Yamaha An1x Datalist
Yamaha An1x Datalist
Yamaha An1x Datalist
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No. Cat. Voice Name Description No. Cat. Voice Name Description
1 Co Relaxx Combination of arpeggio synth & synthpad. Use [ASSIGN] knobs 20 Fx Earth Sound effect layered with arpeggiated melody line and human
to control the arpeggio voice. voice-type pad.
2 Sq Terraform Hard sequence voice with pattern select. Keys C#1 to B2 21 Co Vinnie Nice Split of vintage arpeggio & synth lead.
correspond to User Patterns No. 1 to 23.
3 Ba Celluloid Dual voice layered with full-bodied bass and metallic sounds. 22 Co Detroit Combination analog bass and analog effect sound.
SINGLE mode is suitable for original tunes. Also try MONO and
LEGATO. Also good for Synth lead in the upper register.
4 Br MajorBrass Powerful analog brass sound. Use [RIBBON] controller to change 23 Co Plastik Combination synth sound layered with analog drum sound and its
VCF Cutoff (horizontal) and Resonance (pressure). perfect fourth. Step Sequencer playes only while you hold the
keys since the Hold function is set to OFF.
5 Pd Soar Ethereal pad sound using arpeggiator. 24 Co ChinaTech Combination synth sound layered with analog drum sound and its
perfect fourth. Step Sequencer playes only while you hold the
keys since the Hold function is set to OFF.
6 Ba Hardcore Hard core acid sound. Use [RIBBON] controller for distortion 25 Co Silence Combination analog pad and analog lead sound.
control.
7 Ba Uni-Bass Fat bass sound using DUAL UNISON with Legato. 26 Ba Dog Bass Fat hip hop saw bass. Slide the edge back with the
[MODULATION] wheel.
8 Ld MegaDrone Fat lead sound with moving filter. 27 Ba Slum Heavy analog bass with a characteristic attack. Select Scene 2 for
a variation.
9 Ld SyncLead Lead sound using "Sync." Try the [RIBBON] controller for effect. 28 Ba Loud Hybrid analog and FM bass sound.
10 St Legato Pad strings sound with slow attack. 29 Ba MiniLow Analog bass sound with short filter decay. Use [ASSIGN] knobs to
change the envelope and filter settings.
11 Sq Alan Standard British progressive rock sound. 30 Ba Kickbass Bass sound with a characteristic attack. Select Scene 2 to produce
a sharp bass drum attack.
12 Ba Mini Classic analog synth bass with various sequence patterns. Keys 31 Ba Sub Sub Hollow sub bass sound.
C#1 to B2 are correspond to User Patterns No. 25 to 47.
13 Se Chemical Diving sweep sound. The rhythm in Scene 1 is created with the 32 Ba Hardstep Slippery drum and bass sound. Use the [RIBBON] to control the
FreeEG. This is disabled for Scene 2. slip.
14 Pd SyncSweep Use [RIBBON] or [MODULATION] wheel for sync pitch control. 33 Ba Wonder Analog bass sound suitable for melodic riffs.
15 Sc Caner Fat hook-line voice for dance & techno music. Try scene 2 with 34 Ba Duck Bass Analog bass sound with wide dynamic range created by velocity.
[MODULATION] wheel.
16 Pf MorphEP Continuously changes between electric piano sound and pad 35 Ba Prophetic Vintage analog style bass sound.
sound using "Sync" by Scene Control function.
17 Sq Doves Spacey sequence voice. Use [RIBBON] controller and [ASSIGN] 36 Ba Harmosync Contemporary acid sound. In Scene 2 the compressor drive is on
knobs for effect. the [RIBBON]. Try Scene1 for a more harmonic effect.
18 Sq BPF Morph Sequence voice with band pass filter for special atmosphere. 37 Ba Kangaroo Bouncey soft acid sound. Get happy with this one.
19 Sq Seismic Step Sequencer plays a combination of analog drum and analog 38 Ba Acid 1 Hard acid sound number 1. Note that the feedback parameter
bass sounds. Free EG adds modulation for unique atmosphere. (knob 7) interacts with the resonance (knob 6).
AURAL EXCITER® is a registered trademark of and used under license from Aphex Systems, Ltd.
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No. Cat. Voice Name Description No. Cat. Voice Name Description
39 Ba Acid 2 Acid sound number 2. Twiddle those knobs for ultimate 62 Ld OB-8 Thick detuned wave.
experience.
40 Ba Acid 3 Harder acid sound. [RIBBON] controls distortion amount. Watch 63 Ld Lucky Portamento lead sound created with a typical square wave. Turn
the resonance. knob 3 to change the pulse width.
41 Br Soft Brass Soft analog brass sound. Try the [RIBBON] controller. 64 Ld Earth Lead Sensitive synth lead voice. Use [RIBBON], [PITCH] wheel and
[MODULATION] wheel.
42 Br Hard Brass Bright & fat analog sawtooth synth sound. Scene 2 is a square 65 Ld HardSync Fat synth lead sound with sync-envelope.
wave variation.
43 Br Bronze Unison brass sound with short decay changes. Open filter brass 66 Ld Chick Dark analog synth lead. Turning knob 5 makes the sound brighter.
with the [MODULATION] weel. The same voice with the oscillators
in octaves is in Scene 2.
44 Br Fatty Fat 70s style synth brass. 67 Ld Stevie Typical 80s Stevie Winwood type lead sound.
45 Br Quincy Gentle and cool synth brass sound. Use velocity to control 68 Ld Floyd75 Stacked over 4 octaves! Pink Floyd's "Wish You Were Here"
brightness. revisited.
46 Br CS80 Brass Emulation of classic CS80 brass patch. 69 Ld Synchromes Dangerous lead sound also great for percussive sequence lines.
47 Br Tangiers Brass sound with fast attack. Great for house stabs. 70 Pd High Sweep Soft sweep with tons of resonance.
48 Br Brassmorph [MODULATION] wheel gradually changes the sound between 71 Pd Ice Pad Synth pad using Free EG for subtle trembles. A typical example of
filtrated brass sound (Scene 1) and projected brass sound (Scene how easy it is to create a voice by using Edge and Ring Modulator.
2).
49 St Analog Bright analog synth strings. Use [MODULATION] wheel or 72 Pd Sprinkler Layered sound with fast arpeggiated sound and soft pad. The soft
[RIBBON] for dark strings. pad can be changed drastically with [MODUALTION] wheel and
[RIBBON] controller.
50 St Lush Rich PWmod string pad. Use the [RIBBON] to control brightness. 73 Pd GreatMorph Powerful pad sound suitable for progressive rock. Check the
A slight variation, up an octave in pitch, is in Scene 2. drastic changes between Scene 1 and 2 using the
[MODULATION] wheel.
51 St Chocolate Orchestral sound layered with strings in different octaves. 74 Pd Church Bel Pad with arpeggiated bells on top. Use the [RIBBON] to control the
volume of the bells.
52 St Stringz Analog PWmod synth string pad. Scene 2 is a square wave 75 Pd Deep Blue Synth pad sound with great sound projection.
variation, with pulse width controlled by the [RIBBON].
53 St String Pad Soft pad great for backing. 76 Pd Da Padd Dark and thick analog synth pad sound. Scene 2 is an LFO sweep
with BEF variation. The [RIBBON] controls LFO sweep speed in
Scene 2 over a wider range than knob 3 for a "watery" effect.
54 Sc Billy 70s style poly synth sound. Use [ASSIGN] knobs for neat sound 77 Pd Water Pad Pad with upward BPF sweep. Use the [MODULATION] wheel to
variations. change between the original version of the pad and a variation.
Use the [RIBBON] to control the brightness.
55 Sc Fetish Wasp-like sound for soundtracks with the sweet pleasure of pain. 78 Pd Night Sky Modulated pluck sound with high string pad fading in over it. Use
the [MODULATION] wheel to change the pitch of the pluck sound.
Middle positions include great voice variations. Use the [RIBBON]
to control volume of the strings.
56 Sc P-5 Compy Emulation of the classic Prophet 5 sound. 79 Pd Oberweich Clear portamento pad sound.
57 Sc Stakka Voice stacked with a major third. 80 Pd PolyTen Analog strings pad sound with chorus effect.
59 Sc WarmPoly 70s style poly synth. Use [ASSIGN] knobs for sound variations. 82 Pd Sacred Vocal type pad sound.
60 Sc Rhubarb Fat portamento hook-voice for dance & techno. 83 Pd Sweep&S/H Sweep pad which can morph to Sample & Hold using the
[MODULATION] wheel.
61 Ld Susy Warm vintage "mini" synth lead voice. 84 Pd Slip Thin pad which sits behind fat drums.
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No. Cat. Voice Name Description No. Cat. Voice Name Description
85 Pd Polyswell Warm and wide poly synth sound with long filter attack. 107 Fx Heaven Sound effect which creates rhythms by matching the delay length
to the Arpeggiator tempo.
86 Co Padbells Combination of bells with pad. Use [RIBBON] to fade the bells in 108 Fx Mars Typical vintage synth with high pass sweep.
or out.
87 Pf DX E.Piano Bright FM electric piano sound. 109 Fx Porpoise Sound which creates animal squeakings using the Free EG.
88 Pf Condenser Condenser piano sound. 110 Fx Jack Filter LFO sound effect great for trance music.
89 Pf WhitneyEP Electric piano with clean Whitney Houston sound. 111 Fx Microdot Pointy strobe-ish techno sound.
90 Or DrawOrgans Clean organ with 4 drawbars. Use [MODULATION] wheel for 112 Fx Polaris Thick pad sound with creamy effect. Adjust knobs 2 and 7 if it's too
rotary speed and [ASSIGN] knobs for tone control. slow for ya.
91 Or 16+2.2/3 Many organ sounds available with controllers. 113 Fx RhythmCity A sequenced voice is triggered from B2 and below. Try using
single notes or octaves in the lower range of the keyboard. Play
chords from C3 and above. Change chords in time.
The [RIBBON] controls the brightness of the sequence.
92 Or Garage Garage and ragga type small synth organ. Scene 2 has a more 114 Fx CyberBag Sound effect created with the FreeEG.
percussive version.
93 Or House House organ ideal for bouncey basslines. 115 Se CyberClock Sound effect combined with Arpeggiator and PEG.
94 Or Pipes Chiffer pipe organ sound that transforms into full organ when the 116 Se Flutter Soundd with special sweeping effect.
[MODULATION] wheel is increased. The [RIBBON] controls the
volume of the upper octave.
95 Pc Hi Q Reso The immortal Kraftwerk invention. 117 Se Industrial Use all controllers and go crazy!
96 Pc Koan Ring modulation style wind chimes. 118 Se Moment Sound effect producing completely different sounds in all pitches
by applying FM modulation.
97 Pc Woob Ambient percussion effect by ring modulation. 119 Se We All Die Whimsical special effect sound using sync to create vocal
formants.
98 Fx WelcomBk Great space pad sound. Use the [MODULATION] wheel to add 120 Sq Cactus Analog sequence with complex Free EG modulations. Hold the
pitch modulation effects. Hold note A4 to recreate the beginning of key for a long time.
ELP's "Welcome Back My Friends" (Karn Evil 9).
99 Fx Magic Spacey pad with soft sync modulation. 121 Sq Overdrive Distorted analog sequence great for techno music. Use the
[RIBBON] to control the filter.
100 Fx Hypno Notes in the bottom octave of the keyboard play a sequence and 122 Sq Omega Analog sequence with complex Free EG modulations. Hold the
determine its pitch. Play single or double note melodies in the key for a long time.
upper keyboard. The Free EG does the rest.
