VOLKAN 2001

Massive Shared Trauma and “Hot” Places

*Vamık D. Volkan, M. D.
Director, CSMHI, University of Virginia, Charlottesville, Virginia.

**For the Lucy Daniels Foundation Conference

The events of September 11, 2001 have turned our attention to terrorism, religious

and ethnic identity issues, and mourning over loss. A memorial service took place on

October 28 at the former site of the World Trade Center, now called “Ground Zero,” in

New York. It was attended by performers and politicians, but it was chiefly for those

who had lost someone when the tragedy occurred at the Twin Towers. During this

ceremony, the family members of WTC victims were given wooden urns containing dust,

“ashes,” from the wreckage site. The meaning of the urns was clear, as the ashes

symbolically, if not literally, represented the people who had perished. The family

members would have a “piece” of their loved ones. Through these they would

psychologically link themselves to the people they had lost.

We do not yet have stories of what the family members have done with their urns.

I am sure that in time we will hear tales of where the urns were placed and how people

reacted to them. I suspect that these urns will evolve into what I call “linking objects.”

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During yesterday’s presentation, I spoke of Charlie, the dog that functioned as a linking

object for Dali. A linking object is a place where the mental representation of a lost

object, psychologically speaking, meets with the corresponding representation of the

mourner. When a loved one dies, an adult goes through various phases of mourning,

which can be divided into two categories (Pollock, 1989; Volkan, 1981): (1) the initial

mourning, and (2) the work of mourning. The initial mourning includes responses such as

denial, shock, bargaining, pain, and anger, which eventually lead to the beginning of an

emotional “knowledge” that the deceased is gone forever. Under normal circumstances,

the initial mourning process lasts for about three or four months. Before it is completed,

however, the “work of mourning” begins (Freud, 1917). This second category of

mourning involves a slow process of revisiting, reviewing, and transforming the

mourner’s emotional investment in the image of the lost object. In other words, the work

of mourning refers to an internal encounter between the images of the lost object and the

corresponding self-images of the mourner. There are three major avenues (or a

combination of them) that the work of mourning can follow: “normal” mourning,

depression (melancholia), or perennial mourning.

SLIDE 1

Three major avenues of the “work of mourning:”

1. “Normal” mourning

2. Depression (melancholia)

3. Perennial mourning

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 1. “Normal” mourning: After the initial acute grief, the mourner examines a host

of different images of the deceased. Slowly, within a year or so, he or she tames the

influence of these images on his or her self-representation. The mourner no longer

utilizes these images as if they would still respond to his or her wishes or perform certain

tasks for the mourner. Tähkä (1993) states that the images of the lost object eventually

become “futureless.” The “normal” mourning comes to a practical end after the mourner

experiences the anniversaries of meaningful events without the deceased (or lost person

or thing). Only during certain occasions, such as anniversaries of the death, religious

holidays, weddings, or other funerals, do the mental images of the deceased become

temporarily “hot” again. A significant aspect of the “normal” mourning process is the

mourner’s selective and unconscious identification with certain enriching functions of the

lost object. This, of course, influences the mourner’s existing self-representation and

modifies his or her sense of identity and ego functions to a certain degree. A young man

who had been a rather irresponsible person before the loss of his father, for example, can

become a serious businessman like the deceased. After “normal” mourning—a painful

process—we enrich ourselves. In a sense, “loss” is balanced with “gain” and changes

occur in our identities and ego functions.

2. Depression (melancholia): If an adult had a complicated and ambivalent (love

or hate) relationship with the now deceased, he or she ends up identifying totally (Ritvo

and Solnit, 1958) with the mental representation of the lost object. In simple terms, we

can say that the mourner makes “unhealthy, not enriching” identifications with the

images of the deceased, who was both loved and hated. The struggle that the mourner had

with the one who is lost now becomes an internal struggle between him or her and the

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mental representation of the deceased. Such a mourner’s internal world becomes a

battleground. The mourner wants, unconsciously, to destroy (hate) the lost object’s

representation and feels guilty. At the same time, the mourner feels obliged to hold onto

(love) it because he or she still feels dependent on the representation of the lost object, as

if it still has a “future.” The mourner experiences depression (melancholia) and may even

become suicidal due to the guilt and self-punishment that arise from his or her wish to

destroy the mental representation of the lost object. He or she also feels exhausted and

withdrawn from the external world because of the constant inner struggle between these

competing processes.

We have known about the two avenues above since Freud’s (1917) work,

Mourning and Melancholia. A third avenue has been much less studied and was the

arena of my research during the 1970s and 1980s (Volkan, 1981; Volkan and Zintl, 1993).

In this presentation I will concentrate on this third avenue, perennial mourning.

