Grifpa 1 PDF
Grifpa 1 PDF
Grifpa 1 PDF
FILIPINO PHILOSOPHY:
A WESTERN TRADITION IN AN EASTERN SETTING 1
Rolando M. Gripaldo, Ph.D. 2
INTRODUCTION
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ENLIGTENMENT IDEAS
FILIPINO ENLIGHTENMENT
The alt ernat ive to a failed struggle for reforms in Spain, according to
Rizal, is to work on the consciousness of the people in the nat ive land itself.
He wrote Marcelo H. del Pilar, the editor of the Filipino mouthpiece in Spain,
La solidaridad, that he knew now the so lutio n to the ills of the country: it is
through intelligence, through reason, that the Filipino people should work
with. Their consciousness should be freed from fanat icism, docilit y,
inferiorit y, and hopelessness. Since nothing can be gained fro m formal
educat ion, which the Spanish friars controlled, Rizal thought that an informal
organizat ion, La Liga Filipina, should do the job o f enlightening the minds of
the people. Its goals were to unite the ent ire archipelago, develop agriculture
and commerce, mutual protection in t imes o f danger and need, defense
against vio lence and injust ice, and development of genuine educat ion.
Rizal believed in the human capabilit y to solve human problems. Human
potent ialit ies can be realized to the full except that in certain instances, there
are hindrances. The greatest hindrance in the Philippine situat ion was
Spanish co lo nizat ion. It is important to work within such a colo nial situat io n
in what is now known in contemporary po lit ical thought as the development
of a civil societ y. A civil society (McLean 2001) lies between the family and
the state, and it attempts to fulfill needs o f a communit y wit h or without the
help of the state through so lidarit y (unity in purpose) and subsidiarit y
(cooperation to accomplish basic co mmunit y goals). Religiously, Rizal
believed in agnost ic deism (see Gripaldo 2009a,33-56), the view that God
created the universe wit h its laws, never to interfere wit h it again. We know
God, according to Rizal, both through nature (the hard deism o f Vo ltaire) and
our conscience (the soft deism o f Rousseau), but we do not know exact ly
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what his attributes are. Human problems are irrat ional human creat ions and
can be so lved though rat ional solut ions. If reason co mmit s mistakes, only
reason can correct them.
A revolut ion to succeed must have military leaders, sufficient funding,
sufficient arms and ammunit io n, sufficient numbers, and a proper polit ical
orientat ion. Otherwise, it will o nly be a massacre and innocent lives, wo men,
and children will perish in t he struggle. Rizal prefers first the people’s
experience in human basic freedoms or in basic democrat ic rights before the
grant of independence. A nat ion can be independent without being free or
free wit hout being independent. He once said: “What is the use o f
independence if the slaves o f today will be the t yrants of tomorrow?” He was
well aware of some independent states of Lat in America, which remained
despotic despite having gained independence fro m their co lonizers t hrough
bloody means.
Falsely accused of fo ment ing the 1896 Philippine Revo lut io n, Rizal was
eventually executed in Bagumbayan in December 1896. While in prison in
Fort Santiago, he learned about the successes o f the revo lut ion in nearby
Cavite province. In a desperate situat ion where the revo lut ion he originally
spurned was succeeding in certain parts of the nat ion, Rizal could only hope
for its success, and in his last poem, Mi ultimo adios, he appeared to support
it: “I see t ints in the sky begin to show / And at last announce the day” and
“Pray too [Fatherland] that you may see your own redempt ion.”
Bonifacio is the founder of the revo lut ionary societ y, Katipunan. When
Spanish authorit ies discovered it, it ably recruited so me 30,000 members in a
period of approximately six mo nths. Three days after the founding of La Liga
Filipina, Rizal was banished to Dapitan in Mindanao, the southern part of the
Philippines. Bonifacio, a member of the Liga, thought that was the end o f the
line and founded the Katipunan.