101 Fx Soundtrack Synth voice great for film music. 123 Sq Csus4 Automatically plays with C sus 4. Get into it!
102 Fx Morphyum FX voice with pitch attack & sync. 124 Sq TekkLine Free EG adds radically changing long cycle to the sequences of
typical phrases.
103 Fx WindString FX pad sound expressing fast bowed sound of a violin using the 125 Sq Highway Spacey sequence with strong phasing effect.
Arpeggiator.
104 Fx Vangelizm Combination synth and analog pad sound using Arpeggiator. 126 Sq Saturn Typical percussive type analog synth great for arpeggios.
105 Fx Chandelier Bright analog sound effect using Arpeggiator. 127 Sq Poptart Percussive chill-out effect. Be cool.
106 Fx FreeEGRthm Free EG and Arpeggiator extravaganza which procudes unusual 128 Sq VirtlScene Play a tune along with the typical sequence line while changing
rhythms. voices using the [MODULATION] wheel.
NOTE When Step Sequencer Keyboard Mode is set to "sel&norm" or "sel&shift", User Patterns can be
played to the left of the Split point. User Patterns can also be selected by playing a note. In this case,
when you press the C1 key, the current Voice Pattern will be accessed. (See page 86.)
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LFO 1
WAVE: SAW /
SQUARE / SINE /
TRIANGLE/ S&H /
S&H2
Pitch VCO1 MIXER HPF VCF VCA EFFECT
DELAY WAVE: Saw/Pulse/Saw2/Mix RING MOD. FILTER TYPE: VELOCITY SENS. VOLUME
Inner 1~3 (SYNC) (-6dB) LPF(-12/-18/-24 dB)
BPF EQ
LFO2 PWM
HPF (-12dB)
BEF
VAR
EQ
WAVE: VCO1 SYNC VCO1
TRIANGLE Master Slave VELOCITY SENS.
KEY FOLLOW
DLY REV
FM
Depth
FM Source
Selector NOISE
Pitch VCO2 (Delay and Reverb can be
FEEDBACK
WAVE: Saw/Pulse/Saw2/Mix
configured in a serial or
PWM
parallel connection)
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PHASER WAH
No. Parameter Display Ctrl Matrix Value Table No. Parameter Display Ctrl Matrix Value Table
1 Mod Freq 0.00~41.70Hz Common 0-159 table#1 1 Sensitivity 0~100 0-100
2 Mod Depth 0~100 0-100 2 Cutoff Freq Offset 20Hz~14.0kHz Comn 0-39 table#8
3 Phase Shift Offset 0~100 0-100 3 Resonance 1.0~10.0 0-90
4 FB Level -99~+99 0-198 elm Dry:Wet D63>W ~ D=W ~ D<W63 Scene 1-127
5 Stage 4, 6, 8 0-2
6 Diffusion stereo, mono 0-1 DISTORTION, OVERDRIVE
elm Dry:Wet D63>W ~ D=W ~ D<W63 Scene 1-127 No. Parameter Display Ctrl Matrix Value Table
1 Drive 0~100 Comn 0-100
AUTO PAN 2 Mid Freq 100Hz~10.0kHz 14-54 table#2
No. Parameter Display Ctrl Matrix Value Table 3 Mid Gain -12~+12dB 52-76
1 Speed 0.00~41.70Hz Common 0-159 table#1 4 High Freq 500Hz~16.0kHz 28-58 table#2
2 L/R Depth 0~100 0-100 5 High Gain -12~+12dB 52-76
3 F/R Depth 0~100 0-100 6 Out Level 0~100 0-100
4 PAN Direction L->R,L<-R,L<->R,Lturn,Rturn 0-4 elm Dry:Wet dry(1), both(64), wet(127) --- 1-127
elm Dry:Wet D63>W ~ D=W ~ D<W63 Scene 1-127 *Limit ~63:dry(1), 65~:wet(127)
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3-BAND EQ
DELAY EFFECT
DELAY L,C,R
No. Parameter Display Ctrl Matrix Value Table
1 Lch Dly 0.1~660.0ms / 0.1~1360.0ms 0-6599
2 Rch Dly 0.1~660.0ms / 0.1~1360.0ms 0-6599
3 Cch Dly 0.1~660.0ms / 0.1~1360.0ms 0-6599
4 Cch Level 0~100 0-100
5 FB Level -99~+99 0-198
6 HPF Thru~8.0kHz 0-52 table#2
7 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
DELAY L,R
No. Parameter Display Ctrl Matrix Value Table
1 Lch Dly 0.1~660.0ms / 0.1~1360.0ms 0-6599
2 Rch Dly 0.1~660.0ms / 0.1~1360.0ms 0-6599
3 FB Dly 1 0.1~660.0ms / 0.1~1360.0ms 0-6599
4 FB Dly 2 0.1~660.0ms / 0.1~1360.0ms 0-6599
5 FB Level -99~+99 0-198
6 HPF Thru~8.0kHz 0-52 table#2
7 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
ECHO
No. Parameter Display Ctrl Matrix Value Table
1 Lch Dly 0.1~330.0ms / 0.1~680.0ms 0-3299
2 Lch FB Level -99~+99 0-198
3 Rch Dly 0.1~330.0ms / 0.1~680.0ms 0-3299
4 Rch FB Level -99~+99 0-198
5 HPF Thru~8.0kHz 0-52 table#2
6 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
CROSS DELAY
No. Parameter Display Ctrl Matrix Value Table
1 L->R Dly 0.1~330.0ms / 0.1~680.0ms 0-3299
2 L->R FB Level -99~+99 0-198
3 R->L Dly 0.1~330.0ms / 0.1~680.0ms 0-3299
4 R->L FB Level -99~+99 0-198
5 Input Select L,R,L&R 0-2
6 HPF Thru~8.0kHz 0-52 table#2
7 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
TEMPO DELAY
No. Parameter Display Ctrl Matrix Value Table
1 Reference Dly e specified: 1/2, 3/8, 1/4, 3/16,
1/6, 1/8, 3/32, 1/12, 1/16, 1/24, 1/32
2 Lch Diffusion -20 - 20% 44-84
3 Rch Diffusion -20 - 20% 44-84
4 FB Level -99~+99 0-198
5 HPF Thru~8.0kHz 0-52 table#2
6 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
REVERB EFFECT
HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE
No. Parameter Display Ctrl Matrix Value Table
1 Reverb Time 0.3~30.0s 0-69 table#3
2 High Damp 0.1~1.5 0-14
3 Diffusion 0~10 0-10
4 Initial Dly 0.1~100.0ms 0-999
5 Er:Rev E63>R ~ E=R ~ E<R63 1-127
6 HPF Thru~8.0kHz 0-52 table#2
7 LPF 1.0k~Thru 34-60 table#2
Return 0~127 Comn
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Data Value Data Value Data Value Data Value Data Value Data Value Data Value
0 0 64 5.39 128 20.85 0 THRU(20) 0 0.3 0 off 0 1.0
1 0.08 65 5.47 129 21.52 1 22 1 0.4 1 1xSft 1 1.5
2 0.17 66 5.56 130 22.2 2 25 2 0.5 2 1xMid 2 2.0
3 0.25 67 5.64 131 22.87 3 28 3 0.6 3 1xHrd 3 3.0
4 0.34 68 5.72 132 23.54 4 32 4 0.7 4 2xSft 4 5.0
5 0.42 69 5.81 133 24.21 5 36 5 0.8 5 2xMid 5 7.0
6 0.51 70 5.89 134 24.89 6 40 6 0.9 6 2xHrd 6 10.0
7 0.59 71 5.98 135 25.56 7 45 7 1.0 7 4xSft 7 20.0
8 0.67 72 6.06 136 26.23 8 50 8 1.1 8 4xMid
9 0.76 73 6.15 137 26.9 9 56 9 1.2 9 4xHrd Table#8
10 0.84 74 6.23 138 27.58 10 63 10 1.3 10 8xSft Wah Cutoff
Freq.
11 0.93 75 6.31 139 28.25 11 70 11 1.4 11 8xMid
12 1.01 76 6.4 140 28.92 12 80 12 1.5 12 8xHrd Data Value
13 1.09 77 6.48 141 29.59 13 90 13 1.6 13 RdSft 0 20
14 1.18 78 6.57 142 30.27 14 100 14 1.7 14 RdMid 1 32
15 1.26 79 6.65 143 30.94 15 110 15 1.8 15 RdHrd 2 45
16 1.35 80 6.74 144 31.61 16 125 16 1.9 3 63
17 1.43 81 6.82 145 32.28 17 140 17 2.0 Table#5 4 80
18 1.52 82 6.9 146 32.96 18 160 18 2.1 Compressor 5 100
19 1.6 83 6.99 147 33.63 19 180 19 2.2 Attack Time 6 125
20 1.68 84 7.07 148 34.3 20 200 20 2.3 7 160
Data Value
21 1.77 85 7.16 149 34.97 21 225 21 2.4 8 200
0 1
22 1.85 86 7.24 150 35.65 22 250 22 2.5 9 250
1 2
23 1.94 87 7.32 151 36.32 23 280 23 2.6 10 280
2 3
24 2.02 88 7.41 152 36.99 24 315 24 2.7 11 315
3 4
25 2.1 89 7.49 153 37.67 25 355 25 2.8 12 350
4 5
26 2.19 90 7.58 154 38.34 26 400 26 2.9 13 400
5 6
27 2.27 91 7.66 155 39.01 27 450 27 3.0 14 500
6 7
28 2.36 92 7.75 156 39.68 28 500 28 3.1 15 560
7 8
29 2.44 93 7.83 157 40.36 29 560 29 3.2 16 630
8 9
30 2.53 94 7.91 158 41.03 30 630 30 3.3 17 700
9 10
31 2.61 95 8 159 41.7 31 700 31 3.4 18 800
10 12
32 2.69 96 8.08 32 800 32 3.5 19 1.0k
11 14
33 2.78 97 8.17 33 900 33 3.6 20 1.2k
12 16
34 2.86 98 8.25 34 1.0k 34 3.7 21 1.4k
13 18
35 2.95 99 8.33 35 1.1k 35 3.8 22 1.6k
14 20
36 3.03 100 8.42 36 1.2k 36 3.9 23 1.8k
15 23
37 3.12 101 8.5 37 1.4k 37 4.0 24 2.0k
16 26
38 3.2 102 8.59 38 1.6k 38 4.1 25 2.2k
17 30
39 3.28 103 8.67 39 1.8k 39 4.2 26 2.5k
18 35
40 3.37 104 8.76 40 2.0k 40 4.3 27 2.8k
19 40
41 3.45 105 8.84 41 2.2k 41 4.4 28 3.2k
42 3.54 106 8.92 42 2.5k 42 4.5 Table#6 29 3.6k
43 3.62 107 9.01 43 2.8k 43 4.6 30 4.0k
Compressor
44 3.7 108 9.09 44 3.2k 44 4.7 Release Time 31 5.0k
45 3.79 109 9.18 45 3.6k 45 4.8 32 5.6k
46 3.87 110 9.26 46 4.0k 46 4.9 Data Value 33 6.3k
47 3.96 111 9.68 47 4.5k 47 5.0 0 10 34 7.0k
48 4.04 112 10.11 48 5.0k 48 5.5 1 15 35 8.0k
49 4.13 113 10.61 49 5.6k 49 6.0 2 25 36 9.0k
50 4.21 114 11.44 50 6.3k 50 6.5 3 35 37 10.0k
51 4.29 115 12.11 51 7.0k 51 7.0 4 45 38 12.0k
52 4.38 116 12.78 52 8.0k 52 7.5 5 55 39 14.0k
53 4.46 117 13.45 53 9.0k 53 8.0 6 65
54 4.55 118 14.13 54 10.0k 54 8.5 7 75
55 4.63 119 14.8 55 11.0k 55 9.0 8 85
56 4.71 120 15.47 56 12.0k 56 9.5 9 100
57 4.8 121 16.14 57 14.0k 57 10.0 10 115
58 4.88 122 16.82 58 16.0k 58 11.0 11 140
59 4.97 123 17.49 59 18.0k 59 12.0 12 170
60 5.05 124 18.16 60 THRU(20.0k) 60 13.0 13 230
61 5.14 125 18.83 61 14.0 14 340
62 5.22 126 19.51 62 15.0 15 680
63 5.3 127 20.18 63 16.0
64 17.0
65 18.0
66 19.0
67 20.0
68 25.0
69 30.0
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*1. Adds or multiplies Control Matrix setting. Also does so when the same parameter is selected for multiple Control Matrix setting.
