Doxiadis' Legacy of Urban Design: Adjusting and Amending The Modern
Doxiadis' Legacy of Urban Design: Adjusting and Amending The Modern
Doxiadis' Legacy of Urban Design: Adjusting and Amending The Modern
net/publication/271192283
Article in Ekistics; reviews on the problems and science of human settlements · January 2006
CITATIONS READS
0 2,046
1 author:
Ahmed Z. Khan
Université Libre de Bruxelles
195 PUBLICATIONS 191 CITATIONS
SEE PROFILE
Some of the authors of this publication are also working on these related projects:
SPINDUS. Spatial innovation, planning, design and user involvement View project
All content following this page was uploaded by Ahmed Z. Khan on 21 January 2015.
Ahmed-Zaib K. Mahsud
The author – after his graduation with a Bachelors Degree in Architecture partly due to the lack of appropriate language, tools and vocab-
and several years of practice in private sector firms in Islamabad and ulary to comprehend and deal with the “other” context besides
also with the Pakistan Public Works Department for projects of the fed- the disdain emerging out of the resultant environments of the
eral government of Pakistan, having completed several projects to his modernist projects based largely on CIAM’s influential Athens
credit and some ongoing in Islamabad and in other parts of Pakistan –
shifted to the University of Leuven, Belgium, where he completed a
Charter of 1933.
“Master of Architecture in Human Settlements” and is presently engaged The agenda of the 1950s-1960s urbanism is to replace the
in a Ph.D research on the “Critical Relationship Between Theory and hierarchy of functions (Athens Charter) with a more complex
Practice,” focusing on the application of C.A. Doxiadis’ theory in the mak- hierarchy of “human association” (Team X: 1953-1959),2 to deal
ing of the plan of Islamabad – “the Intention,” and its realization – “the with the issues of growth (the aesthetics of the number- A. Van
Effect” on the assumption that in essence the plan of Islamabad is the Eyck),3 change and mobility, and to comprehend the city in a
central construct and focus through which the knowledge between in- particular time and place, i.e. the issues of “plurality,” “locali-
tention and effect of this important planning episode of the 1950s-1960s ty”/“context” and the loss of the “vernacular.” The modern move-
can be unlocked. The text that follows is a slightly edited version of a ment in architecture is dying out in favor of the shift in several
paper presented at the International Symposion on “Globalization and
Local Identity,” organized jointly by the World Society for Ekistics and
directions. The internal critique is developing into a re-
the University of Shiga Prefecture in Hikone, Japan, 19-24 September, configurative apparatus of modernism largely owing to the
2005. members of Team X, the projects of the inter-war period of Ernst
May, and the post-war practices of Le Corbusier, J.-L. Sert,
Candilis-Josic-Woods, Doxiadis and several others. The agen-
da is trying to combine various elements and develop a new
paradigm; the formation of a new language, grammar and vo-
cabulary of urban design as how to design or deal with the “city”
and its problems in an architectural way.
The starting point of my Ph.D research is that there are links,
gaps and blind spots within this period (1950s-1960s) which lead
to the emergence of a new agenda of urbanism: on the one side,
re-invention and application of new tools and vocabulary; on the
other side, splitting the profession of architecture or the belief
that the city is an architectonic problem, both aiming at the re-
configuration of the modern movement which in turn lead the
mainstream modern movement in several other directions.
The subject of my Ph.D research is the plan for the city of
Introduction Islamabad (1959-1960) by C.A. Doxiadis (1913-1975). I believe
The mainstream modernist agenda of universalism in architec- that figures like Doxiadis and specifically his project of Islamabad
ture, formally developed and propagated through channels like (1959-1960) can act as a window and inform us more about the
the Congrès Internationaux d’Architecture Moderne (CIAM), its contemporary agenda of urbanism of that time and about the
charters and meetings since 1928 onwards, came under major transformation of modernist ideas about the “city.”
