
Danilo Facca, Polska Akademia Nauk
Reformed Scholastic Aristotelianism on the Question of Political Counsel
Harald E. Braun, University of Liverpool
Knowledge, Counsel, and Experience
Saúl Martínez Bermejo, Universidade Nova de Lisboa
Talking, Listening, and Reading: The Practice of Political Counsel

223
Friday, 1 April 2016

20521 Religious Orthodoxy, Dissent, and

Park Plaza Devotion in Reformation England
5:30–7:00

Fourth Floor
Franklin Room
Sponsor: Rocky Mountain Medieval and Renaissance Association
Organizer: Kristin M. S. Bezio, University of Richmond
Chair: Matthew Stokes, Boston University
William Mcleod Rhodes, University of Virginia
“Bifore the coming yn of these rauinous wolues”: Ancient Britain in Reformation
Historiography
Brooke Allison Conti, Cleveland State University
Monking Around in Protestant England
Katharine E. Campbell, University of California, Santa Barbara
Sacred Conversation: Angelic Mediation in Paradise Lost
20522 Ficino III: On Love, on Number,
Park Plaza and on Public Life
Fourth Floor
Emerson Room
Organizer and Chair: Valery Rees, School of Economic Science, London
Susanne Kathrin Beiweis, Universität Wien
Physical and Spiritual Love in Marsilio Ficino’s De Amore
Cristina Neagu, Christ Church College, University of Oxford
Numbers and Melancholy: The Impact of Neoplatonic Thought on the Works of
Albrecht Dürer
Tomas Nejeschleba, Palacký University
Marsilio Ficino’s Letters in Czech Humanistic Translations
20523 Female Communities of Influence in
Park Plaza Early Modern Spain and Portugal
Fourth Floor
Gloucester Room
Sponsor: Grupo de estudios sobre la mujer en España y las Américas
(pre-1800) (GEMELA)
Organizer: Nieves Romero-Díaz, Mount Holyoke College
Chair: Bárbara Mujica, Georgetown University
Lisa Vollendorf, San Jose State University
Women’s Networks On and Off Stage: Female Playwrights of Spain’s Seventeenth
Century
Nieves Romero-Díaz, Mount Holyoke College
Strategic Sociability between María de Agreda and Women of the Royal Family
Vanda Anastacio, Universidade de Lisboa
Making Friends and Connecting People: Women’s Networks in Early Modern
Portugal

224
 Friday, 1 April 2016
20524 Clothed with Skin and Flesh:
Park Plaza Rethinking Tolerance in Early Modern

5:30–7:00
Fourth Floor French Literature
Holmes Room
Organizer: Alison Calhoun, Indiana University
Chair: Cathy Yandell, Carleton College
Carin Franzén, Linköping University
“Recongnoistre l’impossibilité de nostre chair”: A Reflection on Tolerance in the
Heptaméron
Anna Carlstedt, Stockholm University
Ronsard and the King: Tolerance, Pragmatism, and the Skin
Alison Calhoun, Indiana University
Montaigne’s Tolerance and Flaying: A Study of “despouiller” in the Essais
20525 Material Hagiography II
Park Plaza
Fourth Floor
Longfellow Room
Sponsor: Hagiography Society
Organizer: Ruth S. Noyes, Oklahoma State University
Chair: Fredrika Herman Jacobs, Virginia Commonwealth University
Ruben Suykerbuyk, Universiteit Gent
Drawing Devotees to an Absent Saint: The Cult of Saint Leonard at Zoutleeuw
(ca. 1450–1585)
Anne L. Williams, University of Victoria
Saint Joseph’s Hosen and the Laughter of Veneration
Ruth S. Noyes, Oklahoma State University
Engendering Sanctity: Counter-Reformation Hagiographic Printing Economies
and the Material Authentication of Would-Be Saints
20526 Languages of Dissent V: Art, Heritage,
Park Plaza and Biography as Dissent
Fourth Floor
Newbury Room
Sponsor: Research Group in Early Modern Religious Dissents and Radicalism (EMoDiR)
Organizers: Federico Barbierato, Università degli Studi di Verona;
Stefano Villani, University of Maryland, College Park;
Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Chair: Xenia Von Tippelskirch, Humboldt-Universität zu Berlin
Jutta G. Sperling, Hampshire College
Religious Art, Religious Dissent? Examples from Gossaert, Tintoretto, and
Caravaggio
Helena Wangefelt Ström, Umeå University
Rusty, Overgrown, Extinct, and Forgotten: Domesticating Catholicism Through
Heritage Language in Post-Reformation Sweden
Manuela Bragagnolo, Université de Lyon, LabEx COMOD
Biography as a “Language of Dissent”: Italian Religious Dissenters’ Lives by
Lodovico Antonio Muratori

225
Friday, 1 April 2016

20527 Thomas Hobbes: Gender, Political

Park Plaza Economy, and Religious Legislation
5:30–7:00

Fourth Floor
Stuart Room
Sponsor: Legal and Political Thought, RSA Discipline Group
Organizer: Johann Sommerville, University of Wisconsin–Madison
Chair: Kinch Hoekstra, University of California, Berkeley
Susanne Sreedhar, Boston University
Hobbes on the Representations of Amazons
Johan Olsthoorn, Katholieke Universiteit Leuven
Personation without Representation: Hobbes’s Arguments for the Identity of
Church and State
Ioannis Evrigenis, Tufts University
The Political Economy of Leviathan
20528 Intoxicants and Early Modernity III:
Park Plaza Intoxicating Discourses
Fourth Floor
Tremont Room
Organizers: Angela J. McShane, Victoria and Albert Museum;
Phil Withington, University of Sheffield
Chair: Allen J. Grieco, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Cathy Shrank, University of Sheffield
Dishes of Coffee and Sack Triumphant: Intoxicants in Early Modern Dialogue
Scott K. Taylor, University of Kentucky
Stimulants, Sex, and the Body in Early Modern Europe
Lauren Working, Durham University
“The Riotous Use of this Strange Indian”: The Politics of Tobacco Consumption
in Early Modern London

226
 Friday, 1 April 2016
20529 John Donne IV: Donne’s Letters
Park Plaza in LR1 (the Burley Manuscript):

5:30–7:00
Fourth Floor Roundtable on Paleographical and
White Hill Room Internal Evidence
Sponsor: John Donne Society
Organizer: Dennis Flynn, Independent Scholar
Chair: Kirsten Anne Stirling, Université de Lausanne
Discussants: Donald R. Dickson, Texas A&M University;
Dennis Flynn, Independent Scholar;
Margaret A. Maurer, Colgate University;
Ernest W. Sullivan, Virginia Polytechnic Institute and State University
This roundtable addresses attribution problems presented by the scribal
transcriptions of prose letters found on LR1 folios 294r–303v. Published studies
have distinguished two transcribing hands, generally labeled “D” and “P.” We will
review evidence for these categories and estimate their bearing on attributing letters
to Donne. Bibliographical evidence has conclusively shown that three LR1 letters
transcribed by “D” and “P” are Donne’s. Stylistic and biographical evidence in
twenty-three other LR1 letters has been the main basis in conjectural arguments
attributing them either to Donne or to a correspondent addressing him. With what
certainty can such internal evidence help to identify authors and recipients of LR1
letters? In addition to considering these matters, we will discuss a tentative list of
LR1 letters we plan to publish.
20530 Figurative, Allegorical, Literal:
Park Plaza Rethinking Fundamentals
Fourth Floor
Winthrop Room
Sponsor: Southeastern Renaissance Conference
Organizer: Heather Anne Hirschfeld, University of Tennessee
Chair and Respondent: Thomas Fulton, Rutgers University
Heather Anne Hirschfeld, University of Tennessee
“Figurative”: Figuring Hell in the Renaissance
Kristen Poole, University of Delaware
“Allegorical”: Bacon’s Travels Through Allegory
Lauren Shohet, Villanova University
“Literal”: The Wandering Wood and Lowly Hermitage of Spenser’s Fairie Queene

227
Friday, 1 April 2016

20531 Spain between Europe and the New

Park Plaza World: Culture, Politics, and Power
5:30–7:00

Fourth Floor Projection III

Whittier Room
Sponsor: Americas, RSA Discipline Group
Organizers: Salvatore Bottari, Università degli Studi di Messina;
Linda Curcio-Nagy, University of Nevada, Reno;
Gabriel Guarino, University of Ulster
Chair: Linda Curcio-Nagy, University of Nevada, Reno
Salvatore Bottari, Università degli Studi di Messina
The Viceroys and the Government of Sicily in the Second Half of the Sixteenth
Century
Alessandra Migliorato, Regional Museum of Messina
On the Portrait of Ferdinand the Catholic at the Los Angeles County Museum
of Art
Giampaolo Chillè, Università degli Studi di Messina
Testimonies of Faith and Wealth: Goldsmiths and Silversmiths of Messina in the
Seventeenth Century
20532 Friendship and Community in Early
Park Plaza Modern Works on/by Women
Fourth Floor
St. James Room
Organizer: Laura Prelipcean, Concordia University
Chair: Konrad Eisenbichler, University of Toronto, Victoria College
Marguerite Deslauriers, McGill University
Friendship with Men in Renaissance Feminist Arguments
Renée-Claude Breitenstein, Brock University
Female Publics between Representation and Reality: The Case of French
Collected Eulogies of Women
Laura Prelipcean, Concordia University
Self-Fashioning and Dialogic Exchanges in Tullia d’Aragona’s Poetry

228
 Friday, 1 April 2016
20533 Roundtable: Careers for Humanists
Hynes Convention Center

5:30–7:00
Level Two
200
Organizer: Renaissance Society of America
Chair: Carla Zecher, Renaissance Society of America
Discussants: Clark Hulse, University of Illinois at Chicago;
Robert G. La France, Ball State University;
Mary Onorato, Modern Language Association
In this roundtable scholars and professionals will discuss careers beyond teaching.
Carla Zecher is Executive Director of the Renaissance Society of America. She
will speak about library careers and arts management for music. Clark Hulse is
Chair of the Board of Directors of the Chicago Humanities Festival, and Emeritus
Professor of English and Art History at the University of Illinois at Chicago. He
will speak about careers in the public humanities. Robert G. La France is Director
of the David Owsley Museum of Art at Ball State University. He will speak about
careers in arts management and development. Mary Onorato is Associate Director
of Bibliographic Information Services at the Modern Language Association. She will
speak about careers in information services.
20534 Making Copies III
Hynes Convention Center
Level Two
201
Organizers: Maddalena Bellavitis, University of Pennsylvania;
Francesca Cappelletti, Università degli Studi di Ferrara
Chair: Francesca Cappelletti, Università degli Studi di Ferrara
Respondent: Richard E. Spear, University of Maryland, College Park
Claudia La Malfa, American University of Rome
Seventeenth-Century Connoisseurship and Raphael
Claudia Caramanna, Università degli Studi di Padova
Copying the High Renaissance Masters: Jacopo Bassano and the Engravings
from Raphael’s Masterpieces
Marialucia Menegatti, Università degli Studi di Padova
Copies and Derivations from Raphael in d’Este’s Court in the Second Half of the
Seventeenth Century

229
Friday, 1 April 2016

20535 Exhibiting Medieval and

Hynes Convention Center Renaissance Books: Pages from the
5:30–7:00

Level Two Past: Roundtable on Illuminated

202 Manuscripts in Boston-Area
Collections
Organizer: Anne Marie Eze, Isabella Stewart Gardner Museum
Chair: Nathaniel Silver, Isabella Stewart Gardner Museum
Discussants: Anne Marie Eze, Isabella Stewart Gardner Museum;
Jeffrey F. Hamburger, Harvard University;
Nancy Netzer, Boston College;
William Stoneman, Houghton Library
A roundtable discussion with the cocurators of the forthcoming exhibition “Pages
from the Past: Illuminated Manuscripts in Boston-Area Collections” (Fall 2016).
Drawing exclusively from the rich holdings of Boston-area libraries and museums,
the exhibition will showcase for the first time over two hundred outstanding medieval
and Renaissance manuscripts and printed books concurrently at three venues
on both sides of the Charles River. Cloister and Cathedral: The Church and the
Book in the Middle Ages, Houghton Rare Book and Manuscript Library, Harvard
University; The Art of Illumination, McMullen Museum of Art, Boston College;
and The Italian Renaissance Book, Isabella Stewart Gardner Museum. Each venue
will highlight one of the three principal contexts for the patronage, production, and
reception of books over the course of the Middle Ages and Renaissance, presenting
the volumes in the ideal libraries of three different types of reader: the monk, lay
person, and Renaissance prince.
20536 Imagery and Ingenuity in the Northern
Hynes Convention Center Renaissance II: Multivalence in
Level Two Religious Themes
203
Organizer and Respondent: Catharine Ingersoll, Virginia Military Institute
Chair: Jessica Weiss, Metropolitan State University of Denver
Andrea Pearson, American University
Consumption as Eroticism in Early Netherlandish Devotional Art
Jane L. Carroll, Dartmouth College
Addressing Power: 1507 and Netherlandish Rule
Miriam Hall Kirch, University of North Alabama
Faith Embodied: Jakob Heller, Katharina von Melem, and Their Altarpiece

230
 Friday, 1 April 2016
20537 Comic Themes in Early Modern
Hynes Convention Center Portraiture

5:30–7:00
Level Two
204
Organizers: Sandra Cheng, CUNY, New York City College of Technology;
Kimberlee A. Cloutier-Blazzard, Simmons College
Chair: Sandra Cheng, CUNY, New York City College of Technology
Fern Luskin, CUNY, LaGuardia Community College
Two Comedians and a Courtesan in Giovanni Bellini’s all’antica Comedy, The
Feast of the Gods
David A. Levine, Southern Connecticut State University
Comedic Portraits of Pieter van Laer, Il Bamboccio
Kimberlee A. Cloutier-Blazzard, Simmons College
Frans Hals’s Merry Drinker as Comic Portrait
20538 The Sound of Poetry: A Comparative
Hynes Convention Center Approach to Rhetoric, Poetics, and
Level Two Music V
205
Sponsor: Fédération internationale des sociétés et des instituts pour l’étude de
la Renaissance (FISIER)
Organizers: Francesca Bortoletti, University of Leeds;
Eugenio Refini, Johns Hopkins University
Chair: Anthony M. Cummings, Lafayette College
Blake Wilson, Dickinson College
Petrarch, Performance, and Orality: Humanist Improvisers and the Diffusion
of Petrarchismo
Francesca Bortoletti, University of Leeds
The Mask of the Humanist Improviser in the Aragonese Arcadia: Oral
Performance and Written Practices
Raimondo Guarino, Università degli Studi Roma Tre
Performing Poetry In Early Renaissance Rome: A Survey and Some Reflections
on Texts and Settings
20539 Place and Identity in Early Modern
Hynes Convention Center Visual Culture III: Constructing
Level Two Transnational Connections
206
Organizers: Ashley Elston, Berea College;
Madeline Rislow, Missouri Western State University
Chair: Ashley Elston, Berea College
Alexandra Dodson, Duke University
Constructing Mount Carmel in Central Italy: Carmelite Architecture and
Identity
Katie Guida, Pennsylvania State University
Finding Their Place in History: The Augustinian Hermits and Their Italian Origins
Angela Ho, George Mason University
Global Trade, Local Innovations: The Development of Delftware

231
Friday, 1 April 2016

20540 Vasarian Crosscurrents

Hynes Convention Center
5:30–7:00

Level Two
207
Organizers: Deborah Parker, University of Virginia;
Kristin Phillips-Court, University of Wisconsin–Madison
Chair and Respondent: Morten Steen Hansen, CASVA
Deborah Parker, University of Virginia
The Function of Michelangelo in Vasari’s Lives
Kristin Phillips-Court, University of Wisconsin–Madison
Vasari’s Other Poet
Sharon L. Gregory, St. Francis Xavier University
St. Francis in Vasari’s Lives
20541 The Verdant Earth III: The Sylvan
Hynes Convention Center Turn in Landscape Art
Level Two
208
Sponsor: Charles Singleton Center for the Study of Premodern Europe
Organizer: Earle A. Havens, Johns Hopkins University
Chair: Jeffrey Chipps Smith, University of Texas at Austin
April Oettinger, Goucher College
Lorenzo Lotto’s Anthropomorphic Lens: Of Trees and Transformation in the
1509 St. Jerome
Karen Hope Goodchild, Wofford College
Il Tremolare delle Foglie: Sixteenth-Century Descriptions of Movement and Light
in Painted Leaves
Leopoldine Prosperetti, Independent Scholar
Sacred Oratory, Verdant Tivoli, and the Art of Girolamo Muziano in Counter-
Reformation Rome
20542 Authority and Influence in the Long
Hynes Convention Center Seventeenth Century: Shakespeare,
Level Two Imitation, and Invention
210
Sponsor: Centre for the Study of the Renaissance, University of Warwick
Organizer: Teresa Grant, University of Warwick
Chair: Michael Ullyot, University of Calgary
Thomasin Mary Bailey, University of Warwick
Mary Wroth: Subverting Shakespeare’s Authorities
Teresa Grant, University of Warwick
James Shirley, Dialectical Imitation, and Shakespeare’s Metatheater
Stefania Crowther, University of Warwick
Inventing the Canon: Shakespeare and Shirley on the Early Restoration Stage

232
 Friday, 1 April 2016
20543 Bellini 500 III: Space and Perception
Hynes Convention Center

5:30–7:00
Level Three
302
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Daniel Wallace Maze, Independent Scholar;
Carolyn C. Wilson, Independent Scholar
Chair: Carolyn C. Wilson, Independent Scholar
Gerd Blum, Kunstakademie Münster
“Fenestrae prospectivae”: Bellini’s Pala di Pesaro and the Windows of the Ducal
Palace at Urbino
Lars Zieke, Eberhard Karls Universität Tübingen
Looking Through: Curtains as Framings of Landscape in Paintings by Giovanni
Bellini
Joseph Godla, The Frick Collection
Linear Perspective and the Depiction of Space in Giovanni Bellini’s Narrative
Landscapes
20544 The Art History of the Renaissance
Hynes Convention Center Book: Papers in Honor of Lilian
Level Three Armstrong III
303
Organizers: Renzo Baldasso, Arizona State University;
Helena Szépe, University of South Florida
Chair: Ilaria Andreoli, Centre national de la recherche scientifique
Helena Szépe, University of South Florida
The Hypnerotomachia Poliphili and Manuscript Illumination
Lyle Humphrey, North Carolina Museum of Art
An Antiphonary Cutting Signed by the Master B. F. in the North Carolina
Museum of Art
Lilian Armstrong, Wellesley College
Illuminated Copies of Plutarch’s Lives, Venice, Nicolaus Jenson, 1478: Patrons
and Miniaturists
20545 Is the Enlightenment the Renaissance
Hynes Convention Center in a Better Wig?
Level Three
304
Organizer: Kristine Louise Haugen, California Institute of Technology
Chair: Anthony Grafton, Princeton University
Kristine Louise Haugen, California Institute of Technology
Antiquarianism and Iconography: The Murder Attempt That Failed
William J. Bulman, Lehigh University
History and Civil Religion in the Early Anglican Enlightenment
Nicholas Popper, College of William & Mary
The Bureaucrat and the Humanist: Political Practice and Learned Tradition in
Restoration England

233
Friday, 1 April 2016

20546 Causality in Renaissance Poetry

Hynes Convention Center and Philosophy
5:30–7:00

Level Three
305
Sponsor: Renaissance and Early Modern Studies, Princeton University
Organizer: Marina S. Brownlee, Princeton University
Chair: Russ Leo, Princeton University
Orlando Reade, Princeton University
“[S]trange and unexpected Revolutions”: Meditation on Causes in Descartes and
Katherine Philips
Erin Kathleen Kelly, Rutgers University
Indeterminacy in Paradise Lost
Matthew Rickard, Princeton University
Pascal’s Fiction
20547 Architecture, Urbanism, and the Arts
Hynes Convention Center in Honor of Marvin Trachtenberg III:
Level Three Building Time outside Italy
306
Organizer: Areli Marina, University of Illinois at Urbana-Champaign
Chair: Alexander Nagel, New York University
Cammy Brothers, University of Virginia
Building in Time and Southern Spain
Myra Nan Rosenfeld, Independent Scholar
The Hôtel de Cluny: From Roman Baths to Abbot’s House, to Apartment
House, to Museum
Sarah W. Lynch, Princeton University
The Diet Hall at Prague Castle and the Deception of Time
20548 Text and Image in Early Modern
Hynes Convention Center Spain III: Representations of Women
Level Three
308
Organizers: Kelley Helmstutler-Di Dio, University of Vermont;
Almudena Vidorreta, CUNY, The Graduate Center
Chair: Kelley Helmstutler-Di Dio, University of Vermont
Leticia Mercado, Niagara University
A Beautiful, Silent Other: Female Silence and Voice and the Portrait of the
Beloved
Emily Colbert Cairns, Salve Regina University
Portraiture of Two Early Modern Iberian Queens: Isabel la Católica and
Queen Esther
Paolo Pucci, University of Vermont
In Bed with the Enemy: Mocking the Spaniards in Pietro Fortini’s Short Stories
Emily Tobey, University of North Carolina at Pembroke
Behaving Badly: Women in the Spanish Comedia

234
 Friday, 1 April 2016
20549 Brutal Ends: Suicide, Execution, and
Hynes Convention Center Battle Death in Seventeenth-Century

5:30–7:00
Level Three British Literature
309
Organizer: Catharine E. Gray, University of Illinois at Urbana-Champaign
Chair: Penelope Anderson, Indiana University
Catharine E. Gray, University of Illinois at Urbana-Champaign
Paper Monuments: Henry Vaughan, Andrew Marvell, and War Death
Erin Murphy, Boston University
Martyrdom, Military Mercy, and the Execution of Charles Lucas: Wartime
Death and Margaret Cavendish’s Singularity
Rachel Trubowitz, University of New Hampshire
“Let us seek Death”: Lucretius and Suicidal Ideation in Milton’s Poetry
20550 An Education in Lines: Creating the
Hynes Convention Center First Drawing Books in Europe
Level Three
310
Organizer: Nino Nanobashvili, Ludwig-Maximilians-Universität München
Chair: Peter M. Lukehart, CASVA
Caroline Fowler, Getty Research Institute
The Printed Eye and Impressions of Sense
Nino Nanobashvili, Ludwig-Maximilians-Universität München
Dilettanti Drawing: The First Italian Drawing Book by Alessandro Allori
Maria Portmann, Ludwig-Maximilians-Universität München
The First Anatomical Treatise in Spanish Art: Juan de Arfe y Villafañe’s
Libro Segundo (1585)
20551 Folger Digital Agendas III: Roundtable:
Hynes Convention Center Digital Futures
Level Three
311
Sponsor: Folger Institute
Organizer: Kathleen A. Lynch, Folger Institute
Chair: Sarah Werner, Independent Scholar
Discussants: Matthew Battles, Harvard University;
S. Blair Hedges, Temple University;
Whitney Trettien, University of North Carolina at Chapel Hill;
Amanda Visconti, Purdue University
In this roundtable, participants will discuss what future digital projects for early
modern studies and special collections libraries might look like. Many current
early modern digital projects (at the Folger and elsewhere) have focused on the
transcription, tagging, and data mining of texts. Digital Futures will turn our
attention to other possible areas of exploration for early modern digital studies,
including the production of early prints, attention to the material features of books
and manuscripts, creating and displaying annotations, and new tools for visualizing
provenance and circulation. The conversation will focus on the opportunities and
challenges for tomorrow’s digital agendas.

235
Friday, 1 April 2016

20552 Apprenticeship in Early Modern

Hynes Convention Center Venice: Extracting, Representing,
5:30–7:00

Level Three and Exploiting Data from the

313 Accordi Dei Garzoni
Organizer: Martina Frank, Università Ca’ Foscari di Venezia
Chair: Anna Bellavitis, Université de Rouen
Riccardo Cella, Université de Rouen
The GAWS Project: A New Way to Investigate Apprenticeship in Early Modern
Venice
Maud Ehrmann, École polytechnique fédérale de Lausanne
Historical Document Annotation and Data Representation with Semantic Web
Technologies: The Case of the Garzoni Dataset
Giovanni Colavizza, École polytechnique fédérale de Lausanne
A Cliometrics’ View on the Garzoni Database

236
 Saturday, 2 April 2016
Saturday, 2 April 2016

8:30–10:00
8:30–10:00

30104 Representing Iberia in

Park Plaza Seventeenth-Century Rome
Mezzanine
Boylston Room
Organizer: James W. Nelson Novoa, University of Ottawa
Chair: Thomas V. Cohen, York University
Respondent: David García Cueto, Universidad de Granada
James W. Nelson Novoa, University of Ottawa
Being Portuguese in the Eternal City (1580–1670)
Fabien Montcher, Saint Louis University
Iberian Dissidents and Roman Biblio-Politics during the Seventeenth Century
John M. Hunt, Utah Valley University
Making the Streets Spanish: Spanish Ambassadors and Their Carriages in Early
Modern Rome
Irene Fosi, Università degli Studi “Gabriele d’Annunzio” Chieti-Pescara
“Protecting” Portugal in Rome of the Seventeenth Century
30105 Islamicate Occultism I: Words,
Park Plaza Spirits, Substances
Mezzanine
Commonwealth Room
Sponsor: Islamic World, RSA Discipline Group
Organizer: Matthew Melvin-Koushki, University of South Carolina
Chair: Kathryn A. Edwards, University of South Carolina
Matthew Melvin-Koushki, University of South Carolina
Writing vs. Speech in the Islamicate Prisca Sapientia
Liana Saif, St. Cross College, University of Oxford
Elusive Spirits: The Ruhaniyya in Islamic Occultism
Nicholas G. Harris, University of Pennsylvania
The Jurists and the Alchemy of Filth

237
Saturday, 2 April 2016

30106 From Venice and to Venice between

8:30–10:00

Park Plaza the Fifteenth and Sixteenth Century:

Mezzanine People, Books, Ideas
Statler Room
Sponsor: Centro Cicogna
Organizer: Matteo Soranzo, McGill University
Chair: Matteo Casini, Suffolk University
Christopher Pastore, University of Pennsylvania
The New World: Proof Positive That Pliny Did Not Know It All
Chiara Frison, Centro Cicogna
The Books of Marin Sanudo the Younger from Venice to the World
Enriqueta Zafra, Ryerson University
“Cavailo Venetiano”: La Lozana andaluza from Rome to Venice with Love
30107 Renaissance Collaboration I:
Park Plaza Intermedia Collaboration
Mezzanine
Hancock Room
Sponsor: Centre for Reformation and Renaissance Studies,
University of Toronto (CRRS)
Organizer: Trevor Cook, University of Toronto
Chair: Ethan Matt Kavaler, University of Toronto
Benjamin Binstock, Cooper Union for the Advancement of Science and Art
The Collaboration of Sculpture and Painting in the Ghent Altarpiece
Anne E. B. Coldiron, Florida State University
Visibility, Collaboration, and the Author Function in Renaissance Translators’
Portraits
Ann Hollinshed Hurley, Wagner College
Intermedia Performance in Early Restoration Drama through the Lens of
Polwhele’s The Faithful Virgins
30108 Poetics of Law: Literary Form
Park Plaza and Legal Experience, Feeling,
Mezzanine and Knowledge
Exeter Room
Organizer, Chair and Respondent: Penelope Geng, Macalester College
Kimberly Huth, California State University, Dominguez Hills
“No Remedy” and the Rejection of Legal Discourse in Early Modern English
Comedy
Jessica Apolloni, University of Minnesota
Authority and Community Conflict in Late Medieval Novellieri
Megan Herrold, University of Southern California
The Justice of Bed Tricks in Shakespeare’s All’s Well and Measure for Measure

238
 Saturday, 2 April 2016
30109 Florence Reconsidered III:

8:30–10:00
Park Plaza Florence in Perspective
Mezzanine
Clarendon Room
Organizers: Nicholas S. Baker, Macquarie University;
Brian Jeffrey Maxson, East Tennessee State University
Chair: Karl R. Appuhn, New York University
Sarah G. Ross, Boston College
Theatrical Citizenship: The Andreini Family and Florence
Nicholas S. Baker, Macquarie University
The Price of Everything: Florence, Mercantile Culture, and the Renaissance
Sean Roberts, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
A Global Florence and Its Blindspots
30110 Redefining Female Sanctity:
Park Plaza Clare of Assisi and Francesca
Mezzanine Romana in Early Modern Italy
Berkeley Room
Sponsor: Hagiography Society
Organizer: Pamela M. Jones, University of Massachusetts Boston
Chair: Barbara Wisch, SUNY, Cortland
Nirit Ben-Aryeh Debby, Ben-Gurion University of the Negev
Remodeling Female Saints in Early Modern Art and Preaching: The Case of
Clare of Assisi
Eunice D. Howe, University of Southern California
Charting Santa Francesca Romana’s Exceptional Pathway to Heaven
Suzanne Scanlan, Rhode Island School of Design
Holy Recovery: Reclaiming the Body of Santa Francesca Romana at Tor
de’Specchi
30111 Alchemy and Forgery around
Park Plaza Paracelsus I
Mezzanine
Arlington Room
Organizers: Hiro Hirai, Radboud University Nijmegen;
Didier Kahn, Centre national de la recherche scientifique
Chair: Dane Thor Daniel, Wright State University
Didier Kahn, Centre national de la recherche scientifique
Pseudo-Paracelsus in Depth
Kathrin Pfister, Universität Heidelberg
The Ps.-Paracelsian Prophecy of the Lion of the North and the Three Treasures
Amadeo Murase, Seigakuin University
Images of Paracelsus in Paracelsian Pseudepigraphies

239
Saturday, 2 April 2016

30112 The Public Relations of Poets in

8:30–10:00

Park Plaza Early Modern England

Mezzanine
Georgian Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Steven Monte, CUNY, College of Staten Island
Chair: Heather Dubrow, Fordham University
Steven Monte, CUNY, College of Staten Island
Poetic Alliances and Factions in Late Elizabethan England: Spenser, Daniel, and
Shakespeare
Emily Vasiliauskas, Williams College
Death in Public: Donne’s Exposure
Samuel Fallon, SUNY, New Paltz
Pierce Penilesse and the Art of Distinctions
30113 French Renaissance Polygraphy:
Park Plaza Belleforest, De Thou, and Tabourot
Fourth Floor
Brookline Room
Sponsor: French Literature, RSA Discipline Group
Organizer: Hervé Thomas Campangne, University of Maryland, College Park
Chair: Hugh Roberts, University of Exeter
Hervé Thomas Campangne, University of Maryland, College Park
Tragedy in the New World: François de Belleforest’s American Histoires tragiques
François Rouget, Queen’s University
Etienne Tabourot polygraphe des petits sujets: la louange du pou
Stephen Murphy, Wake Forest University
Parrhesia, or the Historian in the Polis
30114 Exiles, Refugees, and Pan-Nationalism
Park Plaza
Fourth Floor
Cambridge Room
Organizer: Renaissance Society of America
Chair: Scott K. Oldenburg, Tulane University
Freddy Dominguez, University of Arkansas
Ambiguities of Reform: English Catholic Exiles, Spanish Elizabethans, and their
Books
Geert H. Janssen, Universiteit van Amsterdam
The Dutch Republic and Its Refugees
Kevin Michael Chovanec, University of North Carolina at Chapel Hill
The Triumphs of Nassau: Forging a Pan-Protestant Literary Heroism

240
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30115 Roundtable: The Cambridge

8:30–10:00
Park Plaza Companion to Petrarch
Fourth Floor
Beacon Hill Room
Organizers: Albert Russell Ascoli, University of California, Berkeley;
Unn Falkeid, Stockholm University
Chair: Christopher Celenza, Johns Hopkins University
Discussants: Albert Russell Ascoli, University of California, Berkeley;
Unn Falkeid, Stockholm University;
Timothy Kircher, Guilford College;
Ullrich Langer, University of Wisconsin–Madison;
Giuseppe Mazzotta, Yale University;
Ramie Targoff, Brandeis University;
Hannah Chapelle Wojciehowski, University of Texas at Austin
Best known for his influential collection of Italian lyric poetry, Petrarch was also a
remarkable classical scholar, a deeply religious thinker and a philosopher of secular
ethics. Comprising eighteen essays written by leading scholars, The Cambridge
Companion to Petrarch views Petrarch’s life through his works. The author is
revealed as the heir to the converging influences of classical cultural and medieval
Christianity, but also to his great vernacular precursors. Particular attention is given
to Petrarch’s profound influence on the humanist movement and on the courtly cult
of vernacular love poetry, while raising important questions as to the validity of the
distinction between medieval and modern and what is lost in attempting to classify
this elusive figure. Three leading scholars with interests and expertise relevant to the
volume’s wide range of concerns will join the editors and three other contributors.
30116 New Perspectives on Renaissance
Park Plaza Demonology
Fourth Floor
Back Bay Room
Sponsor: Religion, RSA Discipline Group
Organizer, Chair and Respondent: Tamar Herzig, Tel Aviv University
Renate Blumenfeld-Kosinski, University of Pittsburgh
The Intersection of Witchcraft and Magic in Accusations against Holy Women
(14th–15th Centuries)
Michael Ostling, Arizona State University
Pity, Piety, and Purification: A New Look at the Czarownica powołana
Jan Machielsen, Cardiff University
The Problem with Credulity: Pierre de Lancre and the Witches of the Pays
de Labourd

241
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30117 Emblematic Imagery from Alciato to

8:30–10:00

Park Plaza Baciccio

Fourth Floor
Brandeis Room
Organizer: Renaissance Society of America
Chair: Karen J. Lloyd, Chapman University
Ana Isabel Correia Martins, Universidade de Coimbra
Emblemata of Andreas Alciatus: Iconography as a Key Genre of a Humanistic
Program
Irina Chernetsky, Hebrew University of Jerusalem
The Creation of the World by Virgil Solis
Marc-André Wiesmann, Skidmore College
Montaigne’s Emblematic Practice: Claude Paradin’s Flies
Reshma Nayyar, Independent Scholar
Emblematic Allusions to Ignatius of Loyola in Baciccio’s Triumph of the Name of
Jesus (1676–79)
30118 Poetics of the Sacred in Early Modern
Park Plaza Italy I
Fourth Floor
Cabot Room
Organizer: Bryan Brazeau, University of Warwick
Chair: Virginia Cox, New York University
Respondent: Eugenio Refini, Johns Hopkins University
Victoria Kirkham, University of Pennsylvania
The Lentulus Letter and Likeness of Christ in Italy
Janet E. Gomez, Johns Hopkins University
Tasso’s Women as Read by Early Modern Female Writers: The Case of Lucrezia
Marinella
30119 Renaissance Neoplatonic Voices:
Park Plaza Heymericus de Campo and Cusanus
Fourth Floor
Charles River Room
Sponsor: Society for Medieval and Renaissance Philosophy (SMRP)
Organizer: Donald F. Duclow, Gwynedd Mercy University
Chair: Per Landgren, University of Oxford
Respondent: David C. Albertson, University of Southern California
Maria Cecilia Rusconi, Consejo Nacional de Investigaciones Científicas y Técnicas
The Division of Theology in Heymericus de Campo’s Tractatus de philosophica
interpretatione sacrae Scripturae (1435)
Donald F. Duclow, Gwynedd Mercy University
Rethinking Proclus with Nicholas of Cusa

242
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30120 Making Early Modern Studies Irish:

8:30–10:00
Park Plaza Engaging with the Work of Nicholas
Fourth Floor Canny I
Constitution Room
Organizers: Sarah Covington, CUNY, Queens College;
Brendan Kane, University of Connecticut
Chair: Martin Burke, CUNY, The Graduate Center
Thomas Herron, East Carolina University
Neo-Platonism and the Munster Plantation
Maryclaire Moroney, John Carroll University
Derricke’s Image: Minding the (Generic) Gap
Peter T. McQuillan, University of Notre Dame
Keeping Ireland Irish?
30121 Ladies-in-Waiting in the Early Modern
Park Plaza World I: Female Attendants to English
Fourth Floor Consorts and Queens
Franklin Room
Sponsor: Society for the Study of Early Modern Women (EMW)
Organizer and Chair: Molly Bourne, Syracuse University in Florence
Manuela Santos Silva, Universidade de Lisboa
Philippa of Lancaster’s Lady-in-Waiting: Portuguese Lineage in Charge of the
Queen’s Household (1387–1415)
Jane A. Lawson, Emory University
Bringing Up Princess Elizabeth: Lady Mistress, Governess, and Mother of the
Maids of Honor?
Helen J. Matheson-Pollock, Queen Mary University of London
No One To Wait Upon: Elisabeth Parr, Marchioness of Northampton’s
Sociopolitical Activity, Spring of 1553
Catherine Medici, University of Nebraska
The Dudley Sisters at Queen Elizabeth’s Court
30122 Imprimer le Moyen Âge en français,
Park Plaza XVe–XVIe siècle I
Fourth Floor
Emerson Room
Sponsor: Société Française d’Etude du Seizième Siècle (SFDES)
Organizer: Joëlle Ducos, Université Paris-Sorbonne
Chair: Mireille Huchon, Université Paris-Sorbonne
Sandrine Heriche, Université Paris-Sorbonne
Ponctuer l’insertion: Pièces lyriques et inscriptions dans les imprimés du Perceforest
Patrick Moran, Université Laval
Les premiers imprimés des romans arthuriens en prose du XIIIe siècle: nouvelles
cohérences
Anne Salamon, Laval University
L’imprimé du Triomphe des Neuf Preux: Au carrefour entre Moyen Âge et
Renaissance

243
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30123 Staging Difference in Spain and Italy

8:30–10:00

Park Plaza
Fourth Floor
Gloucester Room
Organizer: Renaissance Society of America
Chair: Gabriela Carrion, Regis University
Laura Mier Pérez, Universidad de Cantabria
(Apparently) Anticanonical Characters in the First Spanish Renaissance Theater:
Women in Love
Melissa Figueroa, Ohio University
Clandestine Performances: The Hidden Stratagems of Moriscos on Stage
Emily Wilbourne, CUNY, Queens College
Ahi ghidy, Ahi Chavo: Sounding Turkish on the Italian Stage
30124 Ariosto, 1516–2016 I: Spaces and
Park Plaza Characters of the Orlando furioso
Fourth Floor
Holmes Room
Sponsor: Italian Literature, RSA Discipline Group
Organizers: Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg;
Eleonora Stoppino, University of Illinois at Urbana-Champaign
Chair: Eleonora Stoppino, University of Illinois at Urbana-Champaign
Jonathan Combs-Schilling, The Ohio State University
Ariosto Adrift: Sea Poetics and Currents of Meaning in Orlando furioso
Marc Foecking, Universität Hamburg
Ariosto’s Ethiopia: The Orlando furioso and the Legend of Prete Ianni
Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg
The Irony of Fiction and the Psychology of Characters: Orlando furioso and Its
Romantic Reception
30125 Jesuits and Models of Holiness I
Park Plaza
Fourth Floor
Longfellow Room
Organizers: Hilmar M. Pabel, Simon Fraser University;
Elizabeth Rhodes, Boston College
Chair: Elizabeth Rhodes, Boston College
Alison Weber, University of Virginia
Ordinary Holiness: A Jesuit’s (Hagio)biography of His Merchant Father
Elizabeth Patton, Johns Hopkins University
The Transmission History of a Female-Authored Source Text among Four
Centuries of Jesuit Martyrologists
Hilmar M. Pabel, Simon Fraser University
Peter Canisius SJ, Hagiographer

244
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30126 Early Stuart England and the Dutch

8:30–10:00
Park Plaza
Fourth Floor
Newbury Room
Organizer: Valentina Caldari, Balliol College, University of Oxford
Chair: Helmer Helmers, Universiteit van Amsterdam
Katharine Ann De Rycker, Newcastle University
Doubling the Dutch: Representing Dutch Industry and Excess in the
Jacobean Court
Valentina Caldari, Balliol College, University of Oxford
“Our friends the Hollanders”: James I and the Dutch
30127 Medieval Drama and Its Early Modern
Park Plaza Afterlives
Fourth Floor
Stuart Room
Organizers: Helen Cushman, Harvard University;
Emma Maggie Solberg, Bowdoin College
Chair: Helen Cushman, Harvard University
Respondent: Gail McMurray Gibson, Davidson College
James Simpson, Harvard University
Dramicide: Early Modernity and Drama
John Parker, University of Virginia
The Afterlives of Idols
Amy Appleford, Boston University
Merchant Hall Moralities and the Early Tudor State
30128 Hybrid Genres of the Spanish
Park Plaza Renaissance
Fourth Floor
Tremont Room
Sponsors: Hispanic Literature, RSA Discipline Group; Cervantes Society of America
Organizers: David A. Boruchoff, Independent Scholar; Susan Byrne, Yale University
Chair: Mercedes Alcalá Galán, University of Wisconsin–Madison
Steven Hutchinson, University of Wisconsin–Madison
The Fusing of Genres in Early Modern Spanish Texts on the Maghreb
Mary B. Quinn, University of New Mexico
Hybridity as Innovation in Calderon de la Barca’s El laurel de Apolo
Michael S. Scham, University of St. Thomas
Guzmán de Alfarache and the Problem of the Picaresque
Darcy R. Donahue, Miami University
Writing Women’s Religious History in Early Modern Spain:
Foundation Narratives

245
Saturday, 2 April 2016

30129 Required Reading: Early Modern

8:30–10:00

Park Plaza Women as Readers and Writers

Fourth Floor
White Hill Room
Organizer: Patricia Phillippy, Kingston University London
Chair: Elizabeth H. Hageman, University of New Hampshire
Patricia Phillippy, Kingston University London
“A book of his own making”: Elizabeth Russell Reads Sir Anthony Cooke
Brandie R. Siegfried, Brigham Young University
“About this book: It is my child”: Margaret Cavendish on Mary Wroth
and Others
Pamela S. Hammons, University of Miami
A Call for Readers: The Centrality of Women’s Cultural Productions to Early
Modern Studies
30130 The Orationes Project:
Park Plaza Interdisciplinary Approaches to
Fourth Floor Renaissance School Drama
Winthrop Room
Sponsor: Societas Internationalis Studiis Neolatinis
Provehendis / International Association for Neo-Latin Studies
Organizers: Craig Kallendorf, Texas A&M University;
Aleksi Mäkilähde, University of Turku
Chair: Paul V. Sullivan, University of Texas at Austin
Anthony William Johnson, Åbo Akademi University
Gunpowder Treason and Plot (1680): Trouble, Tolerance, and Trauma in a
Restoration Schoolroom
Tommi Alho, Åbo Akademi University
Bella grammaticalia et aenigmata: Rhetorical Battles and Riddles in a Restoration
Manuscript
Aleksi Mäkilähde, University of Turku
Neo-Latin, English, and Greek: Multilingualism in a Restoration Manuscript
30131 Joyful Texts in Context: Functions and
Park Plaza Impact of Parody in Professional and
Fourth Floor Festive Situations (1400–1600)
Whittier Room
Organizer: Katell Lavéant, Universiteit Utrecht
Chair: Johan Oosterman, Radboud University Nijmegen
Jelle Koopmans, Universiteit van Amsterdam
Parody, Satire, or Pamphlet: What are Festive Texts in Early Modern France
About?
Katell Lavéant, Universiteit Utrecht
Festive Parody: Sharing Laughter and Building Communities in Early Modern
France
Estelle Doudet, Université de Grenoble 3
A Travesty of Justice? Parodic Cases at the Parliament of Paris in the Fifteenth
Century

246
 Saturday, 2 April 2016
30132 The Promises of Gold: Materialized

8:30–10:00
Park Plaza Desires and Social Phantasms in
Fourth Floor Economy, Art, and Science I
St. James Room
Organizers: Tina Asmussen, Max-Planck-Institut f ür Wissenschaftsgeschichte;
Michael Jucker, University of Lucerne
Chair: Tara Nummedal, Brown University
Michael Jucker, University of Lucerne
Promises of Gold: Tales and Tactics of Alchemists and Impostors in
Trans-European Perspectives
Rebecca Zorach, Northwestern University
“The measure of all things”: Gold and Images in the Global Renaissance
Vitus Huber, Ludwig-Maximilians-Universität München
Functions and Transformations of Gold in the Conquest of Mexico
30133 Toward Tintoretto 500 I
Hynes Convention Center
Level Two
200
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Lorenzo Buonanno, University of Massachusetts Boston;
Frederick A. Ilchman, Museum of Fine Arts, Boston
Chair: Tracy E. Cooper, Temple University
Frederick A. Ilchman, Museum of Fine Arts, Boston
Defining Jacopo Tintoretto as a Portraitist
Louise Arizzoli, University of Mississippi
Marietta Robusti in Tintoretto’s Workshop: Her Likeness and Her Role as a
Model for Her Father
Sophia D’Addio, Columbia University
The Lives and Afterlives of Tintoretto’s Organ Shutters
30134 Crossroads of Creation: Artistic
Hynes Convention Center Workshops in Renaissance Italy I:
Level Two New Patterns of Production
201
Organizers: Mattia Biffis, CASVA; Giorgio Tagliaferro, University of Warwick
Chair: Daniel Wallace Maze, Independent Scholar
Rachel Elizabeth Weiden Boyd, Columbia University
Inventive Repetition: Altarpieces of the Della Robbia Workshop
Maya Corry, University of Cambridge
The Workshop Production of Images for Domestic Devotion in Fifteenth- and
Sixteenth-Century Northern Italy
Chiara Pidatella, Tufts University
Milan, 1493: Gian Cristoforo Romano and His Workshop