Bonifacio’s philosophy of revolut ion was published in the revolut ionar y
newspaper, Kalayaan (literally, “Freedo m”). Agoncillo (1956,12) attributed
the phenomenal increase of Katipunan membership to the disseminat ion o f
the revolut ionary ideas in Kalayaan as the “power of the written word.”
Making use of the Enlightenment idea of a contract, Bonifacio (1963)
transformed the blood compact between the Spanish explorer, Miguel Lopez
de Legazpi, and Sikatuna, the chieftain o f the island of Boho l, in central
Philippines, as a kinship contract. The blo od compact, Sanduguan, consisted
in mixing in a vessel drops of blood taken from the wrists of at least two
individuals and drank by both o f them. It signifies the union o f the two as
blood brothers. It means a contractual agreement o f helping each other in
their needs and development.
While the social contract to set up a government by the people is based
on societal needs to provide them securit y in their lives and properties, the
blood contract refers to kinship t ies and is more basic than the societal
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contract. A betrayal of the blood contract has depth in significance in that it
is a betrayal of a brother against another brother.
A revo lut ion or war is just ified, according to Bonifacio, when there is a
breach o f contract. The nat ives of the Philippine archipelago were
econo mically prosperous, free, and happy prior to Spanish colonizat ion. It
was—in a relat ive sense—a paradise. While the nat ives did their part of the
contract—by building Spanish ships, manning them, fight ing their wars, and
constructing their forts and churches—t he Spaniards failed miserably on t heir
part of the contract. They transformed the nat ives into docile religious
fanat ics and debased them—wit hout human and polit ical rights. They
exploited the nat ives t hrough forced labor and through buying nat ive
products at low government prices. They paraded their riches while the
nat ives wallowed in abject poverty. Only few nat ives benefited fro m the
colonizers’ greed. For Bonifacio, such a breach o f contract required a violent
upheaval. A revolut ion was just ified to restore the lost paradise.
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intervene in the revolut ionary situat ion o f the Philippines. What began as an
American friendly intervent ion in the Philippine revolut ion against Spain
turned into the suspicion by Filipino leaders that America, under the
Republicans, had no intent ion o f leaving the country. A misunderstanding o f
a military command to halt by an American sentry led to the shooting of three
Filipino revolut ionists, and the incident became the American excuse for
waging a war against the Filipinos. As expected in this Philippine-American
War, after leaving behind several thousand American so ldiers and Filip ino s
dead or wounded, 6 the Filipino military eventually succumbed to American
superior military might.
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nowhere in sight. The Republican administration that succeeded President
Wilson nixed the independence issue. This incident led to the split between
Osmeña and Quezon whom the latter won. As head now of the Part y and the
Philippine Congress, Quezon began t he second strand o f his po lit ical
philosophy: the preparation for an eventual Philippine independence.
A new round of peaceful struggle for independence in the U.S. Congress
led to the passage of the Hare-Hawes Cutting Act creat ing the Philippine
Commonwealt h in 1935 and making the Philippines independent in 1945, but
the Philippine Congress rejected it. Quezon wanted the military provisio n
therein that leaves to the U.S. President the decisio n to retain or not the U.S.
military bases and installat ions in the Philippines revised. President Franklin
D. Roosevelt later acceded and t his led to the passage of the Tydings-
McDuffie Act. The Philippines would decide after independence whether to
retain or not the American bases in the country. 7
Elected as the Co mmonwealt h president in 1935, Quezon now buttressed
his po lit ical ideas wit h some educat ional and social thought. He believed in
Social Darwinism—that governments are products of polit ical struggles for
survival. He viewed polit ical part ies as necessary only when they have
compet ing plat forms of government because the part isanship is clear-cut. But
he opposed po lit ical part ies whose programs of government are not different
fro m the part y in power but whose existence is premised simply in crit icizing
the government in order to grab power. If polit ical part ies have no dist inct ive
polit ical programs, then a partyless democracy may be necessary.
