The Color of Art - Free Artist Reference Books and Ebooks PDF

11/8/2017 The Color of Art: Free Artist Reference Books and eBooks
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A Treatise on Painting, A Treatise on Painting, A Theory of Pure Design; Art Recreations; A Primer for the Cyclopedia of Painting :
written by Cennino Cennini Harmony, Balance, being a complete guide to Materials, Methods and containing useful and
in the year 1437 and first By Leonardo Da Vinci, John pencil drawing, oil painting, Techniques of valuable information on the
Rhythm,
published in Italian in 1821 Francis Rigaud, Published water-color painting, crayon Conservation, following subjects:
with Introduction and Notes by J.B. Nichols and Son, by Denman Waldo Ross, drawing and painting, adulteration of paint,
1835 1907 by Perry Hurt, Conservator
by Signor Tambroni painting on ground glass, blistering of paint, brushes,
Faithfully Translated From for Regional Conservation
containing practical Grecian painting, antique calcimining, carriage
The Original Italian, and Services and Noelle Ocon,
directions for painting in painting, oriental painting, painting, china painting,
Digested Under Proper Associate Conservator of
Fresco, Secco, Oil and Heads, By John Francis "IT is quite impossible for sign painting, theorem Paintings, North Carolina colors, color harmony, color
Distemper, with the Art of Rigaud, Esq. Academician me, in this discussion of painting, ferneries, moss Museum of Art. ©2005 Do mixing, color testing,
Gilding and Illuminated of The Royal Academy of terms and principles, to work, paper mache, cone not reprint without exterior painting, gilding,
Manuscripts adopted by the Painting at London, indicate, in any measure, work, feather flowers, permission graining, house painting,
Old Italian Masters. Illustrated With Twenty- the possibilities of potichomanie (The art or marbling, mildew, oils and
Translated by Mrs. three Copper-plates, And composition, in lines and process of coating the driers, oil painting on glass,
Merrifield, with introductory Other Figures. spots of paint, in tones, inside of glass vessels with "The history of painting has painting a bath tub, painting
preface, copious notes, and measures, and shapes. engravings or paintings), included the use of many in distemper, paperhanger's
Illustrations in outline from This is in no sense a Book leather work, hair work, different materials. The tools, paperhanging,
celebrated pictures. "Of the Measures of the of Designs. All I have taxidermy, gilding and basic definition of a pigments, plain oil painting,
human Body, and the undertaken to do is to give bronzing, plaster work, painting: a pigment mixed primary colors, priming,
By Cennino Cennini,
bending of Members: a few very simple examples decalcomanie, wax work, in a medium and applied to scenic painting, sign
Giuseppe Tambroni, Mary
and to indicate the kind of shell work, magic lantern, a support. An easel painting painting, stains, staining,
Philadelphia Merrifield, It is very necessary that
reasoning to be followed, paper flowers, imitation of typically has at least four stencilling, turpentine,
Translated by Mary painters should have a
recommending the same pearl, the aquarium, basic layers: support, varnishes, varnishing, water
Philadelphia Merrifield, knowledge of the bones
kind of reasoning in all sealing-wax painting, ground, paint, and varnish." color painting, when not to
Published by Lumley, 1844 which support the flesh by
cases. There are three panorama painting, coloring paint, practical points on
which they are covered, but
general rules, however, photographs, enamel painting, useful
particularly of the joints,
which I must state...." painting, etc. Download PDF information...
"Of all the modes of which increase and
painting used by the diminish the length of them by L. B. Urbino, Prof. Henry by George D. Armstrong,
masters of these times, as in their appearance. As in Day, and others, Published 1908
PDF (23.0 MB)
well by those who the arm, which does not 1873
succeeded them. Connino measure the same when EPUB
has composed the most bent, as when extended ; "The facility with which
Kindle
complete treatise that has its difference between the "A perfect muscular control ready-prepared colors can
ever been written." greatest extension and Daisy (unprotected) of the hand is of the first now be obtained has no
Tambroni bending, is about one importance in drawing, as doubt led to a neglect of
Full Text
eighth of its length." accuracy of outline and information as to their
DjVu delicacy of expression can composition or special
"You must know that there only be obtained by having qualities, a small amount of
are seven natural colours, PDF (13.6 MB) the fingers in complete knowledge only being
namely, four which are of Read Online subjection to the will, so picked up in the course of
EPUB
the nature of earths, as that the slightest volition will practice from the men with
black, red, yellow, and Kindle be properly interpreted by whom each painter is
green; three are natural the pencil. This requisite associated, and who have
Daisy facility in the use of the obtained their own
colours, but require the
assistance of art, as white, Full Text pencil or brush can be information in a similar
ultramarine, or Della acquired only by patient unreliable manner. It is not
magna, and Naples yellow. DjVu practice, the length of time here intended to advocate
We will not proceed further, necessary for its attainment the idea that each workman
but return to the black being in some degree should, as in olden times,
pigment. To grind it Read Online dependent upon the natural manufacture his own colors
properly, procure a slab of ability, taste, or 'genius' of and varnishes; the rate of
porphyry, which is strong the learner. " wages as compared with
and firm. There are many the expenses at the present
kinds of stone for grinding day wholly forbid such a
PDF (15.2 MB)
colours, as porphyry, system; but it is strongly
serpentine, and marble. EPUB urged that the painter
The serpentine is a soft should know the qualities of
Kindle
stone, and is not good; the various substances he
marble is worse, that is, Daisy employs in order that he
softer; porphyry is the best may judge of their fitness
of all; and if you procure a Full Text for every kind of work, and
slab very well polished, it DjVu likewise that he should be
will be better than one with able to prepare them if
less polish. It should be circumstances require him
about half a braccio Read Online to do so."
square. Take another
stone, also of porphyry,
smooth on one side, and PDF (21.2 MB)
raised on the other, in the
EPUB
shape of a porringer, and
half the height of one, of Kindle
such a form that the hand
may hold and guide it at Daisy
pleasure " Full Text
DjVu
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Handbook of Painting, A Hand-book of the Materials for Permanent The Materials of the Notes on the Science of
History of Painting: The Painting, Painter's Craft in Europe Methods And Materials Of Picture-Making,
a manual for and Egypt : Painting Of The Great
by Franz Kugler, Sir Italian schools of manufacturers, art dealers, from earliest times to the Schools And Masters by C. J. Holmes, 1920
Charles Lock Eastlake, paintings, artists and collectors end of the XVIIth century, Vol.2,
George Scharf, Francis with some account of their
By Franz Kugler, Sir By Maximilian Toch 1911 by Sir Charles Lock
Turner Palgrave, 1855 preparation and use, "THERE is a common
Charles Lock Eastlake, Sir Eastlake, Lady Eastlake,
"Cobalt green is made in foundation from which all
Edmund Head, 1842 by A. P. Laurie, 1910 Franz Kugler © 1960
various ways. Some the arts rise, and that is the
"In the master-works of this manufacturers mix a pale need of self-expression on
period we find the most shade of ultramarine blue the part of the artist..."
"The consideration of the "In the introductory chapter *Available in a protected
elevated subjects, which is known
influence of Religion on the I explained how pigments DAISY file only. It can only "Though the beauty of an
represented in the noblest commercially as artificial
Arts forces itself on the were probably suggested be opened with a key unsullied wash of water
form, with a depth of feeling ultramarine green with a
attention in investigating the by the art of dyeing, such issued by the Library of color upon certain kinds of
never since equalled. It mixture of oxide of zinc.
progress of Painting, since pigments, made by staining Congress: click here for paper is great, that beauty
was only for a short period Sometimes it is made by
so large a proportion of its and fixing with a mordant details. is not always at the artist's
that Art maintained this grinding oxide of zinc and
creations was devoted to on a white base a vegetal command, if only for the
high degree of perfection." zaffer which is a native Get a Daisy viewer here
the service of the Church— or animal dye, being known reason that a perfect paper
oxide of cobalt. In any case
in many instances, we fear to artists as lakes. The of the kind required is rarely
the cobalt green which has
we must add, the service of lakes to which artists of to be found, nor does the
PDF (19.5 MB) been examined is Download Daisy Zip file
superstition. Yet the today are accustomed, beauty obtained in this way
apparently very permanent,
EPUB difference or abuse of such as madder lake and fit every subject or every
but lacks very much in
creeds may be said in most crimson lake, are usually kind of decorative need. "
Kindle opacity, which, however, is
cases to affect works of Art made by fixing the dye on a
no detriment, because the
Daisy only in their extrinsic translucent or almost
color is principally used as
conditions; the great transparent base such as PDF (31.8 MB)
Full Text a glazing color. It appears
painters were so generally alumina; but the lakes of
to be a very expensive EPUB
DjVu penetrated with the spirit of Egypt and Rome were
color when made from the
the faith they illustrated, usually fixed on chalk or Kindle
Read Online salt of genuine cobalt, and
that the most unworthy gypsum, and formed there
as such is permanent under Daisy
subjects were often the fore opaque pigments. It
any and all conditions. It
vehicles of feelings to which will readily be understood Full Text
Read Online may also be a composition
all classes of Christians are that it is not enough to mix
of genuine cobalt blue DjVu
more or less alive. The the dye with the chalk or
mixed with chromate of zinc
implicit recognition of gypsum, the staining color
or zinc yellow, in which
apocryphal authorities is, readily washing out. The
case it would also be Read Online (Archive.org)
however, not to be dye must be fixed on the
permanent, but if it is a
dissembled .... references gypsum just as it must be
mixture of ultramarine blue
to the sources whence the fixed on the cloth, by
and chromate of zinc, it is Read Online
painters at the revival of Art means of a fixing agent or
not permanent, and has
derived their subjects. mordant. Such a yellow
sometimes been known to
Some acquaintance with vegetal lake is described by
decompose in the tube."
the legends and the chemist John as having
superstitions of the middle been found on an Egyptian
ages is as necessary to the fragment. "
PDF (21.5 MB)
intelligence of many Italian
and German works of Art.." EPUB
Kindle PDF (8.3 MB)
Download PDF Daisy EPUB
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The Painter's Methods & The Painters' Painting a Portrait The Painter, Gilder, and Pictorial Composition and The Secret of the Old
Materials: Encyclopaedia, (as told to A. L. Baldry) Varnisher's Companion, the Critical Judgment of Masters,
The handling of pigments in containing definitions of all Containing rules and Pictures
by de László , ©1934 by Albert Abendschein,
oil, tempera, water-colour & important words in the art of regulations in everything
by Henry Rankin Poore, 1909
in mural painting, the plain and artistic painting, Get the large PDF (200 relating to the arts of
1903
preparation of grounds & MB) with updated pictures painting, gilding, varnishing,
By Franklin B. Gardner,
canvas, & the prevention of and commentary on this glass-staining. Graining,
Published by M.T. "I had begun to form a
discoloration, together with site dedicated to de marbling. Sign-writing,
Richardson, 1887 "THIS volume is addressed determination to discover
the theories of light & László by Indra Anderson gilding on glass, and coach
to three classes of readers ; the technical principles,
colour applied to the painting and varnishing;
If you appreciate this work, to the layman, to the methods, and material that
making of pictures Tests for the detection of
"This is one of the yellowish please consider making a amateur photographer, and enabled the Old Masters to
adulteration in oils, colors,
by A. P. Laurie, 1926 browns verging on to olive, donation to The de to the professional artist..." produce their art work..."
etc. And a Statement of the
and the shade may be László Archive Trust, a
diseases to which painters "Of all the Masters, this first
varied by a change in the registered UK charity.
are particularly liable, with veil is most obvious in
PDF (13.4 MB) proportion of ingredients. PDF (43.1 MB)
the simplest and best Rubens, and was said to
Japan brown is a beautiful
EPUB remedies. by Michel EPUB have been, in some few
color when properly mixed, You can find Indra Eugène Chevreul, 1886 cases, made up of a very
Kindle and is made by adding a Anderson's Blog here Kindle
Daisy very little Indian red to black Daisy small quantity of color in
japan. This method of powder, mixed with a glue
Full Text Here is the non-updated "All the primary colors gain Full Text
forming a brown is an size when used on an
original PDF at 18.5 MB, in purity and brilliancy by
DjVu excellent one where old DjVu absorbent glue made
also from Indra Anderson's the proximity of gray; but
work is to be re-colored, the ground, or composed of
page. the effects are far from
japan laying over an old quick-drying varnish when
being similar, or even
Read Online (Archive.org) varnish surface without the Read Online (Archive.org) used on an oil ground. One
analogous to those which
danger of cracking so often eminent Italian restorer,
result from the proximity of
experienced. A color known who studied for years the
the same colors with white.
Read Online as 'Bismarck brown' may be Read Online secrets of the Old Masters
White allows each color to
made as follows: First make in their paintings, claims to
preserve its integrity, and
a ground of two parts burnt have found the same kind
even heightens them by
umber to one of white lead; of glue size stain in Titian's
contrast, and can never be
put over this two coats of work. For obvious reasons
taken for a color itself. But
burnt sienna, and glaze this veil must dry quickly
Gray can; for with the
with a mixture of one ounce and thoroughly, sufficiently
darkest colors, as Blue and
carmine, one-half ounce of at any rate so it shall lie
Violet, and with the deep
English crimson lake, and undisturbed as it is worked
tones in general, it
one ounce of best gold upon by the artist in his first
produces associations
bronze. When a light color painting...."
which enter into analogous
is required use a ground of
harmonies, while with the
English vermilion 'and glaze
brilliant colors..."
as above. PDF (5.7 MB)
Brown Pink.—A vegetable EPUB
lake, made from French PDF (Google.com)(9.9 MB)
berries and dye woods. It is Kindle
EPUB
a fine, rich, transparent Daisy
color, but inclines more Kindle
Full Text
toward a citrine, or an
orange color, than to a Daisy
DjVu
brown. It is a very fugitive Full Text
color.
DjVu
Brunswick Green.—A Read Online (Archive.org)
pigment obtained by
exposing metallic copper to Read Online (Archive.org)
the action of muriate of Read Online
ammonia. It is a chloride
and oxide of copper. It is Read Online
also generated by the
action of seawater upon
copper, and it may be said
to be, virtually, verdigris."
Download PDF
EPUB
Read Online
The Theory and Practice Young Artist's Assistant; The Graphic Arts: A Primer of Art with Handbook of Painting The Artist's Way of
of Color, or, Elements of the fine A treatise on the varieties of Illustrations Part 1: Working
arts, containing the drawing, painting, and the German, Flemish and in the various handicrafts
by Bonnie E Snow, Hugo B. By John Collier, 1882
principles of drawing, engraving in comparison Dutch Schools : based on and arts of design, Vol 1
Froehlich, 1920
painting in general, crayon with each other and with the handbook of Kuglee. In
By Russell Sturgis, ©1905,
painting, oil painting, nature. two parts, —part 1.
"This little work is Published 1910
portrait painting, miniature
"the study of Color has By Philip Gilbert Hamerton addressed to all those who By Franz Kugler, Gustay
painting, designing,
been approached from ©1895 are endeavouring to learn Friedrich Waagen, Joseph
coloring, engraving and
three different angles: the the Arts of Design,in the Archer Crowe, 1860 "In all such work as we
Portrait Painting,
angle of the physicist, the hope that it may remove have been considering, the
angle of the chemist and by William Enfield, 5th Ed. "The idea of so ordering some practical difficulties preparation of the color is
the angle of the painter or with engravings 1822 things that their mutual from their path... "THE BROTHERS VAN the simple grinding of it into
artist. The physicist has relations may be pleasing ...Art is a word of very wide EYCK. fine powder, and the mixing
demonstrated that the sun to the aesthetic sense is the significance, and extremely The Netherlandish school, of it in a pot or upon a slab
is the source of all Color, "CONTENTS: foundation of culture in the difficult of definition; which, in the previous with such a vehicle as may
and has unlocked for us the fine arts. Truth, in these speaking broadly, art is a periods, had greatly be chosen. Throughout the
Implements and Materials
secrets of the Solar arts, is altogether creative operation of the distinguished itself in the art later Middle Ages a sticky
used in Drawing;
Spectrum. The chemist has subordinate. They do, no intelligence, it is the making of painting, ...This element and glutinous material was
Drawing the Figure;
found in certain clays, in doubt, include and even of something either with a manifested itself in the used, as in distemper,
Drawing of Drapery ;
plant and animal life and in require most extensive and view to utility or pleasure— endeavour to express that which we sometimes call
Drawing of Landscapes;
by-products of coal, various subtle knowledge of natural so that it falls naturally into spiritual meaning which tempera.
MECHANICAL DRAWING;
symbols and substitutes for truth, but it is only to avail two great divisions, each of these artists so strongly felt,
Copying drawings, &c;. Distemper: painting with a
Color which he calls themselves of it when it which corresponds with one through the medium of the
To transfer any Impression sticky medium, or vehicle,
pigment, and which he happens to be agreeable. A of these different ends, forms of real life; rendering
with Vermilion; as white of egg or the juice
combines in wonderful highly cultivated artist namely, the Useful Arts and these forms with the utmost
The Camera Obscura; of fruits, but always
ways to make our dyes, knows twenty times as the Fine Arts... " distinctness and truth of
OF THE SCHOOLS OF something soluble in water,
paints and inks. The artist- much about nature as the drawing, coloring,
painter has made use of PAINTING; most accurate, matter-of- perspective, and light and or capable of being thinned
the chemist's formulae in School of Florence; fact draughtsman, and yet shadow, and filling up the out with water."
Download PDF
the instrument which he Roman School; the artist constantly space with scenes from
uses to portray his Venetian School; sacrifices truth to nature, or objects created
interpretation of nature, his Lombard School; composition. He sacrifices by the hand of man, in Download PDF
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marvelous flights of French School; it, also, to the idealization of which the smallest detail
imagination and the depth The German School; natural forms, to emphasis was carefully given. The
of his insight into the The Flemish School; in lines, and to the great importance of such a Read Online
human heart. But all three The Dutch School; concentration of natural development of the realistic
of these workers, The English School; light and shade and color. feeling in painting, which
indispensable as each one PRINCIPLES OF THE ART; All these are necessary to had never been sufficiently
is to the growth and Of Invention; the artist, because without acknowledged..."
development of the world, Of Composition; them he cannot give that The Artist's Way of
have ignored the individual Of Design; aesthetic pleasure..." Working
man and his needs." Expression of the Passion; Download PDF in the Various Handicrafts
Of Clair obscure, or and Arts of Design , Vol 2
EPUB
Chiaroscuro; Download PDF
Of Coloring; By Russell Sturgis, ©1905,
PDF (6.5 MB)
EPUB Published 1910
OF THE DIFFERENT
EPUB Read Online
CLASSES OF PAINTING;
Kindle OF LANDSCAPE
Read Online "Dedicated with admiration
PAINTING;
Daisy and undying gratitude to the
OF PORTRAIT PAINTING;
OF COLORS; many artists and skilled
Full Text
The method of preparing artisans to the sculptors
DjVu the various kinds used in and carvers, painters and
Painting; draughtsmen, silversmiths
Of Red colors; and blacksmiths, potters
Read Online (Archive.org) Of Blue colors; and glass makers, masons
Of Yellow colors; and joiners, printers and
Of Green colors; engravers, architects and
Read Online Of Purple colors; Handbook of Painting decorative designers, who
Of Brown colors; Part 2. during forty years have
Of White colors; The German, Flemish, and been my teachers in fine
Of Black colors; Dutch schools. Based on art... "
OF THE DIFFERENT the Handbook of Kuglee.
METHODS OF PAINTING; Enlarged and for the Most
OIL PAINTING; Part Re-written by D. Download PDF
Of painting Flesh; Principal Waagen, Director of the
EPUB
colors from which all the Royal Gallery of Pictures,
tints of the Flesh are made, Berlin. with Illustrations
and their qualities in .Into Parts.—part 2.
Read Online
painting; By Franz Kugler, Gustav
Principal tints composed Friedrich Waagen, Joseph
from the foregoing principal Archer Crowe, 1860
colors, and necessary for
painting flesh..."
"...In every respect is this
the finest equestrian portrait
PDF (23.5 MB) painted by Van Dyck, and
indeed I may almost
EPUB
designate it as the finest
Kindle existing. A smaller series of
portraits, of the same time,
Daisy
show the mighty influence
Full Text of Rubens even after Van
Dyck's return from Italy. But
DjVu
the then more mature
painter knew how to
combine the luminous
Read Online (Archive.org) coloring of his great master
with a more truthful and
refined observation of
Read Online forms..."
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EPUB
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Art in Transit: Handbook