247
Saturday, 2 April 2016

30135 Divinely Human: Representing the

8:30–10:00

Hynes Convention Center Body of Christ I

Level Two
202
Organizers: Linda A. Koch, John Carroll University;
Kristen Van Ausdall, Kenyon College
Chair: Kristen Van Ausdall, Kenyon College
Ljerka Dulibic, Strossmayer Gallery of Old Masters
Christ Dead or Alive on the Edge of Christendom
Laura Camille Agoston, Trinity University
Michelangelo’s Minerva Christ: Pose, Gesture, Imitation
Pamela Stewart, University of Michigan
Lapidary Metaphors and Tangible Presence in Titian’s Crowning with Thorns
30136 Representing Saints and Martyrs
Hynes Convention Center in Florence
Level Two
203
Organizer: Renaissance Society of America
Chair: Martha L. Dunkelman, Canisius College
Elizabeth A. Lisot, University of Texas at Tyler
Butchering the Babes: Ghirlandaio’s Massacre of the Innocents, Cappella
Tornabuoni, Santa Maria Novella, Florence
Morten Steen Hansen, CASVA
The Idols of Florence: Giovanni da San Giovanni’s Martyrdom of Saint Blaise
30137 Building with Paper: The Materiality
Hynes Convention Center of Renaissance Architectural
Level Two Drawings I
204
Organizers: Dario Donetti, Kunsthistorisches Institut in Florenz;
Morgan Ng, Harvard University
Chair: Patricia Falguières, École des hautes études en sciences sociales
Respondent: Morgan Ng, Harvard University
Dario Donetti, Kunsthistorisches Institut in Florenz
Into the Fold: Drawings on the Move from the Sangallo Archive
Cara Rachele, Harvard University
Material Particulars: Reproductive Detail Drawings in the Uffizi Collections
Victoria Addona, Harvard University
Breaking the Pediment: Inchiostrazione in Bernardo Buontalenti’s Architectural
Studies

248
 Saturday, 2 April 2016
30138 Visual and Festive Culture in the Late

8:30–10:00
Hynes Convention Center Middle Ages and Early Renaissance
Level Two
205
Organizer: Renaissance Society of America
Chair: Katherine Tucker McGinnis, Independent Scholar
Nhora Lucia Serrano, Hamilton College
Visually Reframing Political Legitimacy: The Medieval Female Curator and
Christine de Pizan’s Harley MS 4431
Jasmine M. Chiu, University of Oxford
Dance and Visual Culture in Late Medieval and Renaissance Tuscany
Lluís-Bernat Polanco-Roig, Universitat de València
A Renaissance Pageant for the Catholic Kings: The Triumphus . . . Regine
Hispanie domine Ysabellis (1482)
Naomi Gregory, Eastman School of Music, University of Rochester
Allegorical Resonances: Music’s Role in Mary Tudor’s Entry to Paris (1514)
30139 Madonna Revisited
Hynes Convention Center
Level Two
206
Organizer: Emily Fenichel, Florida Atlantic University
Chair: Tracy Cosgriff, University of Virginia
Respondent: Kim Butler Wingfield, American University
Paolo di Simone, Università degli Studi “Gabriele d’Annunzio” Chieti-Pescara
Familiar Landscapes: Venetian and Lombard Madonne in the European Context
Alessandra Galizzi Kroegel, Università degli Studi di Trento
Invention and Caution: Leonardo, Zenale, and the Immaculate Conception
Steven J. Cody, Indiana University-Purdue University Fort Wayne
Light from the Light in Andrea del Sarto’s Madonna of the Harpies
Jonathan W. Unglaub, Brandeis University
Marian Corporeality and Pictorial Structure: The Genesis of Raphael’s
Sistine Madonna

249
Saturday, 2 April 2016

30140 Nonfigurative disegno in the Italian

8:30–10:00

Hynes Convention Center Renaissance: Construction, Heuristics,

Level Two and Theory of the Object
207
Sponsor: Italian Art Society
Organizers: Sabina de Cavi, Universidad de Córdoba;
Pietro Roccasecca, Accademia di Belle Arti di Roma
Chair: Sheryl E. Reiss, Italian Art Society
Respondent: Gail Feigenbaum, Getty Research Institute
Pietro Roccasecca, Accademia di Belle Arti di Roma
Disegno: The Intersection of Representation and Knowledge
Sabina de Cavi, Universidad de Córdoba
Early Modern Theory of Linear Drawing in Italy and Spain: The Prehistory
of Design
30141 Forms of Awareness in Early
Hynes Convention Center Modernity: Consciousness, Sentience,
Level Two Personhood I
208
Organizers: Timothy M. Harrison, University of Chicago;
Giulio Pertile, Claremont McKenna College
Chair: Timothy M. Harrison, University of Chicago
Jennifer Waldron, University of Pittsburgh
Technics and Reflection in Shakespeare
Giulio Pertile, Claremont McKenna College
Macbeth, King Lear, and “Absence Seizures” in the Body Politic
Bradin Cormack, University of Chicago
Lyric Beings
30142 Shakespeare’s Influences and Intertexts
Hynes Convention Center
Level Two
210
Organizer: Renaissance Society of America
Chair: Karoline Johanna Baumann, Freie Universität Berlin
Jason Crawford, Union University
Shakespeare’s Dark Conceits
Misha Teramura, Harvard University
Shakespeare’s Literary Pilgrimage
William J. Kennedy, Cornell University
Repentance in Shakespeare’s Sonnets

250
 Saturday, 2 April 2016
30143 Ecological Sympathies in Early

8:30–10:00
Hynes Convention Center Modern Literature
Level Three
302
Organizer: Roya Biggie, CUNY, The Graduate Center
Chair: Jennifer Munroe, University of North Carolina at Charlotte
Peter Remien, Lewis-Clark State College
Sympathetic Oeconomies in Jonson and Digby
Roya Biggie, CUNY, The Graduate Center
Elemental and Imaginative Sympathies in Titus Andronicus
Katherine Nicole Walker, University of North Carolina at Chapel Hill
Popular Science and Occult Environments: A Midsummer Night’s Dream
30144 Early Modern Europe and Africa I
Hynes Convention Center
Level Three
303
Organizer: Paul H. D. Kaplan, SUNY, Purchase College
Chair: Cristelle L. Baskins, Tufts University
Valeria Manfrè, Universidad de Valladolid
Mapping North African Cities: Visual Typology and Construction Methods
Ingrid Anna Greenfield, University of Florida
Renaissance Objects in Africa: Collecting Material Power
Lamia Balafrej, Wellesley College
Imported Tiles and Iconoclasm in Seventeenth-Century Morocco
30145 Arendt and Early Modern England
Hynes Convention Center
Level Three
304
Organizer: Todd Butler, Washington State University
Chair: Nigel Smith, Princeton University
Todd Butler, Washington State University
Oath-Taking and Promise-Making in Early Modern England
Sharon Achinstein, Johns Hopkins University
Reading Milton on Liberty with Hannah Arendt
Feisal G. Mohamed, CUNY, The Graduate Center
Judgment, Action, and the End of Romance

251
Saturday, 2 April 2016

30146 The Limits of Frames

8:30–10:00

Hynes Convention Center

Level Three
305
Sponsor: Medieval and Renaissance Studies Association in Israel
Organizers: Zur Shalev, University of Haifa;
Daniel M. Unger, Ben-Gurion University of the Negev
Chair: Daniel M. Unger, Ben-Gurion University of the Negev
Camille Serchuk, Southern Connecticut State University
Around the World: Borders and Frames in Sixteenth-Century Norman
Cartography
Elizabeth Petersen, Pennsylvania State University
Donatello Architetto: The San Lorenzo Pulpits
Geoff Lehman, Bard College Berlin
Frame as Parergon in the Villa Barbaro
30147 Architecture, Urbanism, and the Arts
Hynes Convention Center in Honor of Marvin Trachtenberg IV:
Level Three Slow Art History
306
Organizer: Areli Marina, University of Illinois at Urbana-Champaign
Chair: Alina A. Payne, Harvard University
Respondents: James S. Ackerman, Harvard University;
Michael W. Cole, Columbia University
Michael J. Waters, Worcester College, University of Oxford
Brunelleschi and the Trecento: Questions of Materiality and Facture
Areli Marina, University of Illinois at Urbana-Champaign
The Leaning Tower of Venice and Slow Art History
30148 Seafaring Structures I
Hynes Convention Center
Level Three
308
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: Christy Anderson, University of Toronto
Chair: Sharonah Esther Fredrick, Arizona State University (ACMRS)
Meredith Greiling, University of Hull
Sacred Vessels: Exploring the Tradition of Church Ship Models in Northern
Europe, 1400–1700
Emily Mann, Courtauld Institute of Art
Many Movable Parts: Ships, Forts, and Carpenters in England’s
Atlantic Colonies
Deborah Howard, University of Cambridge
Venetian Galleys as Domestic Space

252
 Saturday, 2 April 2016
30149 Broadside Ballads and the

8:30–10:00
Hynes Convention Center Mediated Body
Level Three
309
Organizers: Kris McAbee, University of Arkansas, Little Rock;
Jessica C. Murphy, University of Texas at Dallas
Chair: Simone Chess, Wayne State University
Kris McAbee, University of Arkansas, Little Rock
Commodifying the Crafty Lass of Ballad Culture
Jessica C. Murphy, University of Texas at Dallas
Greensickness in Romeo and Juliet and Broadside Ballads
30150 Spenserian Emergencies I
Hynes Convention Center
Level Three
310
Sponsor: International Spenser Society
Organizer and Chair: J. K. Barret, University of Texas at Austin
Andrew Michael Carlson, Rutgers University, New Brunswick
Mutabilitie’s Unperfection
Megan Kathleen Smith, University of California, Los Angeles
“Perfect Holes”: The Cases of the Missing Scar and of the Vanishing Stanzas
Stephen Merriam Foley, Brown University
Needless Alexandrine
30152 Converging Paths: Encounters between
Hynes Convention Center Art and Science I: The Artist and
Level Three Science Books
313
Organizers: Zuleika Murat, Università degli Studi di Padova;
Chiara Ponchia, Università degli Studi di Padova
Chair: Chiara Ponchia, Università degli Studi di Padova
Giacomo Montanari, Independent Scholar
Grechetto and Paggi’s Library: Reading and Painting about Natural Philosophy
in the Seventeenth Century
Margarita-Ana Vázquez-Manassero, Universidad Nacional de Educación a Distancia
Books and Images of Science Collected by García de Loaysa, Preceptor of Philip III
Claudia Lehmann, Universität Bern
Ghiberti’s Bronzes in the Light of Scientific Observations and Innovations

253
Saturday, 2 April 2016

Saturday, 2 April 2016

10:30–12:00

10:30–12:00

30204 Bodies, Flesh, Eugenics

Park Plaza
Mezzanine
Boylston Room
Organizer: Renaissance Society of America
Chair: Jack Hartnell, Columbia University
Robert Fredona, Harvard University
Tommaso Campanella and Renaissance Eugenics
Jan Katherine Purnis, University of Regina, Campion College
Anthropophagy and Early Modern Psychophysiology: Cannibalism and Theories
of Digestion
30205 Islamicate Occultism II: Ottoman
Park Plaza Book Cultures
Mezzanine
Commonwealth Room
Sponsor: Islamic World, RSA Discipline Group
Organizer: Matthew Melvin-Koushki, University of South Carolina
Chair: Kaya Sahin, Indiana University
Noah Daedalus Gardiner, Universität Bonn, Annemarie Schimmel Kolleg
Occultist Encyclopedism: ʿAbd al-Rah·mān al-Bist·āmī in Mamlūk Cairo and
Damascus
Tuna Artun, Rutgers University
Al-Jildaki in Istanbul: The Ottoman Discovery of a Mamluk Corpus
Özgen Felek, CUNY, The Graduate Center
Occult Texts as Royal Gifts at the Late Sixteenth-Century Ottoman Court:
Met·āliʿ al-seʿāde and Rāznāme
Ahmet Tunc Sen, University of Chicago
Occult Lore in the Bibliotheca of an Ottoman Polymath: Muʾayyadzāda
(d. 1516) and His Astral Quests

254
 Saturday, 2 April 2016
30206 Ethnography and the Making of

10:30–12:00
Park Plaza Renaissance Identities
Mezzanine
Statler Room
Organizer: Ann E. Moyer, University of Pennsylvania
Chair: Surekha Davies, Western Connecticut State University
Kathryn Taylor, University of Pennsylvania
Making Statesmen, Writing Culture: Ethnography, Education, and Diplomatic
Travel in Early Modern Venice
Carina L. Johnson, Pitzer College
Inscribing Ottoman Identity Markers in Sixteenth-Century Print
Ann E. Moyer, University of Pennsylvania
Florentines Studying the Florentine Past: Language, Customs, Objects
30207 Renaissance Collaboration II:
Park Plaza Collaborative Networks
Mezzanine
Hancock Room
Sponsor: Centre for Reformation and Renaissance Studies, University of
Toronto (CRRS)
Organizer: Trevor Cook, University of Toronto
Chair: Tara Bissett, University of Toronto
Carol Pal, Bennington College
“I would never have allowed it”: Collaboration and Conflict in the Republic of
Letters
Jane D. Tar, University of St. Thomas
Collaboration and Networking in Spanish Nuns’ Marian Confraternities
(1595–1635)
30208 Women on Trial
Park Plaza
Mezzanine
Exeter Room
Organizers: Derek Dunne, Albert-Ludwigs-Universität Freiburg;
Penelope Geng, Macalester College
Chair: Todd Butler, Washington State University
Respondent: Derek Dunne, Albert-Ludwigs-Universität Freiburg
Penelope Geng, Macalester College
Forms of Repentance and Protest in English Domestic Tragedies
Jane Miller Wanninger, Vanderbilt University
“Enchanting Words”: Witches, Women, and Interrogation in The Late
Lancashire Witches
Elizabeth V. Steinway, The Ohio State University
Pleading the Belly: Pregnant Women on Trial

255
Saturday, 2 April 2016

30209 Florence Reconsidered IV: Old Sources,

10:30–12:00

Park Plaza New Directions

Mezzanine
Clarendon Room
Organizers: Nicholas S. Baker, Macquarie University;
Nicholas A. Eckstein, University of Sydney;
Brian Jeffrey Maxson, East Tennessee State University
Chair: Nicholas S. Baker, Macquarie University
Niall Atkinson, University of Chicago
The Psycho-Geographies of the Florentine Traveler
Nicholas A. Eckstein, University of Sydney
Sovereign Borders? Mapping Florence and Tuscany in the Forgotten Centuries
Nicholas Terpstra, University of Toronto
Following Threads: Digital Mapping of Early Modern Florence
30210 Seeing Is Believing: Devotional
Park Plaza Materiality from Church to Home in
Mezzanine Early Modern England and Italy
Berkeley Room
Sponsor: History, RSA Discipline Group
Organizer: Mary R. Laven, Jesus College, University of Cambridge
Chair: Arnold Hunt, University of Cambridge
John Semple Craig, Simon Fraser University
Sermons in Stones: Painting Scriptural Texts on Parish Church Walls in Early
Modern England
Katherine M. Tycz, University of Cambridge
The Writing on the Wall: Devotional Inscriptions in the Early Modern Italian
Home
Irene Galandra Cooper, University of Cambridge
Sixteenth-Century Gossip: Witnessing Matters of Domestic Devotion in Early
Modern Italy
30211 Alchemy and Forgery around
Park Plaza Paracelsus II
Mezzanine
Arlington Room
Organizers: Hiro Hirai, Radboud University Nijmegen;
Didier Kahn, Centre national de la recherche scientifique
Chair: Kathrin Pfister, Universität Heidelberg
Dane Thor Daniel, Wright State University
Paracelsus’s Letter to Luther and the Theologians at Wittenberg: Authentic or
Spurious?
Elisabeth Moreau, Université libre de Bruxelles
Petrus Severinus and Daniel Sennert on “Philosophia ad Athenienses”
Hiro Hirai, Radboud University Nijmegen
Signatures of Nature between Magic and Science in Pseudo-Paracelsus

256
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30212 Circulation, Adaptation, Reception,

10:30–12:00
Park Plaza Translation
Mezzanine
Georgian Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Karen Nelson, University of Maryland, College Park
Chair: Elizabeth Patton, Johns Hopkins University
Emily Fine, Brandeis University
Dying Devotions: Mothers’ Legacy Texts in Early Modern England
Karen Nelson, University of Maryland, College Park
Sixteenth-Century Translations of Boethius: Constructing a Narrative of English
Form and Reform
30213 Language, Cosmography, and
Park Plaza Geography in Early Modern France
Fourth Floor and Beyond
Brookline Room
Organizer: Renaissance Society of America
Chair: Anne R. Larsen, Hope College
Simone Zweifel, University of St. Gallen
Compiling Knowledge: Production and Dissemination of Knowledge from
Different “Disciplines” and “Traditions” in the Renaissance
Kendall B. Tarte, Wake Forest University
Belleforest’s Language of Place
Laurence de Looze, University of Western Ontario
Claude Duret’s Thrésor de l’histoire des langues . . . (1613): Linguistics, Politics,
History
30214 Diplomacy and Literature: Italo-Iberian
Park Plaza Relationships in the Early Modern
Fourth Floor World
Cambridge Room
Organizer and Chair: Marta Albala Pelegrin, California State Polytechnic
University, Pomona
Elena Daniele, Tulane University
Italo-Iberian Relationships: The Iberian Overseas Explorations in the Italian
Diplomatic Correspondence
Jimena Gamba, Universitat Autònoma de Barcelona
Chivalric Celebrations as the Setting for Italo-Iberian Relationships after the
Peace of Cateau-Cambresis
Angela Ballone, Independent Scholar
Spanish-American Reflexions on Politics and Italo-Iberian Literary Works

257
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30215 Roundtable: Speech, Orality, and

10:30–12:00

Park Plaza Communication in Early Modern

Fourth Floor Europe
Beacon Hill Room
Organizers: John Gallagher, University of Cambridge;
Virginia Reinburg, Boston College
Chair: Elizabeth S. Cohen, York University
Discussants: John Gallagher, University of Cambridge;
Virginia Reinburg, Boston College;
Jennifer Richards, University of Newcastle;
Carla Teresa Roth, Oxford University;
Melissa Vise, New York University
What are the best ways to capture the spoken word embedded in the texts left to us
from the early modern world? This is the central question animating this roundtable
of historians and literary scholars. Panelists will discuss approaches to orality; orality
and vocality as potentially distinct concepts; the “oral” in sources where it has not
traditionally been sought; links among speech, silence, and gesture; and how orality
functions in the face of linguistic barriers and multicultural encounters. They
will tease out the relationships between archival sources, printed materials, and
experiences of speech, hearing, and communication in early modern Europe, and
explore new questions facing historians of orality.
30216 Renaissance and New Epistemologies
Park Plaza
Fourth Floor
Back Bay Room
Sponsor: New England Renaissance Conference (NERC)
Organizer: Touba Ghadessi, Wheaton College
Chair: Sarah G. Ross, Boston College
Lianne Habinek, Columbia University
Renaissance Flap-Books and the Brain: A Case for Neuroscientific Plagiarism
Emily Monty, Brown University
Mannerism and Mobility in the World of Federico Zuccaro
Mary Margaret Gallucci, University of Connecticut
The Skull and Hair of Alessandro de’ Medici: Reading Racial Signs in Historical
Perspective

258
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30217 The Verbal-Visual Structure of

10:30–12:00
Park Plaza Spenser’s Shepheardes Calender
Fourth Floor
Brandeis Room
Sponsor: Society for Emblem Studies
Organizer: Kenneth Borris, McGill University
Chair: William Allan Oram, Smith College
Kenneth Borris, McGill University
The Emblematic Role of the Pictures in Spenser’s Shepheardes Calender
Jeff Espie, University of Toronto
Reading Colin’s Motto: Posthumous Life and Literary History in Spenser’s
“Nouember”
Tamara A. Goeglein, Franklin & Marshall College
Beholding Colin Beheld
30218 Poetics of the Sacred in Early Modern
Park Plaza Italy II
Fourth Floor
Cabot Room
Organizer: Bryan Brazeau, University of Warwick
Chair: Marco Faini, University of Cambridge
Respondent: Eugenio Refini, Johns Hopkins University
Claudia Rossignoli, University of St. Andrews
Dante’s Poetics of Faith in Early Modern Italy
Emma Grootveld, Katholieke Universiteit Leuven
Sacred Dedicatees, Sacred Poetics? Tensions and Tendencies in Epic for Urban
VIII and Louis XIII
Stefano Muneroni, University of Alberta
Dramatic Transcendence as Path to Theological and Literary Orthodoxy: Sforza
Pallavicino’s Ermenegildo Martire
30219 New Perspectives on Giordano Bruno
Park Plaza
Fourth Floor
Charles River Room
Sponsor: Society for Medieval and Renaissance Philosophy (SMRP)
Organizer: Donald F. Duclow, Gwynedd Mercy University
Chair: Dilwyn Knox, University College London
Sara Taglialatela, Freie Universität Berlin and Scuola Normale Superiore di Pisa
Many Ways of Being a Source: Resonances of Plato’s Phaedrus in Bruno’s De
Umbris Idearum
Luisa Brotto, Scuola Normale Superiore di Pisa
Remodeling an Ancient Notion: Giordano Bruno’s Conception of Faith
Thomas Leinkauf, University of Munster
Vicissitudo and Vinculum: Central Categories of Bruno’s Concept of Reality

259
Saturday, 2 April 2016

30220 Making Early Modern Studies Irish:

10:30–12:00

Park Plaza Engaging with the Work of Nicholas

Fourth Floor Canny II
Constitution Room
Organizers: Sarah Covington, CUNY, Queens College;
Brendan Kane, University of Connecticut
Chair: Vincent P. Carey, SUNY, Plattsburgh
Sarah Covington, CUNY, Queens College
“We are really in an Enemies Country”: Afterlives of Spenser’s Language in Early
Ascendancy Ireland
Ralph Bauer, University of Maryland, College Park
Nicholas Canny and Comparative Colonial American Studies
David Armitage, Harvard University
Canny’s Contexts
30221 Ladies-in-Waiting in the Early Modern
Park Plaza World II: Italian damigelle at Home
Fourth Floor and Abroad
Franklin Room
Organizer and Chair: Molly Bourne, Syracuse University in Florence
Bruce L. Edelstein, New York University, Florence
Women and Space at the Medici Ducal Court
Megan C. Moran, Montclair State University
Clothes, Gifts, and Gossip: Gender and Political Networks in Early Modern
Florence and France
Adelina Modesti, La Trobe University
Le Signore Dame: Grand Duchess of Tuscany Vittoria della Rovere and Her
Ladies-in-Waiting
Jorge Sebastián Lozano, Universitat de València
The Many Lives of a Renaissance Lady: Sofonisba Anguissola at the Spanish
Court
30222 Imprimer le Moyen Âge en français,
Park Plaza XVe–XVIe siècle II
Fourth Floor
Emerson Room
Sponsor: Société Française d’Etude du Seizième Siècle (SFDES)
Organizer: Joëlle Ducos, Université Paris-Sorbonne
Chair: Anne Salamon, Laval University
Anne Rochebouet, Université de Versailles St-Quentin-en-Yvelines
L’histoire ancienne jusqu’à César dans ses imprimés: Une nouvelle
compilation?
Christine Silvi, Université Paris-Sorbonne
Diffusion et réception de l’Image du Monde de Gossouin de Metz dans les
premiers imprimés
Joëlle Ducos, Université Paris-Sorbonne
L’héritage médiéval dans les premiers imprimés d’astronomie: Typologie
et recueil

260
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30223 Disability in Early Modern Europe and

10:30–12:00
Park Plaza Her Colonies
Fourth Floor
Gloucester Room
Sponsor: Center for Medieval and Renaissance Studies, Saint Louis University
Organizer: Mary Dunn, St. Louis University
Chair: Cathy Corder, University of Texas at Arlington
Lindsey Row-Heyveld, Luther College
Disabled Femininity and Feminized Disability in Early Modern English Drama
Encarnacion Juarez-Almendros, University of Notre Dame
Undomesticated Female Bodies in Cervantes’s Works and the Instability of
Marriage
Gloria Bodtorf Clark, Pennsylvania State University, Harrisburg
Ruiz de Alarcon: Seeking Dignity, Virtue, and Reason in Early Modern Spain
Mary Dunn, St. Louis University
Negotiating Disability in Early Modern New France
30224 Ariosto, 1516–2016 II: Spaces and
Park Plaza Characters of the Orlando furioso
Fourth Floor
Holmes Room
Sponsor: Italian Literature, RSA Discipline Group
Organizers: Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg;
Eleonora Stoppino, University of Illinois at Urbana-Champaign
Chair: Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg
Ronald L. Martinez, Brown University
Ariosto’s Voyages: The Orlando furioso and the Mapping of the Early Modern
World
Eleonora Stoppino, University of Illinois at Urbana-Champaign
Dischronic Spaces in the Orlando furioso
Alice Spinelli, Freie Universität Berlin
“Di là da l’India”: Old and New World in Ariosto’s Fictional Geography
30225 Jesuits and Models of Holiness II
Park Plaza
Fourth Floor
Longfellow Room
Organizers: Hilmar M. Pabel, Simon Fraser University;
Elizabeth Rhodes, Boston College
Chair: Jodi Bilinkoff, University of North Carolina at Greensboro
Jonathan Edward Greenwood, Johns Hopkins University
Hagiographer as Collector: Pedro de Ribadeneyra, Sacred Histories, and the
Accumulation of Miracles
Elizabeth Rhodes, Boston College
Pedro de Rivadeneira’s Poetics and Politics of Sanctity
Anne Jacobson Schutte, University of Virginia
Santo Labrador: Antonio Alonso Bermejo and His Biographers

261
Saturday, 2 April 2016

30226 Dynastic Regeneration: Celebrating

10:30–12:00

Park Plaza Male Heirs in the Late Habsburg and

Fourth Floor Early Bourbon Spanish World
Newbury Room
Sponsor: Medieval and Renaissance Studies Program, Purdue University
Organizer: Silvia Z. Mitchell, Purdue University
Chair and Respondent: Alejandro Cañeque, University of Maryland, College Park
Rachael Ball, University of Alaska, Anchorage
Spectacle and Kingship in the Court City: Madrid’s Celebrations for the Birth of
Balthasar Carlos
Silvia Z. Mitchell, Purdue University
Women and Children First: Rituals and Ceremonies of Kingship during Carlos
II’s Minority, 1665–75
Frances L. Ramos, University of South Florida
Infertility, Birth, Regeneration in New Spain’s Ceremonies for Its First Bourbon
Prince, 1707–09
30227 Roundtable: Renaissance
Park Plaza Commentaries
Fourth Floor
Stuart Room
Organizers: David A. Lines, Warwick University;
Paola Tomè, Magdalen College, University of Oxford
Chair: Christopher Celenza, Johns Hopkins University
Discussants: Greti Dinkova-Bruun; Pontifical Institute of Medieval Studies
David A. Lines, Warwick University;
Martin McLaughlin, Magdalen College, University of Oxford;
Pontifical Institute of Medieval Studies
Marianne Pade, Danish Academy, Rome;
Andrea Aldo Robiglio, Katholieke Universiteit Leuven;
Luigi-Alberto Sanchi, Centre national de la recherche scientifique;
Paola Tomè, Magdalen College, University of Oxford
This session is meant to provide an initial point of discussion for people working
on Renaissance commentaries in a variety of fields, including literature, law,
philosophy, medicine, and theology. The roundtable will focus on issues of
particular relevance to Neo-Latin literature and Renaissance philosophy, partly
because these fields have been explored more than others and can therefore provide
a methodological framework. Some of the key questions explored are the following:
How do Renaissance commentaries on classical literature and philosophical texts
differ from medieval ones? To what extent do specific hermeneutical strategies
(including the accessus ad auctores and the commentarius ad literam) actually evolve?
Is the audience a key factor in the development of new genres, such as the dialogue,
and if so, how do contextual considerations affect our understanding of Renaissance
commentaries? Most of the time will be given over to discussion.

262
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30228 Cervantes and Shakespeare: Works and

10:30–12:00
Park Plaza Lives in Common?
Fourth Floor
Tremont Room
Sponsors: Hispanic Literature, RSA Discipline Group; Cervantes Society of America
Organizers: David A. Boruchoff, Independent Scholar;
Susan Byrne, Yale University
Chair: Michael S. Scham, University of St. Thomas
Ariadna García-Bryce, Reed College
Spectral Rulers in Cervantes and Shakespeare
Marsha S. Collins, University of North Carolina at Chapel Hill
Problematic Poetics: Mixing It Up in Cervantes’s La ilustre fregona and
Shakespeare’s The Winter’s Tale
30229 Women and Religious Devotion in
Park Plaza Renaissance Ferrara
Fourth Floor
White Hill Room
Sponsor: Religion, RSA Discipline Group
Organizer: Tamar Herzig, Tel Aviv University
Chair and Respondent: Jutta G. Sperling, Hampshire College
Tamar Herzig, Tel Aviv University
Eleonora of Aragon and Jewish Conversion to Christianity
Diane Yvonne Ghirardo, University of Southern California
Lucrezia Borgia’s Sacred Jewelry
Arvi Wattel, University of Western Australia
Flying Babies in the Convent: Art and Female Devotion at San Bernardino in
Ferrara
30230 Neo-Latin between Italy and the
Park Plaza Americas
Fourth Floor
Winthrop Room
Sponsor: Societas Internationalis Studiis Neolatinis Provehendis / International
Association for Neo-Latin Studies
Organizer: Craig Kallendorf, Texas A&M University
Chair: Stefan Schlelein, Humboldt-Universität zu Berlin
Catherine J. Castner, University of South Carolina
Biondo Flavio and the History of Venice
Carolina Ponce Hernández, Universidad Nacional Autónoma de México
Lengua latina y discurso en De pari aut impari Evae atque Adae peccato de Isotta
Nogarola
Ana Torres Placido, Universidad Nacional Autónoma de México
Autoras femeninas en la Bibliotheca Mexicana de Juan José de Eguiara y
Eguren

263
Saturday, 2 April 2016

30231 Judgment in the Heptaméron:

10:30–12:00

Park Plaza Rhetorical, Spatial, and Specular

Fourth Floor Approaches
Whittier Room
Organizer: Scott M. Francis, University of Pennsylvania
Chair: Kathleen P. Long, Cornell University
Scott M. Francis, University of Pennsylvania
Anticipating Misogyny: Praesumptio in the Querelle des Amies and
Heptaméron 13
Nancy Frelick, University of British Columbia
Marguerite de Navarre’s Princely Mirrors
Elizabeth C. Black, Old Dominion University
Playing Cat and Mouse in the Castle: Heptaméron 21 and Spatial Constraint
30232 The Promises of Gold: Materialized
Park Plaza Desires and Social Phantasms in
Fourth Floor Economy, Art, and Science II
St. James Room
Organizers: Tina Asmussen, Max-Planck-Institut für Wissenschaftsgeschichte;
Michael Jucker, University of Lucerne
Chair: Eileen A. Reeves, Princeton University
Tina Asmussen, Max-Planck-Institut für Wissenschaftsgeschichte
Failed Quest for Gold: The Social and Economic Productivity of Desires and
Affects
Christine Göttler, Universität Bern
Antwerp and the Emperor’s Indies: Rubens’s Arch of the Mint for Cardinal-
Infante Ferdinand (1635)
Joel Andrew Klein, Columbia University
“Tales of sheer and utter nonsense” or “Chymical delirium”: The Sala-
Lauremberg Controversy over Potable Gold
30233 Toward Tintoretto 500 II
Hynes Convention Center
Level Two
200
Sponsor: Art and Architecture, RSA Discipline Group
Organizers: Lorenzo Buonanno, University of Massachusetts Boston;
Frederick A. Ilchman, Museum of Fine Arts, Boston
Chair: Frederick A. Ilchman, Museum of Fine Arts, Boston
Lorenzo Buonanno, University of Massachusetts Boston
Tintoretto, Vittoria, and the Figura Serpentinata in Venice
Thomas Dalla Costa, University of Verona
Drawings and Draughtsmanship in Sixteenth-Century Venice: Tintoretto vs.
Veronese
Mary Vaccaro, University of Texas at Arlington
Tintoretto’s Drawings and Agostino Carracci

264
 Saturday, 2 April 2016
30234 Crossroads of Creation: Artistic

10:30–12:00
Hynes Convention Center Workshops in Renaissance Italy II:
Level Two Toward a New Individualism
201
Organizers: Mattia Biffis, CASVA;
Giorgio Tagliaferro, University of Warwick
Chair: Giorgio Tagliaferro, University of Warwick
Daniel Wallace Maze, Independent Scholar
Transferring the Artist’s Workshop: From Jacopo to Gentile Bellini
Jennifer Kim, Independent Scholar
Tradition and Innovation: Perugino’s Workshop Practices through Raphael’s
Drawings
Mattia Biffis, CASVA
The Invisible Workshop: Francesco Salviati’s Exclusive Pedagogy
30235 Divinely Human: Representing the
Hynes Convention Center Body of Christ II
Level Two
202
Organizers: Linda A. Koch, John Carroll University;
Kristen Van Ausdall, Kenyon College
Chair: Linda A. Koch, John Carroll University
Sara N. James, Mary Baldwin College
Divinely Human, Humanly Divine: Body of Christ in the Life of the Virgin at
Orvieto
Kristen Van Ausdall, Kenyon College
True Relics: Shrines, Tabernacles, and the Body of Christ on Display in Italy
Lara R. Langer, University of Maryland, College Park
Flesh and Spirit: Andrea Sansovino’s Corbinelli Altar and the Rise of the
Sculpted Altarpiece
30236 Sacred Images: Iconoclasm to Idolatry
Hynes Convention Center in the Iberian World
Level Two
203
Organizer: Felipe Pereda, Johns Hopkins University
Chair: Thomas B. F. Cummins, Harvard University
Ramón Elias Mujica Pinilla, National Library of Peru
From Pagan Idol to Christian Image and Back Again: Strategies of Religious
Syncretism in Viceregal Peru
Jaime Cuadriello, Universidad Nacional Autónoma de México
Tecaxic/Tepeyac: Two Mirrors of the First Marian Theurgy of New Spain
Jens Baumgarten, Universidade Federal de São Paolo
Idolatry and Iconoclasm in Colonial Brazil: Limits of Terminology and
Concepts

265
Saturday, 2 April 2016

30237 Building with Paper: The Materiality of

10:30–12:00

Hynes Convention Center Renaissance Architectural Drawings II

Level Two
204
Organizers: Dario Donetti, Kunsthistorisches Institut in Florenz;
Morgan Ng, Harvard University
Chair: Marzia Faietti, Gabinetto Disegni e Stampe degli Uffizi
Respondent: Carolyn Yerkes, Princeton University
Jonathan Foote, Aarhus Universitet
Animate Tracings in Michelangelo’s Paper Modani
Mauro Mussolin, CASVA
Michelangelo and Paper as Palimpsest
Alina Aggujaro, “Sapienza,” Università di Roma
Bramante’s Drawings for Saint Peter’s: The Sheet as a Material Limit and Source
of Creative Potential
30238 Music in the Art of Renaissance Italy,
Hynes Convention Center ca. 1420–1540
Level Two
205
Organizer: Tim Shephard, University of Sheffield
Chair: Sanna Raninen, University of Sheffield
Tim Shephard, University of Sheffield
“Stupid Midas”: Visualizing Musical Judgment and Moral Judgment in Italy
ca.1500
Laura Cristina Stefanescu, University of Sheffield
The Virgin in the Garden: From Earthly Delights to Divine Music
Serenella Sessini, University of Sheffield
Teaching Music Through Art: Musical Exemplarity in Fifteenth-Century Italian
Devotional Images
30239 Rethinking the Rhetoric of Images in
Hynes Convention Center Renaissance Italy
Level Two
206
Organizers: Anna Marazuela Kim, Courtauld Institute of Art;
Robert J. Williams, University of California, Santa Barbara
Chair: Anna Marazuela Kim, Courtauld Institute of Art
Respondent: Frank Fehrenbach, Universität Hamburg
Stephen J. Campbell, Johns Hopkins University
On Renaissance Nonmodernity
Robert J. Williams, University of California, Santa Barbara
Actuality, Potentiality, and Raphael’s Tapestry Cartoons
Jakub Stejskal, Freie Universität Berlin
Renaissance Art Nexus between Substitution and Performance

266
 Saturday, 2 April 2016
30240 Art and the Emotions of Italian

10:30–12:00
Hynes Convention Center Renaissance Women
Level Two
207
Sponsor: Italian Art Society
Organizers: Esperanca Maria Camara, University of Saint Francis;
Theresa L. Flanigan, The College of Saint Rose
Chairs: Esperanca Maria Camara, University of Saint Francis;
Theresa L. Flanigan, The College of Saint Rose
Tijana Zakula, Universiteit Utrecht
Ladylike Passions and Rules of Conduct in Renaissance Art Theory and
Practice
Judith Steinhoff, University of Houston
Modeling Gendered Grief in Trecento Paintings of the Crucifixion
Heather Graham, California State University, Long Beach
Compassionate Lament: Renaissance Women, Tempered Grief, and the Promise
of Salvation
30241 Forms of Awareness in Early
Hynes Convention Center Modernity: Consciousness, Sentience,
Level Two Personhood II
208
Organizers: Timothy M. Harrison, University of Chicago;
Giulio Pertile, Claremont McKenna College
Chair: Giulio Pertile, Claremont McKenna College
James Kuzner, Brown University
Death as a Way of Life in Donne’s Holy Sonnets
Timothy M. Harrison, University of Chicago
Death Experienced: The Late Renaissance Reception of Julius Canus
Ellen MacKay, Indiana University
On the Capabilities of Groundlings
30242 Shakespeare, War, and Ecology
Hynes Convention Center
Level Two
210
Organizer: Benjamin Bertram, University of Southern Maine
Chair: Jeffrey S. Theis, Salem State University
Karen Raber, University of Mississippi
The Chicken and the Egg: Animal Nature in Troilus and Cressida
Jennifer Munroe, University of North Carolina at Charlotte
The Dangers of “Speaking For”: Violence against Women and Nonhumans in
Shakespeare’s Titus Andronicus
Benjamin Bertram, University of Southern Maine
Bestial Hamlet

267
Saturday, 2 April 2016

30243 Ecologies in Early Modern English

10:30–12:00

Hynes Convention Center Drama

Level Three
302
Organizer and Chair: Mark Kaethler, University of Guelph
Tiffany Hoffman, Trent University
Shakespeare’s Ecologies of Sympathy
Emily Shortslef, University of Kentucky
Feeling with the Other: Ecologies of Complaint in Early Modern Theatrical
Tragedy
Claire Duncan, University of Toronto
Ecological Ovidian Transformation in Lyly’s Love’s Metamorphosis
30244 Early Modern Europe and Africa II
Hynes Convention Center
Level Three
303
Organizer: Cristelle L. Baskins, Tufts University
Chair: Paul H. D. Kaplan, SUNY, Purchase College
Joaneath A. Spicer, The Walters Art Museum
Hannibal in the European Imagination
Andrea Celli, University of Connecticut
Antonio Vieira, SJ (1608–97) on Hagar’s Blackness and Angolan Slaves
Cécile Fromont, Harvard University
Gateways to Africa: Allegory and Empiricism in Capuchin Frontispieces
30245 Reading the Early Modern through
Hynes Convention Center Auerbach’s “Figura”
Level Three
304
Sponsor: Renaissance Studies Certificate Program, Graduate Center, CUNY
Organizer: Martin Elsky, CUNY, Brooklyn College and The Graduate Center
Chair: Regina Schwartz, Northwestern University
Niklaus Largier, University of California, Berkeley
Figure, Typology, Allegory
Martin Elsky, CUNY, Brooklyn College and The Graduate Center
The Fate of Figura: From Exile to Assimilation
Jane O. Newman, University of California, Irvine
How to Do Things with the Renaissance: Auerbach and Bourdieu

268
 Saturday, 2 April 2016
30246 Exploring Hybridity in Renaissance

10:30–12:00
Hynes Convention Center Decorative Arts
Level Three
305
Organizer and Chair: Andrea Ortuno, CUNY, Bronx Community College
Trinity Martinez, CUNY, The Graduate Center
A Cast of Creatures: Centaurs in Italian Renaissance Bronzes
Anne Vuagniaux, CUNY, Bronx Community College
Extravagant Humility: Untangling Design Sources for St. Porchaire Ceramics
Rachael B. Goldman, The College of New Jersey
Apotropaic Qualities of Colorful Groteschi
Patricia Rocco, CUNY, The Graduate Center
Holy Hybrids: Mitelli’s Gambling Prints and the Mapping of Leisure and
Gender in Early Modern Europe
30247 Architecture, Urbanism, and the Arts
Hynes Convention Center in Honor of Marvin Trachtenberg V:
Level Three Paradigms Reconsidered
306
Organizer and Chair: Areli Marina, University of Illinois at Urbana-Champaign
Anne Dunlop, University of Melbourne
Italian “Gothic” and International Gothic
Daniel Savoy, Manhattan College
An Anticlimactic Art History
Robert W. Gaston, University of Melbourne
Paradigm Hunting: Architectural and Argumentational Decorum in Marvin
Trachtenberg’s Research
30248 Seafaring Structures II
Hynes Convention Center
Level Three
308
Sponsor: Art and Architecture, RSA Discipline Group
Organizer: Christy Anderson, University of Toronto
Chair: Sharonah Esther Fredrick, Arizona State University (ACMRS)
Erica McCarthy, University of Hull
Ships’ Figureheads: Misunderstood Vestiges of Seafaring Cultures and Ships’
Structures
Christy Anderson, University of Toronto
Architecture on the Sea
Katie Jakobiec, University of Edinburgh
Wood/Grain: Shipment on the Vistula River

269
Saturday, 2 April 2016

30249 Uncertain Sonnets: Sequence

10:30–12:00

Hynes Convention Center and Its Consequences in Sidney

Level Three and Shakespeare
309
Organizers: Matthew P. Harrison, Albion College;
Lucía Martínez, Reed College
Chair and Respondent: Jeff Dolven, Princeton University
Matthew P. Harrison, Albion College
“Desire is Pattern”: Shakespeare’s Sonnets, Sequence, and the History of
Meaning
Lucía Martínez, Reed College
Lyric Reiteration: Seriality, Repetition, and Time in Early Modern English
Sonnet Collections
Matthew Zarnowiecki, Touro College
Unapt Partition: The Songs of Astrophil and Stella
30250 Spenserian Emergencies II
Hynes Convention Center
Level Three
310
Sponsor: International Spenser Society
Organizer and Chair: J. K. Barret, University of Texas at Austin
Clare Greene, Rutgers University
Magic as Threat to Narrative in The Faerie Queene
Catherine Nicholson, Yale University
“No Time to Scan”: The Legend of Justice and the End of Reading
Ross Lerner, Occidental College
Spenser’s Swarms
30251 Confronting the Literary, Historical,
Hynes Convention Center and Architectural Heritage through
Level Three the Digital Humanities
311
Sponsor: Digital Humanities, RSA Discipline Group
Organizer and Chair: Angela Dressen, Villa I Tatti, The Harvard University Center for
Italian Renaissance Studies
Francesco Aresu, Harvard University and Wesleyan University
Matthew Collins, Harvard University
A Digitally Visualized Bibliography of Dante’s Commedia
Sharon C. Smith, Massachusetts Institute of Technology
Michael Toler, Massachusetts Institute of Technology
The Good, the Bad, and the Ugly: Documenting Architectural Heritage in the
Age of Digital Reproduction
Michael Thomas Tworek, Harvard University
Digital Methods and Redrawing the Republic of Letters

270
 Saturday, 2 April 2016
30252 Converging Paths: Encounters between

10:30–12:00
Hynes Convention Center Art and Science II: Illustrating Science
Level Three
313
Organizers: Zuleika Murat, Università degli Studi di Padova;
Chiara Ponchia, Università degli Studi di Padova
Chair: Lia Markey, The Metropolitan Museum of Art
Respondent: Federica Toniolo, Università degli Studi di Padova
Zuleika Murat, Università degli Studi di Padova
Padua as “mater perspectivae picturae”: Art and Science under the Carrara
(1318–1405)
Chiara Ponchia, Università degli Studi di Padova
MS 604 of the Padua University Library: Investigating Interactions among
Science and Illuminations
Sophie Morris, University College London
Movement, Muscles, and Manners: Anatomical Bodies and Courtesy Culture in
Late Seventeenth-Century London

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Saturday, 2 April 2016

1:30–3:00

1:30–3:00
30304 Spenser: Asceticism, Theology,
Park Plaza Authorship
Mezzanine
Boylston Room
Organizer: Renaissance Society of America
Chair: Joel Michael Dodson, Southern Connecticut State University
John Walters, Indiana University
Revising Asceticism: Spenser’s Ambiguous Monasteries
Luke Taylor, Baylor University
Spenser’s Ecumenical Order of Salvation
Barbara Kiefer Lewalski, Harvard University
Spenser, the Muses, and Authorship
30305 Books, Poetry, and Popes in the
Park Plaza Fifteenth Century
Mezzanine
Commonwealth Room
Organizer: Renaissance Society of America
Chair: Maria DePrano, University of California, Merced
Jan Vandeburie, Università degli Studi Roma Tre
The Books of the Pope: Reconstructing the Papal Library before and after
Avignon (ca. 1305–77)
Marta Bianca Maria Celati, University of Oxford
Orazio Romano’s Porcaria: An Italian Humanist Epic, between Classical Legacy
and Contemporary History
30306 Miguel de Cervantes’s Persiles,
Park Plaza 1616–2016
Mezzanine
Statler Room
Sponsor: Cervantes Society of America
Organizers: David A. Boruchoff, Independent Scholar;
Susan Byrne, Yale University
Chair: Ariadna García-Bryce, Reed College
Mercedes Alcalá Galán, University of Wisconsin–Madison
Ékfrasis y representación artística en el Persiles: Los retratos ambulantes de
Auristela
G. Cory Duclos, Colgate University
The Road to Rome: Mapping Los trabajos de Persiles y Sigismunda
David A. Boruchoff, Independent Scholar
The Confounding Barbarism of Cervantes’s Persiles

272
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30307 Renaissance Collaboration III: Sacred
Park Plaza Texts, Sacred Responsibilities

1:30–3:00
Mezzanine
Hancock Room
Sponsor: Centre for Reformation and Renaissance Studies, University of
Toronto (CRRS)
Organizer and Chair: Trevor Cook, University of Toronto
Patricia R. Taylor, Georgia Institute of Technology
Mimetic Participation: The Sidney Psalter and a Girardian Theory of
Collaborative Authorship
Jeffrey Alan Miller, Montclair State University
A Newly Discovered Draft of the King James Bible: Individual and Group
Translation in Practice
Lana Martysheva, Université Paris-Sorbonne
Plagiarism in Religious Controversies
30308 Italian Academies, 1450–1700:
Park Plaza Networks, Knowledge, and Culture I
Mezzanine
Exeter Room
Organizers: Lisa M. Sampson, University of Reading;
Simone Testa, European University Institute
Chair: Alexandra Coller, CUNY, Lehman College
Respondent: Nicholas Terpstra, University of Toronto
Aria Dal Molin, University of California, Santa Barbara
Dueling Performances and Rivaling Academies on the Sixteenth-Century
Sienese Stage
Lisa M. Sampson, University of Reading
Theater in the Academies of Florence and Ferrara: A New Pastoral Play by
Leonora Bernardi (?)
Rodney J. Lokaj, “Sapienza,” Università di Roma
The Accademia degli Ottusi and the Fondo Campello: Bees, Popes, and Humanists
30309 Citizenship and Republicanism in
Park Plaza Renaissance Ferrara, Trieste, Florence
Mezzanine
Clarendon Room
Organizer: Renaissance Society of America
Chair: Donald Andrew Heverin, University of Kentucky
Enrica Guerra, Università degli Studi di Ferrara
Foreigners and Citizenship in Two Renaissance Italian Towns: Ferrara and
Trieste, Fourteenth to Sixteenth Centuries
Richard Tristano, St. Mary’s University of Minnesota
The Precedence Controversy and Political Change: A Reevaluation from the
Perspective of Ferrara
Hanan Yoran, Ben-Gurion University of the Negev
Aurelio Lippo Brandolini’s Critique of Republicanism and the Assumptions of
Humanist Political Discourse

273
Saturday, 2 April 2016

30310 Ceremony and Ritual before the Death

Park Plaza of Louis XIV
1:30–3:00

Mezzanine
Berkeley Room
Sponsor: Duke University Center for Medieval and Renaissance Studies (CMRS)
Organizer: Iara A. Dundas, Duke University
Chair: Elisabeth Narkin, Duke University
Rosa Goodman, University College London
Protesting Processions: The Changing Use and Function of Processional
Sculpture in the Sixteenth Century
Fabian Persson, Linnéuniversitetet
To Exalt Everyday Life at Court: Everyday Ceremony at the Courts of Denmark
and Sweden
Iara A. Dundas, Duke University
Honneurs et applaudissements: Celebrating the First Jesuit Saints in
Seventeenth-Century France
30311 Roundtable: Reconsidering the Global
Park Plaza Renaissance
Mezzanine
Arlington Room
Sponsor: Newberry Library Center for Renaissance Studies
Organizer: Karen Christianson, Newberry Library Center for Renaissance Studies
Chair: Kaya Sahin, Indiana University
Discussants: Simon Ditchfield, University of York, Vanbrugh College;
Heather Madar, Humboldt State University;
Julia Schleck, University of Nebraska, Lincoln
The 2000s and early 2010s have seen a proliferation of studies on the Global
Renaissance. Global Renaissance scholarship understands the world of the fifteenth
to seventh centuries to be much more culturally fluid than has been traditionally
understood and takes as a central focus the interactions and influences of non-
European cultures with Renaissance-era Europe, seeing such interactions as having
broad and enduring significance. Yet some have suggested that the high-water mark
of this scholarly focus has passed and that, rather than reflecting a paradigm shift
in Renaissance studies, Global Renaissance studies may turn out to be a passing
scholarly fad spurred by contemporary geopolitical factors. This roundtable will
discuss the state of Global Renaissance scholarship, consider the degree to which this
scholarship has indeed achieved a fundamental reorienting of Renaissance studies,
and assess the promise of this approach for future scholarship.