*2. Adds the value calculated in "Rate"(positive setting makes the EG faster), while the value is calculated in "Time" for the Knob parameters.
*3. No effect for the Aural Exciter, Compresser, Distortion, Over Drive and Guitar Amp Simulator. However, Direct Control functions even for these effects.
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P11-19 97.7.11 1:36 PMy[W 11
Many MIDI messages listed in the MIDI Data Format section are expressed in hexadecimal or binary numbers. Hexadecimal numbers Synthesizer Section
may include the letter “H” as a suffix. The letter “n” indicates a certain whole number.
The chart below lists the corresponding decimal number for each hexadecimal/binary number. (1) TRANSMIT FLOW
SW1
Decimal Hexadecimal Binary Decimal Hexadecimal Binary MIDI<-[]-+-NOTE ON/OFF 9nH
OUT | |
0 00 0000 0000 64 40 0100 0000 | +-CONTROL CHANGE *1
1 01 0000 0001 65 41 0100 0001 | | MODULATION BnH,01H
| | FOOT CONTROLLER BnH,04H
2 02 0000 0010 66 42 0100 0010
| | MAIN VOLUME BnH,07H
3 03 0000 0011 67 43 0100 0011 | | SUSTAIN SWITCH BnH,40H
| | RIBBON Z CONTROLLER BnH,0CH
4 04 0000 0100 68 44 0100 0100
| | RIBBON X CONTROLLER BnH,0DH
5 05 0000 0101 69 45 0100 0101 | | HARMONIC CONTENT BnH,47H
6 06 0000 0110 70 46 0100 0110 | | RELEASE TIME BnH,48H
| | ATTACK TIME BnH,49H
7 07 0000 0111 71 47 0100 0111 | | BRIGHTNESS BnH,4AH
8 08 0000 1000 72 48 0100 1000 | | DECAY TIME BnH,4BH
| | ASSIGNABLE BnH,00H...5FH
9 09 0000 1001 73 49 0100 1001 | |
10 0A 0000 1010 74 4A 0100 1010 | +-PROGRAM CHANGE CnH
| |
11 0B 0000 1011 75 4B 0100 1011 | +-CHANNEL AFTER TOUCH DnH
12 0C 0000 1100 76 4C 0100 1100 | |
| +-PITCH BEND CHANGE EnH
13 0D 0000 1101 77 4D 0100 1101 |SW2
14 0E 0000 1110 78 4E 0100 1110 +-[]-+-NOTE ON/OFF 9nH
| |SW4
15 0F 0000 1111 79 4F 0100 1111 | +-[]CONTROL CHANGE
16 10 0001 0000 80 50 0101 0000 | |SW4 ASSIGNABLE BnH,00H...5FH
| +-[]CHANNEL AFTER TOUCH DnH
17 11 0001 0001 81 51 0101 0001 |
18 12 0001 0010 82 52 0101 0010 |SW3
+-[]-+-SYSTEM EXCLUSIV MESSAGE
19 13 0001 0011 83 53 0101 0011 | | <BULK DUMP>
20 14 0001 0100 84 54 0101 0100 | |-SYSTEM F0H 43H 0nH 5CH bbH bbH 00H 00H 00H ddH.....ddH ccH F7H
| |-USER SEQ F0H 43H 0nH 5CH bbH bbH 01H aaH 00H ddH.....ddH ccH F7H
21 15 0001 0101 85 55 0101 0101 | |-CURRENT VOICE F0H 43H 0nH 5CH bbH bbH 10H 00H 00H ddH.....ddH ccH F7H
22 16 0001 0110 86 56 0101 0110 | |-CURRENT SEQ F0H 43H 0nH 5CH bbH bbH 10H 0EH 00H ddH.....ddH ccH F7H
| |-CURRENT SCENE1 F0H 43H 0nH 5CH bbH bbH 10H 10H 00H ddH.....ddH ccH F7H
23 17 0001 0111 87 57 0101 0111 | |-CURRENT SCENE2 F0H 43H 0nH 5CH bbH bbH 10H 11H 00H ddH.....ddH ccH F7H
24 18 0001 1000 88 58 0101 1000 | |[SW5]CURRENT SCENE_CTRL F0H 43H 0nH 5CH bbH bbH 10H 12H 00H ddH.....ddH ccH F7H
| |-USER VOICE F0H 43H 0nH 5CH bbH bbH 11H aaH 00H ddH.....ddH ccH F7H
25 19 0001 1001 89 59 0101 1001 | |
26 1A 0001 1010 90 5A 0101 1010 | | <PARAMETER CHANGE>
| |-SYSTEM F0H 43H 1nH 5CH 00H 00H aaH ddH.....ddH F7H
27 1B 0001 1011 91 5B 0101 1011
| |-CURRENT VOICE F0H 43H 1nH 5CH 10H 00H aaH ddH.....ddH F7H
28 1C 0001 1100 92 5C 0101 1100 | |-CURRENT SEQ F0H 43H 1nH 5CH 10H 0EH aaH ddH.....ddH F7H
| |-CURRENT SCENE1 F0H 43H 1nH 5CH 10H 10H aaH ddH.....ddH F7H
29 1D 0001 1101 93 5D 0101 1101
| |-CURRENT SCENE2 F0H 43H 1nH 5CH 10H 11H aaH ddH.....ddH F7H
30 1E 0001 1110 94 5E 0101 1110 | |[SW5]CURRENT SCENE_CTRL F0H 43H 1nH 5CH 10H 12H aaH ddH.....ddH F7H
31 1F 0001 1111 95 5F 0101 1111 |
+-+SYSTEM EXCLUSIV MESSAGE
32 20 0010 0000 96 60 0110 0000 | IDENTITY REPLY F0H 7EH 7FH 06H 02H 43H 00H 41H ddH ddH
33 21 0010 0001 97 61 0110 0001 | 00H 00H 00H 7EH F7H
+ACTIVE SENSING FEH
34 22 0010 0010 98 62 0110 0010
35 23 0010 0011 99 63 0110 0011 SW1 [] MIDI Transmit Channel
Depends on Keyboard Transmit Channel Set in System Data
36 24 0010 0100 100 64 0110 0100 SW2 [] MIDI Transmit Channel (ARPEGGIO/STEP SEQ)
37 25 0010 0101 101 65 0110 0101 Depends on Arpeggio/Step SEQ Transmit Channel in System Data
SW3 [] MIDI Device Number
38 26 0010 0110 102 66 0110 0110 If Device Number=all, then transmit Device Number=1
39 27 0010 0111 103 67 0110 0111 SW4 [] ARPEGGIO/STEP SEQ SELECT
Available only when Step Sequencer is selected.
40 28 0010 1000 104 68 0110 1000 SW5 [] SCENE SELECT
41 29 0010 1001 105 69 0110 1001 Available only when Scene Select is set to “Scene Control”.
42 2A 0010 1010 106 6A 0110 1010 *1 If Control Change Mode is “mode2”, then additional Control Change numbers are transmitted. (See (3-1-6).)
43 2B 0010 1011 107 6B 0110 1011
44 2C 0010 1100 108 6C 0110 1100 (2) RECEIVE FLOW
45 2D 0010 1101 109 6D 0110 1101
MIDI ->++
46 2E 0010 1110 110 6E 0110 1110 IN | |
47 2F 0010 1111 111 6F 0110 1111 ++ |
| ++
48 30 0011 0000 112 70 0111 0000 | |SW6
49 31 0011 0001 113 71 0111 0001 | |-[]-+NOTE OFF 8nH
| | |
50 32 0011 0010 114 72 0111 0010 | | +NOTE ON/OFF 9nH
51 33 0011 0011 115 73 0111 0011 | | |
| | +CONTROL CHANGE *1
52 34 0011 0100 116 74 0111 0100
| | | MODULATION BnH,01H
53 35 0011 0101 117 75 0111 0101 | | | FOOT CONTROLLER BnH,04H
| | | PORTAMENTO TIME BnH,05H
54 36 0011 0110 118 76 0111 0110
| | | DATA ENTRY MSB BnH,06H
55 37 0011 0111 119 77 0111 0111 | | | DATA ENTRY LSB BnH,26H
56 38 0011 1000 120 78 0111 1000 | | | MAIN VOLUME BnH,07H
| | | PANPOT BnH,0AH
57 39 0011 1001 121 79 0111 1001 | | | EXPRESSION BnH,0BH
58 3A 0011 1010 122 7A 0111 1010 | | | SUSTAIN SWITCH BnH,40H
| | | PORTAMENTO SWITCH BnH,41H
59 3B 0011 1011 123 7B 0111 1011 | | | HARMONIC CONTENT BnH,47H
60 3C 0011 1100 124 7C 0111 1100 | | | RELEASE TIME BnH,48H
| | | ATTACK TIME BnH,49H
61 3D 0011 1101 125 7D 0111 1101 | | | BRIGHTNESS BnH,4AH
62 3E 0011 1110 126 7E 0111 1110 | | | PORTAMENTO CONTROL BnH,54H
| | | REVERB DEPTH BnH,5BH
63 3F 0011 1111 127 7F 0111 1111 | | | CHORUS(VARIATION) DEPTH BnH,5DH
| | | DELAY DEPTH BnH,5EH
| | | DATA ENTRY INC BnH,60H
Additional Notes | | | DATA ENTRY DEC BnH,61H
| | | ASSIGNABLE CONTROLLER BnH,00H..5FH
• For example, 144 - 159(Decimal)/9nH/1001 0000 - 1001 1111(Binary) indicate the note-on messages for the channels 1 through 16 | | | RPN
respectively. 176 - 191/BnH/1011 0000 - 1011 1111 indicate the control change messages for the channels 1 through 16 respectively. 192 - | | | PITCH BEND SENS BnH,64H,00H,65H,00H,06H,mmH
207/CnH/1100 0000 - 1100 1111 indicate the program change messages for the channels 1 through 16 respectively. 240/F0H/1111 0000 is | | | RPN RESET BnH,64H,7FH,65H,7FH
positioned at the beginning of data to indicate a system exclusive message. 247/F7H/1111 0111 is positioned at the end of the system | | | ALL SOUND OFF BnH,78H,00H
exclusive message. | | | RESET ALL CONTROLLERS BnH,79H,00H
| | | ALL NOTE OFF BnH,7BH
• aaH(Hexadecimal)/0aaaaaaa(Binary) indicates the data addresses. The data address consists of High, Mid and Low. | | | OMNI MODE OFF BnH,7CH
| | | OMNI MODE ON BnH,7DH
• bbH/0bbbbbbb indicates byte counts. | | | MONO MODE BnH,7EH
| | | POLY MODE BnH,7FH
• ccH/0ccccccc indicates tcheck sums. | | |
| | +PROGRAM CHANGE CnH
• ddH/0ddddddd indicates data/value. | | |
| | +CHANNEL AFTER TOUCH DnH
| | |
| | +PITCH BEND CHANGE EnH
| |SW3
| +-[]-+SYSTEM EXCLUSIV MESSAGE
| | | <BULK DUMP>
| | |SYSTEM F0H 43H 0nH 5CH bbH bbH 00H 00H 00H ddH.....ddH ccH
11
P11-19 97.7.11 1:36 PMy[W 12
| | |USER SEQ F0H 43H 0nH 5CH bbH bbH 01H aaH 00H ddH.....ddH ccH F7H (VCF FILTER RESONANCE)
| | |CURRENT VOICE F0H 43H 0nH 5CH bbH bbH 10H 00H 00H ddH.....ddH ccH F7H c = 72 RELEASE TIME ; v = 0 - 127
| | |CURRENT SEQ F0H 43H 0nH 5CH bbH bbH 10H 0EH 00H ddH.....ddH ccH F7H (AMP EG RELEASE TIME)
| | |CURRENT SCENE1 F0H 43H 0nH 5CH bbH bbH 10H 10H 00H ddH.....ddH ccH F7H c = 73 ATTACK TIME ; v = 0 - 127
| | |CURRENT SCENE2 F0H 43H 0nH 5CH bbH bbH 10H 11H 00H ddH.....ddH ccH F7H (AMP EG ATTACK TIME)
| | |[SW5]-CURRENT SCENE_CTRL F0H 43H 0nH 5CH bbH bbH 10H 12H 00H ddH.....ddH ccH F7H c = 74 BRIGHTNESS ; v = 0 - 127
| | |USER VOICE F0H 43H 0nH 5CH bbH bbH 11H aaH 00H ddH.....ddH ccH F7H (VCF FILTER CUTOFF)
| | | c = 75 DECAY TIME ; v = 0 - 127
| | | <PARAMETER CHANGE> c = 91 REVERB DEPTH ; v = 0 - 127
| | |DX1 MASTER TUNING F0H 43H 1nH 04H 40H ddH F7H c = 93 CHORUS(VARIATION) DEPTH ; v = 0 - 127
| | |SYSTEM F0H 43H 1nH 5CH 00H 00H aaH ddH.....ddH F7H c = 94 DELAY DEPTH ; v = 0 - 127
| | |CURRENT VOICE F0H 43H 1nH 5CH 10H 00H aaH ddH.....ddH F7H c = 96 DATA ENTRY INC ; v = 127 *2
| | |CURRENT VOICE_SEQ F0H 43H 1nH 5CH 10H 0EH aaH ddH.....ddH F7H c = 97 DATA ENTRY DEC ; v = 127 *2
| | |CURRENT SCENE1 F0H 43H 1nH 5CH 10H 10H aaH ddH.....ddH F7H c = 00..95 ASSIGNABLE CONTROLLER ; v = 0 - 127
| | |CURRENT SCENE2 F0H 43H 1nH 5CH 10H 11H aaH ddH.....ddH F7H
| | |[SW5]-CURRENT SCENE_CTRL F0H 43H 1nH 5CH 10H 12H aaH ddH.....ddH F7H *1 Preset CONTROL CHANGE NUMBER at the factory. Can be changed.