He supported the American democrat izat ion o f educat ion for all social
classes by constructing more classrooms and hiring more teachers, and by
guaranteeing free public educat ion fro m the elementary to high schoo l. He
believed in the development of a nat ional language that would be spoken by
all. He also believed that the aims of education must be good cit izenship and
preparat ion for livelihood; that the foremost duty of the cit izen in t imes o f
peace is to pay his taxes and in t imes of war, to fight for the survival o f the
nat ion. He envisio ned a government wit h distribut ive just ice, which means
that the bourgeois desire for wealt h must be tempered by the social
ameliorat ion of the working class through government intervent ion in terms
of legal measures and econo mic regulat ions whenever necessary. He honest ly
sought a code o f et hics to strengthen the character not only o f cit izens but
also of government emplo yees.
He believed in just ice for all, a social just ice that would allow the
working class to receive decent compensatio n to enjoy culture and leisure.
His social just ice program included higher wages, credit facilit ies that would
allo w the Filipino s the opportunit y to earn a decent livelihood, and the
protection of the rights of women and the poor, amo ng others. He believed
that inequit y of the distribut ion of wealt h amo ng nat ions should be corrected
so that every nat ion was permitted to have equal access to essent ial raw
materials, which certain countries had mo nopo lized, and world trade—
controlled by few nat ions—would be allowed to take its natural course.
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Knowing that such a new world economic order was not yet forthcoming, he
advised the youth to prepare for nat ional defense.
A nat ional defense for the Philippines during the Commo nwealt h Period
would assume a defensive nature under the umbrella o f the milit ary might o f
the United States, which would assume the offensive stature. Quezon thought
that a country would invade another country only for econo mic gain so he
envisioned to train some twelve divisions o f so ldiers, which would make it so
costly for an invader to undertake in terms of human and material resources.
At the time, Quezon developed a defensive air force and also a skeletal
defensive navy. He believed t hat even after independence in 1946 the
defensive nature of the Philippine military must be maintained and
strengthened. A military treaty wit h the United States could be obtained to
guarantee the external securit y of the country.
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Republic. Aft er the war, Laurel while in Sugamo priso n in Japan wrote his
memo irs and some of his moral and polit ical ideas.
Laurel believed that the love-hate relat ionship necessitates so me rules o f
ethical behavior for individuals in the form of laws, customs, and tradit ions,
and for nat ions, in the form o f treaties and execut ive agreements. The law
different iates between what is legally good or evil and between what is
legally just or unjust. The people’s support of their government would ideally
entail their protection from injust ice. Abo lish laws and everyt hing would fall
into confusion.
The law is the boundary between the government prerogat ive and the
people’s libert y. If the government prerogative prevails over t he people’s
libert y, then t yranny reigns while if the people’s libert y prevails over the
government prerogative, then anarchy emerges. The required balance between
libert y and authorit y should be achieved through the educat ion and discipline
of the cit izenry, including those who are running the government.
Democracy means the representative t ype of republicanism where the
people are considered sovereign. The people do not direct ly govern but
delegate their power through their representatives. The state exist s for the
individual and the funct ions of government are to provide t he people wit h
livelihood and healt h, social just ice, free educat ion up to a certain level, and
econo mic opportunit y.
Human rights cannot be guaranteed unless the cit izens first do their
obligat ions towards the state by honest ly paying their taxes, obeying t he laws
and regulat ions, sincerely performing the duties of professionals and public
servants, and not tolerat ing the infringement of laws by others. Laurel
believed that good governance is founded on righteousness and foreign
relat ions must be based on full reciprocal rights and privileges between and
amo ng nat ions.
Laurel’s main funct ion as president of the Japanese-sponsored republic
was to cushion the impact of hunger and Japanese atrocit ies o n the Filipino
people. He provided rolling kitchens to feed the people, and surrept it iously
supported the guerilla struggles against the Japanese forces. When the
Japanese Imperial Army to ld him to conscript Filipinos to fight the war
against the Americans, Laurel politely refused. Agoncillo (1965, 378) cites
an elderly man who said that Laurel did his job well as president of the
republic. Not everyone should be in t he mountains to fight as a guerilla.