274
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30312 Reimagining Early Modern Naples
Park Plaza and Southern Italy: A Tribute to

1:30–3:00
Mezzanine John Marino
Georgian Room
Organizer and Chair: Julius Kirshner, University of Chicago
John Jeffries Martin, Duke University
Reimagining the Renaissance and the Early Modern: Perspectives from John
Marino
Sean Cocco, Trinity College
From Part to Whole: John Marino’s Journey from Naples to a Fuller History of
Italy
Karl R. Appuhn, New York University
Structure, Agency, and Animals: John Marino’s Pastoral Economics in Perspective
John A. Davis, University of Connecticut
John Marino and the History of the Italian Mezzogiorno
30313 Geography, Space, Place
Park Plaza
Fourth Floor
Brookline Room
Sponsor: Center for Early Modern Studies, University of Wisconsin–Madison
Organizer and Chair: Ullrich Langer, University of Wisconsin–Madison
Louisa Mackenzie, University of Washington, Seattle
Between Expansion and Contraction: The Scalar Rhetoric of Renaissance French
Cartography
Jenny Meyer, Fordham University
Mobility Studies in the Humanities: A Case Study of the Heptameron
Tom Conley, Harvard University
“Designs” of Olivier de Serres, Le Théâtre d’agriculture et le mesnage des
champs (1600)
30314 Remembering and Forgetting in the
Park Plaza Renaissance
Fourth Floor
Cambridge Room
Sponsor: Medieval-Renaissance Colloquium at Rutgers University
Organizer: Amy Cooper, Rutgers University
Chair: Robert Grant Williams, Carleton University
Pauline Reid, University of Denver
Devising the Page: Memory’s Limits and Poly-Olbion’s Troubled Boundaries
Amy Cooper, Rutgers University
Allegory and the Art of Memory in Spenser’s Faerie Queene
William E. Engel, Sewanee, The University of the South
Performative Mnemonics: Attending to Herbert’s “Incarnational Poetics”

275
Saturday, 2 April 2016

30315 Roundtable: Staging History in

Park Plaza Early Modern Spain: Contemporary
1:30–3:00

Fourth Floor Approaches

Beacon Hill Room
Sponsor: Early Modern Image and Text Society (EMIT)
Organizers: Juan Pablo Gil-Osle, Arizona State University;
Barbara A. Simerka, CUNY, Queens College
Chair: Barbara A. Simerka, CUNY, Queens College
Discussants: John T. Cull, College of the Holy Cross;
Kelsey Ihinger, University of Wisconsin–Madison;
James Nemiroff, University of Chicago;
Christopher Oechler, Pennsylvania State University;
Benito Quitana, University of Hawai’i at Mānoa;
Christopher B. Weimer, Oklahoma State University
This roundtable will bring together seven scholars to explore current theoretical
and methodological questions (historiography, historical memory, precarity,
postcolonialism) as they pertain to the staging of history by early modern Spanish
dramatists. Discussants will explore the staging of Spain’s Gothic, North African,
and medieval legacies; domestic, imperial, and international relations and conflicts;
and internal and external forms of subalternity. The panel will feature canonical
authors (Lope, Calderón, Mira de Amescua) and plays (La cisma de Inglaterra) as
well as lesser-known works by Ximénez de Enciso, Coello, and Zárate.
30316 Renaissance and the Public
Park Plaza
Fourth Floor
Back Bay Room
Sponsor: New England Renaissance Conference (NERC)
Organizer: Touba Ghadessi, Wheaton College
Chair: Kenneth Gouwens, University of Connecticut
Felicia M. Else, Gettysburg College
Kay Etheridge, Gettysburg College
The College Curiosity Cabinet: Bringing the Renaissance to the Present
Christine Hoffmann, West Virginia University
Robert Burton, Laughing Democritus, and Tumblr: The Anatomy of
Public Shaming

276
 Saturday, 2 April 2016
30317 “Naked Emblems” Revisited
Park Plaza

1:30–3:00
Fourth Floor
Brandeis Room
Sponsor: Society for Emblem Studies
Organizer: Tamara A. Goeglein, Franklin & Marshall College
Chair: Stephen X. Mead, Saint Martin’s University
David Graham, Concordia University
Are Emblemata Nuda a Theoretical Impossibility?
Carol Ann Johnston, Dickinson College
Thomas Traherne’s Emblematics
Jane E. Farnsworth, Cape Breton University
The Fruitful Vine: Political Emblematics in Thomas Jordan’s “A Speech to
George Monck, General” (1660)
30318 “Songs from the Spirit”: The Tradition
Park Plaza of Spiritual Verses in Renaissance
Fourth Floor Italy I
Cabot Room
Organizers: Paola Nasti, University of Reading;
Stefano Santosuosso, University of Reading
Chair: Abigail Brundin, University of Cambridge
Rita Librandi, Università degli Studi di Napoli “L’Orientale”
Modelli colti e devozione popolare nella poesia spirituale femminile
Ida Campeggiani, Scuola Normale Superiore di Pisa
How Michelangelo’s Spiritual Poems Were Born: Reading and Interpreting
Madrigal 162
Stefano Santosuosso, University of Reading
Isabella Andreini’s sonetti spirituali between Senses and Spirit: The Art of
Self-Promoting Glorifying God
30319 Historiography of Renaissance
Park Plaza Philosophy: Ernst Cassirer and Wallace
Fourth Floor Ferguson
Charles River Room
Sponsors: Society for Medieval and Renaissance Philosophy (SMRP);
American Cusanus Society
Organizer and Chair: Donald F. Duclow, Gwynedd Mercy University
Respondent: Francesco Borghesi, University of Sydney
Michael Edward Moore, University of Iowa
Ernst Cassirer and Renaissance Cultural Studies: The Figure of Nicholas of Cusa
John Monfasani, SUNY, University at Albany
American Scholars and the Renaissance: Philosophy, Humanism, and the
Middle Ages

277
Saturday, 2 April 2016

30320 Making Early Modern Studies

Park Plaza Irish: Engaging with the Work of
1:30–3:00

Fourth Floor Nicholas Canny III

Constitution Room
Organizers: Sarah Covington, CUNY, Queens College;
Brendan Kane, University of Connecticut
Chair: Kevin O’Neill, Boston College
Vincent P. Carey, SUNY, Plattsburgh
The Impact of Nicholas Canny’s The Elizabethan Conquest of Ireland (1976)
Brendan Kane, University of Connecticut
Source and Method in the Study of Early Modern Ireland
Valerie McGowan-Doyle, Lorain County Community College
Destruction of the Old English Elite: Allegations of Sexual and Domestic
Misconduct in Elizabethan Ireland
30321 Ladies-in-Waiting in the Habsburg
Park Plaza Courts I
Fourth Floor
Franklin Room
Sponsor: Medieval and Renaissance Studies Program, Purdue University
Organizers: Vanessa de Cruz Medina, Independent Scholar;
Silvia Z. Mitchell, Purdue University
Chair: Vanessa de Cruz Medina, Independent Scholar
Cecilia Gamberini, Universidad Autónoma de Madrid
An Italian Lady-in-Waiting: Sofonisba at the Court of Philip II
Blythe Alice Raviola, Independent Scholar
Humility at Court: Noblewomen and the Company of Saint Elisabeth of
Hungary in Turin
Elena M. Calvillo, University of Richmond
María Enríquez de Toledo y Guzmán, Duchess of Alba, Camarera Mayor,
and Pious Connoisseur
30322 Renaissance Climate Theories: Science
Park Plaza or Rhetoric?
Fourth Floor
Emerson Room
Sponsor: Fédération internationale des sociétés et des instituts pour l’étude de la
Renaissance (FISIER)
Organizer: Sara Olivia Miglietti, Johns Hopkins University
Chair: Nancy Frelick, University of British Columbia
Sara Olivia Miglietti, Johns Hopkins University
“Hippocrates, cuius summa semper fuit autoritas”: Making (and Unmaking)
Climatological Expertise in Renaissance Europe
Dorine Rouiller, Université de Genève
Climate Theories and Cosmopolitanism: Pierre Charron’s De la Sagesse
Richard Spavin, Université de Montréal
The Eloquence of Climate: Persuading about Reason of State

278
 Saturday, 2 April 2016
30323 Epic and Lyric Poetics I
Park Plaza

1:30–3:00
Fourth Floor
Gloucester Room
Organizers: Ayesha Ramachandran, Yale University;
Sarah van der Laan, Indiana University
Chair: Anne E. B. Coldiron, Florida State University
Anthony K. Welch, University of Tennessee, Knoxville
Apostrophe, Lyric Consciousness, and the Virgilian Epic Tradition
Melissa Sanchez, University of Pennsylvania
The Genre(s) of Christian Sex
Timothy John Duffy, New York University
Technologies of Lyric Desire in Spenser’s Holy Places
30324 The Spin-Offs of the Orlando furioso
Park Plaza
Fourth Floor
Holmes Room
Sponsor: Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
Organizers: Francesco Lucioli, Independent Scholar;
Paola Ugolini, SUNY, University at Buffalo
Chair: Marco Faini, University of Cambridge
Paola Ugolini, SUNY, University at Buffalo
Pietro Aretino’s Impossible Epics
Francesco Lucioli, Independent Scholar
An Unknown “Spin-Off ” of the Furioso: The Agolante affatato by
Pier Matteo Antonelli
30325 Jesuit Mission and Japan’s Christian
Park Plaza Century (1549–1650)
Fourth Floor
Longfellow Room
Organizer: Hiro Hirai, Radboud University Nijmegen
Chair: Jorge Ledo, Universität Basel
Yoshimi Orii, Keio University
Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties
Stuart M. McManus, Harvard University
Reassessing Renaissance Humanism in Japan’s Christian Century
Kenichi Nejime, Gakushuin Women’s College
Fabian Fucan and Renaissance Syncretism in the West and the East

279
Saturday, 2 April 2016

30326 Renaissance Games I: Kings and

Park Plaza Courtiers
1:30–3:00

Fourth Floor
Newbury Room
Organizer and Chair: Robin O’Bryan, Independent Scholar
Giovanna Guidicini, Glasgow School of Art
Ordering the World: The Game of Trionfi and the Architectural Iconography of
Stirling Castle, Scotland
Kelli Wood, University of Chicago
“Lassate ogni virtu o voi che entrate”: Printed Games and the Structuring of
Social Virtues
Greger Sundin, Uppsala Universitet
The Games of Philipp Hainhofer
30327 Renaissance Encyclopedism I
Park Plaza
Fourth Floor
Stuart Room
Sponsor: Humanism, RSA Discipline Group
Organizer: W. Scott Blanchard, Misericordia University
Chair: Brian W. Ogilvie, University of Massachusetts Amherst
Respondent: Martin McLaughlin, Magdalen College, University of Oxford
Paola Tomè, Magdalen College, University of Oxford
The Learned Encyclopedism of Giovanni Tortelli
W. Scott Blanchard, Misericordia University
Encyclopedism before Encyclopedias: Lorenzo Valla and Domizio Calderini
30328 Prehistory and the Pre-Political in
Park Plaza Early Modern Euro-Colonialism I
Fourth Floor
Tremont Room
Organizer: Jude Welburn, University of Toronto
Chair and Respondent: Mary Nyquist, University of Toronto
Cassander Smith, University of Alabama
Resituating the Black Legend: Portuguese Tyrants, English Saviors, and
Towerson’s Sixteenth-Century Voyages to Guinea
Jude Welburn, University of Toronto
The New World and the Prehistory of Utopia in Francis Bacon’s New Atlantis

280
 Saturday, 2 April 2016
30329 Writing Women’s Devotions
Park Plaza

1:30–3:00
Fourth Floor
White Hill Room
Organizer: Renaissance Society of America
Chair: Sharon L. Arnoult, Midwestern State University
Boncho Dragiyski, Duquesne University
Writing Female Holiness: The Three Marías of Toledo
Clarissa Ann Chenovick, Fordham University
Prayer as Life-Writing: Shaping the Self Dialogically
Laura Feitzinger Brown, Converse College
Prayer and the Interior Life in Mary Ward’s Brief Life and Autobiographical
Fragments
30330 Iter septentrionale: The Spread and
Park Plaza Transformation of Renaissance
Fourth Floor Humanism in Northern Europe
Winthrop Room
Sponsor: Societas Internationalis Studiis Neolatinis Provehendis / International
Association for Neo-Latin Studies
Organizers: Craig Kallendorf, Texas A&M University;
Marianne Pade, Danish Academy, Rome
Chair: Ingrid A. R. De Smet, University of Warwick
Annet den Haan, Aarhus Universitet
Humanist Interpretation and the Development of Biblical Scholarship
Marianne Pade, Danish Academy, Rome
Lorenzo Valla’s Roman Thucydides
Kasper Ørum Køhler Simonsen, Aarhus Universitet
Retrieval of Sources: Ancient Greek Historians on Rome
Trine Arlund Hass, Aarhus Universitet
Transformations and Adaptations
30331 Humanism and Religious Discourses:
Park Plaza Intersections
Fourth Floor
Whittier Room
Organizer: Justine Walden, Yale University
Chair: Alison Knowles Frazier, University of Texas at Austin
Justine Walden, Yale University
Hagiography and Humanism: Hybrid Humanism in Late Fifteenth-Century
Florence
Raffaele Florio, Regis College
Selective Opposition: Savonarola and Humanism
Damiano Acciarino, Università Ca’ Foscari di Venezia
Semantics and Ideology in the Late Renaissance: Confessional Translations of the
Greek Word Episcopos

281
Saturday, 2 April 2016

30332 Venice and Gender: Metropole,

Park Plaza Stato da Mar, Terraferma I
1:30–3:00

Fourth Floor
St. James Room
Organizers: Holly S. Hurlburt, Southern Illinois University;
Stephan Karl Sander-Faes, Universität Zürich
Chair: Jutta G. Sperling, Hampshire College
Stephan Karl Sander-Faes, Universität Zürich
Gender in the Afterlife: Strategies of Eternal Salvation in Sixteenth-Century
Venetian Dalmatia
Isabel Harvey, McGill University
Contested Women of Power: Troubled Memories of Venetian
Counter-Reformation Convents’ Founders
Elizabeth Griffith, Independent Scholar
Convertite Establishments in Venice, the Terraferma, and the Stato da Mar
30333 Aromatics: From Substance to
Hynes Convention Center Transcendence, a Cross-Cultural,
Level Two Interdisciplinary Study
200
Sponsor: Art and Architecture, RSA Discipline Group
Organizer and Chair: Karen-edis Barzman, SUNY, Binghamton University
Nina Ergin, Koç University
Heavenly Fragrance from Earthly Censers: Conveying the Immaterial through
the Sensory Experience of Objects
Tera Lee Hedrick, Northwestern University
Smelling the Spirit: Incense and Incense Burners in Late Byzantium
Iolanda Ventura, Centre national de la recherche scientifique and Université d’Orléans
Perfume on Paper: Fragrance in Early Modern Exegesis and Antiquarianism
30334 Crossroads of Creation: Artistic
Hynes Convention Center Workshops in Renaissance Italy III:
Level Two From Workshops to Academies
201
Sponsor: Centre for the Study of the Renaissance, University of Warwick
Organizers: Mattia Biffis, CASVA;
Giorgio Tagliaferro, University of Warwick
Chair: Gail Feigenbaum, Getty Research Institute
Adriano Aymonino, University of Buckingham
From Practice to Theory: the Role of the Antique in Italian Renaissance
Workshops
Peter M. Lukehart, CASVA
Federico Zuccaro: A Theoretical Practitioner or a Practical Theoretician?
Samuel Vitali, Kunsthistorisches Institut in Florenz
The Carracci Workshop between Academy and Bottega

282
 Saturday, 2 April 2016
30335 Inverse, Reverse, Inside Out in

1:30–3:00
Hynes Convention Center Renaissance Art I
Level Two
202
Organizers: Jessica Anne Maratsos, Harvard University;
Julia Alexandra Siemon, The Metropolitan Museum of Art
Chair: Julia Alexandra Siemon, The Metropolitan Museum of Art
Nicole Blackwood, Independent Scholar
Dürer’s Gloved Hands
Jessica Anne Maratsos, Harvard University
Pontormo and Narcissus: Reflections on Pose
Aimee Ng, The Frick Collection
Parmigianino’s Experiments in White
30336 Thinking through Images: Early
Hynes Convention Center Modern Depictions of Economic
Level Two Activity I
203
Organizers: Giuseppe De Luca, Università degli Studi di Milano;
Tamar Herzog, Harvard University;
Germano Maifreda, Università degli Studi di Milano;
Gaetano Sabatini, Università degli Studi Roma Tre
Chair: Gaetano Sabatini, Università degli Studi Roma Tre
Giuseppe De Luca, Università degli Studi di Milano
Craig Muldrew, Queen’s College, University of Cambridge
Representing Money in Art of the Fifteenth through Seventeenth Centuries: A
Visual Legitimization of Capitalism?
Germano Maifreda, Università degli Studi di Milano
Marketplace as a “True Mirror”: Bernardo Davanzati’s Lesson on Money (1588)
30337 Transregional Movements in Early
Hynes Convention Center Modern Architecture
Level Two
204
Sponsor: European Architectural History Network (EAHN)
Organizer: Saundra L. Weddle, Drury University
Chair: Nele De Raedt, Universiteit Gent
Elizabeth M. Merrill, Independent Scholar
The Transregional Building Culture of Renaissance Siena
Sevil Enginsoy Ekinci, Kadir Has University
Filelfo’s Letters, Amiroutzes’s Maps, and Filarete’s Travels: Products of
Cross-Geographical Networks in the Fifteenth Century
Johan Eriksson, Uppsala Universitet
The Eclectic Architecture of Nicodemus Tessin the Elder

283
Saturday, 2 April 2016

30338 Finding the Early Modern Feminine

Hynes Convention Center Voice
1:30–3:00

Level Two
205
Sponsor: Music, RSA Discipline Group
Organizers: Samantha Bassler, Rider University;
Janie Cole, University of Cape Town
Chair: Marica S. Tacconi, Pennsylvania State University
Alexandra D. Amati-Camperi, University of San Francisco
The Late Sixteenth-Century Creation of the Female Operatic Voice
K. Dawn Grapes, Colorado State University
Reconstructing Mary Gascoigne: Traces of a Sixteenth-Century Woman
Samantha Bassler, Rider University
Voice, Gender, and (Dis)ability in Shakespeare’s Twelfth Night, Othello, and
Richard II
30339 Personal and Collective Devotion in
Hynes Convention Center Early Modern Italy
Level Two
206
Organizer: Renaissance Society of America
Chair: Lidia Radi, University of Richmond
Lisandra Costiner, University of Oxford
Picturing Apocrypha: The Case of a Fourteenth-Century “Life of the Virgin and
Christ” Manuscript
Angi L. Elsea Bourgeois, Mississippi State University
Torquemada’s Meditationes and the Development of Printed Devotional Books in
Fifteenth-Century Rome
Matthew Sneider, University of Massachusetts Dartmouth
Confraternities and Devotion in the Territory of Early Modern Bologna
30340 Artists and Their Friends: New
Hynes Convention Center Questions and Ideas
Level Two
207
Sponsor: Italian Art Society
Organizer: Alexandra C. Hoare, University of Bristol
Chair: Robert G. La France, Ball State University
Frances Gage, SUNY, Buffalo State College
Friendship, Historical Silence, and the Anatomical Investigations of
Michelangelo and Realdo Colombo
Alexandra C. Hoare, University of Bristol
Artists and Their Advisor Friends: Whose Idea Is It Anyway?
Guendalina Serafinelli, “Sapienza,” Università di Roma
When Friendship Matters: Giacinto Brandi and the Privy Chamberlain of Pope
Innocent X Pamphilj

284
 Saturday, 2 April 2016
30341 Translation, Code-Shifting, and
Hynes Convention Center “Englishing” Early Modern Literature

1:30–3:00
Level Two
208
Organizer: Kristen Abbott Bennett, Stonehill College
Chair: James R. Siemon, Boston University
Kristen Abbott Bennett, Stonehill College
“Which may be thus Englished”: Code-Shifting, Rhetorical Sword-Fighting,
and English Imperialism in Thomas Watson’s Hekatompathia
Michael Casper Boecherer, Suffolk County Community College
“Englishness,” Language, and the Philosophy of Clarence’s Nightmare
Edward Gieskes, University of South Carolina
Translating Ovid: Marlowe, Jonson, Shakespeare
30342 Roundtable: Shakespeare’s Death
Hynes Convention Center and Afterlife I
Level Two
210
Sponsor: English Literature, RSA Discipline Group
Organizer: Richard C. McCoy, CUNY, Queens College and The Graduate Center
Chair: Douglas Lanier, University of New Hampshire
Discussants: Stephen J. Greenblatt, Harvard University;
Kathleen A. Lynch, Folger Institute;
Richard C. McCoy, CUNY, Queens College and The Graduate Center;
Alison Shell, University College London
A two-part roundtable marking the fourth centenary of Shakespeare’s death.
Commemorations around the world include the first ever national tour of copies
of the Folger’s First Folio. This first of two linked sessions will focus on the Folio
itself as a material object, sacred relic, cultural capital and commodity, springboard
for digitization, as well as a “monument without a tomb.” Participants will also
discuss Henry Clay Folger’s passion for collecting, the excitement stirred by the
recent discovery of a First Folio at St. Omer seminary, and how such a landmark text
fits into or exemplifies a contemporary turn to object-focused histories.
30343 Gender and Domestic Performance in
Hynes Convention Center England: Music, Dance, Masque
Level Three
302
Organizers: Linda Phyllis Austern, Northwestern University;
Deanne Williams, York University
Chair: Kaara L. Peterson, Miami University
Linda Phyllis Austern, Northwestern University
Domestic Music-Making as Single-Sex Activity in Elizabethan and Jacobean
England
Emily Winerock, University of Pittsburgh
Private Pleasures: Domestic Dancing in Early Modern England
Deanne Williams, York University
Masques of Girlhood

285
Saturday, 2 April 2016

30344 Printed Images in Cinquecento

Hynes Convention Center Florence I
1:30–3:00

Level Three
303
Sponsor: Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
Organizers: Lia Markey, The Metropolitan Museum of Art;
Sean Roberts, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Chair: Sean Roberts, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Ilaria Andreoli, Centre national de la recherche scientifique
“Florentinis ingeniis nihil ardui est”: The Florentine Illustrated Book,
1490–1550
Laura Moretti, University of St. Andrews
Previously Unknown Portraits from Vasari’s Libro de’ disegni
Lia Markey, The Metropolitan Museum of Art
Inventing Engraving in Cinquecento Florence
30345 Roundtable: Princely Poesy: Tudor
Hynes Convention Center Royal Writings
Level Three
304
Organizers: Anne Lake Prescott, Barnard College;
Beth Quitslund, Ohio University
Chair: Beth Quitslund, Ohio University
Discussants: Ilona D. Bell, Williams College;
Susan M. Felch, Calvin College;
Kate Maltby, University College London;
Steven W. May, Emory University;
Mark Rankin, James Madison University;
Micheline White, Carleton University
Beginning with the court of Henry VIII, composing what we would characterize as
literary texts was more the rule than the exception for early modern British monarchs
and their close associates. Although there are obvious incentives for princes to
write poesy broadly understood (intervention in cultural, religious, and political
debate; demonstrating mastery in the competitive game of literary wit; authoritative
endorsement of a genre or form) there are equally obvious complications—not least
the fact that most royal authors were never really going to write as well as their
most talented subjects. This roundtable invites conversation about how Henry VIII,
Catherine Parr, and Elizabeth in particular navigated these and other issues in
literary writing. Panelists will address what literary composition could achieve that
other forms of authority could not in the context of sixteenth-century England.

286
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30346 Ovid’s Metamorphoses in the Art of the
Hynes Convention Center Seventeenth Century

1:30–3:00
Level Three
305
Organizer: Barbara Hryszko, Jesuit University Ignatianum, Cracow
Chair: Jerzy Miziolek, Uniwersytet Warszawski
Elisa Modolo, University of Pennsylvania and Temple University
The Long Life of Illustrations: Repurposing Rusconi’s Woodcuts for Dolce’s
Trasformationi
Barbara Hryszko, Jesuit University Ignatianum, Cracow
Birth of Iconography of New Ovid’s Themes in Isaac de Benserade’s Poem
Anita Sganzerla, Courtauld Institute of Art
The Metaphor of Circe as the Court in Some Works by Giovanni Benedetto
Castiglione
30347 Roundtable: Reframing the Renaissance
Hynes Convention Center for the Twenty-First Century
Level Three
306
Organizers: Ananda Cohen Suarez, Cornell University;
Eloise Quiñones Keber, CUNY, The Graduate Center
Chairs: Ananda Cohen Suarez, Cornell University;
James Cordova, University of Colorado Boulder
Discussants: Sussan Babaie, Courtauld Institute of Art;
Clara Bargellini, Universidad Nacional Autónoma de México;
Amy Buono, Universidade do Estado do Rio de Janeiro;
Claire J. Farago, University of Colorado Boulder;
Dana Leibsohn, Smith College;
Stephanie Leitch, Florida State University;
James M. Saslow, CUNY, Queens College and The Graduate Center;
Daniel Savoy, Manhattan College
On the twenty-first anniversary of the 1995 publication of Clare Farago’s much
cited edited volume Reframing the Renaissance: Visual Culture in Europe and Latin
America, 1450–1650, this roundtable reflects on its role in transforming the way
we approach the Renaissance and the visual cultures of the early modern world.
Among the topics to be addressed are how the book has helped precipitate broader
geographical, temporal, historical, conceptual, and methodological reformulations
of the Renaissance and its intersection with contemporaneous visual cultures
worldwide. What challenges do we still face in writing and teaching histories of
art produced within the contexts of exploration, colonialism, global contact,
and international trading networks? How can this rethinking of the Renaissance
be expanded to encompass other scholarly arenas? Following the roundtable, the
audience is invited to participate in the conversation, offering their perspectives on
the impact of the volume and its implications for future scholarship.

287
Saturday, 2 April 2016

30348 Crafting the Orders in the Fifteenth

Hynes Convention Center and Early Sixteenth Centuries: Theory
1:30–3:00

Level Three and Practice

308
Organizer: Berthold Hub, Independent Scholar
Chair: Michael J. Waters, Worcester College, University of Oxford
Candida Syndikus, National Taiwan Normal University
Leon Battista Alberti’s Architectural Orders: Remarks on Theory and Practice
Berthold Hub, Independent Scholar
Filarete’s Order
Angeliki Pollali, Deree College, The American College of Greece
Rewriting Antiquity in the Quattrocento: Francesco di Giorgio and the Orders
David E. Hemsoll, University of Birmingham
The New Concept of the Architectural Orders ca. 1520
30349 Constructing the Early Modern Arctic
Hynes Convention Center
Level Three
309
Organizer: Anne Goldgar, King’s College London
Chair and Respondent: Mary Baine Campbell, Brandeis University
Peter Mancall, University of Southern California
Owning the Arctic: Rules and Rituals in Sixteenth-Century North America
Anne Goldgar, King’s College London
Domesticity and Constructions of Time and Space in the Early Modern Arctic
Mary C. Fuller, Massachusetts Institute of Technology
What’s the Story? Narrative, Negotiation, and Consent in the Early Modern
Arctic
30350 Negotiating Power and Desire in the
Hynes Convention Center Early Modern English Court
Level Three
310
Sponsor: Southeastern Renaissance Conference
Organizer and Chair: John N. Wall, North Carolina State University
John Mark Adrian, University of Virginia, Wise
Sandwich Restored: Civic Pageantry and Queen Elizabeth’s Visit of 1573
Tina Taormina, Quincy College
Of Heaven and Earth: Conception, Childbirth, and Incest in Spenser’s The
Faerie Queene
Michael P. Parker, United States Naval Academy
“Surrender, Dorothy!”: The Contexts of Edmund Waller’s Sacharissa Poems

288
 Saturday, 2 April 2016
30351 New Trends in Digital Scholarly
Hynes Convention Center Publishing

1:30–3:00
Level Three
311
Sponsor: Digital Humanities, RSA Discipline Group
Organizer: Angela Dressen, Villa I Tatti, The Harvard University Center for Italian
Renaissance Studies
Chair and Respondent: Thomas Stäcker, Herzog August Bibliothek Wolfenbüttel
Constanze Baum, Herzog August Bibliothek Wolfenbüttel
Open Data and Open Source in Renaissance Studies: Digital Publication
Scenarios
Erik Bauch, Harvard University
Open Review: An Online Platform for Public Annotation and Discussion of
Research Papers and Scholarly Materials
Michael Kaiser, Max Weber Stiftung, Bonn
New Ways of Presenting Open Access Publications on the Web Portal
Perspectivia.net (Max Weber Foundation)
30352 Converging Paths: Encounters between
Hynes Convention Center Art and Science III: Science for
Level Three Investigating Art
313
Organizers: Zuleika Murat, Università degli Studi di Padova;
Chiara Ponchia, Università degli Studi di Padova
Chair: Marta Caroscio, Università degli Studi di Firenze
Tiziana Franco, Università degli Studi di Verona
A New Gaze to Michele Giambono (1420–62): Between Philology and Science
Marco Cardinali, Emmebi Diagnostica Artistica
Technical Art History and State-of-the-Art Multispectral Imaging: Some Case
Studies from Giorgione to Caravaggio
Maria Beatrice De Ruggieri, Emmebi Diagnostica Artistica
Mural-Painting Technique and Working Methods in Seventeenth-Century Rome:
Technical Analysis and Contemporary Sources

289
Saturday, 2 April 2016

Saturday, 2 April 2016

3:30–5:00

3:30–5:00

30404 Spenser’s Afflicted Style

Park Plaza
Mezzanine
Boylston Room
Sponsor: International Spenser Society
Organizer and Chair: J. K. Barret, University of Texas at Austin
Kreg Segall, Regis College
Struggling with Daphnaïda
Tristan Samuk, University of Toronto
Spenser, Knowledge, and Satiric Style
Taylor Cowdery, Harvard University
Style and Disguise in Spenser’s Mother Hubberds Tale
Jenna Lay, Lehigh University
Psalmic Style in The Faerie Queene
30405 Bolognese Matters between Religion
Park Plaza and Law
Mezzanine
Commonwealth Room
Organizer: Monica Calabritto, CUNY, Hunter College
Chair: Virginia Cox, New York University
Shannon McHugh, New York University
Bolognese Republicans, Papal Overlords, and Monastic Allies
Monica Calabritto, CUNY, Hunter College
Matter of Wills in Sixteenth-Century Bologna
30406 Cervantes Society of America: Business
Park Plaza Meeting and Plenary Lecture
Mezzanine
Statler Room
Sponsor: Cervantes Society of America
Organizer and Chair: David A. Boruchoff, Independent Scholar
Steven Hutchinson, University of Wisconsin–Madison
Business Meeting of the Cervantes Society of America
Adrienne Laskier Martin, University of California, Davis
Cervantes and the Rise of Human-Animal Studies

290
 Saturday, 2 April 2016
30407 Renaissance Collaboration IV:

3:30–5:00
Park Plaza Shakespeare to Dryden
Mezzanine
Hancock Room
Sponsor: Centre for Reformation and Renaissance Studies, University of Toronto (CRRS)
Organizer: Trevor Cook, University of Toronto
Chair: Scott J. Schofield, University of Western Ontario, Huron University College
Trevor Cook, University of Toronto
To Each His Own: Coauthorial Propriety in The Two Noble Kinsmen
Thomas Luxon, Dartmouth College
Heroic Beauty: Milton’s Eve and Dryden’s Duchess
John V. Nance, Florida State University
Collaboration and Adaptation: Middleton, Rowley, and the Authorship of
Measure for Measure

30408 Italian Academies, 1450–1700:

Park Plaza Networks, Knowledge, and Culture II
Mezzanine
Exeter Room
Organizers: Lisa M. Sampson, University of Reading;
Simone Testa, European University Institute
Chair: David A. Lines, Warwick University
Respondent: Nicholas Terpstra, University of Toronto
Simone Testa, European University Institute
Italian Academies and Their Facebooks: Intellectual Networks, Medicine, Magic
Clizia Gurreri, “Sapienza,” Università di Roma
Inventari e librerie: Percorsi inediti tra le accademie bolognesi
Martina Palli, Universität Siegen
Italian Academies in European Perspective: The Fruchtbringende Gesellschaft in
Baroque Germany.

30409 Renaissance Renunciations

Park Plaza
Mezzanine
Clarendon Room
Organizers: Jessie Hock, Vanderbilt University;
Ross Lerner, Occidental College
Chair and Respondent: Ross Lerner, Occidental College
Joshua Phillips, University of Memphis
The Return of the Renounced: Monasticism and Its Shakespearean Afterlife
Brent Dawson, Davidson College
Herbert’s Anesthesia
Jessie Hock, Vanderbilt University
Reading and Renouncing Lucretius in the Renaissance

291
Saturday, 2 April 2016

30410 L’Europe des Savoirs à la

3:30–5:00

Park Plaza Renaissance / Forms of Knowledge

Mezzanine in Renaissance Europe
Berkeley Room
Sponsor: Fédération internationale des sociétés et des instituts pour l’étude de la
Renaissance (FISIER)
Organizer: Cecilia Muratori, Warwick University
Chair: Sara Olivia Miglietti, Johns Hopkins University
Ingrid A. R. De Smet, University of Warwick
Entre savoir et savoir-faire: “La Chasse Royale” de Charles IX
Ilana Y. Zinguer, University of Haifa
Les travaux d’un apprenti écrivain à Genève au XVIe siècle
Andréa Doré, Universidade Federal do Paraná
“The Geography is the eye of History”: Knowledge and Delight in Renaissance
Cosmographies
Oumelbanine N. Zhiri, University of California, San Diego
Al-Hajari: A Moroccan Author and Translator and His European Intellectual
Network in the Early Seventeenth-Century

30413 Travel: A Journey to Discover the

Park Plaza Self and Others
Fourth Floor
Brookline Room
Sponsor: Taiwan Association of Classical, Medieval, and Renaissance
Studies (TACMRS)
Organizer: Juo-Yung Lee, National Taipei University
Chair: Christina H. Lee, Princeton University
Nicholas Andrew Koss, Peking University
The Image of China in Samuel Purchas’s English Version of Peregrinaçao by
Fernão Mendes Pinto
Alessandro Giammei, Princeton University
The Chair and the Hippogriff: Ariosto’s Immobile Journeys and the Geographic
Introversion of Renaissance Italy
Cecile Tresfels, Stanford University
Apprehending Cannibalism: Fear and Experience in Early Modern
Travel Narratives

292
 Saturday, 2 April 2016
30414 Writing Seventeenth-Century Empire:

3:30–5:00
Park Plaza Spain, Japan, Peru
Fourth Floor
Cambridge Room
Organizer: Renaissance Society of America
Chair: Valentina Caldari, Balliol College, University of Oxford
Noemi Martin Santo, Boston University
Japanese Martyrs in Bernardino de Ávila’s Account of the Kingdom of Nippon
(1598–1619)
Yuri Socrates Saleh Hichmeh, Federal University of Paraná
Martyrdom and Oppression during the Japanese Persecution over Christianity in
the Seventeenth Century
Sarah Beckjord, Boston College
Garcilaso’s Historia general del Perú and the Diálogos de Amor

30415 Roundtable: What the French

Park Plaza Renaissance Can Do for Ecocriticism
Fourth Floor
Beacon Hill Room
Organizers: Pauline Goul, Cornell University;
Phillip John Usher, New York University
Chair: Louisa Mackenzie, University of Washington, Seattle
Discussants: Tom Conley, Harvard University;
Jennifer Helen Oliver, University of Oxford;
Victor Hugo Velazquez, Biola University
On a recent panel at the Modern Language Association conference, Louisa
Mackenzie suggested that we should be asking not what ecocriticism can do for
our understanding of French Renaissance literature, but what French Renaissance
literature can do for ecocriticism. This roundtable will explore possible responses to
this call to arms, by foregrounding ways in which literature of the French Renaissance
might help both historicize and theorize notions central to the ecocritical paradigm,
such as, but not limited to, nature, culture, environment, critical and citizen
environmental science and cartography, extraction, and so on.

