The Alphabet: An Expression of The Mystery of Man Dornach, 18th December 1921
The Alphabet: An Expression of The Mystery of Man Dornach, 18th December 1921
The Alphabet: An Expression of The Mystery of Man Dornach, 18th December 1921
For some time we have been occupied with gaining a more accurate knowledge
of Man's relation to the universe, and today we would like to supplement our
past studies. If we consider how Man lives in the present period of his
evolution — taking this period so widely that it encompasses not only what is
historical but also in part the pre-historical — we must conclude that speech is
a preeminent characteristic at this moment of the cosmic evolution of
mankind. It is speech that elevates Man above the other kingdoms of nature.
The people of Rome were a sober, prosaic race, a race of jurists, who brought
prose and jurisprudence into the culture of later years. What lived in the
people of Greece developed within mankind more or less like a cultural dream
which men approach through their own revelations when they have inner
experiences and wish to give expression to them. It might be said that all
poetry has in it something which makes it appear to Europeans as a daughter
of Greece, whereas all jurisprudence, all outer compartmentalization, all the
prose of life, suggest descent from the Roman-Latin people.
I have previously called your attention to how a real understanding of the
Alpha — Aleph in Hebrew — leads us to recognize in it the desire to express
Man in a symbol. If one seeks the nearest modern words to convey the
meaning of Alpha, these would be: ‘The one who experiences his own
breathing’. In this name we have a direct reference to the Old Testament
words: ‘And God formed Man ... and breathed into nostrils the breath of life’.
What at that time was done with the breath, to make Man a Man of Earth, the
being who had his Manhood imprinted on him by becoming the experiencer,
the feeler of his own breathing, by receiving into himself consciousness of his
breathing, is meant to be expressed in the first letter of the alphabet.
And the name ‘Beta’ considered with an open mind, turning here to the
Hebrew equivalent, represents something of the nature of a wrapping, a
covering, a house. Thus, if we were to put our experience on uttering ‘Alpha,
Beta,’ into modern language we could say: ‘Man in his house’. And we could go
through the whole alphabet in this way, giving expression to a concept, a
meaning, a truth about Man simply by saying the names of the letters of the
alphabet one after another. A comprehensive sentence would be uttered giving
expression to the Mystery of Man. This sentence would begin by our being
shown Man in his building, in his temple. The following parts of the sentence
would go on to express how Man conducts himself in his temple and how he
relates to the cosmos. In short, what would be expressed by speaking the
names of the alphabet consecutively, would not be the abstraction we have
today when we say A, B, C, without any accompanying thoughts, but it would
be the expression of the Mystery of Man and of how his roots are in the
universe.
When today, in various societies ‘the lost archetypal word’ is talked about,
there is no recognition that it is actually contained in the sentence that
comprises the names of the alphabet. Thus we can look back on a time in the
evolution of humanity when Man, in repeating his alphabet, did not express
what was related to external events, external needs, but what the divine
spiritual mystery of his being brought to expression through his larynx and his
speech organs.
It might be said that what belongs to the alphabet was applied later to external
objects, and forgotten was all that can be revealed to Man through his speech
about the mystery of his soul and spirit. Man's original word of truth, his word
of wisdom, was lost. Speech was poured out over the matter-of-factness of life.
In speaking today, Man is no longer conscious that the original primordial
sentence has been forgotten; the sentence through which the divine revealed
its own being to him. He is no longer aware that the single words, the single
sentences uttered today, represent the mere shreds of that primordial
sentence.
The poet, by avoiding the prose element in speech, and going back to the inner
experience, the inner feeling, the inner formation of speech, attempts to return
to its inspired archetypal element. One could perhaps say that every true
poem, the humblest as well as the greatest, is an attempt to return to the word
that has been lost, to retrace the steps from a life arranged in accordance with
utility to times when cosmic being still revealed itself in the inner organism of
speech.