| | | *2 Used only when assigning the parameter with RPN numbers.
| | | <BULK DUMP REQUEST>
| | |SYSTEM F0H 43H 2nH 5CH 00H 00H 00H F7H In addition, the following CONTROL NUMBERs will be transmitted/received when Control Change Mode 2 is selected. (These are unique
| | |USER SEQ F0H 43H 2nH 5CH 01H aaH 00H F7H to the AN1x and therefore not in accordance with the MIDI 1.0 standard.)
| | |CURRENT VOICE F0H 43H 2nH 5CH 10H 00H 00H F7H
| | |CURRENT VOICE_SEQ F0H 43H 2nH 5CH 10H 0EH 00H F7H c = 3 SCENE SELECT ; v = 0 - 127
| | |CURRENT SCENE1 F0H 43H 2nH 5CH 10H 10H 00H F7H c = 8 LAYER MODE ; v = 0 - 127
| | |CURRENT SCENE2 F0H 43H 2nH 5CH 10H 11H 00H F7H c = 9 POLY/MONO MODE ; v = 0 - 127
| | |[SW5]-CURRENT SCENE_CTRL F0H 43H 2nH 5CH 10H 12H 00H F7H c = 14 LFO RESET MODE ; v = 0 - 127
| | |USER VOICE F0H 43H 2nH 5CH 11H aaH 00H F7H c = 15 LFO1 WAVE ; v = 0 - 127
| | c = 16 LFO1 SPEED ; v = 0 - 127
| |SYSTEM EXCLUSIV MESSAGE c = 17 LFO2 SPEED ; v = 0 - 127
| MIDI MASTER VOLUME F0H 7FH 7FH 04H 01H llH mmH F7H c = 18 VCO1 PITCH MOD DEPTH ; v = 0 - 127
| IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H c = 19 VCF FILTER MOD DEPTH ; v = 0 - 127
| c = 20 LFO1 DELAY ; v = 0 - 127
|-+SYSTEM EXCLUSIV MESSAGE c = 21 VCO1 PITCH COARSE TUNE ; v = 0 - 127
| TEST ENTRY F0H 43H 10H 18H 5AH 00H F7H c = 22 VCO SYNC PITCH ; v = 0 - 127
| LCD HARD COPY F0H 43H 10H 18H 5AH 01H F7H c = 23 VCO SYNC PITCH DEPTH ; v = 0 - 127
| c = 24 VCO SYNC PITCH SOURCE ; v = 0 - 127
+TIMING CLOCK F8H c = 25 PEG DEPTH ; v = 0 - 127
+ACTIVE SENSING FEH c = 26 PEG SWITCH ; v = 0 - 127
c = 27 PEG DECAY ; v = 0 - 127
SW3 [] MIDI Device Number c = 28 PEG SUSTAIN LEVEL ; v = 0 - 127
SW4 [] ARPEGGIO/STEP SEQ SELECT c = 29 FEG RELEASE ; v = 0 - 127
Available only when Step Sequencer is selected. c = 30 VCF CUTOFF KBD TRACK ; v = 0 - 127
SW5 [] SCENE SELECT c = 31 AMP EG SUSTAIN LEVEL ; v = 0 - 127
Available only when Scene Select is set to “Scene Control”. c = 33 VCO ALGORITHM ; v = 0 - 127
SW6 [] MIDI Receive Channel c = 34 VCO SYNC PITCH MOD SW ; v = 0 - 127
Depends on Receive Channel set in System Data. c = 35 FM DEPTH ; v = 0 - 127
c = 36 FM SOURCE1 ; v = 0 - 127
*1 If Control Change Mode is “mode2”, then additional Control Change numbers are received. (See (3-1-6).) c = 37 FM SOURCE2 ; v = 0 - 127
c = 39 MIXER NOISE LEVEL ; v = 0 - 127
c = 50 VCO1 WAVE TYPE ; v = 0 - 127
(3) TRANSMIT/RECEIVE DATA c = 51 VCO2 WAVE TYPE ; v = 0 - 127
c = 52 VCO2 PITCH COARSE TUNE ; v = 0 - 127
(3-1) CHANNEL VOICE MESSAGES c = 53 VCO2 PITCH FINE TUNE ; v = 0 - 127
c = 54 VCO2 EDGE ; v = 0 - 127
(3-1-1) NOTE OFF c = 55 VCO2 PULSE WIDTH ; v = 0 - 127
c = 56 VCO2 PWM DEPTH ; v = 0 - 127
STATUS 1000nnnn(8nH) n = 0 ~ 15; MIDI RECEIVE CHANNEL c = 57 VCO2 PITCH MOD DEPTH ; v = 0 - 127
NOTE NUMBER 0kkkkkkk k = 0(C-2)~127(G8) c = 58 VCF HPF CUTOFF ; v = 0 - 127
VELOCITY 0vvvvvvv ignores v c = 59 VCF FILTER TYPE ; v = 0 - 127
c = 60 FILTER EG VELOCITY SENS ; v = 0 - 127
Reception only. c = 61 AMP EG VELOCITY SENS ; v = 0 - 127
c = 62 VCA VOLUME ; v = 0 - 127
(3-1-2) NOTE ON/OFF c = 63 VCA FEED BACK LEVEL ; v = 0 - 127
c = 68 MIXER VCO1 LEVEL ; v = 0 - 127
STATUS 1001nnnn(9nH) n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL c = 69 MIXER VCO2 LEVEL ; v = 0 - 127
NOTE NUMBER 0kkkkkkk k = 0(C-2)~127(G8); when receiving c = 70 RING MODULATOR LEVEL ; v = 0 - 127
k = 36(C1)~96(C6); when transmitting c = 76 VCO1 EDGE ; v = 0 - 127
k = 0(C-2)~127(G8); selectable when transposed c = 77 VCO1 PITCH FINE TUNE ; v = 0 - 127
VELOCITY 0vvvvvvv (v›0) NOTE ON c = 78 VCO1 PULSE WIDTH ; v = 0 - 127
00000000 (v=0) NOTE OFF c = 79 VCO1 PWM DEPTH ; v = 0 - 127
c = 80 VCA AMP MOD DEPTH ; v = 0 - 127
c = 81 FILTER EG DEPTH ; v = 0 - 127
(3-1-3) PROGRAM CHANGE c = 82 FILTER EG ATTACK ; v = 0 - 127
c = 83 FILTER EG DECAY ; v = 0 - 127
STATUS 1100nnnn(CnH) n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL c = 85 PORTAMENTO MODE ; v = 0 - 127
PROGRAM NUMBER 0ppppppp p = 0 ~ 127 c = 86 VCO1 PWM SOURCE ; v = 0 - 127
c = 87 VCO2 PWM SOURCE ; v = 0 - 127
c = 90 ARPEGGIO/STEP SEQ SW ; v = 0 - 127
(3-1-4) CHANNEL AFTER TOUCH
STATUS 1101nnnn(DnH) n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL MODULATION is used to control vibrato depth.
VALUE 0vvvvvvv v = 0 ~ 127 AFTER TOUCH VALUE
PORTAMENTO TIME sets the time it takes for the pitch to reach the next note played when PORTAMENT SWITCH (CONTROL #65) is set
to on. 0 is the minimum time and 127 is the maximum.
(3-1-5) PITCH BEND CHANGE
PANPOT position relatively changes accordiong to the preset value for each voice.
STATUS 1110nnnn(EnH) n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL
LSB 0vvvvvvv PITCH BEND CHANGE LSB REVERB DEPTH controls reverb send level.
MSB 0vvvvvvv PITCH BEND CHANGE MSB CHORUS DEPTH overwrites the Dry: Wet value of the Variation Effect directly for each voice.
DELAY DEPTH controls delay send level.
Transmitted with a resolution of 7 bits.
HARMONIC CONTENT adjusts the resonance preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is
(3-1-6) CONTROL CHANGE an offset parameter. Higher values produce more resonance. The effective range may be narrower than the range you can designate depending
on the selected voice.
STATUS 1011nnnn(BnH) n = 0 ~ 15; MIDI TRANSMIT/RECEIVE CHANNEL
CONTROL NUMBER 0ccccccc RELEASE TIME adjusts the envelop release time preset for each voice. Setting a value adds to or subtracts from the center value 64 since it
CONTROL VALUE 0vvvvvvv is an offset parameter.