scrutiny at the turn of the 1950s by several voices within and The theme of this paper is based on an exploratory study and
outside the profession. The more popular and somewhat su- documentation of the urban design language used, its vocabu-
perficial grounds of the reaction towards the CIAM-led Modern lary, grammar and syntax in the making of the plan of Islamabad.
movement is lamented on the basis that it was universal, ster- I would like to argue that a specific kind of re-invention and re-
ile, uniform, ugly, inhuman, elitist, lacked meaning, and psycho- configuration of urban design vocabulary, grammar and tools
logical effects. The substance to this scrutiny and the develop- can be discerned in the plan which is geared towards flexibility
ing critique was partially, if not wholly, informed by the export and adaptability with the idea and aim to deal with issues of
and excursions of modern architecture and architects to the de- growth, change and mobility. I would also demonstrate Doxiadis’
veloping world – a context, being contested afresh, and begin- way of dealing with the element of “locality” and the “context,”
ning to come to terms with its post-colonial reality, often termed as a specific focus of this paper, in his rather less known, but
as “transition”1 in the popular discourse of that time. The critique, probably the largest realized architectural project – the “Punjab
though owing its origin largely to the inherent inconsistencies University” (1959), which also acted as a precursor to the urban
and internal contradictions within modernism, was reinforced design language used in the plan of Islamabad.
Fig. 1: Location of the site for the New Campus of Punjab University of Fig. 2: Key Plan showing parts of Punjab University.
the then Lahore (1959).
The overwhelming task presented by the project and the “in- The reasons cited for the growth and proposed location of the
tentions” (four-fold) to be translated in the “plan” are described new campus for Punjab University were: academic expansion,
by Doxiadis as, “The problem presented to Doxiadis Associates increased student enrolment, the allotted area became crammed,
by this highly cultural region with a deep-rooted tradition was the capacity to satisfy the academic requirements proved in-
one of the most complex ever handled by this office. The vari- sufficient and adjacent real-estate interests (next to the old cam-
ous tools, methods, processes and executive policies were to pus) which restricted expansion.7 The creation of the new cam-
be employed to create an operating pattern the dynamics of pus for Punjab University, partly, also had to do with the idea
which would cater to and satisfy: that Punjab University was the oldest and largest university in
a. a partial and progressive materialization of buildings and post-colonial Pakistan, but at the same time it was a British-
services; colonial establishment, and through the new campus project the
b. the transformation of traditional skills and experiences (as university/academia wanted to celebrate independence in the
in construction) into contemporary techniques; form of re-incarnation of the university. There is a “duality” with-
• the second one zoned as a “Staff residential area” and sepa- canal axis, described by Doxiadis as, “Into the aforementioned
rated into five housing categories with two small facilities and plan fits the student body, whose circulation is directed along a
one big central facility (shops/market). central axis provided by the main covered walkway that forms
• the third one as the “student hostels” part flanked on two sides the spine of the complex. All movement perpendicular to this
by the standardised and repeated dormitory blocks, with sports- axis leads directly to the various departments which in turn are
and playgrounds, and the students’ union and administrative interconnected. Thus all pedestrian traffic is defined, channeled
buildings at the centre of this zone. and unified.”12 The formation of the external vehicular access
The three zones are separately placed together on the site, with structure is attributed to the exclusion of the car from the interi-
three distinct functions/programs assigned to each and articu- or of the complex and is diagrammatically illustrated and de-
lated into a framework that would allow independent projects, scribed as, “Cars are excluded from the interior of the complex,
as funds became available, to develop in an evolutionary and and access is restricted to the fringe of the built-up area. Sec-
additive way10 in the form of a clear and complete plan. ondaries from the main vehicular road, at a certain distance from
The general composition of the plan is articulated by two ma- the buildings, channel traffic to this perimeter from where the