Today we distinguish the consonant from the vowel element in speech. I have
spoken of how it would appear to Man if he were to dive beneath the threshold
of his consciousness. In ordinary consciousness memories are reflected
upwards or, in other words, thoughts are reflections of what is experienced
between birth and death. Normally we do not penetrate Man's actual being
beyond this recollection, this thought left behind in memory. From another
point of view I have indicated how, beneath the threshold of consciousness,
there lives what may be called a universal tragedy of mankind. This can also be
described in the following way: When Man wakes up in the morning and his
ego and astral body dive down into his etheric body and his physical body, he
does not perceive these bodies from within outwards, what he perceives is
something quite different. We can get an idea of this by means of a diagram.
Let us say that here we have the boundary between the conscious and the
unconscious, red representing the conscious, blue the unconscious. If a person
sees something belonging to the outer world or to himself, for instance, if with
his own eye he sees another Man's eye, then the visible rays which go out of his
eye into the other Man are thrown back, and he experiences it in his
consciousness. What he also bears of his own being beneath the threshold of
consciousness he experiences in his astral body and his ego, but not in the
ordinary waking state. It remains unconscious and essentially forms the actual
content of the etheric and the physical bodies. The etheric body is never
recognized at all by ordinary consciousness; it recognizes only the external
aspect of the physical body. As I have mentioned in the past, we must plunge
beneath memory to perceive the primal source of evil in human beings, but
then something else can also be perceived, namely, an aspect of Man's
connection with the cosmos.
It is indeed true that Man, as he goes forward in the life between death and a
new birth, raises himself to the world of the higher hierarchies. We have
learned how Man in the world of the Angels, the Archangels, the Archai, joins
in with their life and lives within the realm of the hierarchies, as here we live
among the beings of the mineral, plant and animal kingdoms. After this life
between death and a new birth he descends once more to earthly life. And we
have also learned how on his way down he first gathers to him the influences
of the firmament of the fixed stars, represented in the signs of the Zodiac;
then, as he descends further, he takes with him the influence of the moving
planets.
Now just picture to yourselves the Zodiac, the representation of the fixed stars.
Man is exposed to their influence on descending from the life of soul and spirit
into earthly life. If their effects are to be designated in accordance with their
actual being we must say that they are cosmic music, they are consonants. And
the forming of consonants in the physical body is the echo of what resounds
from the single formations of the Zodiac, whereas the formation of vowels
within the music of the spheres occurs through the movements of the planets
in the cosmos. This is imprinted into the etheric body. Thus, in our physical
body we unconsciously bear a reflection of the cosmic consonants, whereas in
our etheric body we bear a reflection of the cosmic vowels. This remains, one
might say, in the silence of the subconscious. But as the child develops, forces
press upwards within the body and strengthen the speech organs; these are
forces that, as reflections of the formative forces of the cosmos, build up the
speech organs. The more interior speech organs are so formed out of Man's
essential being that they can produce vowels, and the organs nearer to the
periphery, the palate, the tongue, the lips and everything that contributes to
the form of the physical body, are built up in such a way that consonants can
be produced. While the child is learning to speak, something takes place in the
upper part of his being, as a result of the activity of his lower part, which is a
consequence of the formative forces taken up into the physical body, and also
into the etheric body. (This is naturally not a material process but has to do
with formative activity.) Thus when we speak, we bring to Manifestation what
we might call an echo of the experience Man goes through with the cosmos in
the life between death and a new birth during his descent out of the divine
spiritual world. All the single letters of the alphabet are actually formed as
images of what lives in the cosmos.
We can get an approximate idea of the signs of the Zodiac if we relate them to
modern speech by setting up B, C, D, F, and so forth, as constellations of the
Zodiac. You can follow them by feeling the revolution of the planets in H (ed.:
‘H’ like in him, her) — H is not actually a letter like the others, H imitates the
rotational movement, the circling around. And the single planets in their
revolutions are always the individual vowels which are placed in various ways
in front of the consonants. If you imagine the vowel A to be placed in here (see
diagram) you have the A in harmony with B and C, but in each vowel there is
the H. You can trace it in speaking — AH, IH, EH. H is in each vowel. What
does it signify that H is in each vowel? It signifies that the vowel is revolving in
the cosmos. The vowel is not at rest, it circles around in the cosmos. And the
circling, the moving, is expressed in the H hidden in each of the vowels.
