Resource File
Resource File
Albrecht, S. The Choral Warm-up Collection. Alfred Publishing: Van Nuys, 2003. Print.
This book provides many choral warmups, which help get the voice ready to sing. Aside
from that, it also provides reasoning as to why that warmup helps a specific element of vocal
technique, such as dynamics, breathing, and diction. It is also a great resource in that it
provides warmups that target each part of vocal technique, and not just a one or two. The
warmups themselves also could go hand in hand with music literacy lessons, as there were
exercises in major and minor, as well as in different meters. This could be a sound before sight
resource that works with the development of music literacy. I would use this in my own choir,
and I would use the descriptions included with each exercise to teach my students about how it
Robinson, R. & Althouse, J. The Complete Choral Warm-Up Book. Alfred Publishing: Van Nuys,
1995. Print.
This warmup book was written with the needs of all types of music educators in mind. It
does not just include information on how to teach vocal technique to a general choir, but it takes
into account the specific needs of different types of ensembles. It includes ways to warmup a
high school mixed choir, an SSA choir, a church choir, and jazz groups just to name a few. It
also includes information on physical warmups, and discusses how preparing the whole body to
sing is just as important as preparing the vocal folds. I find this a very comprehensive warmup
book, and would definitely use it in my choir as a resource. It doesn’t just provide random
warmups without regards to how the help the voice, but provides reasoning as to why someone
This resource is perhaps the most efficient and understandable way to approach
teaching music literacy. The text provides the knowledge and tools for why one would choose to
teach music literacy the way that is presented, and the binder that pairs with the text provide
numerous exercises to use, with learning music literacy in mind. It provides the means to teach
music literacy from the most basic skills for beginners to advanced exercises for those who
have mastered elements of music literacy. The text emphasizes a unique approach to music
literacy that is not always taught in the classroom, and that is the sound before sight method of
teaching. Allowing students to hear and comprehend different rhythm and tonal patterns allows
them to connect better to the notation they will be introduced to. For an educator, and someone
who is unfamiliar with this approach, the text is incredibly clear to read and provides many
images to further explain its content. In my future, I will use this text and its resource binder to
Telfer, Nancy. Successful Sight Singing. Neil A. Kjos Music Company: San Diego, 1992.
Print.
This resource is useful if someone wanted to teach themselves how to sight sing, but I’m
not sure it would be incredibly useful for an entire classroom. It starts with the learner having no
knowledge of music theory or sight singing, and provides many definitions to musical terms and
examples to sing. The vocabulary lists would be very helpful for someone who is struggling in
sight singing, and may be a resource I would use if I had one student who was having issues
with sight singing, and may have them take it home to use to review and practice. The
sequencing of the book can be a bit confusing, especially for someone who is educated in