Problem Solving
Problem Solving
can match Gary’s own act. This was in an effort to try and take our character and blend it
with Gary’s life to try legitimise and make our character a real person. Things such as
having our main character (Arthur) always in the bar in the morning, with no one around
to show how the bar isn’t really open yet, similar to what Gary would do.
One of the problem that I usually have done with past unit is have to go into production
without storyboards. For this problem I said that Jordan and I would work in conjunction to
finish the script and storyboards together. I wrote the script and Jordan drew the
storyboards, with us both taking time to help out with each other’s job. This was a great
way to construct our work flow and actually allowed time for us to get feedback on our
script from one of teachers which allowed us to correct mistakes and also improve the
overall story and structure of the film. Even small details like giving small directorial points
for actor to help them act out this scene properly.
With test shoots I very much thought these were important. Between me and Jordan there
were a lot of things that Jordan and I wanted to execute right in our film. To do that we
had to do a lot of test shoots. With Jordan there was a lot of editing and special effects
tricks that he had to learn and also there was a danger that he may not be able to do
certain things and so testing before hand was crucial. This was also the case for me as
there were a couple things that I hadn’t tried before and also things that I have struggled
with in the past. One of the main things that I have suffered within the past is lighting. In my
last FMP i was really unhappy with a lot of the lighting in that film. The fight scene in the
changing room was grainy and the lighting and grade was pink and yellow and was very
off putting. So for these rounds of test shoots I decided that I would try and improve on this.
With Locations Jordan and I did run into a couple issues. The main problem was trying to
secure a pub location. I very much wanted to have a pub scene to set up our main
characters safe space of sorts. This is the place where he feels most safe and so when this
is space is jeopardised it releases Arthur of his comfort, his place solitude and also alcohol. I
thought this would be a nice way to show a character switch through location and is a
small detail that some people may pick up on. However we couldn’t get the location we
originally planned upon, which was “The Queen Vic” in Henley. However due to my
contingencies I was able to contact a company called resource Production, a company
that I had worked for in the past, to help me find a new location. After sending email back
and forth they were able to get me in touch with the landlord from a pub called “The
Herschel Arms”. I talked to him and managed to get the location for two days completely
for free. This was an amazing result and was very generous of the Landlord, Tom who has
been very generous and very kind to let us use the Location.
What he had to do instead was film in a wood nearby and basically work the scene round
that area, and the end results turned out quite well.
Audio was another big thing that I wanted to work on and really improve. For the most
part the audio works great, with a lot of the Foley sound being really good and also most
of the dialogue and vocal coming out quite crisp, with a few exceptions. One of the things
Jordan and I did after every take was check the sound and we would do mini sound
checks to make sure that the microphone was working. This was one of contingency plans
and is one of the reasons how we managed to avoid massive reshoots and panic.
However what did cause a problem was on the last day of shooting when Jordan and I
really had to rush out the last couple shots and so we began to forget to turn the
microphone and so this lead to having reshoot sequences, and meant that we wasted
more of the owner’s time.
In our production I do use a lot of light and I try to add it in as naturally as possible and for
some scene, the lighting is a little out of place or doesn’t do enough. However throughout
the production Jordan and I managed to keep all the equipment working and functional.
We had chargers, spare batteries, and a tone of extra equipment for any scenario that
were to occur. Our planning really payed off, especially for outdoor scenes that, where
the lighting at night time was crucial. Thanks to me packing spare batteries we were able
to shoot several scenes with good light so that the image was clean and high quality. The
night shoot was the most logistical shoot out of all of them and was the biggest day for us,
with a bigger cast and time limits; it was all thanks to the planning and communication
that we were able to make the scene work.