Learning Plan in Music Mapeh X June 1-4, 29 5 Meetings: Cogon National High School - Ana Margarita A. Atienza
Learning Plan in Music Mapeh X June 1-4, 29 5 Meetings: Cogon National High School - Ana Margarita A. Atienza
Learning Plan in Music Mapeh X June 1-4, 29 5 Meetings: Cogon National High School - Ana Margarita A. Atienza
MAPEH X 5 meetings
QUARTER I
MUSIC OF THE 20TH CENTURY
IMPRESIONISM TO MODERN NATIONALISM
I. OBJECTIVES
At the end of the learning plan the learners must have:
a. described distinctively musical elements of given pieces in 20th century styles;
b. explained the performance practice (setting, composition, role of
composers/performers, and audience) of 20th century music;
c. related the 20th century music to its historical and cultural background; and
d. sung melodic fragments of given Impressionism period pieces.
Sub-topics: Impressionism
Expressionism
Neo-Classicism
Avant-Garde
Modern Nationalism
C. INTEGRATION
1. Integration of Music with Arts, Literature, and History through the use of
paintings and music recordings.
2. Role playing -Call on volunteer students to depict the socio-historical context of
one of the musical movements studied, Modern Nationalism, which incorporated
folk songs and indigenous music.
Infusion of values: Belief in the power of the mind and its ability to achieve
one’s goals and control situations.
D. GENERALIZATION
The 20th century styles of impressionism and expressionism provided composers
with the opportunity to express their thoughts based on outside impressions as well as
ideas and expressions based on their inner convictions.
Other forms that emanated included neo-classicism, which is a return to the
classical form and structure using modern harmonies and techniques of composition;
avant garde, which deals with the parameters of sound in space; and Modern
Nationalism, which is a combination of nationalist thematic materials with the modern
techniques of composition.
2. Which Russian composer created the music for the ballet The Firebird?
3. Who is considered the foremost impressionist?
4. What kind of musical style is attributed to Schoenberg and Stravinsky?
5. Who was the target audience of Prokofieff’s Peter and the Wolf?
6. Give an example of a musical work of each of the composers below.
V. WHAT TO PROCESS
Listening Activity: Works of 20th Century Composers
1. You will play excerpts of any (one) of the following musical examples:
Debussy – Claire de Lune, La Mer, Children’s Corner Suite
Ravel – Miroirs, Sonatine, Daphnis et Chloe, Jeux d’Eau, Bolero
Schoenberg – Verklarte Nacht, Violin Concerto, Piano Concerto, Gurelieder
Bartok – String Quartet no. 4, Alegro, Mikrokosmos, Barbaro, Music for Strings
Stravinsky – The Rite of Spring, Petrouchka, The Firebird Suite
Prokofief – Romeo and Juliet (ballet), Piano Sonatas
Gershwin – An American in Paris, Porgy and Bes, Rhapsody in Blue, Someone to
Watch Over Me
Bernstein – Tonight from West Side Story, Clarinet Sonata
Glass – Einstein on the Beach, Satyagraha, Akhnaten
Poulenc – Concerto for Two Pianos, Dialogues des Carmelites
2. Let he students listen carefully to each excerpt and be able to recognize the distinct
musical style of each composer.
3. Let them chose a composition that they like. Let them write a short reaction paper
on it.
4. Based on this activity, let he students write a brief profile of the composer of the
pieces played in a bond paper to be submitted the following meeting.
A. Name the Composer, Title of the Music, Musical Style, and Description
1. After the Listening Activity, you will prepare selected excerpts of compositions by
Debussy, Ravel, Schoenberg, Bartok, Stravinsky, Prokofieff, Poulenc, Glass,
Bernstein, and Gershwin.
2. Divided into four teams, with each team forming a line.
3. As you play a few measures of the first excerpt, let the first student in each line
goes to the board and writes the name of the composer. The second student will
write the title of the music. The third student will write the musical style. Then,
the fourth student will write a description of the music in one phrase.
4. The team that writes the correct answers first, scores four (4) points.
5. The same procedure goes on until all the students in the line have had their turn.
6. Assign one student to tally the scores and announce the winners. The team with
the highest score is the winner. In case of a tie, the first team to finish is the
winner
7. After proclaiming the winners, the scorer will ask this question: What was the
most significant thing that you have learned from this activity?
1. Play several musical excerpts of selected 20th century composers. And briefly
discus the title, composer, and musical style of each.
2. Let the class listen carefully to each excerpt and be able to recognize the
distinct musical style of each composer.
3. Have the students sing or hum some melodic fragments (portion only) of any
of the following excerpts of 20th century music, together with the recordings:
a. Claude Debussy’s Claire de Lune
b. Leonard Bernstein’s West Side Story
c. George Gershwin’s Rhapsody in Blue
d. Ravel’s Bolero
e. Any work of minimalist composers, Philip Glass or Meredith Monk
f. Any work of nationalist composers, Erik Satie or Bela Bartok.
4. Based on the melodic fragments of the excerpts that they sang or hummed,
they should be able to aurally identify the different selected works of the
composers of the 20th century by naming the title and composer in a random
short quiz (5 points).
5. Have the students chose a composition that they like. Ask them to write a
brief profile about the composer, and to also give their personal reactions
about the music on a one whole sheet of bond paper.
6. Let them submit it in class the next meeting.
C. Performance Activity 3:
Film Showing or Video Watching
1. Have the students research on the 20th century musical play West Side
Story written by Leonard Bernstein.
2. Instruct them to watch any video clip of West Side Story on the internet
or YouTube.
3. Let them write a reaction paper explaining the following elements of the
performance:
a. Setting
b. Musical compositions
c. Role of composer and lyricist
d. Role of performers (actors, actresses)
e. Role of the audience (students)
f. Sound and musical direction
g. Script /screenplay
h. Props, costumes, lighting
4. Divide the class into groups. Ask them these questions: Did you like what
you watched? Why or why not?
5. Have them explain their answers on a one whole sheet of bond paper.
6. Let each group report their answers in class.
D. Performance Activity 4:
Singing Songs from West Side Story
1. The students may opt o do this as an individual or group activity. Groups
will be divided into four.
2. Let the students listen to the songs Tonight, Maria, Somewhere, and
America from video or recordings of West Side Story. Ask them to draw
lots for the song to sing.
3. Have them sing and perform their song in class, with or without
accompaniment. They may also sing with the recordings.
4. Let those students who are not performing act as judges for the
performance evaluation.
5. Judges will have five placards, score cards, or paper sheets marked:
BEST, BETTER, GOOD, FAIR, NEEDS FOLLOW UP.
6. Judges will display a score card after evaluating the performance.
7. One student may be assigned to tabulate the scores after the
performance.
8. Select and announce the “Best Performance” award.
E. Performance Activity 5:
Live Concert or Recording or Music Video
Let the students chose the activity that they are interested in.
1. Class Concert – Live Performance
a. Group the students into four. The first two groups will do the class
concert.
c. technique ______
2. Ensemble coordination (20%) ______
3. Ensemble organization (20%) ______
VII. EVALUATION
Let the students answer the following:
1. What are the styles of 20th century classical music studied in this lesson?
2. Explain briefly how these styles have counterparts in the visual arts, particularly in
painting.
They may also search for Bernstein’s other video lectures on music.