Students' Text-Book of Painting Materials - A Painting Popularly Technical Art History: The Theory of Color in its
for Packing and
Color: Short Encyclopaedia: Explained: Including Painters' supports and Relation to Art and Art-
Transporting Paintings
or Modern chromatics, with (Text files only) Fresco, Tempera, studio practices of industry
Applications to Art and Encaustic, Miniature, Oil, By Richard, M., Rembrandt, Dou and
By Rutherford J. Gettens By Wilhelm von Bezold,
Industry. Mosaic, Watercolor, Missal, Mecklenburg, Marion F. and Vermeer
and George L. Stout, ©1876
Painting on Pottery, Merrill, Ross, Copyright ©
1991, 1997 National Gallery
By Ogden Nicholas Rood, ©1942 by D. Van Nostrand Porcelain, Enamel, Glass, of Art, Washington, DC By Jørgen Wadum, ©2009 "...On the palette we do not
1881 Co. etc. 20565. All rights reserved. All rights reserved mix colors at all, but only
pigments; to mix colors we
This book is still in By Thomas John Gullick, First edition 1991. Second It is not permitted to
must employ means of a
copyright and provided by John Timbs edition 1997 download or to
"In Fig. 67 these very different nature.
Archive.org for reading only forward/distribute the text or
complementary colours are ISBN 0-89468-165-6 Before, however, describing
part of it without the
arranged in a circle. They these methods, it may be
"...although painting has not consent of the author(s)
are of course only a few of well to call to mind a few
This great book is also still the power of giving actual and/or copyright holder(s),
the pairs that can be View PDF (large file) instances in ordinary life, in
being published, and the relief like sculpture, it yet other than for strictly
noticed. The tints situated which we have to deal, not
updated printed paperback can, by means of imitating personal, individual use"
between red and orange with the mixture of
book or the kindle version the effects of form, light,
will have complements Archived publication in the pigments, but with that of
can be purchased at and shadow on the eye,
lying between greenish- University Van Amsterdam colors..."
amazon: sufficiently secure the
blue and cyan-blue; those Digital Academic
Painting Materials: A Short impression of relief, so that
between orange and Repository
Encyclopedia (Dover Art no want is suggested; and,
yellow, again, will find Download PDF
Instruction) in the addition of colour, it
complements between
has the means of imitating
cyan-blue and ultramarine- By Rutherford J. Gettens "Dou doesn't paint, oh no,
a very beautiful class of
blue, etc. As before and George L. Stout ©1966 he juggles with his brush" Read Online
facts in nature, beyond the
remarked, it is a good plan by Dover publications, Inc
scope of sculpture..."
to copy the results with
water-colors; this fixes the View PDF (large file)
facts in the memory far "Museum curators,
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better than mere conservators, painters,
momentary inspection." teachers, and students will EPUB
find this volume an
outstanding reference. An
encyclopedic collection of Read Online
specialized data rather than
PDF
just a handbook of art
instruction"
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"Table of contents:
Introduction ...
Preface Medium,...
Adhesives, and Film
Substances...
Pigments and Inert
Materials... Solvents,
Diluents, and Detergents...
Supports ...
Tools and Equipment ...
Glossary"
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Portrait and Figure Handbook of Pictorial Art De Arte Graphica. The Art The Theory and Practice A Treatise on the Art of A Treatise on the Art of
Painting of Painting of Color Painting, Painting,
Richard St. John Tyrwhitt,
in all its branches; in all its branches;
By Frank Fowler, ©1894 1875 by Charles A. Du Fresnoy, By Bonnie E. Snow, Hugo
accompanied by seventy accompanied by seventy
1695, 1716 B. Froehlich, ©1920
engraved plates, and engraved plates, and
exemplified by remarks on exemplified by remarks on
"THE fact that the "Though Venice contains
the paintings of the best the paintings of the best
representation of the the greatest examples of "Grecians are wanting to "UP to the present time, the
masters, Volume 1 masters, Volume 2
human figure is generally Colour in the world, us; nothing of their Painting study of Color has been
regarded as the most Florence is the great school and Coloring now remains approached from three by Gérard de Lairesse, by Gérard de Lairesse,
advanced step in the of Drawing. Solid study of to assist our modern Artists, different angles:the angle of 1817 1817
painter's art seems to accurate form must come either in the Invention, or the physicist,the angle of
invest it with unusual first, because it can be the manner of those the chemist and the angle
fascination for the beginner. taught to any person : and Ancients. Neither is there of the painter or artist. The "...The figures being "...We see that many,
Certainly the number of when that is learnt may any Man who is able to physicist has demonstrated brought thus far, retouch or without difference, be the
persons who deliberately come the delight and restore the Chromatic part, that the sun is the source of finish them in this manner ; figure in full proportion, or in
choose a course of training excitement of colour ; or Coloring, or to Painting, all Color, and has unlocked brush thinly over your figure little, give the touches
that prepares them for power in which is renew it to that point of for us the secrets of the some varnish mixed with a under the nose so black
painting from life is incommunicable, and Excellency to which it had Solar Spectrum. The little light oker; then put on and dark, that it seems as if
constantly increasing..." which, taken by itself, would been carried by Zeuxis: chemist has found in your main lights, scrumbling a black beetle were
be mere intoxication..." ...which is so charming, so certain clays, in plant and them softly and gently into proceeding thence;
magical, and which so animal life and in by- this wet ground, as far as is whereas it is certain, and
Download PDF admirably deceives the products of coal,various necessary. For a child mix, nature teaches it, that when
Sight, made himself equal symbols and substitutes for under the varnish, a little the light falls strong on the
PDF (34.5 MB) to the great Apelles, that Color which he calls vermillion ; some light oker nose, the nostrils and their
Read Online EPUB Prince' of Painters; ... And pigment, and which he for a man ; and somewhat ground-shades can never
as this part, which we may combines in wonderful less light oker for a woman. appear so black ..."
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call the utmost Perfection of ways to make our dyes, ..."
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of what we call Coloring." portray his interpretation of
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the depth of his insight into
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How to Paint Permanent The Artist's Repository; The Artist's Repository; The Artist's Repository; The Artist's Repository; The Handmaid to the Arts
Pictures or, Encyclopedia of Fine or, Encyclopedia of Fine or, Encyclopedia of Fine or, Encyclopedia of Fine
By Robert Dossie, 1758
Arts, Volume: 1 Arts, Volume: 2 Arts, Volume: 3 Arts, Volume: 4
By Maximilian Toch,
History of the Arts; Landscape; Perspective; Dictionary & history of art
©1922
Principles of Proportion; A Compendium of Colors, Architecture
Published 1808 by C. "COLORS maybe either
The Human Figure Etc.
Published 1808 by C. Taylor in London PIGMENTS or fluids. By
Taylor in London pigments, it is meant all
"I have investigated the Published 1808 by C. Published 1808 by C. such solid bodies as require
methods, analyzed the Taylor in London Taylor in London to be mixed with some fluid,
"I have now the honor to "BEAUTIFUL, in the arts,
material and demonstrated as a vehicle, before they be
open a second series of signifies whatever in nature
the folly of most of the used as paints, (except in
Discourses on the is most perfect and
procedures in common use "THE intention of this work "Red lake may be prepared the case of crayons, where
Principles of the Arts of complete; especially, in
today, and feel that there is is to cultivate as much as from cochineal, by gently they are used dry.) These
Design: In this Lecture I those objects which our
a demand for a little book possible, our national taste boiling two ounces of make the far greatest part
propose more immediately train of thinking leads us to
of this kind, which painters for the Arts; it is therefore cochineal in a quart of of the whole, the fluid colors
to elucidate the nature, and suppose are more
can use, and from which art calculated for two water ; filter the solution, being only a small number
the general properties, of eminently beautiful. Nothing
students can acquire a purposes, one to initiate add two ounces of pearl- employed along with water
Perspective..." is more vague than the
sane method of producing and instruct young ashes dissolved in half a colors and asphaltum,
ideas of most persons on
permanent results. If the persons,whose genius pint of warm water, and which is sometimes
what is beautiful; nor is it
painter once knows, either prompts them to these filtered. Dissolve cuttlefish employed in oil painting.
easy to propose regulations
mechanically or studies; the other to gratify bone as in the former
PDF (20.7 MB) which shall produce beauty, Colors are distinguished
unconsciously, the the taste of the Professor, process : and, to a pint of it
though it is common for into several kinds,
pigments that are whose judgment is mature. add two ounces of alum EPUB many persons to unite in according to the vehicles in
absolutely permanent, and To accomplish this design, dissolved in half a pint of
Kindle opinion of what is not which they are worked, as
the principle involved in it commences with the water. Put this mixture
beautiful ..." oil colours, water colors,
producing paintings which principles of Art, and gradually to that of the Daisy enamel colors, etc. As the
will not crack, fade, darken, proceeds regularly until it cochineal and pearl-
Full Text fame sorts of pigments,
peel, blister or decompose, comprehends a, complete ashes..."
however, are, in many
his or her mind can be system of picturesque DjVu PDF (33.2 MB) instances, employed in
taken up completely with knowledge..."
more than one kind of
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produced..." PDF (27.2 MB) Read Online
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PDF (25.8 MB) Daisy
Download PDF Kindle Note: The cover pages and
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EPUB files of Vol.2 & 3 seem to
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Ladies' Manual of Art: A TREATISE PAINTING The Art of Color The Painter and An Introduction to Methods and Materials of
or, Profit and pastime: a The Subjective Experience Varnishes Guide, Perspective: Practical Painting of the Great
by Leonardo da Vinci,
self teacher in all branches and Objective Rationale of or, A Treatise Both In Geometry, Drawing and Schools and Masters...
Leonardo da Vinci, 1452-
of decorative art, Color. Theory and Practice on The Painting: Volume 1
1519
embracing every variety of Art of Making and Applying a New and Perfect
Published January 31, 1974 by Sir Charles Lock
painting and drawing on (Translated from The Varnishes; on The Different Explanation of The Mixture
by John Wiley & Sons Inc. Eastlake,
china, glass, velvet, Original Italian) 1721 Kinds of Paintings; and on of Colours;
Written in English This new Dover edition, first
canvas, paper and wood The Method of Preparing with Practical Directions for
And adorned with a great published in 1960, is an
Colors, Both Simple and Miniature, Crayon, and Oil
by Donohue, Henneberry & Number of Cuts. unabridged and unaltered
Compound: With New Painting
Co., 1890 *Available in a protected republication of the first
(includes index) Observations And
DAISY file only. It can only by Charles Hayter, ©1845 edition of the work originally
Experiments On Copal; on
be opened with a key published by Brown, Green,
The Nature of The
"Learning the art of drawing issued by the Library of and Longmans in 1847
"Painting consists of two Substances Employed in
or writing, like all other Arts Congress: click here for "Now, on viewing the under the title Materials for
principal Parts, the Division the Composition of
and Sciences, there are details. diagram, you may imagine a History of Oil Painting.
of one is the Design, that is, Varnishes and of Colors; ;
certain first and fixed a level surface extending
the Figure, or Contour, Get a Daisy viewer here and on Various Processes
principles to be observed from the base line to the
bounding Bodies, and their Used in The Art.
as a foundation upon which utmost visible distance: "The following work was
Parts: The other is the " The masterpieces of
the whole is built. A right suppose it a smooth sea, if undertaken with a view to
Coloring, comprehending Download the DAISY.zip
understanding of these is Apelles, and those of the you please. The line which promote the objects of the
the Colors included within
absolutely necessary that painters who preceded him, appears to meet the sky is Commissioners on the Fine
the Contour." disappeared with the
we may become masters of called the Horizontal Line, Arts. It professes to trace
that art which we undertake generations who saw them and must be as high up in the recorded practice of oil
to learn. A neglect of these produced. Gum water and the picture as the painting from its invention;
first principles is the reason white of egg, which are still spectator's eye; for the one and, by a comparison of
why so many who have PDF (15.3 M) employed for certain pieces always determines the authentic traditions with
spent time sufficient to of painting, were not other. In drawing existing works, to point out
become accomplished EPUB perhaps neglected. Being ill landscapes from nature, the some of the causes of that
artists, are, after all their Kindle calculated, however, by height of this line is durability for which the
pains and loss of time, their nature to resist the determined by the horizon earlier examples of the art
incapable of producing Daisy impression of moisture, and itself; because, had you the are remarkable. It was
even fair artwork..." Full Text the washing rendered transparent plane really set considered that such an
necessary in consequence up to sketch on..." inquiry, if desirable on
DjVu of their being dirtied by general grounds, must be
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insects, they could not be especially so at a time
EPUB any security to artists that PDF when the best efforts of our
Read Online their works would be
Kindle
Daisy handed down unimpaired to Read Online artists are required for the
posterity. The mixture of permanent decoration.."
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oils and resins, and that of
DjVu resins with alcohol (spirit of
wine), which form real HathiTrust Digital Library
varnishes, are alone
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Methods and Materials of Paint & Colour Mixing, A Colour: a Handbook of Teaching Methods for the Cyclopedia of Painting Color
Painting of the Great Practical Handbook: the Theory of Colour Art of Japanese Painting containing useful and
by Marie Elisabeth Cavé ;
Schools and Masters... for painters, decorators, valuable information on the
by George Henry Hurst, 1st by Gay Bumgardner, ©1967 approved by E. Delacroix,
Volume 2 artists and all who have to following subjects :
Ed. 1900, all rights reserved, Illinois for teaching painting in oils
mix colors, containing 287 adulteration of paint,
by Sir Charles Lock 2nd Edition, Revised By H. Wesleyan University and water-colors; translated
samples of actual oil and blistering of paint, brushes,
Eastlake, B. Stocks, 1916 from the 3d French ed. [by
water paints and water- calcimining, carriage
This new Dover edition, J.M. Hart] Published 1869
colors of various colors, "The subject of color is one painting, china painting,
first published in 1960, is "Japanese Painting is three
including the principal of considerable interest, colors, color harmony, color
an unabridged and quarters inspiration and
graining grounds, and more especially to artists, mixing,color testing,
unaltered republication of only one quarter sight. "In common parlance the
upwards of 600 different painters, dyers, calico exterior painting, gilding,
the first Anyone can paint what he name of colorist is reserved
colour mixtures, with printers, and others who graining, house painting,
edition of the work sees - but only a true for the painter who
instructions on colour and use color or colors in their marbling, mildew, oils and
originally published by master can paint that scene possesses the science of
paint mixing generally, everyday work. Such driers, oil painting on glass,
Longmans, in with emotive feeling. The the harmony of colors. He
testing colours, etc., etc. persons have considerable painting a bath tub, painting
Green, and Company in artists paint what they feel, who does not have this
with thirteen colored plates practical experience in the in distemper, paperhanger's
1869 under the title rather than what they see, science, but places colors
mixing and application of tools, paperhanging,
one along-side of the other,
colours for various pigments, plain oil painting,
Materials by Arthur Seymour purposes — painting, but first they must see very primary colors, priming, commits an absurdity.... A
for a History of Oil Painting Jennings,1904, 1921 dyeing and printing of distinctly." scenic painting, sign picture by such a painter is
textile fabrics, etc. — but painting, stains, staining, no painting, it is an
they will no doubt have met stencilling, turpentine, indescribable something,
"The records of the "The variation in the names with, from time to time, Read PDF varnishes, varnishing, water false and discordant,
Hospital of S. Maria of colors above referred to curious effects of mixing the color painting, when not to created for the torture of the
Nuova, it is true, show that has proved so inconvenient various colors together. To paint, practical points on eye. How many of this sort
linseed oil was abundantly alike to manufacturers and such persons a knowledge painting, useful information have I seen at the famous
furnished to Domenico decorators and other color of the theory of color exhibition of 1848!...We
by George D. Armstrong,
Veneziano during the users, that an effort was its cause and production, must confine ourselves to
Published 1908
period of his labours; but made during 1906 by one and a succinct account of making color without colors,
this proves nothing more leading firm of paint the phenomena which when we have no instinct
than a use of that vehicle manufacturers to remove occur on mixing colors for tones, and no talent for
"Cleaning Paint Brushes.
which Sir Charles Eastlake, the difficulty by together in various ways, harmonizing them. This is
All brushes, after being
in his first volume— standardizing sixty of those will be of interest." another way of being a
used, should be carefully
chapters iii. and iv. colors which are most used. colorist, which is not so well
cleaned. This is best
especially—has shown to With this object, the firm in known to the vulgar, and to
PDF (Google.com) (8.1 effected by immersing the
have been, long before the question offered prizes' which I shall consecrate,
MB) hair of the brushes in a little
invention of oil painting, aggregating ; £100, and this letter..."
raw linseed oil, the oil
common in processes of took a vote of several EPUB
should afterwards be
wall-painting.." thousand competitors which
Kindle washed out with soap and PDF
included many eminent
warm water, till the froth
decorators and colorists, Daisy Plain text
which is made by rubbing
HathiTrust Digital Library besides architects,
Full Text the brushes on the palm of DAISY
technical teachers and
See site info on the hand is perfectly
others." DjVu ePub
downloading PDF pages colorless. The brushes
and book should next be rinsed in DjVu
clean water, and the water
2nd Ed., 1904 Read Online MOBI
pressed out by a clean
PDF (14.3 MB)
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Old Masters, Artists & Art History - Free eBooks | Page Top^
Artist Handbooks || Artists || Drawing || Reference & Anatomy || Free Art Magazines || Oil Painting || Pigments || Watercolors || Other Arts
Cyclopedia of Painters Drawings of Leonardo da John Singer Sargent - A The Life and Art of Sketches of Great
Leonardo Da Vinci An
and Paintings, Vinci, Biography, Albrecht Durer. The Painters
Account Of His
Volume 1of 3; Development As An classic study of Durer,
by Leonardo, da Vinci, by Charles Merrill Mount, By Edwin Watts Chubb,
edited by John Denison 1452-1519; Hind, C. Lewis ©1955, Copyright holder Artist. by Erwin Panofsky, © 1915
Champlin, Charles (Charles Lewis), 1862-1927 W.W.Norton & Co. ©1955
by Kenneth Clark,
Callahan Perkins, ©1913 ©1952 PRINCETON UNIVERSITY
PRESS "In the Rijksmuseum of
Cambridge University
"Unlike Velasquez, whose *Available in a protected Amsterdam hangs a
Press
"The important paintings of authentic drawings are DAISY file only. It can only painting that is now
all periods are treated almost negligible, pen, be opened with a key *Available in a protected generally considered one of
under their own names, in pencil, silver-point, or chalk issued by the Library of DAISY file only. It can only the great pictures of the
separate articles, in which were rarely absent from Congress: click here for *Available in a protected be opened with a key world; its completion in
are given an accurate Leonardo's hand, and details. DAISY file only. It can only issued by the Library of 1632 marked the turning
description of each work, although, in face of the be opened with a key Congress: click here for point in the career of the
its date, its place of Mona Lisa and The Virgin issued by the Library of details. artist who painted it. It is the
preservation, its history of the Rocks and the St. Get a Daisy viewer here Congress: click here for "March out of the Civic
from the time of leaving the Anne, it is an exaggeration details. Guard," or, as it is
painter's easel, notices of to say that he would have Get a Daisy viewer here commonly called, "The
Get a Daisy viewer here
its replicas and copies, the been quite as highly Download in Daisy Format Night Watch," by
names of its engravers, esteemed had none of his Only Rembrandt."
and such other facts as work except the drawings Download in Daisy Format
(intended for the print Download in Daisy Format
make the account as nearly been preserved...." Only
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as possible exhaustive." View Online
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The Notebooks of Rembrandt Van Rijn Rembrandt Great Artists, Vol 1. A Text-Book of the Masters in art.
Leonardo Da Vinci, Raphael, Rubens, Murillo, History of Painting Leonardo da Vinci
By Malcolm Bell, © 1901 By John William Mollett,
Complete and Durer
Carel Vosmaer by John Charles Van Dyke, Various authors, January
By Leonardo Da Vinci by Jennie Ellis Keysor ©1894, published 1909 1901
"in order to reduce the
volume on Renbrandt, Copyrighted
"...is not only an exhaustive
By EDUCATIONAL
"It is indispensable to a published in 1899, to the recapitulation of all that "The origin of painting is "THE place which Leonardo
Painter who would be smaller dimensions PUBLISHING COMPANY, unknown. The first da Vinci holds in the history
deserves notice in the
thoroughly familiar with the demanded by the 'Great ©1899 important records of this art of art must always be
writings of previous
limbs in all the positions Masters' series, it became biographers and critics of are met with in Egypt; but unique. He stands alone
and actions of which they necessary to dispense with Rembrandt, it is a perfect before the Egyptian among the painters of the
are capable, in the nude, to some of the material in it. "To Raphael, with his love civilization the men of the Renaissance, by reason not
systematic exposition of a
know the anatomy of the This, is is hoped, has been of the beautiful, with his early ages probably used only of the rare perfection
theory that the biographer
sinews, bones, muscles done without seriously zeal to learn, Florence was color in ornamentation and of the high intellectual
has worked out, of the
the city of all others that he
and tendons so that, in affecting the usefulness of cardinal importance of his longed to see. At last his decoration, and they qualities of his art, but of
their various movements the book. subject..." dream was to be realized. certainly scratched the the extraordinary influence
and exertions, he may The story of the painters' A noble woman of Urbino outlines of men and which he exerted upon his
know which nerve or life and work has been gave him a letter to the animals upon bone and contemporaries..."
muscle is the cause of somewhat compressed..." PDF (7.5 MB)(Google.com) Governor of Florence, slate.."
each movement and show expressing the wish that
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and thickened, and not the Available in DjVu (10.5 M) Kindle allowed to see all the art EPUB (with images)
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others all over [the limb], as treasures of the city."
and HTML only Daisy (unprotected)
many do who, to seem Kindle
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their nude figures looking Daisy
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like wood, devoid of grace;
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The Art of Velasquez Raphael, the Prince of Art The Grotesque in Church A Handbook of Leonardo da Vinci's note-
Art Legendary and books
by R.A.M. Stevenson, by Mary I. Lovejoy, ©1902
Mythological Art
©1895 by Thomas Tindall by Leonardo (da Vinci)
Wildridge, © 1899 by Clara Erskine Clement, Duckworth & Co., ©1906
"THE function of Art is to ©1890 Arranged and rendered into
"WHEN one speaks of embody the universal. English with Introductions
Velasquez, it must be "Whether Art is the product "...THE term 'Grotesque,' BY EDWARD MacCURDY,
remembered that his of the poet's pen, the which conveys to us an "...But later in its history, M.A.
influence upon art is still artist's brush, the sculptor's idea of humourous this art has been influenced
young. His genius chisel, or the musician's distortion or exaggeration, by legends and doctrines in First published by Reynal &
slumbered for two hundred harmonious tones..." is simply grotto-esque, the choice of subjects, and Hitchcock, ©1939, ©1955
years, till the sympathy of being literally the style of these have been variously
one or two great artists art found in the grottos or rendered, in accordance
broke the spell and showed Download PDF baths of the ancients. The with the character, the This should be required
us the true enchanter of term rose towards the end aesthetic cultivation, and reading in all schools.
realism,,," of the fifteenth century, the refinement of the Read below, or the whole
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to light the fantastic this man's brilliance!....
Download PDF decorations of the more
private apartments of the Download PDF
licentious Romans..." "As a well-spent day brings
Read Online happy sleep, so a life, well
Read Online used, brings a happy
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effort."
"He who fixes his course by

