A Guide To Layouting
A Guide To Layouting
Ad Majorem De Gloriam
I. Prologue
Before anything else, I would like to thank you for volunteering to do this
job. During the span of your stay in the layout department, or perhaps you’re just
offering to help, you may find yourself entangled with several issues that can cause
a lot of delays and further problems. But you’re here now.
Fair warning, there are a lot of things involved in layouting that were not
mentioned in the job description. You have to be flexible enough to be able to adjust
to your situation. That is why this document exists, however. So without further
ado, I welcome to you the world of layouting.
P.S. I wrote this with the context of what I was taught in my early stages of
training and what I learned throughout my experience with layouting so far. I don’t
consider myself as an expert in such, but nonetheless, i’ll do my best in helping you
get through this. I wish you the best of luck!
II. Introduction
○ The following are some of the editing tools we used to create arts,
graphs, and vectors:
- Adobe Illustrator
- Microsoft Publisher
- Canva
- FireAlpaca
- Sketchbook
- Phonto
- behance.net
- issuu.com
- colorhexa.com
- flatuicolors.com
- color.adobe.com
- fontsquirrel.com
File Formats
The layout is highly dependent on graphics, and certain file formats produce
better outputs than others. In layouting, good art and photo quality is crucial.
RGB vs. CMYK
- JPG
- TIFF
- GIF
- PNG
○ Packaging files.
○ Keeps quality at maximum.
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III. Designing
a. tabloid
editorial
● masculine look
● no script and italics
● has pics of writers
feature
● more artsy attempt
● more feminine
literary
● poems
● short stories
● dramatic
news
● cutlines
sports
● similar to news
● mix of editorial, features and news
● it should look active
● shouldn’t look dull
● back page
opt. sci-tech
● similar to feature but more sciency
● digital
● modern
b. magazine/folio
Magazines
● similar to newspaper layouts
● more creative
● more diverse
● not too technical
● can have white spaces
Parts of Magazines:
Cover
● nameplates
● cover stories
● folio
● feature stories
● most models in covered should look straight to viewers to catch their attention
● cover should be centrally focused on a single subject
Table of Contents
● not in newspapers
● contains the featured stories
● should highlight the centerfold feature
● stories should contain teasers
Editors or Contributors
● should include names, positions and descriptions of the editorial board
● comprehensive masthead
● pictures or illustrations must be shown
● use grids
Articles
● no strict rules
● layout heavy
● layout may or may not match the theme
● cover themes should stand out
Centerfold
● innermost fold
● represent the theme of the magazine
● heart of the magazine
● embodies an idea
● readers must have an idea on what the theme is about
● has a little description
● usually pictures or collages
Back Cover
● contextually related
● no cover stories
● goodbye note
● ends or closes the magazine
● concludes
c. design mastery
balance
● pages should not seem top or bottom heavy (balance the amount)
emphasis
● according to importance or hierarchy
● highlight important ones than the others
● give the news the position it deserves
● things at the top are more important than the
● below
proportion
● general format must be pleasing
● ratio of headline by body text 1:2
● pictures must be sized properly
contrast
● pair light with heavy, serious with calm, etc.
● add an element to denote that its a new article
● boxes and pictures
b. dont’s
AVOID:
● tombstoning- don’t align everything
● bad breaks
● separating related stories and pictures
● gray areas (use fillers instead)
● screaming headline- one that is too big for a short or unimportant story
● heavy tops
● many headlines of the same size (small heads on rather long stories)
● no hyphen
c. tips
Page Designing
guidelines
● have a focal point (theme)
● design with a purpose (master typography)
● keep it simple (but not minimalist)
● maintain design unity and consistency
● design should have contrast and balance
VI. Epilogue