Someo ne should stay in government to minimize the hardships experienced
by the people during the war.
POST-COLONIAL PERIOD
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wanted the Filipinos to cut their umbilical cord, so to speak, fro m their
colonial past, that is, get rid of their colo nial hangover. For lack o f space, I
will only discuss the nat ionalist philosophy of Renato Constant ino.
Constant ino (1966, 1970, 1978, and 1979) argued that Filipino colonial
experience has developed a captive consciousness in that it was shaped and
tailored to the needs of the co lonizers. It is a co lonial co nsciousness—a
consciousness of inferiorit y or an indiscriminat ing attitude to favor foreign
products in all sorts of things (foreign academic degrees, imported consumer
products, foreign designs, etc.) against local ones. An effect of this t ype o f
consciousness is crab mentalit y or the tendency—as crabs do in a basket—for
those on top of the hierarchy to push those down below while those below to
pull down those up above, and the net effect of this tendency is that there is a
very slow progress to go up for all o f them. What is needed is a counter-
consciousness in terms of nat ionalism.
Nat ionalism is defined as an expressio n of realit y t hat “we have a
country of our own, which must be kept our own.” Its economic expression is
industrializat ion wit h the desire to conscio usly “control the management o f
[its own] resources.” Aid and cooperation of its techno logically more
advanced sister-nat ions may be accepted, but it must insist on “full control o f
it s economic dest iny.” Its political expression is independence or the
“freedom to plan and work out Filipino nat ional goals wit hout outside
interference wit h t he nat ional interest in mind. And it s cultural expression is
the development of a culture rooted in Filipino heritage and, though
admitt ing of foreign influences, “retains its dist inct and separate ident it y.”
The neoco lonial status is one where foreign corporations control the
nat ional economy while the government implements mendicant po licies based
on mistaken priorit ies that benefit not the majorit y o f the people whose
econo mic status of povert y remain untouched but the transnat ionals and the
Filipino middle and upper classes. Instead o f pursuing a well-planned
industrializat ion [or superindustrializat ion] strategy, go vernment priorit ies
relied heavily o n (i) export-oriented industries that primarily import their raw
materials, (ii) export-oriented agricultural crops that eat up fift y-five percent
of arable lands, (iii) the tourism industry which develops resorts and hotels
that are most ly affordable only to foreign tourists and a few Filipino s, and
(iv) the export of manpower.
Constant ino’s econo mic nat io nalist alternat ive is an ideology o f
econo mic liberat ion which is (a) mass-oriented and (b) ant i-imperialist. He
suggested a “bottom-up” econo mic approach (rather than a “trickle-down”
approach), which will organically connect the people’s productivit y and
freedo m from economic deprivat ion by invest ment in industrial growth to
serve the growing needs o f the populat ion. This means the setting up o f
people’s cooperatives. The goal is a social and just distribut ion o f the
nat ional product, and exports should play a subordinate role to the production
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for local basic needs. Income from exports must be devoted to capital build-
up. This economic alternat ive, for Constant ino, must be buttressed wit h a
nat ionalist educat ion (consist ing, among others, of advocat ing an
internat ionalism based o n a firm nat ionalism for the people to know what to
culturally assimilate beneficially) and a nat io nalist ethics that includes a
modified Sartrean injunct ion that when o ne makes a nationalist choice, he or
she chooses not for himself or herself alone but for the ent ire nat ion as well.
Alt hough we cannot erase the co lonial past, we can make it obsolete in
our minds or make use of some aspects of it as we transcend the colonial
hangover. For lack of space, I will discuss the ideas of only four Filipino
philosophers who believed this can be done in certain areas, if not in all, o f
philosophy.