30416 A New England Renaissance

Park Plaza Conference Discussion: Past, Present,
Fourth Floor and Future
Back Bay Room
Sponsor: New England Renaissance Conference (NERC)
Organizer: Touba Ghadessi, Wheaton College
Chair: Tara Nummedal, Brown University
Emily Jarmolowicz, University of Massachusetts Amherst
NERC Digital Archives
Christopher Carlsmith, University of Massachusetts Lowell
Diamond Jubilee: Seventy-Five Years of the New England Renaissance
Conference
Touba Ghadessi, Wheaton College
NERC Today: Outreach and Web Presence

293
Saturday, 2 April 2016

30417 Emblematic Negotiations: Redressing

3:30–5:00

Park Plaza the Betrayal of Meaning in Late

Fourth Floor Renaissance Visual Culture
Brandeis Room
Sponsor: Emblems, RSA Discipline Group
Organizer and Chair: William E. Engel, Sewanee, The University of the South
Rory Loughnane, Indiana University-Purdue University Indianapolis
“The posy of a ring”: Economy of Statement in Hamlet
Robert Grant Williams, Carleton University
The Frontispiece and the Art of Memory: Constructing the Scholarly Imaginary
Dalia Judovitz, Emory University
Georges de La Tour: Spiritual Gambles and the Betrayal of Painting

30418 “Songs from the Spirit”: The Tradition

Park Plaza of Spiritual Verses in Renaissance
Fourth Floor Italy II
Cabot Room
Organizer: Paola Nasti, University of Reading
Chair: Meredith K. Ray, University of Delaware
Luca D’Onghia, Scuola Normale Superiore di Pisa
Costruire la santità: La prima produzione in versi in onore di Bernardino da
Siena
Maiko Favaro, Freie Universität Berlin
Un genere trascurato: I “templi di rime” sacri
Leonardo Giorgetti, University of California, Davis
“Fra doglie, e digiun, pianti, e sospiri”: Lucrezia Marinella’s Four Sonnets on
Catherine of Siena

30419 Epigraphy and the Rise of Vernacular

Park Plaza Languages: Italy as a Test Case
Fourth Floor (1300–1500)
Charles River Room
Organizer: Nadia Cannata Salamone, “Sapienza,” Università di Roma
Chair: Kimberly L. Dennis, Rollins College
Respondent: Maddalena Signorini, Università degli Studi di Roma Tor Vergata
Emma Condello, “Sapienza,” Università di Roma
Medieval and Early Renaissance Epigraphy: Issues in Methodology
Luna Cacchioli, “Sapienza,” Università di Roma
Alessandra Tiburzi, “Sapienza,” Università di Roma
Public Script in Italian Cities
Nadia Cannata Salamone, “Sapienza,” Università di Roma
Mapping Languages in Late Medieval and Early Renaissance Italy

294
 Saturday, 2 April 2016
30420 Book Culture in Early Modern

3:30–5:00
Park Plaza Dublin: Libraries, Collectors, and
Fourth Floor Annotated Books
Constitution Room
Sponsor: Charles Singleton Center for the Study of Premodern Europe
Organizer: Earle A. Havens, Johns Hopkins University
Chair: Sarah Covington, CUNY, Queens College
Earle A. Havens, Johns Hopkins University
The Circulation of Books at Oxford University, 1629–31: A Unique, Annotated
Bodleian Catalogue
Jason J. McElligott, Marsh’s Library, Dublin
Margaret Ussher: A Female Book Owner in Renaissance Dublin
Marc D. Caball, University College Dublin
Reading the Americas: Books on the New World in the Archbishop Marsh’s
Library, Dublin

30421 Ladies-in-Waiting in the Habsburg

Park Plaza Courts II
Fourth Floor
Franklin Room
Sponsor: Medieval and Renaissance Studies Program, Purdue University
Organizers: Vanessa de Cruz Medina, Independent Scholar;
Silvia Z. Mitchell, Purdue University
Chair: Silvia Z. Mitchell, Purdue University
Dries Raeymaekers, Radboud University Nijmegen
The Mistress of the Household: The Camarera Mayor at the Habsburg Court of
Brussels
Vanessa de Cruz Medina, Independent Scholar
Rivalry between Favorites: Catalina of Zúñiga and Juana of Velasco, Ladies-in-
Waiting at the Spanish Court
Alejandra Franganillo-Álvarez, Escuela Española de Historia y Arqueología en Roma
(EEHAR-CSIC)
Court, Female Agency, and Patronage: Leonor Pimentel, between Madrid and
Florence (1603–33)

295
Saturday, 2 April 2016

30422 Early Modern Women and Their

3:30–5:00

Park Plaza Collaborators

Fourth Floor
Emerson Room
Sponsor: Center for Medieval and Renaissance Studies, Saint Louis University
Organizer and Chair: Kathleen M. Llewellyn, St. Louis University
Karen Clausen-Brown, Walla Walla University
Margaret Fell and Benedict Spinoza’s Collaborations and the Theological-Political
Treatise
Jessica Erin DeVos, University of New Haven
En ma fin est mon commencement: Fashioning Mary Stuart’s Posthumous Image
Cait Stevenson, University of Notre Dame
From One-Hit Wonder to Prolific Writer: Women and Writing Careers in the
Reformation

30423 Epic and Lyric Poetics II

Park Plaza
Fourth Floor
Gloucester Room
Organizers: Ayesha Ramachandran, Yale University;
Sarah van der Laan, Indiana University
Chair: David L. Quint, Yale University
Gordon M. Braden, University of Virginia
Petrarch’s Canzone delle Metamorfosi in Renaissance England and Scotland
Ayesha Ramachandran, Yale University
Lyricizing Epic: Petrarch and Spenser
William Allan Oram, Smith College
The Lyric at the End of The Faerie Queene

30424 Ariosto, 1516–2016 III: Roundtable

Park Plaza on History, Court, and Society:
Fourth Floor Extratextual Realities in the Orlando
Holmes Room furioso
Sponsor: Italian Literature, RSA Discipline Group
Organizers: Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg;
Eleonora Stoppino, University of Illinois at Urbana-Champaign
Chair: Eleonora Stoppino, University of Illinois at Urbana-Champaign
Discussants: Albert Russell Ascoli, University of California, Berkeley;
Eugenio Refini, Johns Hopkins University;
Christian Rivoletti, Friedrich-Alexander-Universität Erlangen-Nürnberg
On the occasion of the fifth centenary of the princeps of Ludovico Ariosto’s poem,
the Orlando furioso, this roundtable seeks to explore the spatial-temporal dimensions
of the poem in the light of different critical approaches developed in the last few
decades. Taking as a point of departure the reception of the poem, the panelists will
probe the heuristic value of reception itself, while concentrating on the historical
spaces Ariosto’s poem at the same time conjures, elides, and represents.

296
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30425 Topics in Jesuit Studies

3:30–5:00
Park Plaza
Fourth Floor
Longfellow Room
Organizer: Robert Aleksander Maryks, Boston College
Chair: Emanuele Colombo, DePaul University
Brook Abdu, Capuchin Franciscan Research Center
A Clash of Cultures? Reexamining the Jesuit Missions to Ethiopia
Robert J. Clines, Western Carolina University
“Relics of the Ancient Hermits”: Locating Catholic Renewal in Jesuit
Descriptions of Mount Lebanon
Claude Stuczynski, Bar-Ilan University
Jesuits, Portuguese Conversos, Theology and Race (ca. 1625)

30426 Renaissance Games II: Children and

Park Plaza “Other”
Fourth Floor
Newbury Room
Organizer: Robin O’Bryan, Independent Scholar
Chair: Kelli Wood, University of Chicago
Fabien Lacouture, Université Paris 1 Panthéon-Sorbonne
Between Games and Restraint; Or, Why Children Do Not Play in Renaissance
Paintings
Antonella Fenech Kroke, Centre national de la recherche scientifique and Centre André
Chastel
Ludic Marginalities: The Other as Player in Early Modern Visual Culture
Robin O’Bryan, Independent Scholar
“Mad Chess” with a Mad Dwarf-Jester

30427 Renaissance Encyclopedism II

Park Plaza
Fourth Floor
Stuart Room
Sponsor: Humanism, RSA Discipline Group
Organizer: W. Scott Blanchard, Misericordia University
Chair: Daniel Selcer, Duquesne University
David R. Marsh, Rutgers University
Erasmus’s Adagia: A Cultural Encyclopedia
Dustin Mengelkoch, Lake Forest College
Encyclopedic virtù: Giorgio Valla’s De expetendis et fugiendis rebus
Luigi-Alberto Sanchi, Centre national de la recherche scientifique
Commentary, Monograph, Thesaurus, or Encyclopedia? Guillaume Budé’s
Approach to Philology

297
Saturday, 2 April 2016

30428 Prehistory and the Pre-Political in

3:30–5:00

Park Plaza Early Modern Euro-Colonialism II

Fourth Floor
Tremont Room
Organizer: Jude Welburn, University of Toronto
Chair: Mary Nyquist, University of Toronto
Anna More, Universidade de Brasília
Warfare, Slavery, and the State in Early Africa
Alberto Villate-Isaza, University of Georgia
Bochica the Bearded Preacher: The Colonial Historiographer as Ideologue and
Founder of the Polis
Víctor Zorrilla, Universidad de Monterrey
Spanish and Spanish-American Notions of Barbarism

30429 English Devotional Writing: Authoring

Park Plaza Godliness
Fourth Floor
White Hill Room
Sponsor: English Literature, RSA Discipline Group
Organizer: Karen Nelson, University of Maryland, College Park
Chair: Susannah Brietz Monta, University of Notre Dame
Jaime L. Goodrich, Wayne State University
“Sixteene Sobs of a Sorowfull Spirit”: Elizabeth Grymeston, Robert Southwell,
and Catholic Literary Tradition
Elizabeth Hodgson, University of British Columbia
The Public Sinner: Katherine Parr and John Donne
Paula McQuade, DePaul University
The Practice of Christianity: Catechisms and the Protestant Devotional Tradition

30430 Neo-Latin in Northern Europe in the

Park Plaza Seventeenth Century
Fourth Floor
Winthrop Room
Sponsor: Societas Internationalis Studiis Neolatinis Provehendis / International Association
for Neo-Latin Studies
Organizer: Craig Kallendorf, Texas A&M University
Chair: Leah Whittington, Harvard University
Jeanine G. De Landtsheer, Katholieke Universiteit Leuven
A Forgotten Miracle Treatise: Iusti Lipsi Diva Virgo Lovaniensis
Marc Laureys, Rheinische Friedrich-Wilhelms-Universität Bonn
Forms and Functions of Tacitism in Nicolaus Burgundius’s Historia Belgica
(1629)
Elena Dahlberg, Uppsala Universitet
Lars Fornelius’s Gustavus Sago-Togatus (1631): A Latin Poem in the Service of
Swedish State-Building
Olivia Montepaone, Universita degli Studi di Milano
Book Market, Manuscripts, Conjectures in a Praefatio by J. F. Gronovius (1658)

298
 Saturday, 2 April 2016
30431 History and Commentary in the

3:30–5:00
Park Plaza Fifteenth and Sixteenth Centuries
Fourth Floor
Whittier Room
Organizer: Renaissance Society of America
Chair: Diana Gisolfi, Pratt Institute
Jon Solomon, University of Illinois at Urbana-Champaign
Conceptions of Mythological History in Boccaccio’s Genealogy of the Pagan Gods
Annalisa Ceron, Università degli Studi di Milano
Imperfect Friendships for Changeable Men: Alberti’s De amicitia
David Adkins, University of Toronto
Virgil’s Alexandrian Poetics in Sixteenth-Century Humanist Commentaries

30432 Venice and Gender: Metropole, Stato

Park Plaza da Mar, Terraferma II
Fourth Floor
St. James Room
Organizers: Holly S. Hurlburt, Southern Illinois University;
Stephan Karl Sander-Faes, Universität Zürich
Chair: Monique O’Connell, Wake Forest University
Alison A. Smith, Wagner College
Gender and Elite Sociability on the Terraferma during the Sixteenth Century
Ligiana Costa Araujo, Universidade de São Paulo
Transvestite Characters in Venetian Opera: The Old Wet Nurse
Holly S. Hurlburt, Southern Illinois University
Men Behaving Badly? Exile of Political Prisoners in the Context of the Venetian
Empire

30433 Francesco de Mura (1696–1782)

Hynes Convention Center and the Golden Age of Naples
Level Two
200
Sponsor: Italian Art Society
Organizer: Maria F. P. Saffiotti Dale, Chazen Museum of Art
Chair: James D. Clifton, Museum of Fine Arts Houston, Sarah Campbell
Blaffer Foundation
Arthur R. Blumenthal, Rollins College, Cornell Fine Arts Museum
In the Light of Naples: The Art of Francesco de Mura
David Derbin Nolta, Massachusetts College of Art and Design
Something in the Air: De Mura and Tiepolo and the Painting of Nothing
Maria F. P. Saffiotti Dale, Chazen Museum of Art
A New Discovery in the Chazen Museum of Art: Antonio Sarnelli’s Penitent
Magdalene

299
Saturday, 2 April 2016

30434 Crossroads of Creation: Artistic

3:30–5:00

Hynes Convention Center Workshops in Renaissance Italy IV:

Level Two Establishing a New Professionalism
201
Organizers: Mattia Biffis, CASVA;
Giorgio Tagliaferro, University of Warwick
Chair: Joris van Gastel, Universität Hamburg
Angelo Lo Conte, University of Melbourne
The Procaccini Workshop in Milan
Vesna Kamin Kajfež, Independent Scholar
Johann Carl Loth’s Workshop and Assistants: Between Venice and Istria
Camilla Parisi, Scuola Normale Superiore di Pisa
Girolamo Lucenti: Founder and Sculptor in Seventeenth-Century Rome

30435 Inverse, Reverse, Inside Out in

Hynes Convention Center Renaissance Art II
Level Two
202
Organizers: Jessica Anne Maratsos, Harvard University;
Julia Alexandra Siemon, The Metropolitan Museum of Art
Chair: Aimee Ng, The Frick Collection
Julia Alexandra Siemon, The Metropolitan Museum of Art
The World Turned Upside Down: Looking at the Aldobrandini Tazze
Carolina Mangone, Princeton University
Ambivalent Apertures: Framing Vision in the Cornaro Chapel
Robert Fucci, Columbia University
Rembrandt’s Counterproofs: Process, Patrons, and Market

30436 Thinking through Images: Early

Hynes Convention Center Modern Depictions of Economic
Level Two Activity II
203
Organizers: Giuseppe De Luca, Università degli Studi di Milano;
Tamar Herzog, Harvard University;
Germano Maifreda, Università degli Studi di Milano;
Gaetano Sabatini, Università degli Studi Roma Tre
Chair: Stefano D’Amico, Texas Tech University
Thomas B. F. Cummins, Harvard University
The Labors of Hercules in the Americas: From the Real to the Allegorical in
Visual Images
Dana Leibsohn, Smith College
Selling China: The Parians of Manila and Mexico City

300
 Saturday, 2 April 2016
30437 What Goes Inside

3:30–5:00
Hynes Convention Center
Level Two
204
Sponsor: European Architectural History Network (EAHN)
Organizer: Saundra L. Weddle, Drury University
Chair: Elizabeth M. Merrill, Independent Scholar
Jennifer Webb, University of Minnesota Duluth
On the Edges: Inside and Outside the Palazzo Ducale in Urbino
Maria Fabricius Hansen, Københavns Universitet
Rooms of Transformation: Interior Decoration with Grotesques in
Sixteenth-Century Italy
Ada De Wit, Radboud University Nijmegen
Functional Splendor: Woodcarving in Anglo-Dutch Interiors, 1650–1700

30438 Reuse and Adaptation in the Early

Hynes Convention Center Modern Book Trade
Level Two
205
Organizer and Chair: Diane Booton, Independent Scholar
John T. McQuillen, The Morgan Library and Museum
Types of Networks: Typographic and Xylographic Evidence of Early Printers’
Networks
Theresa Jane Smith, Harvard University
Cutting and Continuity: Technical Aspects of Broadside Flap
Anatomies (1538–1605)
Samuel J. Brannon, University of North Carolina at Chapel Hill
“Patience and curiosity must be invincible indeed”: Posthumous Reissues of
Zarlino’s Writings about Music

30439 Brahmins and Their Botticellis: Boston

Hynes Convention Center and the Italian Renaissance
Level Two
206
Organizer: Jacqueline Marie Musacchio, Wellesley College
Chair: Virginia Brilliant, John and Mable Ringling Museum of Art
Jacqueline Marie Musacchio, Wellesley College
Dante in Boston
Denise M. Budd, Independent Scholar
The “Masi Affair” and Beyond: Stefano Bardini and Quincy Adams Shaw
Kerri Pfister, The Frick Collection and Frick Art Reference Library
Tastes and Trends: Collecting Fifteenth-Century Italian Sculpture in the
Nineteenth Century

301
Saturday, 2 April 2016

30440 Artists’ Lives and Rights

3:30–5:00

Hynes Convention Center

Level Two
207
Organizer: Renaissance Society of America
Chair: Anne E. Proctor, Roger Williams University
Anthony Presti Russell, University of Richmond
From Beatrice to Mona Lisa: Love and Grace in Vasari’s Vite
Silvia Tita, CASVA
Giovanni Baglione’s Vite: A Diary of the Roman Artistic Life
Sarah Alexis Rabinowe, University of Cambridge
Artistic Copyright in Venice: The Case of Titian’s The Rape of Lucretia

30441 Therapeutic Measures: Literature as

Hynes Convention Center Treatment in Early Modern England
Level Two
208
Sponsor: Center for Medieval and Renaissance Studies, Saint Louis University
Organizers: Jessica Tabak, Brown University;
Leila Watkins, Western Kentucky University
Chair: Kimberly Huth, California State University, Dominguez Hills
Stephen Pender, University of Windsor
Clinical Comfort: Reading at the Bedside
Jessica Tabak, Brown University
Therapeutic Geographies in Donne’s “Hymn to God my God, in my Sickness”
Leila Watkins, Western Kentucky University
Lyric Sequence and Emotional Remedies in The Temple

302
 Saturday, 2 April 2016
30442 Roundtable: Shakespeare’s Death and

3:30–5:00
Hynes Convention Center Afterlife II
Level Two
210
Sponsor: English Literature, RSA Discipline Group
Organizers: Kathleen A. Lynch, Folger Institute;
Richard C. McCoy, CUNY, Queens College and The Graduate Center
Chair: Kathleen A. Lynch, Folger Institute
Discussants: Katherine Eggert, University of Colorado Boulder;
Donald Hedrick, Kansas State University;
Douglas Lanier, University of New Hampshire;
Lynne Magnusson, University of Toronto;
Arthur F. Marotti, Wayne State University
The second part of a roundtable marking the fourth centenary of Shakespeare’s
death will focus on the role of an anniversary in prompting assessments of
various kinds. Panelists will explore the impact of this enduring literary legacy on
contemporary culture, the current state of Shakespeare studies, and its value for
the humanities and human knowledge. How do scholars use this anniversary to
advance public outreach and bridge gaps between scholarly agendas and public
interest? Topics to be addressed include Shakespeare and science, with a suggested
shift in a question from how did Shakespeare use his knowledge of science to how
did Shakespeare’s plays make knowledge; current debates on Shakespeare, religion,
and secularization; political economy and cultural studies; and new approaches to
studying Shakespeare’s language.

30443 The Jacobean Masque: Resource,

Hynes Convention Center Realignment, and Realization
Level Three
302
Sponsor: Southeastern Renaissance Conference
Organizer: Susan Cerasano, Colgate University
Chair: John N. Wall, North Carolina State University
J. Leeds Barroll, Folger Shakespeare Library
Toward a Rethinking of the Stuart Masque
Susan Cerasano, Colgate University
Professional Players and the Court Masque
John Pitcher, St. John’s College, University of Oxford
Restoring Samuel Daniel’s 1604 Hampton Court Vision

303
Saturday, 2 April 2016

30444 Printed Images in Cinquecento

3:30–5:00

Hynes Convention Center Florence II

Level Three
303
Organizers: Lia Markey, The Metropolitan Museum of Art;
Sean Roberts, Villa I Tatti, The Harvard University Center for Italian Renaissance Studies
Chair: Laura Moretti, University of St. Andrews
Alessandra Baroni Vannucci, Fraternita dei Laici, Museum and Bartolini Collection
Florentine Printmaking around 1550: Exchange between Tuscany and the Netherlands
Mario Bevilacqua, Università degli Studi di Firenze
Architectural Prints in Renaissance Florence: Supply and Demand
Allie Terry-Fritsch, Bowling Green State University
Florentine Prints of Calcio and the Humanistic Discipline of Athletes and
Spectators in the Cinquecento

30445 The Book in Early Modern England

Hynes Convention Center and Scotland
Level Three
304
Organizer: Renaissance Society of America
Chair: Shannon Kelley, Fairfield University
Elizabeth Tapscott, Lindsey Wilson College
False Imprints and the “Miserabyll Estait of the Warld”: Printing Sir David
Lyndsay’s Monarche
Tom Rooney, Central European University
Every Title Page Tells a Story: Robert Waldegrave, William Ponsonby, and The
Countesse of Pembrokes Arcadia
Jennifer Park, University of North Carolina at Chapel Hill
Playing Cards Without Cards: Instructional Books and Game Play

30446 Beyond the Wanderjahr: Microhistories

Hynes Convention Center of Artistic Travel in Renaissance
Level Three Europe
305
Organizers: Nicholas Herman, Université de Montréal;
Susie Nash, Courtauld Institute of Art
Chair and Respondent: Nicholas Herman, Université de Montréal
Svea Friederike Janzen, Freie Universität Berlin
What Can Art History Learn from Artistic Exchanges? A Bavarian Case Study
Barbara von Barghahn, The George Washington University
Profiling Barthélemy van Eyck from Flanders to France
Jason Di Resta, Johns Hopkins University
Deracinated Style: Migration and Exchange in the Art of Pordenone

304
 Saturday, 2 April 2016
30447 David Rosand in Venice: Honoring a

3:30–5:00
Hynes Convention Center Legacy of Learning
Level Three
306
Organizer: Mary E. Frank, Independent Scholar
Chair: Lorenzo Buonanno, University of Massachusetts Boston
Respondent: Ellen Rosand, Yale University
Melissa Conn, Save Venice Inc.
Emerging from the Shadow of Saint Mark
Mary E. Frank, Independent Scholar
The Rosand Library and Study Center at Save Venice: A Portrait of a Scholar
Irina Tolstoy, Columbia University
The Mark of Veronese: Learning from David Rosand

30448 Pedagogy in the Sixteenth and

Hynes Convention Center Seventeenth Centuries
Level Three
308
Organizer: Renaissance Society of America
Chair: Raashi Rastogi, Northwestern University
Agnes Juhasz-Ormsby, Memorial University of Newfoundland
Tudor School Commentaries: Leonard Cox’s edition of De octo orationis partium
constructione libellus (1540)
Corinne Bayerl, University of Oregon
Emotions Going to School: French Renaissance Pedagogy and the Dangers of
Affect
Jessica Crown, University of Cambridge
“Illuminate your well-deserving country by the most honourable studies”:
Cardinal Wolsey’s Foundation of Ipswich College

30449 Global Water and the Political:

Hynes Convention Center Mexico and Paris, 1400–1700
Level Three
309
Organizers: Ivonne del Valle, University of California, Berkeley;
Katherine Ibbett, University College London
Chair: Rocío Quispe-Agnoli, Michigan State University
Ivonne del Valle, University of California, Berkeley
The Politics of Water in Tenochtitlan
Katherine Ibbett, University College London
Filtering Frenchness: Water and National Style
Emily Umberger, University of Arizona
Aztec Ideas about Water

305
Saturday, 2 April 2016

30450 The Reformation and

3:30–5:00

Hynes Convention Center Post-Reformation in England:

Level Three Suppressions and Estrangements
310
Organizer: Renaissance Society of America
Chair: Jeannine E. Olson, Rhode Island College
Vanita Neelakanta, Rider University
“My Womb Shall be Thy Tomb”: Maternal Cannibalism during the Siege of
Jerusalem
Anton E. Bergstrom, Wilfrid Laurier University
Sacred Calling as Estrangement in Donne’s “To Mr. Tilman after He Had Taken
Orders”

30451 Digital Technologies and Renaissance

Hynes Convention Center Music: Critical Editions, History of
Level Three Style, and Analysis
311
Organizer and Chair: Julie E. Cumming, McGill University
Alexander Philip Morgan, McGill University
The Development of Contrapunctus Theory in the Renaissance: The Treatises of
Tinctoris and Pontio
Catherine Motuz, McGill University
Using VIS to Find Improvisational Models in Polyphonic Music
Laurent Pugin, Répertoire International des Sources Musicales
The Marenzio Online Digital Edition (MODE)

30452 Converging Paths: Encounters between

Hynes Convention Center Art and Science IV: Old and New
Level Three Natural Worlds
313
Organizers: Zuleika Murat, Università degli Studi di Padova;
Chiara Ponchia, Università degli Studi di Padova
Chair: Valerie Taylor, Pasadena City College
Respondent: Deborah L. Krohn, Bard Graduate Center
Maria Shmygol, University of Sussex
Practice and Theory in the Works of Bernard Palissy
Marta Caroscio, Università degli Studi di Firenze
Representing and Describing New Tastes
Irene Backus, University of Chicago
China Root: Power in the Flavorless

306
 Index of Participants
Abdu, Brook 30425 Andreatta, Michela 10205
Abril-Sanchez, Jorge 20220 Andreoli, Ilaria 20544, 30344
Acciarino, Damiano 30331 Andrews, Meghan C. 10243
Achinstein, Sharon 30145 Andrews, Richard 10532
Ackerman, James S. 30147 Apgar, Jamie 10338
Adams, Kristen 20433 Apolloni, Jessica 30108
Adams, Robyn 10106 Appleford, Amy 30127
Addona, Victoria 30137 Appuhn, Karl R. 30109, 30312
Adkins, David 30431 Arcak Casale, Sinem 20505
Adrian, John Mark 30350 Arcangeli, Alessandro 20126, 20226
Aggujaro, Alina 30237 Aresu, Francesco 30251
Agoston, Laura Camille 30135 Aristova, Maria-Anna 10440
Ahl, Diane Cole 20235 Arizzoli, Louise 30133
Aikema, Bernard 20352 Armitage, David 30220
Ajello Mahler, Guendalina 20447 Armstrong, Lilian 20544
Akestam, Mia 20507 Armstrong, Megan C. 10315, 10415,
Akopyan, Ovanes 20422 10515, 20411
Aksamija, Nadja 20212 Armstrong, Ted 10224
Akujärvi, Johanna 20105 Arnoult, Sharon L. 30329
Albala Pelegrin, Marta 10108, 20416, Arraiza-Rivera, Antonio J. 20230
30214 Artun, Tuna 30205
Alberti, Francesca 10537 Ascoli, Albert Russell 30115, 30424
Alberts, Lindsay 10335 Asfora Nadler, Wanessa 10128
Alberts, Tara 10207 Ashworth-King, Erin 10140
Albertson, David C. 10317, 10417, Asmussen, Tina 30132, 30232
10517, 20122, 30119 Asso, Cecilia 20108
Alcalá Galán, Mercedes 30128, 30306 Assonitis, Alessio 20107, 20207, 20410
Aleksander, Jason 10517 Astier, Sophie 10329, 10529
Alessandrini, Jan 10504 Atkinson, Niall 30209
Alexander, Jonathan J. G. 20344 Attie, Katherine Bootle 20204
Alho, Tommi 30130 Augart, Isabella 10139, 10239
Alsteens, Stijn 10534 Augustine, Matthew 10413
Altok, Zeynep 20405 Aulakh, Pavneet Singh 20421
Amati-Camperi, Alexandra D. 30338 Austern, Linda Phyllis 30343
PARTICIPANTS

Amatuzzi, Antonella 10116 Avallone, Paola 20509

Amazan, Louise 10329 Averett, Matthew Knox 20336
Amendola, Adriano 20337 Avxentevskaya, Maria 10330, 20304
Anastacio, Vanda 20523 Axelrod, Sarah Luehrman 10423
Andersen, Lisa 10136 Aydelotte, Laura 10204
Anderson, Carrie 20150 Aymonino, Adriano 30334
Anderson, Christina M. 10236 Azzolini, Monica 10319, 10419, 10519,
Anderson, Christy 10135, 10235, 20110, 20210
30148, 30248
Anderson, David K. 20146 Baars, Rosanne 10213
Anderson, Jaynie Lousie 20343, 20443 Babaie, Sussan 10150, 10250, 30347
Anderson, Michael Alan 10238, 10438 Bacchini, Lorenzo Filippo 20315
Anderson, Penelope 10316, 20549 Backus, Irene 30452

307
 INDEX OF PARTICIPANTS

Badat, Bilal 10150 Bayer, Andrea Jane 10550

Baddeley, Susan 20224 Bayerl, Corinne 30448
Bailey, Meryl 10142 Bearden, Elizabeth 10312
Bailey, Michael D. 10309, 10509, 20317 Beaulieu, Marie-Claire 10452
Bailey, Thomasin Mary 20542 Beaver, Adam G. 10505, 20335
Baillargeon, Philippe 10231 Beckjord, Sarah 30414
Baker, David Weil 10518 Becucci, Alessandra 10437
Baker, Nicholas S. 20410, 20510, 30109, Bednarski, Steven 10535
30209 Beier, Benjamin V. 10145, 20142
Baker, Patrick 10109 Beier, Christine 20444
Balafrej, Lamia 30144 Beilin, Elaine 20518
Baldasso, Renzo 20344, 20444, 20544 Beiweis, Susanne Kathrin 10120, 20522
Baldi, Andrea 20319 Bell, Ilona D. 20418, 30345
Balizet, Ariane M. 10143 Bell, Margaret 10327, 10427, 10527
Ball, Rachael 30226 Bellavitis, Anna 20401, 20552
Ballone, Angela 30214 Bellavitis, Maddalena 20334, 20434, 20534
Bambach, Carmen 10434 Belle, Marie Alice 10116, 20124, 20321
Barbierato, Federico 20126, 20226, Benadusi, Giovanna 20509
20326, 20426, 20526 Benay, Erin 20506
Barbour, Reid 20211 Bender, Daniel 10215
Bargellini, Clara 30347 Benedetti, Laura 10219
Barkan, Leonard 10141, 20244 Benedettini, Riccardo 10130
Barker, Hilary Dawn 10104 Benelli, Francesco 10235, 20207
Barletta, Vincent 20130 Benes, Mirka M. 10135, 20112
Barnard, Mary E. 10508 Bengtsson, Frederick 20430
Barnes, Bernadine A. 20234 Benkov, Edith J. 10409
Baroni Vannucci, Alessandra 30444 Bennett, Kristen Abbott 30341
Barret, J. K. 20342, 30150, 30250, 30404 Bentz, Katherine M. 20112
Barrett, Timothy 20214 Benza, Angela 20329
Barroll, J. Leeds 30443 Benzan, Carla 10114
Barsella, Susanna 10123 Bercea-Bocskai, Natalia 20124
Bartels, Victoria 10542 Bergman, Ted L. L. 20350
Barton, William 10116, 10216 Bergstrom, Anton E. 30450
Barzilai, Reut 10347 Bernstein, JoAnne G. 10349
Barzman, Karen-edis 20143, 20243, Bertram, Benjamin 30242
PARTICIPANTS

30333 Bertrand, Dominique 10329, 10429,

Basford, Douglas 10318 10529
Baskins, Cristelle L. 20131, 30144, 30244 Beskin, Anna 20104
Bassler, Samantha 30338 Bevilacqua, Alexander 20335, 20435
Bassnett, Madeline J. 10521 Bevilacqua, Mario 30444
Battles, Matthew 20551 Bezio, Kristin M. S. 10152, 10444,
Bauch, Erik 30351 20228, 20324, 20521
Bauer, Ralph 30220 Biffis, Mattia 30134, 30234, 30334,
Baum, Constanze 30351 30434
Baum, Jacob M. 20228 Biggie, Roya 30143
Baumann, Karoline Johanna 10140, 30142 Bilak, Donna 20445
Baumgarten, Jens 30236 Bilinkoff, Jodi 20132, 30225
Baxter, Carol C. 20509 Billing, Christian M. 10111

308
 INDEX OF PARTICIPANTS

Binasco, Matteo 20320, 20420 Bowles, Amy 10206

Bindman, David 20248 Bowling, Joseph 20249
Binstock, Benjamin 30107 Boyd, Rachel Elizabeth Weiden 30134
Bisaha, Nancy 20119 Boyle, Margaret E. 20123
Bissett, Tara 30207 Bracken, Susan 10437
Bistagne, Florence 20224 Braden, Gordon M. 30423
Black, Elizabeth C. 30231 Bragagnolo, Manuela 20526
Black, Joseph 10246, 20518 Brammall, Sheldon 20124
Blackmore, Josiah 10208, 20230 Brancher, Dominique 20515
Blackwood, Nicole 30335 Brannon, Samuel J. 30438
Blair, Ann M. 10422, 10506 Braun, Harald E. 10520, 20519
Blanchard, W. Scott 30327, 30427 Braund, Susanna 20124
Blanco Mourelle, Noel 20511 Bravi, Francesca 10219
Blank, Daniel 10311 Brazeau, Bryan 10216, 30118, 30218
Bloemacher, Anne 20134, 20234 Breen, Daniel 20249
Bloemendal, Jan 20140 Brege, Brian 10310
Blum, Gerd 20543 Breitenstein, Renée-Claude 20532
Blumenfeld-Kosinski, Renate 10309, Bremenkamp, Adrian 20139, 20239
20407, 30116 Brewer, Holly 20426
Blumenthal, Arthur R. 30433 Brilliant, Virginia 30439
Bock, Nicolas 20239 Brink, Jean R. 10544, 20418
Bodart, Diane 10134, 10537, 20233 Brisman, Shira 20436
Boecherer, Michael Casper 30341 Brizio, Elena 20219
Boeckeler, Erika Mary 10304 Broggio, Paolo 20320
Bogdan, Izabela 10538 Brooke, Alice 10120
Bohn, Babette 10339, 10439, 10539 Brosens, Koenraad 20433
Bolzoni, Marco Simone 10434 Brothers, Cammy 20547
Bonaccorso, Giuseppe 10536 Brotto, Luisa 30219
Bond, Katherine 10433 Brouard, Christophe 10334, 10434,
Boone, Graeme M. 10138 10534
Booton, Diane 30438 Brown, Cedric Clive 20114
Borchard, Kimberly 20120, 20220 Brown, Cynthia J. 10524
Borchert, Till-Holger 10133, 20333 Brown, James 20328
Borghesi, Francesco 20217, 30319 Brown, Laura Feitzinger 30329
Borin, Paolo 20252 Brown, Meaghan J. 20351
PARTICIPANTS

Borris, Kenneth 30217 Brown, Patricia Fortini 10549

Bortoletti, Francesca 20109, 20209, Brown, Piers 20242
20309, 20538 Brownlee, Marina S. 10108, 10208,
Boruchoff, David A. 20416, 20516, 20546
30128, 30228, 30306, 30406 Brummett, Palmira 20119
Bosch, Lynette M. F. 10335, 20147 Brundin, Abigail 30318
Bottari, Salvatore 20331, 20431, 20531 Bruni, Flavia 10504
Boudier, Valérie 10428 Brunner, Florence 10231
Bourne, Molly 10542, 30121, 30221 Bruzelius, Caroline 20252, 20347
Boutcher, Warren 10331, 20215 Bruzzone, Raffaella 10310, 10410
Boutin Vitela, Lisa 10428 Bucelli, Claudia Maria 20312
Bowen, William 10151, 10251, 10351, Buchanan, Ashley 20107
10451, 20151, 20251 Budd, Denise M. 30439

309
 INDEX OF PARTICIPANTS

Bullard, Melissa M. 20410 Carlsmith, Christopher 20221, 20512,

Bulman, William J. 10411, 10511, 20545 30416
Buonanno, Lorenzo 30133, 30233, 30447 Carlson, Andrew Michael 30150
Buono, Amy 20143, 30347 Carlstedt, Anna 20524
Burdette, Derek Scott 20243 Carneiro, Sarissa 20348
Burioni, Matteo 20340 Caroscio, Marta 30352, 30452
Burke, Martin 30120 Carpenter, Caroline 20229
Burke, Victoria E. 10246 Carranza, Paul 20416
Burroughs, Charles 20147 Carrion, Gabriela 30123
Burton, Simon 10317 Carroll, Clare 10215, 20320, 20420
Busse, Claire M. 10343 Carroll, Jane L. 20536
Butler, Sophie 10331 Carroll, Stuart 10431
Butler, Todd 30145, 30208 Carroll Consavari, Elizabeth 10142
Butler Wingfield, Kim 10237, 30139 Casalini, Cristiano 20111
Byrne, Susan 10108, 20416, 20516, Case, Sarah E. 20318
30128, 30228, 30306 Casini, Matteo 10530, 30106
Casper, Andrew R. 10114, 10214, 10314
Caball, Marc D. 30420 Cassegrain, Guillaume 10537
Cacchioli, Luna 30419 Cassen, Flora 10305
Caferro, William 10427 Castellvi Laukamp, Luis 20230
Calabritto, Monica 30405 Castner, Catherine J. 30230
Caldari, Valentina 30126, 30414 Casu, Stefano G. 20228
Caldera, Massimiliano 10436 Caterino, Antonello Fabio 10119
Calhoun, Alison 20524 Catia, Antunes 30336
Calhoun, Joshua 20214 Cavalca, Cecilia 10436
Calis, Richard 10104 Ceccarelli, Francesco 20508
Call, Michael 20324 Cefalu, Paul A. 20211
Callahan, Meghan 20121 Celati, Alessandra 20226
Calma, Clarinda Espino 20415 Celati, Marta Bianca Maria 30305
Calvillo, Elena M. 10320, 30321 Celenza, Christopher 20117, 20217,
Camara, Esperanca Maria 30240 20322, 20417, 30115, 30227
Campangne, Hervé Thomas 10424, 30113 Cella, Riccardo 20552
Campbell, Erin J. 20136 Celli, Andrea 30244
Campbell, Ian W. S. 10515 Celovsky, Lisa 20518
Campbell, Katharine E. 20521 Centenari, Margherita 20205
PARTICIPANTS

Campbell, Mary Baine 10516, 30349 Cerasano, Susan 30443

Campbell, Stephen J. 30239 Ceron, Annalisa 30431
Campeggiani, Ida 30318 Champion, Matthew S. 10309
Cañeque, Alejandro 20431, 30226 Chao, Tien-yi 10516
Cannata Salamone, Nadia 30419 Chaplin, Joyce 20411
Cannataro, Italia Maria 20331 Chappell, Maria 10251, 10543
Cappelletti, Francesca 20334, 20434, Chen-Morris, Raz D. 20308
20534 Cheney, Liana De Girolami 10335,
Capriotti, Giuseppe 20221 10435, 20147
Capron, Emma 20439 Cheng, Sandra 20337, 20437, 20537
Caramanna, Claudia 20534 Chenovick, Clarissa Ann 30329
Cardinali, Marco 30352 Chernetsky, Irina 30117
Carey, Vincent P. 30220, 30320 Chess, Simone 30149

310
 INDEX OF PARTICIPANTS

Chesters, Timothy 10419 Coller, Alexandra 20109, 20309, 30308

Chillè, Giampaolo 20531 Collington, Philip D. 10215
Chiodo, Antonella 10436 Collington, Tara 10215
Chiodo, Carol 10304 Collins, Marsha S. 20516, 30228
Chiu, Jasmine M. 30138 Collins, Matthew 30251
Choi, Imogen 10308 Colombo, Emanuele 30425
Chojnacki, Stanley 20301, 20401 Colón-Semenza, Gregory M. 20246
Chovanec, Kevin Michael 30114 Coltrinari, Francesca 20221
Christensen, Ann 10143 Comboni, Andrea 10518
Christian, Kathleen 10209 Combs-Schilling, Jonathan 30124
Christianson, Karen 30311 Comiati, Giacomo 10216, 20205
Ciavolella, Massimo 10220 Compton, Rebekah Tipping 20341
Ciffarelli, Paola 10429 Condello, Emma 30419
Clark, Douglas 10321 Confalonieri, Corrado 20330
Clark, Frederic N. 10104 Conley, Tom 10127, 10529, 30313,
Clark, Gloria Bodtorf 30223 30415
Clarke, Kenneth P. 10223, 10523 Conn, Melissa 30447
Clarke, Paula 20301 Connell, Sarah 20452
Clausen-Brown, Karen 30422 Connelly, Frances 10340
Clegg, Cyndia Susan 10544 Connors, Joseph 10149, 20447
Cleland, Katharine 20446 Constantinidou, Natasha 20305
Clemis, J. David 20428 Conti, Brooke Allison 20521
Clerc, Sandra Lorenza 20205 Conti, Fabrizio 10309
Clerici, Alberto 20122 Coodin, Sara 10247
Clifton, James D. 10148, 10248, 10348, Cook, Kelly D. 20312
30433 Cook, Trevor 30107, 30207, 30307,
Clines, Robert J. 30425 30407
Cloud, Jasmine 10414 Coolahan, Marie-Louise 20452
Cloutier-Blazzard, Kimberlee A. 20537 Cools, Hans 20145
Clouzot, Martine 10435 Coonin, A. Victor 10342
Coccia, Emanuele 20233 Cooper, Alix 20210
Cocco, Sean 30312 Cooper, Amy 30314
Cody, Steven J. 30139 Cooper, Tracy E. 10142, 30133
Coffey, Heather 10540 Cooperman, Bernard 10405, 20226,
Cohen, Elizabeth S. 10535, 20512, 30215 20426
PARTICIPANTS

Cohen, Matthew A. 10342 Corder, Cathy 20349

Cohen, Thomas V. 20512, 30104 Cordova, James 30347
Cohen Suarez, Ananda 30347 Cormack, Bradin 30141
Coiro, Ann Baynes 10146, 10346, 20146 Cornelison, Sally J. 10342, 10442, 10542
Colavizza, Giovanni 20552 Correia Martins, Ana Isabel 30117
Colbert Cairns, Emily 20548 Corry, Maya 30134
Coldiron, Anne E. B. 10112, 20215, Cosgriff, Tracy 10141, 30139
30107, 30323 Costa Araujo, Ligiana 30432
Cole, Janie 20138, 20238, 20338, 20438, Costantini-Cornède, Anne-Marie 10548
30338 Coster, Stephanie 10313
Cole, Michael W. 10141, 10334, 10441, Costiner, Lisandra 30339
30147 Costley King’oo, Clare 10528
Coleman, Robert Randolf 10450 Cotugno, Alessio 10325

311
 INDEX OF PARTICIPANTS

Courtright, Nicola 10227 D’Elia, Anthony Francis 20128

Courts, Jennifer 10242 D’Evelyn, Margaret M. 10141
Covington, Sarah 10215, 30120, 30220, D’Onghia, Luca 30418
30320, 30420 D’Urso, Teresa 20239
Cowdery, Taylor 20430, 30404 Dackerman, Susan 20513
Cowling, David 10524 Dahlberg, Elena 30430
Cox, Virginia 20417, 30118, 30405 Dal Molin, Aria 30308
Cozzucoli, Serena 10220 Dalla Costa, Thomas 30233
Crabb, Ann M. 20219 Danforth, Deanna Malvesti 20118
Craig, John Semple 30210 Daniel, Dane Thor 30111, 30211
Crane, Gregory 10352, 10452 Daniele, Elena 30214
Crane, Mark 10422 Daolmi, Davide 20238
Crane, Mary Thomas 20242 Dauge-Roth, Katherine 10430
Cranston, Jodi 10541, 20206 Dauvois, Nathalie 10524, 20124
Crawford, Jason 30142 Davies, Jonathan 10431
Crawford, Julie 10226 Davies, Surekha 20411, 30206
Crawford, Katherine 10227 Davis, Elizabeth B. 10308, 10408, 10508
Cree, Jose 20428 Davis, Joel B. 20218, 20318, 20518
Crenshaw, Paul 10333 Davis, John A. 30312
Creutzburg, Anette 20507 Davis, Mark Evan 20120
Crosbie, Christopher 10138, 10247 Davis, Matthew Evan 10151, 20251
Crow, Andrea 20104 Davison, Kate 20428
Crown, Jessica 30448 Dawson, Brent 30409
Crowther, Stefania 20542 Day, Alexandra 10126
Crum, Roger J. 20337 de Beer, Susanna 10125, 10209, 10352,
Cruz de Carlos Verona, Maria 20233 10452, 10552
Cruz González, Cristina 10248 De Benedictis, Angela 20426
Cruz Petersen, Elizabeth Marie 20323 de Boer, David Roman 10113
Csirkes, Ferenc Peter 20405 de Boer, Dick 10113
Cuadriello, Jaime 30236 de Cavi, Sabina 30140
Cull, John T. 30315 de Cruz Medina, Vanessa 30321, 30421
Cultrera, Gabriela 20224 De Jonge, Krista V. 10249, 20333
Cumming, Julie E. 30451 De Kesel, Lieve 20333
Cummings, Anthony M. 10225, 20538 De Landtsheer, Jeanine G. 10116, 30430
Cummins, Stephen 10431 de Looze, Laurence 30213
PARTICIPANTS

Cummins, Thomas B. F. 30236, 30436 De Luca, Giuseppe 30336, 30436

Curcio-Nagy, Linda 20331, 20431, 20531 De Raedt, Nele 10327, 30337
Curran, Kevin 20342, 20442, 20504 De Ruggieri, Maria Beatrice 30352
Currell, David 10346 De Rycker, Katharine Ann 20249, 30126
Cushman, Helen 20430, 30127 De Santo, Paola 20131
Cuttica, Cesare 20227 de Simone, Gerardo 20139
De Smet, Ingrid A. R. 30330, 30410
D’Addario, Christopher 20504 de Vries, Joyce 10339
D’Addio, Sophia 30133 De Wit, Ada 30437
D’Amico, Stefano 30436 Dean, Alexander 10225
D’Arista, Carla 20207 Debby, Nirit Ben-Aryeh 20307, 20507,
d’Artois, Florence 20208 30110
D’Avenia, Fabrizio 20311 Degenhardt, Jane Hwang 20242

312
 INDEX OF PARTICIPANTS

deGhetaldi, Kristin 10233 Doppelt, Torin 20427

Dekoninck, Ralph 10348, 10448 Doré, Andréa 30410
Del Alto, Manuel Jesús 10415 Doudet, Estelle 30131
Del Soldato, Eva 20226 Dow, Douglas N. 20235
del Valle, Ivonne 30449 Dragiyski, Boncho 30329
Delmolino, Grace 10423 Drenas, Andrew 10315
Demers, Patricia 20321 Dressen, Angela 30251, 30351
den Haan, Annet 30330 Dubrow, Heather 20204, 30112
Dennis, Kimberly L. 30419 Dubus, Pascale 10529
DePrano, Maria 10541, 20136, 30305 Duclos, G. Cory 30306
der Weduwen, Arthur Timothy 20314 Duclow, Donald F. 10317, 20117, 20222,
Deramaix, Marc 10229 30119, 30219, 30319
Derrin, Daniel 10447 Ducos, Joëlle 30122, 30222
Desai, Noor 20149 Duerloo, Luc L. D. 10345
Deschamp, Marion 20126 Duffy, Timothy John 10546, 30323
DeSilva, Jennifer Mara 10225, 10307 Duhaime, Douglas Ernest 20451
Deslauriers, Marguerite 20532 Duhl, Olga Anna 10524
Deutermann, Allison 10211, 20149, Dulac, Anne-Valérie 10548
20242 Dulgarian, Robert 20240
DeVos, Jessica Erin 30422 Dulibic, Ljerka 30135
Di Furia, Arthur J. 10534 Duncan, Claire 30243
Di Gennaro, Barbara 20345 Duncan, Sarah G. 20133
Di Lauro, Brooke Donaldson 20324 Dundas, Iara A. 30310
di Lenardo, Isabella 20352 Dunkelgrün, Theodor W. 10505, 20435
Di Resta, Jason 30446 Dunkelman, Martha L. 10341, 30136
di Simone, Paolo 30139
Dunlop, Anne 30247
Diaz, Sara Elena 10423
Dunn, Mary 30223
Díaz Burgos, Ana María 20123
Dunne, Derek 30208
Dickey, Stephanie S. 10333, 20333,
Dunnum, Eric Meyer 10252
20433
Dupont, Christian Yves 20125
Dickson, Donald R. 20529
Duran, Angelica 20246
DiMarzo, Michelle 10142
Durin, Karine 20108
Dingman, Paul 20351
Dursteler, Eric R. 20119
Dinkova-Bruun, Greti 30227
Dyck, Paul Henry 10246
Ditchfield, Simon 10207, 20320, 20412,
PARTICIPANTS