Consider, therefore, a vowel harmony expressed somewhere in speech: let us
say I, O, U, A. (ed.: IH, OH, UH, AH in German) What is expressed by this?
Something is expressed that is the cosmic working of four planets. Let us add
one of the consonants to something like this — IOSUA — let us add this S in
the middle of it, and this would mean that not only the forming of vowels
within the planetary spheres is expressed, but also the effect that the planets
connected with I, O, U, A, experience in their movement through the
connection with the star sign S. Thus if a Man in the days of ancient
civilization uttered the name of a God in vowels, a planetary mystery was
expressed. The deed of a divine being within the planetary world was
expressed in the name. Were a divine name expressed with a consonant in it,
the deed of the divine being concerned reached in thought to the
representative of the fixed star firmament — the Zodiac.
When there was still an instinctive understanding of these things, in the time
of atavistic clairvoyance, clairaudience, and so on, a connection with the
cosmos was experienced in human speech. When speaking, Man felt himself
within the cosmos. When the child learned to speak it was felt how what was
experienced in the divine spiritual world before birth, or before conception,
gradually evolved out of the being of the child.
It may be said that if a Man could look through himself inwardly he would
have to admit: I am an etheric body, in other words, I am the echo of cosmic
vowels; I am a physical body, in other words, the echo of cosmic consonants.
Because I stand here on the earth, there sounds through my being an echo of
all that is said by the signs of the Zodiac; and the life of this echo is my
physical body. An echo is formed of all that is said by the planetary spheres
and this echo is my etheric body.
1. Physical body = Echo of the Zodiac
2. Etheric body = Echo of the planetary movements
3. Astral body = Experience of the planetary movements
4. Ego = perception of the echo of the Zodiac
When you say ‘I’, what is that exactly? Now just imagine someone had planted
trees in a beautifully artistic order. Each individual tree can be seen. However
at a distance all the trees resolve into a single point. Take all the individual
things — all that resounds from the Zodiac in the way of world consonants,
then go far enough away: Everything that is formed as inward sound, in the
most manifold way, is compressed within you to the single point ‘I’.
It is an actual fact that this name which Man gives himself is really only an
expression for what we perceive in the measureless spaces of the universe.
Everywhere it is necessary to go back to what, as reflection, as echo, appears
here upon earth. Thus, when the matter is seen in its reality, before Man's
higher and inward experience, everything out of which Man builds himself up
as a phenomenon, as pure experience, melts away. If we look upon Man and
gradually learn to know his true nature, then his physical body actually ceases
to be in the way it normally confronts us and otherwise stands before us, our
vision widens and Man grows into the heavens of the fixed stars. The etheric
body, too, ceases to be before us. Vision is extended, experience is extended,
and we arrive at a perception of planetary life, for this human etheric body is a
mere reflection of planetary life.
Man standing before you is nothing but the phenomenon, the appearance, the
image, of what goes on in the life of the planets. We think we have an
individual human being in front of us, but this individual is a picture, on a
certain spot, of the whole world. What then is the reason for the difference
between an Asiatic and an American? The reason is that the starry heavens are
portrayed at two different earthly points, just as we have various pictures of
one and the same external fact. It is indeed true that when we observe Man the
world begins to dawn upon us, and by such observation we are faced by the
great mystery of the extent to which Man is an actual pictured microcosm of
the reality of the macrocosm.
Now of what does modern life consist? When we look back from these modern
times upon mankind's life in primeval times, we still find an experience of
Man's connection with the spiritual world in the instinctive consciousness of
those ancient days. In the alphabet we can have a concrete experience of this.