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so mething authent ic; must create a novel mode of art ist ic expressio n in the
present which must essent ially be dynamically pro ject ive. It is important for
the art ist to create, not to imitate or repeat the past styles, but to explore the
possibilit ies of the future.
For Embuscado, the infinite variat io ns of two opposing forces—beaut y
and misery—excited him. This nervous excitement is not only the ult imate
form of art to him, but a “cont inuous act of protest, the result o f rebellio n,
the truth, and the contradict ions one finds in t he object ive world.” There is
beaut y in misery, “beaut y in melancholia.” The art ist as rebel must constant ly
dissect this beaut y pro ject ively and dynamically. The “regio n o f t he
unknown”—t he future—is the art ist’s “aesthetic dest iny;” it gives him the
“mysterious delights” to explore dissect ionally.
Embuscado’s futurism in art is different from Alvin Toffler’s futurism
(1970) in educat ion. Toffler does not have an open future in that our image o f
the future, which is precondit ioned by present technological developments,
determines the curricular offerings at present in order to realize that
futurist ic image. Embuscado’s theory has similarit ies wit h Italian futurism
(Boccioni et al. 1910; see also “Futurism,” n.d.), especially in paint ing, as in
the reject ion o f t he past and of imitat ion, but Embuscado does not dwell o n
glorifying the present but emphasizes the projection o f the mo vements o f
present hidden realit y towards the open future (see pictures below).
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Tambakero. Oil on photograph. Truth and Beaut y. Ink on paper
Year and size not indicated 1974 23 cm. x 30.5 cm.
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constant music.” The Adverb is “an Adject ive wit h legs.” It keeps the sunrise
and sunset in mot ion; it is the avant garde in the forefront of the poem’s
search for meaning. It is act ive, always in the march. The third layer is the
Noun, which is the “fulcrum o f the poem’s turning.” Exuding it s imperia l
character, the Noun is carried on its back by the Verb and the Adject ive. It
makes the poem a history and history a poem. Historical personages like
Rizal and Bonifacio would have just been memories, but their poems, through
the imperial Nouns as substances therein, are not only a part of history but
contains the people’s historical experiences.
The poem can assume many forms: it can be warlike, liberator, religious,
propagandist ic (or an opium o f the people), historical, polit ical, et hical, etc.
The meaning o f the poem is threefold: (i) the poet’s intended meaning; (ii)
the reader’s hermeneut ical meaning; and (iii) the meaning the poem has
assumed over t ime in its “peregrinat ion in the world of letters.” The poet’s
intended meaning is the meaning of the present mo ment and context when the
poet fashions the part icular poem fro m the ideal Rubber Tower. It is
essent ially t he maker’s individual meaning. The reader’s hermeneut ical
meaning carries the poem to the wider communal co nsciousness of the people
where its co mmunal rituals reflect collect ive history and the plan for
collect ive grandeur. The poem acquires t he co mmunal milieu that determines
the criteria of respectabilit y and good public taste. The reader’s meaning is
basically a co mmunal meaning. The two meanings—individual and
communal—are independent but if they do coincide it is only by accident. In
this co incidence, the times o f the maker and the reader beco me congruous,
and the poem becomes t imeless. It is the poem o f the individual (t he poet)
and the communit y (the readers) o f different t imes and p laces. It becomes
“everybody’s poem” that transcends cult ural and temporal bracket ing. In
so me instances, however, the single poem assumes different meanings to
different people o f different cultural backgrounds and beco mes a “freelance
linguist ic ent it y in life’s battlefield.”
The third meaning indicates the poem has it s own meaning which
originates from itself, not the maker or reader. It is an object ified collect ive
meaning which transcends the past and becomes universally relevant. When
this happens it beco mes a real poem—a sovereign poem. It becomes the
analogue poem. It beco mes the analogue o f societ y. Rizal’s Mi ultimo adios,
for example, has the object ified meaning of “the Filipino anguish for a just
life.” Alt hough it has this third meaning, it can also have the subject ive
meanings of different readers.