a star changes his course
not."
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protection against wrongs
as clothes do against cold.
For if you put on more
clothes as the cold
increases, it will have no
power to hurt you. So in
like manner you must grow
in patience when you meet
with great wrongs, and they
will then be powerless to
vex your mind."
"O misery of man! To how

many things do you make
yourself a slave for money
?"
"Knowing therefore that you

cannot be a good master
unless you have a
universal power of
representing by your art in
all the varieties of the forms
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The American Drawing- The Art And Craft Of The Elements of Drawing Line and Form Pen Drawing - An Sketching and Rendering
Book: Drawing (1920 edition), Illustrated Treatise, in Pencil
by Walter Crane, © 1914
(a manual for the amateur,
by Vernon Blake, ©1927 by John Ruskin, ©1920 by Charles Maginnis by Arthur Leighton Guptill,
and basis of study for the
Seventh Edition © 1922
professional artist: *Available in a protected "...OUTLINE, one might
especially adapted to the DAISY file only. It can only "it may perhaps be thought, say, is the Alpha and
use of public and private be opened on with a key
that in prefacing a Manual Omega of Art. It is the "Of the kindred arts which "AN ARTISTIC conception
schools, as well as home issued by the Library of of Drawing, I ought to earliest mode of expression group themselves under is susceptible of translation
instruction) Congress: click here for expatiate on the reasons among primitive peoples, the head of Painting, none into graphic expression
by J.G. Chapman, ©1847 details. .
why drawing should be as it is with the individual is based on such broad through a variety of media,
learned; but those reasons child, and it has been conventions as that with but by a certain universality
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appear to me so many and cultivated for its power of which we are immediately of custom, or perhaps more
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quickly state or enforce expression, and as an Drawing. In this medium, the familiar lead pencil has
them..." ultimate test of Nature's variety of color, achieved a significance
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The Art of Caricature Augsburg's Drawing, Caricature and other Free-Hand Drawing, A Practical Hand-Book of The Practice & Science of
Book 1 Comic Art in All Times Light and Shade and Free- Drawing for modern Drawing
By Grant Wright, ©1904 hand Perspective for the
and Many Lands methods of reproduction
by De Resco Leo By Harold B.Speed, ©1920
Use of Art Students and
Augsburg, ©1901 By James Parton, ©1877 By Charles George Harper,
Teachers.
"NOTHING distinguishes ©1894
civilized from uncivilized By Anson Kent Cross, "No work on Art has been
man with as much "book I. A text book "There must be something ©1892 published in recent years
emphasis as humor, and designed to teach drawing precious in caricature, else "Everywhere today is the which might be more
the various stages of and color in the first, the enemies of truth and Illustrator (artist he may not advantageously placed in
civilization are marked by second and third grades. -- freedom would not hate it "An artistic method is always be), for never was the hands of a young
the character and amount book II. A text book of as they do. Some of the difficult to teach to students illustration so marketable student, as a statement of
of humor of each epoch..." drawing designed for use in worst excesses and who have been taught an as now; and the the logical elements of
the fourth, fifth, sixth, perversions of satiric art..." inartistic one, and the correspondence editors of drawing and painting. Every
seventh and eighth change will involve a the Sunday papers have at page shows robust
Download PDF grades.--book III. A text struggle on the part of both length found a new outlet common sense expressed
book designed to teach Download PDF pupil and teacher." for the superfluous in a clear style..."
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Augsburg's Drawing,
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Augsburg, ©1910
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The Art of Caricaturing The Art Of Illustration The Art of Illustration, Perspective for Art Practical Drawing: The Art of Sketching from
A Series of Lessons Second Edition Students a book for the student and Nature:
By Edmund J. Sullivan, the general reader With 27 illustrations
Covering All Branches of
©1921 by Henry Blackburn, ©1896 by Richard G. Hatton,
the Art of Caricaturing designed by Thomas
©1910 By Edwin George Lutz
Rowbotham
By Mitchell Smith, ©1941
Available in the DjVu "There is almost a by Thomas Rowbotham,
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illustrating of this book my old and young — teachers if he can sketch them in by hard ? Wouldn't it be just as
aim has been to produce a and scholars — are in want freehand, has practically simple as working from the "In the brief course of
comprehensive and Get a DJVU Reader Here of a handbook for reference mastered perspective. Of flat if the student could let instruction proposed in the
concise treatise on the art when turning to the new course the solids do not himself believe that the following pages, the object
of caricaturing. It has been methods. The illustrator of necessarily occur lying flat visual rays from all the is to lead the student to a
made as brief as is to-day is called upon on a horizontal surface, points of the object, or the successful result by the
consistent with clearness suddenly to take the place such as the ground. He, view, were brought forward simplest means. The rules
and complete' ness... " of the wood engraver in too, who would master to a supposed plane are few; but if carefully
interpreting tone into line..." sketching in perspective, directly in front of him ? studied, they will be found
must certainly be able to This plane with the object applicable to every object
PDF (4.1 MB) draw from imagination..." or view thus ideally outlined occurring in ordinary
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Freehand Perspective Line : an Art Study The Art of Drawing in Drawing for Art Students Handbook of Drawing Trees and Tree Drawing;
and Sketching: principles Lead Pencil and Illustrators
by Edmund Joseph By William Walker, ©1879 by Edward C Clifford,
and methods of expression
Sullivan, ©1922 by Jasper Salwey, ©1921 by Allen W. Seaby, ©1921 ©1921
in the pictorial
representation of common
objects, interiors, buildings, "...As the eye is the most
"What, after all, is drawing "...Many people now "...it becomes necessary to "Here it is purposed to deal
and landscapes important gateway of
but this the shortest line concede the claim that it is insist upon the importance knowledge, so far as the with trees only, and it
By Dora Miriam Norton, between the two points of actually possible to suggest of draughtsmanship in the physical world is should at once be pointed
1908 an infinity withheld from our "a sense of color " in a classical sense, as out that trees have an
concerned, it ought to
comprehension ? A short "black and white" drawing, understood by Holbein, receive great culture, even anatomy, individual and
cut that the artist takes, and it is hoped that the Velasquez, Ingres, Menzel, class characteristics, limits
with only a utilitarian
"FREEHAND Perspective while the mathematician notes in Chapter IX may at and Degas. This technical to their areas of growth and
motive, for the time is
teaches those few goes round? Through and least convey to the student power or faculty, call it what rapidly approaching when to their endurance of
principles or truths which beyond lines, algebraic those principles upon which we will, is not a conjuring certain conditions and
drawing will demand its
govern the appearance of symbols, signs and the claim is based..." trick, a mere sleight-of- right place..." changes of appearance
things to the eye, and the formulae, it is the artist's hand to be learned as a under the influences of
application of these trade..." series of "tips," but must be season, situation, and
principles to the varied PDF (7.9 MB) acquired, if at all, by severe climate. As the figure
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conditions encountered in training..." painter studies the nude
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drawing. Strictly speaking, PDF that he may be able to paint
there are but two Kindle the costumed figure, as he
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The Essentials of
The Sketcher's Manual or, The Practice and Science Theory and Practice of Perspective: Perspective with Free-hand Perspective:
The whole art of picture of Drawing: with 93 Perspective, with the Including The Projection Illustrations Drawn by the For Use in Manual-
making reduced to the illustrations & diagrams Application of the same Of Shadows And Author ... training Schools and
simplest principles to Drawing from Nature Reflections Specially Colleges
by Harold Speed, Fourth by Leslie William Miller,
Prepared For Art
By Frank Howard, ©1837 Edition, ©1922 by William Locock , ©1852 ©1892 by Victor Tyson Wilson, first
Students
edition ©1908
By Robert Pratt, ©1901
"The objects in a drawing "Permit me in the first place "Perspective is the science "I CALL this little book 'The
may be accurately outlined, to anticipate the which teaches the art of Essentials of Perspective,' "In presenting a new
and shaded very correctly, disappointment of any representing objects on a "Of what consequence, it because it seems to me treatise on an old theme, it
very neatly and delicately student who opens this plane surface, in such a may be asked, is it to an that it contains as much seems necessary at the
finished, and yet it shall still book with the idea of manner as to present to the artist, this geometrical information about the outset to give a brief history
be less pleasing than a finding "wrinkles" on how to eye the same appearance study of the subject, if he science of which it treats as of its development, so that
slight sketch, having no draw faces, trees, clouds, which the objects copy faithfully what he the artist or the the reader may see more
pretension to accuracy of or what not, short cuts to themselves do, real or sees? To this the reply may draughtsman ever has clearly its purpose. When
outline or detail, but which excellence in drawing, or imaginary." be given—quoting from occasion to make use of, the author began to teach
possesses the charm of any of the tricks so popular Leslie's ' Handbook to except under the most the elements of freehand
Pictorial Effect." with the drawing masters of Young Painters — 'that it is unusual conditions. I do not drawing to technical
our grandmothers and still Download PDF of the greatest claim to have discovered students, and found it
dearly loved by a large consequence if it enables any new thing, either in the necessary to deal with the
Download PDF number of people. No good him to see better what he principles or possible art of drawing associated
can come of such methods, Read Online copies.' " applications of perspective with the principles of linear
for there are no short cuts science. But it has occurred perspective, he was
Read Online to excellence." to me, as I know it has impressed with the fact that
Download PDF occurred to many others there was an unnecessary
Download PDF with a similar experience in and undesirable
teaching drawing, that a antagonism between the
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book on perspective, which two, which, when speaking
Read Online should be exhaustive of the one, required the
enough to redeem the other to be ignored, at the
study from the contempt same time both had to be
with which it is too often carried along side by side;
treated by artists — an the time seemed very long
estimate which is, to a before the student might be
considerable extent, permitted to view the
justified by such mystery of why the one was
presentations of it as are dependent upon the
usually found in the "hand- other..."
books" and "text-books " in
common use—and yet free,
as far as possible, from the Download PDF
technical difficulties which
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Elements of Pen and Ink Outdoor Sketching Four