jor orthogonal axes; the “direction of addition” and the “direction pedestrian enters the building complex on foot. Non-interference
of expansion,” established as the main structuring feature, the and segregation of the human and machine circulation and their
crossing point of which forms the centre of the new (university) respective scales are therefore maintained.”13
town (fig. 4). The first axis is in a NE-SW direction following the In the name of separating pedestrian and vehicular movement,
Bari Doab Canal and the second axis is perpendicular to it. the plan acquires an “interior” (centrality) with pedestrian move-
• The first axis, with explicit configuration, structures the whole ment and an “exterior” with machine circulation (fig. 5). The in-
“academic complex” and also establishes its direction of growth, terior is along the canal, where the human scale and the public
as well as acting as a mediating element between the aca- place are celebrated, culminating at the central square of the
demic complex and the student hostels. academic complex connected through four bridges to the square
• The second axis, the configuration of which is somewhat im- of the students’ union building. This square acquires the cen-
plicit, connects the student hostels area through the academ- trality of the whole new university town by virtue of the pro-
ic complex and the centre to the staff residential area. The grammatic variety assigned and the spatial quality attributed to
second axis accommodates the “addition” of individual de- buildings located on this square. The Central mosque (cathe-
partments, thus the expansion of the whole through the first dral), the central library (bibliothek), the monument (tower), the
axis and the “addition” of parts through the second axis are giv- square, the central administration office (city hall) and the stu-
en two separate directions. dents union building all surround this square, generating activ-
Doxiadis terms this articulation as the general planning theory ities that makes it the central public place/centre of the univer-
for Punjab University and explains this in the diagrammatically sity, in an asymmetrical composition with the canal flowing
illustrated sketch as, “a multi-phased development along the lon- through it. The character and memory associated with the canal
gitudinal axis parallel to the canal and is called “Direction of ad- by Doxiadis was that of “extraordinary beauty,” which he tries to
dition.” Each new academic department being built is added to evoke and preserve in the design by creating the central square
the existing complex, directly united to it and developed along and the pedestrian axis along with it, as he described the canal
this axis. Individual department blocks will later be expanded as, “When one reaches the point where Ferozephure (pur)
along the transverse axes of “Direction of expansion.” This ex- Avenue crosses the canal and looks southwest (the site), one
pansion, conditional and local, does not interfere with the longi- will see large groups of children bathing in the waters of the Bari
tudinal development.”11 Doab canal which recedes into perspective under the foliage of
The articulation of the structure is further attributed to the sep- trees. The scene is one of extraordinary beauty. A pathway on
aration of “human- machine” movement and scale. The linear the right hand side and an unpaved road on the other follow the
covered walkway forms the spine of the internal pedestrian water course through dense vegetation.”14 This character of the
movement within the academic complex and is parallel to the dense vegetation has been preserved by developing an espla-
nade on both sides of the canal, which mediates between the which were not only the requirements of the university (devel-
extra-ordinary (the academic complex) and the ordinary (the stu- opment of the whole complex over a period of time as funds be-
dent housing). came available), but were the major factors of comprehensive
The exterior of the university complex is marked by the sur- planning in the 1960s1 (Eliel Saarinen, 1965) and also issues of vi-
rounding green (fig. 6), delineated by the vehicular access all tal importance for Doxiadis as well. Doxiadis attributes the ar-
around it with one primary vehicular access (with secondaries chitectural language and pattern employed in the plan to the
forming cul-de-sacs in front of the departments) separating the “growth” and “circulation” factors such as, “The principles of
academic complex and the staff residential area. The surround- these factors, successfully translated into architectural planning