Understanding the poem takes the vantage point of the reader. As soon as
the poet finishes the poem, he no longer owns it ; it beco mes a public propert y
and will have a life of its own. Its meaning transcends it s beginning. History
can be read as a poem in t he same way that a poem can be read as history. A
poem can be polit ically belligerent, especially when it opposes t yranny, in
the same way as it can be an object of po litical terrorism as when the t yrant
equates it with sedit ion—vilifies, represses, or persecutes it.
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The death of the poem occurs in two ways: (1) when it is a manifestatio n
of the immaturit y o f the poet’s imaginat io n: it is a weak poem which cannot
govern its own passion, cannot sustain it s polit ical mo mentum, lacks a strong
ident it y, perverts it s historical sense, and the like; and (2) when it is a bad
poem: it cannot compare wit h other texts, cannot validate its poet ic claim,
fails in it s “tact ical preparat ion,” and cannot adequately articulate itself.
Baut ista argued that the poet fails to defend the poem to protect himself, but
he might have other talents such as a good “singing vo ice,” etc.
Ceniza tried to reconcile the Parmenidean denial and the Heraclit ean
affirmat ion of the realit y o f change. His philo sophical views simply forget
the co lonial past and proceed wit h contemporary realit ies. He rendered
obsolete that past and its hangover. Something like this view we find in t he
Bible: “Forget the former things; do not dwell o n the past. See, I am do ing a
new thing! Now it springs up; do you not perceive it ? I am making a way in
the desert and streams in t he wasteland” (Isa. 43:18-19). In attempt ing to
reconcile Parmenides and Heraclit us, Ceniza indeed is making a way in the
desert.
Ceniza (2001) began by showing that we can derive t he existence o f
cont ingent objects from the postulates of Parmenides that what is rat ional is
real and what is real is rat ional (or what can be thought or spoken is possible
and vice versa, and what is possible is and vice versa) and it s negat ive
corollar y t hat what is nonrat io nal is nonreal and what is nonreal is
nonrat ional (or what cannot be thought or spoken is not possible and vice
versa, and what cannot be thought or spoken is not and vice versa). In
themselves, individually, the postulates and their respect ive corollaries do
not contradict each other, but when applied to contingent pheno mena, they
involve a contradict ion. For instance, it is a contradict ion t hat “it is possible
for things to be and for them not to be” at the same t ime. It is contradictory
for me to have a million dollars in the bank and not to have them in the same
bank. Being contradictories, it is apparent that cont ingent pheno mena do not
exist. But Ceniza argued their nonexistence does not mean they are
completely oblit erated, because we experience seemingly cont ingent objects
like chairs, tables, trees, and the like. Co nceptually, cont ingent pheno mena as
contradictories do not exist, but experient ially, they do. How is that possible?
Ceniza first clarified the meaning o f existence. “To exist” is “to stand
out.” Contingent ent it ies do not stand out; they subsist. If an object is not
green, it does not mean it has no color, but the color green does not stand out
or does not exist in t he object. Red and green result in yellow but they are
there subsistent in yellow. The co lors of the rainbow are subsistent in
whit e—the plenum or neutral state—which is the “balanced sum o f all co lors
of the rainbow.” Numbers subsist in zero, the plenu m (or sum total) o f all
posit ive and negat ive integers, as silence is the plenum o f all noises. The
other meaning of the phrase “to exist,” according to Ceniza, is “to make a
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difference” in the sense of affect ing so mething or its surroundings. In a
sense, the Parmenidean Being or universe is a plenum o f which cont ingent
ent it ies subsist, and they exist or stand out only from the perspect ive o f
experiencing finite subjects or persons. Existence is, t herefore, experiential,
that is, either phenomenologically or empirically.