* TRANSMITTED CONTROL NUMBERS ATTACK TIME adjusts the envelop attack time preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is
c = 1 MODULATION ; v = 0 - 127 *1 an offset parameter.
c = 4 FOOT CONTROLLER ; v = 0 - 127 *1
c = 7 MAIN VOLUME ; v = 0 - 127 *1 BRIGHTNESS adjusts the cutoff frequency preset for each voice. Setting a value adds to or subtracts from the center value 64 since it is an
c = 12 RIBBON Z CONTROLLER ; v = 0 - 127 *1 offset parameter. Lower valnes produce a warmer sound. The effective range may be narrower than the range you can designate depending on
c = 13 RIBBON X CONTROLLER ; v = 0:-64 - 64:0 - 127:+63 *1 the selected voice.
c = 64 SUSTAIN SWITCH ; v = 0-63:OFF, 64-127:ON *1
c = 71 HARMONIC CONTENT ; v = 0 - 127
c = 72 RELEASE TIME ; v = 0 - 127 (3-2) CHANNEL MODE MESSAGES
c = 73 ATTACK TIME ; v = 0 - 127
c = 74 BRIGHTNESS ; v = 0 - 127 STATUS 1011nnnn(BnH) n = 0 ~ 15 ;MIDI RECEIVE CHANNEL
c = 75 DECAY TIME ; v = 0 - 127 CONTROL NUMBER 0ccccccc c = CONTROL NUMBER
c = 00..95 ASSIGNABLE CONT ; v = 0 - 127 CONTROL VALUE 0vvvvvvv v = DATA VALUE
12
P11-19 97.7.11 1:36 PMy[W 13
All the notes currently set to on in a certain channel are muted when receiving this message. However, if Hold 1 or Sostenute is on, notes
will continue sounding until these are turned off. (3-5-4) BULK DUMP
(3-4) SYSTEM REAL TIME MESSAGES The following eight types of data are received.
(3-4-2) TIMING CLOCK(Receive only) (4) CONFIGURATION OF KEYBOARD, ARPEGGIATOR AND TONE GENERATOR
13
P11-19 97.7.11 1:36 PMy[W 14
10 12 00 Current Voice Scene Ctrl Buffer 3e 2 00...7F Dly-Ef Param 7 MSB See Effect Parameter List Depends On Dly-Ef Type
CURRENT PATTERN 10 0E 00 Current Pattern Buffer 00...7F Dly-Ef Param 7 LSB See Effect Parameter List Depends On Dly-Ef Type
USER VOICE 11 00 00 User Voice 1 (only Bulk Dump) 40 1 00...0D Rev-Ef Type See Effect Type List 00(=Hall 1)
: 41 1 00...00 Rev-Ef Return 0...127 00
11 7F 00 User Voice 128 (only Bulk Dump) 42 2 00...7F Rev-Ef Param 1 MSB See Effect Parameter List Depends On Rev-Ef Type
00...7F Rev-Ef Param 1 LSB See Effect Parameter List Depends On Rev-Ef Type
44 2 00...7F Rev-Ef Param 2 MSB See Effect Parameter List Depends On Rev-Ef Type
MIDI Data Table <1-2> 00...7F Rev-Ef Param 2 LSB See Effect Parameter List Depends On Rev-Ef Type
46 2 00...7F Rev-Ef Param 3 MSB See Effect Parameter List Depends On Rev-Ef Type
MIDI Parameter Change Table (System) 00...7F Rev-Ef Param 3 LSB See Effect Parameter List Depends On Rev-Ef Type
48 2 00...7F Rev-Ef Param 4 MSB See Effect Parameter List Depends On Rev-Ef Type
Address Size Data Prameter Name Description Default 00...7F Rev-Ef Param 4 LSB See Effect Parameter List Depends On Rev-Ef Type
(H) (H) (H) value(H) 4a 2 00...7F Rev-Ef Param 5 MSB See Effect Parameter List Depends On Rev-Ef Type
00 00 00 2 0AA...356 Master tune -100.0(0AA)...+100.0 cent(356) 200(+0) 00...7F Rev-Ef Param 5 LSB See Effect Parameter List Depends On Rev-Ef Type
02 1 1C...64 Keyboard Transpose -36(1C)...+36(64) 40(+0) 4c 2 00...7F Rev-Ef Param 6 MSB See Effect Parameter List Depends On Rev-Ef Type
03 1 00...05 Keyboard Velocity Curve normal(0),soft1(1),soft2(2), 04(wide) 00...7F Rev-Ef Param 6 LSB See Effect Parameter List Depends On Rev-Ef Type
easy(3),wide(4),hard(5) 4e 2 00...7F Rev-Ef Param 7 MSB See Effect Parameter List Depends On Rev-Ef Type
04 1 00...7F Keyboard Fixed Velocity off(0),1...127 00(off) 00...7F Rev-Ef Param 7 LSB See Effect Parameter List Depends On Rev-Ef Type
05 1 00...04 Effect Bypass off(0),rev(1),dly(2),rev&dly(3),
all(4) 00(off) 50 1 00...01 Arpeggio/Step Seq on/off off(0),on(1) 00(off)
06 1 00...7F Keyboard Transmit Channel 1(0)...16(0F),off(7F) 00(1) 51 1 00...01 Arpeggio/Step Seq Select Arpeggio(0),Step Seq(1) 00(Arpeggio)
07 1 00...7F Arpeggio/Step Seq 1(0)...16(0F),off(7F) 00(1) 52 1 00...1D Arpeggio Type/
Transmit Channel Step Seq Ptn No UpDwn1(0)...BassLineD(1D) *2 00(UpDwn1)
08 1 00...7F Receive Channel1 1(0)...16(0F),off(7F) 00(1) 00...7F C#1:Usr001(0)...Usr128(7F) *3
09 1 00...7F Receive Channel2 1(0)...16(0F),off(7F) 00(1) 53 1 00...01 Arpeggio/Step Seq Kbd Mode chord(0),chord&normal(1) *4 00(chord)
0a 1 00...11 Midi Device Number 1(0)...16(0F),all(10),off(11) 10(all) 00...03 normal(0),note-shift&normal(1), *5
0b 1 00...01 Midi Local off(0),on(1) 01(on) ptn-sel&normal(2),
0c 1 00...60 Scene Ctrl Number off(0),1...95,AT(60) 01(1) pt-sel¬e-shift(3) *6
0d 1 00...60 MW Ctrl Number off(0),1...95,AT(60) 01(1) 54 1 00...01 Arpeggio/Step Hold off(0),on(1) 00(off)
0e 1 00...60 FV Ctrl Number off(0),1...95,AT(60) 07(7) 00...02 off(0),mode1(1),mode2(2) *7
0f 1 00...60 FC Ctrl Number off(0),1...95,AT(60) 04(4)
10 1 00...60 FS Ctrl Number off(0),1...95,AT(60) 40(64) 55 1 00...02 Arpeggio/Step Seq Scene Sw. Scene1(1),Scene2(2),both(3) 03(both)
11 1 00...60 Ribbon X Ctrl Number off(0),1...95,AT(60) 0d(13) 56 1 00...09 Arpeggio Subdivide 3/8(0)...1/32(9) 04(1/8)
12 1 00...60 Ribbon Z Ctrl Number off(0),1...95,AT(60) 0c(12)
13 1 00...62 Assinable Knob 1 Number off(0),1...95,AT(60), 28(41) 57 1 32...53 Play Effect Swing 50%(32)...83%(53) *8 32(50%)
Data Entry(61),Tempo(62) 58 2 00...C8 Play Effect Velocity realtime(0),1%(1)...200%(C8) 64(100%)
14 1 00...62 Assinable Knob 2 Number off(0),1...95,AT(60), 29(42) 5a 2 01...C8 Play Effect Gate Time 1%(1)...200%(C8) *8 64(100%)
Data Entry(61),Tempo(62)
15 1 00...62 Assinable Knob 3 Number off(0),1...95,AT(60), 2a(43) 5c 1 00...02 Free EG Trigger free(0),keyboard&midi(1),all(2) 01(kbd&midi)
Data Entry(61),Tempo(62) 5d 1 00...04 Free EG Loop Type off(0),fwd(1),fwd-half(2), 01(fwd)
16 1 00...62 Assinable Knob 4 Number off(0),1...95,AT(60), 2b(44) alternate(3),alternate-half(4)
Data Entry(61),Tempo(62) 5e 1 02...60 Free EG Length 1/2bar(2),1bar(3),3/2bar(4), 28(4.0sec)
17 1 00...62 Assinable Knob 5 Number off(0),1...95,AT(60), 2c(45) 2bar(5),3bar(6),4bar(7),6bar(8),
Data Entry(61),Tempo(62) 8bar(9),1.0sec(0A)...8.0sec(50)
18 1 00...62 Assinable Knob 6 Number off(0),1...95,AT(60), 2d(46) ...16.0sec(60)
Data Entry(61),Tempo(62) 5f 1 00...7F Free EG Keyboard Track -64...+63 40(+0)
19 1 00...62 Assinable Knob 7 Number off(0),1...95,AT(60), 2e(47) 60 1 00...38 Free EG Trk Param 1 off(0)...VCA Mod Depth(38) *9 00(off)
Data Entry(61),Tempo(62) 61 1 00...0F Free EG Trk Scene Switch 1 off(0),Scene1(1),Scene2(2),both(3) 00(off)
1a 1 00...62 Assinable Knob 8 Number off(0),1...95,AT(60), 2f(48) bit2..3=track sws back up
Data Entry(61),Tempo(62) 62 1 00...38 Free EG Trk Param 2 off(0)...VCA Mod Depth(38) *9 00(off)
1b 1 00...00 reserved 0...0 00 63 1 00...0F Free EG Trk Scene Switch 2 off(0),Scene1(1),Scene2(2),,both(3) 00(off)
bit2..3=track sws back up
Total size 1C 64 1 00...38 Free EG Trk Param 3 off(0)...VCA Mod Depth(38) *9 00(off)
65 1 00...0F Free EG Trk Scene Switch 3 off(0),Scene1(1),Scene2(2),both(3) 00(off)
bit2..3=track sws back up
MIDI Data Table <1-3> 66 1 00...38 Free EG Trk Param 4 off(0)...VCA Mod Depth(38) *9 00(off)
67 1 00...0F Free EG Trk Scene Switch 4 off(0),Scene1(1),Scene2(2),both(3) 00(off)
MIDI Parameter Change Table ( Current Voice Common Buffer) bit2..3=track sws back up
00 68 2 00...01 Free EG Trk1 Data1 MSB 0...1 *10 01
Address Size Data Prameter Name Description Default 00...7F Free EG Trk1 Data1 LSB 0...127 *10 00
(H) (H) (H) value(H) 00 6a 2 00...01 Free EG Trk1 Data2 MSB 0...1 *10 01
10 00 00 1 20...7F Voice Name 1 Ascii Code I 00...7F Free EG Trk1 Data2 LSB 0...127 *10 00
01 1 20...7F Voice Name 2 Ascii Code n : : : : : :
02 1 20...7F Voice Name 3 Ascii Code i 03 66 2 00...01 Free EG Trk1 Data192 MSB 0...1 *10 01
03 1 20...7F Voice Name 4 Ascii Code t 00...7F Free EG Trk1 Data192 LSB 0...127 *10 00