Dzelzainis, Martin 10313, 10413,

20512, 30311
10513
Djordjevic, Igor 20346
Dlabačová, Anna 10248
Dodds, Gregory 10222 Eagles, Lane Michelle 20408
Dodds, Lara A. 10316, 20204 Earle, Rebecca 10228
Dodson, Alexandra 20539 Eccleston, Rachel 30228
Dodson, Joel Michael 10404, 30304 Echinger-Maurach, Claudia 20234
Dolph, Steve Vásquez 10208 Eckerle, Julie A. 20332
Dolven, Jeff 30249 Eckhardt, Joshua 20114, 20429
Dominguez, Freddy 30114 Eckstein, Nicholas A. 30209
Domnina, Ekaterina 20319 Edelheit, Amos 20222
Donahue, Darcy R. 30128 Edelstein, Bruce L. 30221
Donetti, Dario 30137, 30237 Eden, Kathy 20144, 20244

313
 INDEX OF PARTICIPANTS

Eder, Maciej 10552, 20415 Favaro, Maiko 10119, 10219, 30418

Edwards, Karen L. 10346 Feather, Jennifer 20232
Edwards, Kathryn A. 30105 Fedi, Andrea 10220
Eggert, Katherine 30442 Fedi, Roberto 10220
Ehrlich, Tracy 20112, 20212 Fehrenbach, Frank 10441, 30239
Ehrlich, Victoria 20133 Feigenbaum, Gail 20506, 30140, 30334
Ehrmann, Maud 20552 Feile Tomes, Maya Caterina 10308, 10408
Eisenbichler, Konrad 10321, 10421, Feingold, Mordechai 10311, 10511
20532 Felch, Susan M. 10528, 30345
Eisler, Colin 20443 Felek, Özgen 30205
Eisner, Martin 10223 Felfe, Robert 20513
Elias, Cathy A. 20138 Fenech Kroke, Antonella 30426
Eliav-Feldon, Miriam 10509 Fenichel, Emily 30139
Ellinghausen, Laurie 20240 Ferlier, Louisiane Muguette 10106
Else, Felicia M. 30316 Fernandes Arq, José Manuel 20247
Elsea Bourgeois, Angi L. 30339 Fernandez, Enrique 20350
Elsky, Martin 30245 Fernández, Esther 10432
Elston, Ashley 10214, 20339, 20439, Ferrari, Sarah 20334
20539 Ferraro, Joanne M. 10210
Emerson, Catherine 10116 Fetvaci, Emine 20505
Emich, Birgit 10407 ffolliott, Sheila 10227
Engel, William E. 10533, 30314, 30417 Figueroa, Melissa 30123
Enginsoy Ekinci, Sevil 30337 Fine, Emily 30212
Ergin, Nina 30333 Finotti, Fabio 10219
Eriksson, Johan 30337 Fischer, Susan L. 20323
Escher, Peggy 10545 Fishburne, James 10541
Eschrich, Gabriella Scarlatta 10318 Fisher, Allison N. 20312
Espie, Jeff 30217 Fitzmaurice, James B. 10316, 10416,
Essary, Brandon 20219 10516
Etheridge, Kay 30316 Flack, Corey 20225
Evrigenis, Ioannis 20527 Flanders, Julia 20452
Eze, Anne Marie 20444, 20535 Flanigan, Theresa L. 10342, 30240
Flannery, Maura C. 10310
Fabbris, Zuane 10530 Fleck, Andrew 20304
Fabiani Giannetto, Raffaella 20212 Fleischer, Cornell H. 20405
PARTICIPANTS

Facca, Danilo 20419, 20519 Fleming, Alison C. 10314

Facchin, Laura 10436 Fleming, Juliet 10112
Faietti, Marzia 20134, 20234, 30237 Flinker, Noam 20346, 20421
Faini, Marco 10107, 30218, 30324 Flis, Nathan 10437
Falguières, Patricia 30137 Florio, Raffaele 30331
Falkeid, Unn 20307, 20407, 20507, Flynn, Dennis 20529
30115 Foecking, Marc 30124
Fallon, Samuel 30112 Foley, Adam 10518
Fallon, Stephen M. 10146, 10346 Foley, Stephen Merriam 30150
Falque, Ingrid 10148 Foner, Daria Rose 10327
Farago, Claire J. 30347 Font Paz, Carmen 20126, 20449
Farnsworth, Jane E. 30317 Fontana, Jeffrey M. 10341
Favaretto, Matteo 10216 Foote, Jonathan 30237

314
 INDEX OF PARTICIPANTS

Forrestal, Alison 10315, 10515 Gallucci, Mary Margaret 30216

Fosi, Irene 30104 Gamba, Jimena 30214
Fowler, Caroline 20550 Gamberini, Cecilia 30321
Foxley, Rachel Helen 10445 Gamboa, Brett 10243
Fraas, Mitchell 20451 Garcia, Brian 20222
Fraga, Joana 20431 García-Arenal, Mercedes 20335
Fraiman, Jeff 20339 García-Bryce, Ariadna 30228, 30306
Franceschini, Chiara 20233 García Cueto, David 20434, 30104
Francesconi, Federica 10205, 10305 García Piñar, Pablo 20448
Francis, Scott M. 30231 Gardiner, Noah Daedalus 30205
Franco, Borja 20448 Garganigo, Alessandro C. 10513
Franco, Tiziana 30352 Garner-Balandrin, Shannon Jane 20508
Franganillo-Álvarez, Alejandra 30421 Garriga Espino, Ana 20511
Frank, Eric 10442 Garrison, John S. 20304
Frank, Isabelle 20236 Garrod, Raphaele 10419
Frank, Martina 20552 Garton, John 10440
Frank, Mary E. 30447 Gaston, Robert W. 30247
Franzén, Carin 20524 Gear, Jennifer E. 20236
Frazier, Alison Knowles 30331 Geekie, Christopher 10506, 20238
Freddolini, Francesco 20306, 20406, Geng, Penelope 30108, 30208
20506 Geraerts, Jaap 10506
Fredona, Robert 30204 Gerard, Christian 20118, 20218
Fredrick, Sharonah Esther Gerbino, Anthony 10235
20130, 30148, 30248 Gerbino, Giuseppe 20238, 20438
Freedman, Richard 10438 Gersh, Stephen 10517, 20322
Freiberg, Jack 10449 Gertz, Genelle 10528
Frelick, Nancy 30231, 30322 Getz, Christine S. 10238
Friedman, David 20347 Ghadessi, Touba 30216, 30316, 30416
Friedman, Hannah Joy 20450 Ghelfi, Barbara 10339
Friedrich, Karin 20313 Ghirardo, Diane Yvonne 10228, 30229
Frison, Chiara 30106 Ghose, Indira 10447
Fromont, Cécile 30244 Giammei, Alessandro 30413
Fucci, Robert 30435 Giannino, Denise 20439
Fuchs, Barbara 10432 Giannotti, Alessandra 10334
Fukuoka, Atsuko 10445 Gibbons, Zoe 10321
PARTICIPANTS

Fuller, Mary C. 30349 Gibson, Gail McMurray 30127

Fulton, Thomas 10244, 20530 Gieskes, Edward 30341
Fumian, Silvia 20344 Gigante, Federica 20406
Fuqua, John Benjamin 10543 Gil-Osle, Juan Pablo 20120, 20220,
Furey, Constance 10240 30315
Giles, Roseen H. 20438
Gage, Frances 30340 Giles-Watson, Maura 10251
Galandra Cooper, Irene 30210 Gill, Catie 20326
Galarreta-Aima, Diana 20448 Gill, Meredith J. 10137
Galbarro García, Jaime 10508 Gill, Rebecca 10239
Gáldy, Andrea M. 10337, 10437 Gilman, Donald 10222
Galizzi Kroegel, Alessandra 30139 Gini, Nicoletta 10330
Gallagher, John 20328, 30215 Giordano, Andrea 20252

315
 INDEX OF PARTICIPANTS

Giorgetti, Leonardo 30418 Greiling, Meredith 30148

Girón-Pascual, Rafael M. 20311 Grek, Leon 10343
Gisolfi, Diana 30431 Grieco, Allen J. 10128, 10228, 10328,
Gittes, Tobias Foster 10223 10428, 20528
Goddu, Andre 20415 Griffith, Elizabeth 30332
Godla, Joseph 20543 Grimaldi, Adriana 10115
Goeglein, Tamara A. 30217, 30317 Gritti, Jessica 10536
Goethals, Jessica 10532, 20432 Grootveld, Emma 30218
Golahny, Amy 10133, 10233 Grossman, Max 20247
Goldenbaum, Laura 10441 Groves, Beatrice Laura Ruth 10144
Goldenberg Stoppato, Lisa 20107 Gruber Keck, Emily 10152, 10444
Goldgar, Anne 30349 Grundy, Isobel 20452
Goldman, Rachael B. 20305, 30246 Grusiecki, Tomasz 10437
Goldstein, Claire Beth 10430 Guarino, Gabriel 20331, 20431, 20531
Goldstein, Claudia 10428 Guarino, Raimondo 20538
Goldstein, David B. 10321, 10421, 10521 Guarnieri, Cristina 20152, 20252
Gomez, Janet E. 30118 Gudelj, Jasenka 10536, 20121, 20221
Goodblatt, Chanita R. 10347, 10528, Guerra, Enrica 30309
20229 Guibbory, Achsah 20211
Goodchild, Karen Hope 20541 Guida, Katie 20539
Goodman, Rosa 30310 Guiderdoni, Agnès 10148, 10248, 10348,
Goodrich, Jaime L. 20321, 30429 20141
Gordon, Andrew 10547 Guidicini, Giovanna 30326
Gorris Camos, Rosanna 10130, 20224 Gulizia, Stefano 10425
Göttler, Christine 30232 Günther, Hubertus 20447
Gough, Melinda 10227, 20323 Gurney, Evan 10418
Goul, Pauline 10127, 30415 Gurnis, Musa 10243
Gouwens, Kenneth 10125, 30316 Gurreri, Clizia 30408
Grafton, Anthony 10104, 10311, 10406, Guzmán, Miguel Taín 20107
10506, 20411, 20545 Gwynn, Lucy Elisabeth 10106
Graham, Allison 10535 Gwynne, Paul Gareth 10209
Graham, David 30317
Graham, Heather 30240 Haber, Judith 20204
Gramaccini, Norberto 20134, 20234 Habinek, Lianne 30216
Grämiger, Gregory A. 10337 Hadjinicolaou, Yannis 20348
PARTICIPANTS

Grant, Teresa 10140, 20542 Haeger, Barbara 10148

Grapes, K. Dawn 30338 Hageman, Elizabeth H. 30129
Gray, Catharine E. 20549 Hall, Crystal J. 10451, 20151
Green, Lawrence 10124, 10224, 10446 Hamburger, Jeffrey F. 20535
Greenblatt, Rachel L. 10305, 20232 Hamill, Kyna 10332
Greenblatt, Stephen J. 10412, 30342 Hammeken, Chris Askholt 10340
Greene, Clare 30250 Hammons, Pamela S. 30129
Greene, Roland 20215 Hankins, James 10117
Greenfield, Ingrid Anna 30144 Hankinson, Andrew 20151
Greenspan, Nicole 20414 Hansell, Lydia 20135
Greenwood, Jonathan Edward 30225 Hansen, Maria Fabricius 10340, 30437
Gregory, Naomi 30138 Hansen, Morten Steen 20540, 30136
Gregory, Sharon L. 20540 Hara, Mari Yoko 10141, 20247

316
 INDEX OF PARTICIPANTS

Hardy, Nicholas 10411, 10511 Hessayon, Ariel 20326

Harp, Margaret 10231 Heverin, Donald Andrew 10252, 30309
Harrán, Don 10105 Hichmeh, Yuri Socrates Saleh 30414
Harris, Nichola 10310 Higginbotham, Jennifer 20104
Harris, Nicholas G. 30105 Hille, Christiane 10150, 10250
Harrison, Matthew P. 30249 Hillier, Russell M. 20142
Harrison, Timothy M. 30141, 30241 Hinds, Peter 10345
Harrison, Tom 10111 Hirai, Hiro 30111, 30211, 30325
Hartnell, Jack 20316, 30204 Hirsch, Brett D. 20451
Harvey, Elizabeth D. 20129 Hirschauer, Gretchen 20231
Harvey, Isabel 30332 Hirschfeld, Heather Anne 20530
Hasler, Rebecca 10547 Hirst, Derek 10413
Hass, Trine Arlund 30330 Ho, Angela 20539
Hasson, Or 10120 Hoare, Alexandra C. 30340
Haugen, Kristine Louise 10218, 20545 Hobart, Brenton Kirk 10324
Hause, Marie E. 10516 Hobgood, Allison 10312
Havens, Earle A. 10104, 10204, 10506, Hochstrasser, Julie Berger 20148, 20248
20217, 20415, 20541, 30420 Hock, Jessie 30409
Havu, Kaarlo 10217 Hodgson, Elizabeth 30429
Hayes, Bruce 20424 Hoekstra, Kinch 20127, 20527
Heavey, Katherine 10145 Hoffman, Tiffany 30243
Hecht, Paul J. 20342 Hoffmann, Christine 30316
Hedges, S. Blair 20551 Hollander, Martha 10433
Hedrick, Donald 30442 Hollmann, Joshua 10417
Hedrick, Tera Lee 30333 Holmes, Megan 10107, 20236
Heering, Caroline 10448 Holmes, Olivia 10523
Heinrichs, Johanna 10135 Homza, Lu Ann 20317
Heitsch, Dorothea 10330 Hooper, Laurence 20125
Heller, Wendy B. 20438 Hoppe, Stephan 10249
Helmers, Helmer 20314, 30126 Horbatsch, Olenka 10433
Helms, Nicholas Ryan 10543 Horowitz, Maryanne Cline 20408, 20508
Helmstutler-Di Dio, Kelley 20150, 20250, Horton, Louise Elizabeth 10226
20348, 20448, 20548 Hosington, Brenda M. 20321
Hemsoll, David E. 30348 Houghteling, Sylvia 10150
Henderson, John S. 20216 Houston, Jason 10523
PARTICIPANTS

Hendrix, Harald 20145 Howard, Charles 10136

Henke, Robert 10332, 10432, 10532 Howard, Deborah 30148
Henry, Chriscinda C. 20136 Howard, Keith David 20516
Hentschel, Britta Hilka 10527 Howard, Peter F. 20116, 20216, 20316
Heriche, Sandrine 30122 Howard, Rebecca Marie 10521
Herman, Nicholas 10136, 30446 Howe, Eunice D. 30110
Hernández, Rosilie 20423 Howe, Sarah 10212
Herrera, Clara 20223, 20423 Hryszko, Barbara 30346
Herrold, Megan 30108 Hsu, Carmen 20416
Herron, Thomas 30120 Huamán, Ricardo 20416
Herzig, Tamar 10309, 10509, 20517, Hub, Berthold 30348
30116, 30229 Huber, Vitus 30132
Herzog, Tamar 30336, 30436 Huchon, Mireille 10131, 30122

317
 INDEX OF PARTICIPANTS

Hudson, Judith 10526 Johnson, Carina L. 30206

Hughes, Ann Laura 20132 Johnson, Kimberly 20446
Hughes-Johnson, Samantha Jane Caroline Johnston, Barbara J. 10414
10521 Johnston, Carol Ann 30317
Hui, Andrew Y. 10322 Jonckheere, Koenraad J. A. 20333
Hulse, Clark 20533 Jones, Ann Rosalind 20131
Humphrey, Lyle 20544 Jones, Gilbert 10233
Humphreys, Alex 20451 Jones, Nicholas 20123
Hunt, Arnold 20514, 30210 Jones, Pamela M. 10307, 20412, 20512,
Hunt, John M. 20512, 30104 30110
Hunt, Stephanie 10144, 10244, 10344 Jones, Tanja L. 10242
Hurlburt, Holly S. 30332, 30432 Jovanovic, Neven 10552
Hurley, Ann Hollinshed 30107 Juarez-Almendros, Encarnacion 30223
Hutchinson, Steven 30128, 30406 Jucker, Michael 30132, 30232
Huth, Kimberly 30108, 30441 Judde de Larivière, Claire 10110, 10210
Huysman, Ineke 20409 Judovitz, Dalia 30417
Juhasz-Ormsby, Agnes 30448
Iannello, Tiziana 20406 Junker, William 10144
Iarocci, Bernice 10114, 20236 Jurdjevic, Mark 10128, 10221, 10305
Ibbett, Katherine 30449
Iglesias, Yolanda 20350 Kadue, Katie 10127
Ihinger, Kelsey 30315 Kaethler, Mark 30243
Ilchman, Frederick A. 30133, 30233 Kahn, Coppélia 10143
Ingersoll, Catharine 20436, 20536 Kahn, Didier 30111, 30211
Israel, Janna 20443 Kaiser, Michael 30351
Israeli, Yanay 10409 Kallendorf, Craig 10116, 30130, 30230,
Israëls, Machtelt Brüggen 10149 30330, 30430
Ivanic, Suzanna 10207 Kamin Kajfež, Vesna 30434
Ivanova, Maria 20313, 20413 Kaminska, Barbara Alicja 10327
Izbicki, Thomas M. 20122 Kane, Brendan 20132, 20232, 30120,
30220, 30320
Jackson, Roger M. 10330 Kaplan, Frederic 20352
Jacobi, Lauren A. 20206, 20347 Kaplan, Paul H. D. 20148, 20248, 30144,
Jacobs, Fredrika Herman 20525 30244
Jaffe-Berg, Erith 10332 Kapust, Daniel 20427
PARTICIPANTS

Jakacki, Diane Katherine 20452 Karmon, David 10235

Jakobiec, Katie 30248 Karr Schmidt, Suzanne 10514
James, Anne Marie 10351 Katinis, Teodoro 10425, 10525
James, Sara N. 30235 Katz, Dana E. 10105, 10205, 10305, 10405
Jansen, Katherine L. 20116 Katzew, Ilona 30436
Janssen, Cara 20145 Kaufmann, Thomas DaCosta 20148
Janssen, Geert H. 10113, 10409, 30114 Kavaler, Ethan Matt 20333, 30107
Janzen, Svea Friederike 30446 Kazakova, Elena 20413
Jarmolowicz, Emily 30416 Kaznowska, Helena Catherine 10206
Jasienski, Adam 20348 Kearney, James 20442
Jensen, Phebe 10304 Keenan, Charles 20419, 20519
Jenstad, Janelle A. 20452 Keener, Shawn Marie 10338
Johnson, Anthony William 30130 Keilholz, Constanze 10236

318
 INDEX OF PARTICIPANTS

Keller, Vera A. 10118, 10218 Koch, Linda A. 30135, 30235

Kellett, Katherine R. 20142 Koering, Jérémie 10314
Kelley, Shannon 20441, 30445 Koerner, Joseph Leo 10412
Kelly, Erin Kathleen 20546 Kola, Azeta 10315
Kem, Judy K. 20325 Koller, Alexander 10407, 10507
Kendrick, Christopher J. 20349 Kondratiev, Yuri 10115
Kendrick, Jeff 20424 Konowitz, Ellen 10433
Kennedy, Colleen E. 20149 Köntges, Thomas 10452
Kennedy, William J. 30142 Koopmans, Jelle 10529, 30131
Keogh, Kristina Maria 10214 Kopper, Regis 20252
Kern, Darcy 10520 Korta, Jeremie Charles 10127
Kerr, Jason A. 10344 Koss, Nicholas Andrew 30413
Kerr, Rosalind 10332, 20109, 20309 Kotzur, Julia 10547
Kerwin, William 10443 Kozlowski, Sarah K. 20239
Keyvanian, Carla 20512 Kraus, Manfred E. 10124
Kidger, David 10238 Krause, Virginia 10324
Kiefer, Frederick 10544 Kravitz-Lurie, Esthy 20106
Kilgour, Maggie 20146 Kriesel, James 10323
Kilpatrick, Robert M. 10322 Krohn, Deborah L. 10128, 20241, 30452
Kim, Anna Marazuela 10133, 30239 Krummholz, Martin 10249
Kim, David Young 20340, 20440 Kryza-Gersch, Claudia 10349, 10449
Kim, Il 10417 Kuehn, Thomas J. 20219
Kim, Jennifer 30234 Kuin, Roger J. P. 20518
Kim, Sooyong 20405 Kupiec, Catherine Lee 10441
Kimmel, Seth 20516 Kurihara, Ken 20113
King, Emily 20504 Kurtuluș, Gül 20449
King, Rachel 20441 Kusukawa, Sachiko 10319, 20110, 20210,
Kingsley-Smith, Jane Elizabeth 10447 20513
Kinney, Arthur F. 20518 Kuzner, James 30241
Kinney, Dale 20447 Kwan, Jamie 10136
Kirch, Miriam Hall 20536
Kircher, Timothy 10123, 10323, 20417, La Charité, Claude 10131
30115 La France, Robert G. 20533, 30340
Kirkham, Victoria 30118 La Malfa, Claudia 20534
Kirshner, Julius 30312 Lacouture, Fabien 30426
PARTICIPANTS

Kiss, Farkas Gabor 20413 Laizans, Martins 10545

Kitamura, Sae 10140 Lake, Peter G. 20327
Klaus, Carrie F. 20325 Lakey, Christopher 20340
Klebanoff, Randi 10137 Lakowski, Romuald Ian 10351
Klein, Joel Andrew 30232 Lamal, Nina 20314
Knaap, Anna C. 20148, 20248 Lamb, Mary Ellen 20418, 20518
Knapp, James A. 20404, 20504 Lāms, Ojārs 10545
Knaus, Gudrun 20134 Lanaro, Paola 20401
Kneidel, Greg 20211, 20329, 20429 Landgren, Per 20222, 30119
Knight, Leah 20441 Lane, Barbara G. 10233
Knoll, Gillian 20504 Langer, Lara R. 30235
Knoppers, Laura L. 10416 Langer, Ullrich 10324, 10443, 30115, 30313
Knox, Dilwyn 20415, 30219 Lanier, Douglas 30342, 30442

319
 INDEX OF PARTICIPANTS

Lanuza-Navarro, Tayra M. C. 10409 Lim, Paul C. H. 20326

Largier, Niklaus 30245 Limbach, Saskia 10504
Larison, Kristine Hess 20339 Lincoln, Evelyn 10319, 20412
Larsen, Anne R. 20332, 30213 Lines, David A. 10117, 10217, 20222,
Lattuada, Riccardo 20409 30227, 30408
Laughran, Michelle 20316 Linke, Alexander 20237
Laureys, Marc 30430 Lippert, Sarah 10435
Lavéant, Katell 30131 Lisot, Elizabeth A. 20135, 30136
Laven, Mary R. 10107, 10207, 30210 Liu, Aileen 20318
Lavender-Smith, Yael Nezer 20118 Llewellyn, Kathleen M. 30422
Lawrence, Dana 10521 Lloyd, Karen J. 20336, 30117
Lawson, Jane A. 30121 Lo Conte, Angelo 30434
Lay, Jenna 30404 Lobis, Seth 10146
Lazarus, Micha D. S. 10118 Lockey, Brian Christopher 10144
Lazzarini, Andrea 10219 Loewenstein, David 10344, 20327
Lazzaro, Claudia 20319 Loffredo, Fernando 10141, 20408
Lazzerini, Luigi 20216 Loftis, Sonya Freeman 10543
Lears, Adin Esther 20149 Logan, Marie-Rose 10222
Lecoindre, Gaëtan 10229 Logue, Alexandra 10535
Ledo, Jorge 20108, 20208, 30325 Lojkine, Patricia 10424
Lee, Christina H. 10108, 20120, 20350, Lokaj, Rodney J. 30308
30413 Lollobrigida, Consuelo 20141
Lee, Juo-Yung 30413 Long, Kathleen P. 30231
Lehman, Geoff 30146 Longhi, Claudio 20209, 20309
Lehmann, Claudia 30152 Longsworth, Ellen Louise 10435
Leibsohn, Dana 30347, 30436 Loose, Sarah 20216
Leinkauf, Thomas 10517, 30219 Lopez, Bianca 10107
Leitch, Stephanie 20513, 30347 Lopez Saiz, Brenda 20338
Lenhardt, Allison K. 10543 Loseries, Wolfgang 20135
Lenthe, Victor 10443 Loughnane, Rory 30417
Leo, Russ 10418, 20140, 20546 Lovell, Alison 10324
Leonard, Alice 10147 Lowe, Kate J. P. 20148
Leonardi, Andrea 10436 Loxley, James 10413, 10547
Leone, Stephanie C. 20412 Loysen, Kathleen 20325
Lepri, Valentina 10525, 20419, 20519 Luchs, Alison 10349
PARTICIPANTS

Lerner, Ross 30250, 30409 Lucioli, Francesco 30324

Leslie, Marina 10416, 20349, 20452 Luggin, Johanna 20240
Letvin, Alexandra 10237 Lugli, Emanuele 20340, 20447
Leventis, Panos 10427, 10527 Lukehart, Peter M. 20434, 20550, 30334
Levine, David A. 20537 Lumbreras, Maria 20450
Levy, Allison 10540 Lummus, David 10323
Levy, Ian 20122 Luongo, F. Thomas 20407
Lewalski, Barbara Kiefer 30304 Lurin, Emmanuel 10534
Lewis, Rhodri 20144 Luskin, Fern 20537
LeZotte, Annette 20436 Luxon, Thomas 30407
Libina, Marsha 20135 Lynch, Kathleen A. 20351, 20451, 20551,
Librandi, Rita 30318 30342, 30442
Lilley, Kate 10326, 10526 Lynch, Sarah W. 20547

320
 INDEX OF PARTICIPANTS

MacAlpine, Rebecca 10535 Marotti, Arthur F. 10512, 20114, 30442

MacCarthy, Evan Angus 20138 Marquis, Paul A. 20346
Macdonald, James 10145 Marr, Alexander 10319, 10419, 10519
Macey, Patrick 10438 Marrache-Gouraud, Myriam 10127,
Macfarlane, Kirsten 10311 20515
Machielsen, Jan 10511, 30116 Marsh, David R. 20128, 30427
MacKay, Ellen 30241 Marshall, Louise 10137, 10237
Mackenzie, Louisa 30313, 30415 Martin, Adrienne Laskier 30406
MacPhail, Eric 10322 Martin, Catherine Gimelli 10546
Madar, Heather 30311 Martin, Craig 10425, 20222
Madden, Amanda G. 10431 Martin, John Jeffries 30312
Madella, Laura 20111 Martin Santo, Noemi 30414
Maekelberg, Sanne 10249 Martínez, Lucía 30249
Maffuccio, Christine 10343 Martinez, Miguel 10408, 10508
Mafrici, Mirella Vera 20331 Martinez, Ronald L. 30224
Maggi, Armando 10120, 20330 Martinez, Trinity 30246
Magnusson, Lynne 30442 Martínez Bermejo, Saúl 20519
Maier, Jessica E. 20412 Martinez-Osorio, Emiro 10308
Maifreda, Germano 30336, 30436 Martysheva, Lana 30307
Major, Tristan 20345 Maryks, Robert Aleksander 30425
Mäkilähde, Aleksi 30130 Mascetti, Yaakov Akiva 20229
Maltby, Kate 30345 Mastandrea, Paolo 10352, 10552
Mancall, Peter 30349 Matheson-Pollock, Helen J. 30121
Mancuso, Piergabriele 10405 Mattei, Francesco 20111
Mandabach, Marisa 20137 Matthews-Grieco, Sara F. 10542
Mandelbrote, Scott 10411 Mattison, Andrew 10420
Mandell, Laura 10351, 20251, 20452 Mattza, Carmela V. 20208
Manfrè, Valeria 30144 Matula, Jozef 20422
Mangone, Carolina 30435 Maurer, Margaret A. 20529
Mann, Emily 30148 Maurer, Maria 10440, 10540
Mann, Judith Walker 20409 Mausoli, Silvia 10450
Manning, Patricia W. 20511 Maxson, Brian Jeffrey 20133, 20410,
Mansky, Joseph 10443 20510, 30109, 30209
Mao, Natasha T. 20106 Maxwell, Susan 10336
Maratsos, Jessica Anne 30335, 30435 May, Alexander 10452
PARTICIPANTS

Marcaida, Jose Ramon 10519, 20450 May, Steven W. 10544, 20418, 30345
Marceau, Bertrand 10507 Maze, Daniel Wallace 20343, 20443,
Marchesi, Simone 10123 20543, 30134, 30234
Marcorin, Francesco 20207 Mazheika, Hanna 20313
Marcus, Leah 10126, 10426, 10544 Mazzarelli, Carla 20434
Mariani, Francesco 20150 Mazzio, Carla J. 10147, 20404
Mariani Canova, Giordana 20444 Mazzotta, Giuseppe 30115
Marina, Areli 20347, 20447, 20547, McAbee, Kris 30149
30147, 30247 McCabe, Sophia Quach 10142
Marinez, Sophie 10242 McCahill, Elizabeth M. 10125, 10225
Marino, James J. 10243 McCall, Timothy D. 20241
Maritz, Regine 20509 McCarthy, Andrew D. 10145
Markey, Lia 30252, 30344, 30444 McCarthy, Erica 30248

321
 INDEX OF PARTICIPANTS

McCausland, Shane 10150 Mezzogori, Beatrice 10242

McCloskey, Jason 10308 Michalsky, Tanja 20139
McConnell, Russell Hugh 10446 Mier Pérez, Laura 30123
McCormick, Andrew 10415, 10515 Miglietti, Sara Olivia 10116, 10216,
McCormick, John P. 10221 20205, 30322, 30410
McCoy, Richard C. 10144, 30342, 30442 Migliorato, Alessandra 20531
McDowell, Nicholas 10331, 10513 Miller, Andrew 10418
McElligott, Jason J. 30420 Miller, Jeffrey Alan 10511, 30307
McGinnis, Katherine Tucker 30138 Miller, Nichole E. 10244
McGowan-Doyle, Valerie 20132, 30320 Miller, Peter N. 20435
McHam, Sarah Blake 10349, 10449, Miller-Blaise, Anne-Marie 10548, 20329
10549 Mills, Simon Antony 20435
McHugh, Shannon 30405 Mills, Stephen Dan 10129, 10316
McKeen, Christopher Ross 10318 Mintz, Susannah B. 10312
McLaughlin, Martin 20417, 30227, Mintzker, Yair 10327
30327 Miola, Robert S. 10447, 10512
McLelland, Kaye 20421 Mitchell, Dianne M. 20429
McMahon, Brendan C. 20250 Mitchell, Silvia Z. 30226, 30321, 30421
McMahon, Madeline 10104 Miziolek, Jerzy 30346
McManus, Stuart M. 30325 Modesti, Adelina 30221
McNamara, Celeste I. 10509 Modesto, Filippa 20125
McQuade, Paula 30429 Modolo, Elisa 30346
McQuillan, Peter T. 30120 Mohamed, Feisal G. 30145
McQuillen, John T. 30438 Mohn, Melanie 20430
McShane, Angela J. 20328, 20428, 20528 Monfasani, John 10229, 10517, 30319
McTighe, Sheila 20437 Monferrini, Sergio 10536
Mead, Stephen X. 30317 Monta, Susannah Brietz 10512, 30429
Medici, Catherine 30121 Montanari, Giacomo 30152
Medioli, Francesca 20301 Montcher, Fabien 30104
Meere, Michael 10130, 20132 Monte, Steven 30112
Melehy, Hassan 20142 Montepaone, Olivia 30430
Melion, Walter 10148, 10248, 10348, Monty, Emily 30216
20341 Moore, George Pasquale 10146
Melvin, Karen 10207 Moore, Michael Edward 30319
Melvin-Koushki, Matthew 30105, 30205 Moran, Megan C. 30221
PARTICIPANTS

Menchi, Silvana Seidel 10422 Moran, Patrick 30122

Menegatti, Marialucia 20534 Morand-Metivier, Charles-Louis 20424
Mengelkoch, Dustin 30427 More, Anna 30428
Menini, Romain 10131 Moreau, Elisabeth 30211
Mercado, Leticia 20548 Morel, Anne-Françoise 10448
Merrill, Elizabeth M. 30337, 30437 Moretti, Laura 30344, 30444
Mersmann, Jasmin 20137, 20237 Morgan, Alexander Philip 30451
Meserve, Margaret 10225, 20435 Morgan, Luke 10440, 10540, 20212
Messina, Enrico 20309 Morgan, Rachel Dunleavy 10444
Metlica, Alessandro 10448 Morgenstern, Tamara 20206
Meyer, Jenny 30313 Mormando, Franco 10241, 20336
Meyer, Liam 10152, 10444 Moroney, Maryclaire 30120
Meyler, Bernadette 20144 Morris, Sophie 30252

322
 INDEX OF PARTICIPANTS

Morselli, Raffaella 10339, 10439, 10539 Nayyar, Reshma 30117

Moseley-Christian, Michelle 20439 Neagu, Cristina 20215, 20522
Motuz, Catherine 30451 Neelakanta, Vanita 30450
Moudarres, Andrea 10121 Neilson, Christina S. 10314, 20340
Moulton, Ian F. 10119, 10526 Nejeschleba, Tomas 20522
Mouren, Raphaële 20224 Nejime, Kenichi 30325
Moyer, Ann E. 30206 Nelson, Jennifer 10514
Muecke, Frances 10125 Nelson, Karen 20104, 20204, 30212,
Mueller, Maren Kristina 20417 30429
Muir, Edward 20328 Nelson, Sean 20306
Mujica, Bárbara 20323, 20523 Nelson Novoa, James W. 30104
Mujica Pinilla, Ramón Elias 30236 Nemiroff, James 30315
Muldrew, Craig 30336 Nesvig, Martin 20414
Müller, Jürgen 10133 Netzer, Nancy 20535
Mundy, Barbara E. 20143 Neville, Kristoffer 20213
Muneroni, Stefano 30218 Newley, Maia 20328
Munroe, Jennifer 30143, 30242 Newman, Jane O. 20245, 30245
Murase, Amadeo 30111 Ng, Aimee 30335, 30435
Murat, Zuleika 20152, 30152, 30252, Ng, Morgan 10327, 10427, 10527,
30352, 30452 30137, 30237
Muratori, Cecilia 10217, 30410 Nichols, Charlotte F. 10321, 10421
Murawska-Muthesius, Kasia 20337, 20437 Nicholson, Catherine 30250
Murgia, Mario 20246 Nicholson, Eric 20109
Murphy, Debra 10435 Nicosia, Marissa 10306
Murphy, Erin 20549 Nighman, Chris 10151, 10251
Murphy, Jessica C. 30149 Nobili, Sebastiana 10223
Murphy, Stephen 30113 Noelle, Alexander 10421
Murray, Colin A. 10142 Nogueira, Alison Manges 10334
Murry, Gregory 10520, 20510 Nohrnberg, James 10546
Musacchio, Jacqueline Marie 30439 Nolta, David Derbin 30433
Musillo, Marco 20306, 20406, 20506 Nonaka, Natsumi 20341
Mussolin, Mauro 30237 Norris, Rebecca 10350, 10450, 10550
Myers, William David 20113, 20213 Nowosiad, Alexandra 20130
Noyes, Ruth S. 20425, 20525
Nader-Esfahani, Sanam 20133 Nummedal, Tara 30132, 30416
PARTICIPANTS

Nagel, Alexander 10114, 10214, 10314, Nunn, Hillary M. 20451

20547 Nussdorfer, Laurie 20232, 20512
Naitana, Filippo 10545 Nygren, Barnaby R. 10340
Nalezyty, Susan 10337 Nyquist, Mary 10145, 30328, 30428
Nance, John V. 30407
Nanobashvili, Nino 20550 O’Brien, Emily 10109, 20128
Narkin, Elisabeth 30310 O’Bryan, Robin 30326, 30426
Nash, Susie 30446 O’Callaghan, Michelle 10326
Nassichuk, John A. 10246 O’Connell, Monique 10110, 30432
Nasti, Paola 30318, 30418 O’Neill, Kevin 30320
Natif, Mika 10250 Oberto, Simona 10119
Nauta, Lodi 10117, 10217 Oechler, Christopher 30315
Navarrete, Ignacio 20516 Oen, Maria Husabö 20307, 20407, 20507

323
 INDEX OF PARTICIPANTS

Oettinger, April 20441, 20541 Parisi, Camilla 30434

Ogilvie, Brian W. 30327 Park, Jennifer 30445
Ó hAnnracháin, Tadhg 20420 Park, Simon Grant 20130, 20230
Olariu, Dominic 10236, 10310, 10410 Parker, Deborah 20125, 20540
Oldenburg, Scott K. 20430, 30114 Parker, John 30127
Olds, Katrina B. 20511 Parker, Michael P. 30350
Olivato, Loredana 10436 Parker, Sarah Elizabeth 10418
Oliveira, Anthony 10344 Passannante, Gerard 20404
Oliver, Jennifer Helen 10230, 30415 Passignat, Emilie 10335
Olson, Jeannine E. 30450 Pastore, Christopher 30106
Olson, Kristen 10548 Pasupathi, Vimala C. 10252
Olson, Kristina M. 10423, 10523, 20125 Patino Loira, Javier 10108
Olson, Rebecca 10304 Pattanaro, Alessandra 10134
Olsthoorn, Johan 20527 Pattenden, Miles A. F. 10307, 10407,
Omodeo, Pietro Daniel 20415 10507
Onorato, Mary 20533 Patterson, Jonathan H. C. 10230
Oosterhoff, Richard J. 10419, 10519 Patton, Elizabeth 20315, 30125, 30212
Oosterman, Johan 10104, 10204, 30131 Pavesi, Mauro 10350
Oram, William Allan 30217, 30423 Payne, Alina A. 20440, 30147
Oren-Magidor, Daphna 20509 Pearson, Andrea 20536
Orii, Yoshimi 30325 Pederson, Jill M. 20341
Orio, Nicola 20152 Pegues, Emily 10449
Ortega, Macarena Moralejo 10550 Pellissa Prades, Gemma 10115
Ortiz, Joseph M. 10129, 10538 Pelta, Maureen 20147
Ortuno, Andrea 30246 Pender, Patricia J. 10126, 10226
Ostling, Michael 30116 Pender, Stephen 30441
Ostrow, Steven F. 10241 Penning, Joel Luthor 10327, 10427,
Otis, Jessica 10204 10527
Outterson-Murphy, Sarah 10240 Pereda, Felipe 20233, 20450, 30236
Oyarbide, Ernesto Eduardo 20449 Perelmuter, Rosa 20223
Oz, Avraham 10347 Pérez-Toribio, Montserrat 20223, 20423
Pérez Tostado, Igor 20320, 20420
Pabel, Hilmar M. 30125, 30225 Pericolo, Lorenzo 10234, 10439
Pade, Marianne 30227, 30330 Persson, Fabian 10249, 30310
Padrón, Ricardo 20411 Pertile, Giulio 30141, 30241
PARTICIPANTS

Pagels, Elaine 10412 Petcu, Elizabeth J. 10135

Pal, Carol 30207 Peters, Jason 10246
Päll, Janika 20105 Petersen, Elizabeth 30146
Palli, Martina 30408 Peterson, Kaara L. 30343
Palma, Pina 10523 Petricca, Filippo 20330
Palmer, Ada 10109, 10518 Petrolini, Chiara 20233
Palmer, James A. 20116 Pettegree, Andrew 10404, 20314, 20414
Palmer, Philip S. 10204 Pfeifer, Helen 20335, 20435
Palmieri, Brooke Sylvia 10306, 10406 Pfister, Kathrin 30111, 30211
Pangallo, Matteo 10147 Pfister, Kerri 30439
Paoletti, John 10442 Phillippy, Patricia 20332, 30129
Papio, Michael 20310 Phillips, Harriet 10112
Parente, James A. 20140, 20245 Phillips, Joshua 30409

324
 INDEX OF PARTICIPANTS

Phillips-Court, Kristin 20225, 20427, Prosperetti, Leopoldine 10310, 20341,

20540 20541
Phillips Quintanilla, Payton 10432 Pruiksma, Rose A. 10430
Piana, Marco 20517 Pucci, Paolo 20548
Piccinelli, Roberta 10339 Puff, Helmut 20245
Pico Estrada, Paula 10317 Pugin, Laurent 30451
Pidatella, Chiara 30134 Puliafito Bleuel, Anna Laura 10325,
Pietras, Brian 10218 20108, 20208
Pietrogiovanna, Maria 20334 Purdy Moudarres, Christiana 20225
Piffanelli, Luciano 20510 Purnis, Jan Katherine 30204
Pinho, Joana Balsa de 10527
Piotrowski, Andrzej 20147 Quinn, Mary B. 30128
Pitcher, John 30443 Quinn Teresi, Rebecca 20448
Pivetti, Kyle 20304 Quiñones Keber, Eloise 30347
Plagnard, Aude 10508 Quint, David L. 30423
Plough, Edward 20218 Quispe-Agnoli, Rocío 20123, 20223,
Poirier, Guy 10329 30449
Polanco-Roig, Lluís-Bernat 30138 Quitana, Benito 30315
Polcri, Alessandro 20419 Quitslund, Beth 30345
Pollack, Janet 10538
Pollali, Angeliki 30348 Raber, Karen 30242
Pollard, Tanya 10111, 10211 Rabin, Sheila J. 20345
Pon, Lisa 20143, 20243 Rabinowe, Sarah Alexis 30440
Ponce, Gabrielle 20315 Rachele, Cara 30137
Ponce Hernández, Carolina 30230 Rachman-Schrire, Yamit 10139
Ponchia, Chiara 30152, 30252, 30352, Radi, Lidia 30339
30452 Raeymaekers, Dries 30421
Poole, Kristen 20530 Ramachandran, Ayesha 20442, 30323,
Popelard, Mickaël 10548 30423
Popper, Nicholas 20545 Ramminger, Johann 10352, 10552
Porcelli, Stefania 20332 Ramos, Frances L. 30226
Portmann, Maria 20550 Rampling, Jennifer 20445
Posner, David M. 10420 Rancourt, Suzanne 10533
Poston, Michael 20351 Randel, Don Michael 20138
Pouey-Mounou, Anne-Pascale 10131 Ranieri, Elizabeth Nogan 20139
PARTICIPANTS

Powell, Austin Thomas 20425 Raninen, Sanna 30238

Powell, Daniel 20251 Rankin, Alisha 20110
Pozzetti, Giovanni 10328 Rankin, Mark 10404, 30345
Prawdzik, Brendan M. 10146 Ransom, Emily A. 10222
Preising, Dagmar 20237 Raphael, Renee 10319
Prelipcean, Laura 20532 Raschel, Irvin 20138
Presciutti, Diana Bullen 20116 Rastogi, Raashi 20309, 30448
Prescott, Anne Lake 10528, 20129, Ravel, Jeffrey S. 10351
20518, 30345 Raviola, Blythe Alice 30321
Preston, Claire 10118 Ray, Meredith K. 10105, 20432, 30418
Priani Saisó, Ernesto 10117 Razzall, Lucy 10212
Prins, Jacomien W. 20445 Reade, Orlando 20546
Proctor, Anne E. 30440 Reeder, Robert W. 20429

325
 INDEX OF PARTICIPANTS

Rees, Valery 20117, 20322, 20422, 20522 Robertson, Clare E. 10539

Reeves, Eileen A. 10319, 10519, 30232 Robiadek, Katherine M. 10445, 20427
Refe, Laura 10325 Robichaud, Denis J. J. 10517, 20217,
Refini, Eugenio 10216, 20138, 20238, 20422
20338, 20438, 20538, 30118, Robiglio, Andrea Aldo 20117, 20519,
30218, 30424 30227
Reid, Joshua Samuel 10216 Robin, Diana 20432
Reid, Pauline 10330, 30314 Robinson, Michele Nicole 20136
Reilly, Brian J. 20324 Roccasecca, Pietro 30140
Reinburg, Virginia 30215 Rocco, Patricia 30246
Reisner, Noam 10347 Rochebouet, Anne 30222
Reiss, Sheryl E. 10133, 10233, 30140 Roden, Katey E. 10312
Remien, Peter 30143 Rodríguez, Teresa 10117
Renna, Thomas 20228 Rodríguez Mediano, Fernando 20335
Renner, Bernd 10131, 10231, 10429, Rodríguez Moya, Immaculada 20141
10529, 20515 Roebuck, Thomas 10411, 10511
Rescia, Laura 10424 Roelens, Jonas 10338
Ressel, Magnus Ingvard 10531 Roick, Matthias 20419
Revest, Clémence 20510 Röll, Johannes 20250
Rezvani, Leanna Bridge 20325 Roman, Luke 20128
Rhodes, Elizabeth 30125, 30225 Romano, Dennis 10349, 10449, 10549,
Rhodes, William Mcleod 20430, 20521 20301, 20401
Ribaudo, Vera 10325 Romero-Díaz, Nieves 20523
Ribouillault, Denis 20112, 20212, 20412 Ronco, Francesco 20426
Ricciardi, Emiliano 20238 Rooney, Tom 30445
Rice, Louise 10234 Ropchock, Alanna 10138
Rice, Yael R. 20505 Rosa, Paul 10252
Richards, Jennifer 20309, 20514, 30215 Rosand, Ellen 30447
Richards, Sandra 20235 Rose, Colin S. 10509
Richardson, Glenn 10507 Rosenfeld, Colleen Ruth 20342
Richter, Mandy 20134, 20234 Rosenfeld, Myra Nan 20547
Rickard, Matthew 20546 Rosenthal, Margaret F. 20231
Riello, José 20450 Ross, Charles S. 20118, 20218
Riesenberger, Nicole Joy 20139, 20239 Ross, Sarah C. E. 10326, 10426, 10528
Rigaux, Maxim 10408 Ross, Sarah G. 10532, 30109, 30216
PARTICIPANTS