From the Parmenidean plenum, cont ingent ent it ies exist or stand out
because they are caused. There must be a “reaso n, cause or explanat ion for
the things we experience.” If the ground is wet, it must have been caused by
(1) rain, (2) flooding, (3) broken underground water pipe, (4) sprinkled
water, or (v) waste water thrown on the ground. In (1), the wet ness would
cover a wide area including the roofs o f houses; in (2) the wetness will be
wide but will not include elevated grounds and roofs of houses; in (3) “t he
wetness would cover a relat ively small area, with a center where the break in
the pipe is located;” in (4) the area covered by wetness will even be smaller ;
and in (5) the covered area will be much smaller and the water might even be
dirt y. By examining the affected surroundings, we can determine the cause o f
the wetness.
Ceniza discussed a number o f other issues such as the nature of the
universe, t he possibilit y of a Final Cause, the nature o f t he person, and the
like, but for lack of space I will just enjo in the readers to read his book. In
the final analysis, Ceniza’s reconciliat ion of the realit y o f the Being (“The
One”) of Parmenides and the mult iplicit y of cont ingent changing ent it ies o f
Heraclitus hinge o n the notio ns of subsistence and existence which are both
experiential (experienced by the subject pheno menologically or empirically).
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thesis is that while the chooser is free in the sense that he or she is not
compelled by an authorit y or by so meone to make a cho ice, the situat ion o f
which he or she is an integral part determines his or her cho ice. Gripaldo
describes his book, Circumstantialism, as an essay on situat ional
determinism.
Choices are always done in situat ions, which are of two broad types:
rational and no nrat ional. Rat ional choices invo lve deliberat ion and decisio n.
Nonrat ional choices are done wit hout deliberat ion as in habitual cho ices,
flippant choices like tossing a co in or picking just any card fro m a deck o f
cards, mistaken choices, unconscious choices, and cho ices done on the basis
of a simple preference. While Gripaldo extensively discussed nonrat ional
choices, he set them aside as pseudo-choices. Genuine choices must meet T.
F. Daveney’s (1961) five condit io ns. First, there must be genuine
alternat ives. One cannot be said to have chosen if he or she takes the one and
only choco late in the box. Second, the chooser must be aware of these
alternat ives. One cannot also be said to have chosen if he or she believes
that, assuming he or she takes it, there is only one chocolate in the bo x when
in fact there are many and of different kinds. Third, he must believe these
alternat ives are attainable or doable. One cannot choose to buy a house or a
particular car if he or she knows it is not for sale. Fourth, he must have a
prior aim, purpose, or want for choosing. We have two scenario s: (a) If I
want to arrive at my dest inat ion quickly, then my cho ice of transport will be
guided by that want; and (b) If offered a jo b in a foreign land out of nowhere,
then—though I may have no init ial purpose in accept ing the offer—the
purpose will actually become discernible when I go into the deliberat ive act.
I may want a higher salary and the offer has it. Fift h, t he alternat ive chosen
must be that which suit s him or her best: (a) If we choose an opt ion which we
desire or which is in line wit h our goal, the choice suit s us, and also the
situat ion, best. (b) If the situat ion calls for us to do an act which appears
necessary but which we do not want to do, but have to, then the cho ice suit s
the sit uat ion best, though not necessarily us. One may, e.g., shoot a wounded
friend in war: “I did not really want to shoot him but he requested me to do it
and I knew the enemies would torture him to death just the same, so I had to
shoot him.” (This is t he first sense o f circumstance—sit uat ion totalized—and
should not concern us.)
When the chooser is confronted wit h alternatives in the choosing act, he
or she usually performs three stages. The first stage, Stage1, is his or her
recognit io n of alternat ives, which can be more than two. The alternat ives may
be abstract like “love or friendship,” concrete like “apples or bananas,” or a
mixture like “pineapple or love.” The second stage, Stage2, invo lves his or
her deliberat ion and decisio n. The chooser begins to deliberate as to which
alternat ive suit s him or her best. He or she weighs the merit s and demerits,
advantages and disadvantages, pluses and minuses of each alt ernat ive, and
makes the decision. At the tail end o f t he acts of deliberat ing and deciding is
the chosen alternat ive. A person may say, “To buy this banana is my
decision; it is also my choice.” After the second stage, the act of choosing is
22
consummated alt hough a rerun may st ill be possible. The last stage, Stage3,
involves the chooser’s act ing out of his or her decision/choice. It is the
taking, buying, etc., of the chosen alt ernative. The act of choosing is here
fully consummated.