ing green is in memory of the countryside surrounding a city in language form the starting point of an adroit approach. These
the past, and the facade-less vehicular access is to maintain the aspects found their solution in the operating geometry of the pat-
appropriate scale of machine circulation. The interior of the com- tern employed.”15 The coherence of the form in the pattern em-
plex is adorned with finely grained courts and patios partly re- ployed is achieved by repeating a set of architectural vocabu-
sponding to the local climatic concerns as well as articulating lary which includes: a standard size and shape of column and
the in-between spaces of the buildings with a variety of spatial arcade (pedestrian circulation), single to triple height building
effects. volumes with a standard width, standard size and pattern of
The form of the whole complex shows two major aspects; the jalis/grills of covered walkways/bridges and staircases, standard
dynamics of “growth” and the mechanism of “circulation” (fig. 4), size and pattern of doors/windows/ventilators, the standard
rary architect is faced with diverse challenges and his technical Punjab University town as the (re)invention of a pattern in which
ability must be utilized to cope with these variants of nature and contradictory elements are combined and has the ability to trans-
create within the buildings appropriate climatic and light condi- form them into a unified expression. The ability of the pattern to
tions for the metabolism and physiological build-up of man.”21 transform contradictory elements is something that is evident in
Doxiadis takes these local conditions and confronts them with the cities of the past, for example Taxila, leading Doxiadis to the
the universal/ideal for man’s well-being, showing his tendency basis of his design concept as, “The design concept for the cre-
towards inventing a (hybrid) pattern in the plan where extremes ation of this modern university complex is based on the same
of the local conditions are dealt with in a universalistic manner. functional rules that governed planning in the past.”23 The jux-
“These aspects were studied in their absolute and abstract val- taposition of palace over the city in the plan of the academic
ues and were placed against the conditions which had to be complex is iterated by Doxiadis as “functional rule(s)” of the past.
ideal for man’s well-being. Half-way between the extremes we This iteration is guiding the interlocking of various departments
had to invent the operating pattern where the contradictory ele- into a “cohesive” and “continuous” pattern, which Doxiadis legit-
ments would eventually be transformed to become part of the imizes through the analogy of the ancient plan of Taxila and the
architectural expression.”22 palaces of the Mughal period Lahore (fig. 8) as, “The mechanism
The study of the site in the context of the city (Lahore) and its of planning the various departments and integrating them into
broader region makes Doxiadis consider the new plan for the a cohesive and continuous pattern was analogous to the plan
Fig. 8: The Extrovert Synthesis: Global conception with local expression – Taxila (upper left), Lahore Fort (upper right) and the Layout plan of the
Academic Complex of Punjab University at the bottom.
the tip of the triangle, where the main axis (spine) of the town and a representative of the ideology of Pakistan, were some of
terminates, which parallels the hill range, whereas the city can the major factors for the conception of the new federal capital
grow infinitely towards the west along its east-west axis, pro- city. The plan is that middle ground where these hybrid inten-
vided by one of the main highways. The city is divided into dis- tions and choices are translated into form and expression for re-
tinct administrative, public, diplomatic, residential, commercial, alization (fig. 14).
institutional and industrial zones. According to a rigorous func- The old and the new city - the military and the state capital,
tional hierarchy, the city is composed of square sectors with an both of these elements, Rawalpindi and Islamabad – are placed
area of approximately 324 ha, and an average gross density of side by side as a two-foci dynapolis (one for each city) and jux-
around 100 persons per ha. Each sector was supposed to be- taposed by a third element of the “park.” The “surrounding green”
come a self-contained community with its own centre, when the is in the form of the Margallah Hills, Simly, Rawal and Loi-bher
city would become large. These sectors are further divided in- dams and the Soan river surrounding the city from North-East-
to sub-sectors. The sectors designated by letters and numbers South and is open only towards the South-west for expansion.