Rihouet, Pascale 10115 Ross, Tricia 20113

Rinaldi, Furio 10234, 10334, 10434, Rossignoli, Claudia 30218
10534 Roth, Carla Teresa 30215
Río Torres-Murciano, Antonio 20120 Rothstein, Bret L. 10240
Ripari, Edoardo 20310 Rothstein, Marian 10129, 10518
Rislow, Madeline 20339, 20439, 20539 Rouget, François 30113
Rivoletti, Christian 30124, 30224, 30424 Rouiller, Dorine 30322
Rizvi, Kishwar 20505 Roule, Natasha M. 10440
Rizzi, Andrea 10320 Roussel, Brigitte M. 20325
Roads, Judith 20326 Roux, Eliane 20235
Roberts, Hugh 10230, 10331, 10424, Row-Heyveld, Lindsey 30223
20115, 30113 Ruby, Louisa W. 10534
Roberts, Sean 30109, 30344, 30444 Ruderman, Anne 10336

326
 INDEX OF PARTICIPANTS

Ruggiero, Guido 20410 Sass, Maurice 20137, 20237

Ruokkeinen, Sirkku Inkeri 20305 Sauer, Elizabeth M. 20246
Rusconi, Maria Cecilia 10517, 30119 Sauret, Martine 20115
Rush, Rebecca M. 10318 Sautman, Francesca Canadé 20231
Russell, Alex 10217 Savoia, Paolo 20216
Russell, Anthony Presti 30440 Savoy, Daniel 30247, 30347
Russo, Eugen 10417 Scafi, Alessandro 10139
Russo, Francesca 20331, 20431 Scalabrini, Massimo 20330
Rutherglen, Susannah 10349 Scanlan, Suzanne 30110
Rybalt, Ewa 20235 Scham, Michael S. 30128, 30228
Ryzhik, Yulia 20129 Schechter, Laura M. 20318
Rzepka, Adam 20206 Scheler, Drew J. 10224
Schellekens, Christophe 20145
Saarinen, Risto 20117 Schirg, Bernhard 10209
Sabatini, Gaetano 20311, 30336, 30436 Schirrmeister, Albert 10109
Sacchi, Annalisa 20209 Schleck, Julia 30311
Sacchini, Lorenzo 10119 Schlelein, Stefan 10109, 30230
Saffiotti Dale, Maria F. P. 30433 Schlimme, Hermann 10135
Sahin, Kaya 20405, 30205, 30311 Schmidt, Bernward 10407
Saiber, Arielle 10121, 10318, 10430, Schmidt, Rachel 20350
20225 Schofield, Scott J. 10251, 30407
Saif, Liana 30105 Scholz, Luca 10531
Salamon, Anne 30122, 30222 Schreffler, Michael J. 20243
Salas, Irene 10429 Schulz, Anne Markham 10336
Saldarriaga, Gregorio 10228 Schutte, Anne Jacobson 30225
Salerno, Daniel 10152 Schwab, M. Elisabeth 20128
Salmesvuori, Päivi 20407 Schwartz, Regina 30245
Salvarani, Luana 20111 Schwindt, Joel 20438
Salvemini, Raffaella 20509 Schütz, Chantal 10548
Salzberg, Rosa Miriam 10110, 10210 Scodel, Joshua Keith 10247
Salzman, Paul 10426 Scott, Amanda Lynn 20317
Sampson, Lisa M. 10532, 20432, 30308, Scott, Katie 10250
30408 Scott-Douglass, Amy E. 10416
Samuk, Tristan 30404 Scott-Warren, Jason E. 10112, 10212
Sánchez, Jelena 20423 Scribner, Charles 10241
PARTICIPANTS

Sanchez, Melissa 20104, 30323 Seaman, Natasha 10133

Sanchi, Luigi-Alberto 20105, 30227, Sebastián Lozano, Jorge 30221
30427 Sebastiani, Valentina 10422
Sander-Faes, Stephan Karl 30332, 30432 Segall, Kreg 30404
Santos, Kathryn Vomero 10420 Seguin, Benoit 20352
Santosuosso, Stefano 30318 Seidenstein, Joanna Sheers 10333
Sanvito, Paolo 10450 Selcer, Daniel 30427
Sapir, Itay 20308 Selenu, Stefano 10523
Sapoka, Mindaugas 20313 Selleck, Nancy 10211
Sardu, Luisanna 10115 Semmelhack, Elizabeth 20241
Sargent, Joseph M. 10238 Sen, Ahmet Tunc 30205
Sarnecka, Zuzanna 10107 Sepponen, Wendy 20250
Saslow, James M. 30347 Serafinelli, Guendalina 30340

327
 INDEX OF PARTICIPANTS

Serchuk, Camille 30146 Sloutsky, Lana 20443

Serina, Richard 20122 Smarr, Janet L. 20109, 20309
Serrano, Nhora Lucia 30138 Smart, Sara 20113, 20213
Serrano de Haro, Amparo 20141 Smentek, Kristel 10240
Sessini, Serenella 30238 Smith, Alison A. 30432
Sexton, Kim S. 20206 Smith, Cassander 30328
Sganzerla, Anita 30346 Smith, Charlotte Colding 10236
Sgarbi, Marco 10325, 10425, 10525 Smith, Daniel Starza 20329
Shafir, Nir 20335 Smith, Jeffrey Chipps 20245, 20436,
Shalem, Avinoam 10250 20541
Shalev, Zur 10347, 10505, 20308, 30146 Smith, Jenny 20449
Shami, Jeanne 10351, 10451 Smith, Megan Kathleen 30150
Shapiro, Aaron C. 10118, 10218 Smith, Nigel 10313, 10413, 10513,
Shaw, David Gary 20411 20140, 30145
Shear, Adam 10205, 10405 Smith, Rosalind L. 10226, 10326
Shell, Alison 10512, 30342 Smith, Sharon C. 30251
Shemek, Deanna M. 10105 Smith, Theresa Jane 30438
Shephard, Robert 20518 Smithers, Tamara 10321, 10521
Shephard, Tim 30238 Smolenski, John 20232
Sherman, Caroline R. 10511 Sneider, Matthew 30339
Shields, Rebecca 10235 Snodgrass, Jennifer 10533
Shmygol, Maria 30452 Snyder, James George 20322
Shohet, Lauren 20530 Soares, Carmen 10328
Shortslef, Emily 30243 Sohm, Philip 10537
Shrank, Cathy 20528 Sohn, Joo Kyoung 20115
Shuger, Debora 10118, 10244, 20327 Solberg, Emma Maggie 30127
Siegfried, Brandie R. 30129 Solomon, Jon 30431
Siemens, Raymond G. 10151, 10251, Sommers, Claire 10115, 10215
10351, 10451, 20151, 20251 Sommerville, Johann 20127, 20227,
Siemon, James R. 30341 20327, 20427, 20527
Siemon, Julia Alexandra 30335, 30435 Song, Eric B. 10244
Sierra Matute, Victor 10108 Soranzo, Matteo 10530, 20517, 30106
Signorini, Maddalena 30419 Sorokina, Maria 20422
Silva, Andie 20151 Šoštarić, Petra 20305
Silva, Joseph M. 20306 Spavin, Richard 30322
PARTICIPANTS

Silva, Manuela Santos 30121 Spear, Richard E. 20334, 20434,

Silver, Nathaniel 20535 20534
Silvi, Christine 30222 Sperling, Jutta G. 20526, 30229, 30332
Simerka, Barbara A. 30315 Sperry, Eileen 20142
Simon, Elliott M. 10343 Speziari, Daniele 10130
Simons, Patricia 20241 Spicer, Joaneath A. 30244
Simonsen, Kasper Ørum Køhler 30330 Spinelli, Alice 30224
Simpson, James 30127 Spohr, Arne 20213
Sizonenko, Tatiana 20231 Spoljaric, Luka 20121
Skerpan-Wheeler, Elizabeth 10124, Sposato, Peter W. 20319
10224, 10446 Sreedhar, Susanne 20527
Skogh, Lisa M. S. 20210 Stacey, Peter 10121, 20127
Slights, Jessica 10143 Stäcker, Thomas 30351

328
 INDEX OF PARTICIPANTS

Stallybrass, Peter 10406, 10504, 20214 Syrer, Christa 10249

Stantchev, Stefan 20119 Szépe, Helena 20344, 20444, 20544
Stark, Caroline G. 10418
Steele, Brian D. 10435 Tabak, Jessica 30441
Stefanescu, Laura Cristina 30238 Tacconi, Marica S. 30338
Steib, Murray 10138 Tagliaferri, Lisa 10151
Stein, Claudia 20210 Tagliaferro, Giorgio 30134, 30234, 30334,
Stein Kokin, Daniel 10505 30434
Steinhoff, Judith 10137, 30240 Taglialatela, Sara 30219
Steinrueck, Martin 20105 Taneja, Gulshan Rai 10316
Steinway, Elizabeth V. 30208 Tanner, Marie 20408
Stejskal, Jakub 30239 Tantardini, Lucia 10350, 10450, 10550
Stephens, Walter 20217, 20517 Taormina, Tina 30350
Stevens, Paul Anthony 20146 Tapscott, Elizabeth 30445
Stevenson, Cait 30422 Tar, Jane D. 30207
Stewart, Alison G. 20436 Targoff, Ramie 10412, 20129, 30115
Stewart, Pamela 30135 Tarte, Kendall B. 30213
Stielau, Allison 10514 Taylor, Kathryn 30206
Stillman, Robert E. 20118, 20218, 20318, Taylor, Luke 30304
20418, 20518 Taylor, Patricia R. 30307
Stinson, Timothy 20251 Taylor, Scott K. 20528
Stirling, Kirsten Anne 20229, 20329, Taylor, Valerie 10428, 30452
20529 Taylor-Poleskey, Molly G. 20213
Stoenescu, Livia 10114, 10214, 10314 Tazzara, Corey 20406
Stokes, Matthew 10152, 20521 Tchikine, Anatole 20112
Stolzenberg, Daniel 10511, 20308 Teramura, Misha 30142
Stone Villani, Nicolas 10525 Terpstra, Nicholas 20116, 20410, 30209,
Stoneman, William 20535 30308, 30408
Stoppino, Eleonora 30124, 30224, 30424 Terry-Fritsch, Allie 30444
Stowell, Steven F. H. 20425 Terzaghi, Maria Cristina 10350, 20434
Strehlke, Carl B. 10149 Tessicini, Dario 10425
Stuczynski, Claude 30425 Testa, Simone 10221, 20309, 30308,
Suchowlansky, Mauricio 10221 30408
Sugiyama, Miyako 10530 Thauvette, Chantelle 20349
Sullivan, Ernest W. 20529 Theis, Jeffrey S. 30242
PARTICIPANTS

Sullivan, Paul V. 30130 Thomine-Bichard, Marie-Claire 10429,

Sundin, Greger 30326 10529
Surtz, Ronald 10208 Thun-Rauch, Margot 20137
Sutherland Harris, Ann 10234 Tiburzi, Alessandra 30419
Suthor, Nicola 10537, 20440 Tigrino, Vittorio 10445
Suykerbuyk, Ruben 20525 Tilly, Georges 10229
Svalduz, Elena 20152, 20252 Tita, Silvia 30440
Swan, Claudia 20237 Tlusty, B. Ann 20428
Swann, Kristen R. 10423 Tobey, Emily 20548
Symcox, Geoffrey 10139, 10239 Todorovic, Jelena 20310
Symonds, Matthew 10106, 10206, 10306, Toler, Michael 30251
10406, 10506 Tolnai, Tamara 20121
Syndikus, Candida 30348 Tolstoy, Irina 30447

329
 INDEX OF PARTICIPANTS

Tomarken, Annette H. 10547 Vahamikos, George 10345

Tomassini, Stefano 20209 Valent, Annamaria 10328
Tomè, Paola 30227, 30327 Valenzano, Giovanna 20152
Tommasino, Pier Mattia 10320 Valkeneers, Priscilla 20433
Tonello, Elisabetta 10451 Vallance, Edward 20227
Toniolo, Federica 20344, 30252 Van Ausdall, Kristen 30135, 30235
Tooker, Jessica 20131 Van Bruaene, Anne-Laure 10113, 10213
Tootalian, Jacob 20346 van den Berg, Sara 10312
Torello-Hill, Giulia 20247 van der Laan, Sarah 10247, 10546,
Torres Placido, Ana 30230 30323, 30423
Tosh, Will 10206 van der Linden, Huub 10439
Tosini, Patrizia 10334, 10434, 10534 van Dijk, Arjan 10533
Touber, Jetze 20525 Van Duzer, Chet 20508
Touwaide, Alain 10410 van Gastel, Joris 10341, 20437, 30434
Tower, Troy 20315 Van Gelder, Maartje 10110, 10210
Trace, Jamie 20449 Van Groesen, Michiel 20314, 20414
Tramelli, Barbara 10350 van Orden, Kate 20514
Tresfels, Cecile 30413 Vandeburie, Jan 30305
Trettien, Whitney 10306, 20551 Vander Auwera, Joost 20148, 20248
Trevisan, Sara 10421 Vasiliauskas, Emily 30112
Trill, Suzanne L. 10426 Vázquez-Manassero, Margarita-Ana 30152
Tristano, Richard 30309 Veglia, Marco 10123, 20310
Trivellato, Francesca 10531 Velazquez, Sonia 10208, 20350
Tropeano, Antonella 10220 Velazquez, Victor Hugo 30415
Trouve, Stephanie 10550 Vella, Charlene 20343
Trubowitz, Rachel 20549 Ventura, Iolanda 10410, 30333
Trzeciak, Malgorzata Ewa 20413 Vermeersch, Louise 10213
Tubau, Xavier 10520 Vettori, Alessandro 20107
Turk, Christine 20345 Vianello, Andrea 10210
Turnbull, Emma Christina 10345 Vicioso, Julia 20207
Turner, Brandon 20427 Vidorreta, Almudena 20348, 20448,
Turpin, Adriana 10337 20548
Tutino, Stefania 20127 Vignaud, Laurent-Henri 20515
Tworek, Michael Thomas 30251 Vigotti, Lorenzo 20207
Tycz, Katherine M. 30210 Viljoen, Madeleine C. 20134
PARTICIPANTS

Tylus, Jane C. 10149, 10532, 20209, 20307 Villani, Stefano 20126, 20226, 20326,
20426, 20526
Uchacz, Tianna 10340 Villate-Isaza, Alberto 30428
Ugolini, Paola 30324 Viroli, Maurizio 10121
Ullyot, Michael 20542 Visconti, Amanda 20551
Umberger, Emily 30449 Vise, Melissa 30215
Unger, Daniel M. 10539, 30146 Visser, Arnoud S. Q. 10422
Unglaub, Jonathan W. 30139 Vitale, Kyle Sebastian 20446
Urquhart, Peter 10438 Vitali, Samuel 30334
Usher, Phillip John 10129, 30415 Vivier, Eric 10443
Vollendorf, Lisa 20523
Vaccaro, Mary 30233 Volpi, Caterina 10234
Vagenheim, Ginette 10134, 10234 von Barghahn, Barbara 30446

330
 INDEX OF PARTICIPANTS

von Maltzahn, Nicholas 10313 Werner, Sarah 20551

von Ostenfeld, Kira 20511 Wernimont, Jacqueline 20251
Von Tippelskirch, Xenia 20126, 20226, West, Ashley D. 20245
20326, 20426, 20526 West, John 20227
Vranic, Ivana 10136, 10341 West, Michael 10147
Vuagniaux, Anne 30246 Westman, Robert S. 20445
Vulcan, Ruxandra 10529, 20115 Westwater, Lynn 10105
Weykonath, Claudius A. 10139, 10239
Wade, Mara R. 10236, 20113, 20213, White, Micheline 10126, 30345
20313, 20513 White, Paul 10524
Wagemakers, Wouter 20247 White, Veronica Maria 20337
Wagner, Filine 10336 Whitford, Kelly 10237
Waldeier Bizzarro, Tina 20337 Whittington, Leah 20144, 20430, 30430
Walden, Daniel 20312 Wierciochin, Gregor 10424
Walden, Justine 30331 Wiesmann, Marc-André 30117
Waldron, Jennifer 10420, 30141 Wikstrom, Iris 10317
Walker, Katherine Nicole 30143 Wilbourne, Emily 30123
Wall, John N. 10451, 30350, 30443 Wilder, Colin 20251
Wallace, David J. 20215 Williams, Allyson Burgess 20136
Wallace, William E. 10442 Williams, Anne L. 20525
Walsh, Catherine 10440, 10540 Williams, Deanne 30343
Walsh, Michael 20152 Williams, Megan K. 10531
Walsh, William J. 10514 Williams, Owen 20451
Walters, John 30304 Williams, Robert J. 30239
Walters, Lisa 10316, 10416, 10516 Williams, Robert Grant 30314, 30417
Wangefelt Ström, Helena 20526 Williamson, Elizabeth 10213
Wangensteen, Kjell 10142 Williard, Ashley M. 20332
Wanninger, Jane Miller 30208 Wilson, Blake 20538
Ward, Thomas K. 10538 Wilson, Bronwen 10549
Warner, J. Christopher 10404 Wilson, Carolyn C. 20343, 20443, 20543
Waters, Michael J. 30147, 30348 Wilson, Emma Annette 10446
Watkins, Leila 30441 Wilton-Godberfforde, Emilia 10230
Wattel, Arvi 30229 Winerock, Emily 30343
Webb, Jennifer 30437 Wisch, Barbara 20106, 20412, 20512,
Weber, Alison 30125 30110
PARTICIPANTS

Weckhurst, Elizabeth 20338 Wise, Elliott 10148

Weddle, Saundra L. 10542, 30337, 30437 Wiseman, Susan J. 10526
Wehn, James 10333 Withington, Phil 10228, 20328, 20428,
Weimer, Christopher B. 30315 20528
Weiss, Camille 10136 Witt, Jeffrey C. 10352
Weiss, Jessica 20150, 20536 Witte, Arnold 10307, 10407, 10507
Weiss, Susan Forscher 20138, 20238, Wofford, Susanne L. 10111
20338, 20438 Wojciehowski, Hannah Chapelle 30115
Welburn, Jude 30328, 30428 Wolfe, Heather Ruth 20214, 20351
Welch, Anthony K. 30323 Wolfe, Jessica Lynn 10118, 10218, 10318,
Welsh, Jennifer 10414 10418, 10518, 20215, 20404
Wenzel, Michael 10236 Wolfthal, Diane 20106
Werlin, Julianne 10413 Wolk-Simon, Linda 10134

331
 INDEX OF PARTICIPANTS

Wood, David H. 30223 Zakula, Tijana 30240

Wood, Kelli 30326, 30426 Zammar, Leila 20106
Woods, Penelope 10211 Zanger, Abby 10227
Woods, Susanne 10528 Zannini, Andrea 10110, 10210
Woods-Marsden, Joanna 10541 Zarnowiecki, Matthew 30249
Woodward, Marshelle 10443, 20421 Zarri, Gabriella Bruna 20517
Worcester, Thomas W. 10415, 20336 Zecher, Carla 20533
Working, Lauren 20528 Zeiders, Blaire 20249
Wouk, Edward H. 20440 Zell, Michael 10333
Wray, Ramona 10426 Zerba, Michelle 20244
Wright, Gillian 20114 Zgraja, Karolina 20343
Wu, Yanxiang 10346 Zhiri, Oumelbanine N. 30410
Wurtzel, Ellen 10427 Zieke, Lars 20543
Wyatt, Michael W. 10320, 20514 Zinguer, Ilana Y. 30410
Zolli, Daniel 10441
Yandell, Cathy 20424, 20524 Zorach, Rebecca 30132
Yeager-Crasselt, Lara 20433 Zorrilla, Víctor 30428
Yerkes, Carolyn 30237 Zucca Micheletto, Beatrice 20552
Yoran, Hanan 30309 Zucker, Adam 10147
Young, Michael 10414 Zuraw, Shelley E. 10549
Yousefzadeh, Mahnaz 20306 Zurcher, Andrew 10212
Zutic, Danijela 20316
Zafra, Enriqueta 30106 Zweifel, Simone 30213
Zagoury, David 10519 Zwicker, Steven N. 10413, 10513
Zak, Gur 10323 Zysk, Jay 20446
PARTICIPANTS

332
 Index of Sponsors

American Boccaccio Association 10123, Centre for the Study of the Renaissance,
10223, 10323, 10423, 10523 University of Warwick 10116,
American Cusanus Society 10317, 10417, 10216, 10431, 20542, 30334
10517, 20122, 30319 Centro Cicogna 10530, 30106
Americas, RSA Discipline Group 20331, Cervantes Society of America 20516,
20431, 20531 30128, 30228, 30306, 30406
Andrew Marvell Society 10313, 10413, Charles Singleton Center for the Study of
10513 Premodern Europe 10104, 10204,
Arizona Center for Medieval and 20217, 20541, 30420
Renaissance Studies (ACMRS) Classical Tradition, RSA Discipline Group
10544, 20119, 20251 20144, 20244
Art and Architecture, RSA Discipline Comparative Literature, RSA Discipline
Group 10135, 10209, 10235, 20143, Group 10118, 10218, 10318, 10418,
20243, 20340, 20343, 20440, 10518, 20215
20443, 20543, 30133, 30148,
30233, 30248, 30333 Dante Society of America 20125, 20225
Association for Textual Scholarship in Art Digital Humanities, RSA Discipline Group
History (ATSAH) 10335, 10435, 10352, 10452, 30151, 30251, 30351
20147, 20337, 20437 Duke University Center for Medieval and
Renaissance Studies (CMRS) 30310
Book History, RSA Discipline Group
10404, 10504, 20114, 20214, Early Modern Image and Text Society
20314, 20414, 20514 (EMIT) 20120, 20220, 30315
Early Modern Women Research Network,
Canadian Society for Renaissance Studies / University of Newcastle, Australia
Société Canadienne d’études de la (EMWRN) 10126, 10226, 10326,
Renaissance 10246 10426, 10526
Center for Early Modern Studies, Emblems, RSA Discipline Group 30417
University of Wisconsin–Madison English Literature, RSA Discipline Group
10324, 10443, 30313 10512, 20104, 20204, 20404,
Center for Medieval and Renaissance 20504, 30112, 30212, 30342,
Studies, Saint Louis University 30429, 30442
30223, 30422, 30441 Epistémè (Research group on early modern
Center for Medieval and Renaissance England) 10548
SPONSORS

Studies, University of California, Los Erasmus of Rotterdam Society 10322,

Angeles 10121, 10220, 20310 10422
Centre for Early Modern Studies, European Architectural History Network
University of Aberdeen 10547 (EAHN) 30337, 30437
Centre for Editing Lives and Letters
(CELL), University College London Fédération internationale des sociétés et
10106, 10206, 10306, 10406, 10506 des instituts pour l’étude de la
Centre for Reformation and Renaissance Renaissance (FISIER) 10130, 20224,
Studies, University of Toronto (CRRS) 20538, 30322, 30410
30107, 30207, 30307, 30407 Folger Institute 20351, 20451, 20551

333
 INDEX OF SPONSORS

French Literature, RSA Discipline Group Italian Art Society 10133, 10233, 30140,
10430, 20124, 20325, 20424, 30113 30240, 30340, 30433
Italian Literature, RSA Discipline Group
Germanic Literature, RSA Discipline 30124, 30224, 30424
Group 10113, 10213 Iter: Gateway to the Middle Ages and
Group for Early Modern Cultural Analysis Renaissance 10151, 10251, 10351,
(GEMCA) 10148, 10248, 10348, 10451, 20151
10448
Grupo de estudios sobre la mujer en
John Donne Society 20229, 20329,
España y las Américas (pre-1800)
20429, 20529
(GEMELA) 20123, 20223, 20323,
20423, 20523
Legal and Political Thought, RSA
Hagiography Society 20425, 20525, Discipline Group 20127, 20227,
30110 20327, 20427, 20527
Hebraica, RSA Discipline Group 10105,
10205, 10305, 10405
Herzog August Bibliothek, Wolfenbüttel Massachusetts Center for Interdisciplinary
20113, 20213, 20313, 20513 Renaissance Studies 10147, 10312,
Hispanic Literature, RSA Discipline 20242
Group 10408, 20416, 20516, 30128, Medici Archive Project (MAP) 20107,
30228 20207
Historians of Netherlandish Art 10133, Medicine and Science, RSA Discipline
10233, 10333, 20333, 20433 Group 10319, 10419, 10519, 20110,
History, RSA Discipline Group 10107, 20210
10207, 10315, 10415, 10515, Medieval and Renaissance Studies
20411, 30210 Association in Israel 10347, 10505,
Humanism, RSA Discipline Group 20308, 30146
10109, 20128, 20417, 30327, 30427 Medieval and Renaissance Studies Program,
Purdue University 30226, 30321,
Institute of Medieval and Early Modern 30421
Studies (IMEMS), Durham Medieval-Renaissance Colloquium at
University 10447 Rutgers University 10144, 10244,
International Association for Thomas 10344, 30314
More Scholarship 10222 Milton Society of America 10146, 10346,
International Margaret Cavendish Society 20146, 20246
SPONSORS

10316, 10416, 10516 Music, RSA Discipline Group 20138,

International Sidney Society 20118, 20238, 20338, 20438, 30338
20218, 20318, 20418, 20518
International Spenser Society 30150, Neo-Latin Literature, RSA Discipline
30250, 30404 Group 10109, 10209, 10352, 10452,
Islamic World, RSA Discipline Group 10552
20405, 20505, 30105, 30205 New England Renaissance Conference
Italian Academy for Advanced Studies in (NERC) 30216, 30316, 30416
America, Columbia University Newberry Library Center for Renaissance
10134, 10234, 10334, 10434, 20233 Studies 30311

334
 INDEX OF SPONSORS

Performing Arts and Theater, RSA Society for Emblem Studies 30217, 30317
Discipline Group 10111, 10227, Society of Fellows (SOF) of the American
10332, 10432, 10532 Academy in Rome (AAR) 10125,
Philosophy, RSA Discipline Group 10225
10117, 10217, 20222 Society for Medieval and Renaissance
Prato Consortium for Medieval and Philosophy (SMRP) 20117, 30119,
Renaissance Studies 20116, 20216, 30219, 30319
20316 Society for Renaissance and Baroque
Hispanic Poetry 10308, 10408,
Religion, RSA Discipline Group 10309, 10508
10509, 20517, 30116, 30229 Society for the Study of Early Modern
Renaissance and Early Modern Studies, Women (EMW) 20141, 20241,
Princeton University 10108, 10208, 20409, 20441, 30121
20546 Southeastern Renaissance Conference
Renaissance Studies Certificate Program, 10247, 10543, 20530, 30350, 30443
Graduate Center, CUNY 10215,
20320, 20420, 30245
Research Group in Early Modern Taiwan Association of Classical, Medieval,
Religious Dissents and Radicalism and Renaissance Studies (TACMRS)
(EMoDiR) 20126, 20226, 20326, 30413
20426, 20526 Toronto Renaissance Reformation
Rhetoric, RSA Discipline Group 10124, Colloquium (TRRC) 10321, 10421,
10224, 10446 10521
Rocky Mountain Medieval and
Renaissance Association 10152,
University of North Texas Medieval and
10444, 20228, 20324, 20521
Renaissance Colloquium (MRC)
10143, 20342, 20442
Societas Internationalis Studiis Neolatinis
Provehendis / International
Association for Neo-Latin Studies Villa I Tatti, The Harvard University
10116, 30130, 30230, 30330, 30430 Center for Italian Renaissance
Société Française d’Etude du Seizième Studies 30324, 30344
Siècle (SFDES) 10424, 10524,
20115, 30122, 30222
Society for Confraternity Studies 20121, Women and Gender, RSA Discipline
20221 Group 20132, 20232, 20332, 20432
SPONSORS

335
 Index of Session Titles

1516: Text, Context, and More’s Utopia .....................................................................10222

1516–2016: 500 Years of Erasmus’s New Testament ..................................................10422
Addressing Women in Early Modern Latin America ..................................................20223
Aesthetics and Altars ..................................................................................................20235
Affective Bonds on the English Renaissance Stage ......................................................10140
Alchemy and Forgery around Paracelsus I ..................................................................30111
Alchemy and Forgery around Paracelsus II .................................................................30211
Allusion, Indirection, Enigma: Flirting with Early Modern Uncertainty ....................10240
Alma Poesis: Poetry, Philosophy, and Political Dissent from the Middle Ages to
the Renaissance ..................................................................................................20310
Andrew Marvell: Writing and Teaching......................................................................10313
Annotated Books I: New Work in Deciphering Early Modern Reading Practices ......10104
Annotated Books II: Discovering the Reader in Library Collections ..........................10204
Apprenticeship in Early Modern Venice: Extracting, Representing, and Exploiting
Data from the Accordi Dei Garzoni ....................................................................20552
Approaches to the Architecture of the Decameron: Function and Meaning
of the cornici ......................................................................................................10123
Architectural Barriers in Renaissance Europe I: Experiencing City Walls ...................10327
Architectural Barriers in Renaissance Europe II: The Spatial Politics of
City Walls ..........................................................................................................10427
Architectural Barriers in Renaissance Europe III: Spaces of Healing ...........................10527
Architectural Know-How I.........................................................................................10135
Architectural Know-How II .......................................................................................10235
Architectural Patronage and the Construction of Identity ..........................................20247
Architecture, Urbanism, and the Arts in Honor of Marvin Trachtenberg I:
Urban Space, Medieval Time..............................................................................20347
Architecture, Urbanism, and the Arts in Honor of Marvin Trachtenberg II:
Assessing Roman Juxtapositions .........................................................................20447
Architecture, Urbanism, and the Arts in Honor of Marvin Trachtenberg III:
Building Time outside Italy ................................................................................20547
Architecture, Urbanism, and the Arts in Honor of Marvin Trachtenberg IV:
Slow Art History ................................................................................................30147
SESSION TITLES

Architecture, Urbanism, and the Arts in Honor of Marvin Trachtenberg V:

Paradigms Reconsidered .....................................................................................30247
Archival Dramas: New Research in Literary History ..................................................10206
Arendt and Early Modern England ............................................................................30145
Ariosto, 1516–2016 I: Spaces and Characters of the Orlando furioso..........................30124
Ariosto, 1516–2016 II: Spaces and Characters of the Orlando furioso ........................30224
Ariosto, 1516–2016 III: Roundtable on History, Court, and Society:
Extratextual Realities in the Orlando furioso .......................................................30424
Aristotle in the Vernacular: Rethinking Intellectual History in
Renaissance Italy I ..............................................................................................10325
Aristotle in the Vernacular: Rethinking Intellectual History in
Renaissance Italy II ............................................................................................10425

336
 SESSION TITLE INDEX

Aristotle in the Vernacular: Rethinking Intellectual History in

Renaissance Italy III ...........................................................................................10525
Aromatics: From Substance to Transcendence, a Cross-Cultural,
Interdisciplinary Study .......................................................................................30333
Art and Certainty in Early Modern Spain ..................................................................20450
Art and Experience in Fifteenth-Century Naples: Defining an
Artistic Center I .................................................................................................20139
Art and Experience in Fifteenth-Century Naples: Defining an
Artistic Center II ................................................................................................20239
Art and the Emotions of Italian Renaissance Women.................................................30240
The Art History of the Renaissance Book: Papers in Honor of
Lilian Armstrong I .............................................................................................20344
The Art History of the Renaissance Book: Papers in Honor of
Lilian Armstrong II ............................................................................................20444
The Art History of the Renaissance Book: Papers in Honor of
Lilian Armstrong III ...........................................................................................20544
Art, Spectacle, and Portraiture ....................................................................................20106
Artistic Exchange between Italy and the Netherlands, 1300–1700 I ..........................10133
Artistic Exchange between Italy and the Netherlands, 1300–1700 II .........................10233
Artists and Friendship in the Renaissance...................................................................10142
Artists and Their Friends: New Questions and Ideas ..................................................30340
Artists’ Lives and Rights .............................................................................................30440
Aspects of Vileness in Early Modern France ...............................................................10230
Aspects of Women’s Lives in Renaissance Venice I......................................................20301
Aspects of Women’s Lives in Renaissance Venice II ....................................................20401
Authorial Translation in Renaissance Europe I ...........................................................10116
Authorial Translation in Renaissance Europe II ..........................................................10216
Authority and Influence in the Long Seventeenth Century: Shakespeare,
Imitation, and Invention ....................................................................................20542
Authorship, Attribution, and Evidence in Early Modern France ................................20324
Bellini 500 I: Reassessments, Local and Global ..........................................................20343
Bellini 500 II: Materiality, Receptivity, and Innovation ..............................................20443
Bellini 500 III: Space and Perception .........................................................................20543
SESSION TITLES

Bernini Sculpture: Attributions New, Disputed, and Reconsidered ............................10241

Between Jericho, Tarshish, and Heidelberg: Devotion and Scholarship in
Late Renaissance Sacred Geography ...................................................................10505
Between Science and Fiction: Cosmology and Society in the Grand Siècle ................10430
Beyond Florence: The Devotional Culture of the Marche ..........................................10107
Beyond the Republic of Letters I: Practices of Correspondence in
Seventeenth-Century England ............................................................................10411
Beyond the Republic of Letters II: Roundtable: Scholarship, Politics, and
Confessionalization ............................................................................................10511
Beyond the Wanderjahr: Microhistories of Artistic Travel in Renaissance Europe .......30446
Biographical Narratives in Humanist Perspective .......................................................10109
Birgitta of Sweden: Saintly Power Contested and Performed I ...................................20307
Birgitta of Sweden: Saintly Power Contested and Performed II ..................................20407

337
 SESSION TITLE INDEX

Black Africans in Early Modern Europe: History, Representation,

and Materiality I ................................................................................................20148
Black Africans in Early Modern Europe: History, Representation,
and Materiality II ...............................................................................................20248
Boccaccio and Questions of Gender ...........................................................................10423
Boccaccio and the Ethics of Literature .......................................................................10323
Bodies, Flesh, Eugenics ..............................................................................................30204
The Body in the City I ..............................................................................................20116
The Body in the City II .............................................................................................20216
The Body in the City III ............................................................................................20316
Bolognese Art in the Archives I: Collecting Bolognese Painting within and
outside of Bologna .............................................................................................10339
Bolognese Art in the Archives II: Defining the Bolognese Artist ................................10439
Bolognese Art in the Archives III: Bolognese Art in Historical Context .....................10539
Bolognese Matters between Religion and Law............................................................30405
Book Culture in Early Modern Dublin: Libraries, Collectors, and
Annotated Books................................................................................................30420
The Book in Early Modern England and Scotland ....................................................30445
Books, Poetry, and Popes in the Fifteenth Century ....................................................30305
Borderlines: On the Agency of Streaks, Blots, and Traces ...........................................10537
Brahmins and Their Botticellis: Boston and the Italian Renaissance...........................30439
Broadside Ballads and the Mediated Body .................................................................30149
Brujomanía: New Research on the Basque Witch-Hunts, 1525–1611........................20317
Brutal Ends: Suicide, Execution, and Battle Death in Seventeenth-Century
British Literature ................................................................................................20549
Building the State in the Renaissance: Education, Qualities, and Duties of
the Political Counsellor I....................................................................................20419
Building the State in the Renaissance: Education, Qualities, and Duties of
the Political Counsellor II ..................................................................................20519
Building with Paper: The Materiality of Renaissance Architectural
Drawings I .........................................................................................................30137
Building with Paper: The Materiality of Renaissance Architectural
Drawings II ........................................................................................................30237
SESSION TITLES

Business Culture and Domestic Culture in Early Modern English Drama .................10143
Catholic Verse and Subversion ...................................................................................10512
Causality in Renaissance Poetry and Philosophy ........................................................20546
Cavendish I: Politics and Subjectivity.........................................................................10316
Cavendish II: Medicine ..............................................................................................10416
Cavendish III: Literature and Natural Philosophy ......................................................10516
Ceremonial, Ritual, and the Place of Queens at the Courts of Henri IV to
Louis XIV ..........................................................................................................10227
Ceremony and Ritual before the Death of Louis XIV ................................................30310
Cervantes and Shakespeare: Works and Lives in Common? .......................................30228
Cervantes Society of America: Business Meeting and Plenary Lecture ........................30406
Church Reform and Heresy in the Renaissance..........................................................20122
Circulation, Adaptation, Reception, Translation.........................................................30212

338
 SESSION TITLE INDEX

The Circulation of Information in the Atlantic World ...............................................20414

The Circulation of Plant Sources: Manuscripts, Prints, Herbaria in
Modern Europe, 1400–1700 I ...........................................................................10310
The Circulation of Plant Sources: Manuscripts, Prints, Herbaria in
Modern Europe, 1400–1700 II ..........................................................................10410
Citizenship and Republicanism in Renaissance Ferrara, Trieste, Florence ...................30309
Classical Continuities and Dramatic Change in Shakespeare and His
Contemporaries..................................................................................................20144
Clothed with Skin and Flesh: Rethinking Tolerance in Early Modern French
Literature ...........................................................................................................20524
Collectors and Collections .........................................................................................10336
Comic Themes in Early Modern Portraiture ..............................................................20537
The Commerce of Information in Early Modern Europe...........................................20314
Communities of Reading and Dante’s Divine Comedy................................................20125
Complaining Women: Female-Voiced Complaints and Ballads ..................................10326
Composing Body and Soul: Herbert, Milton, and Reader’s Compilations .................10246
Confronting the Literary, Historical, and Architectural Heritage through the Digital
Humanities ........................................................................................................30251
Constructing the Early Modern Arctic .......................................................................30349
Converging Paths: Encounters between Art and Science I: The Artist and
Science Books ....................................................................................................30152
Converging Paths: Encounters between Art and Science II:
Illustrating Science .............................................................................................30252
Converging Paths: Encounters between Art and Science III: Science for
Investigating Art.................................................................................................30352
Converging Paths: Encounters between Art and Science IV: Old and
New Natural Worlds ..........................................................................................30452
Converted Jews from Spain to Italy: Economic Activities and Social
Integration (1500–1700)....................................................................................20311
Coteries, Circles, or Networking? The Social Transmission of Early Modern
Poetry in Manuscript and Print ..........................................................................20114
The Court of the Lion I: Performance and Classical Scholarship in the
Curia of Leo X ...................................................................................................10125
SESSION TITLES

The Court of the Lion II: Performance and Classical Scholarship in the
Curia of Leo X ...................................................................................................10225
Crafting a Brussels Artistic Network in Early Modern Europe
(ca. 1400–1750) .................................................................................................20433
Crafting the Orders in the Fifteenth and Early Sixteenth Centuries: Theory
and Practice........................................................................................................30348
Cross-Confessional Royal Matches in the Seventeenth Century .................................10345
Crossroads of Creation: Artistic Workshops in Renaissance Italy I:
New Patterns of Production ...............................................................................30134
Crossroads of Creation: Artistic Workshops in Renaissance Italy II:
Toward a New Individualism .............................................................................30234
Crossroads of Creation: Artistic Workshops in Renaissance Italy III:
From Workshops to Academies ..........................................................................30334

339
 SESSION TITLE INDEX

Crossroads of Creation: Artistic Workshops in Renaissance Italy IV:

Establishing a New Professionalism ....................................................................30434
Cultural Identity and Schiavoni/Illyrian Colleges and Confraternities I:
Early Modern Rome...........................................................................................20121
Cultural Identity and Schiavoni/Illyrian Colleges and Confraternities II:
Early Modern Bologna and the Marche .............................................................20221
Cultural Interchange: Relics, Souvenirs, Sacred Objects .............................................10414
Culture and Court: Women’s Career Opportunities and Social Mobility
(1500–1700) ......................................................................................................20409
Curiosity and Modernity in Early Modern Spain I.....................................................10108
Curiosity and Modernity in Early Modern Spain II ...................................................10208
Cutting, Shaping, Showing: Trophies and Art I..........................................................20137
Cutting, Shaping, Showing: Trophies and Art II ........................................................20237
Dante and Science......................................................................................................20225
David Rosand in Venice: Honoring a Legacy of Learning ..........................................30447
The Decameron and the Genealogie deorum gentilium .................................................10223
Dialogues between Poetry, Sculpture, Architecture, and Painting ...............................10141
Different Faces of Greek: From Greek Composition of Humanist Authors
to Translations from Greek .................................................................................20105
Digital Humanities for Cultural Heritage I ................................................................20152
Digital Humanities for Cultural Heritage II ...............................................................20252
Digital Latin Resources and Tools I: Creating and Exploring
Text Resources....................................................................................................10352
Digital Latin Resources and Tools II: Linked Open Data and Sustainability ..............10452
Digital Latin Resources and Tools III: Stylistic, Semantic, and
Metric Analysis...................................................................................................10552
Digital Technologies and Renaissance Music: Critical Editions, History of Style,
and Analysis .......................................................................................................30451
Diplomacy and Literature: Italo-Iberian Relationships in the Early
Modern World ...................................................................................................30214
Disability in Early Modern Europe and Her Colonies ...............................................30223
(Dis)Order and Popular Politics in Renaissance Venice: Actions
and Representations I .........................................................................................10110
SESSION TITLES

(Dis)Order and Popular Politics in Renaissance Venice: Actions

and Representations II .......................................................................................10210
Divinely Human: Representing the Body of Christ I .................................................30135
Divinely Human: Representing the Body of Christ II ................................................30235
The Domains of English Lyric before Spenser ............................................................20430
Drawing the Italian Landscape in the Cinquecento I: Central Italy ...........................10334
Drawing the Italian Landscape in the Cinquecento II: Venice and Rome ..................10434
Drawing the Italian Landscape in the Cinquecento III: Italy Seen
from Abroad.......................................................................................................10534
Dressing and Decorating Male Bodies........................................................................20241
Dynastic Regeneration: Celebrating Male Heirs in the Late Habsburg and
Early Bourbon Spanish World ............................................................................30226
Early Modern Anger: A Reappraisal I .........................................................................20108

340
 SESSION TITLE INDEX

Early Modern Anger: A Reappraisal II .......................................................................20208

Early Modern Broadsheets: The Stepchildren of Printing ...........................................10504
Early Modern Cardinals: Historiography, Biography, and Power I .............................10307
Early Modern Cardinals: Historiography, Biography, and Power II ............................10407
Early Modern Cardinals: Historiography, Biography, and Power III...........................10507
Early Modern Disability across Genres .......................................................................10312
Early Modern Eastern Europe: Pedagogy, Representation...........................................20413
Early Modern Europe and Africa I .............................................................................30144
Early Modern Europe and Africa II............................................................................30244
Early Modern Hispanic Poetry and the Material Turn................................................10508
Early Modern Information Networks and Multimediality ..........................................10213
Early Modern Ingenuity I ..........................................................................................10419
Early Modern Ingenuity II .........................................................................................10519
The Early Modern Material Text I: Reading, Collecting, Compiling .........................10112
The Early Modern Material Text II: Surface, Image, Point .........................................10212
Early Modern Women and Literary Collaboration I ..................................................10126
Early Modern Women and Literary Collaboration II .................................................10226
Early Modern Women and Their Collaborators .........................................................30422
Early Modern Women and Transnational Exchanges..................................................20332
Early Modern Women: The City, Kinship, the State ..................................................20509
Early Stuart England and the Dutch ..........................................................................30126
Ecological Sympathies in Early Modern Literature .....................................................30143
Ecologies in Early Modern English Drama.................................................................30243
Editing Early Modern Women ...................................................................................10426
An Education in Lines: Creating the First Drawing Books in Europe ........................20550
Emblematic Imagery from Alciato to Baciccio ...........................................................30117
Emblematic Negotiations: Redressing the Betrayal of Meaning in Late
Renaissance Visual Culture.................................................................................30417
Encountering the Renaissance, Honoring Gary Radke I: Reexamining
Renaissance Sources ...........................................................................................10342
Encountering the Renaissance, Honoring Gary Radke II: The Primacy
of the Object ......................................................................................................10442
Encountering the Renaissance, Honoring Gary Radke III: Regulating
SESSION TITLES

and Shaping Gender and Sexuality.....................................................................10542

