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Tertiary color

Page from A New Practical Treatise on the Three


Primitive Colours Assumed as a Perfect System of
Rudimentary Information by Charles Hayter
A tertiary color is a color made by mixing
full saturation of one primary color with
half saturation of another primary color
and none of a third primary color, in a
given color space such as RGB,[1] CMYK
(more modern) or RYB[2] (traditional).

Tertiary colors have general names, one


set of names for the RGB color wheel and
a different set for the RYB color wheel.
These names are shown below.

Another definition of tertiary color is


provided by color theorists such as Moses
Harris[3]and Josef Albers[4], who suggest
that tertiary colors are created by
intermixing pairs of secondary colors:
orange-green, green-purple, purple-orange;
or by intermixing complementary colors.
This approach to tertiary color relates
specifically to color in the form of paints,
pigments and dyes.

RGB or CMY primary,


secondary, and tertiary colors

Primary, secondary, and tertiary colors of the RGB


color wheel
color wheel

The primary colors in an RGB color wheel


are red, green, and blue, because these are
the three additive colors—the primary
colors of light. The secondary colors in an
RGB color wheel are cyan, magenta, and
yellow because these are the three
subtractive colors—the primary colors of
pigment.

The tertiary color names used in the


descriptions of RGB (or equivalently
CMYK) systems are shown below.
cyan (●) + blue (●) = azure (●)
blue (●) + magenta (●) = violet (●)
magenta (●) + red (●) = rose (●)
red (●) + yellow (●) = orange (●)
yellow (●) + green (●) = chartreuse (●)
spring
green (●) + cyan (●) = (●)
green

Traditional painting (RYB)


A traditional RYB color wheel.

The primary colors in an RYB color wheel


are red, yellow, and blue. The secondary
colors — orange, green, and purple — are
made by combining the primary colors.

In the red–yellow–blue system as used in


traditional painting and interior design,
tertiary colors are typically named by
combining the names of the adjacent
primary and secondary.[5][6]
vermilion (red-
red (●) + orange (●) = (●)
orange)
amber (yellow-
orange (●) + yellow (●) = (●)
orange)[7]
chartreuse
yellow (●) + green (●) = (●)
(yellow-green)
teal (blue-
green (●) + blue (●) = (●)
green)[7]
violet (blue-
blue (●) + purple (●) = (●)
purple)
magenta (red-
purple (●) + red (●) = (●)
purple)

Tertiary- and quaternary-color


terms
The terms for the RYB tertiary colors are
not set. For the six RYB hues intermediate
between the RYB primary and secondary
colors, the names amber/marigold
(yellow–orange), vermilion/cinnabar (red–
orange), magenta (red–purple),
violet/indigo (blue–purple), teal/aqua
(blue-green), and chartreuse/lime green
(yellow–green) are commonly found. The
names for the twelve quaternary colors
are more variable, if they exist at all,
though indigo and scarlet are standard for
blue–violet and red–vermilion.

In another sense, a tertiary color is


obtained by mixing secondary-colored
pigments. These three colors are russet
(orange–purple), slate (purple–green), and
citron (green–orange), with the
corresponding three quaternary colors
plum (russet–slate), sage (slate–citron),
buff (citron–russet) (with olive sometimes
used for either slate or citron).[8][9] Beyond
that are shades of grey (blue grey and
brown greys), which approach but never
quite reach black.

The RYB color terminology outlined above


and in the color samples shown below is
ultimately derived from an 1835 book
called "Chromatography", an analysis of
the RYB color wheel by George Field, a
chemist who specialized in pigments and
dyes.[10]
RYB colors produced by mixing equal
amounts of secondary and subsequent
colors[11]

Secondary  Tertiary  Quaternary  Quinary 


   yellow      russet    plum
   orange  orange    plum    blue
   red      slate grey
   purple  russet    sage    sage
   blue      citron    khaki
   green  purple    buff    buff
   yellow    slate    russet    grey
  brown
 green    plum
 
 citron
 
 orange
RYB and CMY colors produced by mixing
proportional amounts of primary colors

Tertiary RYB[11]      Quaternary RYB[11]      Tertiary


   yellow    yellow  
   amber    golden yellow  
   orange    amber  
   vermilion    orange peel  
   red    orange  
   magenta    persimmon  magen
   purple    vermilion  
   violet    scarlet  
   blue    red  
   teal    crimson  
   green    magenta  
   chartreuse    aubergine green
   yellow    purple  
   amethyst  
   violet  chartre
   indigo  
   blue
   turquoise
   teal
   viridian
   green
   apple green
   chartreuse
   lime green
   yellow
Comparison of RGB and RYB
color wheels
Unlike the RGB (CMY) color wheel, the RYB
color wheel has no scientific basis. The
RYB color wheel was invented centuries
before the 1890s, when it was found by
experiment that magenta, yellow, and cyan
are the primary colors of pigment, not red,
yellow, and blue.

The RGB (CMY) color wheel has largely


replaced the traditional RYB color wheel
because it is possible to display much
brighter and more saturated colors using
the primary and secondary colors of the
RGB (CMY) color wheel. In the terminology
of color theory, RGB color space (CMY
color space) has a much larger color
gamut than RYB color space.

See also
Color wheel
Color theory

References
1. Marcus Weise and Diana Weynand
(2007). How Video Works . Focal Press.
ISBN 0-240-80933-5.
2. Stan Place and Bobbi Ray Madry (1990).
The Art and Science of Professional
Makeup . Thomson Delmar Learning.
ISBN 0-87350-361-9.
3. Moses Harris (1766). The Natural
System of Colours . Laidler.
4. Josef Albers (1963). Interaction of
Color . Yale University Press. ISBN 0-300-
01846-0.
5. Adrienne L. Zihlman (2001). The Human
Evolution Coloring Book. HarperCollins.
ISBN 0-06-273717-1.
6. Kathleen Lochen Staiger (2006). The Oil
Painting Course You've Always Wanted:
Guided Lessons for Beginners and
Experienced Artists . Watson-Guptill.
ISBN 0-8230-3259-0.
7. Susan Crabtree and Peter Beudert
(1998). Scenic Art for the Theatre: History,
Tools, and Techniques . Focal Press.
ISBN 0-240-80187-3.
8. William J. Miskella, 1928, Practical
Color Simplified: A Handbook on
Lacquering, Enameling, Coloring And
Painting, pp
9. John Lemos, 1920, "Color Charts for the
School Room", in School Arts, vol. 19, pp
580–584
10. Maerz and Paul A Dictionary of Color
New York:1930 Page 154
11. RGB approximations of RYB tertiary
colors, using cubic interpolation.[1] The
colors are paler than a simple mixture of
paints would produce. For the darker, true
secondary colors, see secondary color.
Pure tertiary colors would be darker still.

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