3. Perennial mourning: Some individuals are involved in psychological processes

that lead them to postpone completion of their “normal” mourning process or prevent

them from evolving melancholia. In a sense, these individuals put the deceased person’s

mental representation in an envelope (in the old days, we technically called such an

envelope an introject) and carry this envelope in their minds. They have an illusion that

the deceased’s images in this envelope can be brought back to life. However, if the

envelope is never opened, the deceased stays “dead.” An introject is an “object-image”

that strives to be assimilated into the mourner’s self-representation. This assimilation

(identification) does not actually occur, but the introject remains as a specific object-

image that constantly relates to and stimulates the mourner’s corresponding self-image. I

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have seen some individuals who actually conduct conversations with their introjects as

they drive to work, for example. Even when it appears on the surface as if such

individuals suffer from hallucinations or delusions, in fact they are not suffering from a

full-blown psychosis; they are simply perennial mourners.

It is the adult perennial mourners who chronically utilize linking objects. A

linking object is a tangible, externalized version of the introject, a mental meeting point

between the mental representation of the deceased and the corresponding self-image of

the mourner. When I began my research on complex mourning processes, I noted that

many individuals who suffered from complications of losing someone “symbolize certain

objects which belonged to the dead one,” and how “through this process, they are able to

control a tie with him” (Volkan, 1970, p. 242). There were other clinicians who had also

briefly mentioned such objects, but none of us had studied their meanings carefully.

These objects intrigued me. One of my patients would isolate himself in a room with a

photograph of his dead father and look at it closely until he began to feel that his father

was coming back to life toward him through the frame. Another patient was attached to

the clothing of his brother, who had been shot and killed in a holdup, for eight years. He

was obsessed with the idea that he would grow to a point where these garments would fit

him. Still another patient kept his deceased father’s dirty handkerchief and treated it as if

it were the most important thing on earth.

In a 1972 publication, I coined the term “linking objects” to describe these symbolic

items and began to examine them descriptively and theoretically. A wide variety of items

could be described as linking objects. I have seen the following used as such.

SLIDE 2

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Types of Linking Objects (1): Personal possession of the deceased

One kind of linking object is a personal possession of the deceased, often

something he or she used routinely or wore on his or her person, like a watch. Usually

the mourner chooses an item that requires repairs. For example, if a watch is chosen, it is

most likely broken. The mourner becomes preoccupied with fixing it, but he or she never

finds the time to have the watch repaired. It stays in a state of limbo, if you will, between

being repaired and being broken.

SLIDE 3

Types of Linking Objects (2): Gift or symbolic farewell note

Another type of linking object is a gift or a symbolic farewell note to the mourner from

the deceased before his or her death, such as something a husband gave his wife before

perishing in an accident, or a letter from a war zone written by a soldier before he is

killed

SLIDE 4

Types of Linking Objects (3): Something the deceased used to extend his/her senses
or body functions

Also seen is something the deceased used to extend his or her senses or bodily functions,

such as a camera (an extension of seeing). Again, the mourner has a tendency to choose a

broken camera rather than an operating one as a linking object.

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 SLIDE 5

Types of Linking Objects (4): Realistic or symbolic representation of the deceased

A mourner often chooses a realistic representation of the deceased, the simplest being a

photograph. A symbolic representation might be used instead, such as an identification

bracelet

SLIDE 6

Types of Linking Objects (5): “Last-minute object”

Some mourners become attached to an object that was at hand when the mourner first

learned of the death or saw the deceased’s body — what could be considered a “last

minute object.” For example, a patient was about to play a stack of his favorite records

when the phone rang with the news that his half-brother had drowned. The records

became his “last minute objects.” Telegrams received by relatives from the military

informing them of the death of a son or husband also serves as “last minute objects.”

SLIDE 7

Types of Linking Objects (6): Created linking objects

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 Finally, mourners may also create linking objects that did not exist before the loss. For

example, the mourner paints his or her memories of the deceased and the painting

becomes a linking object.

As you can guess, following the theme of this conference I will focus on

created linking objects, especially those that are shared by many after a massive trauma

in which members of a society or large-group experience losses which they cannot easily

mourn. Let me begin with some more general remarks. I also observed in my patients

what I call linking phenomena: sensations, songs, and behavior patterns that perpetuate

the possibility of contact between the mourner and the one he or she mourns, without

reference to anything tangible. One example of linking phenomena involves a young

woman whose father had committed suicide by shooting himself in the head. While

attending her father’s funeral, the young woman stood in the rain. The song “Raindrops

Keep Falling on my Head” came into her mind during the funeral, and this song

functioned as her linking phenomenon for years.

Slowly, I came to understand that the linking object is more than a simple symbol. A

symbol is something that represents something else. Linking objects, on the other hand,

are protosymbols (Werner and Kaplan, 1963) or more often an amalgamation of symbols

and protosymbols. In other words, for mourners, linking objects essentially become what

they represent. Unconsciously these linking objects, or protosymbols, are an “actual”

meeting place between the mourner and the dead.

When I wrote a great deal about linking objects in the 1980s, I naturally focused

on their pathological aspects. After all, I was observing them among patients

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experiencing complicated mourning. Over time I became aware of the "progressive" or

beneficial aspects of these items. While linking objects are utilized to postpone and

freeze the mourning process, they can also be employed to initiate future mourning.

When circumstances are right, the mourner may go back, if you will, to his or her linking

object, internalize its function, and begin his or her mourning process as if the loss had

just happened.