in checkerboard fashion, with letters of the alphabet for vertical This scheme was presented as the master plan for the metropoli-
strips (North – South) like E, F, G, H, I (from A-F in total), etc. tan area for a future population of about 2,500,000 inhabitants
from the hill downwards and numerals for the horizontal strips within a period of two generations. The separation of the three
(east-west) from 1, 2, 3 to infinity. Thus the “G” strip of sectors elements (Islamabad, Rawalpindi and the park) are marked by
would be divided into G-1, G-2, G-3, G-4, G-5, G-6 and F-1, F- the two main axes: the “Murree highway” and the “Islamabad
2, etc. highway,” perpendicular to each other; secondly the expansion
The idea of urbanity that Doxiadis had in mind (Dynamic of the city is established towards a south-west direction because
growth with synthesis of human and mechanical scales), the lo- of the limitations imposed by the surrounding landscape of hills,
cal settings of the landscape (foot of Margallah Hills, the Pothwar lakes, rivers and the city of Rawalpindi; and thirdly the division
plateau and the city of Rawalpindi), the geo-political context and of the whole metropolitan area into sectors of 2 x 2 km forms a
the regime/client’s brief (modern, progressive but should also specific pattern of highways within the city. These three inter-
express the link to tradition) for representing the national culture ventions for the articulation of form precisely follow the three
Fig. 15: Model of the central part of Islamabad consisting of the capital area (right center) and the first two sectors-moduli, community class V (Sector
G-6 lower and Sector F-6 upper left) and the Blue Area (CBD) along the central spine. (Source: C.A. Doxiadis, “Islamabad,” Town Planning Review,
vol. 36, April 1965).
The architectural type for the CBD or called “Blue Area” (figs. rhythm but not in symmetry, as Doxiadis tried to correspond to the
15 and 17), representing the dynamic part, is forming a contin- “reality” (the last sentence of the above quote).
uous, linear, pattern of blocks (4-8 storeys) with a variety of en- Doxiadis’ acquaintance with the group form design is also rec-
closed courts and open spaces, which is similar to the “academic ognized by the celebrated S. Giedion, “the Greek city planner
complex” of Punjab University, but with more open texture, thick- Doxiadis made an early attempt to establish the distribution of
er grain and lesser ground floor continuous connections. The building masses according to a system of polar coordinates, so
architectural space that shapes this type is not organized by that .....they are optically evenly distributed …”67
streets or paths, but by a system of open spaces, enclosed The group form of the CBD represents not only the even dis-
squares, open squares, half open and half enclosed, rectilinear tribution of space-continuity, but also represents a dynamic or-
and so on, and whereas the width of the block remains the same. der. This dynamic order can be discerned by comparing the dif-
The width of the block does not stop, running through the space, ference of the total volume of the group form of the second sec-
articulating it into a uniform rhythm of solids and voids, and in tor (which is wider) with the first sector (where it begins and is
many ways dealing with the open landscape. This uniformity of narrower). The transition of group form from one sector to the
the rhythm makes the whole of the CBD area as one single ar- next is a very critical issue, i.e. the issue of “growth,” which is al-
chitectonic object, which is continuous and growing and this is so represented by the increase in width and the volume of group
the quality that Doxiadis attributes to an ‘extrovert’ synthesis, i.e. form structure in the second sector. This increase, when worked
a form capable of expansion by repeating similar elements in a out, turned out to be a “golden section” ratio, i.e. 1.618.68 In oth-
synthesis and not “introvert” – which is complete in itself and is er words, Doxiadis deals with the issue of growth, by means of
not capable of expansion. However, it seems like a mega struc- the classical notion of the golden section ratio, while translating
ture, but it does not create monotony or symmetry; rather, it cre- it in the plan.
ates variety. The variety is within comprehension and is articu- The way Doxiadis organizes the architectural space of the
lated with precision and clarity as the concept and ability to ar- residential areas or the sector, considering the hierarchy of
ticulate space through such a structure is known to Doxiadis long functions and the sixteen parts theoretical division, is not like C.
ago. Describing the principles of group forms in ancient Greece, Alexander’s “city is like a tree,” but interconnecting with sub-
“One finds in every grouping that a building comes into view at sectors and overlapping with natural level (ravines – fig. 16).