Rendering Talks Given Before
rendering with pen and The Art Institute of Chicago
brush, elements of water- With Illustrations by
color rendering, rendering the Author
in water color, drawing from
nature, the American by Francis Hopkinson
Vignola Smith, 1914
by unknown author,
Copyright, 1903 by
"After the salient features of
International Text-book
a landscape have been
Company, Published 1921
analyzed and recorded in
color, the more subtle
qualities are to be detected
"It is necessary to
and expressed. The most
understand and keep
important of these is the
before the mind the
time of day. To an outdoor
fundamental principles of
painter—an expert
composition; i.e., to notice
examining the work of
and remember what
another expert—the hour-
arrangements are the most
hand is written over every
agreeable. These principles
square inch of the canvas.
apply not only to pictorial
He knows from the angle of
representation, but to every
the shadows just how high
kind of design. In general,
the sun was in the
composition involves three
heavens, and he knows,
separate considerations –
too, from the local color of
balance, rhythm, and
the shadows whether it is a
harmony; and if work be
silvery light of the morning,
executed in accordance
the glare of noontime, or
with these principles it will
the deepening golden glow
result in a unity of effect
of the afternoon."
that is satisfactory and
restful, because all parts of
the picture are consistently
EPUB (with images)
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Artist Technical Reference and Anatomy - Free Art eBooks | Page Top^
ANATOMY: Anatomy of the Human The Anatomy and A Handbook of Anatomy Human Anatomy for Art The Artistic Anatomy of
Being a guide to the Body Philosophy of for Art Students Students the Horse
knowledge of the human Expression:
By Henry Gray, ©1918 By Arthur Thomson, ©1896 By Sir Alfred Downing By Benjamin Waterhouse
body by dissection as connected with the fine
Fripp, Ralph Thompson, Hawkins, 3rd Edition,
arts
By GEORGE VINER Harry Dixon, ©1911 ©1866
ELLIS, ©1879 "Illustrations have been By Sir Charles Bell, "Reference has been
"Before proceeding to the
added wherever important Alexander Shaw, ©1865 already made to the
Anatomy of the Horse, it
points could be made more association of facial "The object of this book is
may be desirable to glance
"When the ear has been clear, and throughout the expression with gesture to give the shortest
at some of the varieties of
drawn down by hooks, the work colored pictures have "The painter must not be and pose of the body. As description of human
form which have been
position of the upper been even more satisfied to copy and Professor Cleland has anatomy compatible with
represented in the works of
muscle will be indicated by extensively used than represent what he sees; he pointed out, gesture largely the interests of the artist
the earlier (art) masters,
a slight prominence heretofore." must cultivate this talent of depends on the association and essential for his work,
either of painting or
between it and the head; imitation merely as of mental with physical and to burden his mind as
sculpture..."
and the muscular fibres bestowing those facilities conditions. Moral rectitude, little as possible with
may be laid bare by means Download PDF which are to give scope to as expressed in names, with technicalities,
of the two following the exertions of his genius; indignation, is associated and with those details
incisions, made no deeper as the instruments and with a straightening of the which do not bear directly Download PDF
than the skin: One is to be means only which he is to figure; mental depression is upon the surface forms.
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carried upwards on the side employ for communicating indicated by a lack of
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of the head." his thoughts, and energy in the movements Read Online
impossible to save the art
presenting to others the of the body."
student from the difficulties
creations of his fancy; it is
of the nomenclature
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Attempts made from time to
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Duval's Artistic Anatomy: Figure Construction: The Art of Figure Drawing Anatomy for Artists A Manual of Artistic Artistic Anatomy of
Completely A Brief Treatise on Drawing containing practical To Teachers and Students Anatomy: Animals
Revised with additional the Human Figure For Art instructions for a course of of Artistic Anatomy this for the use of sculptors,
By Edouard Cuyer, ©1905
Original Illustrations. Edited Students, Costume study in this branch of art. Series of Diagrams will be painters, and amateurs
and Amplified by A. Melville Designers, and Teachers invaluable... Translated and edited By
With Illustrations of Four- By Charles Harvey Weigall, By Robert Knox, ©1852
Paterson, M.D., Derby George Haywood
minute Drawings by ©1852 By John Marshall, J. S.
Professor Of Anatomy In
Students, supplemented by Cuthbert, 3rd edition,
The University Of Liverpool
Photographs and Drawings ©1890 "The brief Manual, on a
"...we have had the very
By Mathias Duval, Andrew by the Old Masters "There have been many matter of national
Illustrated By Two Hundred great honour of
Melville Paterson, First works published on importance, which I now
Original Drawings supplementing the teaching
edition 1884, Revised and By Alon Bement, ©1921 Landscape Painting venture to submit to public
By J. S. Cuthberet of our distinguished master,
enlarged 1905, reprinted containing the results of the criticism, is simply the
Mathias Duval, after having
1907 experience of the best completion of an idea
"WHAT IS LIFE masters in this delightful Engraved By J. And G. entertained by me for been prosector for his
DRAWING? branch of Art, and many Nicholls nearly a quarter of a course of lectures since
"This summary of anatomy
also on Figure Drawing, but century. From the time, 1881 — it is our practice to
is intended for those artists THE average artist will
the latter for the most part indeed, that I first taught give, as a complement to
who, having commenced answer this question by
on too extensive a scale, "In pursuing this line of anatomy, or rather I ought the study of human
their special studies, have saying that it is a "tool of
and in too expensive a research, from an artistic to say, studied anatomical anatomy, a certain number
drawn the human form the trade." If he is bound by
form, to be generally point of view, it is shapes, their import or of lessons on the anatomy
either from the antique or academic tradition he will
available. A requirement, impossible that the painter, signification, their relations of those animals which
from the living model— admit that it is of first
which has long been felt, is and especially the sculptor, to each other, and their artists might be called on to
who, in a word, have importance in art training.
now being supplied..." should long avoid artistic, philosophic, and represent."
already what may be Many art teachers will
comparing the form of man utilitarian aspects, I felt
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with that of such animals as convinced, instinctively as it
forms, attitudes, and artist. Others will hold that
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movements." life drawing has a special,
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The Human Machine, Constructive Anatomy, The Quick and the Dead: Anatomical Auxiliary: A The Human Figure A Guide to Figure
Artists and Anatomy key for the study of the Drawing with Illustrations
by George B. Bridgman, by George B. Bridgman, by John Henry Vanderpoel
artistic anatomy
©1939 ©1920 (Instructor in Drawing and
By Deanna Petherbridge, By Henry Leidel jr., ©1887 Painting. Lecturer on the by George Elgar Hicks,
L. J. Jordanova, Hayward Drawing and Construction ©1853
* Available only in protected "The drawing's that are
Gallery, South Bank of the Human Figure, Art
DAISY file. It can only be presented here show the
Centre, Royal College of "In presenting this Hand Institute of Chicago) .
opened with a key issued conceptions that have
Art, ©1997 Book, 'Anatomical ©1907 "Expression, though
by the Library of Congress: proved simplest and most
Auxiliary,' my object has inseparably connected with
click here for details. effective in constructing the
been to meet the constant Invention in the composition
human figure.
Get a Daisy viewer here "The drawings, prints, and growing demand for a "The human body, with its of a figure, forms a
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follow a line or a plane or a this book span five reliable work on Artistic construction, character and useless unless displayed in
Download Zip in Daisy mass. In the process of centuries and mark Anatomy, ..." action, is so complex that it conjunction with good
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essential to the progress of
plane, or a moving mass. powerful today as when it to have a clear knowledge recommended not to
Art, it is of course obvious
..." was created..." of its intricate forms, but a attempt it before he is able
that a work on this subject,
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although both simple and
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PDF (6.9 MB) Only available to of simple treatment in order drawn and its proportions
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JAIC, the Journal of the Health & Safety Guides American Art Illustrated The American Magazine of The Art Amateur More Journals and
American Institute for Art Magazines from JSTOR
The Health & Safety Coverage: 1886 (Vol. 1), Coverage: 1870-1891 (Vols.
Conservation (note only the ones
Committee commissioned Publication Info Coverage: 1916 (Vol. 7) 1-24)
predating approx.1920 are
by various Authors, special pull-out sections for Note: The content for 1892-
likely to be free):
Copyright ©1977-2005 by AIC News, Copyright 1903 will be released as
American Institute for ©1998-2008 by American Sample articles from Nov., Art and Progress, soon as the issues become
Conservation of Historic and Institute for Conservation of 1886: available to JSTOR
Coverage 1909-1915 (Vols. Art & Life 1919-1920
Artistic Works, All rights Historic and Artistic Works,
An Artistic Home(pp. 31- 1-7)
reserved All rights reserved The Art Critic 1893-1894
34) by Frank T. Robinson
Sample Articles:
The Art Review 1870-1871
American Cut Glass(pp. 39-
Sample Articles: Charcoal Drawing by M. B.
"A large number of canvas "...museum workers are 40) by Lyman H. Weeks The Art Union 1884-1885
Odenheimer-Fowler, Vol. 8,
samples from paintings by more likely to be exposed to Representation in Art (p.
Round-About Sketches II(pp. No. 6 (May, 1883), p. 130 The Art World 1916-1918
116 French artists are low-level doses of heavy 506)
42-43) by Alfred Trumble
analyzed for fiber type and metals over an extended Religious Symbolism in Art, The Artist: An Illustrated
Some Notable Works by
weight. Results are period of time, resulting in American Home Decoration Vol. 4, No. 2 (Jan., Monthly Record of Arts,
American Craftsmen (pp.
categorized chronologically chronic health problems. (pp. 51-55) 1881), pp. 38-39 Crafts and Industries
435-441)
as well as by artist, and it Heavy metal exposure in the (American Edition) 1899-
American Art Notes (pp. 56- Japanese Swords' Vol. 13,
may be seen that prior to the environment along with that The New Cleveland 1901
59) No. 2 (Jul., 1885), p. 39
end of the 18th century, from museum collections Museum of Art (pp. 392-397
Brush and Pencil 1897-1907
hemp canvases were most and buildings is of particular PORTRAIT PAINTING, Vol.
Art and the People (pp. 332-
common..." concern to museum 22, No. 4 (Mar., 1890), pp. The Collector and Art Critic
333)
from A STUDY OF FRENCH professionals involved in 79-81 1899-1907
PAINTING CANVASES, emergency and disaster No. 2, Nov., 1886, pp. 31-60, The Art Alliance of
The Collector 1891-1892
Katrina Vanderlip rescue and recovery efforts. V-X America(p. 336)
Carbonnel, Vol.20 No.01, " Cosmopolitan Art Journal
©1980 from A Special Insert: Heavy Sculpture by Edward Field
1856-1861
Sanford, Jr. (pp. 338-339) Read Online or get the
Metals, their Salts, and other No. 1, Oct., 1886, pp. I-II, 1-
PDFs The Crayon 1855-1861
Compounds, A Quick 30, III-IX Arts and Crafts (pp. 340-
"THE PRESENT NOTE Reference Guide from AIC 341) Fine Arts Journal 1901-1919
gives the results of the and the Health &Safety
analysis of nineteen Winsor Committee, By Cheryl The Illustrated Magazine of
and Newton moist Podsiki, AIC news, Art 1853-1854
watercolors (in pans) which November 2008 The Illustrated Wood Worker
once belonged to Winslow Read Online or get PDFs
1879
Homer. The identification of
many of these were The Journal of the Society of
previously reported by Arts 1852-1908
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Craigen Weston,1 and this Watson's Art Journal 1867-
note represents a 1868
completion of her research.
The colors are in a box The American Art Journal
which the artist signed (1866-1867) 1866-1867
(Figure 1)...."
from ANALYSIS OF
WATERCOLOR PIGMENTS
IN A BOX OWNED BY
WINSLOW HOMER, R.
Newman, C. Weston, E.
Farrell, Vol.19 No.02, ©1980
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Published Manchester : etc., Trade Review Co., etc.,
Davis Bros., (1891-1905) (1891-19215)
Full view. 10 (Jan.-June Full view c.1 v.71 1921

1892)
Full view c.1 v.69 1920
Full view. 11 (July-Dec.
1892)
1893) Full view c.1 v.66 1918
1894)
1894)
Full view. 16 (Jan.-June
1895) Full view c.1 v.60 1915
1896)
1896)
1897) Full view c.1 v.53 1912
Full view. 21 (July-Dec. Full view c.1 v.52 1911
1897)
1898)
Full view c.1 v.47 1908-09
1898) Full view c.1 v.43 1907
1899)
Full view c.1 v.39 1905 )
1899) Full view c.1 v.38 1904