04 1 20...7F Voice Name 5 Ascii Code N 03 68 2 00...01 Free EG Trk2 Data1 MSB 0...1 *10 01
05 1 20...7F Voice Name 6 Ascii Code o 00...7F Free EG Trk2 Data1 LSB 0...127 *10 00
06 1 20...7F Voice Name 7 Ascii Code r 03 6a 2 00...01 Free EG Trk2 Data2 MSB 0...1 *10 01
07 1 20...7F Voice Name 8 Ascii Code m 00...7F Free EG Trk2 Data2 LSB 0...127 *10 00
08 1 20...7F Voice Name 9 Ascii Code a : : : : : :
09 1 20...7F Voice Name 10 Ascii Code l 06 66 2 00...01 Free EG Trk2 Data192 MSB 0...1 *10 01
0a 1 00...54 Voice Category ,Pf...Wv 00...7F Free EG Trk2 Data192 LSB 0...127 *10 00
06 68 2 00...01 Free EG Trk3 Data1 MSB 0...1 *10 01
0b 1 01...03 Common Scene Select Scene1(1),Scene2(2), 40(+0) 00...7F Free EG Trk3 Data1 LSB 0...127 *10 00
Scene Ctrl(3)
0c 1 00...05 Layer Mode sinlge(0),unison(1),dual(2), 00(single) 06 6a 2 00...01 Free EG Trk3 Data2 MSB 0...1 *10 01
dual-unison(3),split(4), 00...7F Free EG Trk3 Data2 LSB 0...127 *10 00
split-unison(5) : : : : : :
0d 1 00...02 Layer Pan off(0),alternate(1),random(2) 00(off) 09 66 2 00...01 Free EG Trk3 Data128 MSB 0...1 *10 01
0e 1 00...32 Layer Separation 0...32 00 00...7F Free EG Trk3 Data128 LSB 0...127 *10 00
0f 1 00...32 Unison Detune 0...32 06 09 68 2 00...01 Free EG Trk4 Data1 MSB 0...1 *10 01
10 2 27...F0 Common Tempo midi(27),40(28)...240(F0) 78(120) 00...7F Free EG Trk4 Data1 LSB 0...127 *10 00
12 1 00...7F Common Split Point C-2(0)...G8(7F) 3C(C3) 09 6a 2 00...01 Free EG Trk4 Data2 MSB 0...1 *10 01
13 1 00...01 Common Portamento Switch off(0)...on(1) 00(off) 00...7F Free EG Trk4 Data2 LSB 0...127 *10 00
14 1 00...72 Common Ctrl Matrix Source1 off(0)...Assign Knob8(72) *1 00 : : : : : :
15 1 00...05 Common Ctrl Matrix Param 1 off(0)...Rev Return(5) *1 00 09 66 2 00...01 Free EG Trk4 Data128 MSB 0...1 *10 01
16 1 00...7F Common Ctrl Matrix Depth 1 -64...+63 *1 40(+0) 00...7F Free EG Trk4 Data128 LSB 0...127 *10 00
17 1 00...72 Common Ctrl Matrix Source2 off(0)...Assign Knob8(72) *1 00
18 1 00...05 Common Ctrl Matrix Param 2 off(0)...Rev Return(5) *1 00 TOTAL SIZE 668
19 1 00...7F Common Ctrl Matrix Depth 2 -64...+63 *1 40(+0)
*1 : see other table (Ctrl Matrix Paramter List)
1a 1 00...0D Vari-Ef Type See Effect Type List 00(=Chorus 1) *2 : see other table (Arpeggio Type List)
1b 1 00...00 reserved 00 00 *3 : become available only when Step Seq is selected and Kbd Mode =’ptn-sel&norm’ or ‘ptn-sel¬e-shift’
1c 2 00...7F Vari-Ef Param 1 MSB See Effect Parameter List Depends On Vari-Ef Type *4 : only when Arpeggio is selected
00...7F Vari-Ef Param 1 LSB See Effect Parameter List Depends On Vari-Ef Type *5 : only when Step Seq is selected
1e 2 00...7F Vari-Ef Param 2 MSB See Effect Parameter List Depends On Vari-Ef Type *6 : except *7
00...7F Vari-Ef Param 2 LSB See Effect Parameter List Depends On Vari-Ef Type *7 : only when Step Seq is selected and Kbd Mode = ‘ptn-sel&norm’ or ‘ptn-sel¬e-shift’
20 2 00...7F Vari-Ef Param 3 MSB See Effect Parameter List Depends On Vari-Ef Type *8 : become available only when Step Seq is selected
00...7F Vari-Ef Param 3 LSB See Effect Parameter List Depends On Vari-Ef Type *9 : see other table (Free EG Track Paramter List)
22 2 00...7F Vari-Ef Param 4 MSB See Effect Parameter List Depends On Vari-Ef Type *10: only Bulk Dump (not transmitted and received as parameter change)
00...7F Vari-Ef Param 4 LSB See Effect Parameter List Depends On Vari-Ef Type
24 2 00...7F Vari-Ef Param 5 MSB See Effect Parameter List Depends On Vari-Ef Type
00...7F Vari-Ef Param 5 LSB See Effect Parameter List Depends On Vari-Ef Type MIDI Data Table <1-4>
26 2 00...7F Vari-Ef Param 6 MSB See Effect Parameter List Depends On Vari-Ef Type
00...7F Vari-Ef Param 6 LSB See Effect Parameter List Depends On Vari-Ef Type MIDI Parameter Change Table ( Current Voice Scene Buffer )
28 1 04...28 3-Band EQ Low Freq 32Hz(04)...2.0kHz(28) 14(200Hz)
29 1 34...4C 3-Band EQ Low Gain 12dB(34)...0(40)...+12dB(4C) 40(+0dB) Address Size Data Parameter Name Description Default
2a 1 0E...36 3-Band EQ Mid Freq 100Hz(0E)...10.0kHz(36) 28(2.0kHz) (H) (H) (H) Value(H)
2b 1 34...4C 3-Band EQ Mid Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB) 10 1S 00 1 00...02 Poly Mode poly(0),mono(1),legato(2) 00(poly)
2c 1 0A...78 3-Band EQ Mid Resonance(Q) 1.0(0A)...12.0(78) 0A(1.0) 01 1 2C...54 Pich Up (PB Range +) -24(2C)...+24(54) 42(+2)
2d 1 1C...3A 3-Band EQ High Freq 500Hz(1C)...16.0kHz(38) 34(8.0kHz) 02 1 2C...54 Pich Down (PB Range -) -24(2C)...+24(54) 3E(-2)
2e 1 34...4C 3-Band EQ High Gain -12dB(34)...0(40)...+12dB(4C) 40(+0dB) 03 1 00...7F PEG Decay -64...+63 40(+0)
2f 1 00...01 Dly-Rev Connection seri(0),para(1) 00(seri) 04 1 00...7F PEG Depth -64...+63 semitones 40(+0)
30 1 00...0D Dly-Ef Type See Effect Type List 00(=Delay L,C,R) 05 1 01...03 PEG Switch VCO1(1),VCO2(2),both(3) 03(both)
31 1 00...00 Dly-Ef Return 0...127 00 06 1 00...01 Portamento Mode normal(0),sustain-key(1) *1 00(normal)
32 2 00...7F Dly-Ef Param 1 MSB See Effect Parameter List Depends On Dly-Ef Type fuul-time(0),fingerd(1) *2
00...7F Dly-Ef Param 1 LSB See Effect Parameter List Depends On Dly-Ef Type 07 1 00...7F Portamento Time 0...127 20(32)
34 2 00...7F Dly-Ef Param 2 MSB See Effect Parameter List Depends On Dly-Ef Type 08 1 00...01 LFO Reset Mode off(0),key-on(1) 00(off)
00...7F Dly-Ef Param 2 LSB See Effect Parameter List Depends On Dly-Ef Type 09 1 00...14 LFO1 Wave sine(0)...offset-s/h2(14) *3 00(sine)
36 2 00...7F Dly-Ef Param 3 MSB See Effect Parameter List Depends On Dly-Ef Type 0a 2 00...FF LFO1 Speed 1(0)...256(FF) 1F(32)
00...7F Dly-Ef Param 3 LSB See Effect Parameter List Depends On Dly-Ef Type 0c 1 00...7F LFO1 Speed 0...127 00
38 2 00...7F Dly-Ef Param 4 MSB See Effect Parameter List Depends On Dly-Ef Type 0d 2 00...FF LFO2 Speed 1(0)...256(FF) 1F(32)
00...7F Dly-Ef Param 4 LSB See Effect Parameter List Depends On Dly-Ef Type 0f 1 00...3 VCO Algorithm Sync-off&FM-on(0), 00(Sync-off&FM-both)
3a 2 00...7F Dly-Ef Param 5 MSB See Effect Parameter List Depends On Dly-Ef Type (Osillator Sync & FM) Sync-on&FM-both(1),
00...7F Dly-Ef Param 5 LSB See Effect Parameter List Depends On Dly-Ef Type Sync-on&FM-master(2),
3c 2 00...7F Dly-Ef Param 6 MSB See Effect Parameter List Depends On Dly-Ef Type Sync-on&FM-slave(3)
00...7F Dly-Ef Param 6 LSB See Effect Parameter List Depends On Dly-Ef Type
14
P11-19 97.7.11 1:36 PMy[W 15
15
P11-19 97.7.11 1:36 PMy[W 16
16
P11-19 97.7.11 1:36 PMy[W 17
1 00...24 Ctrl Matrix Param 15 off(0)...Vari-Ef Dry:Wet(24) *19 00 1 00...7F Ctrl Matrix Depth 11 Depends on Ctrl Matrix Param *19 40(+0)
1 00...7F Ctrl Matrix Depth 15 Depends on Ctrl Matrix Param *19 40(+0) 1 00...72 Ctrl Matrix Source12 off(0)...Assign Knob8(72) *19 00
1 00...72 Ctrl Matrix Source16 off(0)...Assign Knob8(72) *19 00 1 00...24 Ctrl Matrix Param 12 off(0)...Vari-Ef Dry:Wet(24) *19 00
1 00...24 Ctrl Matrix Param 16 off(0)...Vari-Ef Dry:Wet(24) *19 00 1 00...7F Ctrl Matrix Depth 12 Depends on Ctrl Matrix Param *19 40(+0)
1 00...7F Ctrl Matrix Depth 16 Depends on Ctrl Matrix Param *19 40(+0) 1 00...72 Ctrl Matrix Source13 off(0)...Assign Knob8(72) *19 00
1 00...24 Ctrl Matrix Param 13 off(0)...Vari-Ef Dry:Wet(24) *19 0
(from Here : Scene2’s Data) 1 00...7F Ctrl Matrix Depth 13 Depends on Ctrl Matrix Param *19 40(+0)
1 00...02 Poly Mode poly(0),mono(1),legato(2) 00(poly) 1 00...72 Ctrl Matrix Source14 off(0)...Assign Knob8(72) *19 00
1 2C...54 Pich Up (PB Range +) -24(2C)...+24(54) 42(+2) 1 00...24 Ctrl Matrix Param 14 off(0)...Vari-Ef Dry:Wet(24) *19 00
1 2C...54 Pich Down (PB Range -) -24(2C)...+24(54) 3E(-2) 1 00...7F Ctrl Matrix Depth 14 Depends on Ctrl Matrix Param *19 40(+0)
1 00...7F PEG Decay -64...+63 40(+0) 1 00...72 Ctrl Matrix Source15 off(0)...Assign Knob8(72) *19 00