the point where the view of another building ends. Precision and The orientation of streets and plots follows the East-West
clarity were all-important elements in the formation of space … (Margalla Axis) and North-South (Islamabad Axis) direction in
sizes of building and the spaces in which they stand appear to conformity with the direction of the main axis and the formal grid,
man’s eye in simple ratios such as 1:2, 1:2:1, 2:1:2, 1:1:1, but at the same time, keeping the orientation of some sub-
2:3:2:3. The total mass of each structure was calculated and its sectors towards the next (neighbouring) sector, creates an am-
effect determined … appear to form symmetry, which did not bivalence, which accords the existence of the informal eco-grid
exist in reality.”66 The layout of CBD architecture in the plan rep- (the grid created by the organic structure of ravines) as well as
resents the same polar co-ordinates system with simple ratios the continuous repetition of the sectors over the entire urban
of 1:2, 1:2:1, 2:1:2, and so on, which represents the uniform area. The tree becomes more interesting and more complicat-
ed; something more than hierarchy – hybrid, using the diagonal This point of attached housing is also in conformity with the dis-
(ravines mostly running diagonally through the sectors) through course as he considers it as an obligation to the landscape, “If
landscape as an ordering element; a collector of extraordinary we cannot do otherwise than have detached houses, then the
things within an ordinary environment. Orientation and geom- obligation to landscape by using the system which has detached
etry, a precise system of sizes; a very regular organization but houses will work against the City’s scale. It will not merely dis-
not leading to a stereotypical rigid grid, but a variety, that is, at rupt it but will destroy it … In the past, the space was enclosed
the same time fitting within the grid and also not stereo-typical by walls. It was thus specific and positive. Now space is quite
formulation. often lost like a fluid between buildings … large plot width does
The architectural type for the sector, representing the static not allow for the formation of a continuous mass of buildings, but
part, is rows of attached housing. There are hardly any detached forces us to create detached buildings. In such cases the whole
houses. The rows of attached houses help to shape the space of continuity of built-up and open space is lost … positive space
of the street as well as of the built space. It does not let the or enclosed space, we have to keep in mind that this is valid both
space be lost, but rather framed and defined by its boundaries. for private (court-yards, gardens, etc.) and public (roads, squares
nation state with its apparatus in the form of an administrative of the city of the future, rationally organized; it affords every in-
complex at the tip of the East-West axis, and the location of dividual and family the optimal setting for self-realization.
grand mosque as a symbolic representation of the religion at the “Dystopia and Eutopia are the malign and benign faces of his
tip of the North-South axis (figs. 19 and 20), translates the ide- theory. Of Ekistics’ many percepts, this one is crucial: Cities can
ological duality of the state in the plan. grow to indefinite size so long as that growth respects the hu-
man being, obedient to the Aristotelian tenet that the sole rea-
son for a city’s existence is to satisfy man’s need for safety and
Conclusion happiness. Thus for all its colossal proportions, the city of the
The theory and practice of Doxiadis attempts to mimic the fig- future, ekistically designed, will yield the humaneness and con-
ure of “Hippodamos,” according to Aristotle – a man able to com- tentment of the ancient Greek settlements, an era when skies
prehend the experience of his era and express it in the cities he were clear, water pure, and the size of cities scaled to the pedes-
designed (DOXIADIS, 1968, p. 14). The conception of the four- trian’s pace, a leisured tempo permitting one to cultivate the arts
dimensional city (Dynapolis) and the construction of it with an and mind, with unhurried time for family and friends.”76
“extrovert” synthesis of architecture is the outcome of Doxiadis’ The problem is not the analysis of Doxiadis rather, the visual
comprehension of his era that he attributes to his analysis of the displays of historical facts, however, were clearer than the con-
urban organization from antiquity to the present. His analysis clusions they led to.77 The problematic part is his convictions
are based on a plagiarized interpretation of the structure and and prophecies. For example, his conviction of squaring the cir-