Full view c.1 v.24 18971 v.23

1897
Oil Painting - Free Art e-Books | Page Top^
Oil Painting:
The Art of Landscape The Art of Painting The Art of Portrait The Book of the Art of A Guide to Oil Painting,
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"The present Handbook has
others in the English Translated from the Italian, "The object of this little
been prepared with the
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upon which you are to paint Introduction..... Materials to a degree of excellence in Art Methods by reader instruction in the
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A Manual of Oil Painting, Materials for a History of Materials for a History of The Painter in Oil; Painting in Oil; The Practice of Oil
Oil Painting- (Volume 1), Oil Painting- (Volume 2), A Complete Treatise on the a manual for use of Painting and of Drawing
by John Collier, ©1887
Principles and Technique, students, as Associated with It,
by Charles Lock Eastlake, by Charles Lock Eastlake,
Necessary to the painting
©1869 ©1869 by Mary Louise by Solomon J. Solomon,
of Pictures In Oil colors
"The art of painting in oils is McLaughlin, ©1888 ©1911
a very difficult one, and not By Daniel Burleigh
the least of its difficulties "Vasari also states that "In submitting to the public Parkhurst, ©1903
consists in the great Andrea dal Castagno and the chapters destined for "PAINTING in oil offers a "...With this object in view I
uncertainty that exists as to Domenico Veneziano the second volume of 'the means of artistic have divided the work into a
the proper methods to be executed certain paintings Materials for a History of "...To say "do thus and so" expression more nearly series of separate lessons
pursued" on the walls of the same Oil Painting' which Sir will not teach any one to perfect than that afforded or chapters, beginning with
chapel in oil. These Charles Eastlake left in a paint. But there are certain by any other method. a method of drawing which
paintings, which, according state of preparation, Lady principles which underlie all Whatever may be the is not, I believe, usually
PDF (7.3 MB) to Vasari, illustrated the Life Eastlake is anxious to state painting, and all schools of special charms of other taught, but which my own
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Vasari on Technique: Handbook of Young The Art of Painting in Oil, Original Treatises: Dating Original Treatises: Dating The Art of Landscape
being the introduction to Artists and Amateurs in and in Fresco: from the XIIth to XVIIIth from the XIIth to XVIIIth Painting in Oil Colours
the three arts of design; Of Oil Painting: being an account of the Centuries on the Arts of Centuries on the Arts of
By W. Williams (artist.),
Painting in Oil on Panel or being chiefly a condensed various methods and Painting, Vol 1 Painting, Vol 2
©1883
on Canvas. Oil Painting, its compilation from the materials made use of by in oil, miniature, mosaic, in oil, miniature, mosaic,
Discovery and Early celebrated manual of the professors of that art, and on glass ; of qildinq, and on glass; of qildinq,
History. A most beautiful booths, with additional from the time of Hubert and dyeing, and the preparation dyeing, and the preparation
"The following pages treat
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convenience to the art of labors of Merimee, de present day... gems; preceded by a gems; preceded by a
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By Jean-François-Léonor imitating upon canvas, with
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Sarsfield Taylor, Before aspects of Nature, as they
Painting...
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By Giorgio Vasari, eye in Landscape. It is
by Laughton Osborn, Pierre Merrifield, ©1849 Merrifield, ©1849
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Louis Bouvier, ©1849
Arezzo
"The fourth chapter, which pupil is so far acquainted
Now For The First Time in itself forms a "..green. Having repeated "To purify azure. — If the with the general principles
Translated Into English "Imagine not that the considerable part of the these last experiments, I azure is too earthy, it may of Drawing and
by Louisa S. Maclehose profession of a painter is work, relates to the obtained from the dark be purified as follows : — Perspective, as to be able
Edited With Introduction that of an idler: on the preparation of colors, and green, light green, and Take white and clean to apply them..."
Notes by Professor G. contrary, it is of all belongs properly to what purple enamels, results ashes, and an equal
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Published 1907 perhaps that requires most chemistry of painting; and in the gradation of color let it be very white ; then Download PDF
activity; for one is we can bear ample only. From the red I take equal quantities of
constantly engaged, if not testimony to the extensive afterwards obtained a vinegar and water, and put
"Unity in painting is with the art itself, at least and accurate knowledge of transparent glass of them into a new and clean Read Online
produced when a variety of with its materials. M. Merimee, who it is yellowish green colour ; jar, and boil them with the
different colors are evident has selected with from the black, a violet or ashes and lime, and
harmonized together, these "All true artists will tell you, judgment from amongst a amethystine glass. These afterwards let them cool
colors in all the diversity of that if the art of painting heap of preparations and iterations and anomalies, and settle, and with that,
many designs show the were not in itself replete recipes, those which he some of which throw light wash the azure, and know
parts of the figures distinct with charms, as in fact it is found approach nearest to on the nature of the blue that after such washing the
the one from the other, as for all those who practise it the simplicity of nature. For glass of the ancients, are to azure will appear black.
the flesh from the hair, and with love, it would be a very it is a remarkable fact, that be ascribed to the greater Then wash the blackened
one garment different in painful pursuit, so many the most permanent class or less degree of oxidation azure with white wine, and
color from another. ( When precautions are there to be of colors, are those which of the metallic coloring let it dry, and put it into a
these colors are laid on taken, so many things to be have been the slowest of matters." shell with about a fourth
flashing and vivid in a calculated, foreseen, and creation in nature's part of gum water."
disagreeable discordance prepared, independently of laboratory."
so that they are like stains the considerable time PDF (Google.com) (30.4
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was formerly the wont with to" it for the art itself, if one Download PDF MB)
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All pictures then whether in Read Online
oil, in fresco, or in tempera Read Online
ought to be so blended in
their colours that the
principal figures in the
groups are brought out with
the utmost clearness, the
draperies of those in front
being kept so light that the
figures which stand behind
are darker than the first,
and so little by little as the
figures retire inwards, they
become also in equal
measure gradually lower in
tone in the colour both of
the flesh tints and of the
vestments."
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Introduction to the Art of My Approach to Painting The Guide to Oil Painting The Guide to Oil Painting Egg Tempera Painting, The Art of Landscape
Painting in Oil Colors the Landscape in Oils Tempera Underpainting, Painting in Oil Color,
By J S. Templeton, ©1845 by J S. Templeton, 3rd
Oil Emulsion Painting; ... with illustrations in color
By John Cawse, ©1839 by Mike Callahan, ©2008, edition, ©1845
a manual of technique, and black-and-white
All rights reserved
by Vaclav Vytlacil and
"...the composition of by Sir Alfred East, First
Rupert Davidson Turnbull.
"A Concise and systematic Maguilps (Meguilp, "Contents: Edition, November, 1906.
(New York, Oxford
introduction to the use of The great landscape artist Macgilp, Magelp, Magilp), Dedication iii. Reprinted 1907, 1911
University Press, ©1935)
the palette and colours has Mike Callahan has made and Mediums has usually Preface ..
long been a desideratum to available a PDF of his occupied a considerable The Painting Room ...1
the student in the art of excellent book My share of the attention of "IT will be found that I have
The Implements ...4 "that if it is not the
painting; for, of the many Approach to Painting the Artists, and consequently not attempted in these
The Materials ...11 technique of such Old
publications on this part of Landscape in Oils. Loaded the recipes for their pages to write at any length
Of the Drying of Colours Masters as Rubens,
the art, most have been with many color photos, formation are numerous; on the art of landscape
...26 Rembrandt, and the great
critical or theoretical, and step by step instruction and but as the aim of this painting in its elementary
The Mixing of Colours ...28 Venetian colorists, it is at
none practical. The design tips. Visit his website and treatise is to simplify, and stages. I have taken it for
Maguilps and Mediums least a technique closely
of this work is to remove gallery page, and you can not to perplex, we shall granted that the reader has,
...34 resembling theirs.
those difficulties which also sign up for a free only give a few of those at least, a practical
Methods of Applying the Once mastered, effects
have hitherto been a great painting tips newsletter he which we consider the best. knowledge of the rudiments
Colours ...36 similar to theirs grow easily
and serious hindrance to publishes. No. 1.—Mix equal of drawing, such as may be
Of Painting Heads and and naturally out of the
the improvement of the quantities of Drying Oil and acquired at any school of
Flesh Generally ...44 characteristics of this
student..." Mastic Varnish, let the art.
Of Painting Back Grounds method of painting.
Download PDF from his mixture stand undisturbed It is, of course, an absolute
...61 This can hardly be said of
website for a few minutes, and it will necessity that such should
Of Painting Draperies ...64 modern direct oil
Download PDF take the consistence of a be the
Of Painting Landscapes painting."
thin transparent amber- case before any attempt is
...60
colored jelly; this forms an made to paint from Nature.
Of Painting Animals ...64
Read Online agreeable Maguilp in very My aim, therefore, has
Of Flower and Fruit HathiTrust Digital Library
general use. No. 2 ..." been to place before the
Painting ...66..."
See site info on student certain
Read Online downloading PDF pages considerations which do not
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and book find a place in the
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schools, and which should
Buy printed copy of the Read Online be of assistance to him in
latest version at Amazon the progress of an artists'
development."
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Oil Painting Oil Painting Methods and A Manual of Oil Painting On the Theory and PAINTING WITH An Accidence, or Gamut,
with Eight Plates (Four In Demonstrations Practice of Painting in Oil SUNSHINE - An of Painting in Oil
by the Hon. John Collier
Color) and 17 Diagrams and Watercolors,: Introduction to Oils for
by HENRY GASSER, N. A, ©1887 by Julius Caesar Ibbetson,
for Landscape and Young People
by Stephen Bone, 1904- ©1953 all rights reserved, Published Cassell, 1887 2nd Ed. 1828
Portraits; including the
1958., Reinhold Publishing by Mervyn Levy, 1955?
Preparation Of Colors,
Corporation
Published Princeton, N. J. : Vehicles, Varnishes, &
Second Printing 1955 "THE art of painting in oils "The cloths used at present
Van Nostrand, ©1956 Method Of Painting In Wax,
Third Printing 1957 is a very difficult one, and "This LITTLE BOOK was for painting upon, are
or Encaustic; Also On The
not the least of its inspired, not only by the prepared in the worst and
Chemical Properties And
difficulties consists in the children who sent in most dangerous manner
"IF you have not painted Permanency Of Colors, & a
"TABLE OF CONTENTS great uncertainty that exists thousands of their paintings imaginable. The colourmen,
before, or not painted with Manual of Lithography.
(partial) as to the proper methods to for the B.B.C. competition to whom every thing is left,
oil paint before, Illustrated on Plain and
Painting equipment ,,,6 be pursued. As a rule the which followed my begin by brushing the cloth
you are naturally impatient Colored Plates.
Studio equipment ,,,6 great painters have been television series ‘Let’s Paint over with strong glue, to lay
to begin.
The Selection of Colors too much occupied with in Oils’, but also by the the flue, and prevent its
In that case, go ahead and and Painting mediums ,,,9 their painting to explain to by Theodore Henry A. thought of those of you who absorbing any oil, as I
begin. There is a great deal The selection and care of the world how their effects Fielding, ©1846 may not as yet have started suppose: then, with stiff
to be said brushes ,,,10 have been produced. London : published for the to explore the delights of paint, the greatest part of
for getting paints and The use of the various Indeed, it would seem that Author, by Ackermann & this exciting material. If you which is whiting, they
brushes and starting to brushes ,,,11 they have not always Co., Strand, 1846 have already started to plaster over the glue twice,
paint before reading The various painting known themselves ; for paint in oils, I hope this seldom three times; it is
the rest of this book. After surfaces ,,,15 when they have theorized book will refresh your then done, when the
even half an hour's work Color ,,,16 upon the subject their "Among the great number interest, and provide you exciseman has stamped it.
you will have Color mixing ,,,19 theories have been often of artists that have lived with information, opinions, In a very short space of
experienced some of the Composition ,,,22 quite irreconcilable with since the revival of and ideas that I had not the time, if kept in rolls, it gets
delights of oil painting and Strengthening the design their practice. Fortunately, painting, how few stand in time to give you on so brittle, that it would be as
have en- ,,,24 they have generally had the first class of their television. If you are on the easy to unfold a manuscript
countered a few of the Enlarging a sketch ,,,26 pupils who have carried on profession. For this there threshold of your first oil- of Herculaneum as this,
difficulties. Landscape painting ,,,27 the tradition of their must be causes not wholly painting, I hope you will find without breaking or
But, before starting to paint, Painting directly in color masters' work..." consisting in the difficulties my book helpful." cracking in ten thousand
you must have some ,,,34 of the art; and one cannot places. If the picture be
paints, some The autumn scene ,,,37 but imagine that some hung in a damp place, it
brushes, a surface to paint The waterfront ,,,42 HathiTrust Digital Library mistake has constantly HathiTrust Digital Library comes off altogether, in
on, and a few other things. Summer yard ,,,48 pursued this large majority, great flakes; and in time,
See site info on See site info on
Buy only The street scene ,,,52 and prevented them from with the greatest care, it
downloading PDF pages downloading PDF pages
what is really necessary; The industrial scene ,,,58 perceiving in what the chief becomes covered with
and book and book
the initial stages are quite Painting a nocturne ,,,62 intention of painting circular cracks, like net-
difficult enough The winter subject ,,,66 consists, ...." work, for which there is no
without trying to learn how Casein as a base for oil remedy. It ought to be
to handle a dozen different painting ,,,72 Read Online Read Online prepared with very thin
tools at once. Use of casein for an oil PDF starch, and rubbed while
Your requirements will be painting ,,,75 wet with a rubber-stone, to
paints, 'thinners', brushes, Painting on a gesso base lay the flue smooth, and
boards or ,,,80 Read Online painted with proper thin
canvases, a palette, a Palette knife painting ,,,84 color several times: when
palette knife, an easel, and Demonstration of palette the paint unites with the
a paintbox. Let knife painting ,,,87 canvass, it is flexible, will
us take them in this The use of the imprimatura never crack, and will
order...." ,,,92 endure for ages. In Holland,
Glazing and scumbling and even Dublin, their
,,,96 cloths are far superior, and
HathiTrust Digital Library Underpainting ,,,98 very pliable."
Glazing over a drawing
See site info on
,,,100
downloading Download
Demonstration of glazing PDF
PDF pages and book
and scumbling ,,,101
Studio painting ,,,104
Dynamic composition ,,,108 Read Online
Read Online
Introducing figures into a
landscape ,,,110
Figures in a landscape Ill
Moving figures in a
landscape ,,,112
Source material for studio
painting ,,,115
Dramatizing a subject ,,,117
Painting a portrait of a
house ,,,120
Salvaging a painting ,,,122
The amateur painter ,,,124
Varnishing and preserving
of oil paintings ,,,127
Hints on framing ,,,128 "
HathiTrust Digital Library
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Pigments Sinopia Historic Williamsburg Schmincke Handmade Empty Paint Tubes