1 00...7F PEG Depth -64...+63 semitones 40(+0) 1 00...24 Ctrl Matrix Param 15 off(0)...Vari-Ef Dry:Wet(24) *19 00
1 01...03 PEG Switch VCO1(1),VCO2(2),both(3) 03(both) 1 00...7F Ctrl Matrix Depth 15 Depends on Ctrl Matrix Param *19 40(+0)
1 00...01 Portamento Mode normal(0),sustain-key(1) *11 00(normal) 1 00...72 Ctrl Matrix Source16 off(0)...Assign Knob8(72) *19 00
full-time(0),fingerd(1) *12 1 00...24 Ctrl Matrix Param 16 off(0)...Vari-Ef Dry:Wet(24) *19 00
1 00...7F Portamento Time 0...127 20(32) 1 00...7F Ctrl Matrix Depth 16 Depends on Ctrl Matrix Param *19 40(+0)
1 00...01 LFO Reset Mode off(0),key-on(1) 00(off)
1 00...14 LFO1 Wave sine(0)...offset-s/h2(14) *13 00(sine) (from Here : Step Seq Pattern Data)
2 00...FF LFO1 Speed 1(0)...256(FF) 1F(32) 1 00...09 Step Seq Base Unit 3/8(0)...1/32(9) 04(1/8)
1 00...7F LFO1 Speed 0...127 00 1 01...10 Step Seq Length 1steps(1)...16steps(10) 08
2 00...FF LFO2 Speed 1(0)...256(FF) 1F(32) 1 00...03 Step Seq Loop Type fwd(0),backwd(1),alternateA(2), 00(fwd)
1 00...3 VCO Algorithm Sync-off&FM-on(0), 00(Sync-off&FM-both) alternateB(3)
(Osillator Sync & FM) Sync-on&FM-both(1), 1 00...60 Step Seq Ctrl Change No off(0)...95,AT(60) 00(off)
Sync-on&FM-master(2), 1 00...00 reserved 00 00
Sync-on&FM-slave(3) 1 00...00 reserved 00 00
1 00...7F Sync Pitch -64...+63 40(+0) 1 00...7F Step Seq Note No 1 C-2(0)...G8(7F) C3(3C)
1 00...7F Sync Pitch Depth -64...+63 40(+0) 1 00...7F Step Seq Note No 2 C-2(0)...G8(7F) C3(3C)
1 00...04 Sync Pitch Source fixed(0),PEG(1),FEG(2),LFO1(3), 00(fixed) 1 00...7F Step Seq Note No 3 C-2(0)...G8(7F) C3(3C)
LFO2(4) 1 00...7F Step Seq Note No 4 C-2(0)...G8(7F) C3(3C)
1 01...03 Sync Pitch Mod Switch master(1),slave(2),both(3) 03(both) 1 00...7F Step Seq Note No 5 C-2(0)...G8(7F) C3(3C)
1 00...7F FM Depth -64...+63 40(+0) 1 00...7F Step Seq Note No 6 C-2(0)...G8(7F) C3(3C)
1 00...04 FM Source 1 fixed(0),PEG(1),FEG(2),LFO1(3), 00(fixed) 1 00...7F Step Seq Note No 7 C-2(0)...G8(7F) C3(3C)
LFO2(4) 1 00...7F Step Seq Note No 8 C-2(0)...G8(7F) C3(3C)
1 00...06 FM Source 2 VCO2(0),VCO1(1),VCO1-sub(2), 00(VCO2) 1 00...7F Step Seq Note No 9 C-2(0)...G8(7F) C3(3C)
PEG(3),FEG(4),LFO1(5),LFO2(6) 1 00...7F Step Seq Note No 10 C-2(0)...G8(7F) C3(3C)
1 00...7F Step Seq Note No 11 C-2(0)...G8(7F) C3(3C)
1 00...03 VCO1 Wave saw(0),pulse(1),saw2(2),mix(3) *14 00(saw) 1 00...7F Step Seq Note No 12 C-2(0)...G8(7F) C3(3C)
00...04 VCO1 Wave saw(0),pulse(1),inner1(2), *15 1 00...7F Step Seq Note No 13 C-2(0)...G8(7F) C3(3C)
inner2(3),inner3(4) 1 00...7F Step Seq Note No 14 C-2(0)...G8(7F) C3(3C)
1 00...7F VCO1 Pitch Coarse -64...+63 semitone 40(+0) 1 00...7F Step Seq Note No 15 C-2(0)...G8(7F) C3(3C)
1 0E...72 VCO1 Pitch Fine -50...+50 cent 40(+0) 1 00...7F Step Seq Note No 16 C-2(0)...G8(7F) C3(3C)
1 00...7F Step Seq Velocity 1 rest(0),1...127 100(64)
1 00...7F VCO1 Edge 0...127 127 1 00...7F Step Seq Velocity 2 rest(0),1...127 100(64)
1 00...7F VCO1 Pulse Width 0%(0)...50%(40)...99%(7F) 40(50%) 1 00...7F Step Seq Velocity 3 rest(0),1...127 100(64)
1 01...7F VCO1 PWM Depth -64...+63 40(+0) 1 00...7F Step Seq Velocity 4 rest(0),1...127 100(64)
1 00...06 VCO1 PWM Source fixed(0),PEG(1),FEG(2), 00(fixed) 1 00...7F Step Seq Velocity 5 rest(0),1...127 100(64)
LFO1(3),LFO2(4),LFO2-phase(5), 1 00...7F Step Seq Velocity 6 rest(0),1...127 100(64)
LFO2-fast(6) 1 00...7F Step Seq Velocity 7 rest(0),1...127 100(64)
2 01...FF VCO1 Pitch Mod Depth -127...+127 80(+0) 1 00...7F Step Seq Velocity 8 rest(0),1...127 100(64)
1 00...7F Step Seq Velocity 9 rest(0),1...127 100(64)
1 00...03 VCO2 Wave saw(0),pulse(1),saw2(2),mix(3) 00(saw) 1 00...7F Step Seq Velocity 10 rest(0),1...127 100(64)
1 00...7F VCO2 Pitch Coarse -64...+63 semitone 40(+0) 1 00...7F Step Seq Velocity 11 rest(0),1...127 100(64)
1 0E...72 VCO2 Pitch Fine -50(0E)...+50 cent(72) 40(+0) 1 00...7F Step Seq Velocity 12 rest(0),1...127 100(64)
1 00...7F Step Seq Velocity 13 rest(0),1...127 100(64)
1 00...7F VCO2 Edge 0...127 127 1 00...7F Step Seq Velocity 14 rest(0),1...127 100(64)
1 00...7F VCO2 Pulse Width 0%(0)...50%(40)...99%(7F) 40(50%) 1 00...7F Step Seq Velocity 15 rest(0),1...127 100(64)
1 01...7F VCO2 PWM Depth -64...+63 40(+0) 1 00...7F Step Seq Velocity 16 rest(0),1...127 100(64)
1 00...06 VCO2 PWM Source fixed(0),PEG(1),FEG(2), 00(fixed) 1 00...7F Step Seq Gate Time 1 1%(0)...100%(40)...200%(7F) 94%(3C)
LFO1(3),LFO2(4),LFO2-phase(5), 1 00...7F Step Seq Gate Time 2 1%(0)...100%(40)...200%(7F) 94%(3C)
LFO2-fast(6) 1 00...7F Step Seq Gate Time 3 1%(0)...100%(40)...200%(7F) 94%(3C)
2 01...FF VCO2 Pitch Mod Depth -127...+127 80(+0) 1 00...7F Step Seq Gate Time 4 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Step Seq Gate Time 5 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Mixer VCO1 Level 0...127 7F 1 00...7F Step Seq Gate Time 6 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Mixer VCO2 Level 0...127 00 1 00...7F Step Seq Gate Time 7 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Mixer Ring Mod Level 0...127 00 1 00...7F Step Seq Gate Time 8 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Mixer Noise Level 0...127 00 1 00...7F Step Seq Gate Time 9 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Step Seq Gate Time 10 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F FilterEG Attack Time 0...127 00 1 00...7F Step Seq Gate Time 11 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F FilterEG Decay Time 0...127 40 1 00...7F Step Seq Gate Time 12 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F FilterEG Sustain Level 0...127 7F 1 00...7F Step Seq Gate Time 13 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F FilterEG Release Time 0...127 7F 1 00...7F Step Seq Gate Time 14 1%(0)...100%(40)...200%(7F) 94%(3C)
1 00...7F Step Seq Gate Time 15 1%(0)...1100%(40)...200%(7F) 94%(3C)
1 00...7F VCF HPF Cutoff Freq 0...127 00 1 00...7F Step Seq Gate Time 16 1%(0)...1100%(40)...200%(7F) 94%(3C)
1 00...05 VCF Filter Type LPF-24dB(0),LFP-18dB(1), 00(LPF-24dB) 1 00...7F Step Seq Ctrl Change Value 1 0...127 0(00)
LPF-12dB(2),BPF(3),HPF-12dB(4), 1 00...7F Step Seq Ctrl Change Value 2 0...127 0(00)
BEF(5) 1 00...7F Step Seq Ctrl Change Value 3 0...127 0(00)
1 00...7F VCF Filter Cutoff 0...127 7F 1 00...7F Step Seq Ctrl Change Value 4 0...127 0(00)
1 0D...7F VCF Filter Resonance -12(0D)...0(19)...+102(7F) 19(+0) 1 00...7F Step Seq Ctrl Change Value 5 0...127 0(00)
2 00...FF FilterEG Depth -128...+127 94(+20) 1 00...7F Step Seq Ctrl Change Value 6 0...127 0(00)
1 00...7F FilterEG Velocity Sens -64...+63 40(+0) 1 00...7F Step Seq Ctrl Change Value 7 0...127 0(00)
1 20...7F VCF Keyboard Track -32...+63 40(+0) 1 00...7F Step Seq Ctrl Change Value 8 0...127 0(00)
1 00...7F VCF Filter Mod Depth -64...+63 40(+0) 1 00...7F Step Seq Ctrl Change Value 9 0...127 0(00)
1 00...7F AmpEG Attack Time 0...127 00 1 00...7F Step Seq Ctrl Change Value 10 0...127 0(00)
1 00...7F AmpEG Decay Time 0...127 40 1 00...7F Step Seq Ctrl Change Value 11 0...127 0(00)
1 00...7F AmpEG Sustain Level 0...127 7F 1 00...7F Step Seq Ctrl Change Value 12 0...127 0(00)
1 00...7F AmpEG Release Time 0...127 00 1 00...7F Step Seq Ctrl Change Value 13 0...127 0(00)
1 00...7F VCA Feedback Level 0...127 00 1 00...7F Step Seq Ctrl Change Value 14 0...127 0(00)
1 00...7F VCA Volume 0...127 00 1 00...7F Step Seq Ctrl Change Value 15 0...127 0(00)
1 00...7F AmpEG Velocity Sens -64...+63 40(+0) 1 00...7F Step Seq Ctrl Change Value 16 0...127 0(00)
1 00...7F VCA Amp Mod Depth -64...+63 40(+0)
1 01...7F Vari-Ef Dry:Wet D63>W(1)...D=W(40)...D<W63(7F) *16 01(D63>W) TOTAL SIZE 796
dry(0-3F),wet(40-7F) *17
dry(0-3F),both(40),wet(41-7F) *18 mm = 00 ~ 7F : User Voice 1 ~ User Voice 128
1 00...00 Reserve 0...0 00