function of cities, of their spatial configurations and activities and cle, echoing the Dutch painter Piet Mondrian, that, “What we
how and why they came to be what they are. The interpretation shall look forward to is the construction of large buildings and
has universal applications, both in time and space. It embraces colossal parts of our cities on the basis of the repetition of the
the thinly distributed and static cities of archaic eras, the thick horizontal and the vertical.”78 Similarly his prophetic tone re-
profusion of super-sized and growing cities of the modern age, garding the evolution of architecture as, “I have learned to be
and the ultimate city of the future – the Ecumenopolis.75 able to visit not only other areas but other times as well. I have
The core of Doxiadis’ theory dwells in a global dystopia – an been able to turn back the clock of my mind 3,000 years in the
urban hell, which was based on the rapid population growth, so- swamps of Iraq, thousands of years in the delta of Bengal, many
cialization, mechanization of transport, industrialization and mod- thousands of years with the Nomads of the desert, and centuries
ern technology, urbanization and economic development. with the settlers of Australia and America. I have been enabled
Ekistics’ heaven is the co-existence of all these forces in the form to see how people live and to understand their problems. I have
thus learned to see the evolution of architecture.”79 What an- columns in colonnades/arcades, modular rooms, Jalis/screens,
noys most people is that Doxiadis, in his spell binding of poten- and restores the relationship with ground by providing a dense
tial supporters, does not give credit to the ideas of pioneers in mesh of courts, etc. The repetition provides the framework, both
the field and cite examples of their work as precedents for his conceptual and spatial, for different possibilities of inhabitation.
own.80 This is also one of the reasons that have obscured the Framework replaces form and inhabitation replaces function as
original contribution of Doxiadis to our field. the guiding concepts of this 1960s rift within high modernism.82
The analysis of the two projects (Punjab University and I do not want to imply that the genesis of this typological inno-
Islamabad) attempts to show the (re)invention of an architec- vation was happening in isolation only in the works of Doxiadis.
tural typology based on what Doxiadis calls an “extrovert” syn- The predecessors whose work led to the emergence of this ty-
thesis, which is capable of expansion while preserving the hu- pology, just to name a few, were Bernard Pite (English Mission
man scale, adaptable to a range of programmes and contexts, Hospital, 1893-1896), Le Corbusier (University city for students,
flexible in articulation and guarantees cohesion and homo- project 1925, “Fort L’Empereur” project Algiers, 1931-1934, the
geneity of form. The example of the successful implementation extendible museum, 1939 and La Sainte-Baume, 1948), Louis
of such a typology is the “academic complex” of Punjab univer- Kahn (Philadelphia, proposal for change within existing urban
sity, whereas Islamabad offers us its application at the scale of structure, 1956), J. Bakema (Lijn ban, Rotterdam, 1956), Aldo
the city or rather a region in the form of the CBD. The academ- Van Eyck (Children’s Home in Amsterdam, 1957-1960), etc.
ic complex is a horizontal multi-courtyard plan allowing for fu- There were also contemporary architects with Doxiadis as well,
ture programmatic changes while evoking Pakistani vernacular such as Kenzo Tange (Tokyo Bay Plan, 1960), A. Isozaki (Spatial
architecture; whereas the articulation of CBD typology offers us Structure, 1960), Piet Blom (Noah’s Ark project for the urban-
an opening to urbanism and its large scale and multi-speed ization of the Netherlands), etc. who were working with the same
movement, programmatic complexity, giving space to the active typology.
unfolding of urban life without losing order, and to landscape and The extrovert synthesis was developed throughout the 1960s
its surface and temporal qualities.81 by several other architects such as Candilis-Josic-Woods
The extrovert synthesis articulates the building as a flexible (Toulouse-le-Mirail, 1961-1974, Frankfurt/M urban renewal pro-
framework rather than a rigid container. The building type in- ject and the free university Berlin, 1963-1973) and crystallized
troduced by Doxiadis in an “academic complex” and the “CBD” by Le Corbusier’s project of Venice Hospital of 1964 and
area is low-rise and high density, homogenous in its layout; it reached its prominence in the works of H. Hertzberger in the
consists of a systematic repetition of simple elements such as 1970s, where it was re-formulated as “Poly-Valent form.” In