English Devotional Writing: Authoring Godliness .....................................................30429
Epic and Lyric Poetics I ..............................................................................................30323
Epic and Lyric Poetics II ............................................................................................30423
Epigraphy and the Rise of Vernacular Languages: Italy as a
Test Case (1300–1500) ......................................................................................30419
Erasmus and the Renaissance Adage ...........................................................................10322
The Ethical Challenge of Adam and Eve ....................................................................10412
Ethics and Religion in Machiavelli’s Thought ............................................................10121
Ethnography and the Making of Renaissance Identities .............................................30206
Europe and the Court of Cosimo III de’ Medici ........................................................20107
L’Europe des Savoirs à la Renaissance / Forms of Knowledge in
Renaissance Europe ............................................................................................30410

341
 SESSION TITLE INDEX

Exhibiting Medieval and Renaissance Books: Pages from the Past:

Roundtable on Illuminated Manuscripts in Boston-Area Collections .................20535
Exiles, Refugees, and Pan-Nationalism .......................................................................30114
Exploring Early Modern Cities I: The Urban Sensorium ...........................................20143
Exploring Early Modern Cities II: Dynamic Neighborhoods and Networks ..............20243
Exploring Hybridity in Renaissance Decorative Arts ..................................................30246
Exploring the “Frontiers” of Mission in a Global Context I:
Spiritual Frontiers ..............................................................................................10315
Exploring the “Frontiers” of Mission in a Global Context II:
Imperial Frontiers...............................................................................................10415
Exploring the “Frontiers” of Mission in a Global Context III:
Ideologies of Mission .........................................................................................10515
Failures of Playing and Playgoing in Early Modern England ......................................10147
Fashioning the Translator: Liminal Strategies in Early Modern
English Translations ...........................................................................................20321
Female Communities of Influence in Early Modern Spain and Portugal ....................20523
Ficino I: Matter and Soul ...........................................................................................20322
Ficino II: East, West, and the Stars.............................................................................20422
Ficino III: On Love, on Number, and on Public Life .................................................20522
Figurative, Allegorical, Literal: Rethinking Fundamentals ..........................................20530
Finding the Early Modern Feminine Voice.................................................................30338
Florence Reconsidered I: Roundtable: Historiographical Reflections ..........................20410
Florence Reconsidered II: Cultural Capital and Diplomacy .......................................20510
Florence Reconsidered III: Florence in Perspective .....................................................30109
Florence Reconsidered IV: Old Sources, New Directions ...........................................30209
Folger Digital Agendas I: Roundtable: New Model Encoding ....................................20351
Folger Digital Agendas II: Roundtable: Scholarly Conversations
and Collaborations .............................................................................................20451
Folger Digital Agendas III: Roundtable: Digital Futures ............................................20551
The Force of Art and Ingenuity in the Early Commedia dell’arte (1560–1630) .........10332
Forms of Awareness in Early Modernity: Consciousness, Sentience,
Personhood I ......................................................................................................30141
Forms of Awareness in Early Modernity: Consciousness, Sentience,
SESSION TITLES

Personhood II.....................................................................................................30241
Francesco de Mura (1696–1782) and the Golden Age of Naples ...............................30433
French Renaissance Polygraphy: Belleforest, De Thou, and Tabourot.........................30113
Friendship and Community in Early Modern Works on/by Women .........................20532
From Short Story to Tragedy: Luigi da Porto and Shakespeare ...................................10220
From Sketch to Drawing: Invention and Practice in Rome, 1500–1650 I..................10134
From Sketch to Drawing: Invention and Practice in Rome, 1500–1650 II ................10234
From the Stage to the Sacred: John Rainolds and His Opponents .............................10311
From Venice and to Venice between the Fifteenth and Sixteenth Century:
People, Books, Ideas ...........................................................................................30106
Gender and Domestic Performance in England: Music, Dance, Masque ...................30343
Gendered Spaces in Early Modern Urban and Rural Landscapes ...............................10535
Geography, Space, Place .............................................................................................30313

342
 SESSION TITLE INDEX

German Humanism and Its Influences.......................................................................20228

Gian Lorenzo Bernini.................................................................................................20336
Gianfrancesco Pico della Mirandola Reconsidered .....................................................20517
Giovan Paolo Lomazzo I: His Theory and Practice ....................................................10350
Giovan Paolo Lomazzo II: His Influence in Milan .....................................................10450
Giovan Paolo Lomazzo III: His Influence Abroad and on Other Theorists ................10550
The Global and the Early Modern Hispanic World ...................................................20120
Global Water and the Political: Mexico and Paris, 1400–1700...................................30449
Greek Rhetoric in the Renaissance .............................................................................10124
Heresy, Superstition, and Observant Reform in the Fifteenth Century ......................10309
Heroes of Epic Proportions: The Figure of the Explorer-Discoverer in
Early Modern Spanish and Ibero-American Epic ...............................................10308
Historiography of Renaissance Philosophy: Ernst Cassirer and Wallace Ferguson ......30319
History and Commentary in the Fifteenth and Sixteenth Centuries ..........................30431
The Hohenzollerns and Brandenburg-Prussia ............................................................20213
Holding Manhoods Cheap: Masculine Identity on the Early Modern Stage ..............10152
The Home and the City in Early Modern Italy ..........................................................20136
Honor, Patronage, and Political Power .......................................................................10335
Humanism and Religious Discourses: Intersections....................................................30331
Humanist Exchanges in the World of Leon Battista Alberti .......................................20417
Humanists Reading the Ancients ...............................................................................20128
Humor, Comedy, and Ethics in the Renaissance ........................................................10447
Hybrid Genres of the Spanish Renaissance.................................................................30128
Iberian Poetry and Its Readers I .................................................................................20130
Iberian Poetry and Its Readers II ................................................................................20230
Ideals and Practices of Authority in Science and Art ..................................................10319
Identifying Renaissance Philosophy I .........................................................................10117
Identifying Renaissance Philosophy II ........................................................................10217
Image Normativity and Religion in Italy and Spain: New Perspectives.......................20233
Imagery and Ingenuity in the Northern Renaissance I: Artists and
Their Contexts ...................................................................................................20436
Imagery and Ingenuity in the Northern Renaissance II: Multivalence in
Religious Themes ...............................................................................................20536
SESSION TITLES

Images on the Move: The Weaving of Circulations and Transfers during

the Renaissance through Digital Analysis ...........................................................20352
Imagined Geographies................................................................................................20408
(Im)Morality, Religion, Poverty, and Excess in Early Modern Drama.........................10444
Imprimer le Moyen Âge en français, XVe–XVIe siècle I .............................................30122
Imprimer le Moyen Âge en français, XVe–XVIe siècle II ............................................30222
Impurities: The Status of Surface in Renaissance Sculpture ........................................10441
Ink, Dyes, and Pigments: The Production of Colors and the Making
of Metaphors ......................................................................................................10548
Inscribing and Performing Musical Devotions ...........................................................10138
The Interaction of Art and Relics in Early Modernity I .............................................10114
The Interaction of Art and Relics in Early Modernity II ............................................10214
The Interaction of Art and Relics in Early Modernity III...........................................10314

343
 SESSION TITLE INDEX

The Interculturality of European Drama ....................................................................20140

Intoxicants and Early Modernity I: Strange Rituals ....................................................20328
Intoxicants and Early Modernity II: Concepts and Conceptual Change ....................20428
Intoxicants and Early Modernity III: Intoxicating Discourses ....................................20528
Intra- and Inter-National Encounters in Early Modern English Literature .................20240
Inverse, Reverse, Inside Out in Renaissance Art I.......................................................30335
Inverse, Reverse, Inside Out in Renaissance Art II .....................................................30435
Is the Enlightenment the Renaissance in a Better Wig? ..............................................20545
Islamicate Occultism I: Words, Spirits, Substances .....................................................30105
Islamicate Occultism II: Ottoman Book Cultures ......................................................30205
Issues and Aspects of Performance in Early Modern England.....................................10347
It Stoops to Conquer: The Reformation in Sixteenth-Century Italy and
Its Educational Strategies....................................................................................20111
Italian Academies, 1450–1700: Networks, Knowledge, and Culture I .......................30308
Italian Academies, 1450–1700: Networks, Knowledge, and Culture II ......................30408
Italian Archives and Renaissance Palaces ....................................................................20207
Italian Caricatura: Material Practice, Collectors, and Art Theory I .............................20337
Italian Caricatura: Material Practice, Collectors, and Art Theory II ...........................20437
Iter septentrionale: The Spread and Transformation of Renaissance Humanism
in Northern Europe ...........................................................................................30330
The Jacobean Masque: Resource, Realignment, and Realization ................................30443
Jacques Grévin à la croisée des savoirs ........................................................................10130
Jesuit Mission and Japan’s Christian Century (1549–1650) .......................................30325
Jesuits and Models of Holiness I ................................................................................30125
Jesuits and Models of Holiness II ...............................................................................30225
Jewish Spaces..............................................................................................................10305
Jewish Venice .............................................................................................................10405
John Donne I: John Donne and the Bible..................................................................20229
John Donne II: Lines of Communication ..................................................................20329
John Donne III: Donne in Manuscript ......................................................................20429
John Donne IV: Donne’s Letters in LR1 (the Burley Manuscript):
Roundtable on Paleographical and Internal Evidence .........................................20529
Joint Labors: Actor-Audience-Playwright Collaborations in Early Modern
SESSION TITLES

English Theater ..................................................................................................10211

Jonson Agonistes: Drama, Literature, and Antagonism in Early
Modern London.................................................................................................10443
Jonson: Every Man and Bartholomew Fair ..................................................................10343
The Journey of Seventeenth-Century Architects between Professional Practice
and Research: Scamozzi, Bernini, Carlo Fontana................................................10536
Joyful Texts in Context: Functions and Impact of Parody in Professional and
Festive Situations (1400–1600) ..........................................................................30131
Judging Petrarch’s Lyric Poems in Renaissance Italy I .................................................10119
Judging Petrarch’s Lyric Poems in Renaissance Italy II ................................................10219
Judgment in the Heptaméron: Rhetorical, Spatial, and Specular Approaches ..............30231
The Jungian Renaissance Revisited.............................................................................20445
Knowledge, Science, and Rhetoric in Early Modern France and England ..................10330

344
 SESSION TITLE INDEX

Ladies-in-Waiting in the Early Modern World I: Female Attendants to

English Consorts and Queens ............................................................................30121
Ladies-in-Waiting in the Early Modern World II: Italian damigelle at
Home and Abroad .............................................................................................30221
Ladies-in-Waiting in the Habsburg Courts I ..............................................................30321
Ladies-in-Waiting in the Habsburg Courts II .............................................................30421
Language, Cosmography, and Geography in Early Modern France
and Beyond ........................................................................................................30213
Languages of Dissent I: “Inner Voices” .......................................................................20126
Languages of Dissent II: Translating, Labelling, Persecuting Dissent ..........................20226
Languages of Dissent III: Heterodox Britain ..............................................................20326
Languages of Dissent IV: Power, Dissent, Radical Politics ..........................................20426
Languages of Dissent V: Art, Heritage, and Biography as Dissent ..............................20526
The Languages of Science ..........................................................................................20345
Late Rembrandt in Review and in Context ................................................................10333
Laughter as Medicine: Cures in Early Modern Comedies...........................................10547
Lectura Boccaccii .......................................................................................................10523
Libraries Without Walls: New Work on the Bodleian and Library History ................10106
Life Cycles: Pilgrimage, Shipwrecks, and Books in Early Modern Spain ....................20516
The Limits of Frames .................................................................................................30146
Listening with Virgil’s Ear: Readings of Pontano’s and of Sannazaro’s
Latin Verse according to Pontano’s Actius ...........................................................10229
Literary Dubia and Spuria ..........................................................................................10518
Literary Transmissions in Early Modern Spain ...........................................................20511
Littérature française du XVIe siècle: Nouvelles perspectives........................................20115
Lost and Found I .......................................................................................................10118
Lost and Found II ......................................................................................................10218
Ludic Rhetoric Revisited: Rabelais, Fischart, Yver ......................................................10231
Luke Wadding I: His Spanish Education and Ideology ..............................................20320
Luke Wadding II: Patronage and Politics....................................................................20420
Machiavelli on Florence and Florentine History.........................................................10221
Madonna Revisited ....................................................................................................30139
Magic, Madness, and Dangerous Knowledge in Late Renaissance Spanish
SESSION TITLES

and Italian Literature..........................................................................................10120

Magnificence in the Seventeenth Century: Artistic Discourse, art de vivre,
and Representation.............................................................................................10448
Makers: Women Artists in the Early Modern Courts of Europe.................................10242
Making Copies I ........................................................................................................20334
Making Copies II .......................................................................................................20434
Making Copies III......................................................................................................20534
Making Early Modern Studies Irish: Engaging with the Work of
Nicholas Canny I ...............................................................................................30120
Making Early Modern Studies Irish: Engaging with the Work of
Nicholas Canny II ..............................................................................................30220
Making Early Modern Studies Irish: Engaging with the Work of
Nicholas Canny III ............................................................................................30320

345
 SESSION TITLE INDEX

Making Meaning at the Margins: Italian Villas and Gardens,

1500–1800 I ......................................................................................................20112
Making Meaning at the Margins: Italian Villas and Gardens,
1500–1800 II .....................................................................................................20212
Mannerism and Architecture: The Challenge of Combination ...................................20147
Manuscripts in Motion in the Early Modern Mediterranean I ...................................20335
Manuscripts in Motion in the Early Modern Mediterranean II ..................................20435
The Many Lives of Popularity in Early Modern England ...........................................20227
“Mastery” across Early Modern Eurasia I ...................................................................10150
“Mastery” across Early Modern Eurasia II ..................................................................10250
Material Hagiography I ..............................................................................................20425
Material Hagiography II.............................................................................................20525
Materials of Art in Spain, ca. 1500–1700 I ................................................................20150
Materials of Art in Spain, ca. 1500–1700 II ...............................................................20250
“Mauvaises herbes”: Literary and Scientific Representations of the Wild....................10127
The Medici and the Seas I: Mediterranean Identities .................................................20306
The Medici and the Seas II: Maritime Trajectories .....................................................20406
The Medici and the Seas III: Asian Exchanges ...........................................................20506
Medieval Drama and Its Early Modern Afterlives.......................................................30127
Memory, Textual, and Performance History: A Comparative and
Interdisciplinary Analysis I .................................................................................20109
Memory, Textual, and Performance History: A Comparative and
Interdisciplinary Analysis II ................................................................................20209
Memory, Textual, and Performance History: A Comparative and
Interdisciplinary Analysis III: Roundtable ..........................................................20309
Method, Rhetoric, and Representation in Spinoza, Mandeville, and Hobbes .............20427
Microcosm and Macrocosm .......................................................................................20404
Miguel de Cervantes’s Persiles, 1616–2016 .................................................................30306
Milton and Epistemology ...........................................................................................10346
Milton and the Epic Consequences of Educational Reform .......................................10446
Milton and the European Epic Revisited ....................................................................10546
Milton and Shakespeare .............................................................................................20146
Milton’s American and Latin-American Legacy ..........................................................20246
SESSION TITLES

The Mobility of Art: Negotiating Knowledge in Early Modern Europe .....................10236

Monstrous Things I: Forms and Concepts .................................................................10440
Monstrous Things II: Myth and Knowledge ..............................................................10540
Motion and Emotion .................................................................................................20504
Multilingualism, Localization, and Translation ...........................................................10545
Music in the Art of Renaissance Italy, ca. 1420–1540 ................................................30238
Music, Devotion, and Travel ......................................................................................10238
Music Instruction and Publication .............................................................................10538
Music Printing, Patrons, and Publics in the Sixteenth Century ..................................10438
Mysteria et Sacramenta: On the Representation of Mysteries I ....................................10148
Mysteria et Sacramenta: On the Representation of Mysteries II...................................10248
Mysteria et Sacramenta: On the Representation of Mysteries III .................................10348
“Naked Emblems” Revisited.......................................................................................30317

346
 SESSION TITLE INDEX

Negotiating Power and Desire in the Early Modern English Court ............................30350
Neo-Latin between Italy and the Americas .................................................................30230
Neo-Latin in Northern Europe in the Seventeenth Century ......................................30430
Netherlandish Art: Engraving, Ornament, Glass, Costume ........................................10433
Neuroscience, Cognitive Disability, and Embodiment on the Early
Modern Stage .....................................................................................................10543
New Approaches to Early Modern Islamic Book Arts ................................................20505
New Approaches to the Italian Epic ...........................................................................20330
New Debates on Nicholas of Cusa’s Theology ............................................................10417
New Directions in the Interdisciplinary Study of Masculinity I .................................20132
New Directions in the Interdisciplinary Study of Masculinity II ................................20232
A New England Renaissance Conference Discussion: Past, Present,
and Future .........................................................................................................30416
New Formalisms I: Country House Poetics and Politics .............................................20104
New Formalisms II: Genre and Form.........................................................................20204
New Perspectives on Giordano Bruno ........................................................................30219
New Perspectives on Renaissance Demonology ..........................................................30116
New Technologies and Renaissance Studies I: The Medieval and the Digital .............10151
New Technologies and Renaissance Studies II: Early Modern English
Dramatic Materials.............................................................................................10251
New Technologies and Renaissance Studies III: Creating Digital Archives of
Early Modern Writers.........................................................................................10351
New Technologies and Renaissance Studies IV: Space and Text in Early
Modern Digital Studies ......................................................................................10451
New Technologies and Renaissance Studies V: Digital Tools and Renaissance
Epistemologies ...................................................................................................20151
New Technologies and Renaissance Studies VI: Roundtable: Large-Scale
Early Modern Digital Humanities ......................................................................20251
New Trends in Digital Scholarly Publishing ...............................................................30351
Nicholas Copernicus, the Renaissance Reader ............................................................20415
Noble Identity and Self-Fashioning in Renaissance Italy ............................................20319
Nonfigurative disegno in the Italian Renaissance: Construction, Heuristics,
and Theory of the Object...................................................................................30140
SESSION TITLES

Objects of Science: The Material Culture of Renaissance Alchemy, Astrology,

and Astronomy ..................................................................................................20110
Of Mongrels and Masterpieces: Hybridity in the Renaissance I .................................10115
Of Mongrels and Masterpieces: Hybridity in the Renaissance II ................................10215
Old Wine in New Bottles: Translation, Retranslation, and Readaptation
(Sixteenth-Century France and England) ...........................................................20224
The Orationes Project: Interdisciplinary Approaches to Renaissance
School Drama ....................................................................................................30130
Ornament and Monstrosity: Visual Paradoxes in Sixteenth-Century Art....................10340
Ovid’s Metamorphoses in the Art of the Seventeenth Century .....................................30346
Paper for Printing, Writing, and Erasing ....................................................................20214
Paratextual Production and Reception in Jewish Literary Culture ..............................10205
Pastors at Work in the Fields of the Lord ...................................................................20113

347
 SESSION TITLE INDEX

The Patrons’ Input I...................................................................................................10337

The Patrons’ Input II .................................................................................................10437
Pedagogy in the Sixteenth and Seventeenth Centuries................................................30448
Performing the Comedia in US Contexts...................................................................10432
Performing Women’s Lives in Early Modern Spanish Drama .....................................20423
Personal and Collective Devotion in Early Modern Italy ............................................30339
Philosophy and Philology: The Two Picos ..................................................................20217
Picturing the Classical in the Renaissance ..................................................................20244
The Pilgrimage to the Holy Land between the Middle Ages and the
Renaissance: Sources and Interpretations............................................................10530
Place and Identity in Early Modern Visual Culture I: Constructing
Sacred Connections ............................................................................................20339
Place and Identity in Early Modern Visual Culture II: Constructing
Civic Connections..............................................................................................20439
Place and Identity in Early Modern Visual Culture III: Constructing
Transnational Connections.................................................................................20539
Poetics of Law: Literary Form and Legal Experience, Feeling,
and Knowledge ..................................................................................................30108
Poetics of the Sacred in Early Modern Italy I .............................................................30118
Poetics of the Sacred in Early Modern Italy II ............................................................30218
The Poetics of Speculation: Renaissance Optics and English Verse.............................20304
Poetics of Translation .................................................................................................10420
Poland-Lithuania and Europe: Diplomatic and Religious Networks in
the Long Seventeenth Century ...........................................................................20313
Political Economy, Science, Medicine, and the Market in Seventeenth- and
Eighteenth-Century Europe ...............................................................................20210
Political Theologies in Early Modern England I .........................................................10144
Political Theologies in Early Modern England II........................................................10244
Political Theologies in Early Modern England III ......................................................10344
Political Theology in England: Catholics, Anglican Conciliarists, and Milton............20327
Political Thought and Diplomacy in Early Modern England .....................................20449
Political Thought in the Seventeenth Century: Education, Sovereignty,
Democracy, Administration................................................................................10445
SESSION TITLES

The Politics of Passage: Negotiating Safe-Conduct in Early Modern Europe .............10531

The Politics of Translation in Renaissance Europe......................................................10520
Popes, Venetians, and Ottomans: Recovering Renaissance Perspectives ......................20119
Portraying the Conquest of La Florida by Pedro Menéndez de Avilés
450 Years Later ...................................................................................................20220
Ports, Harbors, Shores ................................................................................................20206
Prehistory and the Pre-Political in Early Modern Euro-Colonialism I ........................30328
Prehistory and the Pre-Political in Early Modern Euro-Colonialism II .......................30428
“Prentices! Clubs!”: Defining and Containing the Apprentices of Early
Modern London.................................................................................................10252
Printed Images in Cinquecento Florence I .................................................................30344
Printed Images in Cinquecento Florence II ................................................................30444
Printing and Annotating the Early Modern Book ......................................................10304

348
 SESSION TITLE INDEX

The Printing Press in the Tudor Era, 1485–1603: Orthodoxy, Heterodoxy,

and Satire ...........................................................................................................10404
Problems in Italian Renaissance Portraiture ................................................................10541
Profane and Sacred Patronage ....................................................................................10435
The Promises of Gold: Materialized Desires and Social Phantasms in Economy,
Art, and Science I...............................................................................................30132
The Promises of Gold: Materialized Desires and Social Phantasms in Economy,
Art, and Science II .............................................................................................30232
Prophecy, Religion, and Politics in the Seventeenth Century .....................................20127
Prosecuting Heresy .....................................................................................................10409
The Public Relations of Poets in Early Modern England............................................30112
Questions of Love, Religion, and Devotion in the Writings of Marguerite
de Navarre ..........................................................................................................20325
Rabelais: Etats de la recherche ....................................................................................10131
Rabelais and Montaigne in Early Modern England: Transformations
and Appropriations ............................................................................................10331
Readers of the Lost Art: Neo-Latin Poetic Descriptions of Lost Renaissance Art........10209
Reading the Early Modern through Auerbach’s “Figura” ............................................30245
Reading Ethics across Traditions: Shakespeare, Jonson, and Early Modern
Syncretism..........................................................................................................10247
Reading Form in European Poetry .............................................................................10318
Reading Pamphlets in Early Modern England ............................................................20349
Reading and Writing History in Early Modern England ............................................20249
Reading and Writing in Seventeenth-Century England ..............................................20346
Receptions of Classical Texts on the Early Modern English Stage ..............................10145
Recognition in Ficino and Machiavelli .......................................................................20117
Redefining Female Sanctity: Clare of Assisi and Francesca Romana in
Early Modern Italy .............................................................................................30110
The Reformation and Post-Reformation in England: Suppressions and
Estrangements ....................................................................................................30450
Reimagining Early Modern Naples and Southern Italy: A Tribute to
John Marino ......................................................................................................30312
Religious Orthodoxy, Dissent, and Devotion in Reformation England ......................20521
SESSION TITLES

Religious Violence and Its Critics ...............................................................................10509

Remembering and Forgetting in the Renaissance .......................................................30314
Renaissance and New Epistemologies .........................................................................30216
Renaissance and the Public.........................................................................................30316
Renaissance Aristotelianism(s) Reconsidered ..............................................................20222
Renaissance Climate Theories: Science or Rhetoric? ...................................................30322
Renaissance Collaboration I: Intermedia Collaboration .............................................30107
Renaissance Collaboration II: Collaborative Networks ...............................................30207
Renaissance Collaboration III: Sacred Texts, Sacred Responsibilities ..........................30307
Renaissance Collaboration IV: Shakespeare to Dryden...............................................30407
Renaissance Commemoration I: Word and Thing......................................................10321
Renaissance Commemoration II: Depicting Rulers ....................................................10421
Renaissance Commemoration III: Spaces of Memory ................................................10521

349
 SESSION TITLE INDEX

Renaissance Encyclopedism I .....................................................................................30327

Renaissance Encyclopedism II ....................................................................................30427
Renaissance Food History I: Cookbooks as Sources ...................................................10128
Renaissance Food History II: Food Cultures in a Transatlantic
Perspective (1500–1700) ....................................................................................10228
Renaissance Food History III: Food Cultures in a Transatlantic and
Transnational Perspective ...................................................................................10328
Renaissance Food History IV: Performing Food in Art ..............................................10428
Renaissance Games I: Kings and Courtiers ................................................................30326
Renaissance Games II: Children and “Other” ............................................................30426
Renaissance Loves: Courted, Possessed, and Forsaken in Early
Modern England ................................................................................................10526
Renaissance Marriage .................................................................................................20219
Renaissance Neoplatonic Voices: Heymericus de Campo and Cusanus ......................30119
Renaissance Oxymorons .............................................................................................10418
Renaissance Renunciations .........................................................................................30409
Renaissance Topographies and Cartographies .............................................................20508
The Renaissance Virgil ...............................................................................................10129
Representing Ecclesiastical Authority .........................................................................20135
Representing Iberia in Seventeenth-Century Rome ....................................................30104
Representing Saints and Martyrs in Florence..............................................................30136
Representing the Natural, the Unnatural, and the Instrumentalized in
Sixteenth- and Seventeenth-Century Italy ..........................................................20133
Required Reading: Early Modern Women as Readers and Writers .............................30129
Rethinking Method: Chance Inspiration and Renaissance Scholarship ......................10306
Rethinking the Rhetoric of Images in Renaissance Italy .............................................30239
Reuse and Adaptation in the Early Modern Book Trade ............................................30438
Revisiting the Turn to Religion in Early Modern English Literary Studies .................20211
Rhetorical Strategies in Ronsard’s Discours des misères de ce temps and
the Protestant Response......................................................................................20424
Rire des souverains I...................................................................................................10329
Rire des souverains II .................................................................................................10429
Rire des souverains III: Roundtable ............................................................................10529
SESSION TITLES

Roundtable: Andrew Marvell and the Problem of Historicism ...................................10413

Roundtable: The Author as Textual Critic: Intellectual Property in the
Renaissance and Today .......................................................................................10524
Roundtable: The Cambridge Companion to Petrarch ...................................................30115
Roundtable: Careers for Humanists ...........................................................................20533
Roundtable: Discovering the Archaeology of Reading ................................................10506
Roundtable: A German Renaissance? Periods, Places, and Objects .............................20245
Roundtable in Honor of Lisa Jardine: The Union of Teaching and Scholarship .........10406
Roundtable: How to Publish Your First Book ............................................................10533
Roundtable: Interrègnes et inclassables curiosités: Zoophytes, lithophytes
et anthropolithes ................................................................................................20515
Roundtable: Le Seuil d’acceptabilité ...........................................................................10424
Roundtable: Marvell Studies and the State of Marvell Studies ....................................10513

350
 SESSION TITLE INDEX

Roundtable: Modern Information Systems and the Gendering of Early

Modern Textuality ..............................................................................................20452
Roundtable: Nicholas of Cusa and Christian Pythagoreanism in the
Renaissance: Responses to David Albertson’s Mathematical Theologies ................10517
Roundtable: Practical Translation: Strategies for Verbally Collating and
“Retranslating” Multiple Witnesses for a Lost Source .........................................20315
Roundtable: Princely Poesy: Tudor Royal Writings.....................................................30345
Roundtable: Reconsidering the Global Renaissance ...................................................30311
Roundtable: Reframing the Renaissance for the Twenty-First Century .......................30347
Roundtable: Renaissance Commentaries ....................................................................30227
Roundtable: Rioni di Roma: Peopling the City ca. 1500–1650...................................20512
Roundtable: Shakespeare’s Death and Afterlife I ........................................................30342
Roundtable: Shakespeare’s Death and Afterlife II .......................................................30442
Roundtable: Speech, Orality, and Communication in Early
Modern Europe ..................................................................................................30215
Roundtable: Staging History in Early Modern Spain: Contemporary
Approaches.........................................................................................................30315
Roundtable: Teaching Tudor and Stuart Women Writers, Revisited ...........................10528
Roundtable: Theater after the Renaissance .................................................................10532
Roundtable: Toward a Literary History of Medieval and Renaissance Europe ............20215
Roundtable: The Visual Culture of Celestina ..............................................................20350
Roundtable: What the French Renaissance Can Do for Ecocriticism .........................30415
Sacraments and the Literary in the English Reformation ...........................................20446
Sacred Images: Iconoclasm to Idolatry in the Iberian World ......................................30236
Sacri Monti: Materiality, Topography, Devotion I.......................................................10139
Sacri Monti: Materiality, Topography, Devotion II .....................................................10239
Sculptural Practices ....................................................................................................10341
Sculpture in Print, 1480–1600 I: Antique Statues......................................................20134
Sculpture in Print, 1480–1600 II: Contemporary Sculpture ......................................20234
Seafaring Structures I .................................................................................................30148
Seafaring Structures II ................................................................................................30248
Secrets of Seicento Siena ............................................................................................10149
Seeing Is Believing: Devotional Materiality from Church to Home in
SESSION TITLES

Early Modern England and Italy ........................................................................30210

The Senses of Early English Literary Form.................................................................20149
Sermonizing in Seventeenth-Century England ...........................................................20421
Shadows and Knowledge in Early Modern Europe.....................................................20308
Shakespeare, War, and Ecology...................................................................................30242
Shakespearean Cosmopolitanism: Hospitality, Cynicism, Indifference .......................20442
Shakespearean Persons ................................................................................................20342
Shakespearean Sociality ..............................................................................................20142
Shakespeare’s Climatology ..........................................................................................20242
Shakespeare’s Influences and Intertexts .......................................................................30142
Shaping Time and Space in Early Modern Rome: Gardens, Palaces, and Maps..........20412
Showing Off: Defenses and Displays of Sumptuous Dress across Early
Modern Europe I ...............................................................................................20131

351
 SESSION TITLE INDEX

Showing Off: Defenses and Displays of Sumptuous Dress across Early

Modern Europe II ..............................................................................................20231
Sidney I: Sidney and the Seventeenth Century: From Lyric to Romance,
Texts and Intertexts ............................................................................................20118
Sidney II: The Sidneys in New Editions, New Translations, New Media ...................20218
Sidney III: Politics and Pedagogy, Theater and Transformation ..................................20318
Sidney IV: Mary Wroth: Contexts, Texts, and Precedents ..........................................20418
Sidney V: In Honor of Margaret P. Hannay: Roundtable on Sidney Studies,
from Here to Where? .........................................................................................20518
The Sight and Sound of Gardens and Feasts ..............................................................20312
Sixteenth-Century Antwerp as an International Cultural Hub ...................................20145
“Songs from the Spirit”: The Tradition of Spiritual Verses in
Renaissance Italy I ..............................................................................................30318
“Songs from the Spirit”: The Tradition of Spiritual Verses in
Renaissance Italy II ............................................................................................30418
The Sound of Poetry: A Comparative Approach to Rhetoric, Poetics,
and Music I ........................................................................................................20138
The Sound of Poetry: A Comparative Approach to Rhetoric, Poetics,
and Music II ......................................................................................................20238
The Sound of Poetry: A Comparative Approach to Rhetoric, Poetics,
and Music III .....................................................................................................20338
The Sound of Poetry: A Comparative Approach to Rhetoric, Poetics,
and Music IV .....................................................................................................20438
The Sound of Poetry: A Comparative Approach to Rhetoric, Poetics,
and Music V ......................................................................................................20538
Souvenirs of the Siege of Vienna, 936 AH / 1529 AD ...............................................10514
Spain between Europe and the New World: Culture, Politics, and
Power Projection I ..............................................................................................20331
Spain between Europe and the New World: Culture, Politics, and
Power Projection II ............................................................................................20431
Spain between Europe and the New World: Culture, Politics, and
Power Projection III ...........................................................................................20531
Spanish Letters under the Catholic Monarchs and Charles I of Spain ........................20416
SESSION TITLES

Spanish Women as Queens and Counselors ...............................................................20323

Spenser: Asceticism, Theology, Authorship.................................................................30304
Spenser and Donne: Thinking Poets ..........................................................................20129
Spenserian Emergencies I ...........................................................................................30150
Spenserian Emergencies II ..........................................................................................30250
Spenser’s Afflicted Style ..............................................................................................30404
The Spin-Offs of the Orlando furioso .........................................................................30324
Spirit and Body in Milton ..........................................................................................10146
Staging Difference in Spain and Italy .........................................................................30123
Structures and Networks in Early English Drama ......................................................10243
Studies on the Early Modern Spanish and Ibero-American Epic:
Re(dis)covering Iberian Epic: A Trilingual Perspective ........................................10408
Studies in Renaissance Art and Culture in Honor of Debra Pincus I .........................10349

352
 SESSION TITLE INDEX

Studies in Renaissance Art and Culture in Honor of Debra Pincus II ........................10449

Studies in Renaissance Art and Culture in Honor of Debra Pincus III.......................10549
Style and Decorum in the Arts of the Burgundian Netherlands
(ca. 1430–1550) .................................................................................................20333
Style, Content, and Audience in Early Modern Islamic Poetic Traditions...................20405
The Taste of Virtuosi: Patronage and Collecting in Italy, 1400–1700 ........................10436
Text and Image in Early Modern Spain I: Ekphrasis ..................................................20348
Text and Image in Early Modern Spain II: Representations of the Other ...................20448
Text and Image in Early Modern Spain III: Representations of Women.....................20548
Theory and Practice in Humanist and Tudor Rhetoric...............................................10224
Therapeutic Measures: Literature as Treatment in Early Modern England .................30441
Thinking Early Modern Drama through Ancient Greek Theater ...............................10111
Thinking through Images: Early Modern Depictions of Economic Activity I ............30336
Thinking through Images: Early Modern Depictions of Economic Activity II ...........30436
Thinking with Spaces: New Directions in Cultural History .......................................20411
Thomas Hobbes: Gender, Political Economy, and Religious Legislation ....................20527
Thresholds of Emotion and Early Modern Italian Art................................................20236
Time, Timelessness, and the Ephemeral in Lyric ........................................................10324
Topicality in Early Modern Verse and Drama ............................................................10544
Topics in Jesuit Studies...............................................................................................30425
Toward Tintoretto 500 I ............................................................................................30133
Toward Tintoretto 500 II ...........................................................................................30233
Translating Classical Texts in the Renaissance ............................................................20305
Translating the Italian Renaissance: Agency and Collaboration ..................................10320
Translating Sacramentalia ...........................................................................................10207
Translation, Code-Shifting, and “Englishing” Early Modern Literature......................30341
Translations of Latin and Greek Texts, ca. 1400–1600 ...............................................20205
Translations of Virgil in Early Sixteenth-Century French Print: Structural
Adjustments, Additions, Revisions, Allegorizations, and Rewritings ...................20124
Transregional Movements in Early Modern Architecture ...........................................30337
Travel: A Journey to Discover the Self and Others .....................................................30413
Uncertain Sonnets: Sequence and Its Consequences in Sidney
and Shakespeare .................................................................................................30249
SESSION TITLES

Uses of Song ..............................................................................................................10338

Vasari on Technique: Matter and Making I ................................................................20340
Vasari on Technique: Matter and Making II...............................................................20440
Vasarian Crosscurrents ...............................................................................................20540
Venice and Gender: Metropole, Stato da Mar, Terraferma I .......................................30332
Venice and Gender: Metropole, Stato da Mar, Terraferma II ......................................30432
The Verbal-Visual Structure of Spenser’s Shepheardes Calender ...................................30217
The Verdant Earth I: Green Worlds of the Renaissance and Baroque .........................20341
The Verdant Earth II: Women, Plants, and Children .................................................20441
The Verdant Earth III: The Sylvan Turn in Landscape Art .........................................20541
Vernacular Viewing: Practicing Observation in Early Modernity................................20513
Violence in Early Modern Italy ..................................................................................10431
Virtue and Idolatry in Nicholas of Cusa.....................................................................10317

353
 SESSION TITLE INDEX

The Vision of Angels in Renaissance Art I .................................................................10137

The Vision of Angels in Renaissance Art II ................................................................10237
Visual and Festive Culture in the Late Middle Ages and Early Renaissance................30138
Vivre noblement: Residential Systems of the Nobility in Early Modern
Europe (1400–1700) ..........................................................................................10249
Voices and Books .......................................................................................................20514
War and Persecution in Dutch Literature ...................................................................10113
What Goes Inside ......................................................................................................30437
Whose (French) Renaissance? .....................................................................................10136
Women and Religious Devotion in Renaissance Ferrara .............................................30229
Women Healers in the Early Modern Hispanic World ...............................................20123
Women in Charge ......................................................................................................20432
Women on Trial .........................................................................................................30208
Women, Portraits, and Pearls in European Courts .....................................................20141
Writing Seventeenth-Century Empire: Spain, Japan, Peru..........................................30414
Writing Women’s Devotions.......................................................................................30329
SESSION TITLES

354
 ROOM CHART — Thursday, 31 March 2016
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Annotated Books I: Annotated Books II: Printing and The Printing Press in Early Modern
Park Plaza
New Work in Discovering the Annotating the Early the Tudor Era, 1485– Broadsheets: The
Mezzanine
Deciphering Early Reader in Library Modern Book 1603: Orthodoxy, Stepchildren of
Boylston Room
Modern Reading Collections Heterodoxy, and Printing
Practices Satire

10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p

Paratextual Jewish Spaces Jewish Venice Between Jericho,
Park Plaza
Production and Tarshish, and
Mezzanine
Reception in Jewish Heidelberg: Devotion
Commonwealth
Literary Culture and Scholarship in
Room
Late Renaissance
Sacred Geography

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Libraries Without Archival Dramas: New Rethinking Method: Roundtable in Honor Roundtable:
Mezzanine Walls: New Work on Research in Literary Chance Inspiration of Lisa Jardine: The Discovering the
Statler Room the Bodleian and History and Renaissance Union of Teaching Archaeology of

355
Library History Scholarship and Scholarship Reading

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Beyond Florence: The Translating Early Modern Early Modern Early Modern
Park Plaza
Devotional Culture of Sacramentalia Cardinals: Cardinals: Cardinals:
Mezzanine
the Marche Historiography, Historiography, Historiography,
Hancock Room
Biography, and Power Biography, and Power Biography, and Power
I II III

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Curiosity and Curiosity and Heroes of Epic Studies on the Early Early Modern
Modernity in Early Modernity in Early Proportions: The Modern Spanish and Hispanic Poetry and
Park Plaza
Modern Spain I Modern Spain II Figure of the Ibero-American Epic: the Material Turn
Mezzanine
Explorer-Discoverer Re(dis)covering
Exeter Room
in Early Modern Iberian Epic: A
Spanish and Ibero- Trilingual Perspective
American Epic

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Biographical Readers of the Lost Heresy, Superstition, Prosecuting Heresy Religious Violence
Mezzanine
Narratives in Art: Neo-Latin Poetic and Observant and Its Critics
Clarendon
Humanist Perspective Descriptions of Lost Reform in the
Room
Renaissance Art Fifteenth Century
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

(Dis)Order and (Dis)Order and The Circulation of The Circulation of
Park Plaza
Popular Politics in Popular Politics in Plant Sources: Plant Sources:
Mezzanine
Renaissance Venice: Renaissance Venice: Manuscripts, Prints, Manuscripts, Prints,
Berkeley Room
Actions and Actions and Herbaria in Modern Herbaria in Modern
Representations I Representations II Europe, 1400–1700 I Europe, 1400–1700 II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Thinking Early Joint Labors: Actor- From the Stage to the Beyond the Republic Beyond the Republic
Park Plaza
Modern Drama Audience-Playwright Sacred: John Rainolds of Letters I: Practices of Letters II:
Mezzanine
through Ancient Collaborations in and His Opponents of Correspondence in Roundtable:
Arlington
Greek Theater Early Modern English Seventeenth-Century Scholarship, Politics,
Room
Theater England and
Confessionalization

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza The Early Modern The Early Modern Early Modern The Ethical Challenge Catholic Verse and
Mezzanine Material Text I: Material Text II: Disability across of Adam and Eve Subversion
Georgian Room Reading, Collecting, Surface, Image, Point Genres

356
Compiling

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
War and Persecution Early Modern Andrew Marvell: Roundtable: Andrew Roundtable: Marvell
Fourth Floor
in Dutch Literature Information Networks Writing and Teaching Marvell and the Studies and the State
Brookline
and Multimediality Problem of of Marvell Studies
Room
Historicism

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Fourth Floor The Interaction of Art The Interaction of Art The Interaction of Art Cultural Interchange: Souvenirs of the Siege
Cambridge and Relics in Early and Relics in Early and Relics in Early Relics, Souvenirs, of Vienna, 936 AH /
Room Modernity I Modernity II Modernity III Sacred Objects 1529 AD

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Of Mongrels and Of Mongrels and Exploring the Exploring the Exploring the
Fourth Floor Masterpieces: Masterpieces: "Frontiers" of "Frontiers" of "Frontiers" of
Beacon Hill Hybridity in the Hybridity in the Mission in a Global Mission in a Global Mission in a Global
Room Renaissance I Renaissance II Context I: Spiritual Context II: Imperial Context III:
Frontiers Frontiers Ideologies of Mission

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Authorial Translation Authorial Translation Cavendish I: Politics Cavendish II: Cavendish III:
Fourth Floor
in Renaissance Europe in Renaissance Europe and Subjectivity Medicine Literature and Natural
Back Bay Room
I II Philosophy
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Identifying Identifying Virtue and Idolatry in New Debates on Roundtable: Nicholas
Renaissance Renaissance Nicholas of Cusa Nicholas of Cusa's of Cusa and Christian
Park Plaza Philosophy I Philosophy II Theology Pythagoreanism in the
Fourth Floor Renaissance:
Brandeis Room Responses to David
Albertson’s
Mathematical
Theologies

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Fourth Floor Lost and Found I Lost and Found II Reading Form in Renaissance Literary Dubia and
Cabot Room European Poetry Oxymorons Spuria

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Fourth Floor Judging Petrarch’s Judging Petrarch’s Ideals and Practices of Early Modern Early Modern
Charles River Lyric Poems in Lyric Poems in Authority in Science Ingenuity I Ingenuity II
Room Renaissance Italy I Renaissance Italy II and Art

357
8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Magic, Madness, and From Short Story to Translating the Italian Poetics of Translation The Politics of
Fourth Floor Dangerous Tragedy: Luigi da Renaissance: Agency Translation in
Constitution Knowledge in Late Porto and and Collaboration Renaissance Europe
Room Renaissance Spanish Shakespeare
and Italian Literature

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Ethics and Religion in Machiavelli on Renaissance Renaissance Renaissance
Fourth Floor
Machiavelli's Thought Florence and Commemoration I: Commemoration II: Commemoration III:
Franklin Room
Florentine History Word and Thing Depicting Rulers Spaces of Memory

10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza
1516: Text, Context, Erasmus and the 1516–2016: 500 Years
Fourth Floor
and More's Utopia Renaissance Adage of Erasmus's New
Emerson Room
Testament

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Approaches to the The Decameron and Boccaccio and the Boccaccio and Lectura Boccaccii
Fourth Floor Architecture of the the Genealogie Ethics of Literature Questions of Gender
Gloucester Decameron: Function deorum gentilium
Room and Meaning of the
cornici
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Greek Rhetoric in the Theory and Practice Time, Timelessness, Roundtable: Le Seuil Roundtable: The
Park Plaza Renaissance in Humanist and and the Ephemeral in d’acceptabilité Author as Textual
Fourth Floor Tudor Rhetoric Lyric Critic: Intellectual
Holmes Room Property in the
Renaissance and
Today

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza The Court of the Lion The Court of the Lion Aristotle in the Aristotle in the Aristotle in the
Fourth Floor I: Performance and II: Performance and Vernacular: Vernacular: Vernacular:
Longfellow Classical Scholarship Classical Scholarship Rethinking Rethinking Rethinking
Room in the Curia of Leo X in the Curia of Leo X Intellectual History in Intellectual History in Intellectual History in
Renaissance Italy I Renaissance Italy II Renaissance Italy III

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Early Modern Women Early Modern Women Complaining Women: Editing Early Modern Renaissance Loves:
Fourth Floor and Literary and Literary Female-Voiced Women Courted, Possessed,
Newbury Room Collaboration I Collaboration II Complaints and and Forsaken in Early