When, in primeval words, Man had to express the rich store of the divine in all
its fullness, he uttered the letters of the alphabet. When he expressed the
mystery of his own nature, in the way he learned about it in the Mysteries,
then he voiced how he had descended through Saturn or Jupiter in their
stellar relation to the Lion or the Virgin, in other words, how he had
descended through the A or the I in their relation to the M or the L. He gave
utterance to what he had then experienced of the music of the spheres, and
that was his cosmic name. And in those ancient days men were instinctively
aware that they brought a name down with them from the cosmos to the
Earth.
Considered from this point of view, what was the alphabet? It was what the
heavens revealed through their fixed stars and through the planets moving
across them. When the alphabet was spoken out of the original, instinctive,
human wisdom it was astronomy that was expressed. What was spoken
through the alphabet and what was taught in astronomy in those olden days
was one and the same thing. The wisdom in the astronomy of those times was
not presented in the same way as the learning contained in any branch of
knowledge today, which is built up from single perceptions and concepts. It
was conceived as a revelation that made itself felt on the surface of human
experience, either in the form of an axiomatic truth or as part of an axiomatic
truth. Thus a concrete experience was represented with a part of the primal
wisdom. And there was something of quite a dim consciousness connected
with the fact that, in the Middle Ages, those who were highly educated still had
to learn grammar, rhetoric, dialectics, arithmetic, geometry, music and
astronomy. In this ascent through the various spheres of learning lies a half
conscious recognition of something, which in earlier days, existed in
instinctive clarity. Today grammar has become very abstract. Going back into
times of which history tells us nothing, but which, nevertheless, are still
historical times, we find that grammar was not the abstract subject it is today
but that men were led through grammar into the mystery of the individual
letters. They learned that the secrets of the cosmos found expression in the
letters. The single vowel was brought into connection with its planet, the
single consonant with the single sign of the Zodiac; thus, through the letters of
the alphabet, Man gained knowledge of the stars.
These mysteries in the world of numbers give the merest intimation that here
we are not concerned with what merely lives in the hollow of Man's head. (I
say the hollow of his head because I have often shown it really to be hollow
from the spiritual point of view.) In the relations of number we can come to
perceive the relations of the objectivity of the world. If we always just add one
to one naturally this is something that has nothing to do with the facts. I have
a piece of chalk. If beside it I place a second piece of chalk this has nothing to
do with the first. The one is not concerned with the other. If, however, I
presuppose that everything is a unit and now pass to the numbers contained in
this unit, I get a two in a way that is a matter of some consequence. I have to
break up the piece. I then get right into reality.
This was a necessary step in the struggle for freedom. For Man could develop
his freedom only by pressing together quite indistinguishably into the single
point of the ego something that, filled out by the whole of cosmic space,
streamed through all time. But he would lose his being, he would no longer
know or possess himself, no longer be active and act on his own initiative,
were he not to reconquer the whole world from this single point of his ego,
were he not to rise again from the abstract to the concrete. It is indeed
important to understand how, in passing from the Greek to the Latin culture,
abstraction took hold of European culture and thus resulted in the loss of the
primeval word. It must be remembered that the Latin language was for a long
time the language of the cultural elite. What persisted however, was a kind of
desperate holding on to what this Latin language had actually already
discarded. And what had been spoken in the Greek world then remained
behind only in thought. Of the logos there remained logic — abstract thought.
In the longing that a Man such as Goethe had for knowledge of the Greek
culture, there lies something that may be expressed as follows: he longed for
liberation from the abstraction of modern times, from the dry prose of
Romanism. He wanted to reach the other daughter of the primeval wisdom of
the world, what remained of all that stood for Greece. — We too must
experience something of this kind if we wish to understand Goethe's intense
yearning for the South. In modern school biographies we find nothing of all
this. Only when in every individual thing there echoes a consciousness of Man
being an expression of the whole cosmos, will the way be cleared for the forces
needed for Man's progress, if civilization is not to decline into utter barbarism.