At Dick Blick Pigment Sets Pigments Pigments Glass Muller
Pigments & Color, Art Conservation and Art Materials - Free Art Books | Page Top^
A Handbook for Painters Analysis of Mixed Paints, The Chemistry of Paints The Chemistry of Field's Chromatography; Safe Handling of Colour
and Art Students on the Color Pigments, and and Painting, Pigments, Or, A Treatise On Colours Pigments
Character, Nature and Varnishes, And Pigments, And Of
By Arthur Herbert Church, Copyright ©1995 all rights
Use of Colors, By Ernest John Parry, John Their Powers In Painting
by Clifford Dyer Holley, Published by Seeley, 1901 reserved: by BCMA,
Their Permanent or Henry Coste, Published by
Edwin Fremont Ladd, 1908 by George Field, 1840 EPSOM, ETAD, VdMI,
Fugitive Qualities, and the Scott, Greenwood, 1902 Based on the booklet Safe
Vehicles Proper to Employ.
"Partial contents: Handling of Color
also Short Remarks on the
"Partial contents:...Why XIII. white pigments - 145 "...Among the means Pigments, by the Color
Practice of Painting in Oil "The authors have in the
Paints Fail; North Dakota XIV. yellow pigments - 157 essential to proficiency in Pigments Manufacturers
and Water-Colors. following pages
Paint Law; Groups of XV. red pigments - 186 Painting, none is more Association Inc.©1993
By William J. Muckley, endeavoured to indicate
Pigments; Sublimed Lead; XVI. green pigments 212 important than a just
Published by Baillière, the chemical relationships,
Lithopone; Leaded Zinc; XVII. blue pigments - 226 knowledge of Colors and
Tindall, and Cox, 1880 composition and properties
Zinc Lead White; Form of XVIII. brown pigments - Pigments — their qualities, "Cadmium pigments are
Label; Labels that Mislead ; 252 of most of the better-known compounds with a low
powers, and effects..."
Need of Paint Law ; Water XIX. black pigments - - 264 pigments. During recent solubility, but small
years they have given a
Download PDF in Paint; Imitation White XX. classification of quantities of cadmium
great deal of attention to
Leads; Paints supposed to pigments 274 Download PDF dissolve in dilute
the examination of painters'
be White Lead and Zinc; XXI. tables of permanent, hydrochloric acid (at a
colours, and have from EPUB
Read Online Whitewash; Short Measure fugitive, and alterable concentration equivalent to
and Weights; Relation of pigments - - 283 time to time found some stomach concentration).
difficulty in obtaining
Lead to Zinc... " XXII. selected and Long-term oral intake of
reliable information on the Read Online
restricted palettes - - 290..." cadmium pigments leads to
subject. This led to a
accumulation in the human
considerable amount of
body, especially in the
work in obtaining and kidneys. On inhalation of
PDF (15.2 MB)
examining specimens of sub chronic amounts of
PDF (22.6 MB)
EPUB pigments..."
cadmium pigments, a small
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The Distillation of Resins: Facts about Processes, The Household The Industrial and Artistic The Manufacture Of Earth The Manufacture of Lake
Resinate Lakes and Pigments and Vehicles: A Cyclopedia, Technology of Paint and Colours: Pigments from Artificial
Pigments. Carbon Manual for Art Student, Varnish, Colours,
By Henry Hartshorne 1881 By DR. JOSEF BERSCH,
Pigments and Pigments for
By Arthur Pillans Laurie, By Alvah Horton Sabin, translated by CHARLES by Francis H, Jennison,
Typewriting Machines,
Published by Macmillan, Published by J. Wiley & SALTER,SCOTT, 1920, SECOND REVISED
Manifolders, etc.
1895 "To make Golden Yellow Sons, 1904 GREENWOOD & SON , EDITION
A description of the proper
Color. 1921
methods of distilling; resin-
Cases often occur when it
oils, the manufacture of
"..CHAPTER 1: is necessary to produce a "WHEN we devote our "The generic term "lake
resinates, resin-varnishes,
HOW TO GRIND A gold color without attention to the subject of "...the necessity for a new color" is applied to all
resin-pigments, and
enamel paints ; the PIGMENT For this purpose employing a metallic paint and painting, we edition afforded a welcome pigments made from
preparation of all kinds of a muller and slab must be substance. A color capable seem to encounter matters opportunity of revising dyestuffs and coloring-
obtained. These are made of forming an illusion is on which the vast majority "Earth Colors." Although, in matters, by precipitation of
carbon pigments and
of various sizes, but a then given to the of commonly well educated the nature of things, little the coloring-matter as an
printers' ink, lithographic
muller 2 1/2 inches in composition, the greater people feel almost entire progress has been made in insoluble compound, and
inks and chalks, and also
diameter and a stone or part of which consists of ignorance and concerning this subject itself, there was serves to distinguish such
inks for typewriters,
manifolders, and rubber glass slab 9 inches each yellow. This is which the opinion of any a good deal to add in colors from natural
stamps. way are all that is accomplished by Naples or self-constituted expert..." connection with the pigments, such as ochre,
needed..." Montpellier yellow, mechanical appliances for umber, etc..."
by Victor Schweizer, 1907 brightened by Spanish treating the color earths
white, or by white of Morat, PDF (26.6 MB) and manufacturing them
PDF (Google.com) (3.9 mixed with ochre de Berri into pigments..." PDF (8.3 MB)
EPUB
PDF (14.4 MB) MB) and realgar. The last
EPUB
B/W PDF (11.4 M) substance, even in small Kindle
EPUB
quantity, gives to the PDF (10.8 MB) Kindle
EPUB Daisy
Kindle mixture a color imitating
Kindle Daisy gold, and which may be Full Text EPUB Daisy
employed in distemper,
Daisy Full Text DjVu Kindle Full Text
varnish, or oil. When
Full Text DjVu destined for oil, it is ground Daisy DjVu
with drying or pure nut-oil,
DjVu Read Online Full Text
added to essence or mixed
Read Online @ Archive.org with drying oil DjVu Read Online
To make Chamois and Buff
Read Online @ Archive.org
Color.
Read Online @ Google Yellow is the foundation of Read Online
Books chamois color, which is
PDF (google) modified by a particle of
minium, or what is better,
cinnabar and ceruse in
Read Online @ Google small quantity. This color
Books may be employed in
distemper, varnish, and oil.
For varnish, it is ground
with 1/2 common oil of
pinks, and 1/2 of mastic
gallipot varnish. It is mixed
with common gallipot
varnish. For oil painting, it
is ground and mixed up
with drying oil.
To make Olive Color for Oil
and Varnish:
Olive color is a composition
the shades of which may
be diversified. Black and a
little blue, mixed with
yellow, will produce an olive
color. Yellow de Berri, or
d'Auvergne, with a little
verdigris and charcoal, will
also form this color. It is
ground and mixed up with
mastic gallipot, and
common gallipot varnishes.
For oil painting, it is ground
with oil added to essence,
and mixed up with drying
oil."
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The Manufacture of Modern Technology of Modern Pigments and The Painter and Oil Colors and Printers' Paint Making And Color
Mineral and Lake Paints, Varnishes & their Vehicles, Varnisher's Guide: Inks; Grinding,
Pigments, Lacquers 2nd Edition, ]or, A treatise, both in a practical handbook a practical treatise for paint
by Frederick Maire, 1908
containing directions for the theory and practice, on the treating of linseed oil, manufacturers and factory
by the NIIR Board, ©2007
manufacture of all artificial art of making and applying boiled oil, paints, artists' managers, including
artists' and painters' (incomplete sample varnishes; on the different colors, lampblack and comprehensive information
"IT is to be regretted that
colours, enamel colours, chapters only) kinds of painting; and the printers' inks, black and regarding factory
not withstanding it is a
soot and metallic pigments, method of preparing colors colored arrangement; pigments;
matter of prime importance
both simple and compound: vehicles and thinners; liquid
by Josef Bersch, 1901 that both dealers in by Louis Edgar Andés,
"The major contents of the with new observations and and cold water paints as
painters' supplies and 1903
book are application of experiments on copal; on well as practical working
users of the same the
paints, fundamentals of the nature of the substance formulas and recipes
"OTHER YELLOW painters and decorators
paint, varnishes and employed in the
PIGMENTS. should be well posted ...The great technical By Charles L. Uebele, 1913
lacquers, manufacturing of composition of varnishes
Known as Indian yellow or about the materials they progress that has been
different type of paints, and of colors; and on
aureolin. It is distinguished handle, the vast majority made in every direction has
paint formulation, pigment various processes used in
from other yellow pigments have but the faintest ideas naturally made itself felt in
dispersion, emulsion the art dedicated to the
by being unaffected by concerning the properties the manufacture of PDF (Google.com) (6.7
paints, and so on. society at Geneva for the
sulphurated hydrogen. The of pigments..." pigments for all purposes. MB)
The book deals with encouragement of the arts,
potassium nitrite required in This has been especially
fundamentals of paints, agriculture, and commerce. EPUB
the preparation of this the case during the last
Varnishes and lacquers,
pigment is most easily PDF (23.1 MB) By Pierre François Tingry, forty years... Kindle
pigments, Oils used in
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in a thick iron vessel and
solvents, dryers, PDF (Google.com) (3.9
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plasticizers, additives for MB)
small quantities as soon as surface coating, various Daisy "VENICE TURPENTINE: EPUB DjVu
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TURPENTINE OF
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The turpentine of Alsace, or
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smell of the Venice
turpentine. It has nearly the
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Chio..."
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Color My World; Binding Medium, Molecular Studies of Laser Desorption Mass Microspectroscopic Analytical Chemical
A Personal Scientific Pigments and Metal Asphalt, Mummy and Spectrometric Studies of Analysis of Traditional Oil Studies on Traditional
Odyssey into The Art of Soaps Kassel Earth Pigments Artists' Organic Pigments Paint Linseed Oil Paints
Ancient Dyes characterized and localized their characterization,
By Nicolas Wyplosz, by Jaap van der Weerd, By Jorrit Dirk Jan van den
in paint cross-sections identification and effect on
by Zvi C. Koren ©2006 Published University of Published by University of Berg, Published University
the drying of traditional oil
Copyrighted work, All rights by Katrien Keune, Amsterdam, 20 November Amsterdam 06-12-2002, © of Amsterdam, 26 April
paint
reserved Published by University of 2003, 2002 Jaap van der Weerd, 2002, copyright © 2002
Amsterdam 2005, by Georgiana M. Languri, © 2003 Nicolas Wyplosz, all rights reserved. Jorrit Dirk Jan van den
© 2005 Katrien Keune, All Published University of All rights reserved, ISBN 90-801704-8-8 Berg, all rights reserved.
Published in: rights reserved Amsterdam, Cover design: ISBN 90-77209-02-6 ISBN 90-801704-7-X
For the Sake of Humanity: ISBN 90-77209-10-7 Iliya Cerjak, copyright ©
Essays in Honour of Georgiana M. Languri "Paintings are an important
Clemens Nathan. 2004, All rights reserved "Pigments traditionally part of our cultural heritage. "A detailed description of
Stephens A. and Walden R. "Examples of pigments ISBN 90-77209-07-7 employed in easel Art from all periods and the chemistry of drying, the
(editors), Martinus Nijhoff - which degraded on the paintings are for the most places is stored, autoxidation and
Brill Academic Publishers, surface of the painting are: part mineral matter (such conserved, studied, and photooxidation processes,
Leiden, Netherlands, ISBN the fading of red and yellow "Asphalt, Kassel earth and as ultramarine, azurite, admired in various the effects of transition
90-04-14125-1 pp. 155-189 lakes, the whitening of mummy pigments were ochre, sienna, umber) or museums. Paintings are metals, and other factors
(2006) bone black, indigo, characterized at a the result of chemical studied by investigators in that affect the composition
blackening of vermilion molecular level using mass synthesis (such as lead different disciplines: Art of the oil constituents in oil
(see chapter 4), color spectrometric (MS) white, lead-tin yellow, historians study the history paint are presented. The
"The study of the coloring changes of chrome and techniques (see chapter 2, Prussian blue, vermilion, of the visual arts, being knowledge on the effect of
matters produced by the cadmium yellow and the 3 and 4). This has resulted smalt, verdigris). A few concerned with identifying, paint formulation on the
ancients opens a historical decomposition of orpiment in a set of markers and pigments however were classifying, describing, composition, including the
window to understanding and realgar. Pigments that biomarkers specific for the organic in nature and evaluating, interpreting, role of the pigments in the
the processes associated degrade under the particular black-brown were prepared from plants and understanding the art curing and ageing
with one of the oldest influence of their local organic pigments that are or animals. The vast products and historic processes as derived from
chemical technologies – external environment can further used to identify their majority of these coloring development of the fields of a number of analytical
textile dyeing. Color only be visualized in paint presence in historical paint materials belong to the painting, sculpture, etc. studies on oil paints..."
analysis of a textile cross-section. For example, material collections or other chemical classes of Art restorers or
involves - the identification analytical imaging studies reference samples of flavonoids (yellow), conservators are
of the colorants and of the on a partially degraded interest. In chapter 2 anthraquinones (red), and concerned with the Read PDF
processes utilized to smalt particle (a blue results on an asphalt indigoids (blue), with basic conservation and repair of
produce that color or hue potash glass) containing a sample from the 19th- molecular structures shown works of architecture,
on the textile, as well as the discolored rim and an intact century paint material in Figure 1.2. Their coloring painting, from the effects of
identification of the fiber blue core, indicate that an collection are given... properties are known since negligence, wilful damage,
material, the substrate, elemental exchange Chapter 3 deals with mass antiquity in many or, more usually, inevitable
which can also influence between the particle and spectrometric civilizations." decay caused by the
the final hue produced. " surrounded medium characterisation of an effects of time..."
occurred." historical mummy pigment
sample in order to assess a Read PDF
Read PDF possible Egyptian origin of Read PDF
Read PDF mummy pigment samples,
seen as a Dead Sea
asphalt containing
samples. Chapter 4 reports
on the characterisation of
Kassel earth samples and
the identification of such
samples as Kassel earth
type. "
Read PDF
Color Changes and Paints Quantified: The Analysis of Paints The Natural Organic Practical Hints on Dyeing Dictionary of Artists' Oil
Chemical Reactivity in image analytical studies of and Painting Materials Coloring Matters with Natural Dyes : Pigments:
Seventeenth-Century Oil preparatory grounds used The authors are presenting Production of comparative Their Chemical and
by Van Gogh By Arthur George Perkin, dyeings for the
Paintings in this book a series of Physical Properties
Arthur Ernest Everest, identification of dyes on
selected methods for the
By Annelies van Loon , By Beatrice Marino, 1918 by R. Bruce Handlong,
analysis of materials used historic materials
Published by University of Published by University of ©1969 all rights reserved,
Amsterdam, 15 January Amsterdam Oct. 18, 2006, in the manufacture of By Helmut Schweppe, llinois Wesleyan University
2008, copyright ©2006 Beatrice paints... copyright ©1986,
"THIS comprehensive "This work is primarily
Copyright ©2008 Annelies Marino, all rights reserved. Conservation Analytical
By Henry Alfred Gardner, treatise is the first English intended as a reference for
van Loon, all rights Cover illustration by Laboratory, Smithsonian
John Ahlum Schaeffer, monograph to deal the artist who seeks to
reserved. Beatrice Marino. Institution
1911 exhaustively with the know more about the
ISBN/EAN 978-90-77209- ISBN-10: 90-77209-19-0
fascinating but complex chemical and physical
17-2 ISBN-13: 978-90-77209-
chemistry of the natural properties of oil pigments
19-6 Read PDF
"True vermilion, or, as it is organic coloring matters. that he has at his disposal.
generally called, English The historical aspect of the By better understanding
"Traditional oil paintings are
vermilion, is sulphide of subject matter and the these properties, the artist
not stable systems, and "The comparison and
mercury. On account of its scheme of classification are can insure the durability
despite the fact that so distinction between
cost it is rarely used in unfolded in the introduction, and permanency of his
many Old Master paintings different formulations and
paints, and is liable to after which eighteen groups creations and, also, give
are considered to be different production batches
gross adulteration. It should of natural dyes are him a firm foundation on
generally well preserved, of artist materials
show no bleeding on described. The first chapter which he may begin to
the oil paint used by the (supports, grounds, and
boiling with alcohol and deals with the develop an individual
seventeenth-century paints) is useful for
water and no free sulphur anthraquinone group, style..."
painters as discussed in conservators and art
by extraction with carbon containing alizarin, the
this thesis is an extremely historians. For example,
disulfide. A small quantity color principle of madder
dynamic system, much technical studies have
mixed with five or six times root..." Download PDF
more dynamic than is demonstrated that
its weight of dry sodium
usually thought. Paintings comparative investigation
carbonate and heated in a
are, in fact, subject to all of self-made or ready-made
tube should show globules Download PDF
kinds of chemical and picture supports of Van
of mercury on the cooler
physical processes taking Gogh can help to establish
portion of the tube. The
place on a micro and a chronology for these
best test for purity is the Read Online
molecular level in the paint pictures, or even prove
ash, which should be not
layers that only over time authenticity.
more than one-half of 1 per
(eventually) become visible The characterization of
cent. Make the
changing the original artist materials is also a
determination in a porcelain
appearance of the work of useful aid for the
dish or crucible, using 2
art. These processes are understanding of the role
grams of the sample. Ash
inherent to the artist’s and the influence of these
in a muffle or in a hood with
choice of materials and his materials in the stylistic
a very good draft, as the
working methods." evolutionary process of an
mercury fumes are very
artist."
poisonous. It is seldom
necessary to make a
Read PDF
determination of the
Read PDF
mercury; but if this is
required, it may be
determined by mixing 0.2
gram of the vermilion with 1
gram of very fine iron
filings..."
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Facts About Processes, Dictionary of Chemicals Paint Film Components A Treatise on Colour Tables of Properties of Dyestuffs & Coal-tar
Pigments and Vehicles: and Raw Products used National Environmental Manufacture: a Guide to Over Fifteen Hundred Products:
a manual for art student in the Manufacture of Health Monographs the Preparation, Common Inorganic their chemistry,
Paints, Colours, Examination, and Substances manufacture and
By Arthur Pillans Laurie, by M van Alphen, ©1998
Varnishes and Allied Application of all the application, including
1895, 1913 By Wilhelm Segerblom,
Preparations Pigment Colors in Practical Chapters on Modern Inks,
1909
Use Photographic Chemicals,
By George Henry Hurst, "Diversity in paint
"The tables on the following Synthetic Drugs,
"HOW TO GRIND A F.C.S., 1901 formulations is driven by By Georg Zerr, Robert
pages give the principal Sweetening Chemicals, and
PIGMENT IN WATER, OIL, the need for a range of Rübencamp, 1908 properties of such other Products derived from
OR OTHER MEDIUM: colors, applied to a wide
substances as may Coal Tar.
For this purpose a muller "The need of a book of range of substrates, a
reasonably be looked for in
and slab must be obtained. reference giving brief diversity of paint uses and "There being no English By Thomas Beacall; F.
a course in Qualitative
These are made of various descriptions of the various differing exposure work on Color Manufacture Challenger, Ph.D., B,Sc;
Analysis. No attempt is
sizes, but a muller 2 1/2 chemicals and other (weathering) conditions. approaching it in the Geoffrey Martin, Ph.D.,
made to record every
inches in diameter and a substances which are There are many paint fullness of its scope, the M.Sc, B.Sc; and Henry J. S.
known salt of every metal.
stone or glass slab 9 employed in the paint, properties such as covering completeness of its details Sand, D.Sc, Ph.D., 1915
Consequently, only the
inches each way are all colour and varnish trades or obscuring power, drying and its treatment of modern
metals of the six groups
that is needed..." has been expressed to me time, paint-film-hardness, practice, arrangements usually studied are
by many correspondents. film flexibility, color were made to issue an included, together with their "The section on dyes has
PDF (Google.com) (3.9 In the following pages I permanence, water English edition, and I am oxides, hydroxides and been brought as thoroughly
MB) have endeavoured to resistance, UV resistance, indebted to them for the more common salts. To as possible up to date, and
satisfy that need with, I ease of application, control careful oversight of my increase the value of the the remarkable new dyes
EPUB
hope, some small measure of paint layer thickness, translation." book for general reference, derived from indigo, as well
Kindle of success..." rate of chalking, mould and tables are added covering as the anthracene vat dyes
fire resistance, among the acids, non-metals and and sulphide dyes, have
Daisy
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properties and proportions
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The Chemistry of the A Dictionary of Applied Outlines of industrial Ure's Dictionary of Arts, A Practical Treatise on Rudiments of the
Coal-tar Colours Chemistry chemistry; Manufactures, and Mines the Manufacture of Painters' Art: or, A
a text-book for students Containing a Clear Colors for Painting: grammar of coloring-
By Rudolf Benedikt, 1889 By Sir T. E. Thorpe, 1921 Comprising the Origin,
Exposition of their applicable to operative
by Frank Hall Thorp, Definition, and
...Muller (J. pr. Chem. [ii.] Principles and Practice painting, decorative
Warren Kendall Lewis, Classification of Colors; the
30, 252) has prepared architecture, and the arts.
"...of these artificial coloring 1916 by Andrew Ure, treatment of the raw
purples by several with colored illustrations
matters only very few of the Ed. 7 revised and enlarged materials, the best formula
processes without the use and practical instructions
many organic substances "THE object of this book is 1875, by Robert Hunt, and the newest processes
of tin. A pale rose concerning the modes and
employed are obtained to furnish, an elementary assisted by F.W. Rudler for the preparation of every
(containing 0*1 p.o. of gold) materials of painting, etc.
from the vegetable course in Industrial description of pigment, and
to deep carmine pigment is
kingdom (e.g., tannin, Chemistry, which may the necessary apparatus By George Field, 1850
produced by igniting a well
which after its conversion serve as the ground work "Every division of the Arts, - and directions for its use;
washed and dried mixture
into pyrogallol is used for for a more extended course each special process of dryers; the testing,
of magnesium oxide and
the preparation of cerulein). of lectures, if desired." Manufacture, and all the application, and qualities of "By the inverted
gold chloride...
The greater part of the branches of Mining, have paints, etc. etc. arrangement of the primary
materials which serve to been most cautiously colors, Red takes the place
furnish the artificial coloring PDF (48.9 MB) examined, and such of Blue, Yellow that of Red,
PDF
matters is obtained from Plain text EPUB improvements, as have By Jean René Denis and Blue that of Yellow; and
coal-tar..." been proved to be of real Riffault des Hêtres, Armand if these pairs of colors cross
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utility, have been recorded Denis Vergnaud, G. Alvar each other, or be alternately
ePub Daisy in all necessary detail. This Toussaint, revised and mixed they constitute an
Read Online has led to an increase in edited by M.F. Malepeyre, order of secondary colors:
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the size of the volumes..." 1874 thus if Blue be mixed with
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developed by Chevreul;
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the processes and
machinery for the
manufacture of an
immense variety of
pigments; the combinations
necessary in the
compounding of those
colors, hues, and tones
which are the results of the
mixture of colors; practical
information as to dryers;
and a variety of analyses
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much other useful
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Painters' Colours, Oils,

The Creation of Color in Condensed Record of Recipes for the Colour, Historical Painting Physical and Chemical
and Varnishes: A
Eighteenth-Century Meeting of Special Paint, Varnish, Oil, Soap Techniques, Materials, Examination of Paints,
Practical Manual
Europe committee and Drysaltery Trades, and Studio Practice Varnishes, and Colors
By George Henry Hurst, compiled by an analytical Preprints of "A
by Sarah Lowengard, © U. S. National Bureau of by Henry A. Gardner,
©1892, 1913 chemist. ©1902 Symposium", University of
2006 all rights reserved, Standards,.1940 director Scientific Section,
Leiden, the Netherlands,
"The white pigments are a Columbia University Press. Educational Bureau, Paint
26-29 June 1995.
very important group of Manufacturers' Association
All images and editorial "ANTWERP BLUE: Edited by Arie Wallert,
painters* "colors," probably "16. The committee then of the United States,
material in The Creation of 20 lb. copperas, 10 lb. of Erma Hermens,
the most important, as proceeded to a selection of Published: Washington,
Color in Eighteenth- alum, and 10 lb. of zinc and Marja Peek ©1996
while the red, blue, green, minimum standards for D.C., ©1922
Century Europe is sulphate are dissolved in
etc., pigments are used tinting strength. The Paint
protected by copyright. 50 to 60 gallons' of water,
simply or almost entirely as Testing and Research
Reproduction is strictly and to this solution is "The role of the art historian
coloring pigments, the Laboratory had prepared Partial Contents:
prohibited by law. added one of 40 lb. of the in the realm of art research
white pigments are used in painted out panels of eight
red or yellow prussiate of is critical. It is the art "Examination and Analysis
two ways— 1st, as "body leading paints of each
An excellent, interesting potash, dissolved in 50 to historian who set the of Varnish Resins 134
colors," i.e., to give body or color. These panels were
and important work, this 60 gallons of water. The foundation, into which the Examination of Turpentine
covering power to paint; numbered in code and the
book is a fantastic study of blue is finished in the information gathered by and Mineral Spirits 141
2nd, as "coloring committee selected the one
18th century pigment ordinary way. individual researchers of a Bituminous Paints,
pigments." Thus, in making to be designated as
creation and art ORANGE LAKE: painting-technique Varnishes, Cements and
a red paint, white lead or standard. The members of
barytes is added to give the techniques. the committee making the 100 lb. of barytes, 3 lb. of research team is Similar Materials.... 145
necessary body and It has been graciously selections had no Croceine orange, 4 lb. of organized, for final Analysis of Paint Pigments
vermilionette is used to provided at Project knowledge of what barium chloride. Dissolve interpretation. In the study 156
color the paint. On account Gutenburg. for strictly manufacturers' paints were the barytes and Croceine of painting techniques, two Analysis of Lead 0xides
of this dual feature of the personal use only. Please being considered. orange in water, and add tools used by art historians 183
white pigments they merit a note this book is still in The standards selected are the barium chloride. are very important: Analysis of Vermilions 196
more detailed account of copyright, copyright info to be duplicated and YELLOW LAKE: connoisseurship and Analysis of Indian Reds,
each individual member of can be found here: © 2006 samples furnished to all This is prepared from archival research..." Red Oxides (Prince's
the group than is necessary Columbia University Press manufacturers of artists' oil Persian berries, boiling 1 Metallic, Tuscan
for other pigments..." paints and, in so far as is lb. of the berries with 1 oz. Red, etc.) 199
practical, they will be of cream of tartar, in 1 Read PDF Analysis of Ochres
"The coloring material available to testing gallon of water, straining (Siennas, Umbers, etc.)
1st Ed. 1892: made by precipitating gold laboratories and others the clear decoction and 202
Download PDF (Google) in a tin chloride solution is who may be required to adding sufficient alum to Analysis of Yellow and
often called purple of test artists' oil paints." precipitate the lake. " Orange Pigments 205
PDF (32.0 MB)
Cassius, named after Analysis of Blue Pigments
(Archive.org)
Andreas Cassius, who 208
EPUB described it in his treatise HathiTrust Digital Library HathiTrust Digital Library Analysis of Green Pigments
De auro (1685).3 It was 213
Kindle See site info on See site info on
known before then, Analysis of Black Pigments
downloading PDF pages downloading PDF pages
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and book and book
Johann Glauber and
Full Text Andreas Libavius and the
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described in a fourteenth- PDF info
Read Online century Bolognese
(Google) manuscript of painters'
Read Online recipes. This was not the
(Archive.org) only technique to obtain red
colors from gold......"
5th Ed. 1913:

Read Online at Project
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(HathiTrust Digital Library)
Additional Important
Literature, Talks and
Papers by Sarah
Lowengard at
academia.edu
Note that all works are in
copyright and intended for
for personal educational
use only. They can not be
used for profit, reprinted,
recompiled, added to
another work or any other
use without permission.
The Manufacture of Understanding historical Industrial chemistry: a

Varnishes and Kindred recipes for the manual for the student
Industries Based on and modification of linseed oil and manufacturer, 3rd
Including the "Drying Oils Ed.
by Indra Kneepkens
and Varnishes" of Ach.
©2012, p.29 , UvA-DARE, edited by Allen Rogers,
Livache, Volume 1
Digital Academic 1919
by John Geddes McIntosh Repository of the University
"Chrome Green. Chrome
(1904) of Amsterdam
green is principally a
mixture of Prussian blue
and chrome yellow. When
"Drying Oils. "The theory about the
chrome green is used as a
existence of a ‘copper
Definition. — The drying pigment it should be free
resinate’, that was used for
oils are those oils of from soluble salts,
green translucent glazes
vegetable origin which, otherwise the soluble salts
and was supposedly made
being liquid at the ordinary are liable to affect the
by dissolving verdigris in
temperature, possess the linseed oil. A paint which
hot varnish, has led to the
property of gradually and contains chrome green
frequent identification of
progressively absorbing when used at the seashore
such a mixture when resins
oxygen from the air at usually bleaches, so that a
were identified in green
ordinary temperature, and paint for that purpose
paint layers. I name the
in so doing, instead of should contain chromium
Walters passion (late 15th
yielding a rancid, more or oxide as the pigment.
century, Walters Art
less viscous, greasy mass,
Museum, Baltimore), the Chromium Oxide.
change gradually and
painted wings of the Chromium oxide is the only
eventually by insensible
Oplinter retable (early perfectly permanent green
gradations from the original
sixteenth century), and the made. It mixes with every
condition of a fluid oil into
Crucifixion with St other pigment without
solid
elastic substances Catherine and St Barbara decomposition and stands

insoluble in the usual oil (late fourteenth century, exposure to light without
solvents." Bruges, Cathedral of the fading or darkening. It is
Holy Saviour). Opponents unaffected by alkali.
of this theory and have
PDF (Google.com) (4.4 Zinc Green.
often suggested that the
MB) Zinc Greens are usually
resins were contaminations
mixtures of chromate of
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zinc and Prussian blue and
treatments or varnishes
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that were applied on top of
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permanent to alkali or
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existence of copper
used in flat wall paints and
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for paints for interior
believes verdigris was
decoration.
simply mixed with heat-
Read Online bodied oil to which perhaps Verte Antique (Copper
a little ready prepared Green). This is generally
varnish was added" bicarbonate of copper. It is
used for producing a
corroded copper effect,
Read Online PDF known as verte antique.
PDF
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The Camera : or Art of On the Theory of Practical Directions for The Practice of The Theory and Practice Water-Color
Drawing in Water Colors, Painting; Portrait Painting in Water Watercolor Painting, of Landscape Painting in
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with instructions for to which is added and Colors, Water-Colors.|
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sketching form nature: index of mixed tints, and an Illustrated by a series of
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drawing, familiarly numerous woodcuts,
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Water Color Painting, Painting in Water Colors The Theory and Practice Water-Color Painting Masters of Water-Color Water Color Painting
a book of elementary of Water Colour Painting Oil and Water-Color Painting
By Henry Warren By Adolf Dehn, 1945
instruction for beginners Painting contrasted—
By George Barret, 1840 by H. M. Cundall and C.
and amateurs, Ambitious Mistakes of
Geoffrey Holme. ©1922-
Beginners—Water-Color
by Grace Barton Allen, "DIFFERENCE OF WATER 1923 *Available in a protected
Painting To-day—Methods
1903 AND OIL PAINTING. "The yellow sable, when DAISY file only. It can only
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in neither is the material of worn off by frequent use, By Mary L. Breakell, 1904 "The earliest form of issued by the Library of
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Materials, Flowers fruit and this kind is seldom met more or less throughout the The Greeks acquired their
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hue each succeeding The English monks visited
PDF (Google.com) (2.7 afternoon according to the PDF the Continent and learnt
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Such parts of the clouds as colors the term of painting
Full Text oppose the sun's light must in body-color came in use.
be tinged with Yellow Painting in this manner was
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Ochre, and graduated with employed by artists
Light Red, or Burnt Sienna, throughout Europe in
towards the part; and the making sketches for their
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than the blue, will require Two such drawings by
Cobalt and Indian Red, or Albrecht Dürer, produced
Brown Madder, for the with great freedom in the
purplish tint usually seen at early part of the sixteenth
this time" century, are in the British
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Trees, and How to Paint Talks in My Studio: The A Practical Treatise on First Steps in Water Color Water Color Painting,a The Camera
Them in Water-Colors Art of Seeing, Drawing and on Painting Painting book of elementary or the Art of Drawing in
Facts and Fancies about in Water Colours, instruction for beginners Water Colors
by William Henry James by Martin F. Gleason,
Art, Pictures, Together with with illustrative examples in and amateurs with Instructions for
Boot, 1883 ©1921
a Plain Guide to Water- pencil, in sepia, and in Comprising the Whole
by Grace Barton Allen With
Color Painting and water colors, leading the "The teacher may do much Process of Water-colored
Illustrations By The Author,
Sketching from Nature pupil progressively, from good developing by having drawing |
" I DON'T know how it is, Published 1898
the first rudiments, to the children observe the familiarly Exemplified in
but I can't do trees," is a By John Ivey, 1903
completion of works of art shapes of leaves and Drawing, Shadowing, and
remark an artist frequently petals and showing through Tinting a Complete
in their finished state; "Before the student begins
hears; and it is too often Landscape, in all its
comprehending the demonstration how to form
justified by the poor and "...Since water-color has to put color on his paper,
treatment of coast scenery, them with the brush. Progressive Stages: and
crude attempts at tree asserted itself in the hands he should consider just
river scenery, and general Children may do some Directions for Compounding
delineation that accompany of many of the world's great what he intends to do, and
landscape. experimenting on a and Using Colors Sepia,
it... modern masters as the how he intends to set about
separate piece of paper Indian Ink, Bister, Etc.
best medium of interpreting By Giles Firman Phillips, it. He ought to understand
before painting the flower
the tenderest and most 1839 the reason for every touch by J.Hassell, Published
study. Observation to
Download PDF charming passages of he gives his work, 1823
obtain facts concerning
atmospheric effects, and, otherwise it is of no value
plant characteristics and
moreover, has been proved Download PDF to him. If he arrives at a
imitation in developing
Read Online to be absolutely permanent point from which he does "Your sponge, which should
EPUB technique will go a long
in character, there is not know how to go on, he be in size a small handful,
way toward bringing
naturally a rapidly should not continue to paint immerse into a basin of
satisfactory results in this
increasing interest at random, but should lay clear water; squeeze it
Read Online line of work."
exhibited toward it on the down his brush, and not gently until you discharge
part of all lovers of pictures take it up again until he has what is superfluously held
and of wealthy collectors... fully decided upon the in it; with the sponge thus
PDF
course he will pursue. " charged with water carefully
Plain text pass over the sky
Download PDF (Google) backwards and forwards,
DjVu
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EPUB (google) even and soft to the eye; if
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Read online the water opposing the tint,
DjVu
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Daisy disappear. I Again let your
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Other Arts, Sculpture, Print Making, Etc. - Free eBooks | Page Top^
Artist Handbooks || Artists || Drawing || Reference & Anatomy || Free Art Magazines || Oil Painting || Pigments || Watercolors | Other Arts
Wood-Block Printing Bound By Law Technique of Sculpture Memoirs Illustrative of Beautiful Women in Art, Beautiful Women in Art ,
A Description Of The Craft the Art of Glass-Painting Vol. 1 Vol. 2
By Daya Filmaker, By William Ordway
Of Woodcutting & Color
copyright ©2006 by Keith Partridge By Charles Winston, 1865 By Armand Dayot, 1902 By Armand Dayot, 1902
Printing Based On The
Aoki, James Boyle,
Japanese Practice
Jennifer Jenkins
by F. Morley Fletcher, " Sculpture is the oldest of "It is evident, 'he observes,' "A GENERAL view of the "O designate a feminine
1916?, with drawings and the arts. Long before the that the first step towards portraits of women type in which beauty
illustrations by the author "This book is about the Scriptures were written we elevating glass-painting to reproduced in this volume, depends upon the
and A. W. Seaby. Also effects of intellectual find products of it in ancient the rank it once held portraits of women incessant play of
collotype reproductions Of property on culture – Egypt. It is the most among the arts, is to belonging to the most expression, the in- tense,
various examples of something of interest to enduring, as well as the estimate its productions by remote antiquity, as well as changeable animation of
Printing, and an original artists and citizens around most ancient, of all arts..." those sound rules of those of lovely the physiognomy, we
Print designed and cut by the world. Reflecting the criticism which are alike contemporaries, shows usually say: an eighteenth
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The Art of Bookbinding The Magic Art, The Art of Magic The Art of Brewing The Art of Miniature The Art of Fresco
Being Volume 1 of the Painting Painting;
by Joseph William Thomas Nelson Downs, by David Booth, 1829
Magic Art Series as practised by the old
Zaehnsdorf, 1880 1921 by Charles William Day,
by donald Holms 1920 Italian and Spanish
1852
"The artificial formation of Masters,
"This book is intended to "For the purpose of this exhilarating and a preliminary inquiry the
give the amateur sufficient "...I make no apologies for book it will be convenient to intoxicating liquors has nature the colours used in
"...Almost every painter
knowledge to enable him to the inclusion of certain divide magic into three been practised in most fresco painting, with
sees nature with a different
avoid such mistakes in his known tricks and devices. branches: manual dexterity, ages and nations..." observations and notes.
eye, and uses different
purchases, and at the The book is not intended so mental subtleties and the Mrs. Merrifield, translator of
colours to imitate it, some
same time give him as much for the collector of surprising results produced Cennino Cennini
more successfully than
much instruction as will, if magical literature as for by a judicious and artistic PDF (7.0 MB) others; the colours, By Mary Philadelphia
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permit, enable him to bind amateurs, who, seeking blending of the second and EPUB mentioned below, will
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Stained Glass as an Art The Art of Wood Carving A Manual of Wood Practical Forging and Art The Art of Making Paper The Fine Art of
Carving Smithing Photography
by Henry Holiday, 1896 by George Alfred Rogers, by Rensselaer W Daniels,
1867 By Charles Godfrey Leland, by Thomas Francis 1905 by Paul Lewis Anderson,
1891 Googerty, 1915 1919
"...for this purpose three "...In commencing the study "..the author has "...The artistic success of "...As in the case of many "THERE are almost as
things are indispensable : of wood-carving it will be endeavoured in these this book lies in the evident useful arts, the earliest many definitions of the
1. A brief but clear account well to see that the pages to treat wood- fact that the work beginnings of paper- phrase " fine art " as there
of the technique and necessary implements and carving not merely as a fine represented appears 'Hand making, properly so-called, are writers on the subject,
methods pertaining to the materials are at our hand; I art, whose chief aim is to wrought and fashioned to must be traced among the one author even
material. 2. An examination will, therefore, give in this produce specimens of beauty and use'. .." Chinese; but it is worth maintaining that any
into the artistic possibilities section a list and fancy work for exhibitions, while to bestow some beautiful object produced
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Master Art Forger The Forgers, Dealers, Creative Ceramics A The Principles of Light The Art of Illumination, as Use Of Native Craft
Story Of Han Van Experts, Strange Primitive Craft Becomes and Color Practised During the Materials
Meegeren Chapters In The History A Fine Art Including Among Other Middle Ages:
by: Margaret Eberhardt
Of Art Things The Harmonic Laws With a description of the
by John Godley, ©1951 by Kartherine Morris Lester, Shanklin, ©1947
of The Universe, The metals, pigments, and
by Sepp Schuller, ©1960 ©1948 Publisher: The Manual Arts
Etherio - Atomic Philosophy processes employed by the
Press
of Force, Chromo artists at different periods
"...It is a fact that he
Chemistry, Chromo
proceeded to paint six "Who are the forgers and "...It was, no doubt, the By Henry Shaw. 1870
Therapeutics, And The
spurious "Vermeers" and who are the experts? It is highly plastic quality of clay "All plans and information
General Philosophy of The
forge two "de Hoochs" and not always easy to say, so and its sensitive response on the use of native
Fine Forces, Together With
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Numerous Discoveries And
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Practical Applications
outstanding examples from forgers when copying a primitives. It is this same been preserved to our selected and set down only
the Brushes of two of the work of art. The greatest art plastic quality which, By Edwin D. Babbitt, 1878 times, none possess a after diligent effort on the
greatest artists of all time, experts can be, and have charmlike, continues to greater amount of interest, part of the author of this
— The experts and the been, taken in by a clever hold the interest of or more varied instruction, book."
connoisseurs agreed on piece of forgery, and moderns..." "it seemed quite possible at than illuminated
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The Druggist's General One Thousand Secrets of The Principles of Paper & Paper Making The Art of Paper-Making; The Practical
Receipt Book, Wise and Rich Men Aesthetics Ancient and Modern A practical handbook of the Papermaker:
Revealed, manufacture of paper from a complete guide to the
by Henry Beasley, by DeWitt H. Parker, ©1920 by Richard Herring, Third
rags, esparto, straw, and manufacture of paper
Copyright ©1876-1886, by C. A. Bogardus, 1907, Edition.1863, Introductory
other fibrous materials,
Lindsay And Blakiston Copyrighted 1898 Preface by James Dunbar, 1881
including the manufacture
By C. A. BOGARDUS "Although some feeling for By the late Rev. George
of pulp from wood fibre
Revised and Enlarged beauty is perhaps universal Croly, LL.D.
"Comprising a copious 1907, Fourteenth Edition among men, the same by Alexander Watt, "Recipes for High-class
veterinary formulary cannot be said of the F.R.S.A., 1907 Papers:
numerous recipes in patent understanding of beauty. "On the Materials employed
In making papers of
and proprietary medicines " HARTER'S IRON TONIC. The average man, who in the Formation of Paper
superior quality,
druggists' nostrums, etc. —Calisaya Bark two ozs., may exercise considerable — Method of Preparation "...many of the substances
considerable experience
Perfumery and cosmetics Citrate of Iron two ozs., taste in personal — Processes of from which cellulose, or
and skill are necessary in
beverages, dietetic articles, Gentian two ozs., adornment, in the Comminution — Washing, vegetable fibre, can be
selecting and blending the
and condiments trade Cardamon Seed two ozs., decoration of the home, or Bleaching, etc., described separated for the purposes
material. The following
chemicals, scientific Syrup two ozs., Alcohol two in the choice of poetry and — Paper Making by Hand of paper-making with
receipts will produce
processes and an appendix ozs., Water eight ozs. Mix. painting, is at a loss when — Paper-making Machine advantage; but the
papers, smooth, strong,
of useful tables " called upon to tell what art — Sizing Apparatus — vegetable kingdom
HALL'S BALSAM FOR tough, and possessing
is or to explain why he calls Cutting Machine, etc., furnishes in addition a vast
THE LUNGS.—Fluid elasticity of feel and
one thing "beautiful" and explained — General number of plants and
Extract Ipecac one-half oz., clearness of color:
PDF (21.9 MB) another "ugly." Even the Observations on what are vegetables which may also
Fluid Extract Squills one
artist and the connoisseur, termed Water Marks — be used with the same EXTRA SUPERFINE
EPUB oz., Chloroform one-fourth
skilled to produce or Manner of effecting the object. We have seen CREAM.
oz., Wine of Tar one oz.,
Kindle accurate in judgment, are same — Importance voluminous lists of fibre- FOR 300 LB. DRY PAPER.
Tinct. Opium, one-fifth oz.,
often wanting in clear and frequently attached to them yielding materials which S.P.F.F., 1/4; Dark Fines,
Daisy Fluid Extract of Mullen one
consistent ideas about their — Ireland's Fabrication of have been suggested as 1/4;
oz., Syrup enough to make
Full Text own works or the Shakespeare MSS. — suitable for paper- Green Linen, 1/4; New
one pint.
appreciations. " Difficulty of procuring making..." Pieces, 1/4 ;
DjVu GODFREY'S CORDIAL.— suitable Paper for the 4 oz. ultramarine, marked
Tinct. Opium six ozs., purpose — On the B.B.A.C. ; 1 1/2 gill
Read Online HTML (chest Molasses four pints, Download PDF perfection to which Water PDF (15.2 MB) cochineal ; 40 Ib. pearl
of Books) Alcohol eight ozs., Water Marks have now attained, B/W PDF (11.2 M) hardening.
six pints, Carbonate Potash especially with reference to
Read Online (Archive.org) EPUB SUPERFINE CREAM. FOR
four drams., Oil Sassafras Read Online the production of Light and
300 LB. DRY PAPER.
cut with Alcohol one dram. Shade, as seen in the New Kindle
Dark Fines, 1/4 ; S.P.F., 1/4;
Dissolve the Potash in Bank Note, etc. etc .."
Daisy Superfines,
water, add the Molasses;
1/4; Spanish Esparto, Fine,
heat over a gentle fire till it Full Text 1/4;
simmers, remove the scum, PDF (9.3 MB)
DjVu 6 oz. ultramarine, B.B.A.C. ;
add the other ingredients,
EPUB 1 gill cochineal ; 40 Ib. pearl
the oil dissolved in the
hardening ; 14 Ib. dry
Alcohol. Kindle
Read Online starch. "
HOOD'S SARSAPARILLA. Daisy
—Fluid Extract Sarsaparilla
one oz., Fluid Extract Full Text
PDF (4.1 MB)
Yellow Dock one oz., Fluid DjVu
EPUB
Extract Poke Root, one-half
oz., Iodide of Potash one- Kindle
half oz., Syrup Orange Peel Read Online
one oz., Alcohol four ozs., Daisy
Syrup enough to make one Full Text
pint.
DjVu
HAMLIN'S WIZARD OIL.—
Oil Sassafras two ozs., Oil
Cedar one oz., Gum Read Online
Camphor one oz., Sulph.
Ether two ozs., Chloroform
two ozs., Tinct. Capsicum
one oz., Aqua Ammonia
two ozs., Oil Turpentine
one oz., Tinct. Quassia
three ozs., Alcohol half a
gallon. Mix and you have a
fine liniment. "