358
Ballads Modern England

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
"Mauvaises herbes": Ceremonial, Ritual, Architectural Barriers Architectural Barriers Architectural Barriers
Park Plaza
Literary and Scientific and the Place of in Renaissance Europe in Renaissance Europe in Renaissance Europe
Fourth Floor
Representations of the Queens at the Courts I: Experiencing City II: The Spatial Politics III: Spaces of Healing
Stuart Room
Wild of Henri IV to Louis Walls of City Walls
XIV

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Renaissance Food Renaissance Food Renaissance Food Renaissance Food Roundtable: Teaching
Park Plaza History I: Cookbooks History II: Food History III: Food History IV: Tudor and Stuart
Fourth Floor as Sources Cultures in a Cultures in a Performing Food in Women Writers,
Tremont Room Transatlantic Transatlantic and Art Revisited
Perspective (1500– Transnational
1700) Perspective

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
The Renaissance Listening with Virgil’s Rire des souverains I Rire des souverains II Rire des souverains
Park Plaza
Virgil Ear: Readings of III: Roundtable
Fourth Floor
Pontano’s and of
White Hill
Sannazaro’s Latin
Room
Verse according to
Pontano’s Actius
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Jacques Grévin à la Aspects of Vileness in Knowledge, Science, Between Science and The Pilgrimage to the
Park Plaza
croisée des savoirs Early Modern France and Rhetoric in Early Fiction: Cosmology Holy Land between
Fourth Floor
Modern France and and Society in the the Middle Ages and
Winthrop
England Grand Siècle the Renaissance:
Room
Sources and
Interpretations

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Rabelais: Etats de la Ludic Rhetoric Rabelais and Violence in Early The Politics of
Park Plaza
recherche Revisited: Rabelais, Montaigne in Early Modern Italy Passage: Negotiating
Fourth Floor
Fischart, Yver Modern England: Safe-Conduct in Early
Whittier Room
Transformations and Modern Europe
Appropriations

1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p

Park Plaza The Force of Art and Performing the Roundtable: Theater

359
Fourth Floor Ingenuity in the Early Comedia in US after the Renaissance
St. James Room Commedia dell’arte Contexts
(1560–1630)

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Artistic Exchange Artistic Exchange Late Rembrandt in Netherlandish Art: Roundtable: How to
Center between Italy and the between Italy and the Review and in Engraving, Ornament, Publish Your First
Level Two Netherlands, 1300– Netherlands, 1300– Context Glass, Costume Book
200 1700 I 1700 II

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention From Sketch to From Sketch to Drawing the Italian Drawing the Italian Drawing the Italian
Center Drawing: Invention Drawing: Invention Landscape in the Landscape in the Landscape in the
Level Two and Practice in Rome, and Practice in Rome, Cinquecento I: Cinquecento II: Cinquecento III: Italy
201 1500–1650 I 1500–1650 II Central Italy Venice and Rome Seen from Abroad

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Architectural Architectural Honor, Patronage, Profane and Sacred Gendered Spaces in
Center Know-How I Know-How II and Political Power Patronage Early Modern Urban
Level Two and Rural Landscapes
202
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Whose (French) The Mobility of Art: Collectors and The Taste of Virtuosi: The Journey of
Hynes
Renaissance? Negotiating Collections Patronage and Seventeenth-Century
Convention
Knowledge in Early Collecting in Italy, Architects between
Center
Modern Europe 1400–1700 Professional Practice
Level Two
and Research:
203
Scamozzi, Bernini,
Carlo Fontana

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention The Vision of Angels The Vision of Angels The Patrons' Input I The Patrons' Input II Borderlines: On the
Center in Renaissance Art I in Renaissance Art II Agency of Streaks,
Level Two Blots, and Traces
204

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Inscribing and Music, Devotion, and Uses of Song Music Printing, Music Instruction and

360
Center Performing Musical Travel Patrons, and Publics Publication
Level Two Devotions in the Sixteenth
205 Century

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Sacri Monti: Sacri Monti: Bolognese Art in the Bolognese Art in the Bolognese Art in the
Convention
Materiality, Materiality, Archives I: Collecting Archives II: Defining Archives III:
Center
Topography, Topography, Bolognese Painting the Bolognese Artist Bolognese Art in
Level Two
Devotion I Devotion II within and outside of Historical Context
206
Bologna

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Affective Bonds on the Allusion, Indirection, Ornament and Monstrous Things I: Monstrous Things II:
Center English Renaissance Enigma: Flirting with Monstrosity: Visual Forms and Concepts Myth and Knowledge
Level Two Stage Early Modern Paradoxes in
207 Uncertainty Sixteenth-Century Art

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Dialogues between Bernini Sculpture: Sculptural Practices Impurities: The Status Problems in Italian
Center Poetry, Sculpture, Attributions New, of Surface in Renaissance
Level Two Architecture, and Disputed, and Renaissance Sculpture Portraiture
208 Painting Reconsidered
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes Artists and Friendship Makers: Women Encountering the Encountering the Encountering the
Convention in the Renaissance Artists in the Early Renaissance, Renaissance, Renaissance,
Center Modern Courts of Honoring Gary Radke Honoring Gary Radke Honoring Gary Radke
Level Two Europe I: Reexamining II: The Primacy of the III: Regulating and
210 Renaissance Sources Object Shaping Gender and
Sexuality

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p 7:30p - 8:30p
Hynes
Business Culture and Structures and Jonson: Every Man Jonson Agonistes: Neuroscience, Margaret Mann
Convention
Domestic Culture in Networks in Early and Bartholomew Fair Drama, Literature, Cognitive Disability, Phillips Lecture
Center
Early Modern English English Drama and Antagonism in and Embodiment on
Level Three
Drama Early Modern London the Early Modern
302
Stage

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Political Theologies in Political Theologies in Political Theologies in (Im)Morality, Topicality in Early
Center Early Modern Early Modern Early Modern Religion, Poverty, and Modern Verse and

361
Level Three England I England II England III Excess in Early Drama
303 Modern Drama

8:30a - 10:00a 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p

Hynes Receptions of Cross-Confessional Political Thought in Multilingualism,
Convention Classical Texts on the Royal Matches in the the Seventeenth Localization, and
Center Early Modern English Seventeenth Century Century: Education, Translation
Level Three Stage Sovereignty,
304 Democracy,
Administration

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Spirit and Body in Composing Body and Milton and Milton and the Epic Milton and the
Center Milton Soul: Herbert, Milton, Epistemology Consequences of European Epic
Level Three and Reader’s Educational Reform Revisited
305 Compilations

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Failures of Playing Reading Ethics across Issues and Aspects of Humor, Comedy, and Laughter as Medicine:
Convention
and Playgoing in Traditions: Performance in Early Ethics in the Cures in Early
Center
Early Modern Shakespeare, Jonson, Modern England Renaissance Modern Comedies
Level Three
England and Early Modern
306
Syncretism
 Thursday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Mysteria et Mysteria et Mysteria et Magnificence in the Ink, Dyes, and
Convention
Sacramenta: On the Sacramenta: On the Sacramenta: On the Seventeenth Century: Pigments: The
Center
Representation of Representation of Representation of Artistic Discourse, art Production of Colors
Level Three
Mysteries I Mysteries II Mysteries III de vivre, and and the Making of
308
Representation Metaphors

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Secrets of Seicento Vivre noblement: Studies in Renaissance Studies in Renaissance Studies in Renaissance
Convention
Siena Residential Systems of Art and Culture in Art and Culture in Art and Culture in
Center
the Nobility in Early Honor of Debra Honor of Debra Honor of Debra
Level Three
Modern Europe Pincus I Pincus II Pincus III
309
(1400–1700)

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p

362
Convention "Mastery" across "Mastery" across Giovan Paolo Giovan Paolo Giovan Paolo
Center Early Modern Eurasia Early Modern Eurasia Lomazzo I: His Lomazzo II: His Lomazzo III: His
Level Three I II Theory and Practice Influence in Milan Influence Abroad and
310 on Other Theorists

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
New Technologies New Technologies New Technologies New Technologies
Convention
and Renaissance and Renaissance and Renaissance and Renaissance
Center
Studies I: The Studies II: Early Studies III: Creating Studies IV: Space and
Level Three
Medieval and the Modern English Digital Archives of Text in Early Modern
311
Digital Dramatic Materials Early Modern Writers Digital Studies

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Holding Manhoods "Prentices! Clubs!": Digital Latin Digital Latin Digital Latin
Convention
Cheap: Masculine Defining and Resources and Tools Resources and Tools Resources and Tools
Center
Identity on the Early Containing the I: Creating and II: Linked Open Data III: Stylistic,
Level Three
Modern Stage Apprentices of Early Exploring Text and Sustainability Semantic, and Metric
313
Modern London Resources Analysis
 ROOM CHART — Friday, 1 April 2016
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

1:30p - 3:00p 3:30p - 5:00p

Park Plaza
Aspects of Women's Aspects of Women's
Lower Lobby
Lives in Renaissance Lives in Renaissance
Terrace Room
Venice I Venice II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza New Formalisms I: New Formalisms II: The Poetics of Microcosm and Motion and Emotion
Mezzanine Country House Poetics Genre and Form Speculation: Macrocosm
Boylston Room and Politics Renaissance Optics and
English Verse

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Different Faces of Translations of Latin Translating Classical Style, Content, and New Approaches to
Park Plaza
Greek: From Greek and Greek Texts, ca. Texts in the Audience in Early Early Modern Islamic
Mezzanine
Composition of 1400–1600 Renaissance Modern Islamic Poetic Book Arts
Common-
Humanist Authors to Traditions
wealth Room
Translations from
Greek

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza

363
Art, Spectacle, and Ports, Harbors, Shores The Medici and the The Medici and the The Medici and the
Mezzanine
Portraiture Seas I: Mediterranean Seas II: Maritime Seas III: Asian
Statler Room
Identities Trajectories Exchanges

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Europe and the Court Italian Archives and Birgitta of Sweden: Birgitta of Sweden:
Mezzanine of Cosimo III de’ Renaissance Palaces Saintly Power Saintly Power
Hancock Room Medici Contested and Contested and
Performed I Performed II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Early Modern Anger: A Early Modern Anger: A Shadows and Imagined Geographies Renaissance
Mezzanine
Reappraisal I Reappraisal II Knowledge in Early Topographies and
Exeter Room
Modern Europe Cartographies

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Memory, Textual, and Memory, Textual, and Memory, Textual, and Culture and Court: Early Modern Women:
Park Plaza
Performance History: Performance History: Performance History: A Women's Career The City, Kinship, the
Mezzanine
A Comparative and A Comparative and Comparative and Opportunities and State
Clarendon
Interdisciplinary Interdisciplinary Interdisciplinary Social Mobility (1500–
Room
Analysis I Analysis II Analysis III: 1700)
Roundtable
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Objects of Science: Political Economy, Alma Poesis: Poetry, Florence Reconsidered Florence Reconsidered
Park Plaza The Material Culture Science, Medicine, and Philosophy, and I: Roundtable: II: Cultural Capital
Mezzanine of Renaissance the Market in Political Dissent from Historiographical and Diplomacy
Berkeley Room Alchemy, Astrology, Seventeenth- and the Middle Ages to the Reflections
and Astronomy Eighteenth-Century Renaissance
Europe

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
It Stoops to Conquer: Revisiting the Turn to Converted Jews from Thinking with Spaces: Literary Transmissions
Park Plaza
The Reformation in Religion in Early Spain to Italy: New Directions in in Early Modern Spain
Mezzanine
Sixteenth-Century Italy Modern English Economic Activities Cultural History
Arlington Room
and Its Educational Literary Studies and Social Integration
Strategies (1500–1700)

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Making Meaning at Making Meaning at The Sight and Sound Shaping Time and Roundtable: Rioni di
Mezzanine the Margins: Italian the Margins: Italian of Gardens and Feasts Space in Early Modern Roma: Peopling the
Georgian Room Villas and Gardens, Villas and Gardens, Rome: Gardens, City ca. 1500–1650
1500–1800 I 1500–1800 II Palaces, and Maps

364
8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Pastors at Work in the The Hohenzollerns Poland-Lithuania and Early Modern Eastern Vernacular Viewing:
Park Plaza
Fields of the Lord and Brandenburg- Europe: Diplomatic Europe: Pedagogy, Practicing Observation
Fourth Floor
Prussia and Religious Networks Representation in Early Modernity
Brookline Room
in the Long
Seventeenth Century

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Coteries, Circles, or Paper for Printing, The Commerce of The Circulation of Voices and Books
Park Plaza
Networking? The Writing, and Erasing Information in Early Information in the
Fourth Floor
Social Transmission of Modern Europe Atlantic World
Cambridge
Early Modern Poetry
Room
in Manuscript and
Print

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Littérature française du Roundtable: Toward a Roundtable: Practical Nicholas Copernicus, Roundtable:
Park Plaza
XVIe siècle: Nouvelles Literary History of Translation: Strategies the Renaissance Reader Interrègnes et
Fourth Floor
perspectives Medieval and for Verbally Collating inclassables curiosités:
Beacon Hill
Renaissance Europe and "Retranslating" Zoophytes, lithophytes
Room
Multiple Witnesses for et anthropolithes
a Lost Source
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
The Body in the City I The Body in the City The Body in the City Spanish Letters under Life Cycles: Pilgrimage,
Fourth Floor
II III the Catholic Monarchs Shipwrecks, and Books
Back Bay Room
and Charles I of Spain in Early Modern Spain

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Recognition in Ficino Philosophy and Brujomanía: New Humanist Exchanges in Gianfrancesco Pico
Fourth Floor and Machiavelli Philology: The Two Research on the Basque the World of Leon della Mirandola
Brandeis Room Picos Witch-Hunts, 1525– Battista Alberti Reconsidered
1611

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Sidney I: Sidney and Sidney II: The Sidneys Sidney III: Politics and Sidney IV: Mary Sidney V: In Honor of
Park Plaza
the Seventeenth in New Editions, New Pedagogy, Theater and Wroth: Contexts, Margaret P. Hannay:
Fourth Floor
Century: From Lyric to Translations, New Transformation Texts, and Precedents Roundtable on Sidney
Cabot Room
Romance, Texts and Media Studies, from Here to
Intertexts Where?

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Popes, Venetians, and Renaissance Marriage Noble Identity and Building the State in Building the State in

365
Fourth Floor Ottomans: Recovering Self-Fashioning in the Renaissance: the Renaissance:
Charles River Renaissance Renaissance Italy Education, Qualities, Education, Qualities,
Room Perspectives and Duties of the and Duties of the
Political Counsellor I Political Counsellor II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza
The Global and the Portraying the Luke Wadding I: His Luke Wadding II:
Fourth Floor
Early Modern Conquest of La Florida Spanish Education and Patronage and Politics
Constitution
Hispanic World by Pedro Menéndez de Ideology
Room
Avilés 450 Years Later

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Cultural Identity and Cultural Identity and Fashioning the Sermonizing in Religious Orthodoxy,
Park Plaza Schiavoni/Illyrian Schiavoni/Illyrian Translator: Liminal Seventeenth-Century Dissent, and Devotion
Fourth Floor Colleges and Colleges and Strategies in Early England in Reformation
Franklin Room Confraternities I: Early Confraternities II: Modern English England
Modern Rome Early Modern Bologna Translations
and the Marche

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Church Reform and Renaissance Ficino I: Matter and Ficino II: East, West, Ficino III: On Love,
Fourth Floor
Heresy in the Aristotelianism(s) Soul and the Stars on Number, and on
Emerson Room
Renaissance Reconsidered Public Life
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Women Healers in the Addressing Women in Spanish Women as Performing Women’s Female Communities
Fourth Floor
Early Modern Early Modern Latin Queens and Counselors Lives in Early Modern of Influence in Early
Gloucester
Hispanic World America Spanish Drama Modern Spain and
Room
Portugal

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Translations of Virgil Old Wine in New Authorship, Rhetorical Strategies in Clothed with Skin and
in Early Sixteenth- Bottles: Translation, Attribution, and Ronsard’s Discours des Flesh: Rethinking
Park Plaza Century French Print: Retranslation, and Evidence in Early misères de ce temps and Tolerance in Early
Fourth Floor Structural Readaptation Modern France the Protestant Response Modern French
Holmes Room Adjustments, (Sixteenth-Century Literature
Additions, Revisions, France and England)
Allegorizations, and
Rewritings

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Communities of Dante and Science Questions of Love, Material Hagiography I Material Hagiography

366
Fourth Floor
Reading and Dante's Religion, and Devotion II
Longfellow
Divine Comedy in the Writings of
Room
Marguerite de Navarre

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Languages of Dissent I: Languages of Dissent Languages of Dissent Languages of Dissent Languages of Dissent
Fourth Floor "Inner Voices" II: Translating, III: Heterodox Britain IV: Power, Dissent, V: Art, Heritage, and
Newbury Room Labelling, Persecuting Radical Politics Biography as Dissent
Dissent

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Prophecy, Religion, The Many Lives of Political Theology in Method, Rhetoric, and Thomas Hobbes:
Fourth Floor and Politics in the Popularity in Early England: Catholics, Representation in Gender, Political
Stuart Room Seventeenth Century Modern England Anglican Conciliarists, Spinoza, Mandeville, Economy, and
and Milton and Hobbes Religious Legislation

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza Humanists Reading German Humanism Intoxicants and Early Intoxicants and Early Intoxicants and Early
Fourth Floor the Ancients and Its Influences Modernity I: Strange Modernity II: Concepts Modernity III:
Tremont Room Rituals and Conceptual Intoxicating Discourses
Change
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Spenser and Donne: John Donne I: John John Donne II: Lines John Donne III: John Donne IV:
Park Plaza Thinking Poets Donne and the Bible of Communication Donne in Manuscript Donne's Letters in LR1
Fourth Floor (the Burley
White Hill Manuscript):
Room Roundtable on
Paleographical and
Internal Evidence

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza
Iberian Poetry and Its Iberian Poetry and Its New Approaches to the The Domains of Figurative, Allegorical,
Fourth Floor
Readers I Readers II Italian Epic English Lyric before Literal: Rethinking
Winthrop Room
Spenser Fundamentals

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Showing Off: Defenses Showing Off: Defenses Spain between Europe Spain between Europe Spain between Europe
Park Plaza
and Displays of and Displays of and the New World: and the New World: and the New World:
Fourth Floor
Sumptuous Dress Sumptuous Dress Culture, Politics, and Culture, Politics, and Culture, Politics, and
Whittier Room
across Early Modern across Early Modern Power Projection I Power Projection II Power Projection III
Europe I Europe II

367
8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Park Plaza New Directions in the New Directions in the Early Modern Women Women in Charge Friendship and
Fourth Floor Interdisciplinary Study Interdisciplinary Study and Transnational Community in Early
St. James Room of Masculinity I of Masculinity II Exchanges Modern Works on/by
Women

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Representing the Image Normativity and Style and Decorum in Crafting a Brussels Roundtable: Careers
Hynes
Natural, the Religion in Italy and the Arts of the Artistic Network in for Humanists
Convention
Unnatural, and the Spain: New Burgundian Early Modern Europe
Center
Instrumentalized in Perspectives Netherlands (ca. 1400–1750)
Level Two
Sixteenth- and (ca. 1430–1550)
200
Seventeenth-Century
Italy

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Sculpture in Print, Sculpture in Print, Making Copies I Making Copies II Making Copies III
Center 1480–1600 I: Antique 1480–1600 II:
Level Two Statues Contemporary
201 Sculpture
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Representing Aesthetics and Altars Manuscripts in Motion Manuscripts in Motion Exhibiting Medieval
Hynes
Ecclesiastical Authority in the Early Modern in the Early Modern and Renaissance
Convention
Mediterranean I Mediterranean II Books: Pages from the
Center
Past: Roundtable on
Level Two
Illuminated
202
Manuscripts in Boston-
Area Collections

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
The Home and the Thresholds of Emotion Gian Lorenzo Bernini Imagery and Ingenuity Imagery and Ingenuity
Convention
City in Early Modern and Early Modern in the Northern in the Northern
Center
Italy Italian Art Renaissance I: Artists Renaissance II:
Level Two
and Their Contexts Multivalence in
203
Religious Themes

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Cutting, Shaping, Cutting, Shaping, Italian Caricatura: Italian Caricatura: Comic Themes in
Center Showing: Trophies and Showing: Trophies and Material Practice, Material Practice, Early Modern

368
Level Two Art I Art II Collectors, and Art Collectors, and Art Portraiture
204 Theory I Theory II

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention The Sound of Poetry: The Sound of Poetry: The Sound of Poetry: A The Sound of Poetry: A The Sound of Poetry:
Center A Comparative A Comparative Comparative Approach Comparative Approach A Comparative
Level Two Approach to Rhetoric, Approach to Rhetoric, to Rhetoric, Poetics, to Rhetoric, Poetics, Approach to Rhetoric,
205 Poetics, and Music I Poetics, and Music II and Music III and Music IV Poetics, and Music V

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes Art and Experience in Art and Experience in Place and Identity in Place and Identity in Place and Identity in
Convention Fifteenth-Century Fifteenth-Century Early Modern Visual Early Modern Visual Early Modern Visual
Center Naples: Defining an Naples: Defining an Culture I: Constructing Culture II: Culture III:
Level Two Artistic Center I Artistic Center II Sacred Connections Constructing Civic Constructing
206 Connections Transnational
Connections

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention The Interculturality of Intra- and Inter- Vasari on Technique: Vasari on Technique: Vasarian Crosscurrents
Center European Drama National Encounters in Matter and Making I Matter and Making II
Level Two Early Modern English
207 Literature
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Women, Portraits, and Dressing and The Verdant Earth I: The Verdant Earth II: The Verdant Earth III:
Center Pearls in European Decorating Male Green Worlds of the Women, Plants, and The Sylvan Turn in
Level Two Courts Bodies Renaissance and Children Landscape Art
208 Baroque

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Shakespearean Sociality Shakespeare’s Shakespearean Persons Shakespearean Authority and
Convention
Climatology Cosmopolitanism: Influence in the Long
Center
Hospitality, Cynicism, Seventeenth Century:
Level Two
Indifference Shakespeare, Imitation,
210
and Invention

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p 7:30p - 8:30p
Hynes
Exploring Early Exploring Early Bellini 500 I: Bellini 500 II: Bellini 500 III: Space Josephine Waters
Convention
Modern Cities I: The Modern Cities II: Reassessments, Local Materiality, and Perception Bennett Lecture
Center
Urban Sensorium Dynamic and Global Receptivity, and
Level Three
Neighborhoods and Innovation
302
Networks

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p

369
Convention Classical Continuities Picturing the Classical The Art History of the The Art History of the The Art History of the
Center and Dramatic Change in the Renaissance Renaissance Book: Renaissance Book: Renaissance Book:
Level Three in Shakespeare and His Papers in Honor of Papers in Honor of Papers in Honor of
303 Contemporaries Lilian Armstrong I Lilian Armstrong II Lilian Armstrong III

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Sixteenth-Century Roundtable: A German The Languages of The Jungian Is the Enlightenment
Center Antwerp as an Renaissance? Periods, Science Renaissance Revisited the Renaissance in a
Level Three International Cultural Places, and Objects Better Wig?
304 Hub

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Milton and Milton’s American and Reading and Writing in Sacraments and the Causality in
Center Shakespeare Latin-American Legacy Seventeenth-Century Literary in the English Renaissance Poetry and
Level Three England Reformation Philosophy
305

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes Mannerism and Architectural Patronage Architecture, Architecture, Architecture,
Convention Architecture: The and the Construction Urbanism, and the Arts Urbanism, and the Arts Urbanism, and the Arts
Center Challenge of of Identity in Honor of Marvin in Honor of Marvin in Honor of Marvin
Level Three Combination Trachtenberg I: Urban Trachtenberg II: Trachtenberg III:
306 Space, Medieval Time Assessing Roman Building Time outside
Juxtapositions Italy
 Friday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm 8:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
Black Africans in Early Black Africans in Early Text and Image in Text and Image in Text and Image in
Convention
Modern Europe: Modern Europe: Early Modern Spain I: Early Modern Spain II: Early Modern Spain
Center
History, History, Ekphrasis Representations of the III: Representations of
Level Three
Representation, and Representation, and Other Women
308
Materiality I Materiality II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
The Senses of Early Reading and Writing Reading Pamphlets in Political Thought and Brutal Ends: Suicide,
Convention
English Literary Form History in Early Early Modern England Diplomacy in Early Execution, and Battle
Center
Modern England Modern England Death in Seventeenth-
Level Three
Century British
309
Literature

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Convention Materials of Art in Materials of Art in Roundtable: The Visual Art and Certainty in An Education in Lines:
Center Spain, ca. 1500– Spain, ca. 1500– Culture of Celestina Early Modern Spain Creating the First

370
Level Three 1700 I 1700 II Drawing Books in
310 Europe

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Hynes
New Technologies and New Technologies and Folger Digital Agendas Folger Digital Agendas Folger Digital Agendas
Convention
Renaissance Studies V: Renaissance Studies I: Roundtable: New II: Roundtable: III: Roundtable:
Center
Digital Tools and VI: Roundtable: Large- Model Encoding Scholarly Digital Futures
Level Three
Renaissance Scale Early Modern Conversations and
311
Epistemologies Digital Humanities Collaborations

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p 5:30p - 7:00p
Digital Humanities for Digital Humanities for Images on the Move: Roundtable: Modern Apprenticeship in Early
Hynes
Cultural Heritage I Cultural Heritage II The Weaving of Information Systems Modern Venice:
Convention
Circulations and and the Gendering of Extracting,
Center
Transfers during the Early Modern Representing, and
Level Three
Renaissance through Textuality Exploiting Data from
313
Digital Analysis the Accordi Dei
Garzoni
 ROOM CHART — Saturday, 2 April 2016
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza
Representing Iberia in Bodies, Flesh, Spenser: Asceticism, Spenser's Afflicted
Mezzanine
Seventeenth-Century Eugenics Theology, Authorship Style
Boylston Room
Rome

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Mezzanine Islamicate Occultism Islamicate Occultism Books, Poetry, and Popes Bolognese Matters
Common- I: Words, Spirits, II: Ottoman Book in the Fifteenth Century between Religion and
wealth Room Substances Cultures Law

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

From Venice and to Ethnography and the Miguel de Cervantes's Cervantes Society of
Park Plaza
Venice between the Making of Renaissance Persiles, 1616–2016 America: Business
Mezzanine
Fifteenth and Identities Meeting and Plenary
Statler Room
Sixteenth Century: Lecture
People, Books, Ideas

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Renaissance Renaissance Renaissance Renaissance
Mezzanine Collaboration I: Collaboration II: Collaboration III: Sacred Collaboration IV:

371
Hancock Room Intermedia Collaborative Texts, Sacred Shakespeare to
Collaboration Networks Responsibilities Dryden

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Poetics of Law: Women on Trial Italian Academies, 1450– Italian Academies,
Park Plaza
Literary Form and 1700: Networks, 1450–1700: Networks,
Mezzanine
Legal Experience, Knowledge, and Culture I Knowledge, and
Exeter Room
Feeling, and Culture II
Knowledge

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza
Florence Reconsidered Florence Reconsidered Citizenship and Renaissance
Mezzanine
III: Florence in IV: Old Sources, New Republicanism in Renunciations
Clarendon
Perspective Directions Renaissance Ferrara,
Room
Trieste, Florence

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Redefining Female Seeing Is Believing: Ceremony and Ritual L'Europe des Savoirs à
Park Plaza
Sanctity: Clare of Devotional Materiality before the Death of Louis la Renaissance / Forms
Mezzanine
Assisi and Francesca from Church to Home XIV of Knowledge in
Berkeley Room
Romana in Early in Early Modern Renaissance Europe
Modern Italy England and Italy

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p

Mezzanine Alchemy and Forgery Alchemy and Forgery Roundtable:
Arlington around Paracelsus I around Paracelsus II Reconsidering the Global
Room Renaissance
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 5:30p - 6:30p

Park Plaza The Public Relations Circulation, Reimagining Early Annual General Meeting
Mezzanine of Poets in Early Adaptation, Modern Naples and and Awards Ceremony
Georgian Room Modern England Reception, Translation Southern Italy: A Tribute
to John Marino

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza French Renaissance Language, Geography, Space, Place Travel: A Journey to
Fourth Floor Polygraphy: Cosmography, and Discover the Self and
Brookline Belleforest, De Thou, Geography in Early Others
Room and Tabourot Modern France and
Beyond

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Exiles, Refugees, and Diplomacy and Remembering and Writing Seventeenth-
Fourth Floor Pan-Nationalism Literature: Italo- Forgetting in the Century Empire:
Cambridge Iberian Relationships Renaissance Spain, Japan, Peru
Room in the Early Modern
World

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza

372
Roundtable: The Roundtable: Speech, Roundtable: Staging Roundtable: What the
Fourth Floor
Cambridge Orality, and History in Early Modern French Renaissance
Beacon Hill
Companion to Communication in Spain: Contemporary Can Do for
Room
Petrarch Early Modern Europe Approaches Ecocriticism

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

New Perspectives on Renaissance and New Renaissance and the A New England
Park Plaza
Renaissance Epistemologies Public Renaissance
Fourth Floor
Demonology Conference
Back Bay Room
Discussion: Past,
Present, and Future

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Emblematic Imagery The Verbal-Visual "Naked Emblems" Emblematic
Park Plaza from Alciato to Structure of Spenser's Revisited Negotiations:
Fourth Floor Baciccio Shepheardes Calender Redressing the
Brandeis Room Betrayal of Meaning
in Late Renaissance
Visual Culture

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Poetics of the Sacred Poetics of the Sacred "Songs from the Spirit": "Songs from the
Park Plaza
in Early Modern Italy in Early Modern Italy The Tradition of Spirit": The Tradition
Fourth Floor
I II Spiritual Verses in of Spiritual Verses in
Cabot Room
Renaissance Renaissance
Italy I Italy II
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Renaissance New Perspectives on Historiography of Epigraphy and the
Fourth Floor Neoplatonic Voices: Giordano Bruno Renaissance Philosophy: Rise of Vernacular
Charles River Heymericus de Campo Ernst Cassirer and Languages: Italy as a
Room and Cusanus Wallace Ferguson Test Case (1300–
1500)

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Making Early Modern Making Early Modern Making Early Modern Book Culture in Early
Fourth Floor Studies Irish: Studies Irish: Studies Irish: Engaging Modern Dublin:
Constitution Engaging with the Engaging with the with the Work of Libraries, Collectors,
Room Work of Nicholas Work of Nicholas Nicholas Canny III and Annotated Books
Canny I Canny II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Ladies-in-Waiting in Ladies-in-Waiting in Ladies-in-Waiting in the Ladies-in-Waiting in
Park Plaza
the Early Modern the Early Modern Habsburg Courts I the Habsburg Courts
Fourth Floor
World I: Female World II: Italian II
Franklin Room
Attendants to English damigelle at Home
Consorts and Queens and Abroad

373
8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Park Plaza
Imprimer le Moyen Imprimer le Moyen Renaissance Climate Early Modern Women
Fourth Floor
Âge en français, XVe– Âge en français, XVe– Theories: Science or and Their
Emerson Room
XVIe siècle I XVIe siècle II Rhetoric? Collaborators

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Fourth Floor Staging Difference in Disability in Early Epic and Lyric Poetics I Epic and Lyric Poetics
Gloucester Spain and Italy Modern Europe and II
Room Her Colonies

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Ariosto, 1516–2016 I: Ariosto, 1516–2016 II: The Spin-Offs of the Ariosto, 1516–2016
Park Plaza Spaces and Characters Spaces and Characters Orlando furioso III: Roundtable on
Fourth Floor of the Orlando furioso of the Orlando furioso History, Court, and
Holmes Room Society: Extratextual
Realities in the
Orlando furioso

Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Fourth Floor Jesuits and Models of Jesuits and Models of Jesuit Mission and Topics in Jesuit
Longfellow Holiness I Holiness II Japan's Christian Century Studies
Room (1549–1650)
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Early Stuart England Dynastic Renaissance Games I: Renaissance Games II:
and the Dutch Regeneration: Kings and Courtiers Children and "Other"
Park Plaza
Celebrating Male
Fourth Floor
Heirs in the Late
Newbury Room
Habsburg and Early
Bourbon Spanish
World

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza
Medieval Drama and Roundtable: Renaissance Renaissance
Fourth Floor
Its Early Modern Renaissance Encyclopedism I Encyclopedism II
Stuart Room
Afterlives Commentaries

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza Hybrid Genres of the Cervantes and Prehistory and the Pre- Prehistory and the
Fourth Floor Spanish Renaissance Shakespeare: Works Political in Early Modern Pre-Political in Early
Tremont Room and Lives in Euro-Colonialism I Modern Euro-
Common? Colonialism II

374
Park Plaza 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Fourth Floor Required Reading: Women and Religious Writing Women’s English Devotional
White Hill Early Modern Women Devotion in Devotions Writing: Authoring
Room as Readers and Writers Renaissance Ferrara Godliness

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Park Plaza The Orationes Project: Neo-Latin between Iter septentrionale: The Neo-Latin in Northern
Fourth Floor Interdisciplinary Italy and the Americas Spread and Europe in the
Winthrop Approaches to Transformation of Seventeenth Century
Room Renaissance School Renaissance Humanism
Drama in Northern Europe

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Joyful Texts in Judgment in the Humanism and Religious History and
Park Plaza Context: Functions Heptaméron: Discourses: Intersections Commentary in the
Fourth Floor and Impact of Parody Rhetorical, Spatial, Fifteenth and
Whittier Room in Professional and and Specular Sixteenth Centuries
Festive Situations Approaches
(1400–1600)

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

The Promises of Gold: The Promises of Gold: Venice and Gender: Venice and Gender:
Park Plaza
Materialized Desires Materialized Desires Metropole, Stato da Mar, Metropole, Stato da
Fourth Floor
and Social Phantasms and Social Phantasms Terraferma I Mar, Terraferma II
St. James Room
in Economy, Art, and in Economy, Art, and
Science I Science II
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Toward Tintoretto Toward Tintoretto Aromatics: From Francesco de Mura
Convention
500 I 500 II Substance to (1696–1782) and the
Center
Transcendence, a Golden Age of Naples
Level Two
Cross-Cultural,
200
Interdisciplinary Study

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes Crossroads of Crossroads of Crossroads of Creation: Crossroads of
Convention Creation: Artistic Creation: Artistic Artistic Workshops in Creation: Artistic
Center Workshops in Workshops in Renaissance Italy III: Workshops in
Level Two Renaissance Italy I: Renaissance Italy II: From Workshops to Renaissance Italy IV:
201 New Patterns of Toward a New Academies Establishing a New
Production Individualism Professionalism

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Divinely Human: Divinely Human: Inverse, Reverse, Inside Inverse, Reverse,
Center Representing the Body Representing the Body Out in Renaissance Inside Out in
Level Two of Christ I of Christ II Art I Renaissance Art II
202

375
Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Convention Representing Saints Sacred Images: Thinking through Thinking through
Center and Martyrs in Iconoclasm to Idolatry Images: Early Modern Images: Early Modern
Level Two Florence in the Iberian World Depictions of Economic Depictions of
203 Activity I Economic Activity II

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Building with Paper: Building with Paper: Transregional Movements What Goes Inside
Convention
The Materiality of The Materiality of in Early Modern
Center
Renaissance Renaissance Architecture
Level Two
Architectural Architectural
204
Drawings I Drawings II

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Visual and Festive Music in the Art of Finding the Early Reuse and Adaptation
Center Culture in the Late Renaissance Italy, ca. Modern Feminine Voice in the Early Modern
Level Two Middle Ages and Early 1420–1540 Book Trade
205 Renaissance

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Madonna Revisited Rethinking the Personal and Collective Brahmins and Their
Center Rhetoric of Images in Devotion in Early Botticellis: Boston and
Level Two Renaissance Italy Modern Italy the Italian Renaissance
206
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes Nonfigurative disegno Art and the Emotions Artists and Their Friends: Artists' Lives and
Convention in the Italian of Italian Renaissance New Questions and Ideas Rights
Center Renaissance: Women
Level Two Construction,
207 Heuristics, and Theory
of the Object

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Forms of Awareness in Forms of Awareness in Translation, Code- Therapeutic Measures:
Convention
Early Modernity: Early Modernity: Shifting, and Literature as
Center
Consciousness, Consciousness, "Englishing" Early Treatment in Early
Level Two
Sentience, Personhood Sentience, Personhood Modern Literature Modern England
208
I II

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Shakespeare's Shakespeare, War, and Roundtable: Roundtable:
Center Influences and Ecology Shakespeare’s Death and Shakespeare’s Death
Level Two Intertexts Afterlife I and Afterlife II
210

376
Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p
Convention Ecological Sympathies Ecologies in Early Gender and Domestic The Jacobean Masque:
Center in Early Modern Modern English Performance in England: Resource,
Level Three Literature Drama Music, Dance, Masque Realignment, and
302 Realization

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Early Modern Europe Early Modern Europe Printed Images in Printed Images in
Center and Africa I and Africa II Cinquecento Florence I Cinquecento Florence
Level Three II
303

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Arendt and Early Reading the Early Roundtable: Princely The Book in Early
Center Modern England Modern through Poesy: Tudor Royal Modern England and
Level Three Auerbach’s “Figura” Writings Scotland
304

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
The Limits of Frames Exploring Hybridity Ovid's Metamorphoses in Beyond the
Convention
in Renaissance the Art of the Seventeenth Wanderjahr:
Center
Decorative Arts Century Microhistories of
Level Three
Artistic Travel in
305
Renaissance Europe
 Saturday (Cont’d.)
8:00am 9:00am 10:00am 11:00am 12:00pm 1:00pm 2:00pm 3:00pm 4:00pm 5:00pm 6:00pm 7:00pm

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes Architecture, Architecture, Roundtable: Reframing David Rosand in
Convention Urbanism, and the Urbanism, and the the Renaissance for the Venice: Honoring a
Center Arts in Honor of Arts in Honor of Twenty-First Century Legacy of Learning
Level Three Marvin Trachtenberg Marvin Trachtenberg
306 IV: Slow Art History V: Paradigms
Reconsidered

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Seafaring Structures I Seafaring Structures II Crafting the Orders in Pedagogy in the
Center the Fifteenth and Early Sixteenth and
Level Three Sixteenth Centuries: Seventeenth Centuries
308 Theory and Practice

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Broadside Ballads and Uncertain Sonnets: Constructing the Early Global Water and the
Convention
the Mediated Body Sequence and Its Modern Arctic Political: Mexico and
Center
Consequences in Paris, 1400–1700
Level Three
Sidney and

377
309
Shakespeare

Hynes 8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Convention Spenserian Spenserian Negotiating Power and The Reformation and
Center Emergencies I Emergencies II Desire in the Early Post-Reformation in
Level Three Modern English Court England: Suppressions
310 and Estrangements

10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Confronting the New Trends in Digital Digital Technologies
Convention
Literary, Historical, Scholarly Publishing and Renaissance
Center
and Architectural Music: Critical
Level Three
Heritage through the Editions, History of
311
Digital Humanities Style, and Analysis

8:30a - 10:00a 10:30a - 12:00p 1:30p - 3:00p 3:30p - 5:00p

Hynes
Converging Paths: Converging Paths: Converging Paths: Converging Paths:
Convention
Encounters between Encounters between Encounters between Art Encounters between
Center
Art and Science I: The Art and Science II: and Science III: Science Art and Science IV:
Level Three
Artist and Science Illustrating Science for Investigating Art Old and New Natural
313
Books Worlds
378
379
380
381
382
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PETRARCHISM AT CHARIOTS OF JOANNES

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the only biography of
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recommended.” Iberian peninsula archival sources, along
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Embassy of A King Travels war and witch burning
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 The Complete Plays
of Jean Racine
Volume 5: Britannicus
Jean Racine
Translated into English
rhymed couplets with criti-
cal notes and commentary
by Geoffrey Alan Argent
Geoffrey Alan Argent’s translation
faithfully conveys all the urgency
and keen psychological insight of
The Wanton Jesuit Racine’s dramas, and the coiled The Native
and the Wayward strength of his verse, while breath- Conquistador
Saint ing new vigor into the time-honored Alva Ixtlilxochitl’s Account
A Tale of Sex, Religion, and form of the “heroic” couplet. of the Conquest of New Spain
Politics in Eighteenth- 248 pages Edited and translated
Century France by Amber Brian, Bradley
Mita Choudhury Benton, and Pablo García
“Students of eighteenth-century Loaeza
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to the halls of Versailles and the Status, Power, and 152 pages | 4 illustrations/3 maps
Latin American Originals Series
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of Technology
The Improbable
The Rohan Family, 1550–1715
248 pages | 21 illustrations/2 maps Conquest
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historians and literary scholars the Rohan dynasty reach deeper —Noble David Cook,
alike.” —Charlotte E. Cooper, than the Rohan and their manag- Florida International University
French Studies ers knew.” —Orest Ranum, 144 pages | 3 illustrations/1 map
232 pages Johns Hopkins University Latin American Originals Series

264 pages | 13 illustrations/2 maps

 Vision and Its
Instruments
Art, Science, and Technology
in Early Modern Europe
Edited by Alina Payne
“An iridescent florilegium of
contemporary investigations into
the science of visual art and the
artful visuality of science.”
—Tristan Weddigen,
University of Zurich
Raphael’s Ostrich
Measuring Shadows 304 pages | 64 color/39 b&w illus.
Una Roman D’Elia
Kepler’s Optics of Invisibility
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eties about vision in Renaissance with its various meanings and
culture. This book is the first to implications, and deals with the
show why the Paralipomena was tension between naturalism and
important for Kepler, and how allegory, carrying us from ancient
it was a book of cultural signifi- Egypt and Israel through Greece
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narrowly defined technical issue.” From Giotto to High Renaissance, and beyond.”
—Sven Dupré, Botticelli —Paul Barolsky,
Institute for Art History, The Artistic Patronage of the University of Virginia
Freie Universität Berlin Humiliati in Florence 296 pages | 70 color/130 b&w illus.

264 pages | 12 illustrations Julia I. Miller and

Laurie Taylor-Mitchell Art, Ritual, and Civic
A Market for “Sumptuously illustrated, thor- Identity in Medieval
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Collecting Italian Renaissance written, this book convinces the
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Paintings in America reader of the critical importance
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Edited by Inge Reist of an order whose patronage was
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“[A Market for Merchant Princes] momentous for the history of art.”
Historical Association
will become an essential ref- —Diane Wolfthal,
308 pages | 61 color/149 b&w illus.
erence work for the history of Rice University
264 pages | 34 color/47 b&w/3 maps
collecting in this country.”
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168 pages | 38 color/13 b&w illus.
The Frick Collection Studies in the
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 NEW
FROM THE GETTY
The Adventures of Provenance
Gillion de Trazegnies An Alternative
Chivalry and Romance in History of Art
the Medieval East Edited by Gail Feigenbaum
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Zrinka Stahuljak The Getty Research Institute
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Discourse on Sacred
The Origins of and Profane Images
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Alois Riegl Introduction by Paolo Prodi
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The Graduate School of Arts and Sciences welcomes
The Renaissance Society of America
to Boston

on behalf of

The Tomasso Family Fund

Professor Vincent Pollina, Curator
Tufts University
The Center for the Humanities at Tufts (CHAT)
and the following departments,
offering graduate programs in related fields:

Art and Art History (M.A.)

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English (Ph.D.)
History (M.A. and Ph.D.)
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 From our Rethinking the Early Modern series

Architectural Violence and Grace Faithful Translators

Involutions Exceptional Life between Authorship, Gender, and
Writing, Staging, and Building Shakespeare and Modernity Religion in Early Modern
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How Do I Know Thee? The Body in Mystery

Theatrical and Narrative Cognition in The Political Theology of the Corpus
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EXPLORE RENAISSANCE and MEDIEVAL ART,
HISTORY, DRAMA, LITERATURE, and more—
from Chicago Journals
Renaissance Quarterly
Published on behalf of the Renaissance Society of America
ISSN: 0034-4338 | E-ISSN: 1935-0236

Renaissance Drama
ISSN: 0486-3739 | E-ISSN: 2164-3415

Modern Philology
ISSN: 0026-8232 | E-ISSN: 1545-6951

The Papers of the Bibliographical

Society of America
ISSN: 0006-128X | E-ISSN: 2377-6528

I Tatti: Studies in the

Italian Renaissance
ISSN: 0393-5949 | E-ISSN: 2037-6731

Gesta
ISSN: 0016-920X | E-ISSN: 2169-3099

NEW to CHICAGO in 2016:

Speculum
Published on behalf of the Medieval Academy of America
ISSN: 0038-7134 | E-ISSN: 2040-8072
Notes
Notes
 Photograph © 2016 Museum of Fine Arts, Boston. William K. Richardson Fund.

RSA 2016 Annual Meeting, Boston, 31 March–2 April

Annual Meeting
The Renaissance Society of America
31 March–2 April 2016
BOSTON

Photograph © 2016 Museum of Fine Arts, Boston. William K. Richardson Fund.