*1 : see other table (Ctrl Matrix Paramter List)
1 00...72 Ctrl Matrix Source1 off(0)...Assign Knob8(72) *19 00 *2 : see other table (Arpeggio Type List)
1 00...24 Ctrl Matrix Param 1 off(0)...Vari-Ef Dry:Wet(24) *19 00 *3 : become available only when Step Seq is selected and Kbd Mode =’ptn-sel&norm’ or ‘ptn-sel¬e-shift’
1 00...7F Ctrl Matrix Depth 1 Depends on Ctrl Matrix Param *19 40(+0) *4 : only when Arpeggio is selected
1 00...72 Ctrl Matrix Source2 off(0)...Assign Knob8(72) *19 00 *5 : only when Step Seq is selected
1 00...24 Ctrl Matrix Param 2 off(0)...Vari-Ef Dry:Wet(24) *19 00 *6 : except *7
1 00...7F Ctrl Matrix Depth 2 Depends on Ctrl Matrix Param *19 40(+0) *7 : only when Step Seq is selected and Kbd Mode = ‘ptn-sel&norm’ or ‘ptn-sel¬e-shift’
1 00...72 Ctrl Matrix Source3 off(0)...Assign Knob8(72) *19 00 *8 : become available only when Step Seq is selected
1 00...24 Ctrl Matrix Param 3 off(0)...Vari-Ef Dry:Wet(24) *19 00 *9 : see other table (Free EG Track Paramter List)
1 00...7F Ctrl Matrix Depth 3 Depends on Ctrl Matrix Param *19 40(+0) *10 : only Bulk Dump (not transmitted and received as parameter change)
1 00...72 Ctrl Matrix Source4 off(0)...Assign Knob8(72) *19 00 *11 : Poly Mode = poly
1 00...24 Ctrl Matrix Param 4 off(0)...Vari-Ef Dry:Wet(24) *19 00 *12 : Poly Mode = mono,legato
1 00...7F Ctrl Matrix Depth 4 Depends on Ctrl Matrix Param *19 40(+0) *13 : see other table (LFO1 Wave Type List)
1 00...72 Ctrl Matrix Source5 off(0)...Assign Knob8(72) *19 00 *14 : Osillator Sync = off
1 00...24 Ctrl Matrix Param 5 off(0)...Vari-Ef Dry:Wet(24) *19 00 *15 : Osillator Sync = on
1 00...7F Ctrl Matrix Depth 5 Depends on Ctrl Matrix Param *19 40(+0) *16 : Vari-Ef Type = except *7, *8
1 00...72 Ctrl Matrix Source6 off(0)...Assign Knob8(72) *19 00 *17 : Vari-Ef Type = Aural Exciter, Compressor
1 00...24 Ctrl Matrix Param 6 off(0)...Vari-Ef Dry:Wet(24) *19 00 *18 : Vari-Ef Type = Distortion, Over Drive, Amp.Simulator
1 00...7F Ctrl Matrix Depth 6 Depends on Ctrl Matrix Param *19 40(+0) *19 : see other table (Ctrl Matrix Paramter List) and not exist in scene-ctrl buffer
1 00...72 Ctrl Matrix Source7 off(0)...Assign Knob8(72) *19 00
1 00...24 Ctrl Matrix Param 7 off(0)...Vari-Ef Dry:Wet(24) *19 00 MIDI Data Table <1-7>
1 00...7F Ctrl Matrix Depth 7 Depends on Ctrl Matrix Param *19 40(+0)
1 00...72 Ctrl Matrix Source8 off(0)...Assign Knob8(72) *19 00 MIDI Parameter Change Table ( User Step SEQ Pattern : Only Bulk Dump )
1 00...24 Ctrl Matrix Param 8 off(0)...Vari-Ef Dry:Wet(24) *19 00
1 00...7F Ctrl Matrix Depth 8 Depends on Ctrl Matrix Param *19 40(+0) Address Size Data Prameter Name Description Default
1 00...72 Ctrl Matrix Source9 off(0)...Assign Knob8(72) *19 00 (H) (H) (H) value(H)
1 00...24 Ctrl Matrix Param 9 off(0)...Vari-Ef Dry:Wet(24) *19 00 01 mm 00 1 00...09 Step Seq Base Unit 3/8(0)...1/32(9) 04(1/8)
1 00...7F Ctrl Matrix Depth 9 Depends on Ctrl Matrix Param *19 40(+0) 01 1 01...10 Step Seq Length 1steps(1)...16steps(10) 08
1 00...72 Ctrl Matrix Source10 off(0)...Assign Knob8(72) *19 00 02 1 00...03 Step Seq Loop Type fwd(0),backwd(1),alternateA(2), 00(fwd)
1 00...24 Ctrl Matrix Param 10 off(0)...Vari-Ef Dry:Wet(24) *19 00 alternateB(3)
1 00...7F Ctrl Matrix Depth 10 Depends on Ctrl Matrix Param *19 40(+0) 03 1 00...60 Step Seq Ctrl Change No off(0)...95,AT(60) 00(off)
1 00...72 Ctrl Matrix Source11 off(0)...Assign Knob8(72) *19 00 04 1 00...00 reserved 00 00
1 00...24 Ctrl Matrix Param 11 off(0)...Vari-Ef Dry:Wet(24) *19 00
17
P11-19 97.7.11 1:36 PMy[W 18
05 1 00...00 reserved 00 00
06 1 00...7F Step Seq Note No 1 C-2(0)...G8(7F) C3(3C)
07 1 00...7F Step Seq Note No 2 C-2(0)...G8(7F) C3(3C)
08 1 00...7F Step Seq Note No 3 C-2(0)...G8(7F) C3(3C)
09 1 00...7F Step Seq Note No 4 C-2(0)...G8(7F) C3(3C)
0a 1 00...7F Step Seq Note No 5 C-2(0)...G8(7F) C3(3C)
0b 1 00...7F Step Seq Note No 6 C-2(0)...G8(7F) C3(3C)
0c 1 00...7F Step Seq Note No 7 C-2(0)...G8(7F) C3(3C)
0d 1 00...7F Step Seq Note No 8 C-2(0)...G8(7F) C3(3C)
0e 1 00...7F Step Seq Note No 9 C-2(0)...G8(7F) C3(3C)
0f 1 00...7F Step Seq Note No 10 C-2(0)...G8(7F) C3(3C)
10 1 00...7F Step Seq Note No 11 C-2(0)...G8(7F) C3(3C)
11 1 00...7F Step Seq Note No 12 C-2(0)...G8(7F) C3(3C)
12 1 00...7F Step Seq Note No 13 C-2(0)...G8(7F) C3(3C)
13 1 00...7F Step Seq Note No 14 C-2(0)...G8(7F) C3(3C)
14 1 00...7F Step Seq Note No 15 C-2(0)...G8(7F) C3(3C)
15 1 00...7F Step Seq Note No 16 C-2(0)...G8(7F) C3(3C)
16 1 00...7F Step Seq Velocity 1 rest(0),1...127 100(64)
17 1 00...7F Step Seq Velocity 2 rest(0),1...127 100(64)
18 1 00...7F Step Seq Velocity 3 rest(0),1...127 100(64)
19 1 00...7F Step Seq Velocity 4 rest(0),1...127 100(64)
1a 1 00...7F Step Seq Velocity 5 rest(0),1...127 100(64)
1b 1 00...7F Step Seq Velocity 6 rest(0),1...127 100(64)
1c 1 00...7F Step Seq Velocity 7 rest(0),1...127 100(64)
1d 1 00...7F Step Seq Velocity 8 rest(0),1...127 100(64)
1e 1 00...7F Step Seq Velocity 9 rest(0),1...127 100(64)
1f 1 00...7F Step Seq Velocity 10 rest(0),1...127 100(64)
20 1 00...7F Step Seq Velocity 11 rest(0),1...127 100(64)
21 1 00...7F Step Seq Velocity 12 rest(0),1...127 100(64)
22 1 00...7F Step Seq Velocity 13 rest(0),1...127 100(64)
23 1 00...7F Step Seq Velocity 14 rest(0),1...127 100(64)
24 1 00...7F Step Seq Velocity 15 rest(0),1...127 100(64)
25 1 00...7F Step Seq Velocity 16 rest(0),1...127 100(64)
26 1 00...7F Step Seq Gate Time 1 1%(0)...100%(40)...200%(7F) 94%(3C)
27 1 00...7F Step Seq Gate Time 2 1%(0)...100%(40)...200%(7F) 94%(3C)
28 1 00...7F Step Seq Gate Time 3 1%(0)...100%(40)...200%(7F) 94%(3C)
29 1 00...7F Step Seq Gate Time 4 1%(0)...100%(40)...200%(7F) 94%(3C)
2a 1 00...7F Step Seq Gate Time 5 1%(0)...100%(40)...200%(7F) 94%(3C)
2b 1 00...7F Step Seq Gate Time 6 1%(0)...100%(40)...200%(7F) 94%(3C)
2c 1 00...7F Step Seq Gate Time 7 1%(0)...100%(40)...200%(7F) 94%(3C)
1d 1 00...7F Step Seq Gate Time 8 1%(0)...100%(40)...200%(7F) 94%(3C)
2e 1 00...7F Step Seq Gate Time 9 1%(0)...100%(40)...200%(7F) 94%(3C)
2f 1 00...7F Step Seq Gate Time 10 1%(0)...100%(40)...200%(7F) 94%(3C)
30 1 00...7F Step Seq Gate Time 11 1%(0)...100%(40)...200%(7F) 94%(3C)
31 1 00...7F Step Seq Gate Time 12 1%(0)...100%(40)...200%(7F) 94%(3C)
32 1 00...7F Step Seq Gate Time 13 1%(0)...100%(40)...200%(7F) 94%(3C)
33 1 00...7F Step Seq Gate Time 14 1%(0)...100%(40)...200%(7F) 94%(3C)
34 1 00...7F Step Seq Gate Time 15 1%(0)...100%(40)...200%(7F) 94%(3C)
35 1 00...7F Step Seq Gate Time 16 1%(0)...100%(40)...200%(7F) 94%(3C)
36 1 00...7F Step Seq Ctrl Change Value 1 0...127 0(00)
37 1 00...7F Step Seq Ctrl Change Value 2 0...127 0(00)
38 1 00...7F Step Seq Ctrl Change Value 3 0...127 0(00)
39 1 00...7F Step Seq Ctrl Change Value 4 0...127 0(00)
3a 1 00...7F Step Seq Ctrl Change Value 5 0...127 0(00)
3b 1 00...7F Step Seq Ctrl Change Value 6 0...127 0(00)
3c 1 00...7F Step Seq Ctrl Change Value 7 0...127 0(00)
3d 1 00...7F Step Seq Ctrl Change Value 8 0...127 0(00)
3e 1 00...7F Step Seq Ctrl Change Value 9 0...127 0(00)
3f 1 00...7F Step Seq Ctrl Change Value 10 0...127 0(00)
40 1 00...7F Step Seq Ctrl Change Value 11 0...127 0(00)
41 1 00...7F Step Seq Ctrl Change Value 12 0...127 0(00)
42 1 00...7F Step Seq Ctrl Change Value 13 0...127 0(00)
43 1 00...7F Step Seq Ctrl Change Value 14 0...127 0(00)
44 1 00...7F Step Seq Ctrl Change Value 15 0...127 0(00)
45 1 00...7F Step Seq Ctrl Change Value 16 0...127 0(00)
TOTAL SIZE 46
18
P11-19 97.7.11 1:36 PMy[W 19
Program
Change
: True number
System Exclusive
System
: Song Position
Common
: Song Select
: Tune
System
: Clock
Real Time
: Commands
: Local On/Off
Aux
: All Notes Off
Messages : Active Sense
: Reset
19
AN1x_DATALIST/C-4/E 97.7.11 1:45 PMy[W 1