Situational condit ions are the data or pieces of informat ion that serve as
the inputs of the act of choosing. These are the circumstances of the choosing
situat ion, and the choosing agent derives them fro m four sources: Source1,
the person’s present external environment—provides alternat ives as
perceived: physical or mental objects or both; in t he case o f mental or
abstract objects, the spat io-temporal environment is st ill necessary since the
person who makes the choice is situated in a space-t ime setting. Source2, the
person’s past—memory as the repository: includes habit s, attitudes, and
capacit ies. Those relevant in choosing are generally remembered; those
“unconscious” desires or wants, when they do not appear in conscious
memory, are irrelevant or will not feature in the act of choosing. Source3, the
person’s future—refers to a project ion of the cho ice to the future:
merit s/demerit s, advantages/disadvantages, usefulness/uselessness, and the
like. Source4, the person’s present physical and mental co ndit ion—healt hy or
not either mentally, physically, or both. All these sources are situated in a
particular space-time scenario. They are all present in a part icular choosing
situat ion even if some are ignored or just taken for granted. For example, if
one is healt hy, the choice to go to Singapore or not will not include Source4,
since t he physical condit io n is taken for granted. But when one is sick for
days, the decisio n will include the physical condit ion and the decision may
be negat ive.
Gripaldo argued that the vo luntary freedo m one feels when one confronts
the alternat ives (Stage1) is carried over to the acts of deliberat ing and
deciding (Stage2). And it is here in the second stage that the chooser begins
to discern the best choice for him/her under the situat ion. When he or she
finally decides on choice A, the other cho ices are simply blotted out. In other
words, in so far as the four sources of situatio nal condit ions are concerned,
the best choice for the chooser is latent or hidden in the choosing sit uat ion
and it goes to the surface only during the act of deliberat ion. In a manner of
speaking, the chooser’s best choice 8 has already been determined by the
situat ion, and the chooser—on the basis of the four sources—has simply
discerned (or has ascertained) it in t he process o f deliberat ion. Gripaldo
concluded that in rat ional cho ices the person could not have chosen
otherwise. The situat ional condit io ns—some or all of which the chooser may
avow—are his or her reaso ns for select ing the choice. In Stage3, the chooser
acts out the cho ice in a manner where he or she is led to an option, after
deliberat ion, where he or she could not have chosen otherwise. In this regard,
Gripaldo maintained that in Circumstant ialism or in a genuine choosing act,
freedo m and determinism are co mpat ible. 9
23
CONCLUSION
The Filipino philo sophies discussed in this paper 1 0 are basically Western
in orientat ion. Such a historical trajectory is brought about necessarily by the
people’s colonial experience (Christ ian religio n, English language, Western
philosophical ideas) and carried over to contemporary times. Recent Filipino
philosophizing is characterized wit h a break fro m the co lonial past—or, at
least, by the act of ignoring that past—and a preoccupat ion wit h particular
philosophical problems, but it is st ill a Western brand o f philosophizing.
There are current activit ies by Filipino teachers of philosophy and
philosophers, which focus on so me reflectio ns on certain topics in Eastern
and Filipino cult ural ideas, but they have not yet reached t he status of
philosophical maturit y. We are interested, for example, in a Filip ino’s own
philosophy of culture rather t han o n his or her descript ions of perceivable
philosophical perspect ives presupposed or imbedded in co mmunal Filipino
culture, i.e., tribe or nat ion (see Mercado 2005 and Villanueva Jr. 2006).
NOTES
24
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