EPUB (with images)
Read Online HTML
Henley's twentieth A concise history of A concise history of The Scientific American

century formulas, recipes ancient institutions, ancient institutions, Cyclopedia of Formulas
and processes, inventions, and inventions, and Partly Based Upon The
containing ten thousand Discoveries in Science Discoveries in Science Twenty-eighth Edition Of
selected household and And Mechanic Art; And Mechanic Art; Scientific American
workshop formulas, Volume 1 Volume 2 Cyclopedia of Receipts,
recipes, processes and Notes And Queries
Abridged and translated Abridged and translated
moneymaking methods for Edited By Albert A.
with important additions by with important additions by
the practical use of Hopkins, C 1910
Johann Beckmann, 1823 Johann Beckmann, 1823
manufacturers, mechanics,
housekeepers and home
workers Picture Varnish.
Partial contexts of first "Ancient Process Of
Edited by Gardner D. section: Making Verdigris: 1. —Several varnishes are
Hiscox, M.e.. 1916 called by this name. Tale
Of Spinning-Machines; — The greater part of our
copal or mastic varnish is
Penalties against Sorcery; verdigris was formerly
generally used for oil
— Lapland Wizards; — manufactured at
"Absinthe.— paintings, and crystal, white
Magic Drum; — Ancient Montpelier. The process is
hard spirit, or mastic
Version I.— Books on Conjuration; — simple: the dried stalks of
varnish, for water-color
Oil of wormwood... 96 Antiquity of Deceptions with grapes being steeped in
drawings on paper.
drops; Fire; — Trial by Ordeal; — strong wine, are brought to
Oil of star anise. . . 72 Hirpi; — Modern Fire- a sour fermentation, after 2. —Solution of Venice
drops; Eaters; — Cups and Balls : which they are placed in an turpentine, 8 kilos, and
Oil of aniseed 48 drops; — Feats of Strength; — earthen-pot, with alternate sandarac, 8 kilos, in spirit,
Oil of coriander. .. 48 drops; Tumbling; — Rope-Dancing layers of plates of copper, 28 kilos.
Oil of fennel, pure. 48 and Horsemanship; — the surface of which
3. —Mastic, 175 parts;
drops; Learned Animals; — becomes corroded in a
turpentine, 45 parts;
Oil of angelica root 24 Dancing Bears; — Bees; — short time, and the calx is
camphor, 15 parts;
drops; Deformed Persons ; — then scraped off.....
pulverized glass, 150 parts;
Oil of thyme 24 drops Stone Eaters
Ultramarine: alcohol, 110 parts. Mix and
Alcohol (100% pure) ....
dissolve.
162 fluid ounces; The word ultramarine or
Distilled water. ... 30 fluid Section on Indigo: azurrum ultramarinum 4. —Mastic Varnish.—a.—
ounces; seems to have been Fine. Very pale and picked
"The dye-stuff termed
common about the end of gum mastic, 5 lb.; glass
'indigo' is a friable
the fifteenth century. In the pounded as small as
Dissolve the oils in the substance obtained from beginning of the sixteenth barley, and well washed
alcohol, add the water, the fermented and century, Vanuccio and dried. 2 1/2 lb.:
color green, and filter clear. desiccated juice of certain Biringoccio, gave directions rectified turpentine, 2 gal.:
plants, known to botanists for preparing the real put them into a clean 4 gal.
Version II.—
by the generic title of indigo ultramarine, which he has stone or tin bottle, bung
Oil of wormwood. . 36
(era tinctoria), and is sufficiently distinguished down securely, and keep
drops;
employed to impart the from copper azure, or rolling it backward and
Oil of orange peel. 30
various tints of blue and azurro dell' Alemagna, forward pretty smartly on a
drops;
purple. It appears to have describing it as being made counter or any other solid
Oil of star anise. .. 12
been manufactured in the from the lapis lazuli..." place for at least 4 hours:
drops;
East-Indies from the when, if the gum is all
Oil of neroli petate. 5 drops;
earliest periods of which we dissolved, the varnish may
Fresh oil of lemon. 9 drops;
have any authentic PDF (google) be decanted, strained
Acetic ether 24 drops;
account, and it is through muslin into another
Sugar 30 avoirdupois ePUB (google)
remarkable that it still bottle, and allowed to
ounces;
preserves its ancient settle. It should be kept for
Alcohol, deodorized 90 fluid
appellation... 6 or 9 months before use.
ounces; Read Online (google)
as it thereby gets both
Distilled water... . 78 fluid ,,,that a decree was
tougher and clearer.
ounces; published, in 1577,
prohibiting the newly- b.—Second Quality.—
Dissolve the oils and ether
invented, fraudulent, Mastic, 8 lb.; turpentine, 4
in the alcohol and the sugar
destructive, and corrosive gal.; dissolve by a gentle
in the water; then mix
dye, called the devil's dye, heat, and add pale
thoroughly, color green,
for which vitriol and other turpentine varnish, 1/2 gal.
and filter clear.."
pernicious substances
PDF
were used instead of
woad." Read Online
PDF (29.0 MB)
EPUB
PDF (google)
Kindle
ePUB (google)
Daisy
Full Text
Read Online (google)
DjVu
Read Online (1916)

Read Online (google, 1914
edition)
Recommended Paint Making, Art Materials and Pigment Books for Sale | Page Top^
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©2014 by David Myers, All Rights Reserved. Please e-mail me with corrections, additions or comments.
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Artist Reference Resources:

Historical Artist and Pigment Reference Sources:
This is just a partial list, for a more complete listing of Historical Pigment References see the Free Art Books Page.
1. The Industrial and Artistic Technology of Paint and Varnish,

By Alvah Horton Sabin, Published by J. Wiley & Sons, 1904
2. The Painters' Encyclopaedia,

By Franklin B. Gardner, Published by M.T. Richardson, 1887
3. The Science of Painting,
By Jehan Georges Vibert, Published by P. Young, 1892
4. A Treatise on Painting,
By Cennino Cennini, Giuseppe Tambroni, Mary Philadelphia Merrifield, Translated by Mary Philadelphia Merrifield, Published by Lumley, 1844
5. A Treatise on Painting,
By Leonardo Da Vinci, John Francis Rigaud, Published by J.B. Nichols and Son 1835
6. The Book of the Art of Cennino Cennini,
By Cennino Cennini, Cennini, Christiana Jane Powell Herringham, Translated by Christiana Jane Powell Herringham, Published by G. Allen &
Unwin, ltd., 1899
7. The Chemistry of Paints and Painting,
By Arthur Herbert Church, Published by Seeley, 1901
8. A Handbook for Painters and Art Students on the Character and Use of Colours,
By William J. Muckley, Published by Baillière, Tindall, and Cox, 1880
9. The Household Cyclopedia,
By Henry Hartshorne 1881
10. The Chemistry of Pigments,
By Ernest John Parry, John Henry Coste, Published by Scott, Greenwood, 1902
11. Facts about Processes, Pigments and Vehicles: A Manual for Art Student,
By Arthur Pillans Laurie, Published by Macmillan, 1895
12. The Manufacture Of Earth Colours:
By DR. JOSEF BERSCH, translated by CHARLES SALTER,SCOTT, GREENWOOD & SON , 1921 Link
13. Materials for Permanent Painting,
By Maximilian Toch 1911
Modern Pigment and Artist Reference Sources:
14. The Artist’s Handbook,

by Pip Seymour, Arcturus Publishing (September 16, 2003)
15. The Artist's Handbook, Revised Edition,
Ray Smith; DK Publishing 2003
16. The Artist's Handbook of Materials and Techniques,
Third edition, by Ralph Mayer; Viking Press 1979
17. Artists' Pigments: Volume 1: A Handbook of their History and Characteristics
Edited by Robert L. Feller
Edited by Ashok Roy (Oct 2, 1993)
Edited by Elisabeth West Fitzhugh (Oct 1997)
Edited by Barbara Berrie (Jun 7, 2007)
21. Collins Artist's Colour Manual,
Simon Jennings; HarperCollins Publishers 2003
22. Color Index International Pigments and Solvent Dyes,

The Society of Dyers and colourists, third edition 1998
23. A Dictionary of Art Terms and Techniques,
Ralph Mayer, Harper and Row Publishers, New York, 1969
24. The Materials and Techniques of Painting,
by Jonathan Stephenson (May 1993)
25. The Painter's Handbook,
Mark David Gottsegen; Watson-Guptill Publications 1993
26. Painting Materials A Short Encyclopaedia,
by Rutherford J. Gettens and George L. Stout; Dover Publications 1966
27. Pigment Compendium,
by Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall; Butterworth Heinemann 2004
Web Resources and Art Suppliers with Excellent Reference Materials:
28. American Institute for Conservation of Historic and Artistic Works (AIC):
National membership organization in the United States dedicated to the preservation of cultural material, establishes and upholds professional
standards, promoting research and publications, educational opportunities, and fostering the exchange of knowledge among conservators, allied
professionals, and the public.
29. AMIEN:
a resource for artists dedicated to providing the most comprehensive, up-to-date, accurate, and unbiased factual information about artists'
materials
30. Blick Art Materials;
has done a extremely thorough job of indicating the pigments used in most of the paints they sell, making the Dick Blick art supply website much
more than just a store to purchase paint and art supplies.
Dick Blick also has the MSDS sheets
for of most of the products they sell , making the Blick site a valuable resource for toxicity info and the health and safety of artist materials.
31. Coloria.net,
a large and thorough site on pigments, in Finnish http://www.coloria.net/index.htm
32. Conservation and Art Materials Encyclopedia Online (CAMEO), The Materials Database,
developed at the Museum of Fine Arts, Boston (MFA), to be a more comprehensive and well-rounded encyclopedic resource for the art
conservation and historic preservation fields. The MATERIALS database contains chemical, physical, visual, and analytical information on over
10,000 historic and contemporary materials used in the production and conservation of artistic, architectural, archaeological, and anthropological
materials.
33. Conservation OnLine (CoOL):
A freely accessible platform to generate and disseminate vital resources for those working to preserve cultural heritage worldwide.
34. The Handprint,com;
site by Bruce MacEvoy has loads of excellent information on watercolor pigments and Has a excellent color wheel showing where the actual
pigments are in color space. Truly an awesome site, the site is directed at watercolors, but is a good general reference for any paints or pigments.
35. Webexhibits.org;
Great pigment sight that even includes step by step instructions for making you own pigments.
36. The Real Color Wheel;

by Don Jusko is also a great color site.
37. Studiomara;
has a fantastic pigment reference database sorted by the marketing paint color name and brand.
38. Health and Safety in the Arts;
A Searchable Database of Health & Safety Information for Artists
39. Household Products Database;
Health and safety information on household products from the US Department of Health and Human Services
40. Natural Pigments:
One of the best sources of rare natural and historical pigments and information.
41. Pigments and their Chemical and Artistic Properties; by Julie C. Sparks, is part of The Painted Word Site. Wonderful stuff.
42. Paintmaking.com: By Tony Johansen, Great Paint making site with all types of useful pigment and binder information for the artist.
43. PCImag.com; Paint & Coatings Indusry
2010 Additives Handbook by Darlene Brezinski, Dr. Joseph V. Koleske, Robert Springate, June 4, 2010;
A History of Pigment Use in Western Art Part 1;
A History of Pigment Use in Western Art Part 2
44. Dick Blick Artist Supply:
Full Range of art supplies at discount prices and has pigment info on most paints they sell
45. Kremer Pigmente Europe / Kremer Pigments USA site;
Has a huge amount of pigments and information.
46. Earth Pigments:
Specializes in earth pigments.
47. Guerra Paint and Pigments:
Many rare and out of production Pigments mostly in aqueous dispersions
48. Sinopia:
Lots of Pigments & info
Health and Safety in the Arts References and Info:
49. Art and Craft Safety Guide (PDF, 250 KB)

Consumer Product Safety Commission
50. Art Materials Business Guidance
Consumer Product Safety Commission
51. Art Safety
Environmental Protection, Health & Safety, California State University at Monterey Bay
52. Artist Safety
Center for Research on Occupational and Environmental Toxicology, Oregon Health & Science University
53. Environmental Health & Safety in the Arts: A Guide for K-12 Schools, Colleges and Artisans
U. S. Environment Protection Agency
54. Exposing Ourselves to Art (PDF, 6.83 MB)
Scott Fields. Environmental Health Perspectives Volume 105, Number 3, March 1997
55. Health & Safety Bibliographic Resources and Resource Guides in Art Conservation
CoOL – Conservation Online, Stanford University Libraries
56. Health and Safety Guides and Publications
American Institute for Conservation of Historic and Artistic Work
57. Art Safety

Office of Environmental Health and Safety, Connecticut College
58. Health and the Arts Program
The Occupational Health Service Institute, University of Illinois at Chicago
59. Online Health and Safety in the Arts Library
The Occupational Health Service Institute, University of Illinois at Chicago
60. Arts, Entertainment and Recreation
New York Committee for Occupational Safety and Health
61. Studio Safety
Gamblin Artists Colors
*other ASTM specifications used the the labeling of artists materials are:
D4236-94(2011) Standard Practice for Labeling Art Materials for Chronic Health Hazards
D4302-05(2010) Standard Specification for Artists' Oil, Resin-Oil, and Alkyd Paints
D4303-10 Standard Test Methods for Lightfastness of Colorants Used in Artists' Materials
D4838-88(2010) Standard Test Method for Determining the Relative Tinting Strength of Chromatic Paints
D4941-06(2010) Standard Practice for Preparing Drawdowns of Artists' Paste Paints
D5067-05(2010) Standard Specification for Artists' Watercolor Paints
D5098-05a(2010) Standard Specification for Artists' Acrylic Dispersion Paints
D5383-02(2010) Standard Practice for Visual Determination of the Lightfastness of Art Materials by Art Technologists
D5398-97(2010) Standard Practice for Visual Evaluation of the Lightfastness of Art Materials by the User
D5517-07 Standard Test Method for Determining Extractability of Metals from Art Materials
See also WK41263 proposed revision
D5724-06(2010) Standard Specification for Gouache Paints
D6801-07 Standard Test Method for Measuring Maximum Spontaneous Heating Temperature of Art and Other Materials
D6901-06 Standard Specification for Artists' Colored Pencils
See also WK27266 proposed revision
D7354-11 Standard Guide for Artists’ Paint Waste Disposal in Private, Non-Commercial Settings
D7355-10 Standard Guide for Artists' Paint Waste Disposal in Smaller Commercial or Educational Settings
D7733-12 Standard Specification for Acrylic Dispersion Ground
WK28388 New Specification for Traditional Artists Watercolor Paints
WK37409 New Test Method for Measuring Aspiration Potential of Aerosol Products
WK37916 New Specification for Standard Specification for Artists Pastels
I hope you you have found the Pigment Database useful info for oil painting and watercolor painting, acrylic painting or indeed any painting
medium; I have tried to make this a good resource for the fine arts, that has the important information on toxicity of paint and art materials
including the hazards of some craft materials used by decorators, interior designers, illustration and graphic designer;
© 2013 by David Myers all rights reserved

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