Charles Moore New Orleans University of California
Charles Moore developed a humanistic approach to architecture based on his studies at Princeton, where each design aims to engage users within a clearly defined spatial environment. To activate these spaces, Moore creates a kinetic juxtaposition of unrelated forms. Like some of Moore's other works, these colorful buildings were intended to reassure the public that modern architecture does not need to threaten cultural identity.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0 ratings0% found this document useful (0 votes)
56 views1 page
Charles Moore New Orleans University of California
Charles Moore developed a humanistic approach to architecture based on his studies at Princeton, where each design aims to engage users within a clearly defined spatial environment. To activate these spaces, Moore creates a kinetic juxtaposition of unrelated forms. Like some of Moore's other works, these colorful buildings were intended to reassure the public that modern architecture does not need to threaten cultural identity.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
You are on page 1/ 1
Based on his studies at Princeton, Moore developed a humanistic approach to
architecture in which each design attempts to engage users within a clearly
defined spatial environment. To effectively activate these spaces and generate synthesis, Moore creates a kinetic juxtaposition of unrelated forms.
Like Charles Moore’s Piazza d’Italia in New
Orleans (1975–80) and Alumni Center at the University of California at Irvine (1983–85), these confident and colourful buildings were intended to reassure the public that it need no longer feel that its cultural identity is threatened by modern architecture.