My wife Betty, who is here with us today, is a World War II orphan. Her father

died while fighting in Italy when she was 8 months old. Some years ago the American

World War II Orphans Networks was created through the efforts of individuals. I have

been attending their annual meetings over the past six years or so, and have gotten to

know over 300 orphans, some of them closely. During these meetings, the orphans speak

of their stories and searches for their parents openly. I noted that those orphans who had

linking object generally fared better. Those who did not have linking objects attempted to

create them. The orphans’ regular meetings supported their utilization of actual or

created linking objects to develop more cohesive images of their dead parents. Most of

them were to small to have actual memories of those they lost, and some were born after

their parent’s death. But, only after creating a more cohesive mental representation of

their parent could these individuals initiate an adult mourning process, 50 years after

World War II. This was possible through the utilization of the actual or created linking

objects.

Now that I have described how individuals utilize linking objects or phenomena, I

will focus on shared linking objects and related large-group identity.

***

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 There are already discussions in public and the media regarding what to do with

the “Ground Zero” area of New York. Should part of it be left as a memorial? Should

they create the images of the Twin Towers with beams of light from the ground to the

sky?

Psychological responses to loss become complicated after a deliberately caused

massive trauma. The members of the affected group may feel helpless, humiliated,

ashamed, and unable to mourn and express their own aggression or manifest assertive

behavior. After September 11, American has so far shown, paraphrasing Heinz

Hartmann, an “average expectable regression.” We have rallied around the leader,

identified with each other, used flags as protosymbols, and become involved in more

intense “us” and “them” psychology. But, we have not lost our individuality, and we

have not shown malignant “purification rituals,” except in some isolated cases. In one

case, a man was killed because, to the killer’s mind, he looked Arabic. Furthermore, we

did not stay passive. We began to bomb Afghanistan, which will induce psychological

reactions in us – and of course in the people of Afghanistan. But, we are still helpless in

finding the answer to the terrorist attack. I am sure that sometime in the future we will

build a monument to September 11.

Monuments, usually made out of marble or steel, are like boxes in which the

unfinished psychological processes of an affected group are kept locked up. In this sense,

they are a kind of shared linking object. Like an individual’s linking object, they can

either postpone or become instruments for the work of mourning. Some monuments are

works of art. But appreciation of them as art forms takes time; they have to stop being

“hot” (emotionally speaking) before their beauty can be appreciated. Also, some

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monuments have a “change function” according to what goes on within the large-group

whose members have been affected by the shared massive trauma and their descendants.

New hostilities with the old or new enemy can make such monuments “hot” again.

Otherwise, a year or even centuries can pass before previously “hot” places cool off, and

we remember them in some way during the anniversaries of events.

During the siege of Tskhinvali, the capitol of South Ossetia, by Georgian forces in

1991-2, three young South Ossetian combatants died at the same time. They were buried

in the schoolyard of High School #5, as the Georgians had captured and were occupying

the cemetery. One of the victims had attended this school, and it was thought to be a safe

place to bury them. Then, more and more dead defenders were buried there, including 30

who were apparently killed on the same day. Now the graves there number more than

100. No natural death cases were buried in the schoolyard except a few from a shelter for

the elderly. During the first month of the siege, these elderly were cold and hungry, so

they made coffins for their friends and themselves (they became heroes in a different

sense). Burials of those who had participated in the conflict continued in the schoolyard

after the war.

The yard slowly became a holy place. First, grieving relatives visited the graves,

and then erected a chapel and statue called the Crying Father. In South Ossetian culture,

fathers do not usually cry, but when they do their tears reflect extreme, ceaseless pain.

An iron fence separates the cemetery from the rest of the schoolyard, but the statue is

visible over the fence. Children can look out over the cemetery from all three floors of

the school. Ceremonies are held there on anniversaries and religious holidays, and the

school children would read poems on revenge and aggression. As years passed, the

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poems became tamer, and the focus moved from aggression to the subject of the statue.

The schoolyard cemetery is still a very hot location. It serves as a daily reminder of the

war to the children, and promotes the transgenerational transmission of the hatred and

trauma of the war.

I cannot show you a picture of the cemetery and statue, because when my team

members and Georgian participants visited the site, angry and armed South Ossetians

surrounded us. Though they wore civilian clothes, they indicated that they were security

forces, and that we, strangers, were contaminating their holy place. They took our

cameras, and we negotiated our way out. It was clear that the Crying Father and the

cemetery had become symbols of South Ossetians’ ethnic identity.

Two years after my visit to the cemetery, I met with South Ossetians at a meeting

in Tbilisi. They confirmed that this place had become a symbol of their shared identity.

They were also aware, however, that it was “poisoning” the school children who had to

pass it every day, by keeping their feelings of enmity toward Georgians alive.

Suggestions of moving the cemetery or moving the school met with opposition and lack

of funds. They were not ready to end their sense of victimization that was symbolized by

the cemetery and its statue. Victimization has become a part of their shared identity, and

it would be difficult to modify it with little struggle.

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