Niksa Lendic

Arranger, Interpreter, Publisher

Croatia, Split

About the artist

Publisher and organist, from Split (Croatia)

About the piece

Title: Bel piacere (aria from AGRIPPINA)

Composer: Haendel, Georg Friedrich
Arranger: Lendic, Niksa
Licence: Copyright © LENDIC NIKSA
Publisher: Lendic, Niksa
Instrumentation: Piano and Voice
Style: Baroque

Niksa Lendic on free-scores.com

http://www.free-scores.com/Download-PDF-Sheet-Music-nlendic.htm

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First added the : 2009-05-20 Last update : 2009-05-21 09:57:12

 BEL PIACERE G.F. HANDEL

  
Allegretto (Aria from AGRIPPINA)
 
 
Voice        
               
Allegretto

                  
 
  
mf
       
    
Piano
 
   
      
 

        
      
8
 
        
Bel pia - ce - re e go - de - re fi - do_a - mor,

  
              

               

     
p


    
 

      
15
 
                
bel pia - ce - re e go - de - re fi - do_a - mor,

              
                   

          
 

       
         
21
   
   
que - sto fa con - ten - to_il cor que - sto fa con -

   
    
         
     
 
       
pp
      
    
Edition Lendic
  
2



26
    
  
    
ten - to_il cor fa con - ten - to_il cor

 
     
 
     
 
               
        
 

         
         
31

   
 
que - sto fa con - ten - to_il cor que - sto fa con -
   
   
          
      
   
 
mf
         
     

 


36
    
  
    
ten - to_il cor, fa con - ten - to_il cor.
 

      
     
  
       
     
      
 

 
41
  
        
      
            
   
         

 
 
 
f

           

    
Fine

        
  
Edition Lendic
       
3

    
49

         

       
Di bel - lez - za non s'ap - prez - za lo splen - dor,

          
   
 
  
p


    
         


         
     
55

       
d'un
  
se non vien
fi - do cor, d'un fi - do cor,
           
            

p

         
    

          
61
 

poco rit

        
  
di bel - lez - za non s'ap - prez - za lo splen
             
      

     


pp
         
 

  
            
 
      
66

 

                 

dor se non vien d'un fi - do cor, d'un fi - do cor.
 
     
   

     
mf

         
  
Edition Lendic
Dal Segno al Fine
Copyright Niksa Lendic 2009